#so ur just left there w a scene that is structured in such a way as to characterise Miguel as supposedly

[fellhellion]

“Miguel cheats on Xina and is so callous in his explanation of said act because it comes from a place of self sabotage” is one of those readings where I really like it’s implications and agree it’s plausible for Miguel to do that, but also think it’s harder to textually support.

The difference in Miguel’s reaction between Xina vs how he handles Gabriel is. Incredibly stark.

I think reading self sabotage here with Xina only really works with the cruelty of mocking Xina as she leaves or making a face at her that doesn’t seem to hint at remorse if you read that self sabotage as being either unconscious, or a deeply suppressed. Which are plausible for the character as I’ve said; but I’d argue aren’t supported within the textual presentation we are offered here into Miguel’s supposed emotional state.

Compare and contrast to the confrontation with Gabriel. Miguel is still being a dick, but it’s not the active aggravation like towards Xina, more a sense of condescending pity.

Most critically, you have the time to taken to offer small insight into Miguel feeling guilt at Gabriel trying to forgive him and retreating from that. It’s a reaction no one other than Miguel is privy to and hints at that feeling being aggravated and then suppressed. Most notably, it’s just. Not something we see replicated in his interaction with Xina.

I don’t think any of this particular reading I’m offering here negates the obvious regrets Miguel holds regarding Xina into the future of 2099 though.

Like regardless of whether you choose to read it as active disregard or an unconscious self sabotage (or both), it’s very obvious Miguel holds a lot of regret regarding tarnishing that friendship (and the unspoken love that was present there) and this manifests in one of the most notable ways through the ambiguity to his reaction to Lyla’s confession.

Like. You can essentially read quite a plurality into Miguel’s deflection/bemusement here. From his deeply complicated relationship to love and self hatred, to the fact that Xina becomes retroactively intrinsic to Lyla and that aspect offering the scene a completely new dimension, tinged with palpable regret.

I think it’s entirely plausible, given the ambiguity where Miguel’s reaction comes from to argue for that being present within this scene given not only its presentation, but that guilt over Xina is something we see present in Miguel.

[rycusfunnies]

I usually don't chime in for things like this but I wanna put in my own yap too about my special interest despite me heavily focusing on the lemons buuuuut this concerns them and I love worldbuilding and making sense of how their syndicate even works and headcanoning stuff about what happened offscreen. BIG OL' POST WARNING. I always was a supporter of Leland(pixar can u stop throwing away good characters w so much potential smh wheres my Finn and Leland backstory hmmmm???) was on a ship during the filming of that transmission and can offer high quality pictures of his scene(It isn't much since its purposely made grainy and pixelated but I figured it would still help) thats very telling to me he's prob on a ship esp w the structure of the metal on the side, reminds me of a hull imo and a bunch of other stuff I'll get into further down. You guys seemed to point out alot of things I noted.

(the last pic makes me crack up so bad I had to use it but anyway)

Because unlike irl where the workers on rigs are usually delivered via helicopter the lemons just wanna be special and load workers and cargo via cruisers, good on them I guess and I suppose because they're so large its just more suitable and efficient that way. How else would he get there anyway if thats their main method? And not to mention I was shown pictures of a Cars 2 book that pretty much implies the camera was delivered to the rig and was a prototype.

Another thing that pretty much supports this theory is that once Finn tries contacting him all the bustle is about unloading cargo and crates and during those scenes you can see the ship opening up a bay for the crane dude to assist on getting it all on the platform. Also the Leland cube was in a crate as well. ALSO, when it pans to a full shot where Grem speaks Lelands crate is NOWHERE to be seen until the prof is called over(tho oddly the forklift showing the box w the camera comes in from a dif angle from the left like it wasn't on that ship, so thats odd... perhaps they didn't think about that? Or perhaps since the crane dude is totally ok w just dropping other pieces of cargo anywhere... really don't want to believe the first bc this is pixar we're talking about)

As for who crushed him. It was def Acer and Grem. During the intro before Leland drives off you can hear a "Lets go!" in the background that eerily sounds close to Acer(Trust, when u basically have the movie on ur pc and cropped nothing but those two speaking or just existing on screen and also have all of their video game dialog its like, yknow. I am mentally ill about those two) They are second in command(Chief Henchcars according to the book I mentioned) and were the two to find him going by this info. And not to mention the silhouettes are def a Pacer and Gremlin(Though as to why the roofrack isn't there I have no clue LOL. The light bloom is prob too strong for it to be shown?? But the car on the right... it looks too square-ish and the roof is too flat to be just another Pacer to me and I'm obsessed w Gremlins, I know that shape anywhere.)

As for the coordinates that's really interesting it leads to somewhere in Alaska where its prob one of the many onshore base of operations they have. I wanna go by the hc he snuck on during cargo loading and they perhaps caught a glimpse of someone sneaking on and were suspicious and eventually went to check it out. And I suppose when Finn got there he arrived soon enough to where Tony was almost to the rig, but too late for Leland. Makes me question what the hell they even have on those ships to crush a entire car, dawg like what are u a swiss army knife ik they are former US military ships but??? Kinda scary to think about the conversation Grem, Acer, and any other lemons accompanying them must've had about it. Sending a message to the prof. To let him know and make the final decision on his fate. Prof just prob knew who it was by their description since Finn and Prof know each other he prob is aware of Leland too since he said his name before he was revealed. He's a scary dude that freak. By my headcanon with this here, all three of them are responsible, Prof Z made the call to dispose of him and the two did his dirty work like they always do.

Anyway I am done for now taking little details here and there waaaayyy too seriously, and probably some of it was never meant to be analyzed that hard but idc I wanna make sense of it and its fun. Its alot to take in but I love getting my brain going and THINKING. It was fun to write this.

So a while back, @little-red-irish-jaguar reblogged one of my posts with this devastating theory. The theory was that Leland sent Finn the transmission from Tony Trihull instead of the oil rigs. My first thought was to reject this theory because it went against my preconceptions that were so firmly rooted that my brain immediately sought to preserve them. However after rewatching the movie and studying the evidence, I can safely say that I was wrong. This theory tracks. And I will now write another essay to assess the evidence.

Firstly, the transmission itself: now it’s EXTREMELY hard to see shit in this video. The quality is god-awful and Leland never won any awards for videography. However this glorious angel on deviantart cleaned up some frames. (I’m not going to repost their art though since they don’t seem to be active in the fandom anymore and I don’t want to repost without permission. :/ ) but definitely go check it out!

So I’ll post the same shitty screenshots from the movie. Shoutout to veggieboy ultimate for uploading the opening scene on YouTube.

So there’s crates and metal reinforcements on the walls behind him. It does look like it could be on the oil rig.

Then he angles the camera to show this (port window?) like babygirl we can’t tell what that is… anyway it looks like a window of some sort and there fire. Now. That looks an awful lot like a round ship’s window.

Finally we get this weirdass shot of the ceiling? Again it’s very hard to tell what this is but it’s some sort of mechanical bay door that is closing.

Like it could be that? Tony does have cargo bay doors and that could be what we’re seeing.

Now the icing on top are these pieces of concept art from the Pixar website. That window porthole is drawn without all the overexposure and it looks just like the flair stacks from the oil rigs. And that’s why Leland is trying to get it in frame to show Finn. He’s seen the oil rigs from the ship. But that’s the last we see of him.

Next, we see Finn hightailing it out there to the middle of the Pacific Ocean. Here’s the kicker, the coordinates Leland gives Finn do not take him to the oil rigs.

(And for my even shittier stills) Crabby takes him to the coordinates and is like lol okay here we are! There’s lot of water!!

Now this always confused me as a kid. Was Crabby off with the coordinates? Did he stop too soon? But then if Leland sent the coordinates from Tony Trihull, it makes sense why those coordinates would lead to open water and not the oil rigs. The oil rigs may not be at those coordinates…

but he sure is: the ship Leland sent the coordinates from.

Next we see Finn by the loading dock and he comms Leland to let him know he’s there. Now this threw me off. Finn tells him he’s at the rally point but he’s not at the coordinates Leland sent him. I guess he figured this is where Leland ended up? (I mean he wasn’t wrong, unfortunately.)

Then we see the professor. He’s there because of the camera which they’re loading onto the ship because they’re about to sail to Japan because of the race. But they’re also unloading crates from the ship and it’s one of those crates that Leland’s body is in. He’s being unloaded from the ship which is where he was likely murdered.

.

As for my finishing thoughts. There’s a lot to unpack here. Leland never made it to the oil rigs alive which is a tragedy of its own that he died before he got to see what he’d discovered up close.

He had a lot of faith in Finn to be able to find him from coordinates he sent from a boat. And that faith was well founded. Finn did in fact find him albeit too late.

Since he wasn’t on the ship at the time, Professor Z was not the one who killed Leland (though he may have ordered him killed) it was likely Acer and Grem who killed him—which makes sense since they seem to be the more sadistic of the lemons in later scenes—but I still hate Zundapp just because he was involved in it!

And Finn did in fact get his revenge at the end of the movie in London when he blew Tony Trihull to smithereens. (I’d add the screenshot but I’m at my 10 image limit already XD)

[minisoc]

As requested, line by line breakdown of testoster2's anti communist rant about parties.

> idk which baby leftist needs to hear this

off to a great condescending start from someone whose only left credit is claiming to be on the left on their Tumblr

> but joining a socialist party will be a waste of your time.

I couldn't imagine a more cop opinion to start us off with. i see things like this and i think: whose interests does this serve? "oh no baby leftists, don't join a party" just brings to mind this image

> you'll probably have to pay a monthly due

that's true. every communist party in history has taken dues from members. it's typically scaled to what you can manage though and it's part of the collective effort of the party organization to make social change. my dues sent comrades to Venezuela and Cuba to learn from socialists there, they produced our programs for free lunches, it built our community centers. i have no regrets about paying my dues, i pay dues to my union as well.

> that goes to like. flyers no one reads

projection. sounds now like op is defending their own lack of action with a lack of belief in the possibility of change. in my experience people do read things and even change their minds after reading things. if people were not able to be affected by the written word then propagandists on all sides would be in a tough situation.

> that you yourself will have to give to people

oh no, you mean joining a party means you might have to do outreach and talk to people? can see why it's not for op, then.

> (this in case the money doesn't go straight in the party leader's pocket).

op has never seen this but says it like it's a fact. it would be pretty easy to find out if your party leadership is embezzling and your party should be structured in a way that you know they'd be thrown out if they betrayed everyone like this. i have that confidence in my party, at least.

this is also very reminiscent about how anti communists engage with propaganda. they feel comfortable making claims of any kind whether supported or not. anyway, this is another obvious cop opinion.

> you'll waste time writing papers and reports and shit, it'll feel like having a second job.

not explained is why writing is a waste of time. i think writing for a party is almost always a useful activity, whether you're making plans for a new action or campaign or producing new agitational materials or analysing the results of previous work so you can improve on it.

it is a job, though. being a communist does mean doing work, society won't change by sitting at home and attacking communist parties on Tumblr. the lifelong sacrifices made by hard working communists are why we have seen so many socialist victories in the last century.

> the most exciting events will be lib shit like elections

this again can only be projection. the most exciting times for me have been in some of the countries largest protest actions, organizing campaigns to free political prisoners, providing at risk communities with basic needs and engaging with them, building new unions, etc. etc

> or peaceful protests that the party would still organize w/o you as a member

here's the key issue with op i think. they want to be vital to the revolution. they don't want to think that they're only one of many people all working together. yes it's true the party will continue without you, especially a wannabe cop like you. but it doesn't mean party work is useless, it just means you are useless as an individual.

> (showing up at a protest w/o having a party affiliation gives you more freedom

freedom to do what, i do wonder? being afraid of party work bc it doesn't let you do whatever you want is kinda silly, if you don't want anyone to ever tell you what to do then yeah don't join a party. if you want to make change in the world then do.

> + makes you a bit less arrestable - as opposed to if a cop saw you carrying a name tag w the hammer and sickle on it. just fyi)

this again appears to have been just made up by op. I've never been arrested for wearing a pin or a party tshirt. i don't know a single person who has. and I've known plenty of people without any markings get arrested.

> all this w/o even mentioning how (depending on your luck) there could be a lot of infighting, splits, sometimes purges

well yes it sounds like there would be a lot of drama wherever op goes but it doesn't seem to be the case generally. my party did form in a split, but over 15 years ago. i don't see any reason to worry that it would happen again any time soon. we don't infight at all, sorta the concept of the party is people who want to work effectively together.

another bit of funny evidence that op is anti communist is the inclusion of the word purges, lol. purge means expulsion from party, ooh very sinister.

> all in all, joining a socialist party is a very, Very ineffective way of building communism lmao

well first it's simply a truth that no socialist country was ever built without a communist party. not one.

but also, did any of ops points have anything to do with effectiveness? all i gathered is they're pushing an individualistic, don't tell me what to do outlook. and the condescension about protests and flyering suggest they want something more adventurist, possibly involving violence. remember the fbi and police always instigate when they infiltrate groups. they always push for criminal actions and violence.

> i'd instead recommend you talk to your neighbours abt their lives, and see how you can help each other.

hey, guess what a party does! do you think our new tenants unions and unemployed councils could come into being without talking to neighbors? do you think our new unions could come into being without discussing the way we could help each other?

> if you live in like a very rich neighbourhood or something, instead of joining a socialist party

well isn't this an interesting premise. i wonder what it says about op that they want to emphasize what the well off should do.

> it'd be way more effective if you joined a liberal/conservative party and then fucked their shit up as much as possible

sure, just see every other attempt in history at wrecking or entryism with the Democratic party. i encourage you to look into it

> if ur only goal is meeting other leftists, only go to the first 2 or 3 party meetings, by then you'll know the scene and you'd have already befriended the interesting people. that;s my advice at least

this piece of advice is generally good. in fact before applying to join any party if at all possible i encourage you to meet with the members local to you, see how they work, see what you think of their ideas and what they're doing. if they're not active in your community, ask why not. there's nothing requiring you to join if it isn't for you. but if you want to make change in this country, learning how to do it from those with experience is best. and working together in an organization that can effectively chart a path forward is the only option there is. every communist revolution was built with the leadership of the communist party.

[yume-fanfare]

hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it

oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway

this post is hideously long, so answer under the cut!

so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)

checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted

this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better

look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www

but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)

for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though

the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.

in fact, the style is the main reason i'm saying this slfkslfkslkf

read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there

personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them

but, let's go step by step: developing an idea

for this i'm going to mostly reference the multichap i finished a while ago as an example

i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place

then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of

because, since it's enemies to friends to lovers, an important aspect was character development

not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)

samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know

for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too

since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date

and then with that in mind and the bullet point list, the final basic outline ended up like this:

there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup

it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted

shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck

and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks

in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it

it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable

which bring us to editing

there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing

now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important

once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing

since things like these make the story longer, it also gives room for more development and proper explanation for things that happen

for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting

and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol

i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask

[angieschiffahoi]

congrats on finishing? lol. personally still on depressionville over them. rebecca? deserved to live and be a lawyer(?). hannah? deserved to lived. in france with owen helping with a batter place and rolling her eyes at the name. dani? i cant even. dani and jamie lol i can't even. peter deserves to go somewhere worse than hell. so yea, what're ur thoughts?

I am broken. I honestly haven’t stopped thinking about it all since I finished it last night. 

“Dani would never”. HOW DARE YOU.  I didn’t even have nightmares with ghosts! I was just really, really sad. I feel like, in the end, this was a happy ending. Just not for everyone, and that’s the strenght of the Haunting series. Not everyone can live happily ever after, but they contribute to the other’s happily ever after. No death is cheap or played for shock, even though they are shocking and are revealed through twists. The journey to one’s death is the character’s and, even if it does serve the plot and functions a self-sacrificing catalyst to set the happy endings of the other characters in motion, it never serves just to further the story of a single other character and it’s never just for shock value. Death, even when violent, sudden, unburied, is always respectful and somewhat “sacred”. 

At first I thought it was weaker than Hill House, because I felt the Crains’ dynamic was compelling and kind of made the narrative (in the first five episodes, it litterally did). Then I realized that while this started as a “strangers happen to live together in a haunted house” it soon turned into a found family story and it was beautiful.

I still think The Bent Neck Lady twist, even though predictable, was executed in such a beautiful way, and that episode remains the most emotional, tied with Two Storms, which remains my favorite of the series. But DAMN. The Altar of the Dead was so, so good! I knew Hannah was going to be my favorite from the moment she showed up and I had a feeling there was something wrong with her (the fact that she could dream up new clothes was clever, because I was checking those from the start to see if she was a ghost), but how it all tied with the beginning of the story? Wow.

I’m not sure I liked the twist at the end, using completely different actors, but I did love Carla slipping into a bit of cockney while she’s talking to Bride!Flora, as if to try and test if she was going to remember. The kids deserved that ending, honestly, and it’s coherent with what we’ve seen on Hill House (those kids left their demons in the mansion and so they were haunted forever, these kids were able to destroy them and live happily ever after), but I kind of wished they’d remember something. 

Rebecca Jessel coming through in the end was beautiful How she understood Peter was asking too much of the children. How she was willing to live through drowning again for Flora. I wish she had bonded more with Dani, over their love for the children. Also the scene by the lake, with Rebecca’s body, her ghost, Flora and Hannah watching had me sobbing. As for Peter, I hope he’s still in that memory with his mom. He was probably abused as a child and that is terrible, but he killed two people out of selfishness and was willing to kill three more, to have his happily ever after. He was controlling, abusive and manipulative and I wished the show had tried to make him a bit more relatable, to show us his anguish better (Oliver did an amazing job, though), so that by the end I would be torn between him getting peace or justice. But they didn’t and he should burn. 

Anyway, I could talk about this all day. Overall, I loved it. In a world where it came before Hill House, I feel like I would’ve loved it more (even though I’m not sure I would’ve loved Dani as much, hadn’t she played Nell Crain in HH). The ghosts weren’t as scary, and I missed some of that suspance (even though I am glad I will be able to maybe sleep this time); they explained a little bit too much, while HH left some things to the viewer to figure out, and some of the twists were very predictable; the nods to HH were placed well, but I wish they stopped referencing it after the first two or three episodes - it seems to live in reference to the success of its precedessor in a way (also in the way they use the soundtrack); the ending was bittersweet (like HH’s) but borderline cheesy, which kind of killed the vibe a bit (I love romance, especially wlw romance, but it has to be subtle, and the “it’s not a ghost story, it’s a love story” felt a bit too... yeah, cheesy. But that’s just my preference). 

Small structure-complaints under the cut:

I only have two complaints:

- I feel like they wasted an entire episode on Viola, Perdita & Arthur, because all those explanations could’ve easily been shown in another way and the scenes spoke for themselves. Later I started to think the narration had been necessary, because when Dani became the lady in the lake, older Jamie would start reciting “and then she slept, she woke, she walked, she forgot, she faded away”. But there was no parallel and so, I feel, like that story could’ve been told without voiceovers, leaving something to the imagination, and in flashbacks during the finale, making it a two part. I felt a bit cheated into binging the last two episodes, because of that same cliffhanger. I actually wanted to give it more time and watch it today. I also did NOT like the B&W. It was probably shot in color and then colored in post and the coloring was terrible. It felt like a pre-made filter in Premiere. I think the could’ve easily used the HH flashback coloring, which is colorful, warm, bright and eerie. I loved Kate as Theo, but in this one she did nothing for me. Viola felt like a caricature and, in the end, I never ‘felt’ for her.  

- I didn’t completely feel the epicness of Jamie & Dani. While I feel they were a beautiful, beautiful couple and very refreshing to see on TV, I didn’t actually feel them love each other until Jamie dove into the lake. But maybe that’s just me. I was so focused on all the storylines, I might’ve missed something about them. In some ways, they developed Hannah & Owen more, even though we never saw them together (and maybe that’s why Owen caring for Hannah’s body and how she disappeard so suddenly without even finishing ‘the rest is just...’ hit worse than the second part of the finale). 

There’s also I couple of things I didn’t understand (why did Viola never hurt Dominic & Charlotte? They must’ve walked at night! And they were sleeping in the bed she went to! How did Henry’s doppleganger work? Why was he haunted so vividly by himself? This ‘ghost’ felt a lot like Eddie’s - born of guilt - but at least there was a dead person in the Dani/Edmund haunting dynamic; was he haunted by evil!Henry because Dominic wished it so before he died?; also, why is no one freaking out about the inevitable incest of Peter/Rebecca in the kids bodies?! I love you Becks, but yikes!). 

I need to rewatch both Hill House and Bly Manor. I wish I had done a PhD in cinema, just so I could do a dissertation on these two, honestly. 

[petz5]

REBLOGGING W UR TAGS TOO BC THEY MADE ME TEARY EYED

just finished rereading the shinnosuke arc and this has to be my most favorite page in the whole series because this truly shows how much ranma loves akane .. he is willing to let her go to be with someone else but he is never letting her risk her own life because he would rather she be happy with someone else than not exist in the world .. it’s not about ego or thinking he isn’t as irresistible as he thinks he is, it’s truly just about wanting the person you love to be alive and happy and if he has to be the one who makes sure that happens by sacrificing himself, then so be it

akane brought out this side of him (even if he was a massive jerk to her lol) because she was his home and he always wanted to know she was safe and happy even if it wasn’t with him 😭💕

REALLY AND TRULY OMFG. I adore this arc because it’s a perfect showcase of how much he loves her (and we get one of MY personal favorite panels)

(Also like all of this could have been avoided (minus the orochi) if he had just let her explain shinnosuke was dying 😩 but my man just heard “I cant be with you right now” and ran off to go sob in a cave LMFAO)

They’re so dedicated to each other and they know how the other feels about them even if they struggle to say it, it’s SO sweet. Idk how anyone can say with complete confidence that ranma is wishy washy and “cant choose” like are u even watching the same series???

Also the OVA not including ranma‘s inner dialogue here was a war crime

[autailome]

fgep rambling after reading mdzs right before

i think going from reading mdzs to fgep is interesting bc the books are pretty different obviously but there are some similarities at the core of them? 

i do think mdzs is much more like...tightly written? which makes this more obvious! like its very smart and despite its length its almost like...concise with everything it sets out to do? and it achieves everything it sets out to do so well! because of this i think mdzs was very successful at adding nuance and moral ambiguity and like......... criticizing systems of power and power dynamics? even though i think it could have gone further there was a great meta about this somewhere but basically like....... mdzs had a lot to say about social dynamics and the perils of attempting social mobility and the way that society punishes people for crossing these boundaries, i think this was really successful mainly in the way that the narrative frames wei wuxian/jin guangyao/xue yang but also in a lot of other little ways but having the main antagonists of the book also be the people most materially like the main character (which the book very straightforwardly makes clear) definitely adds a lot of nuance

whereas with fgep (which may or may not actually be any longer im not sure...it feels longer though) i think because its a little more winding of a plot (and fully chronological) sometimes these things aren’t as evident but I think they’re definitely still lurking in the background? the villains are huns and while the narrative doesn’t really set out to compare the huns to lin wanyue like mdzs compares the villains to the main character i think the violence and cruelty on both sides is definitely clear, especially after that torture scene. i still have like 1/4 of the book left so i will see if this develops anymore i guess 

in terms of like.........all this crazy political shit going down, none of it really has anything to do with lin wanyue besides the way that she is framed as being opposite of these things, but i think li xian is not actually remotely different from other people in the palace? even if it appears otherwise because she’s being “selfless” (looking after her brother/protecting him) the seigniors are all doing the same sort of machinations in the name of family as well 

what im trying to say is that i think at first glance it seems like compared to something like mdzs fgep doesn’t go as far with its “grey morality” which definitely i thought when i first started reading? cause at first glance and in the first like third of the book it seems like there’s always a “good reason” behind everyone’s actions (xian-er looking after her brother, lin wanyue’s experiences/good intentions) but the further you read (and the more extreme their behavior gets) the less weight this idea holds lol

I really love that they aren’t perfect and do bad things, especially as female characters lol (that blood drinking scene...............................anyway)

i think the reason these books are so refreshing to read is bc of the difference between how these books deal w morality compared to the western tradition....people can do heartless,cruel, maybe even evil things (BLOOD DRINKING BLOOD DRINKING!!!!!!!!!!!!!!!) but there don’t really seem to be “good” or “bad” people, just the main characters and the ones they’re going against...its honestly so refreshing and i see why when people start reading cn web novels they keep going lol 

the way that mdzs stretches this to criticize systems of power and social structures in general though im not sure that fgep really goes as far as well? BUT FULL DISCLOSURE im still not done reading so I think ill prolly come back and edit/add more because who knows how the rest will turn out and change this! definitely the way that wangxian peace out of society to be gay in peace but dont actually..change anything abt the structure seems maybe similar to what will happen to yuexian? which is FINE just interesting! the gays said fix ur own society straighties i want to live in a cottage with the love of my life and be homosexual in peace...........also these two books like..........shouldnt be compared, not really? they arent really that similar at the end of the day lol so im mostly just musing bc i assume a lot of ppl who have read fgep have read mdzs as well and might be thinking similar things .....does anyone have any thoughts on this...........................

[roxannepolice]

Long asks anon again, here to offer my opinion on the current wank. Rey as a character is rather blatantly breaking sw story rules and nothing is going to get SFF fans hackles up like rule breakage. This is root of both the MarySue accusations and current wank. Rey has a tragic backstory thats doubling as the only failure she can call her own. But its a) damn near entirely offscreen and b) serves as convenient justification for why shes competent at near everything that comes up.

Reys instantly good at the force because of a convenient force download that to the best of my knowledge only occured in the noncanon KOTOR II and quite frankly cant blame most of the general audience for not getting because without prior knowledge or the novelizations why would they? She has darkness in her but as so far used and touched it consequence free and its almost entirely symbolically externalized on the Kylo (and in SW symbolism is Real in a way it isnt in other narratives) Shes strong in the force because Light rises to meet Dark but to quote the current crop of movies ‘thats not how the force works) or at least thats never how it worked before. Shes the first SW protagonist to go behind enemy lines and come out with both hands in the second movie. For ppl wondering how come Luke and Ani never get labeled MarySues, this is why, they got thier asses handed to them, Rey hasnt. There /is/ something /off/ in Reys story, and ppl pick up on it. if you can make a post (w/ over 1k notes!) about how great it is that a character meant to prop up 7hrs worth of movies has little to no character development to go through, somethings off. If multiple ppl can make posts about how its neat Rey can tap into the darkside (still characterized as evil in ST) consequence free (with some quite frankly stupid justifications, 'shes disciplined’ really? jedi lacked a lot of things thats not one of them) somethings off and again, if the only failure your main heroine has is /entirely retroactive something’s off/. If the story were getting with the is the story most ppl think we are, a 'female empowerment’ (i dont feel particularly empowered by being told I have an equal chance at being a deus ex machina but ok) than well, her story is over and theres no need for IX (hell it could have been over in TFA, most ppl assumed she had accepted her place as the future jedi in that one) and no need for reylo The ST was always gonna deconstruct all that came before it purely by virtue of being a sequel. The tragedy of anakin skywalker is now a farce, the happy ot ending now a tragedy, and the mythopoetic structure shot to shit in the name of serialization and perpetual warfare. this stand true for all the sequel characters including rey and ben. the only question is are we going to get anything out of it? I compare it to home renovation. You can knock out a wall and the walls gone, but new opportunities arise. With Benlo, I’m reasonably confident that there will be at least some attempt to take advantage of the new space. With rey and the resistance kids? not so much. it just feels like they knocked down a blue wall to rebuild it as pink one and at the point it just feels like a waste of time because ive seen this before. Ive seen pure cinnamon roll desert orphan reform jedi order If this was all youre going to do that the fuck was the point? which circles around to my problem with team good guy this go around and That Scene. JJ twisted the story into a pretzel to justify the winners of the last round being the underdogs again and then rian twisted so much further the storys head may as well be up its own ass. And then at the very end he shoots it all to shit and rushes to reassure us its all gonna be okay. He removes the entire point of the underdog trope /the tension that comes from the fact that they might lose/. I mean there wasnt a whole lot of that to begin with already but really? So theres no tension that Reys gonna win so her journey feels frictionless, and theres no question where shes gonna end up so full offense why give a shit? Thats where the whole 'can rey lose a fight?’ thing comes from. Ppl want conflict in her arc to justify its existence and give us a reason why this her story to begin with. if the only character going through growth for all three movies is ben, if the only characters whos fate is up in the air is ben, and if all the tension in the reylo relationship comes from ben, then why is this /reys story/? why not just make it about the character actually driving all the drama and thus, the story?   As a final thought, im going to add that having Kylo be aware and insecure that hes never gonna be as Iconic as Vader was a great story choice, regardless of where ends up. Current Rebels, on the other hand, seems to have not gotten the memo that they are never gonna be as iconic as Original Rebels, and the story itself seems to being trying to sell them to me as being better. Rey is Luke but better, Poe/Finn are Han wo the smuggler grit, and id be lying if i said it didnt piss me off.

&

Long asks anon to kick down ur door again, AND ANOTHER THING. SW is a lotta things. Subtle aint one of them, and St hasnt changed in that regard. If you have to debate it chances are either a) ur arguing counter to the text in which case mor power to you but not really helpful for predictions or intended meaning or b) /it aint there. A bunch of ppl didnt like anidala, but nobody doubted we were supposed to think they were in love by the end of AOTC, bunch of ppl didnt like poes arc, but no one doubts he fucked up by not listening to holdo was the intended take away. Which brings to rey and flaws or lack there of. Were told rey has flaws but she has yet to suffer any real consequences from them with the exception of The Damn Parentage Wank, which again, pulls the double duty of making her hyper competent at everything. Because rey has no consequences for her flaws, from a story function pov there aren’t any. If rey did have a flaw to overcome, we would all agree what it was

Now won’t you all just look at this beautiful, spot on rant which has been lagging in my askbox since the last time Rey’s flaws or lack thereof were the discourse’s focus (November, I believe?) and suddenly became a thing again, courtesy of Tweetgate. I think you really summed up the crux of this debate wonderfully, anon.

I particularly agree with the part about Rey not getting narratively punished for whatever flaws we’d like her to have (great point about returning from behind the enemy lines with both arms still in place), when SW don’t stay away from allowing characters to get “punished” even for otherwise applaudable features - vide Padmé, whose idealism is what Palps manipulates into gaining more power (this is why Padmé will never come off as a Mary Sue or too perfect, btw). But I’ll say even more - Rey doesn’t even get called out on her flaws, except for by Ben, who’s mostly dismissed as a baddie like Palpatine saying Luke was foolish to rely on his friends. Let’s just consider one thing - both Anakin and Luke get called out on their flaws by Yoda (Anakin repeatedly and by lots of other people for that matter) whereas with Rey, the same grumpy-yet-jolly senex pops up from the afterlife to further inform us what a great jedi material she is.

TBH, I have a very cynical theory as to why Rey is being pushed as the main character while it’s difficult to deny that it’s Kylo Ben who does all the plot heavy lifting. I’m pretty sure Ben’s arc was the first one DLF thought out (and the big question is, was it the only one they thought out) and only later on decided to make Rey the main character, which also involved much less spontaneous writing. Mind you, it’s not as if benepemption didn’t have a manufactured subtaste to it, but with Rey’s heroine’s journey stiff structure occasionally substitutes any in-world explanations of her actions (this is why I have to hope renperor has some narrative purpose rather than happening because lovers need to be separated and anti-hero needs to achieve what he wanted in 2nd act). I feel as if whatever potential her character had (and hopefully still has, pending IX) got smothered by layer upon layer of making her likable by everyone, which largely relied on negative characterization: she’s not helpless, she’s not too naive, not cynical, not too emotional, not too emotionless, not morally corruptible, not anything you’ve ever complained about regarding any SW character, not falling for the bad boy, not not not - and in the end it’s kinda difficult to say what Rey is like and while the goal of making her widely likable was achieved, it also made it almost impossible to view her as loveably flawed/annoying like the classic characters. And on top of all this is the matter of making her a nobody just like you!, as DLF appears to say with uncle Sam’s gesture (which also kinda assumes the existence of a Star Wars fan as some uniform entity? because if you identify with her, good for you, I just don’t understand why the franchise assumes I’ll identify with her by the grace of being a SW fan alone), because, as you excellently put it, the message here is that everyone can be chosen by God - which again, it’s not as if the saga ever contradicted this, so why the hell make a case of it? I can’t agree that it’s made into Rey’s flaw, though, imo her low birth only serves to further frame her as an oppressed virtue. And I definitely agree regarding too much of her growth being left off-screen, or before the story ever begins. The problem here isn’t even that it is left off-screen (it’s not as if we had huge insight into any of the pt or ot characters) but rather that her characterizations is left off-screen while being depicted as at least untypical (unique to put it bluntly) for her situation (same goes for Finn). A hopeful, kind person growing up on her on her own in slavery under a nicer name is a rarity and DLF makes a case for it being a rarity - and this sparks up curiosity in her past, as if market pandering to Re/sky wasn’t enough. So from this pov her un-reveal being frustrating isn’t just a case of not wanting to love her or her self only a potentially deeper psychological question getting answered with well, light.

I should add, Ben’s arc feels like the most spontaneous one (though Finn’s may yet be a masterpiece) and he’s the one to admit his fear of not living up to Vader’s legacy, because I think he’s the character serving as the creators’ vessel, more or less like Luke was Lucas’ avatar in ot. In his fear regarding Vader’s legacy one can feel Disney’s fear due to having bought popculture’s holy grail and not being entirely sure what to do with it. On this background, Rey (a literal scavenger of OT’s pieces) and rebels 2.0 repeatedly blessed by Leia come off as what DLF would want to be. And the result is that the character which was supposed to be Vader 2.0 proves the most original and surprising one, whereas “breaths of fresh air” come off as room aromatizers with “fresh” written on them.

And as far as the plot being bended into a pretzel and then disappearing up it’s own ass, well, a part of me is still hoping that taking virtually the same villains as before is a mythological-psychoanalitical metaphor of a nigredo repeating itself until the unconscious gets accepted by the conscious…. but, tbh, as the leaks flow this hope is withering.

[sunnybimbo]

get to know the author

got tagged by mfin @grassepi like 10 days ago to do this!!!!!! /dab/

long ass post under the cut

1. How did you come up with your username and what does it mean?

i explain this so often man its a trip. ‘jam’ came from simlish in the sims 3 because of that one voice line that’s like ‘jambabedo?’. i had changed my name to that on skype but when i was VCing with @namerine she could only see ‘jam’ and it kinda just stuck. speaking of: the ‘dingus’ part also came from her so literally this name is all because of her and i love her *fingerguns*

2. Which fanfic of yours has the most feedback? (bookmarks/subscriptions/hits/kudos).

by FAR my most popular fic is my collection of sickfics: In Sickness and Health

the only thing that it got beat in was comments from Close to the Heart, but that’s mostly just because it had so many mfin chapters

3. What is your AO3 profile icon, and why did you choose it?

b a b y y o s h i

i literally cant remember how i found this picture or why i chose it as my icon but its my Brand now. yoshi jamthedingus is me

4. Do you have any regular/favourite commenters?

i literally have so many. there’s @space-peachx, @bears-again, @narwhalsarefalling, @ravenssama, and @miishiiwrites (for some reason it wasnt letting me tag ur main asldhasd) plus a SHIT ton of anon commentors who i love just as dearly!!! i have a lot more but these are the most common commenters and i love them sm i could literally die.

5. Is there a fanfic that you keep going back to read again and again?

there are like three fics like that and ofc im gonna list them all

hands down the fic i’ve reread the MOST in the shortest period of time is Sunset in Reverse by @demenior (who i cannot tag for some reason but i hope they know that i love their fic dearly)

there’s this i n c r e d i b l e sickfic by @bosstoaster that i just adore called Drown Out Your Mind that just breaks my heart all types of ways

and there’s this OTHER fic that also fucks me up called strength of the small by @nowweareunstoppable in which pidge is bad ass and also gets fucked up and i literally rec it to all my friends i love it so much

(also a special shoutout to been @velkynkarma‘s Whisper in the Dark. whenever i have the need for a good creepin’ out i LOVE to revisit this one because like... just the description of the Final Boss (tm) alone is enough to give me the willies)

6. How many stories are you subscribed to? How many do you have bookmarked?

oof

i have 449 bookmarks from like atleast 10 different fandoms, and about 411 fics i’m subscribed to, give or take a couple because Math. most of them are completed though, but i don’t go through and take them off because i’m a lazy hoe 

7. Which AU do you find yourself writing the most?

well i just looked up my ao3 and it says i have the most in ‘Alternate Universe - Video Game World’ asjdhsaldhsja aka my mmo au. but technically i think the au i write the most is Modern bc i’m but a simple farmer with a limited mindscape

8. How many people are subscribed and bookmarked to you in total? (you can view this on the stats page)

i have 22 user subscriptions vs 199 work subscriptions + 383 bookmarks in total. nice nice nice

9. Is there something you’d like to write about but are afraid of people judging you for it? (Feeling brave? If so, share it!)

probably something with a more serious tone (compared to the fluffy wuffy fics i write) like, for example, fatphobia, suicide, and literally just conflict in general. i always feel like im trivializing all of it no matter how hard i try so i just... Give Up because i dont want the backlash ¯\_(ツ)_/¯

10. Is there anything you would like to be better at? Writing certain scenes or genres, replying to comments, updating better, etc.

i really want to get better at writing conflicts, as stated above lajhdlsadhls. but also i want to be better at planning out stories because i usually give up near the 3/4ths point of literally every multi-chaptered thing i’ve written

11. Do you write rarepairs or popular ships more often?

definitely rarepairs. voltron is like the biggest fandom i’ve ever been in and my biggest ships are all hunk ships, and all of those are rarepairs OTL

12. How many stories have you posted on AO3 to this day (finished and unfinished)?

35!

13. How many stories do you have saved in/with your writing program?

ignoring the fics i’ve completed and posted on ao3, i have about 52. including the above equals 87!!! m a t h

14. Do you write down story ideas, or just keep them in your head?

i try to write them down but if i write down the thingy i really want to focus on in the fic then i won’t want to write it anymore because it’s out of my head. OTL its a complicated process.

15. Have you ever co-authored a story?

literally never in my life. 

16. How did you discover AO3?

definitely tumblr. i was in the dragon age fandom and there was this fic called The Little Kadan which had fem!inquisitor/iron bull + a baby so like i was all over that asap. i’m too shy to tag the author but u can find them on tumblr at sickly-writes ,,,,,,

17. Do you consider yourself to be a popular or famous author in your fandom(s) on AO3?

nah not at all. i’m pretty Niche

(i.e. if you love shunk and/or heith + cuddling, i’m your gal. but anything else is pretty rare OTL)

18. Do you have a nickname or fandom name for your readers?

not in the SLIGHTEST. i call them all babes in my head bc i love them tho

19. Was there an author who inspired or encouraged you to write?

i don’t know this @fenri personally but i love their writing so much. i admire their style a WHOLE TON and i think i may have sort of modeled my own after theirs? 

like i’m just thinking about it now but it’s definitely after i reread their fic (*ahem ahem* Like Crystal Guts) for about the fifth time that i started my whole ‘prose-y’ writing, which is very very recent aldjhsal

20. What writing advice would you give to a beginning author?

be confident in ur writing! if someone says they don’t like it, your work just isnt for them. just because one single person doesn’t like it doesn’t mean its bad!

r e r e a d what you wrote! i use fromtexttospeech.com to catch like... sentence structure/grammatical errors when my eyes are too tired and i find it helps a lot!

if you find a story you like, try figuring out w h y you like it so much. characterization? the way they describe things? because they use sentence structure you haven’t seen before? and then use that new knowledge to try to make your own writing style your favorite *fingerguns* 

21. Do you plot out your stories, or do you just figure it out as you go?

i only started plotting fics since last november, which was when i participated in my first nanowrimo. i don’t plot for every single story, but if i’m lost or i want to expand a little, i slap down a bunch of ideas in an empty google doc and go from there! 

generally by then i’ve already written atleast a little bit, though.

22. Have you ever gotten a bad comment on a story? If so, what did you do?

i can’t even remember what it says exactly now since i deleted the fic after, but someone said my characterization was bad in a super old inuyasha fic. little like... 12 year old me was so sad ;w; 

i don’t think i’ve ever gotten a bad comment after that, though? which is NICE

23. Is there a certain type of scene that you have a hard time writing? (action, smut, etc..)

DEFINITELY any action scene. i can’t make them long or drawn out or else i’ll just be struggling and sweating and generally craving death. i think i just need practice but o o o o f

24. What story(s) are you working on now?

i have a few hot n spicy prompts i need to finish that i probably won’t get to until next year salhdjsa

plus a few christmas presents! 

and also my pirate au, Wander, which only has maybe 2 chapters left before its complete!

25. Do you plan your next project(s) before you finish your current ongoing story(s)?

*sweats loudly*

26. Do you have a daily writing goal set for yourself?

not in the slightest. generally, if i’m in a writing sprint or something, i’ll try to get over a 1000 for whatever it is, but that’s for the total and not for the session. 

27. Do you think you’ve improved as a writer since you first started?

definitely! even though i’m still shy, im a lot more open to constructive criticism (if it doesn’t come after my soul ;w;). I’m also getting better at being more descriptive, which is something i’ve always wanted! 

28. What is your favorite story that you’ve written?

i have two. don’t make me choose

the first is technically cheating because it’s part of a series, and the series is my favorite BUT I DIGRESS. The Witch and the Mage (which is... one of my less imaginative names) is an MMO AU in which shiro and hunk are in love and also i have a vague plot outlined somewhere in my drive that’s pretty wild if i do say so myself. i may never write it but its there and its my favorite and i love the imagery i used in it.

the SECOND is a heith cuddle fic, because that’s basically my brand as a writer. it’s called home and i wrote it when i was very tired and couldn’t get to sleep. i may have been craving human contact? who knows in this economy. even though i see a number of things i wish i could fix about it, it’s just very self-indulgent in more than one way and its very dear to my heart. 

29. What is your least favorite story that you’ve written?

most of the fics i wrote earlier on are pretty bad imo, but i think the ones i hate the most are part of my You Are Beautiful series. it’s grossly out of character (mostly in keith’s case) but it was the first thing i’d written in about four years and i was so proud of it. so it has to stay up for posterity, tbh.

30. Where do you see yourself (as a writer) in 5 years?

i really hope to still be writing by then. maybe with my own personal book in its planning stages atleast???  ( ͡° ͜ʖ ͡°) gotta be optimistic!!

31. What is the easiest thing about writing?

dialogue? also describing rooms. i love just... randomly popping out something that describes the placement of a couch in relation to a door. 

32. What is the hardest thing about writing?

i always always always get distracted when i’m trying to write. if i’m in the zone, someone in my family is definitely gonna try to get my attention. it’s sort of become habit for me to just interrupt myself first so that i won’t lose whatever train of thought i had LMAO

33. Why do you write?

i like the way my words sound when i string them together in the right (write... *badum ts*) way. it makes me Feel Good (tm). 

also i love giving characters (that mean something to me) attention, because it’s like i’m giving MYSELF attention. a two-for-one!

Tagging:

@sleepyhunk, @narwhalsarefalling, @space-peachx, @sammythemattressthief, @bears-again, @kurosakiami01, @maternalcube, @ace-pidge, @darlingmuses

+  if anyone i tagged earlier would like to, i would literally be honored if you would do this! but no pressure, ever <3

[catastrothicc]

one of these days i'll make a coherent intro post, however *bts vc* not today !!  hello and welcome to johnny's world where we're shit @ introductions and even worse at consistency. honestly i cant stick to shit someone assist. anyways ! i bring the last piece of the puzzle rocky, who for some unfathomable reason wasn't taken ?? and i cried ?? fate. uh right i'm 19 and i never fkcing learned how to read. mdt timezone. them/they pronouns. continue under the read more to kill some brain cells !! 

tw: physical and mental abuse/manipulation, drugs/alcohol and death/murder. 

here's his soundtrack if u wanna listen while u read 

DON'T DWELL ON THE PAST // ( i'm not even sure if i'm sticking to this [ looks @ admins nervously ] so things might change up if it doesn't fall w/ the right timeline. ) ( forgive the length the muse is real )

born on october 31st, 1995 ( happy halloween ) in deadtree, rocky was an entirely healthy baby received with much love by his mother and with some hesitance by his father. all he knew was how to shit and cry and life was a paradise, until eventually the months started rolling by that became three years and his mother was in a freak car accident that left her paralyzed from the waist down and with a bad case of major head trauma. 

rocky still firmly believes that she woke up from her coma by god's will even if her basic executive function skills and self-regulations were gone. she had to be taken care of just like him, and the doctor's promised she'd learn to eat on her own again and her speech problems would regulate. this... did not happen. maybe it would've, if she had lived longer, but rocky never got to see the day when he didn't have to help his mom bathe or brush her hair. 

his dad was the only source of income in the household besides his mom's monthly pension that the man would take and then disappear for days. he was bitter about having to raise rocky all on his own and even more bitter about the hefty hospital bills they were going to be paying off for the next several years. all the man wanted to do was laze about with a beer in his hand and a blunt in the other. 

from early on he was prone to anger and it often manifested itself physically, so rocky would always have a bruise or two somewhere on his body. it was fine as long as the man wasn't hurting his mom, and he couldn't do anything else but accept the rough treatment. 

he and his mom were becoming more and more neglected by his father, who only provided the bare minimum to eat and took his wife's pills for himself. rocky was already in school and he was that kid who always got off the bus running to get home. no one knew that he always ran to make sure his mom was okay while he was gone. 

he was nine years old when his dad handed him a bottle of morphine and explained to him that the whole bottle would help his mom get a good night's sleep for once. rocky, knowing how much his mom struggled to rest, took the bottle and put each and every pill in his moms hand and watched her drink them until the last one. she did go to sleep, of course. rocky thought he'd done good until she didn't wake up the next morning. 

he grew incredibly distant from his dad after this. he was already used to taking care of himself and his mom was the only reason he really bothered to make it home early, so after her death he got into every after-school activity he could manage, and when it wasn't enough, he ran around the streets with the older kids and pretended to be *cool*.

he started dabbling with the drug scene really early on in middle school, when he realized that his dad would never strive to be anything else but a piece of shit, so he decided to steal his pills and weed just like the man had stolen his mothers medication. he would sell them to his upperclassmen and never took any for himself because he saw what they could do, though eventually he did weed in high school and besides the occasional dose of ecstasy he doesn't do more than that.

one day, at age seventeen, he went home and his dad was gone. he waited for three weeks before he sold everything and fixed up a small abandoned house that became his new abode. with the cash he'd gotten from the car and the furniture he began growing his own hella dank nug, and eventually there was word on the streets about it. his dad had always been his unaware provider, but soon enough rocky joined a group as a dealer while selling his own stuff on the side.

he didn't want to follow under someone else so he got to the roots and offered the group's providers a better deal and eventually the business was going to him alone. people saw more opportunity with him and they flocked to his side one by one until he ran the original leader to the ground. honestly this kid was hella good in school and just as good in the streets. 

of course it didn't happen without a fight tho so talk about several near-death experiences !! the streets are dangerous children stay in school.

fast forward, he had what he intensely regrets with elaine-- honestly had a good time dating a rich ‘good’ girl until he got real bad vibes from her and it wasn't chill anymore. felt real personally attacked that she was ashamed of him and broke it tf off. fuck a fake bitch !! 

( me: plays hero by enrique iglesias for this section ) and then shiloh came ! his lord and savior. his fkcing BAE. would do ANYTHING for this boy is2g makes me so emo i'm shAKING just thinking about it. rocky truly believes this boy is his soul mate. he loves him so much oh my godfjsdh.

at this point his drug ring wasn't at all what it is now. it was relatively small and the profits weren't all that good but he was doing what he could. he had steady members who had been with him since the start and shiloh became an addition along with his best girl giselle and (eventually) barbara. honestly the dream squad nothing could stop them they were invisible. unfortunately there was a snake in their ranks and goddamn he's glad she showed herself honestly good fucking riddance barbie. he felt real betrayed after she left but if anything he thinks it made his crew tighter and stronger. still hates tht bitch tho afTER EVERYTGIH HE DID FOR HER.

( to be 10/10 honest tho rocky is a manipulative bastard and he thinks he's real slick but barbie caught on and he feels extremely attackt )

anyways so knowing that shiloh and giselle are his tru ride or die pals ( 👀 @ giselle ) the business continues and they're still the dream squad. sure they're doing shady af things and they've always been doing them but u kno what they say there ain't no rest for the wicked !! 

he didn't at all like the fact tht shiloh pursued an internship w/ the mulani family but he tried to keep it chill because he loves and supports his bae but honestly could not do it. he doesn't personally pay too many visits to sycamore city precisely bc he goddamn loathes the mulani and moon families after all they've done to his people ( esp the moon’s ) and to think shiloh was getting involved w/ them really tested him as a person. he fcking failed because of how much shiloh wanted a pass into the city and rocky held him back but he's so goddamn proud of their love like damn. he knows he doesn't offer everything shiloh wants but he's out here tryin' his best to get his bae the life he deserves even if he's the worst street rat and everybody knows it. 

( what is he secretly doing w/ all tht money tho hmmm ) 

BABY RIDE WITH ME // in regards to the *gollum vc*  precious ( the ring )

just so the squad and ex-squad can get a feel of how rocky runs the ring i'm includin' this here

so rocky makes it a point to be an approachable leader whom you can go to with your problems and he'll have your back 100%. honestly everyone's dad there's no one left out. he keeps his status as the leader not by cruel acts to show what happens to rats but by making sure he's understood by each individual member. he's not the violent type at all unless someone really tests him but this guy preaches that people understand by words and acts of kindness not by violence and torture. he needs loyalty above all else so he offers a safe sanctuary to anyone who needs it. it comes with a price ofc but all he asks is that u do ur job and he'll keep u off the streets. basically in his group everyone has each other's backs and he's involved with everyone, not only because it helps him keep close tabs on everything but because that blanket of safety for his members is very important to him. 

when it comes to his dealers he basically lets them do things their own way as long as they're not out there hurting innocent people. he pays by commission so it's really up to the dealers how much they wanna sell and who they wanna sell it to. he doesn't force his own morals onto his peeps so if they wanna sell to junkies who are gonna overdose on their next hit then that's really up to them. he just tries to guide them by telling em' the right things to do even in a shady business like their own. 

w/ that being said shiloh is also a huge part of it, being his right hand man and all. rocky isn't all too meticulous or anything fancy like that, so he leaves a lot of decisions up to shiloh and honestly they're both huge dads just running a drug ring fjsiudhfgi 

HE KNOWS HE'S SO FUCKING TALENTED // regarding his personality 

rocky is a cocky piece of shit honestly i hate it but best concept

he genuinely thinks so highly of himself ?? even though he knows he's up to Some Shit ??

anyways i just wanted to mention that LMAO but find his full list of attributes here that i jst ctrl c ctrl v from the app. honestly will tell u all about his personality. thanks for reading this long ass, terribly structured, shitty shitty intro honestly u.... deserve a medal if u got thru it. is it too late to mention tht english is not my first language fhsuidfh 

[t--o--f--u-blog]

☼☼☼☼☼ also think tank a white lecturer using the n-word when quoting literature in a lecture? I think she used it once outside of quotation as well certainly not meant in a disrespectful way, just seems unnecessary

☐☐☐☐☐ better have a justification at least but if you just use it out of the blue it always seems like some attempt at provocation 'i can say this because my interests are purely academic'

☼☼☼☼☼ mmmmm we're reading uncle tom's cabin, so it's hard to avoid

☐☐☐☐☐ should only be quoted verbatim if absolutely necessary, if there's no alternative I think

☼☼☼☼☼ yeah seems like she could have avoided it pretty easily

☐☐☐☐☐ if she's making no acknowledgement of the word's relationship to her privilege, that's rly not good

☼☼☼☼☼ yeah she's older so there might just be an outdated perspective there 'I'm just quoting the text, it was anti-slavery so I'm fine' sort of mentality maybe?

☐☐☐☐☐ still she would know about the contemporary attitude to the word and she should at least mention that! ugh like it doesn't sound malicious or super super racist, but eh

☼☼☼☼☼ Yeah I feel iffffy about it

☐☐☐☐☐ should mention it!

☼☼☼☼☼ Trying to work out if I should send email and if so how to word it

☐☐☐☐☐ mm

☍☍☍☍☍ be interesting to actually properly discuss it

☐☐☐☐☐ yep

☍☍☍☍☍ heck I’d be interested to know more of a history of the word basically teach properly why its offensive

☼☼☼☼☼ Yeah, I might bring it up in the tutorial different teacher, but maybe good discussion

☐☐☐☐☐ mm that seems appropriate i'd love to hear how that goes

☍☍☍☍☍ uhhh there was someone who used it at Bar Oussou  the host reallllly should’ve said something and I normally would but just too tired for confrontation

☼☼☼☼☼ Yeah ☐☐☐☐☐ was telling me Sounded very cringe

☐☐☐☐☐ v unfortunate most disappointed in yhe host tbh

☐☐☐☐☐ he maybe had a old-worldy attitude to it and didn't mind or was too cowardly lol which do u think?

☍☍☍☍☍ I think he thought it was in the context of the poem she didn’t use it to degrade someone directly, but the word itself is degrading

☐☐☐☐☐ ugh but the poem is in the context of fuckin oussou yep ppl need to have a think before using words

☍☍☍☍☍ I just think its great to have a stage to do emotional work, but it can cross a line into normalising shitty white behaviour

☐☐☐☐☐ mm

☍☍☍☍☍ I went to a coloured school so I can’t b racist wah wah wah

☐☐☐☐☐ and you have to consider your audience if your rant is dehumanising or brushes aside/causes suffering u gotta reconsider felt pretty ashamed on behalf of bartender/various black audience members not saying that dumb white shit would be acceptable with a different audience, but her obliviousness was kinda astounding

☼☼☼☼☼ wow yeah cringefest

☍☍☍☍☍ lol spoken word scene as a whole can b so lame haha rings true to why I/we left

☐☐☐☐☐ mm so macho! that's what I liked about talkbox some sensitivity there, gentleness

☍☍☍☍☍ still, I just wish people read more lok *lol

☐☐☐☐☐ yep I wish I read more

☍☍☍☍☍ like the stylistic range is generally pretty lame

☐☐☐☐☐ I guess that's why anyone reads mmm

☍☍☍☍☍ I wish I read more too

☐☐☐☐☐ hahahaha

☼☼☼☼☼ :')

☍☍☍☍☍ don’t mean to shit on everyon, I just think the scene as a whole and the conception of poetry is lacklustre - it doesn’t seem like the time for poetry, sometimes

☐☐☐☐☐ mm

☍☍☍☍☍ ppl too distracted by netflix uwu sounds like phones but too much

☐☐☐☐☐ doesn't seem like the time for art, sometimes! hahhh

☍☍☍☍☍ its definitely a time for music

☼☼☼☼☼ I think there's a place for poetry It's just raps and memes

☍☍☍☍☍ yeh but I play dat long game there might not b a place now but I’mma fkn make one whether you like it or not lol

☼☼☼☼☼ Oh yeah fair go 4 it

☐☐☐☐☐ loll

☍☍☍☍☍ I just mean that I think 'poetry' has evolved into other forms, and now the traditional form is struggling to find a place I mean does anyone pay attention to Victorian satirical cartoons? I don’t I think it’s also tho that the low brow is more apparent in the moment, the high brow more apparent from a distance the shit sinks, basically

☼☼☼☼☼ elaborate?

☍☍☍☍☍ time brings forward higher brow material while a lot of lower brow stuff falls back or like there’s an art for getting through your days, and there’s an art for elaborate long form spiritual liberation

☼☼☼☼☼ so u don't mind about a lack of audience now if your work has staying power?

☍☍☍☍☍ different works have different digestion time and yes that is what I’m saying

☼☼☼☼☼ hmmmmmmm

☍☍☍☍☍ hmmmmmmmm?

☐☐☐☐☐ personally I don't know whether I'm prioritising the reception of my work or its value to me right now i feel poetry/art in general are useful tools for thinking about the world useful philosophical tools i guess and idk whether i'm learning for the sake of my own knowledge/making 'better' art or learning so what I put out into the world is better received I suppose the two aren't mutually exclusive but yeah - feeling fairly indifferent to the idea of creating work that will persist right now part of me feels more comfortable with being lost forever lol or at least that I should become comfortable with that, bc that is what will happen inevitably

☍☍☍☍☍ I just think in this atmosphere of complete denial of the arts as an important component of society, as well as the stigmatisation of ritual and other mystical practices that used to house what we now might describe as an artist, its important that we follow our intuition rather than give in to a system that routinely prevents us having access to basic resources like I want to be there for whoever is there when this period comes to end and those peoples are looking for anything to rudder them, whether or not I’m alive

☐☐☐☐☐ you want to add to the cultural record?

☍☍☍☍☍ I want provide a map for future generations is how I would put it

☐☐☐☐☐ mm how do you feel one can ensure the persistence of their own work? or are you just hoping it'll be around for others I suppose whether or not anything lasts is out of ur control past a certain point

☍☍☍☍☍ for one I make an effort to give away a lot of work

☐☐☐☐☐ mm

☍☍☍☍☍ I also store it all and make sure that that stockpile is kept w care but I also think there’s something to be said that I try and operate within many pre-existing canons I also it’s important to use the more meme-y, short stay work to bring attention to the slower works yeah, re: canons, like tanka and before that wakka as poetic forms stem back as far as a thousand years - perhaps more by putting myself in conversation with the ancients... idk it feels a bit like entering a cultural refrigerator haha

☐☐☐☐☐ mm

☍☍☍☍☍ sometimes I find it better to see my individual works as modules that make up a whole more prescient than its parts (Morton lolz) soo... maybe my work won’t carry the same weight until I finish, so to speak who knowsss but this how I think about it lol

☐☐☐☐☐ best to try and contribute something I spose rather than do nothing w ur resources

☍☍☍☍☍ I’m weird with this shit u don’t have to be

☐☐☐☐☐ mm it seems fairly simple to me and not that weird

☍☍☍☍☍ not everyone should spend their life tending their gravestone it’s a job for a particular type of person, and I am it

☐☐☐☐☐ but in a sense everyone does anyway everyone does things with the future in mind or without it in mind I suppose

☐☐☐☐☐ and i guess that influences what you leave when you die eheh, whether you do it consciously or unconsciously

☍☍☍☍☍ I just am particularly stubborn that I have something to offer - I think its partially a result of being denied that a lot in school, I found other ways to have social bonds that were more... non linear bonds with past peoples, and inadvertently bonds with future people

☐☐☐☐☐ mm

☍☍☍☍☍ I find it frustrating that its seen as arrogant to suggest your work should be read after you die - if anything its remarkably humble as I'm acknowledging that I will never properly see the fruits of my labour it's a ridiculously isolating position to find oneself in, where your best friends - books, music, content - have no form of human intimacy with you and completely defy all survivalistic, lizard-brain humanity plus you're just on a total different dimension from most people you meet

☐☐☐☐☐ mm you're in a very specific position here

☍☍☍☍☍ lol goodluck catching up ☼☼☼☼☼

☼☼☼☼☼ unrelated btw

(☼☼☼☼☼ posts a meme in chat)

☍☍☍☍☍ see y'all @ da rally (in reference to the meme)

☐☐☐☐☐ where and when is this? oh oops thought you meant a real one

☼☼☼☼☼ hahaha

☍☍☍☍☍ xD

☼☼☼☼☼ structurally is the meme ok ? took the photo the other day, and just added the text.

☍☍☍☍☍ yes are u going to weigh in on the conversation tho lol

☼☼☼☼☼ nah not really

☍☍☍☍☍ meme fine

☼☼☼☼☼ I have so little to add

☍☍☍☍☍ well hm why make memes? why not write novel? do memes have staying power?

☐☐☐☐☐ it's a question of what timescale is important to you at any given time maybe

☍☍☍☍☍ oh absolutely - not trying to infer a hierarchy here, I just think there are different approaches for different problems

☐☐☐☐☐ sometimes I'll say something to someone so they'll remember it for tomorrow, sometimes I'll say something to someone and hope they'll remember forever lol mm I don't think I care about staying power that much

☐☐☐☐☐ memes have such a short lifetime, they're like cultural mayflies haha

☼☼☼☼☼ Yeah defs

☍☍☍☍☍ why tho lol

☼☼☼☼☼ Because the art itself can date while still inspiring change

☍���☍☍☍ yeah so using it pragmatically like a single use tissue

☼☼☼☼☼ If you create something short lived, it (with the help of other artists producing similar work) is able to push art and society in a specific direction The butterfly effect I guess

☍☍☍☍☍ it's true that you have more effect in the current conversation

☐☐☐☐☐ mm

☍☍☍☍☍ but that conversation draws intensively on a language formed by the ancients so the two are dependent on each other, a back and forth

☐☐☐☐☐ and that's dependent on their work's longevity?

☍☍☍☍☍ not following ur question

☐☐☐☐☐ not following your point haha hmm

☼☼☼☼☼ so you're suggesting a works longevity is crucial in that it helps reinforce and update the ancient language in which short term work of the future will be influenced by?

☐☐☐☐☐ mm also - what if of all the work you make, it's only a meme that survives the passage of time?

☍☍☍☍☍ basically... like you're just reiterating points that have been made more in depth in 'higher' brow culture - that's definitely how I feel when writing raps

☐☐☐☐☐ like Roman graffiti surviving on the walls or whatever

☍☍☍☍☍ did you a hear copy of the I Ching, the Chinese numerology classic more than a thousand years old, was found in the 70s and had a heap more sections and a different order? effectively completely changing the understanding of the I Ching gotta get those nice lead storage chambers ayyyyy ahahaha it was found buried in a coffin, obvs haha

☐☐☐☐☐ mm

☍☍☍☍☍ a lot of Chinese philosophers only exist in so much as someone else described them

☼☼☼☼☼ But what does that changing of contexts of that piece actually mean for us? Is updated Ching from the coffin helping us in any way?

☍☍☍☍☍ I think for me finding the I Ching and looking over it is like a person in a thousand years finding a functional iPhone it gives great insight into human impulses regardless of time and offers a way of writing the past a new, which in turn presents a new future (thinking of the cowboy article you sent me) reconceptualizing the past IS the future look at 'Make America Great Again' or calls to restore the caliphate both are founded on histories that have more to do with our current state than the actual happenings of the past

☼☼☼☼☼ I do see where you're coming from I like the idea that it's important to preserve our work for understand the past better And I hope that someone in the future will have a clearer understanding of our time through your well preserved works But what fucking future is it

☍☍☍☍☍ haha but like looking back we see people been asking that for a veeery long time I get it seems on a new scale but we're on a new scale too

☼☼☼☼☼ It does seem that yes Also if we do survive and keep on teching on

☍☍☍☍☍ I'm for an integration of the human/natural binary where we properly acknowledge our mutual codependency, the earth and humanity that is

☼☼☼☼☼ Are we even going to be translatable? Is the functioning iPhone found by the future person going to even be able to be translated? Or will it be meaningless because everyone is already part of the grid

☍☍☍☍☍ where artificially effecting the climate for the benefit of 'nature' isn't seen as strange but completely akin to Aboriginal burn back practices

☐☐☐☐☐ i guess it's productive to hope that it will be translatable

☍☍☍☍☍ we've always interfered in the running of nature

☐☐☐☐☐ mm

☍☍☍☍☍ ehhh idk we translated fucking hieroglyphics

☼☼☼☼☼ Or future tech can look into the past and someone is watching our lives as we type this now, constantly being understood through our context in a way we can't comprehend through our recording processes shrugs

☍☍☍☍☍ I mean yeah, imagine if the internet was even vaguely archived

☼☼☼☼☼ You probably have a better understanding of how the future will pan out than I do tho

☍☍☍☍☍ even if 0.1 % was kept, it would be a massive resource

☼☼☼☼☼ No sass intended there, I'm sincere

☍☍☍☍☍ lol idk I just try to see a bigger picture and it keeps me calm remember me old saying? we survived the plague and nukes lol

☼☼☼☼☼ I just don't see the issue with creating short term work, especially if it is preserved

☍☍☍☍☍ oh neither do I

☼☼☼☼☼ Like a meme may have more impact than a novel rn

☐☐☐☐☐ well it could be argued that we're yet to survive nukes but I see your point impact on various timescales

☼☼☼☼☼ I've heard the plague make be thinking of making a comeback too haha

☐☐☐☐☐ mm

☍☍☍☍☍ oh duh peasantry is fully hip rn

☐☐☐☐☐ but like

☍☍☍☍☍ bring back the boils, they look great with my Balenciaga sneakers

☐☐☐☐☐ lol bubonic chic

☼☼☼☼☼ Pretty close to heroin chic tbh haha

☍☍☍☍☍ not jking that was tb

☐☐☐☐☐ but like, I don't find a huge amount of solace in the fact that we survived the plague

☍☍☍☍☍ "The Victorians romanticized the disease and the effects it caused in the gradual build to death. For decades, many beauty standards emulated or highlighted these effects. And as scientists gained greater understanding of the disease and how it was spread, the disease continued to keep its hold on fashion. and the severity of the corsets was known to harm the lungs in such a way that would increase the likelihood of transmission LOOOL

☐☐☐☐☐ mm Balenciaga look out idk it's a question of what capacity we survive in

☼☼☼☼☼ lollllll

☐☐☐☐☐ quite depressing to think about

☍☍☍☍☍ eating disorders have a pretense

☐☐☐☐☐ what if ecocide leaves a few insular eco fascist regimes who gradually diminish over centuries always engaged in pointless wars of attrition with one another lol

☍☍☍☍☍ I mean you could probably say the same thing of colonial regimes now

☐☐☐☐☐ just because we can survive, doesn't mean my outlook should b at all rosy :((

☍☍☍☍☍ point is its a big ol' world that has plenty of room for pain AND love any future pain you think is imminent probably already is happening, and nonetheless breakfast tasted good this morning

☼☼☼☼☼ 'The hipster middle class would dress with raggedy beards and large jackets and refuse to use deodorant, perhaps to reflect the look of people suffering from homelessness at the time. It is suspected that this made them less likely to be hired, and therefore more likely to become homeless themselves.'  ☍☍☍☍☍ ahahaha

☐☐☐☐☐ mm that's true hahhh

☼☼☼☼☼ Planning on making this into a full essay. Might not be popular now, but I think it has staying power? Soz for shitposting haha

☍☍☍☍☍ I was talking with ☲☲☲☲☲ a while back, and something struck me - she said, "I never thought this age would have its own fleet of particular medical conditions." (or something like that lol, translated via my nerd brain)

☼☼☼☼☼ Yeah that didn't quite sound like her But that sentiment is great

☍☍☍☍☍ 'fleet'

☼☼☼☼☼ In that ofc there is, but also wow yeah ofc!

☐☐☐☐☐ mmm hahh these conversations should be recorded so we can all think about em without scrolling up endlessly

☼☼☼☼☼ I do like the idea of people reading these works in the future tho

☐☐☐☐☐ and also so that they can be preserved for 10,000+ years of course

☼☼☼☼☼ In the same way we read the letters sent between dead artists now

☐☐☐☐☐ mm very true

☍☍☍☍☍ mmm

☐☐☐☐☐ messenger is not a particularly stable storage medium and also is more vulnerable to third party scrutiny although the fact we're reading artists letters now means that medium is also pretty fucking vulnerable to scrutiny lol

☍☍☍☍☍ I fucking found the word! (sorry was searching for it so hard) Neurasthenia https://en.wikipedia.org/wiki/Neurasthenia

☼☼☼☼☼ Americanitis lol

☍☍☍☍☍ uhh the page doesn't rly talk about this, but its like a condition of over-working effectively, and people would try and get prescribed the pills to treat it as a way of signalling they were a dedicated worker its total hokey

☐☐☐☐☐ wow yeah you mentioned this a while back

☼☼☼☼☼ oh I've heard a similar thing in Japan were workers will pretend to fall asleep at their desks to show how hard they're working No idea the trust behind it tho

☍☍☍☍☍ to this day, "In Japan, shinkei-suijaku is treated with Morita therapy involving mandatory rest and isolation, followed by progressively more difficult work, and a resumption of a previous social role. The diagnosis is sometimes used as a disguise for serious mental illnesses such as schizophrenia and mood disorders." a dignified mental illness uwu none of that lower class shit I'm a classy fuck with money, I don't get the same mental conditions as the poor lolol reminds me of now: I don't have shitty parents, I just have adhd (not to deligitimise all uses of adhd, just over diagnosed)

☼☼☼☼☼ mmmmm i feel u yes this has been a wild ride

☍☍☍☍☍ yes I’m leaving to get late lunch uwu have a good day in this cosmic spider web lololol

☼☼☼☼☼ :')

☍☍☍☍☍ Like the burning of this charcoal fire, our years too will soon expire Kobayashi Issa listening to Krista Tippet talk with Maria Popova, this particular phrase resonated with our conversation: we live in a world where disruption over-fetishised; we need cultural stewardship to help along new waves of disruption

☼☼☼☼☼ How would u define cultural stewardship in a practical sense?

☍☍☍☍☍ caring for the legacy of those past as a means of refreshing their insight for a new age a very straightforward example would b the importance of new translations, in this regard - as our understanding and depth of connection to Japanese society has deepened, so too have our translations dusting off the books so to speak in some sense I see that in our music too or reappropriating to a new context

☼☼☼☼☼ Well remasters are a time terry literal example Fuck

☍☍☍☍☍ time terry

☼☼☼☼☼ Pretty* not time terry lol

☼☼☼☼☼ lime berry yeah exactly

☼☼☼☼☼ Slime Jerry

☍☍☍☍☍ I mean rereleasing is an obvs example mhm but more abstract examples are how I’ve exported into both your brains Bridle/Steyerl/Haraway via conversation and art lolol I’m helping it move from one place to another same w Zappa lol

☐☐☐☐☐ also - looking after artist friends being generous I feel these are acts of pre-emptive cultural stewardship

☍☍☍☍☍ haha yeah definitely different time scales it could function on

☐☐☐☐☐ looking after and maintain communities

☍☍☍☍☍ hosting open mics lol helping teach ppl poetry lollll

☐☐☐☐☐ not allowing hate speech to creep into open mics lol

☼☼☼☼☼ Truuuuu Or anywhere for that matter

☐☐☐☐☐ not becoming so dusty that you actually have a detrimental impact on cultural progression

☍☍☍☍☍ I think religions only exist in so far as they have active practitioners

☐☐☐☐☐ mm

☼☼☼☼☼ Tru

☍☍☍☍☍ I think my sense is, in religion, this same argument plays out with orthodoxy versus mysticism Maintenance of buildings is in there too for religion People being assigned paid positions as the keepers and givers of religious knowledge oh yeah thinking a lot here of Shanzai, ☐☐☐☐☐, and the idea of an object as a lived practice

☐☐☐☐☐ when home I'm gonna do my best to archive this conversation mmm

☍☍☍☍☍ you’re going to steward our conversation bout stewardship ...

☐☐☐☐☐ this is all going in

☍☍☍☍☍ ...the tv where I am says “The comedian getting behind ‘Know Thy Nuts’” and there are big walnuts on the screen

☐☐☐☐☐ ???????

☍☍☍☍☍ “I didn’t realise chemotherapy would be such great comedic material!”

☐☐☐☐☐ ¿¿¿¿¿¿

☼☼☼☼☼ Huhhhh

☍☍☍☍☍ lol highly recommend https://itunes.apple.com/au/podcast/on-being-with-krista-tippett/id150892556?mt=2&i=1000429408054https://itunes.apple.com/au/podcast/on-being-with-krista-tippett/id150892556?mt=2&i=1000429408054