#so they get a degree of protection from predators

[georgieluz]

i think my minor obsession with nate has gotten out of hand bc at 05:14 last night i apparently wrote "nate as the designated vomiting caterpillar metaphor" in my notes app and the worst part is i know exactly what i was referring to and that i was deadly serious about it

[vasilissadragomir]

people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.

snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.

ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?

so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.

and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.

but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.

by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers their winnings to the family of a fallen tribute.

snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capitol as the one who ended the life of katniss everdeen, she’ll still be a martyr.

but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.

and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.

katniss becomes the mockingjay because of her solidarity.

lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.

katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.

only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.

the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.

and really, he should have known better. after all, even when snow lands on top, fire melts snow.

[dr-spencer-reids-queen]

Don't Judge A Book By Its Cover

Pairing: Spencer Reid x Female!Reader

Word Count: ~1.3k

Warnings: none

Summary: You’re plagued by the kid who lives in your neighborhood, the kid you know has a crush on you. You left town, you lived your life without him, and now you’re staring at him face to face after years. Something about him has changed and now you can’t help but want him back.

Square Filled: art student au for @spencerreidbingo

Author’s Note: any and all comments are appreciated <3

x

Then

As soon as the last bell at school rings, you race off campus to start the walk home. It’s not a far walk but you enjoy the silence you get from it. Your house is filled with little brothers and sisters and it’s hard to get a moment of peace. Your parents do the best they can but you know it’s hard for them. You’re the oldest so you’re expected to help out which is why you also enjoy your time alone.

You walk around the corner and notice the sixth house down from yours with the garage open. You’re not sure how you feel but something washes over you knowing what’s going to come next. Maybe it’s annoyance or irritation or indifference but the same thing happens every single time you walk home from school.

The only kid that lives there, Spencer Reid, loves to come out and walk with you the rest of the way to your house. He’s a nice kid but that’s all he is--a kid. He’s two years older than you are but you’re much taller than he is. If he is going to get a growth spurt, he’s getting it late in life or maybe his family are just short people. He’s not enrolled in your school because he’s mega smart and needs higher education to stimulate his brain.

You slip past his house in hopes you can enjoy the rest of your walk in silence but you hear the garage door slam shut and footsteps padding down the driveway.

“Hey, Y/N! Almost missed you.”

“Hi, Spencer,” you shake your head.

“How was your day?”

“It was fine. It’s just school.”

“Today was my first day of college and it was exhilarating. I have to admit, I wish you were there. Or I wish I was enrolled in your high school like all the other normal kids. At least we’d be together.”

You knew he had a crush on you after the first conversation you ever had with him. He called you pretty and vowed he’d walk with you to protect you against predators. It was cute at first but not you’re interested in someone like him. Like you said, he’s nice and has the potential of being a good boyfriend but he’s short and you don’t go for short boys.

“Sure, Spencer.”

“Listen, my mom gave me some money and I wanted to see this new French film that’s playing across town. Do you think you’d want to maybe go with me?”

Never has he ever had the balls to ask you out. Now that he has, you need to put a stop to this. He’ll get over the crush and you won’t be humiliated every time you go out in public. Does that make you selfish? Maybe. Does that make you a douche? Definitely. You stop outside of your house and look down at Spencer who has a hopeful look in his eyes.

“Spencer, listen, you’re a nice kid but it’s never going to happen between us.” Spencer’s face falls but he doesn’t say anything. “Grow over six feet and then we’ll talk, okay?”

You meant that as a joke but you don’t stick around to see if he laughs. That’s the last time you ever saw Spencer Reid.

Now

Today is the day. You’re given the opportunity to feature your art in one of the most successful art galleries in the country. You studied at Princeton and got a degree in fine arts before interning for known artist Benjamin Hale. He’s so successful that he has hundreds of galleries across America with dozens more across the world. He was impressed with your portfolio and offered to let you study underneath him while creating your artwork in private.

He offered you a chance to showcase your work in one of his new galleries. According to him, he needs new blood in this gallery and you’re the perfect fit for it. Your speciality is portraits, realism, and photorealism. Your favorite things to draw are people but there is something about being in nature and drawing what God put on this Earth. You have an eye for making your paintings look real and raw, and you’re able to capture people’s emotions henceforth the realism part of your art.

You only have about a dozen works put up in your small corner of the gallery but you’re proud of it all. You might not sell anything tonight and that’s okay. When you got the word out that the gallery was going to open, people agreed to come once they saw free food and wine was going to be handed out. Still, you appreciate everyone coming.

The place is packed mostly for Benjamin’s work but you see some people enjoying your work. You’re in the back room getting more wine for the servers when one of them joins you.

“Hey, Y/N.”

“Oh, hey, Lori. I’ve just gotten the box of wine for you guys.”

“I just came back here to tell you that someone just bought all of your things.” You’re so shocked that you spring up but hit your head on the corner of a shelf. You yelp in pain and rub the sore area before backing out of the dusty corner. “Are you okay?”

“Yeah, I’m fine. What did you just say?”

“Someone bought all of your work.”

You don’t wait to hear what else she has to say. You’re already out the door and rushing into the main room. You look to your section but don’t see anyone lingering around. You’re not paying attention to where you’re walking when you almost run into someone. The man grabs your shoulders to prevent you from falling and lets out a chuckle.

“Are you okay?”

Wait you know that voice. You look up at the man towering over six feet tall. Damn, he grew up.

“Spencer?”

“So, you do remember me.”

He lets go of your shoulders and allows you to take a step back from him. Damn, not only did he grow but he grew more handsome since the last time you saw him. Well, he was fifteen the last time you saw him but still.

“How could I forget the little boy who followed me for two years?”

“Yeah, I kind of had a crush on you,” he chuckles.

Oh, he even has a beautiful smile. Damn, I really was a dick to him back then. You try to ignore the pang of sadness at his use of “had” and not “have”.

“I know you did. I’m sorry, but I need to go.”

“Looking for someone?” he asks before you have a chance to leave his side.

“Yeah, someone bought everything I have out.”

“It was me.”

You pause and turn to look at him. He has a slight smirk on his face, and something in your head clicks into place. You look at him up and down and notice how he’s trying hard not to be overly confident in his decision.

“So, what, you got older and taller and now you think you’re hot shit?”

Spencer shrugs and shoves his hands into his pockets.

“You’re the one looking up, not me.” Your jaw drops several inches at his remark. “So, can we talk now?”

“Excuse me?”

“You told me to grow over six feet and we’ll talk. Well, I’m over six feet now. Will you let me take you out?”

You have no clue what to say to that because your mind is reeling from the last thing he said. Someone calls his name and you both see a black man, two blondes, and a brunette waving him over. They point to their watches which means he is either late or they have to go. He digs in his pocket and produces a business card. Only it’s not a business card. He’s in the fucking FBI.

“How about this?” He hands the card to you. “Call me when I can pick this stuff up and maybe we’ll talk then.”

He leaves your side and joins his friend group without another look at you. Is it shallow to want him now? Maybe. Are you going to try like hell to make up for lost time? Definitely.

x

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[eighthdoctor]

everyone is aware that fossils don't just give us the skeleton of an animal, right? like even from a fossilized bone you can conclude all kinds of interesting things like how much muscle the animal carried there and whether they were likely to be a sprinter or endurance runner. from teeth you can get sooooo much. from skin impressions you obviously get feathers vs scales vs fur, but you can also do some genuinely insane shit with feather color analysis???

footprints and nests tell us about social groups. pathologies on the bones tell us about injuries, disease, and predation. preserved stomach contents are amazing when we get them, and fossils of multiple animals joined together (as in the Fighting Dinosaurs) are literally invaluable.

and that's just sticking within paleontology!

paleoecology plays with ethology, ecology, and evobio to reconstruct ecosystems and behaviors. rules of behavior, of energy transfer (eg, via eating!), and of evolution (eg, sexual selection vs natural selection) remain in play 65 million years ago or 500 million years ago or yesterday.

we either know so many, many more things about prehistoric animals than just "this is what their skeleton looked like" or we can make very accurate inferences based on modern animals.

for example: both birds (basically the whole clade) and crocodilians put on noisy, energetically expensive displays for mate selection. there's a range of ways in which this appears, but it is the simplest possible answer to conclude that most if not all nonavian dinosaurs engaged in some degree of dramatic yelling & posturing at individuals in order to influence their sexual choices.

(this is not a requirement! off the top of my head tigers do not do this. humans do it, a lot of other mammals do it, and birds do it at 5 am outside my window every morning.)

for example: large herbivores living in ecosystems with predators who are big enough to kill BABIES but not ADULTS tend to run in social groups where the adults form a protective circle around the babies (bison, elephants). again it is reasonable to conclude that sauropods would have done similar. (if predators are big enough to kill adults, flight is a much better option for everyone.)

like. every time i see that fucking "there's no reason to think t rex didn't look like a giant fuzzy sparrow" post i lose my mind. people have invested decades of their lives to conclude with pretty substantial evidence that t rex absolutely did not look like that.

quit writing off knowledge because you hate the shrinkwrapped dinos from the 90s. don't worry, everyone else hates them too! we have moved on to bigger and better reconstructions. t rex still looks like a goddamn predator though. and acts like one too.

[heartfullofleeches]

You may not rest. There are monsters nearby.

Yandere Entity + Doomsday Prepper Reader

Gender Neutral Reader. Light horror elements. Reader has severe paranoia.

-

It isn't safe up there anymore.

Even now. Sectioned off from the upper levels of your home in a coffin of your own making, you can still hear it. The scrapping. The whispers. Small instances you made the pitiful, careless error of mistaking as the odd creak of your bedroom door. Why hadn't you left when you had the chance? Your fears and doubts hounded you like a plague, yet - in earlier days - you willed yourself to believe the trick of sound was just that. Your sight was the only true you needed. If only you knew it was your very own two eyes that had deceived you from the start.

Precious hours, finances, and the pain of departure stranded you in this place. This was your house - your home. The safe zone you created to protect yourself from the world and everything in it that would ruin you. You were so caught up keeping every danger out, you knew bothered to check for ones that were already there - decades before you took your first breath. An ancient, rotting carcass; old as if not predating the foundation of the worn, but well kept house that felt like a steal at the time of purchase for the bring it was listed. It smells the decay from your flesh as you waste each day away afraid of the unknown and discovered the ideal candidate for its equal.

A mortal who frees the world that birthed it to the degree that you do is not meant for that reality in its eyes. You gave up everything to make their land a safe haven for yourself and now it is too late. Where else is safer for you than the arms of a being who would embrace what others consider a fault?

"Are you still down there, Y/n? Look, there's nothing here. I checked every nook and cranny of this place, but there's nothing to be afraid of besides that wasp's nest on your porch. Come on out, take a shower, and we'll get you something to eat- Sound like a plan?"

The blankets wrapped around your shivering body nearly suffocate you as you press them firmly against your face. Your close friend of several years. You would've believed it was them had they not kicked you out of their apartment after chunks of spoiled meat began appearing on their doorstep. It's trying to trick you again. It's done so before. Loved ones, figures of authority, even characters from shows you watched in the past - It won't stop at nothing until you open that basement door.

"Y/n? H-hey... It's me. We used to sit together and lunch sometimes? Your parents gave me your address, but when I got here I noticed your front door was open.. Are you okay in there? Are you even in there? Open the door so I know you're s- so I know you're alright."

The fatal flaw in its mimicry. That word - it makes the creature upset. In its eyes, you won't be safe until you submit and thus promising your safety while wearing a false face angers it. Its not like the high-school crush act would work on you anyway. You doubt it was a car accident that took their life, but the less you knew the better.

"It consumes. Swarms. Devours. The fears you let puppet your sweet flesh will tear away at your meat and leave nothing in its wake before any disaster takes you from this world. Allow us feast upon your pain. We will pluck it from your bones before there is nothing for it to cling onto. This house is your domain. Embrace it. Embrace us."

There is it. That....thing's real voice. The exhaustion latching onto every word matches the heavy weight of your eyelids as you fight to keep them awake. You know it can't get in, but you can't take the risk of falling asleep. You're tired. So very tired, but you can't rest now.

There's a monster nearby.

[mo0nfairy]

Any chance of some nsfw with guard puppy leon pls? 👉👈 I love the way u write him sm😩😳

tw :: nsfw themes (mdni!!), re4 spoilers, obsessive!leon, yandere!leon, sub!leon, masochism, penetrative sex, unprotected sex, invasion of privacy, leon being infected for like 2 seconds, (also no specification of reader's gender/genitalia).

⸺ ya'll.................. you can't drop shit like this in my inbox and not expect me to go feral. (i am also legally obligated to use this gif cause how can i resist).

let's say it's right after the events of re4. you and leon had spent an eternity dodging every kind of abomination known to mankind before you finally made it to safety. the government then took you in to study the effects the plaga parasite had on humans. however, leon was infected while you weren't, meaning the two of you would have to be temporarily separated. and fuck, being away from you kills leon with need. he just has to get his hands on you. and when his head gets fogged up with all sorts of disastrous scenarios (all involving you hurting in some shape or form), leon busts open the lock to his room and sets out on finding you. practically tearing the place asunder in his efforts, he finally locates you in a completely separate wing.

how fucking dare they take you so far from him? what if something happened? what if he can't be there to protect you-!?

his train of thought is abruptly cut off when he enters the room and finds you, entirely naked. there are several doctors around you, poking and prodding at you like a lab rat. leon literally just !!!!!!!!! at the sight, but is also >:( because of all these people putting their filthy hands on you. he is enraged at the people for touching you, but he also can't tame his heart after seeing your bare skin. he leaves to his room with his tail between his legs and his face adorned in red blotches. and poor leon hasn't been granted a single second alone to relieve himself, not with all these scientists and security guards surrounding him 24/7. (he got a little aggressive with staff when he had to seperate from you).

and being unable to relieve himself before he can see you and drown you in his obsession is destroying him. especially when he learns you've been moved to a safehouse all the way across the country, all while he has to stay in this hospital without you. he isn’t sleeping, he lost his appetite, and his body temperature has increased to a worrisome degree. the doctors even put down ‘hypersexual’ as one of his symptoms. and just a week later, leon is still distraught, but is all healed up. his mood brightens, however, when he learns he is being sent to the same undisclosed location. finally, he gets to be alone with you. and god, he is desperate.

practically tearing the front door off its hinges, leon searches for you through the house like a goddamn serial killer. and when he finds you, he goes feral. you don't have a second to even acknowledge the second presence in the house before he is all over you. one second you're minding your business and the next you're practically being smothered to death. on the counter, on the bed, hell, on the floor, leon doesn't give a shit where. as long as he’s able to ensure no inch on your body goes untouched.

leon tears your clothes off like a predator tearing apart the flesh of its prey. his calloused hands touch everywhere he can with almost religious fervor. good god, has leon ached for this. he's constantly losing air from latching his mouth all over you. he'll pull back a good centimeter, wait maybe a picosecond to catch his breath, before indulging in you again. and sidenote, he's a virgin (fight me abt it). sweet, innocent leon is so inexperienced but tries so. fucking. hard. all you have to do is sit back and guide him. every syllable out of your mouth is gospel to him, after all.

while his tongue is practically shoved down your throat, you bite down on the squirming muscle and it's just....…. instant subspace. his eyebrows scrunch upwards and he's moaning like a bitch into your mouth. his entire life, leon has endured so much pain, (especially right after the events of re4). but to hurt at your hand, knowing he is still safe with you? it is like heaven and hell in the same breath. so please, hurt him, bite him, rip out his fucking throat with your teeth if you want- just fucking do anything to him!

and leon is so distracted by you, he doesn't even realize how devastating he looks. his cheeks are as red as two ripe cherries; his eyes are wet with infatuation, brimming with tears. and downstairs, the vulgar sight displays a good 8 inches erect, on the skinny side with veins protruding the straight, pink shaft. his tip flushes an angry red and is overwhelmed with precum. you gently take it into your hand and caress the white-pearl with your thumb. and leon's voice literally raises several octaves in such an obscene manner, you wonder how he'll react when he's finally inside of you. but for now, your mere hands on him has turned him into a completely different person.

you guide his bloated head to your entrance and rub it into the surrounding skin, now slick with your spit and his precum. leon's entire body is shaking; his chest is flat from holding his breath in anticipation. 'fuckfuckfuckfuckfuckfuck-' his chants huff against your face while his gaze is casted downwards, trembling from the sight alone. you could keep him here if you wanted, torture him even more. mock his whining while his swollen head is practically begging you to let him in and end this agony. but, he's just too damn cute. so, you give your poor puppy what he so desperately wants and push him into your soaked hole with ease. and the cry leon lets out is nothing short of pornographic.

"y-y/n/n-! oh, jesus, sh-shit-... uhn-!" his forehead is pressed against yours as he moans out for you.

when leon finally bottoms out inside, you let your spongy, sopping walls adjust to the length of his dick and try to calm him down (to no avail, unfortunately). he's too caught up in tripping over his words, attempting to verbalize the adrenaline coursing through him from just how amazing you feel and how soul-crushingly good it will be when he finishes. leon hasn't even started moving yet and he's already overwhelmingly drunk on pleasure.

you then push down on his lower back, giving him permission to begin moving. and the man leon becomes is that of a creature possessed. there is not a single moment spent being gentle, he is rutting into your thick heat like his life depends on it. he buries his face into your neck and everything just becomes so messy. your hot, hyperventilating breaths paint the air and your bodies are sheen with sweat as they stick together. his hands are locked around you like a lifeline, clinging so tightly to you as if he were hanging from a cliffside and you were his saving grace. (this is him basically). with his eyes rolling into the back of his skull, his hair clinging to his sweaty forehead, his jaw hung low with uncontrollable moans — god, you make him so fucking stupid.

'hmy- my fuckin’ god- y/n/n, i-... 'm-your- your stupid mutt, your dumb puppy... fuck, s’fuckin’ good, s’fuckin' perfect." you're not even exactly sure what leon is saying, with his voice muffled against your neck. but, when his voice is so whiny and slurred like that, you can only imagine how adorably pathetic the words that follow are.

drool seeps down his chin and pools in the nape of your shoulder. his mouth is all over your neck like a vampire, lazily kissing and marking your skin. with how overwhelmingly intense the euphoria is, he knows that one glance at your godly face and body will send him over the edge. so, he keeps his face nestled away. fortunately for him, however, you're not far behind from finishing. every vigorous thrust of his plunges deep into you, causing your body to jolt forward from the sheer force.

you grasp hold of leon's hand, causing his heart to practically explode in his chest, before guiding him on how to stimulate you. his hands rub against your sex with fervent, clumsy haste. and before you can even blink, your orgasm hits you like a wave. it is unexpected and unbelievably intense. every sound from your mouth causes leon’s dick to twitch inside of you, pushing him closer and closer to that earth-shattering finish. he is now full-on crying, his lewd sobs and pleads reverberating from the grip your body has on him. in the cusp of your high, you grab a fistful of leon's blonde hair and pull his head back.

you growl in his ear, "you're my bitch in heat."

and with that, leon gushes inside of you. a deafening wail permeates the room as he sporadically thrusts his hips against yours with bruising force. he practically bleats like a sheep as he cums and anyone lurking outside would probably think you were murdering him. leon fills you to the brim with his seed, the excess escaping past your entrance and staining the surface beneath. his vision goes white, his body shivers with rapture, and his mind is devoid of any thoughts beside you, you, you. the act of intimacy, to revel in your pleasure — oh, it is heaven. leon knew it was gonna be good, but never this fucking good.

every muscle in his body then goes limp against you. quiet whimpers pervade the air as he presses sloppy, soft kisses against your lips. chants of 'i love you, i love you so fucking much' escape his breathless mouth. and the look in his honeyed gaze... he is just so fucking happy to be back with the only person he could ever love, the only person he could ever need. it's clear as day, leon couldn't be more in love with you. but, when you try and push him away for some room to breathe, his hold on you turns tenacious and you can feel how he is still rock-hard inside of you.

you realize that not only are you in for a long night, but you are in for a long, long life beside leon.

okay..... this is my first time writing smut. like ever. if it's shit, pls don't be afraid to send some critique my way!! thank u !

[victoriadallonfan]

Having re-watched Alien (1979) and Aliens (1985), I think I've realized what went wrong with the further expanded film universe on a thematic level (this is not accounting for AVP films, which seem to exist within their own continuity atm).

The main issue is that these films made 2 intertwining mistakes:

Making the Xenomorph too animalistic

Removing the mystery of space

For the first part, Alien and Aliens are quite vague about the Xenomorph mind. Alien treats it almost like a serial killer at times, including a particularly interesting moment where it disregards Jones the Cat entirely, despite making a very easy target, and how it will sometimes meander up to the crew as if it knows it's inflicting terror upon them. This Xenomorph even seems to only flee when Parker goes to kill it with a knife and hides within the evac shuttle when it realizes that Ripley was going there as well.

Aliens forgoes this in favor of showing how terrifying their numbers are even in the face of superior (if greatly mislead) fire power, but then pulls the rug under our protagonists by (seemingly) cutting the power and testing the endurance of the auto-turrets. While the drones are not individually as intelligent as the original xenomorph from the first film, this is instead given to the Queen, who understands not only the danger Ripley poses to her Hive but hostage negotiations of the most blunt variety. And, of course, incredible spite and vengeance when Ripley burns her eggs.

Basically, the two films do a good job of making you wonder... how sapient and sentient are the Xenomorphs? Do we take Ash's word and think of them as simply Hostile Weapons or do we see them for the adaptable and complex - if instinct guided - parasites just trying to protect their hive? This is further food for thought when we learn that one of the cut endings would have had the Xenomorph kill Ripley, tentatively use the shuttles control panel, and speak into the intercom with Dallas voice (ala Predator).

Imo, that goes too far into making them human, but we'll circle back to that later. The point is that the Xenomorph is never clearly one thing or another, but rather, something that constantly foils our attempts to understand them completely.

Aliens 3, Alien: Resurrection, Prometheus, and Alien: Covenant fail in that regard, because they take the firm stance that the Xenomorph is... an animal. A very, very, dangerous and hostile animal but an animal nonetheless. It's not some vague horror that we struggle to comprehend and reason with, because all the facts (as they are for now) are laid out: the Xenomorphs are weaponized animals that just kill, reproduce, and kill etc etc.

Nothing is entirely new about the Xenomorphs in these movies (beyond the forms and one part of Covenant, but we'll circle back to that as well), but rather trying to recapture the formula of Alien and Aliens. And even when the film isn't necessarily about the Xenomorphs like Prometheus, it still goes out of its way to copy the play by play of Alien to an almost hilarious degree (except, somehow, having a cast entirely of stupid scientists).

The Xenomorph is used as a toll for the films to talk more about the human threats who would use them, which is fine, except the same message of "Weyland-Yutani wants Xenomorphs, They Failed" over and over again (except I guess for Alien: Resurrection, but that had Walmart as a plot point so...) gets tedious. It's not longer about the folley of mankind, but rather this one company led by a man (or Android?) who keeps fucking up.

Ditto goes for the second part: removing the mystery from space. Alien and Aliens treat the Space Jockey and other (non-Xenomorph) alien life at an arms distance. They are large, grand, ominous, and vaguely defined. We don't know much about WY in either movie, nor how much is them knowing versus independent people within the company (Burke mentions cutting out his own bosses for profit for example, and Bishop the company Android is heroic and horrified at the situation they are all in, a big difference to Ash). The Xenomorphs having a Queen was a huge reveal, because we literally had no idea until then if those were actual eggs or simply pods artificially created.

Aliens 3 tries to add some mystery with the prison colony, but it's also hamfisted and given a lot of exposition to explain the situation they are in, but I will give it kudos for making Weyland (???) look like Bishop as a twist. Aliens: Resurrection... yeah, no.

Prometheus and Alien Covenant gave us a plethora of seeming mysteries, but also gives us really super simple answers. Basically, Space Jockeys are just super humans seeding life across the planets and they wanted to bomb Earth into oblivion because we killed Jesus Christ (who was a Space Jockey). And one of our androids then - possibly - goes to their home planet and bombs them to oblivion thus wiping out the human race. And they made Xenomorphs yadda yadda.

Prometheus in particular seems to despise the idea of space being a mystery, with the conversation David has with a scientist being plainly spelled out as the theme of the film: "Sometimes, humans/space jockeys just build shit, and it goes wrong I guess. No gods or mysteries here, just hubris."

Which, if handled well, is still a fascinating idea (I think it's a pretty interesting 'take-that' against the stupidity of Ancient Alien Conspiracy Theorists)... but it's not handled well. At all. And certainly doesn't work well when trying to write Xeno-Horror.

So, what COULD work?

Well, I think we need to look at how Alien and Aliens made the Xenomorphs, Space Jockey's, and Space itself all work.

For the xenomorphs, I think back to one scene I actually thought was interesting in Alien: Covenant; as a chestburster is born from a hapless scientist, it lays its eyes (???) on David and replicates his movements, mimicking the first living thing it witnesses. Nothing is ever done with this (of course), but think about the potential that could be used! Plenty of animals like crows, ravens, dolphins, octopi, killer whales etc etc can use mimicry in voices and actions, and that includes things like tool-use! And of course, the fact that they take on new forms from hosts helps with that.

For the Space Jockey's: scrap them. They had their time, the mystery is basically solved. Show us new and different alien civilizations long past. Were they also victims of the Xenomorphs? From some other threat entirely? Surely, there are extraterrestrial predators out there that don't follow the Xenomorph formula. Why not have them share the splotlight, with just as little explanation?

For space itself: stop with trying to recapture Alien and Aliens. Alien: Isolation is the only successor specifically because of the format of the medium. Alien and Aliens rely heavily on the shock factor of sudden reveals. Remove that, and you are given "bug hunt" games and movies ala discount Starship Trooper. Focus more on making human space feel almost alien and beyond our understanding as well, but just enough that we can recognize the purpose that we would have them for our society.

How I would write an Alien Story:

(This would all be backstory and setup for the actual story)

I would set it within a colony satellite with an explicit task: a skyscraper ecological time-capsule for deep space experimentation of wildlife.

It would have levels, with humans situated at the second uppermost and an AI as the manager at the top level of the satellite, with all the other animals in different levels fit for their habitats (including some non-earth, non-xenomorph aliens). It's a religious sponsored and run organization, offshoots of [Insert Church Here] that is trying to get good press with cutting edge AI and biological research.

The prize is an alien lifeform that looks like a cross between a crocodile and a panther. Usually docile when fed, it has been growing more and more agitated, harming several workers on the job. Most assume it may be some late-stage degenerative disease within it's brain.

Not all things are as it seems, as at the bottom of the station, a location no one but a select few faithful engineers are sent to maintain, a pod is damaged. A young attendant watches in shock and horror as a bloody and maimed chest burster crawls out of the pod, possibly having injured itself to burn through the lock. The creature is mewling in pain, but the young attendant makes a choice: leaving food, water, and blanket for the creature. Watching as the creature watches them, before going to feast. All under the gaze of a camera.

The xenomorph grows and grows, eating more, getting bolder and allowing its "caretaker" to feel more comfortable. Soon it begins to recognize certain sounds as they pray when he feasts, and association occurs. One day, its hiss sounds suspiciously like "Lord".

This is when the young attendant reaches out to higher, but trusted, priests to share this miraculous revelation. The first one is shocked, terrified, but intrigued as the creature mimics words like "Lord" and "Mighty". Barely audible, some would say hallucinatory, but they believe they can here this humanoid creature speak their language.

The second is equally shocked, terrified, but listens and becomes a believer.

The third one does not believe. Rightfully horrified and full of questions. Their arguments in front of the beast escalate into violence and when the young attendant shoves the priest to the ground, it is the Xenomorph that pounces. Blood is shed. the creature rises in front of it's faithful, and the Xenomorph uses the same sounds it heard over the fight. Lord. Mighty. Here-tik.

They can't be delusional or driven by guilt! This is a sign... right? This creature is speaking to them!

The faith grows. Never large. Can't risk word getting out or people noticing too many missing priests. The satellite is just barely large enough that people can excuse going missing for a few days between objectives.

But key individuals are brought in. The creature is worshiped. Animal offerings are delivered. It's changing, slowly. Growing larger (not a Xenomorph Queen, it's too maimed, but adapting to a steady diet).

Things might have escalated, had one of the priests killed not had an estranged sibling/spouse/loved one who had the pull to make a formal investigatory complaint.

The investigator arrives with his repertoire, this supposed garden of eden in deep space, none the wiser to what he would uncover. (Again, this would be the backstory, not revealed except through character investigations and evidence found during that. Defeats the purpose if it's spelled out like this).

It would play with the idea of how sapient/sentient the Xenomorphs are (do they care? do they understand? if not, why act like this? if yes, what does this mean for their continued slaughter), how much one puts into faith versus delusions, and leaves lingering questions: who put the xenomorph on the ship, why is the AI so complicit with the deaths and disappearances, and why is the one non-xenomorph alien acting so dangerously agitated despite being far away from the xenomorph's quarters?

[farfromstrange]

Interview With The Vampire | Vampire!Matt Murdock x F!Reader

-> Main Masterlist

Pairing: Vampire!Matt Murdock x F!Reader (she/her)

Summary: You are the first journalist to interview Hell’s Kitchen’s resident vampire vigilante after he requested you personally to tell his story. He’s offering you a way out of your miserable job—to make your voice be heard. You’re desperate and curious, so you decide to take the risk. Most people only know him as Daredevil, but you are about to learn who’s really behind the mask. How hard can it possibly be? As it turns out, interviewing a vampire is a lot more complex than you expected it to be, and Matthew Michael Murdock has set his mind on ruining you for any other man to come.

Warnings: SMUT (18+ MINORS DNI), alternative universe, blood play, marking, scent kink, slight Dom!Matt, unprotected p in v, oral f!receiving, biting, vampirism, angst, religious imagery & symbolism, Catholic guilt, mentions of violence, allusions to suicidal thoughts, lots of plot, age gap

Word Count: 12.2k (this is a beast)

Other Characters: Vampire!Elektra (mentioned), Ben Urich (mentioned)

A/n: I finally got this one edited. This is a beast, y’all! I drew inspiration from Anne Rice’s Interview With The Vampire, but particularly the 2022 AMC series (I fell in love with it then and there), but it’s not based on it, so I just played around with the idea and this came out. It’s a lot, but it wasn’t enough for a full-blown series, so you’re getting a big ass One Shot instead. I used my usual Smut tag list, but since this is slightly Dead Dove Do Not Eat, heed the warnings and proceed with care! Don't read it if you don't want to. Anyway, I hope you like it!

Read Me On AO3!

The sun has long set over the Big Apple. Artificial neon, cars, and ceiling lights burning in the highrises along the riverfront cancel out the darkness that has befallen the country’s east. Noise melts into a flood that rolls over people’s senses, but most in New York City have grown numb to the city that never sleeps. 

Sirens follow cacophonies of screams. Teenagers get into clubs with their fake IDs, adults get drunk in bars or go to work the night shift at their underpaid jobs, and the other half cry themselves to sleep, knowing they will have to get up in the morning and go through the same hell all over again. 

Life has become a miserable existence, and it leaves human beings wondering, ‘How much longer do we have to endure this before we all finally drop dead?’

The system fails them. The law fails to protect them. All they can do is lie down and wait to die. And they will die sooner or later. That’s inevitable. 

In Hell’s Kitchen, in a penthouse with a view of the Hudson through colored windows that gloss over during the day and show the city throughout the night, resides someone who most of the city only knows by an alias—Daredevil. 

If anyone crosses him, he will suck them dry. It’s not a metaphor, I’m afraid; his reputation precedes him. Criminals fear the red eyes that come with fists and a sharp set of teeth that will surely run them into the ground. The rest of the city feels a little safer with him, but so far, no one has dared to question his nature. 

Fear is known to work as a paralytic. And this man living in the penthouse by the Hudson is the personification of what one might consider fear-inducing. Without the fear of others, he would not be thriving. 

An apex predator like him lives for the thrill of the kill. When the adrenaline spikes, it makes the prey start running and the blood taste so much sweeter. It is to a creature of his kind what a good glass of century-old red wine would be to a human being; he savors every last drop of it.

Two years out of your Master’s degree at Columbia University, you have become one of those hard-working adults who fall into bed later than they should, and you lie awake at night, wondering how much longer you have to exist before you can live.

You interned at the Bulletin; you ran the true crime and mystery column for over a year before the newspaper shut down. A billionaire from downtown Manhattan bought it to start his own magazine, and you were the only employee he didn’t fire. Instead of relying on your top-tier education and experience though, he has banned you to the lifestyle and beauty column. He’s a beast if you have ever seen one. 

On a Monday in June then, after the sun has risen and is now falling again, you find an envelope on your desk. You glide your fingers over the fancy paper. The letters are written in handwriting that resembles the old letters from the 18th century you had the pleasure of using as research material for your Bachelor’s thesis.

Your heart skips a beat. Could it be…

It is no secret that vampires exist.

Over two decades ago, scientists published papers on the existence of blood-sucking creatures after years of valuable research, and now governments around the world have set out to burn the inhuman species out before they can cause any more damage. Vampirism though is older than humanity itself and unless law enforcement has evidence of homicide, vampires have the right to exist amongst humans. 

They are excellent at hiding their true nature, that much is true. The lore that has been passed down since the beginning of time is only partly true. They know how to adapt and rise from the ashes like elegant phoenixes. The misconceptions surrounding their existence stem from fiction, horror, and fear, but they persist. 

And a rule has been established in society ever since the truth was revealed: don’t talk about vampires! 

Don’t talk about them unless it’s in a fictional context. Don’t put your research out there. Don’t fraternize with them. Don’t risk becoming prey. Don’t be fascinated by them, and God forbid, don’t you dare write articles about them for the public records. If you want to know about vampires, you have to dig, and you have to do so quietly or society will deem you crazy and a freak. 

The worst thing to be is not a flying android or a super soldier with a shield; the worst thing you can be, in this day and age, is a vampire. 

You were a curious child who turned into an even more curious adult. At times even a bitter one because she couldn’t get the answers she yearned for and had to do it herself. So, of course, the We Don’t Talk About Vampires rule came across as rather absurd, learning about it back when you were merely a teen. 

You started researching, and you found out more than you thought you would—more than you thought you could. You wanted to cover the issue in the Bulletin back when you still worked there, but since humans were raised to fear the very mention of vampires in the real world, no longer romanticizing the concept but rather running from it, the truth shall remain hidden. Again, that seemed absurd, but you had to accept it to get ahead. 

You kept researching to the point you convinced yourself you could be one of them if you tried. You felt like you understood them, but nothing could ever fully answer all of your questions to the point it felt truthful. Honest. Real. 

Growing up, everyone told you dead things aren’t supposed to walk. They aren’t supposed to breathe and exist among the living. They are cruel, and vampires are killers that leave trails of bodies the government is hiding from us. Greediness exceeds common sense. The human mind tends to get sick and twisted, and those who don’t fit in hardly ever stand a chance.

Hell’s Kitchen is particularly quiet on the issue. Rumor has it that the vigilante chasing criminals at night and leaving the worst of them dry at the shore of the Hudson while, at the same time, surrendering those he deems worthy of rehabilitation to the authorities, is one of those vampires. 

They call him Daredevil; the savior of innocents and the downfall of the vile. Only a handful of people know who he is. The truth is caught in a spider web of lies, unable to come out unless someone were to tell his story for the world to hear. 

That Monday in June when you open the mysterious envelope on your desk, everything changes. 

He addressed you personally. Your name resembles a masterpiece, the letters swirling at the edges. 

You don’t know me, but I know you.

It’s strange to read your name out of the mouth of a stranger.

I must admit, Miss, I’m a big fan of your writing. And I’m not talking about the lifestyle and beauty column Mr. Doherty of the ‘Silver Lining’ has confined you to.

No, I am a big fan of the work you used to do for the New York Bulletin. I remember your name headlining many articles on crime here in Hell’s Kitchen—a column my late friend Ben Urich used to call his home.  

It’s a shame that the paper was shut down. I tried to prevent it, but the disappearance of half of humanity and Wilson Fisk’s irreparable damage to the city’s foundation tied my hands. 

The token female journalist reporting on unsolicited beauty advice and lifestyle choices no one is going to follow in the days of social media and fake marketing. It must be frustrating, right? Not having a story to tell. Not getting recognized for your impeccable talent. The Bulletin gave you a platform, but Mr. Doherty and his goons took that away from you.

What I’m asking myself is, are you satisfied? You were probably imagining a different future for yourself. A woman of your caliber must want to be more than a mere object used to make a bottomless magazine look better on the market. 

Excuse my overstepping. I read one of your essays on the magical and the mythic—lore versus reality—the other day, and it inspired me. My life has been taking quite a few turns lately, so I required some new… let’s call it insight. 

You don’t know me, but I am one of those creatures you are fascinated by. I’m the kind of creature people have been telling you not to write about because the weak minds of the public would not receive it well. The Catholics, the church, the fragile and fearful human beings that can’t imagine anything in fiction being real and want to remain the superior species—trust me, I know what it feels like to be backed into a corner. To be abandoned. To be underestimated. Not quite like you, I admit, but I have a few years of experience in and with this world to show for myself. 

I imagine you’re tired of your position. I imagine you’re dissatisfied with human idiocy. You crave answers to your questions. Questions you have been asking yourself ever since college failed to answer them. My kind is being censored—partly for good reason—but that doesn’t sit right with you, does it? To live life in a monotone line with no clear way out of this boring rhythm you have had to fall into? 

I can offer you a different path. A story. Answers to your questions. And the unfiltered truth of a 242-year-old man. 

You are going to find a card with my address attached to this letter. I can assure you, sweetheart, we both want the same thing. I will wash your hands if you wash mine. Think about it, and come find me when you have made your decision. Preferably after the sun has set. 

Yours sincerely,

M.

The paper crumbles in your hands, but only at the corners. Your eyes are glued to the lost drops of ink, the blue blood of an old fountain pen caving under too much pressure. 

He chose his words carefully. Every paragraph circles around your head. You breathe in, and it suddenly feels as though the whiff of the unknown is an inhalable drug, twisting your brain inside out. 

The pull threatens to submerge you in a stormy ocean. You’re flailing your arms around helplessly, but there is nothing for you to hold onto. All buoys have drifted into oblivion, leaving a sea of utter emptiness behind, and in the midst of it, there you are, drowning.

In a moment of clarity, you fold the letter back down on the desk. It lands with a thud, and you look around frantically, checking if anyone is watching you. They aren’t. 

M. That’s all he’s giving you. And the fact he is over two hundred years old proves the rumors to be true. He’s standing by it, but only to you. He wants to reveal himself to you, show you his true face for a story, but he’s a vampire. 

You’re alone. You can wash his hands, but is just showing up enough for him? You don’t even know him. 

You’re in trouble. This time though, you didn’t even do anything. You did your job, and he caught an interest in you. How does that work? 

Your heart skips another beat. It should not, but it does. The danger is exciting. It shouldn't be exciting. You hate what your body is doing, but how can you make it stop? You can’t. You can’t do anything but take it.

This stranger has got you in a chokehold, but in his hands, you might as well surrender to your certain demise. You don’t consider vampires inherently evil, but there is a reason people warn you not to walk alone at night in Hell’s Kitchen. He’s dangerous, no matter his nature, and he is not supposed to lure you in the way he does.

But you’re a curious kitten, and he is offering you the holy grail of answers to questions you have been grappling with for years. He hit the nail right on the head. And it doesn’t even scare you how well he knows you. 

This is a gold mine. Realistically speaking, telling a vampire’s story could make or break your career as a journalist. If you do it for the magazine, you’re done before you can even bring your words to print, but if you do it individually and you do it well, people will certainly eat it up. The question is just, are you going to play your entire life safe, conforming to your boss’s view of you until you get the freedom you crave, or are you going to take the risk and fly? 

The answer is as clear as day, but it takes you a moment to process. It’s as though someone is in your head, steering you in the direction of whoever this M is. Daredevil. This vampire who wants you to interview him, and for what? That’s still an open question you don’t have the answer to. But you do know what to do.

You scramble for your laptop, your notepad, and the letter in the envelope. The clock strikes four. You have another two hours on the clock, but you can’t be bothered to stay. 

Upon hearing the sound of your shoes hurriedly scraping against the linoleum floors, one of your colleagues turns in her chair. “Where are you going?” she asks.

“I, uh, have somewhere to be,” you tell her as you brush past her.

“What, now?”

“Yeah. I forgot I had an appointment.”

“What about Mr. Doherty?”

You stop on your way out, looking back over your shoulder. “If everything works out,” you say, glancing through the window to his office at the other end of the hall, “He’ll have my letter of resignation by the end of the week.”

She gasps softly. “You’re quitting?” her voice is barely above a whisper.

Almost sinisterly, you chuckle. “That’s the plan, yeah.”

“But—”

“Tell your daughter Happy Birthday from me. I gotta go.”

Your steps echo for minutes still, but you are long gone with the wind.

Silver linings are considered an advantage that comes from an unpleasant situation. The name has proven to be entirely unfit for the magazine that replaced a big piece of Hell’s Kitchen’s history. The Bulletin had cultural value as much as it was laden with decades of the city’s stories told to the average person. 

Wilson Fisk was the dynamite that sent New York alight. The Bulletin’s destruction was mere collateral damage in the fight to get the city back on track. You have had so many reasons to leave presented to you, yet you never took them. If you had, maybe you wouldn’t be here, making bad decisions on what started as just another Monday in June. 

The fact is though, you didn’t leave, and you are here now. Facts are what matter. They count. Your hypothetical past, present, and future have no place in this reality because you can’t travel back or forward in time. Vampires may exist, and the Avengers time-traveled to save the world, but things aren’t quite as easy once you look at the bigger picture. You are not a superhero, you’re just a journalist chasing the kind of story that will finally make her voice be heard. 

You know that Ben Urich, at least, would be proud of you.

His address weighs heavy on the small card you pulled out of the envelope earlier that evening. You passed it on to the cab driver, and he began to navigate the dark streets of Hell’s Kitchen. The luxury condominiums in this part of the city can be counted on one hand. You know exactly when you’re there. 

The sun has once again set over New York City. You’re wide awake, not quite sure though if you’re ready to face what you are walking blindly into. Even your driver refuses to take you past a certain point, and that is how you know that you’re not dreaming. This is real, and it’s supposed to be terrifying. 

How come you’re not scared then?

You slip twenty dollars to the cab driver, then climb out of the backseat. The salty air from the Hudson River a few blocks down wafts around your sensitive nose. In the distance, you can hear waves crashing into the docks as the wind picks up in speed. The boats must be moving wildly by now, swaying from side to side and possibly even making the fish in the depths of the water seasick. You would be if you were them. 

With every step, you grow closer to your target. On second thought, maybe you should have brought more than just a pathetic bottle of pepper spray and your precious laptop. You could have brought your grandfather’s cassette recorder, at least that would leave a mark if you hit someone over the head with it. 

Do vampires get concussions? That is another question you can add to the seemingly endless list in your mind. It’s a confusing place as of late, and the weird sense that someone is playing with the controls won’t leave you alone. Either you are overthinking, or you are worse off than you originally thought. 

The apartment complex the card directs you to stretches high above you. You look up, seeing not a single light on. That’s odd, you think, but then again, you are meeting with the city’s most notorious man. If he is who everyone says he is, and if the rumors are even true, that is. 

As you are about to approach the entrance, your fingertips start to burn. A gasp escapes past your lips. Staring down, the cubical piece of paper goes up in flames. You are mere feet from the door, nowhere near close to an open source of fire, and the card starts to burn like a wildfire. 

You pull back, your heart hammering against your ribcage. The ashes fall to the ground, but before they can hit the asphalt, they vanish.

“What the–” before you can finish, the doors before you swing open toward the inside. The lights turn on. Someone even has called the elevator for you. 

Another step forward, and a voice stops you. “Fourth floor, down the hallway, first door to your right,” the voice says through the speaker. Only then do you notice the lack of a doorbell. 

Everything in you is screaming for you to run, but you are rooted in the spot. He dragged you here with a mere letter, and you were more than ready to jump. Desperation was the only thing that drove you here. Your brain seems incapable of rational thought.

What if that is what he wanted all along? To get you complicit by playing on what you so desperately need, which is a story and a way out of this boring everyday life that is threatening to slowly kill you.

He’s like a siren, luring you into his deadly trap, but even knowing all of this, you still can’t find it in yourself to run. 

The second you enter the building, the door shuts behind you, and your only way out is officially locked. You made the decision; you have dug your own grave, possibly quite literally, and now you have to lie in it. It’s better to die chasing a good story than dying at a desk in an office that doesn’t respect you.

You are a disgrace, you can hear your father’s voice in the back of your mind. He always warned you not to be too reckless or your bad decisions will eventually catch up with you. He always taught you not to trust strangers, and to stay the hell away from those who disgrace God, but you have never cared much about being a good girl. 

Your thoughts are as morbid as your obsession with the walking undead. It is time you embrace what people are already saying about you.

The elevator ride feels like an eternity. It goes up and up and up until it finally stops on the fourth floor. The walls smell like nothing but a faint hint of bleach. It’s clean, parquette not carpet, and the walls are kept in a shade resembling a mixture between crimson and maroon, and it is blending into a sort of marble.

The metal doors slide open. Again, you hesitate. A sweet whisper echoes in your ear, dragging you toward the edge. You breach the border between the elevator and the hallway that waits behind it. The voice is distant, and it doesn’t sound human—it reminds you of a siren’s song, calling for you. He is calling for you, and a fog settles over your mind. You’re not in control anymore, he is. 

You imagine him to be an old man, possibly middle-aged. Vampires stop aging when they’re turned. Their mind doesn’t. You’ve read the research plenty. They are wise beings, more intelligent than human beings could ever fathom. That makes them dangerous. 

Their venom rivals the intoxicating feeling of heroin, you’ve heard, and it heightens your senses to the point all you can feel is the one who bit you. Research suggests it’s a million times stronger than an orgasm, for both the vampire and the human being. 

Part of you has always wanted to try it. Part of you wants to know what it feels like to be sucked dry. You want to know what it feels like to be carried into a new dimension by someone who knows how to play the human body like a fucking piano, eliciting the sweetest melody through your very essence and the symphony of your moans.  

This M—Daredevil—is inherently dangerous. He’s as mysterious as they come; a man in a mask lurking in the dark corners of Hell’s Kitchen every night, turning the fight for justice into his hunting ground. 

It’s as though he curled his fingers, and you followed. 

You walk the dark hallway down to the door on the right. Paintings litter the walls. Masterpieces, blotches of white, red, and color. You recognize the red marble as a decorative theme on the wallpaper. Tracing your fingers over it, the rough drywall scratches at your skin. 

You reach out a shaky hand toward the golden knob. Before you can turn it though, the door already flings open. It must be witchcraft. 

Red appears to be his favorite color. At least judging from the hallway, that is true. When you step into the room with a pounding heart and blood pooling in your cheeks though, the inside of the room is a lot more… human. You wouldn’t have guessed it from the gloominess surrounding you on your way there.

A leather couch and armchairs stand in the middle, facing toward the window front. Colored windows, as you have gathered from the rumors. They are see-through now though, showing the city skyline and the moon up high. The chandelier on the ceiling is the only piece of furniture you would consider old. Browns meet hues of blue and dark green, a forest at midnight, and you suck in a sharp breath. The apartment is beautiful. 

You look to your left and see a bookshelf stretching the length of the wall. You can’t help but run your hand over the backs. You would have expected original editions from the 18th or 19th century, but when your fingers trace over the bindings, you are met with the bulging of Braille underneath the elegant golden writing of the titles. None of them seem to have collected dust. It surprises you to only find a mere handful of classics that haven’t been transcribed in Braille and a realization you did not expect starts to crawl its way forward.

“I stole that one from a library in Paris.”

Your racing heart stops beating. The book you’ve been holding falls to the ground, its worn-out leather cracking further around the spine. The thud is deafening. You gasp, turning around. Your shoulders fly up as the tension ripples through every last muscle in your bone. Your bones ache just from how stiff you’re standing, but you can’t move.

The man before you moves as quietly as a mouse. You didn’t hear him coming. The moonlight reflects off his dark brown hair, making it appear almost ginger. He’s wearing a simple suit without a tie, and the white of his shirt is as pristine and clean as the cut of his beard. You can see chest hair poking out from underneath the two open buttons, as dark as the locks on his head. His jawline is irresistibly sharp, leading up to a pair of plump lips he is wrapping around the brim of a crystal glass filled with rum.

Your heart remains frozen. Not a single drop of blood pumps through your veins, yet your cheeks burn brighter than a bonfire on a pitch-black night. 

But his flawless appearance is not what catches your attention the most. Looking up into his eyes, wanting to know whether they are as red as those set into the devil’s mask, you find nothing but your terrified reflection staring back at you. It’s as blurry as the picture of your face in a still ocean’s water, your wide eyes staring back at yourself. 

The red glasses are all you can see. Round with a black rim. Silver would have looked better on him, or maybe even gold. The black reminds you of an endless pit, a sinister embrace of vampire stereotypes, but you can’t look away from the maroon that won’t allow you even a glimpse into his eyes. They are shielding him from the world, and his eyes from curious, stupid humans like you.

He nods toward the ground. “You gonna pick that up?” he asks. His voice reminds you of rumbling gravel. 

He looks like a man. He talks like a man. If you didn’t know better, you would say he is human. There seems to be blood in his cheeks and air in his lungs. 

You have to pull yourself together. Clearing your throat, you bend down and pick the book back up.

“Thank you,” he utters your name. “It’s been a while since I’ve received visitors that don’t work for me.”

You put the book back on the shelf. Your lips are sewn shut; you can’t find the words. Every time you open your mouth like a fish on dry land, you close it again, and it is embarrassing to be standing in front of him with your guard down. 

“Welcome to my home,” he says. You wish you could see his eyes to know if he’s mocking you. “Do you want a drink, or do you need another minute to process?”

He is mocking you. His tone is gentle, as is his voice, but he smirks like a smug motherfucker, and your anger boils to a tipping point. The candle is about to burn out. 

“I–” you stammer. Internally, you curse yourself for being such a fool. 

“Another minute it is then.”

You don’t need a minute though. “You’re blind,” you blurt out. 

The beautiful—deadly—stranger nods. “Yeah.“

“How?”

“Accident when I was a kid.”

“But you’re…” you leave the missing part of that sentence hanging in the air like a noose. 

“Say it,” he murmurs. You want to say it sounds like a growl, but you’re not sure. He isn’t asserting dominance or trying to force you into submission by scaring you away, but he is toying with you regardless. 

You take a deep breath. The word, the truth, numbers your tongue and your lips with its weight. “A vampire,” you say, your voice barely above a whisper, matching his. 

His smirk broadens. He pushes his tongue against the inside of his cheek for a moment, then releases it as it darts out to wet his bottom lip. “I’m a blind vampire, yes,” he answers. “We’re rare, but we do exist.”

Blind vampires. In all of your years of fascination, that has never crossed your mind. You used to believe that they had healing abilities that far exceeded your own. You were wrong. He lost his eyesight before he got turned into a vampire. He lived as a blind human being and didn’t regain his most crucial sense when he died. 

He came back to life, but he died. It is surreal to stand across from him. He’s not just letters on a piece of paper, he is very much real. And he’s blind. 

“Oh, my God,” you curse.

That elicits a soft chuckle from him. “I was starting to think you wouldn’t come,” he says. 

“I was considering not to.” 

He sees right through you with those empty glasses. “That’s a lie.”

“How would you know?” you counter. 

“I can hear your heartbeat. The blood pumping in your veins…” His head tilts ever so slightly in your direction. You take a step back. It’s an instinct. “Your pulse picks up when you lie, or when you’re nervous, or both,” he states. “When you first saw me, your heart skipped a beat. It did again when you lied to me.”

Your eyes trail down to his thick thighs perfectly fitted in his tailored trousers. His thick digits pat the rhythm with his fingers on the fabric. Thud-thudthudthud-thud. You place a hand on your chest. He wasn’t wrong; your heart is racing. 

His smirk turns into a smile, but only briefly again. It’s a glimpse of humanity he doesn’t want you to see. “I like that sound,” he says. “Has anyone ever told you that you smell good? Sweet, sour, and a little salty. Natural. You don’t use a lot of artificial perfume, but you like cherry chapstick.”

You swallow, taking a whiff of your arm. Besides your deodorant masking the scent of your nervous sweat, you smell nothing. How good must his nose be? His hearing? His sense of taste? 

“Right now, sweat is dripping down your back, and your muscles are tense enough to strain against your bones every time you breathe. Your heart just skipped a beat again. You find it weird,” he muses. “I can’t turn it off, but I get it must be strange for you.” 

“You–” The blood has collected in your head, pushing the temperature in the room to an all-time high. “Get out of my body!” you snap. 

He laughs. “That’s a sentence I never thought I’d hear.”

“And I never thought you would ask for an audience with me, but here we are.”

“Here you are.” 

You want nothing more than to wipe that smirk off his face. He looks so smug, standing there with his drink, wearing a suit too fancy for his own home. He’s fully in his element. It’s scary how alluring he is, too. You don’t want to think that way, but as soon as your eyes gaze upon him again, your chest contracts, and you forget how to breathe. 

He’s a wolf, and you’re a lonely little sheep that doesn’t know any better. That lonely little sheep just wants to be a part of something bigger, even if that means surrendering herself to the big bad wolf. He wants a taste of her, and the sheep would give him that in a heartbeat if he just asked. 

You blink. There is a voice in your head, and it isn’t your own. Far from it. You don’t want to be associated with this stranger. She thinks she knows you. She thinks she knows what you want—the sheep in the eyes of her natural enemy. This voice is the most irrational you could be, and you need to stop letting her win.

And yet you—not just the voice of the lonely sheep you appear to be—would follow this man anywhere, even to hell if he asked you to. 

Your eyes drill knives into his skull, but they are also full of curiosity. Can he hear your thoughts? Your heart beats in your throat. You can taste it on your tongue. If you bit your lip, you would bleed, and he would probably fall into a frenzy. Still, your teeth dig into your bottom lip. What if he can hear your thoughts—hear how fucking needy you are? You’re pathetic. What he must think of you, standing across from him, smaller than human life itself. 

You want to read him, but he is far from an open book. He’s not Braille you can run your fingers over, and even if he was, you don’t know how to read it. He’s an enigma. His face is set in stone; an iron mask you can’t penetrate. 

His chest heaves with another chuckle. He sets the crystal glass down on the coffee table, taking a step forward. “No, I can’t read your mind,” he says. 

You flinch. “What?”

“Your breathing pattern. The way you look at me. I can sense that you’re thinking about something.” He adjusts his glasses. “It’s just… Most humans ask me if I can read their minds, you know. I can’t. Some vampires can, but my senses are the only heightened ability I have.” This time, when he chuckles, a hint of bitterness dances in his voice. 

“At least you’re not in my head then,” you say. 

“No.”

“Good.”

A pregnant pause follows. You clutch your bag to your chest, your fingers digging into the frame of your hidden laptop. 

“Can I offer you a drink?” he asks, pointing to his empty glass.

You wave him off. That’s the last thing on your mind. “No, thank you.”

Sometimes at night, you fantasize about diving into the abyss of darkness. It looks and sounds a terrifying lot like him. You want to know him. You need to know him. When it comes to him and this—whatever this is—the lines between want and need are blurring into an unidentifiable mess. It’s an ocean of emotions with no land in sight. A total eclipse of the heart, if you will. You’re losing your mind.

“What you can do–” You straighten your shoulder, hoping it will add height to your beaten confidence. “You can tell me your name. Sir,” you say. 

He nods. “I suppose it would only be fair, wouldn’t it?”

“Yes, it would.”

“Matthew. My name’s Matthew.” The softness of his features as his lips move to the rhythm of his words takes you back anew. His eyebrows raise slightly, and you catch a glimpse of a pair of beautiful, unfocused hazel eyes that steal your breath away. 

Matthew. It is a name that easily rolls off the tongue. It suits him.

You repeat his name aloud. “That’s an odd name for a 200-something-year-old man,” you point out. 

Matthew scoffs. “My parents were both Catholic.”

“I suppose you’re not?”

You hit a sore spot. His head dips, fingers running over his nails and tongue tracing his teeth. “Not anymore,” he says.

God died for him a long time ago, and all churches burned down.

Your grip on your bag loosens. “Then why Daredevil?” you ask. 

His lips part. “I, uh, have the Bulletin to thank for that one. After centuries of existing in this world, and being despised for no matter what I do, I’ve decided to embrace it. I am Daredevil, not even God can stop that now.”

Matt grabs his glass, turning away from you. He doesn’t use a cane to navigate from the couch to the mini bar on the other end of the room. You carefully follow his movements. One of his hands remains at his side, snapping his fingers as he navigates the familiar terrain of his home. 

He uncaps a half-empty bottle of Whiskey to pour himself another glass. 

“You know, Matthew,” you prompt, daring to step forward an inch, “as big as your reputation is in this part of the city, Silver Lining is not the kind of magazine that would cover your story.”

“You still came,” he says. 

“I could lose my job if anyone knew I came here.”

“And yet you’re here and not where you should be.” He turns his head over his shoulder. “You wouldn’t risk losing your job if it wasn’t important to you, would you?”

You stammer, “I–” He’s got you. You’re a fish with a hook in her mouth. 

“If Silver Lining Magazine won’t cover my story, why are you here?” Matt turns back to you, leaning back against the shiny Mahagoni of his minibar. It offers a beautiful contrast to his strong physique and the slight paleness of his skin. “Could it be because you’re fascinated by the mythic?” he asks, teasing. “By werewolves and witches and vampires?”

It’s your turn to scoff. “I won’t confirm or deny. My boss wouldn’t let me write a vampire vigilante exposé even if I begged him to.”

“And that’s why Mr. Doherty doesn’t deserve you.” Your body visibly recoils when he pushes forward, moving just an inch toward you. “Your curiosity is a virtue,” he purrs. The moonlight sets your reflection in his glasses alight. 

“Is that why you lured me here?” you ask him. “Because my curiosity is a virtue and you consider yourself better than the people in my life?”

“I didn’t lure you here, and I think you know that. That’s not what this is.” The distance between you starts to shrink, backing you into a corner. “I believe you came here because the thought of interviewing a vampire and sharing your findings with the world on your account excites you,” he says. “You want to be heard. You want to be taken seriously as a journalist, and you want to make people happy.”

The only way for you to come out of this with your pride and dignity still intact is to put up walls before the already existent labyrinth of walls keeping your heart guarded and your soul safe. “Again,” you ask, “why me?”

“Why not you? As I stated in my letter, I’m a fan of your work.”

You roll your eyes. “Yeah, about that. How did you write that if you’re blind?”

“I didn’t, my secretary did.”

“Of course.” Of course, he has a secretary. “I… I just don’t get it,” you say. “You’ve been hiding for so long–” 

Matt cuts you off with an urgency you didn’t expect, “Things have changed. Circumstances…” he trails off. 

“Wouldn’t it be a suicide mission?” 

His answer is silence. You let out an exasperated sigh. “If you want me to interview you, you have to be honest with me.”

“I’m not on the record yet.”

“Right. Maybe you can answer this though—off the record, of course—how can you be certain I didn’t call the cops or the FBI before I came here?”

His eyes crinkle. “I’m not stupid, sweetheart,” he says. 

He’s amused. You’re amusing him. 

“Don’t call me that,” you growl. 

He’s spreading you open, holding up a mirror for you to look into. It’s your miserable self in all its glory, and he knows you better than you know yourself. 

You ignore the sharp pain in your left ribcage as you pull the arrow out of your heart. “Unless someone holds up a sign that they are pro-vampirism, how would you even know I’d listen to you and not just refer you to the Journal of Psychiatry?” 

“Are you telling me you don’t believe in vampires?” Matt quips.

“That’s not… Answer my question!”

The sound of your heartbeat must sound almost like the rapid firing of a machine gun, that’s how fast your pulse is racing. Your veins threaten to burst with the excess blood. It’s a heat like no other. You’re a witch at the stake, and Matt is holding the torch to your gasoline-doused body. 

He clears his throat. Your face falls at the words that tumble out of his parted lips, and the rapid firing turns into a deafening silence and a monotone line on a heart monitor. 

“After what I’ve learned from reading Dr. Rice’s research on the phenomena of vampirism, I can confidently say this species is no different than an animal like the great white shark or the Homo sapiens sapiens—our kind,” he recites. “Vampires are a medium of fiction and propaganda to induce fear, but they are also a widely misunderstood species that is being silenced rather than heard. Our species, the human species, likes to consider themselves superior, even when we’re in a position of being someone’s natural food source. Dr. Rice’s research is based on a comprehensible set of facts, and isn’t that what we have been relying on ever since the beginning? Our psychology makes it possible for us to change the narrative in our favor, and more often than not, we ignore the very facts deemed by humans as an intellectual importance to spread the message of an entirely different agenda. Dr. Rice’s research only proves that egotism and humans themselves will be humankind's certain downfall.”

“My investigative journalism essay,” you breathe out. 

“Published by Columbia University.” 

Your heart restarts with a rush of adrenaline. “How… how do you know all of this?”

“I may be blind,” Matt says, “but I know how to read between the lines.”

“That doesn’t answer my question.”

The alcohol in his drink seems to have little effect on him. “I know you have questions, and I’m willing to answer them if you promise to publish a detailed report somewhere other than Silver Lining Magazine.”

You look down at your bag, then back at him. “Ben Urich could have told your story in a way that would’ve made people listen,” you murmur. “I don’t have an impressive career like him.”

“Yeah,” he smiles, “but you could have easily written ‘Attack on NYC’. Ben was a good man, an even better journalist, but he could not have written your college essay. And he could never have been you.” 

Your name rolls off his tongue—not a pretentious nickname that makes you want to vomit but your name, and it flicks a switch within you. 

You glance around the spacious living, pulling your laptop out of its confines, and you bridge the distance between you, finally. You notice he smells of sandalwood cologne and scentless soap. “Okay,” you cave. “Where do you want me to set up?”

Session 1.

The spacebar clicks underneath the tip of your index finger. The white of your screen fills with a series of red sequences as the microphone takes in every little sound around you. Except for the two of you and the fading footsteps of one of Matthew’s assistants though, the world has fallen silent in the dead of the night. He’s sitting across from you, legs crossed, head tilted; your life is about to change.

“So, Mister Murdock,” you begin, “tell me. How long have you been dead?” 

His mouth opens in a wide grin. “242 years,” he answers. 

“And what happened the year you died?”

“Well, it was 1782. I was a good few years out of law school. I was a good lawyer, but I wasn’t successful. That year, I met a beautiful woman at a banquet. I wasn’t rich—trust me, I was beyond penniless—but she had been adopted into a wealthy family, and that made her one of the richest women in the room. Everyone wanted her, but when I sensed her across the hall, she only had eyes for me. And she was the first woman to not see me just because I was blind.” He chuckles sadly. “I thought she was the woman of my dreams, the love of my life, but a few weeks later, after letting her into my life, I realized that she didn’t look at me that night because she was interested. She was hunting me. El— Miss Elektra Natchios…”

The year 1782 becomes apparent before your inner eye. As he tells you about the night he met her, you can see the dark-haired beauty making her way across the ballroom. Red lips and a gown to die for. Her dark eyes were full of mischief, but the passion in them could have knocked a grown man off of his feet. And that is just what she did to poor Matthew. 

“I was going to marry her,” he tells you.

He went to church regularly. His knees were bloody from praying, his senses already heightened before he died. God’s soldier, that is how he puts it. He was told that the accident that left him blind happened for a reason, and he had to fight a war that went beyond the country’s fight for independence. 

That summer, Elektra drained him. He didn’t know what she was. She fooled him. He was obsessed with her. Her dark eyes he couldn’t see lured her in, and it was the venom in her blood that became his downfall after she dug her teeth into him.

Matt tried to beg his priest for forgiveness, but he didn’t even make it past the marble stairs before the doors locked. He knelt in a pool of blood—both his and that of the first human he ever sucked dry to survive as a newborn vampire—offering an eternal sacrifice to Catholicism, but God abandoned him on his doorstep. 

The church walls would have been set on fire if he had touched them from the inside. 

You look up from your notepad to find him now standing at the window. He’s not looking out, of course, but he seems so deep in thought, the memories that aren’t your own but his start to dissipate, and you’re brought back to the here and now.

Matt poured his heart out to you. You expected answers, but not this kind, and certainly not of this magnitude. You see him in an entirely different light. He’s vulnerable, fragile, and human. He has endured trauma that killed him, but he couldn’t die because the woman he loved made him immortal. It’s a bigger curse than growing up with the belief that an accident made you God’s soldier. 

He lost everything. For centuries, he has had to live with that. It’s killing you, feeling his pain, the pure agony that radiates off him. 

Your voice is quiet when you ask him, “What was it like?” You don’t have to say it out loud for him to know what you are referencing.

Matt chuckles, the sound a mere breath in the atmosphere. “Like she took my soul from my body, setting fire to my belief system and already heightened senses,” he says. 

You swallow. “That sounds… overstimulating.”

“It was. Is. My heart stopped, but when that happened, something else awoke inside me. The hunger… the hunger was the worst part. It’s insatiable. One hour passes, and you feel like you’ve been starving for weeks.”

“Like you’ve been possessed by a demon?”

“Like I am the demon.”

“But you’re not.” You should stop the recording. You’re not on track; you’re incorporating your feelings into Matt’s story, but you can’t help it. The words tumble out of your mouth without a second thought, a train that cannot be stopped. 

He raises his eyebrows, you can see it in his reflection in the windows. “Are you religious?” he asks.

You shake your head. “This isn’t about me.”

“Are you?”

The veins on the back of his hands bulge as he balls them to fists at his sides. Your throat is a desert, and your heartbeat resembles a storm that burns right through it, sending the sand flying in all directions of the horizon.

You adjust in your seat, crossing one leg over the other. He takes a whiff. He’s smelling you, and that doesn’t help the speed of your pulse to calm down. 

Tapping your pen on your notepad, you watch the red sequences fill the white space of the recording program. It moves with the sound of your voice when you finally dare to answer. “It’s a complicated question because there is a difference between believing in God and believing in the church,” you say.

“Do you believe in God then?” Matt asks. It’s as though he’s trying not to seethe at the mere mention of someone he used to worship. You make a note of that.

“There is so much bad in this world. So much cruelty. I can’t…” You take a deep breath. “I don’t know how to believe in a God that would let the things humans do to each other happen. If God existed—if he was as merciful as Christians like to claim, he wouldn’t let this happen. And I’m so sick and tired of people using their faith, and their beliefs in God and the church as justification to be disrespectful. I don’t understand it. How can anyone? Why is someone who has to drink blood to stay alive—someone who didn’t even choose this life—worth less and the devil’s breed when humans do worse things to each other? Why would God allow us to start wars that kill innocent people? Children? It’s just not fair that we treat ourselves and others as though we are already in hell, and we’re just supposed to accept that God doesn’t care—” You stop yourself, the tears burning behind your eyes. 

Matt turns back around. You can’t look away. “When I was still human,” he murmurs, “I used to believe everything that happened to me was God’s will. The accident, God’s will. Me going blind, God’s will. I went to confession, prayed until my knees were bloody and bruised. I tried convincing myself that every scream I heard from down the block, every person who lost their life or their innocence was my responsibility. God made me this way for a reason, right?” The scoff is as bitter as the liquor in his glass. “I fell apart, you know. I was a kid, so I didn’t understand. I didn’t understand what was happening to me,” he tells you. 

You hold your breath. The glasses slip from his eyes as he takes them off with shaky fingers. You are met with the most beautiful pair of hazel eyes. Emotions dance a heated tango in a tornado. If you look closer, the green specks bring life to his eyes. It’s human nature in the purest sense of the word. 

Your reflection stands in his irises, his unmoving pupils, and the tears glisten in his eyes. They’re as red as blood, watered-down crimson essence. You want to reach out and stroke his cheek, but that would be crossing a very big line that you can’t bring yourself up to touch. 

“I studied law because I thought it would change something,” he continues. You listen. It’s the only thing you can do—listen. “It wasn’t enough. Nothing I ever did felt like it was enough. I lost my father. Jack. I didn’t know my mother until it was too late. Maggie. I had no one. No money, no prospects, just me and those voices in my head, telling me I was supposed to be God’s soldier.”

“You’re not,” you cut in. 

He shakes his head. “I prayed; I crawled up the stairs of the church, and I spent hours repenting for my sins. I bled myself dry for Him. I sacrificed myself. I sacrificed my youth, my heart, and my soul, and I got nothing back. I begged for help until my voice was sore, but nothing… God, nothing was ever good enough. Until Elektra came around,” he says. 

“She changed everything for you. It makes sense. She turned you into a vampire, but she also loved you.”

“She did love me, in her own twisted way.”

“It’s what you deserved,” you say.

He isn’t yours, but the pang you feel in your chest is treacherous. Your heart cracks like a porcelain vase, jealousy creeping in like a parasite of toxic waste.

In response, Matt only chuckles bitterly. “She made me believe again, then took my soul and crushed it in her hand.” The correction makes your shoulders slump. “Instead of feeling like my world ended though, I felt at peace when she sucked the blood out of my veins and fed me her venom,” he says. “It’s sick, I know. I was aware I died that night, that she turned me into a devil who could only survive if he drank the blood of others. The Catholic in me struggled to accept it, but I had no choice but to embrace what she made me.”

“And where is she now?” you ask.

“Gone.” The light in his eyes has fully disappeared now. “I stayed with her for a while until she died in my arms. She showed me what love is, and she showed me heartbreak. She made me hungry for blood, awakening the devil I’ve been trying to tame. She taught me how to feed, how to hunt, and how to chase. But she also cursed me,” he says. “I only exist for myself now. I only bleed for myself. No God, no church, and no more religion. I’m not Jesus, I’m Judas, and I retired the cross the day I was crucified.”

You have run out of questions to ask. Too overwhelming is the sight of his walls crumbling down, this stranger you now know better than any living being seems to. You no longer see money in this, or a story to chase, you only see Matthew, and the halo above his head he still believes is a pair of horns. The world broke him. His faith in God broke him. It crushed him, and he lost everything. How broken he must be. 

“Not such a pretty story when I say it out loud, huh?” He scoffs.

The spacebar clicks again. The recording comes to a sudden halt. One hour and fifty-eight minutes, the first session of your interview with the vampire. You need to put a halt to it now because what you are about to say or do as you reach your hand out to brush his cold, dead skin is not something that should be found on a record. And you won’t ever tell.

Matt pulls away when your warm fingertips brush his. You’re standing across from him now, so close he can smell, hear, and feel all of you at once.

Your touch is the holy water that burns his skin, but the fire sustains him and shoots straight to his core the same way the blood rushes to yours.

“It’s not a pretty story, no,” you say, your voice barely above a whisper, “but it did tell me what I already knew.”

“And what’s that?” he asks.

“That you’re not evil. You’re not the Devil. You’re misunderstood. You’ve been beaten; you’ve been abandoned, hurt, and broken. That doesn’t make you a monster. Trying to make this city a better place does not make you a monster.”

“If you only knew the things I’ve done…”

“I know the rumors suggest that you were the one who fought Wilson Fisk and got this city back where it needed to be. You’ve saved countless women from the worst of fates. You are the reason the innocent people of Hell’s Kitchen feel safe. By picking up that mask, you became a hero, not a villain, and that is the story I want to tell.”

In lightspeed, he has moved you from the window to the other end of the room. Your back hits the wall. 

Matt towers over you in all of his intimidating glory. His eyes spark red, but you hold his unfocused gaze. He has such beautiful eyes. This pull between you is far from human; it’s unhealthy, and it is exactly where he wanted to get you. You’re trapped, pinned underneath him like a deer caught in headlights. 

Exhaling, your breath strokes his cheeks. He closes his eyes, savoring the taste of you. Every particle in the air, he inhales. His tongue darts out to lick his lips. Oh, what you wouldn’t do to suck that tongue into your mouth. 

Your pheromones play his head like a puppeteer pulling the strings of his marionette. He growls. “Do you have any idea how dangerous I am?” 

The moonlight catches his sparkling white teeth. This time though, you come face to face with the sharp edges of his previously concealed fangs. Your jaw drops open. He’s ethereal. 

“I could snap your neck—” Matt places his hand on your neck, “I could make that heart stop beating, take the air from your lungs. I could eat you…” He traces the vein in your throat from your jaw to your collarbone. “I could bite you and suck your blood until you’re empty. I could kill you, sweetheart. My kind is your natural enemy. You shouldn’t be here.”

You shudder. His nose brushes the sensitive skin below your ear. He’s so close you can smell him. On inhale, and his scent consumes your senses. He is all you can feel now. You reach out to hold onto his arms, his muscles tensing under your teeth. He’s big and strong, and those hands have a mind of their own as they begin to wander but never where you need him most. 

You shouldn’t be here, yet you came. He asked you to him, and you complied. Is this your fate now? Chasing after your big bad wolf like the helpless sheep that you are?

Your walls clench around an agonizing emptiness, your swollen clit brushing against your soaked underwear. Whatever he is doing to you, it’s the cruelest form of torture. 

A strangled noise breaks out of the back of his throat, rumbling in his chest. “You have no idea how badly I want to taste you,” he breathes. 

“Do it,” you beg. “Taste me.”

He utters your name again. “Stop.”

“Please.”

Your tone shatters him. When he kisses you, finally, fireworks explode in the universe around you. All the stars seem to finally align. Your heart opens, and it sucks him right into you. Your soul yearns for him. He’s so close yet so far away. 

The moon stands between you, but you cross even that ocean as you push against him, forcing your tongue into his mouth. He takes like heaven and hell; he’s the apple Eve bit into and cursed her for all eternity. But he’s also the snake, the one who compelled you to take this journey of bad decisions and jump right off the cliff’s edge. You melt into him like a broken candle. 

He pulls away. Those fangs are alluring, as sharp as a knife’s tip. You want to know what it would feel like gracing your skin, digging into your as he thrusts his cock into your tight cunt. The thought alone sends your mind into a spiral.

Your lips are swollen, but he has yet to draw blood. Matt looks as though he wouldn’t dare, his eyes darting around in a darkened conflict he feels might cost him more than your dignity. You are begging for it, as is your body, but he’s holding himself back. He’s the one who tied himself to an invisible pillar, keeping his hands locked behind his back. But that is not the Matt you want. 

You lean your head to the side, exposing the length of his neck. All control has slipped from your fingers. It’s in his hands now—you are. He cups your head gently. A mere few inches lie between your fountain and his lips.

You press a kiss to his calloused palm—a desperate and needy kiss, tracing your tongue over the lines that tell his life’s story in a way no interview can retell—and it is then he is forever done for. He’s doomed, and you are the second woman to pull him under the pits of hell. 

Saliva drips from his fangs. You hold your breath. He hisses, a weak admission of surrender; the words die miserably on your tongue when his lips close around your pulse point with all his might, and his teeth drive home. 

You moan aloud. Your fingers tangle in his hair, forcing him deeper as he sucks the dark red essence out of your vein. The sensation is more than you bargained for. It’s a drug that wrecks your system. The synapses in your brain backfire with all their might, and what follows the initial explosion of pleasure shooting white hot through your being is complete and utter silence as this God of a man feeds on you. 

The invisible string between you glows a bright crimson. It slings around you, tying you together like the roots of a tree. It’s an eternal sacrifice. You are giving your all to him, the very core of your existence that is now flowing into his mouth. You swear you can hear his thoughts mingle with yours. Yes, more, please. You taste so good. Your knees buckle, but you remain standing strong. He makes sure you don’t fall. Don’t slip away from me. I need you. 

A tear rolls down your cheek. You could sob. It feels so good—too good to be true. In that moment, you become one. There is no telling where one begins and the other ends. The coil in your stomach tightens, and the only pain you feel is the pleasure threatening to overwhelm you. He’s taking everything as you give him everything, but it is not enough. It has never been enough. 

When your body struggles to catch up with the lack of blood, he pulls away. His fangs drag out of your neck agonizingly slowly. You whimper at the sudden loss.

Matt catches you as you stumble into his arms. “You okay?” He cradles your face, brushing the hair out of your face. Your blood stains his lips. Blinking up at him, the force of your metaphysical connection slaps you awake. 

You cease to exist in all solar systems but his. 

He pokes the tip of his index finger with the sharp edge of one tooth, sliding it over the two holes that are pulsating with the work of your heartbeat.

“I shouldn’t have—” he begins. 

“No,” you say. “You did exactly what you should have.”

“I couldn’t stop.”

“But you did.” You wipe the blood from his mouth. “And I felt you. I only felt you.”

The living room passes by you. Before you know it, your back lands on something much softer than a concrete wall. He’s not a monster, that one, but he surely is an animal. 

You taste your blood on Matt’s luscious lips as he devours your tongue. It tastes of copper and a little bitter, but that is what makes him moan. That sound is the last thing you could ever grow tired of. 

His palm rests on your chest. Your heart pounds against his palm. “You’re so alive,” he says.

You cradle his face in your hands. “And you’re more human than you think.”

If he wanted to pull your heart out and hold it, you would let him in a heartbeat. 

He leans you back. He strips you bare. He kisses down your body like you are a fucking masterpiece for him to explore. That is how he sees you. 

Your head falls back. The kisses wander from your hips to the inside of your thighs. Every kiss brings his breath closer to your center. Matt pulls them apart. He opens you up to him. Your scent clouds his senses, and he groans, but he doesn’t touch. 

His fangs graze your skin. “Mine,” he growls. 

You gasp. He bites into the sensitive flesh. Hard, passionately. Your legs wrap around his head, trapping him there. He sucks, and he sucks, and he drinks, and the wetness pools out of your cunt in an obscene amount. This is foreplay to him. It drives you toward the edge leading to an abyss you are afraid you might never be able to crawl back out of. There is no bottom, it is just a pit, and he’s pushing you closer and closer, and—

Your back arches, but he pulls away before the coil can snap into a million butterflies. He pries your legs away from his head, spreading them further on the mattress, as far apart as they will go. 

Breakfast, lunch, and dinner have been served on a silver platter. He breathes in. The scent of your soaked pussy sticks to the hairs in his nose. It isn’t enough. He breathes in again, your arousal sweeter than fiction. You’re everything and more. He wants to taste that part of you more than anything, suck up the slick that is soaking the sheets—and you didn’t even think that was possible—but he waits because he needs to savor it. He doesn’t want it to be over too soon. neither for him nor for you. 

The blood is still dripping from his tongue and his fangs, and the raw inside of your thigh. He runs his finger through it. The sting runs from the wound to your folds, then back down. Still, he doesn’t touch. He plays with the blood, sucking on his fingers until they’re clean, and then he dives back in for a taste. He doesn’t bite, he kisses and sucks, but he doesn’t push it further. He doesn’t hurt you. 

You’re his saving grace; he has to worship you. Pain only has a place in pleasure. 

“Matthew,” you moan. 

He chuckles, kissing where his fangs left deep indentations. “No one will ever touch you again,” he purrs. “I’ll make sure of that.” 

You try to protest, but the words die on your tongue when he leans in, capturing your clit with his hungry mouth. The wound on your thigh closes. The blood from his lips mixes with your juices, and you cry out at the intensity of it all. 

He eats you with the ferocity of a man starved for weeks. He eats your pussy like he ate your blood, savoring every drop but still feasting for the taste to spread out in his mouth like wildfire. Sour, sweet, and copper. He sucks your sensitive clit into his mouth. His tongue drags through your folds, up and down, and then the tip slides inside, tasting your walls. He grows bolder as your moans accelerate. 

Matt cradles your thighs. He forces your hips back down to the mattress, stronger than the average human man. You have to endure his beard scratching and burning, and the pace he has set.

The orgasm creeps up on you. Before you know it, he has plunged his tongue into you, and your body convulses around him. You scream into a pillow as you come. 

You are each other’s forbidden fruit. No prayer in the world could keep you apart. 

Faintly, you can hear him say, “Good girl.” Your legs quiver. He pulls away, then comes right back like a boomerang. 

He’s warm now. He was cold before, but when he kisses you this time, he’s warm. He’s hot. You run your hands over his bare chest, the scars that lie under the dark strands of hair. You tug at it, and he moans. You can tell he is a little insecure, but by pressing your lips to one of the cuts on his shoulder, he relaxes. 

What he must have endured, what he must have lived through before he died and was resurrected in the same breath, just without a beating heart—you don’t want to think about it or you will break, but you can still feel him through the crimson tie that holds you together, and you know that he has suffered enough for more than two lifetimes. You wish you could take it all away from him. You wish you could have saved him before it was too late, loved him more than the woman who turned him, but turning back time is an impossibility. You are both acutely aware of that. 

“Hey.” Matt tilts your head toward him. “Where did you just go?” he asks. 

“Thinking about you,” you murmur. 

“Me?”

“You.”

“Why?”

“Because I want to be your salvation.”

You. His salvation. He kisses you, softly this time. He pours gratitude into his lips and bleeds them out in poetry as they slide into your mouth, and you swallow every last drop. 

If someone had told you a week ago where you would see yourself on that particular Monday, you would have laughed at them. And if someone had told you a week ago that you would be making love to the devil, you would have called them crazy. But it’s happening. 

He thrusts into you without a warning. His thick cock fills you like nothing and no one ever has before. Your cunt has been molded to fit him, you’re sure. You take him in, and you moan at the stretch. It’s a pain so delicious you could fall apart right then and there just from the feel of him inside you. 

Every thrust drags the tip of his cock along your sweet spot. Every added sensation drives you closer to your death. 

Your body tingles. He explores your face with his lips rather than his fingers, moving to your neck again. You cling to him, oh-so-desperate for him. He likes you like that, and you like him like that. 

“You’re fucking with my head,” he tells you. “Offering your pussy to a vampire. Letting me drink your blood. Begging me to fuck you. You’re in my head, baby. Can’t get you out of my system. Fuck.”

You are his downfall, his salvation, but he is all of those things to you as well—all of those things and more. If he could read your mind, you would tell him that. Words can’t do justice to how you feel. Not right now, maybe not ever. 

“Bite me again,” you beg.

His thrusts falter. He searches your body for any sign of regret. His fangs come out, and he buries them deep in your jugular vein. The floodgates open wide. Your walls clench around his cock, your clit pulsates, and the wave crashes into you. 

You come as he devours your neck and your blood. You transcend into another dimension, far away from everything and everyone but never him. Never Matthew.

The sensation of you wraps around him like a weighted blanket. His balls tighten, your blood unfolding its taste on his tongue. You are all over him, inside of him, everywhere at once. He falls head-first, dragging you down with him. 

He comes with a shout that is only muffled through his teeth buried in your flesh, his cum spurting into you and filling your cunt to the brim. Your eyes roll back. You’re flying and falling all at once. 

Oh, how good it feels to be consumed by him. To be fucked and sucked dry. You would have never expected this to come out of your week, let alone your life, but now that it has happened, you are floating on cloud nine. 

Dizziness threatens to take over, but before you can pass out, he forces himself away, allowing your heart to catch up with the lack of blood in your system. He collapses on top of you. His cock softens, but he stays inside. You need him there. You want him there. And that is the only place he wants to rest tonight. 

He heals the wounds on your neck. “You have a mark,” Matt rasps, tracing your skin with his finger. 

You choke out, “Yours.”

“Yes, you are.” He kisses you there. Once, twice, even a third time. “Mine,” he says.

You’re his. He’s yours. It doesn’t get any better than this. 

The minutes tick away on the obnoxious clock on the wall. Matt pulls out eventually, wrapping you up in a blanket. He coaxes you to drink, but you’re barely lucid. Only when he begins to stroke your hair you start coming back to yourself. You thought you might regret it, but as you look at him, his almost guilty eyes staring back at you, all you can do is reach out for him. 

“Session two tomorrow?” you ask.

He chuckles and retorts, “Have I not scared you away?” There is some truth to it though.

He’s covered in your blood. It sticks to his lips, his hands, and his chest. It’s sickeningly intimate, in a way.

You shake your head in response. “You could not possibly.”

He listens to your heartbeat. You’re as honest as they come. 

“Okay,” Matt says. “Session two tomorrow then.”

That night, you fell in love with the Devil, but he also fell in love with you, his angel in the form of a reckless journalist, and the only blood he ever wants to taste again until the end of his miserable, cursed days. 

Matt Murdock (Smut) Tag List: @shouldbestudying41 @theradioactivespidergwen @cheshirecat484 @1988-fiend @acharliecoxedfan @gpenguin666 @linamarr @mcugeekposts @itwasthereaminuteago @norestfortheshelbywicked @yarrystyleeza @littlenerdyravenclaw @etanordoesbullsh1t @thychuvaluswife @harleycao @schneeflocky @imjustcal @pipsqueakkitten @merlinbtch @sya-skies @amberritonicole @ravenclaw617 @pigeonmama @bohemianrhapsody86 @a-girl-has-n0-name @winkev1 @callsign-ember @chittaphonstar @buckyyyismahhlife

[dairy-farmer]

Did you know the little kid in Jurassic Park is named Tim!! Curious, knowledgeable about dinosaurs, great at survivability

Timmy’s parents get invited to Jurassic Park for their archaeology skills and investments in Ingen, the corporation. While Mathematician Dick (he went to college!) gets invited by a lawyer for the safety certification, he’s also investigating the compound solo.

While touring the area, Dick makes some excuses to break off from the group. Tim, recognizing who he is, clings and follows him. Bringing a kid along wouldn’t make him as suspicious so Dick takes him along.

And the tropical storm came! The powers in the park shut off, everyone is stranded on the island.

Wet and sticky with mud, and with the worry of Tim getting hypothermia. Dick took off their clothes to initiate skin to skin contact with Timmy high up on the treetop! Watching sunrise together.

Tim, in his fizzling mind, thinks that if he’s gonna die, he might as well tell Dick how he discovered his identity, and how to cover his tracks better.

And Dick held off until they’re off the island safely to snatch Tim up!

I love you dairy! Thank you for inspiring me to write, and I love how anons put cute emojis as their identities 🥰

- 🪸

oh my gof ohmygod ohmy god!!! this is so good!!! tim would absolutely know SO much about dinosaurs and everything about them, not only because his parents were archaeologists and stuff but also because it was genuinely so interesting to him!!

as a kid jurassic park was basically a nightmare inducing horror film more than anything. but dick ending up on the island because it is shady of the highest degree, in order to investigate it and meeting little tim drake who KNOWS who he is and is on a visit with his parents because they're investing in this future theme park.

the whole man vs nature survival with dick trying to protect and make it off the island with tim is SOO good especially if tim ends up helping save them more than once because he has an encyclopedic knowledge of the dinosaurs made, add in the subtle horror of the fact that the dinosaurs aren't actually "dinosaurs" they're just mashes of broken dna with snake, lizard, and whatever else the genetics company wanted. dick needing to figure of a way off the island once they realize that the dangerous exhibit animals have gotten loose and all the power on the island is completely gone. all of dick's equipment to call in for reinforcements and help are in his room because he was just going to be taking pictures and uploading them to a file because this was just supposed to be a light cover operation.

and all dicks, weapons, equipment, comm, and radio are stored in the lining of his suitcase which was behind a heavy, metal, automatic lock which needed electricity to open. he remembering their tour guide bragging about how the facility had state of the art security while showing how every single door on the facility was powered by electricity.

the island has a generator located in the middle of the park, miles away from the power station because apparently whoever designed the station was a moron who favored aesthetics over functionality of the infrastructure.

so dick has to somehow protect himself and tim while they turn the power back on and then get back to the welcome center so he can call for help all while avoiding prehistoric predators who can literally smell the sweat on their bodies.

just the absolutely stress and fear of dick in the survivalist scenario, trying to protect this sweet kid who has looked up to him for years, while navigating the capitalist hellscape of a literal prehistoric theme park built by asshole billionaires

[whynotjohnlock]

Doctor x ADHD reader

^ My mental state at any given time when anyone asks about what happened yesterday.

Warnings: fluff, It might be a tad long, Grammar mistakes, you may feel slightly offended if you're a nerotipical person, the author wrote this because they didn't want to sleep and needed comfort.

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You'd forgotten something again. Was it about your job? Your family? Your friends you hadn't kept up with because you had misremembered the dates for? That one hyper fixation that you had today?

Nothing matched. Your brain was screaming at you for the time you wasted rethinking about what you had forgotten; but nothing came to mind.

A normal day then.

Then, as a distraction from your thoghts a high tech laser blaster thing punched through a brick wall and you started running for your life. Again.

There were alien pepper shaker robots with plungers. Why where they just repeating themselves over and over? Was that just how they spoke, or was there more to it? Was it nessasary to the way they shot lasers?

"Exterminate! Exterminate!" A laser jolted and swished right next to you.

"Right, I have to run."

And run.

And run.

And run. Except, now you had to not crash onto the person-

To late.

"Oh, hello humans! Is this your way of saying hello? Did I miss a decade?"

You reluctanly graped the strange man's hand. You were not fazed by the oddness in the queston; your thoghts were stranger. "I don't think so. It's just the fact that there are alien pepper shakers with plungers after us."

The man's face darkened, his youthful peesona flown out the window. "Where?"

You knew that the police would be of no help and the sadness in this man's eyes seemed to be familiar. "Can you help us if I tell you?"

"Short answer: Most likely."

"Now witch way?"

The question prompted eternal panic. Witch way was left? You couldn't remember. Were you facing north or south? You couldn't just point in a direction, because you had run in a extremely non-linear way.

Words had never been an accurate source of communication for you. Why were you this way? Well, you knew why; you had been diagnosed with ADHD, but that didn't answer your question. Why did you always forget the things you wanted to remember most? The strange man looked rather inpatient at your mental sputtering. You had to do something! So, you did the only thing you could think of at the time. Quickly you grabbed his outstretched hand and ran, guiding him though the chaotic path you had taken.

Your mind had not managed to retain much running for your life, but your feet did.

 ...Pass the blue house. 

...Turning 90 degrees at the broken stop sign. 

...Jaywalking around the stopped cars in the street.

...Turning again after the nameless black dog.

...Though a corporate building.

…And to the familiar building with the tin tanks.

your hand still fully clasped with this stranger you had just met, you spoke in between panting and gasping for air. "This is it. These are the alien metal tank creatures."

As if on cue, the screams not even across the blook started up again and an army of daleks (Not that you knew what they were called at the time) turned into view.

The madman lurched forward in outrage much like a predator looming in on their prey. He was unnerving. "Alright listen up! I am the Doctor, and you are the daleks! You have no right to this world, and It’s protected by none other than me. And you have made a grave mistake messing with me when I don’t have a companion, or anyone to holding me back. Leave before I run out of mercy."

"THE DOCTOR IS UNARMED. WE WILL DO NO SUCH THING."

EXTERMINATE!

A laser shot from the thingy that would have hit the silly man instead wiped by him as I pulled him into a run again.

Hiding behind a dumpster in an abandoned alley the Doctor fiddled around with a metal glowy stick and welded something together from his pockets quickly. "What are you doing?"

"No time to explain, get me some sort of electrical circuit board!"

"Will my phone work?"

Wordlessly the Doctor takes my phone, prys it from it's cashing, snaps it in half, and conects it to a very peculiar looking device.

EXTERMINATE!

The Daleks find us again but this time we don't run. The Doctor chucks the machine at the invasion party they aim towards us ready to end us.

EXTER-

The Doctor aims his tech stick toward the sky causing his device to activate. The result is instantaneous. Every dalek that was in front of us and firing ends up blowing up in several malformed chunks.

More daleks screech out words as they approach us. "EXPLAIN! EXPLAIN!"

"Ha! I've rerouted the your primary weapon to your self-distruct sequence by changing the commands signals! The doctor is never helpless unarmed, you lot should know that by now."

"RETREAT! RETREAT!"

The Daleks start to be enveloped by an otherworldly white glow and disappear all at once.

The mad man seems to return to an upbeat face and seems to slip his mask back on seamlessly as if the darkness never touched his eyes. He looked again to be a harmless Nerodiverrgent, clumsy and meek as if he hadn't just felled a armada of aliens ready to destroy the earth. he muttered under his breath about inter-galactic law, blissfully unaware of all the odd looks his direction who believed him insane.

It reminded you of the mask you had to put up for all the "Normal" people in your life. How many times had you stopped being every thing you were just for a brief connection?

"Hello, I think introductions are in order! what did you say your name was?"

You plunged back into the real world from your thoghts. "Y/N."

"Well, Y/N, you seem awfully calm considering your planet was just invaded."

"I could say the same thing about you. Also how did you do all that? Are you even human?"

"I'm the Doctor." The man enthusiasticly spoke as if that explained the anomalys of the day.

"Is the your last name or did you just have mean parents that named you Doctor?"

"I'm not human, and it's common for my species to have titles we choose for names."

"Right. I suppose another alien species isn't the weirdest thing that's happened today."

The Doctor broke out into a brilliant little grin. And reached into his coat pocket to grab a little black wallet thing. "Hold on I want to see if I'm right real quick. What's on this paper?"

"Um, It's blank?" I don't think I was catching whatever the silly man wanted me to see.

"You are clever! I knew it! And I do need a companion after...." The Doctor pauses in sorrow and pain.

"Y/N, how would you like to come with me?"

"Um, do you travel or something?"

"Oh, I forgot to mention it, haven't I? I go to lots and lots of different places and meet all sorts of aliens all the time. I hope you know most of them aren't like the Daleks. Millions of planets and galaxys and pulsars and planets up in the sky, one day I'll see them all."

It took a while to comprehend what silly man had just said. You adored the stars. And now this man you'd just met had really just asked you to go with him to see and go to places humans wouldn't go for maybe billions of years!? To boldy go were no one has gone before? (I'm an unapologetically ing references and I'm not sorry.) Was this heaven? Had you died in the Dalek attack?

"That sounds utterly fantastic! You're sure you want someone like me?"

"What are you talking about? You just saved my life and were fearless in the face of a world ending threat. If course I want someone like you."

"I just, usually people don't like the way I think."

The Doctor almost seemed offended. "Do I look like a usual person?"

"Good point."

I looked down in slight embarrassment for bringing it up.

"Hey look at me." The Doctor softly grabbed my shoulder and I tilted my face up to meet his sincere eyes.

"You know what I've found in my nine hundred years of life? I found out the people who get called Quiet or shy have the most interesting thoughts. I found out that the loneliest people end up being the kindest, that the people with disabilities have so much more grit and determination than the people that don't, that the people called slow are the most brilliant when they're done analyzing. that the so called freaks and weirdos of the world are twice as clever and twice as kind."

"Do you know why?" I was near tears and shook my head.

"Because people like you and me have to work twice as hard only to get half as far. We have strength, far beyond that the average eye can see because we're trying to make up for faults by working twice as hard. Our struggles make us more resilient, more creative, and better people. We take it apon ourselves to attempt to appear normal in an attempt to make connections, when in really they should be the ones understanding us."

"You humans are so silly we it comes to different ways of thinking. On gallifrey, you'd be celebrated, not punished for what you call a quote 'disorder'."

I hugged him. I hugged him harder and tighter than any stranger I'd ever hugged before.

Tears. Happy tears flew down my cheek. I loved this stranger, not for his looks or wacky demeanor.

But because there is that silly man's arms I knew again what it felt like to be understood.

We were standing in a world of unknowns, at top a street that had just been invaded but I knew one thing:

"I want to travel with you, Doctor."

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A/N: I'm sorry if you personally don't feel represented in the way I wrote (Y/N) having ADHD and ADD, but I want you to know that I'm only trying to share my experiences as I myself have been diagnosed. I don't want to shame anyone that shares my experiences; just bring them into the light.

[acerathia]

teeth against skin || Fushiguro Toji

Summary:

Something is breathing down your neck, and it won't leave you.

Wordcount: 2.0k

Read on AO3

Pairing:

Fushiguro Toji / Reader

Tags/CW:

inspired by 'The Little Red Riding Hood', predator/prey, anxiety, paranoia, elements of a/b/o, cannibalism, as a metaphor to sexual intimacy, dubcon/noncon, violence (a barely described bite lol), descriptions of blood,

Note:

I came up with this before going to sleep and i couldn't rest until i wrote it, lol

The basket bumps against your hip with every step, its handle digging groves into the crook of your arm. Leaves of trees give you enough shade to be spared from the sear of the sun. But there’s nothing to protect you against the heat spreading through your insides. All you could do is distract yourself, make yourself walk through the forest over the overgrown paths. 

You’ve walked this way countless times, almost like the path only exists for you only. The walk helps you cool off, but also, your obligations make you walk down these paths, delivering the bounty filling the basket to the same little cottage, to the same grandmother, one you’ve started to be acquainted with, enjoying her little stories and the tea she usually serves you. 

As you meander between the trees, you wonder if some tea might be the right thing to help against the surging heat, as it does help against the summer heat, even if the two aren’t quite comparable. But a try would be worth it. You would be getting the tea either way. 

The forest is cool, soothing your flushed skin to a small degree. But it’s not cool enough to warrant the way your skin on your neck prickles, slowly spreading over your shoulders, and you slightly hunch them. You can’t help yourself but to slow your steps and to glance back. But there is nothing lurking behind you, just the usual shrubbery, shaking with the wind, with the life hidden underneath it. 

So, you turn around, and the realization grabs you by the neck, your ears filled with cotton. But not because of your random bout of paranoia, but rather because there is no noise anymore. Not movements in the bushes, in the grass, no chirrups above you, no rustling of the chase of animals. Nothing but your own breath echoing in your skull, resounding over your skin, too loud. 

You keep your gaze to the path in front of you, and you take a slow breath, trying to collect yourself as you slowly begin to speed up your steps. Still walking, but with more force, less meandering and wandering. But no matter how far you try to get away from that particular spot, the chilliness, the silence continues to follow you, to nip at your heels. 

That is, until there’s something breathing, but unexpectedly, it doesn’t come from behind you, but rather from directly in front of you. With a grunt, you’re barely able to stop mere centimeters in front of whoever is filling the path, saving yourself from running into him. 

A swallow, and you raise your gaze, only to see a shadow looming over you. His stature is much bigger than you, practically blocking the already too small path, leaving you no space to bypass him. Your eyes travel further up, not being able to ignore the definition of his tense muscles, feeling the once forgotten heat accumulate once again. 

Quickly, you take a step back, but it’s too late, his scent is already in your nose, running down your throat, coating your tongue, making you swallow in an attempt to calm down your breath. But you know, that no matter how much you try to act collected, you’re aware that he must have already inhaled your scent, too. Making him all-too aware about the ruminating heat, making you squirm and pant in silence. 

You clench your teeth, trying to meet his eyes behind the small curtain of his dark hair, only to discover a much darker gaze already focused on you. You lick your lips, suddenly feeling parched, as you try to come up with something to say. 

But before you’re able to collect the right words in the right order, his hand thrusts forward. A shiny red apple sitting between his fingers, one so similar to the ones in your basket. 

“This little thing seems to have slipped out of your grasp,” he simply says, his voice low, scratchy, like the gravel and tumbling rocks, like the shivers slipping down the base of your back. 

You swallow, before uttering a small ‘thank you’, snatching the apple from this palm, trying to ignore the way your fingers graze his skin, jolts of heat driving through your skin. 

After this small exchange, you expect him to step away immediately, but for a moment, he just keeps standing in your way, his eyes traveling over your face, your throat, bobbing with another swallow, and while you watch him analyze you, every detail of your body, the one trashing against your skin, increasing with each breath filled with his scent, you notice how a grin begins to tug at his mouth. 

The breath inside your lungs feels suffocating under his eyes, and you feel your legs tense, ready to bolt into the other direction, the one you came from, if only to get farther away from him, until his scent, like smoke and rain, gets cleared off your skin. 

But it doesn’t come that far, as he takes a step to the side, his heels brushing against the leaves of the bushes. There’s still barely any space left on the small path, but because of the grin on his face, you don’t feel like turning back, rather like you want to prove something to him, what exactly, you aren’t quite sure. 

Holding your breath, you step closer to him, trying to slide between him and the edge of the forest around you. Your own heels meet the end of the path, but it doesn’t seem to have been enough. As your face brushes against his chest, you silently wonder if it was on purpose, if it would have never been enough, if he had been aware of this possibility, even willfully fabricated it. 

But it shouldn’t matter, as the moment you step away from this proximity, your veins filled with fire and its smoke, you immediately turn around and walk in a brisk pace away, continuing your way as if nothing had happened. 

After some good distance, you couldn’t help yourself but to glance back, to see if he’s still there, if he has moved on on his own. And you’re glad to see the stretch behind you void of anyone else, even if your blood is still running hot, trying to convince you to run back to him, to ask him… something you can’t even think about without the risk of panting with the rush getting to your head. 

Swirling back to your own way, you continue. Trying to cool off after that meeting, trying to get his smell out of your system as soon as possible, the smell promising you so much, yet with a certain edge. Rather, you put your focus on putting one foot after the other, distracting yourself by humming a random, senseless tune. 

You almost forget the lack of naturalness the forest around you has taken, draped around you. Until you feel something akin to a puff of air against the skin of your neck, something much more similar to the warm breath of a living being than the breeze of the wind. 

With your own breath stuck in your throat, you forcefully turn around, taking a couple of steps away. Yet, everything behind you is empty, empty of any form of life. Even the rustling of the leaves has halted with the lack of wind. 

Your insides quiver with the breath now finally lodging itself free of your clasp. And while you take your time to enjoy the air, to calm down until the tips of your fingers cease to tremble. That’s a way to cool yourself down, that’s for sure. 

Licking your lips with one last look, you turn back once again. This time with some hurry in your soles, your anxiety setting the pace. With each huff prickling against your neck, your feet get a little faster. Until you’re running along the small path, trying to get as fast as possible to your destination, one suddenly too far away. 

Your eyes are already laid onto the exit of the forest, a simple pinprick in the distance, so you barely notice what is directly in front of you, until it’s too late. Your ankle twists, the pain shooting up your leg, spreading over your torso as it meets the ground with the force of your speed. Stones dig into your arms and your bones, leaving imprints behind. 

With a huffed groan, you try to stem yourself up, to at least sit up in some way instead of laying there, all vulnerable. But your arms shake, your muscles protesting, and all you are able to do is turn yourself around, putting your back to the ground instead. 

This position isn’t much better, your body still open to anything, and the fear is still coursing through you, making you jittery and ready to continue bolting the rest of the way. So, you try again. 

But before you could even get your hands into a proper position to get yourself up, something pushes you against the ground, grabbing your wrists, trapping you underneath this shadow of a being. You immediately try to kick out, to trash around. But nothing seems to affect whatever is keeping you bound. 

The run has left you worn out, your defenses slowly coming to halt, as your body begins refusing cooperation due to the pain and the exhaustion. All there is left to do is look up, look into the face of whatever has restrained you. 

It was him. The one who has blocked your way off earlier. Looming over you, his scent penetrates everything, and you can’t help but gasp. A gasp mixed with different emotions, all too indiscernible for you to truly describe. But your body could very well do so. Your fingertips trembling, yet your legs relax, waiting, expecting. Your insides churn, soft, and then lash out in sheer violence. And you wonder how that might look to him. 

His grin tells you everything you need to know. His teeth sharp, glistening, like a predator, like a wolf seeing his prey. He takes his time simply looking at you, taking you in, almost like he knows what’s going on inside you. 

And then, while watching your chest rise and fall, he takes both of your wrists into one hand, and one tug of yours tells you he still has a strong grip around you, so you don’t continue resisting any longer. Watching him study you made you still, made you consider your options. And maybe, this is for the best, maybe this is what you truly want, why else would you allow him to do this to you. Maybe you’ll be free from this surging heat inside of you, at least for a while. 

The clacking of teeth echoes loudly in the too silent forest as he lowers his head closer to you, his mouth meeting your skin. But instead of something soft and vulnerable, there’s a sting, a sharp pain tugging at the edges of your skin. His teeth penetrating your flesh, penetrating you. 

And as you feel the blood collect over the clavicle, your neck, you can’t help but moan, pain and pleasure mixing, leaving nothing left but the teeth inside of you, pulling at you, burying inside of you. You don’t know if you want to move away, to run away or if you want to get closer, even closer, to feel more and more. 

It doesn’t stop with this simple bite, his teeth form a trail, deeper and deeper into you, and you feel the heat converging on some point inside of you, building up more and more. 

There’s nothing you could do while your red cape soaks in your own redness, all you could do is follow your body, whatever it wanted from you. Because even if you wanted to bite back, to show any kind of resistance, there’s something about the way he feels on top of you, caging you in, paralyzing you, keeping you satisfied. 

Your vision blurs, as his teeth bite and take, bite and take, never satiated. And the last thing you feel is the heat exploding inside of you, leaving you wilted, empty and cold before exhaustion and loss, relief lead you to a darkness far away. 

[violetren]

PJO!Show Medusa is a very special kind of tragic that feels much deeper than I remember it in the original book.

In the very first episode of the series we see Sally taking little Percy to a museum to learn a little about ancient Greece to help set him up for his inevitable future, but also planting the seeds of independent thought and a strong moral compass that will make Percy simultaneously an excellent hero and th BIGGEST headache for every Olympian, Titan, and otherwise supernatural being in the world. And she does this by prompting Percy to question his preconceived ideas of the monster Medusa. A woman who was tossed around by the whims of the gods and ultimately killed by them too.

The memory of this lesson carries over and is a major driving force in Percy's decision to follow Medusa inside her home even as his companions AND his enemy react to her as a straight up monster even before she has actually arrived on the scene. Annabeth sees a couple of statues and the "Aunty Em's" sign and is ready to GTFO immediately.

However it's not the only lesson in play.

In this same episode we are introduced to the concept of how monsters hunt. Not all of them are mindless beasts chasing down the scent of the most powerful demigod they can find. Some are drawn in by the demigods desire for glory, or feelings or inadequacy, their fear, or dissatisfaction with their relationship with the gods, and will use those same criteria to manipulate and tear down their prey. Something interesting about this explanation is that it still implies monsters are out there actively tracking down demigods to kill regardless of what is attracting them.

Medusa doesn't really fit with this proactive predator model creating a degree of separation between her and other monsters we learned about and seen so far. However they are very careful to never let us forget that she is a threat. As our heroes arrive there are petrified monsters everywhere and Alecto doesn't come closer than the driveway even after Medusa retreats inside because she knows that Medusa is 1. Powerful, and 2. Doesn't like her personally. Her personal distaste for another monster in the moment helps further distance her from the classic monster model we have been taught to recognise.

Inside the house we learn Medusa's version of the tale. How devout she was with nothing in return. How intoxicating it was to finally feel seen even if not by the god she had spent her life dedicated to. How she was shamed and punished for how eagerly she accepted that attention. She took her cursed punishment and turned it into a gift, a way to protect herself. It's a sympathetic tale. Percy is primed to be sympathetic. Grover who lived in the mythical world first then the mundane unlike both Percy and Annabeth even shows hesitation instead of being able to treat her as an out and out monster even if only for a moment. Annabeth is the only one who identifies her as a monster and sticks to it all the way through.

Everything is set up to make us question whether this iconic monster of Greek Myth, who we know from the books will attack, really is a villain this time around. This is especially effective in the current era of Medusa retellings as a tragic heroine, a protector of those who have been assaulted and abused, who was beloved by Athena not reviled.

Then the turn comes. She offers a deal to Percy, she'll help make sure no one can stand in the way of his goal, she'll petrify Grover and Annabeth if he asks. From there everything spirals out. We go down to her basement storage reminiscent of both a temple and her history as a shrine maiden, and the cave she lived in as a monster until Perseus came to claim her head. We get her villain monologue. Paraphrasing: "You could have taught the gods a lesson by taking a path other than obedience to them and their teachings. Now I will send you as examples and reminders of what their actions have wrought. I will make them see me."

Medusa in this show very much is a monster, despite all of the misdirects, but unlike all of the other monsters we have seen and all those we have been taught to expect even as she is stalking the kids in her basement she doesn't feel like some overblown mythical monster. She feels like a woman who has been driven to madness. Like she is trapped in a cycle and doesn't know how to exit it, so she pushes the onus of breaking the cycle on others and then punishes them when they can't.

If that wasn't tragic enough I have a theory on what she preys on as a monster and why.

She hunts on loneliness or at least a sense of being isolated, because that is the feeling at the heart of her creation as a myth and a monster.

She went a lifetime ignored by the figure she loved the most. Her curse isolated her. It was supposed to drive people away from her/prevent her from getting close to anyone. She was killed without being acknowledged as ever having been human. Then by the rules the dictate monsters in the PJO universe she came back, probably a few dozen times at least before we met her in canon. She set up her shop in the middle of nowhere, harkening back to her life after being cursed in her original myth. Most importantly she sets up on a saytr path in the middle of a new jersey Forest where she'll likely only be stumbled across by other singular lonesome beings.

To really nail down that feeling of tragedy, even though a lot of her victims clearly never got past being terrified of her, someone did. Grover's uncle Ferdinand did. He looked at her with solemn understanding, at peace with his fate, maybe even a touch pitying. He couldn't make her feel seen, or make her realise that she didn't need the gods attention after all this time. And if he couldn't then there was no way in hell that a couple of 12 year olds and barely working age saytr could, and so once again the cycle repeated and she had to die.

[nomsfaultau]

Hybrid AU in exile week where avian instincts can take over to a degree that is almost horrific, erasing someone’s personality and rationality when they’re panicking. First part here.

The world explodes into loud chaos, pinning Techno’s ears back. A grunt, and he decides to check out whatever Philza’s cawing about now. He finds Philza determinedly roosting on top of a shrieking hatchling, who is shockingly pale from a mixture of heavy blood loss and terror. Aw hell, that’s Tommy in the center of the nest. He should’ve recognized the feathers Philza wove into it. Techno tries to get him some healing potions but Philza is completely broody, hissing at him and threatening to attack, trying to protect his new hatchling but only making his health far, far worse by sabotaging aid. It hurts to know that their friendship means nothing to Philza’s instincts. Techno can dress himself up in Philza’s feathers all he wants, but it doesn’t make them a true flock.

Each distressed chirp is weaker than the last. Tommy needs help badly, but Philza is in no state for it, growing more and more agitated the longer Techno hovers. Techno retreats to get supplies. When he comes back, Philza is desperately trying to coo to soothe the injured Tommy, but if anything it only makes his weak chirps more frantic.

Philza’s head jerks up at Techno’s entrance, wings spreading to hide his chick and make Philza appear more dangerous. And really, he is right now. Nothing is more deadly than an avian protecting their chicks, brutal in their attacks and oblivious to any pain suffered.

When Philza lunges, Techno isn’t caught off guard. In fact, his aim is perfect, the slowness potion billowing around Philza. From there it’s pretty easy to snatch Tommy from the nest and walk out the front door. The fluffed up hatchling trembles in his arms, enormous pupils caught on him. Techno aims for a smile, only getting a warbling terrified chirp in response. Right, right, the tusks probably aren’t super assuring that he isn’t a predator.

While the slowed down Philza desperately tries to catch him, Techno lays Tommy in his bed, burrowing him in just a little before he catches his boar instincts and turns to more important things, like making sure Tommy doesn’t die. What Tommy really needs is golden apples, but the piglin in him won’t let Techno part with a single scrap of precious gold. Potions will have to do for those broken bones. Any wing damage…? Oh no. Oh gods no, no wonder Philza is like that, how awful. Nothing Techno can do for clipped feathers, though. He tries to pat Tommy's back reassuringly, but Tommy only flinches, dilated eyes not recognizing him at all. Once Tommy’s throat is healed up he begins his shrieking chirps again. Techno winces, particularly as he thrashes and flaps wildly.

Very, very slowly the door is thrown open, and Philza very, very slowly races for Tommy as Techno scrambles out of the way. Weirdly, Tommy doesn’t calm down once in Philza’s arms. If anything his chirps get more panicked as he’s taken back to the nest.

It. Does. Not. Stop. Techno is kept up all night by that incessant chirping. Uuuuuuugh he thought Philza was supposed to be able to fix that?

In the morning, he finds Tommy distressed and pinned beneath an equally distressed roosting Philza, whose frantic coos don’t soothe the squirming chick. He’s pretty sure Tommy’s continuous cries are trapping Philza in that state, plus the frenzy of what Techno is unfortunately certain is Philza’s new chick being so hurt. But he has no idea why Tommy can’t just chill out.

He tries talking to Tommy. Voice low, as distant as he can manage. There isn’t much response, or at least until Philza’s had enough and charges at him. As Techno is retreating, he notices Tommy lunging out of the nest for freedom, only to be scooped back in, Philza settling on top of him once more. That’s, uh, probably not normal.

A few hours after Tommy’s voice has gone out again, he blinks back to awareness as Techno promises to help him escape. He can’t speak though, or can’t till Techno carefully rolls over a healing potion, and Philza instinctively puts it in the nest just in case it’s an egg that fell out. Tommy chugs it, and then actually begins to eat some of the things Philza has been desperately trying and failing to feed his chick. It calms Philza a little at least, feathers ruffling in satisfaction. But he still doesn’t come out of his protective mode, still registering Tommy as hurt. Man, Techno is going to tease him so much for this one after it’s all over…

Or, so he thinks, until Tommy swears up and down that Philza has kidnapped him.

Next>

[findingoblivion]

Best Worm character that like didn't get done right in the series? idk ive had worm on the brain all night

okay i'm finally answering this sorry for the delay

but it's OBVIOUSLY amy. like it's so fucking amy. it could not be more amy. yes rachel is a huge dyke and got done so fucking dirty by wildbow in so many ways. even taylor got done dirty to some degree. and then there's alec and brian too of course and plenty of others

but it's amy.

like full stop.

the homophobic lesbian trope that was in the 50s and 60s about how gay people would try and drag you into their lifestyle and influence you and even Good Christians could fall to their dirty tricks and be almost hypnotized?

pure amy.

how disgusting incest is, even when they're not blood related in any way?

yep.

retconning victoria's power so that it doesn't affect everyone unless she wants it to

leaning in even harder to the sexual assault stuff with amy in ward, character assassinating her and acting like she was a disgusting predator the entire time, always intended to assault vicky, and got off on it and not a scared child who warned vicky and tried desperately to prevent her from crossing her boundaries in the most stressful moments of amy's life?

like by far the most universally hated and reviled character in worm is probably amy. yes sophia is up there but do you know how many people forgive sophia for everything she did and write her as a hero with a redemption arc compared to Amy? It's not close.

There are literal servers that will ban you if you defend amy or act like she's a victim at all and don't just immediately and completely condemn her. there are fanfic servers where ANY writing about amy as anything but a horrible villain is condemned and considered toxic and against the rules

all because wildbow wrote a homophobic caricature of a lesbian and then tried to pass it off as him writing a villain and then retconning everything that made her story good until she was a shadow of her former character and then still tried to profit off her arc in ward by making her this even stupider caricature

wildbow is like the worst narrator ever and ward was so much more boring and didn't have any of the things that made worm good, but all of the things that made worm bad

worm itself is flawed because wildbow was (and still is) but is otherwise a great story

victoria dallon i love you but the phone down or text and call me this hate isn't you

amy dallon i am looking directly into your eyes and telling you that i love you and that it's going to be okay, you made a mistake but you didn't meant to, you didn't intend to, it was a moment of weakness that you deeply regret, and you've suffered so much for that. you deserved to be held and loved and improved, you deserve to be shown how beautiful and amazing you are, you deserve to not just be judged solely for your mistakes but for everything you have done. my heart breaks for you and i would like nothing more than to take care of you and love you and hold you tight and close and protect you like my own daughter, you never received that warmth and love and you deserve it perhaps more than anyone else in the world

[beardedmrbean]

Zoomer Huey, I tend to see people saying why Gen z don’t have sex much.

Holy

Fucking

Shits

These journalists surprisedly have WORSE self awareness than there boomer relatives

Here a hint https://x.com/swannmarcus89/status/1762582001507323991?s=46

And gender dynamics are…nuked in the fields they are surveying. Women and girls are told that all men are predators and misandry is left unchecked

Also, why Hollywood act surprised about the sex abuse?

We all heard about the casting coach, and how suspiciously people from working class backgrounds like Micheal Jackson (yes his dad had his music connections. But essentially mj was a slave and was arguably was the first black child star unless I’m missing someone) and Walt Disney (though not as bad) are painted as monsters while the actual monsters are protected for decades

I mean look at Judy Garland, she was a sweet person and she did help the LBGT in Hollywood and supported the civil rights movement

But her “crazy” behavior makes more sense because she was sexually abused at a extremely young age

And she not the only one, Shirley Temple, the boy who played at the first LA Dennis the Manis

Oh and the Peter Pan actor (a lot of people leave out the part where ALL of Hollywood basically says he can choke and die because he was “too” Disney)

But sorry about the Gen stuff, but the false rape accusations, maybe if you guys didn’t view men (especially white ones) the same way Nazis viewed the Jews while saying all the working class men were Weinstein.

My Gen would have more sex

Entertainment industry has been like that since the beginning of forever, probably less so when women weren't allowed to participate but still a thing I'm sure.

As for Judy Garland it was nice to see people come out swinging in her defense when someone tried to start shit over well

She was not in control of her carer, saying no was not an option for her with this, but dumbasses that can only think in terms of today's standards never think about that.

Jay North (Dennis the Menace) did ok, so did Shirley Temple, plenty of others not so much, more recently we can look at Drew Barrymore and RDJ who both had fairly public meltdowns and problems.

Drew was ruined since her first film was ET and Spielberg takes care of the kids on set, going beyond the legal requirements.

Bobby Driscol was the Peter Pan VA top of his Wiki article.

Robert "Bobby" Cletus Driscoll (March 3, 1937 – c. March 30, 1968) was an American actor who performed on film and television from 1943 to 1960. He starred in some of the Walt Disney Studios' best-known live-action pictures of that period: Song of the South (1946), So Dear to My Heart (1949), and Treasure Island (1950), as well as RKO's The Window (1949). He served as the animation model and provided the voice for the title role in Peter Pan (1953). He received an Academy Juvenile Award for outstanding performances in So Dear to My Heart and The Window.

He just fell into the child actor pit, where he wasn't "cute" anymore couldn't get gigs and couldn't adjust to not being in the spotlight, the way he went and nobody knowing is awful to think about still.

Jackie Coogan, on the other hand was a different story.

His parents sucked and as a result there's a series of laws named after him California's Coogan Law all about protecting the earnings of child actors from their parents. % goes into a trust iirc.

He ended up OK in the end though

The false accusation thing, #me too hurt women because #believe women was taken advantage of to such a degree that even this coming out to light

has still probably not cleared up for the trooper, and men are opting to not mentor women because of not wanting to risk a false accusation, everyone screams about how rare they are, to which I say so what, why should they assume the risk even if it's minor

Former VP Mike Pence came out and said he won't be alone with a woman that's not his wife in order to ensure that there is no possibility of someone making a claim of impropriety.

And he got this response

Why is anyone going to put their neck on the line when something like what he said is going to get this kind of response.

Maybe instead of crying about how rare false accusations are they should focus on shaming the people making them and coming up with solutions to keep them from happening.

You know instead of blaming the victims of the false accusations.

All this and so much more going on that isn't in this ask goes to the I don't blame people for not having as much sex, it's actually kinda nice too, fewer std's this way.

I went on a couple tangents, hope that's ok

[invinciblerodent]

yknow, no, i'm not done thinking/posting/being deeply angry about the whole "bbuuuhhh Astarion is gay and was made playersexual as a game mechanic bbbuuuhhhhhhh" garbage some people still spout.

like this type of sentiment is always annoying and wrong, but it's specifically this character for whom it's especially annoying to me, just because on top of all the regular host of issues, it also deeply contradicts what I believe is the central theme of his whole goddamn story.

(excuse the rant please.)

Like, my skin already crawls at that term, "playersexual". I hate it, and find its use either vaguely ignorant at best, or blatantly pan/biphobic at worst. but even just besides that....

This character is a man whose narrative intentionally shows his presentation of himself, and of his masculinity, as being contradictory with convention. This character is one whose entire arc is about discovering who he is beyond the boxes he was assigned: a spawn, a monster, a seducer, a tool, a predator, a plaything, a victim, a sexual object... these are all identities that were forced onto him. And if he's given space to discover them, turns out, none of them are things that he actually wants to be. if you give him space, and affection (romantic or otherwise), and acceptance, and help him attain closure and catharsis, he expresses desire to be... an adventurer, a lover, a friend, a protector, so many things, but all of them in his own way. That's the point of his story, control vs. autonomy.

How.... myopic does one have to be to see that story, to play that story, to play an active, participatory role in that subversion, that search for the self beneath the masks, and declare that actually, they made him this other box for him to fit into, so... it's fine, i guess, to ignore what he says?????? it's fine if they pick and choose among his expressed traits which ones to use and which to disregard, because they decided (based on frankly homophobic and rather misogynistic stereotypes) that he cannot be different from their perception, despite him literally saying otherwise????????

Astarion's entire figure is a succession of trope-subversions. I could write essays about all the ways in which, in the romanced spawn game, the narrative sets up tropes (primarily in act 1), only to then purposefully knock them down and contradict them as the game progresses.

Like..... He was to take revenge by taking power for himself (like he thought he wanted, like Cazador did to Vellioth): ended up taking his revenge and rejecting the power that could have come with it, and despite that having a price, being content and grateful for it (and realizing that the alternative would have had an even greater price he would have paid unknowingly). He starts out using sex and sexuality as a weapon, and a tool of manipulation, like he did for many decades: ends up expressing discomfort with being seen as a sex object, resuming his sex life by saying "I love you" before his partner would have, and proposing sex with them as a beautiful metaphor for his own rebirth.

His whole story starts out with him thinking he requires protection from the player and that the only way to get that is through using his body and looks as a bargaining chip: later he discovers in himself a desire to be the protector himself, which he talks about more than once, and expresses varying degrees of discomfort at the thoughts of both using his body to gain something, and needing a protector.

There's the "this is what I'm good for" type of attitude towards sex morphing into "I am so much more than a thing to be used". There's the whole thing about how important his looks were to both him and his "usefulness" back then, despite him not being able to even fucking see them, (which also kind of includes that silly lovely gremlin-face he sometimes makes), but those are just the ones off the top of my head.

The story, and the romance plot, is about... it's about him regaining ownership of himself, it's about autonomy, his whole recurring "what do you want" line is about respecting his choices and letting him find his way to them, it's about letting him show you who he is, believing him, and loving the man behind the facade.

how absolutely fucking short-sighted does one have to be to then take that incredibly reductive stereotype of "femme-leaning man with theatrical mannerisms who cares about his looks; must be exclusively homosexual and any attraction he shows to women is just a mechanic/fanservice/flattery" (which, that's so fucking insulting to gay men, and bi/pan men, an any man who might express masculinity in a less than conventional way, and to the women who may love them [eta: and of course nonbinary people, and the people to whom masculinity means something wholly different]), and assign it to this character on their own accord, despite him literally telling the player otherwise? despite him verbally expressing attraction to multiple women, and contradicting that stereotypical interpretation wholly and out of pocket??????

like, hello??????? did we play the same game????????? did we play the same fucking game??????????

like don't think for one second that it isn't the pan/biphobia that annoys me more, it absolutely is, but this character is such a particularly egregious example, it's almost fucking poetic.