#so their first impressions of each other are essentially:

[strawberrystreamfields]

More Carolina Stuff (minor spoilers for the story quest?):

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[headspace-hotel]

There was this post a while ago where somebody was saying that Cheetahs aren't well suited to Africa and would do well in Midwestern North America, and it reminded me of Paul S. Martin, the guy I'm always pissed off about.

He had some good ideas, but he is most importantly responsible for the overkill hypothesis (idea that humans caused the end-Pleistocene extinctions and that climate was minimally a factor) which led to the idea of Pleistocene rewilding.

...Basically this guy thought we should introduce lions, cheetahs, camels, and other animals to North America to "rewild" the landscape to what it was like pre-human habitation, and was a major advocate for re-creating mammoths.

Why am I pissed off about him? Well he denied that there were humans in North America prior to the Clovis culture, which it's pretty well established now that there were pre-Clovis inhabitants, and in general promoted the idea that the earliest inhabitants of North America exterminated the ecosystem through destructive and greedy practices...

...which has become "common knowledge" and used as evidence for anyone who wants to argue that Native Americans are "Not So Innocent, Actually" and the mass slaughter and ecosystem devastation caused by colonialism was just what humans naturally do when encountering a new environment, instead of a genocidal campaign to destroy pre-existing ways of life and brutally exploit the resources of the land.

It basically gives the impression that the exploitative and destructive relationship to land is "human nature" and normal, which erases every culture that defies this characterization, and also erases the way indigenous people are important to ecosystems, and promotes the idea of "empty" human-less ecosystems as the natural "wild" state.

And also Martin viewed the Americas' fauna as essentially impoverished, broken and incomplete, compared with Africa which has much more species of large mammals, which is glossing over the uniqueness of North American ecosystems and the uniqueness of each species, such as how important keystone species like bison and wolves are.

It's also ignoring the taxa and biomes that ARE extraordinarily diverse in North America, for example the Appalachian Mountains are one of the most biodiverse temperate forests on Earth, the Southeastern United States has the Earth's most biodiverse freshwater ecosystems, and both of these areas are also a major global hotspot for amphibian biodiversity and lichen biodiversity. Large mammals aren't automatically the most important. With South America, well...the Amazon Rainforest, the Brazilian Cerrado and the Pantanal wetlands are basically THE biodiversity hotspot of EVERYTHING excepting large mammals.

It's not HIM I have a problem with per se. It's the way his ideas have become so widely distributed in pop culture and given people a muddled and warped idea of ecology.

If people think North America was essentially a broken ecosystem missing tons of key animals 500 years ago, they won't recognize how harmful colonization was to the ecosystem or the importance of fixing the harm. Who cares if bison are a keystone species, North America won't be "fixed" until we bring back camels and cheetahs...right?

And by the way, there never were "cheetahs" in North America, Miracinonyx was a different genus and was more similar to cougars than cheetahs, and didn't have the hunting strategy of cheetahs, so putting African cheetahs in North America wouldn't "rewild" anything.

Also people think its a good idea to bring back mammoths, which is...no. First of all, it wouldn't be "bringing back mammoths," it would be genetically engineering extant elephants to express some mammoth genes that code for key traits, and second of all, the ecosystem that contained them doesn't exist anymore, and ultimately it would be really cruel to do this with an intelligent, social animal. The technology that would be used for this is much better used to "bring back" genetic diversity that has been lost from extant critically endangered species.

I think mustangs should get to stay in North America, they're already here and they are very culturally important to indigenous groups. And I think it's pretty rad that Scimitar-horned Oryx were brought back in their native habitat only because there was a population of them in Texas. But we desperately, DESPERATELY need to re-wild bison, wolves, elk, and cougars across most of their former range before we can think about introducing camels.

[nereidprinc3ss]

please don't say you love me

in which fwb!spencer reid and fem!reader get into an argument about the nature of their relationship.

18+ (implied intimacy) warnings/tags: friends with benefits arrangement, it goes bad, reader is so clearly anxious avoidant, reader is so me-coded, self-loathing, difficulties with emotional intimacy, arguing, derek and penelope make an appearance woo, a little dramatic, no happy ending (a nereidprinc3ss first!) a/n: it happened guys I stopped writing for a few days and last night randomly was inspired to finish this fwb piece and it essentially turned into a vent and went a completely different direction than i thought it would but here we are!!! i hope you enjoy, I loved writing, ilysm

“Are you reading it? Did you get to the part yet?” You ask, buzzing as you peer around Spencer’s arm to see where he’s at in the book you’d handed him. Sometimes you think it takes him longer to flip the pages than to read them. 

He doesn’t answer, but you see the flickering quirk of his lip like something is amusing him. It’s been a few minutes and he’s maybe halfway through. He has to have seen it by now. 

You’re clinging to his arm, eyes darting pointlessly between the text and his face, searching for a reaction. It comes in the form of a furrowed brow, a disbelieving smile, and something between a barking laugh and an exclamation of, “what?”

“You read it?”

His eyes narrow and he flips back a page, taking a bit longer to reevaluate. 

“Our moans and grunts drowned out the screams of the dead and dying only a few hundred feet away.”

You giggle furiously, clapping a hand to your mouth when you snort, and you feel Spencer’s focus shifting to you, even with your eyes screwed shut. 

“And you read this whole series?”

At that you sober up some, still hiding the bottom half of your face and brows drawn sorrowfully as mirthful tears well. You’re slow to admit your guilt with a nod, and his expression is somewhere between horror and fascination. 

Your cheeks heat and you cover your face, laughing again and shaking your head shamefully as he ridicules you. 

“Why? Why would you do that to yourself? I don’t even know if I can be seen in public with you, that’s—” he’s haphazardly tossed the book back on its display table and grabbed your wrists, pulling gently and laughing too. “No, show me your face. This is—you need to explain yourself. This is unforgivable.” 

“No! I swear it was a morbid curiosity, I didn’t like it, I’m sorry! I—”

“Reid?”

You both freeze. 

It’s not the most dignified position, admittedly—hidden among the shelves in a bookstore, pressed too close to be friendly, his hands around your wrists. 

So you don’t mind when he drops them like hot potatoes and gives you a few inches of breathing room. 

“Hey! Uh—you’re—”

Spencer is looking between you and two other people at the end of the aisle—a quirky bespectacled blonde in a flouncy polka-dot dress and her taller companion, ripped and head shaved, sporting some impressive eyebrows. Right now they’re conspicuously raised—his eyes are also pinballing between you and Spencer. 

For a moment, everyone is just sort of… looking at each other. 

It’s a little bit… awful?

Finally Spencer clears his throat. 

“Um, what are you guys doing here? Just… looking at books?”

Something is off, and you feel like shrinking or running, but you just stay glued to your spot. 

In sync, they hold up copies of the same book—and it takes you not a second to place the author’s name, in imposing red font at the bottom like it’s important. Rossi. 

The pieces click into place. These must be Spencer’s co-workers—Penelope and Derek, if his descriptions of the team have served you well. Part of you is starstruck. Part of you is embarrassed. They’re clearly shocked to see Spencer with a girl in the wild, so you know he hasn’t told them about you—and why should he, you think, why should he tell his friends about the girl he’s been sleeping with for months now? 

Finally, the blonder half of the duo speaks. 

“You’re—this is a girl. That’s. Who is that? Hi! Who are you?”

She’s literally pointing at you, eyes drifting between you and Spencer like it just doesn’t make any sense. Derek gives her a look and gently pushes her hand down. 

“Hey. That’s enough.” Then he offers you a polite smile, though you sense a bit strained, and his eyes too keep wandering back to the man next to you. “Sorry. Didn’t mean to interrupt.”

“No, no! You’re not… interrupting…” Spencer trails off and you sense he’s looking at you and gauging a reaction but you’re just smiling idly at his friends and waiting for this to be over. He finally thinks to introduce you by name, and you offer a shy wave and a smile to your new acquaintances. 

Penelope points (that damn finger again) but this time it’s less accusatory, and stays below chin level. 

“Cool shirt. I love that band,” she offers genially. Your brows raise and you look down, trying to remember what shirt you’d tossed on before leaving Spencer’s apartment an hour ago. 

“Oh! Thanks,” you smile, and you’re relieved to mean it this time. 

Another frosty silence begins to descend, but Derek doesn’t let it settle so much this time, to everyone’s satisfaction. 

“Alright, well. It was nice to meet you. Enjoy your date.”

There’s too much weight on the last sentence, and Derek gives Spencer a eyebrows-raised-meaningfully look you don’t understand. You’re just glad Spencer keeps his mouth shut and doesn’t immediately insist that it’s not a date, because it’s not, and that’s fine, but the vehement denial would bum you out. 

The pair walk away in the kind of clenched silence that means they’ll start fervently whispering as soon as they are out of ear shot. You watch their retreating figures and chew your lip, sensing that the carefree and playful energy of five minutes ago will have evaporated by the time you turn back to face your companion. 

“Strange,” you murmur, mostly to yourself, and you’re slightly jarred when Spencer replies from beside you. 

“Which part?”

All of it. 

Turning to face him, you smile, and it doesn’t reach your eyes but it doesn’t need to. 

“Oh—nothing, sorry.”

For a moment, he doesn’t respond, only stares at a point somewhere above your head and narrows his eyes like he’s thinking unpleasant thoughts. 

“Was I an asshole, to you, just now?”

It’s unexpected. You don’t have an answer prepared, so you say something that feels like a lie because you can’t prove that it’s not the truth. 

“I don’t think so. Why?”

“I just… I don’t know. I get weird around them, sometimes. I don’t always know what to say, like, when my personal life and my work life intersect, because for a long time I didn’t really have a personal life. And I think they still think I don’t know how to talk to girls, so…”

“You don’t know how to talk to girls,” you remind him. “Let’s go look at the puzzles.”

Maybe you spend too much time with Spencer Reid. Maybe that’s the problem—too long in his presence and he’s eating away at your neural tissue like you’ve got cysticercosis and he’s the T. solium (a terrible thing he had explained to you a few weeks ago.)

Maybe you need a break from him, to stop breathing his air and sleeping in his bed and wearing his clothing, because you’re forgetting that he’s not the entire world and that is a very bad thing to forget in a situation like yours. The entire world cannot be the size of his apartment. 

But you also just like him so much. As a friend, of course. That goes without saying. You like his strange sense of humor, and the way he lights up when you ask him an obscure question. You like your legs across his lap while you watch his old shows. You also like being kissed by him, and hugged by him. You like being taken care of like no one has ever taken care of you, and you like the way he always touches you, soft and kind and so on purpose. 

You never meant to like him so much. 

This affection—it has grown, insidious and parasitic, and now that it’s been pointed out to you like a lump in your side, it’s impossible to ignore. 

What you and Spencer have works precisely because you’ve kept things platonic and casual. That way, there’s no worrying about emotional baggage or arguing about feelings because there are none to be found and no precedent that any such things should or need to occur. You can’t hurt each other’s feelings if your feelings aren’t on the table. 

So why can’t you stop thinking about earlier?

Why can’t you help caring that he’s been keeping you a secret from the people he loves most?

“So, essentially the book is his first deep dive into meta-fiction. It was pretty revolutionary at the time, and while not his most celebrated novel, I’d argue it was his most relevant and culturally pervasive. I’d actually love to hear your interpretation of the story—it’s truly different for everyone. It’s a little like… like a literary Rorschach test. Do you wanna borrow it?”

You’re a tangle on his bed—arms, legs, sheets—it’s hard to tell where you end and he begins. All you’re sure of is his hand, tracing his fingers in chaste lines, feather-light up and down your inner thigh in the way he knows you like. Usually it’s so soothing you melt and fall asleep within minutes. Right now it’s only stoking some sparking electrical fire in your chest—the buzzes and bursts from which have you on edge. Ready to cave in at any second. You wish you could relax. You’ve been trying.

Spencer is in no hurry for you to respond, and so doesn’t seem to mind when it takes you a long while to find your answer. 

“I think I need to go home.”

It comes out too scratchy, as you haven’t really spoken for several hours. Not as casual as you were going for. He angles his head down toward you and his hand stops and you realize it’s actually worse like that. 

“Is everything okay?”

“Yeah! Everything is fine, I just… I wanna sleep in my own bed tonight, I think.”

It’s late and you shouldn’t be making him drive you across town, but he’s always amenable to what you want. This is the longest you’ve ever stayed at his place, after all—a rare long weekend—and before that a few weeks had passed with no cases to speak of, during which time you’ve been staying with him more and more. Spencer seems to be completely content letting you eat his food and use his shower if it means you don’t leave. 

“I know the feeling well,” he admits, and your heart twinges with the care he takes to not bump or bend you or pull your hair as he shifts. He’s already been out of bed, and so is more dressed than you. Really, most people on the planet are more dressed than you, and you pull his nice sheet higher up your chest as he sits on the edge of the mattress, looking down at you and with a sort of worry in his eyes. He finds your knee through the fabric. “Are you sure you’re okay? You’ve been quiet.”

Stop paying such close attention, you want to tell him. And in the same breath, please don’t ever look away. 

“I’m… good.”

It is easily the least convincing performance of your life. Either you’re self sabotaging or you want him to push you further, and you don’t know which is worse. 

When his brow ramps just the slightest bit, you know you’ve fumbled it. 

“I don’t believe you.”

You shrug. “I don’t need you to.” And then you sit up, still holding the sheet to your chest. “Can you hand me a shirt?”

Enough clothing has accumulated around the room recently that he could pretty much reach out in any direction and find something for you to wear.  He grabs a sweatshirt hanging from the bedpost and holds it out for you, and you pull it over your head, before dropping your feet onto the cool wooden floor and grabbing the first bottoms you see—a pair of floral pajama shorts. How have so many of your clothes ended up at his apartment?

“Is there anything I can do to help?”

You scoop your bag up from a chair and flit around the room, haphazardly stuffing away discarded clothing to take back home. It’s true that it’ll be nice to get back to your stuff—your shower products and your closet and your silk pillow cases. You shouldn’t be spending so much time here. It’s not your space and you’ve been sacrificing your own needs to be closer to him, which is something you’d rather not do for any man. 

“You can drive me home. I’ll send you gas money.”

“You don’t need to send me gas money,” he says, tacking your name on to the end of the sentence in a way that raises your hackles instantly. 

“Yeah, I do. You drive me around constantly. I’ll pay you back and start taking the metro, or something.”

“I don’t want your money,” he scoffs. 

“Fine. Then I’ll call a car.”

“That’s unnecessary. I’m happy to drive you.”

“Why?”

Silence hangs. Spencer has by this point stood up, and he’s watching you with a furrowed brow and slightly parted lips like he doesn’t understand where this animosity has come from. Honestly, you’re not entirely sure either. You didn’t realize you were harboring so much of it. 

“Am I supposed to see you as an inconvenience?”

“I’m not your responsibility.”

“No. You’re not. We have a relationship and I don’t mind doing things for you.”

“You’re not my boyfriend.”

You didn’t mean to say it, but you sure as hell were thinking it. 

It feels good to say, like stretching a sore muscle beyond its limits or pressing into a bruise until you get past the ache. Sometimes when things hurt, it’s best to feel the pain and move on. 

He looks absolutely perplexed, the lines between his brows only ditching deeper. 

“Is that what this is about?”

“Oh my god, Spencer, no, I don’t care—”

“Because earlier at the bookstore I asked you if I was being an asshole and—”

“I do not give a fuck about earlier at the fucking bookstore!”

It’s too late to be yelling, but he doesn’t scold you. He just sort of looks at you, like you’re something mildly unpleasant. It makes you feel worse. 

A long moment goes by. 

“Fine. I’ll take you home.”

You let him brush past you, nothing more than a breeze on your shoulders as he disappears from the darkened bedroom. For a moment, you can’t follow him. All you can do is stand there and try to contain that sour, stinging, crying feeling in your eyes and nose because there’s no reason for you to be crying right now. 

From the living room, he calls, rather abrasively, “Are you coming?”

“Yes,” you huff, and it is as wavering as it is insolent, so obviously the only word holding back a full-fledged deluge of tears. 

One minute. One minute to sniffle and take deep breaths and wipe abashedly under your eyes because you refuse to be dramatic about this. Refuse to get over-emotional. You will not let it matter this much to you. 

When you decide you can show your face without making a scene, you march out of his bedroom and straight past where he’s leaning against the kitchen counter, keys in hand, to the front door. 

He doesn’t move. You burn smoking holes into the dark wood of the door with your eyes, and the two of you are apparently at an impasse. 

“I’m ready,” you eventually snap, always the impatient one between the two of you, casting a sharp glance over your shoulder. 

“I’m not.”

“You said you would—”

“I know what I said,” Spencer cuts you off and shuts you up, “and I changed my mind. I’d prefer to talk about it before I take you home.”

By the time he finishes the sentence you’re already wrestling your phone from the depths of your bag in search of a ride sharing app. 

“Okay, well I’m done talking because I don’t think there’s anything to talk about, so—”

“No, you’re done talking because this is what you do. You can never admit it when you want something because that would mean acknowledging that you’re a human being with emotions, and that’s too scary for you.”

Surely you misheard him. You turn around, a deep frown contorting your features. 

“Excuse me?”

He only looks at you in that expectant, knowing way of his. 

“It’s too scary so you run away. You’d rather burn your relationships to the ground and rebuild them with a new person every time than actually let someone in.”

“You don’t know me!” You yell.

“Do you actually think that’s true?” Spencer says, pushing off his perch against the counter, voice shrilling and raised slightly as he gets visibly agitated. “You think I’ve spent hours upon hours with you and I don’t know you at all?”

“You have no idea what I’m like in a relationship because this isn’t one. You have no fucking idea what I want, so do not presume to,” you seethe. 

“You want a relationship. You wanted my friends to know you and you didn’t tell me that because you’re fucking terrified of the fact that I do know you. You can’t stand the idea that regardless of how many times you tell yourself it’s just sex, you have been vulnerable with me, and you’ve told me things you’ve never told anyone before, like why your last three relationships really ended, and how you constantly self-sabotage when you’re on the verge of getting what you want because you think you don’t deserve it.”

“Shut up!”

“No. I’m not just going to let you walk away from me like you did everyone else who could’ve ever cared about you because I know once you walk out that door you’ll stop responding to my calls and texts and I’ll never see you again, which is a juvenile pattern and completely unsustainable if you don’t want to keep pushing people away for the rest of your life!”

“God, Spencer, stop!” You sob, staggering back like you’ve been stabbed. 

The urgency, the raw, desperate scratch of your voice, stops him in his tracks. 

Every place an arrow penetrated a chink in your armor aches, and it hurts so much worse because he knew exactly where they were. You don’t know when or how it happened, but he’s right. Despite your most valiant efforts, Spencer Reid knows you. Somehow he crept in and grew over every limb like ivy. It’s crawled over your feet and up your legs and it’s keeping you there, rooted in place in his apartment, sobbing silently into the crook of your arm because you feel utterly paralyzed with fear. 

Just as he’d said. 

It’s silent for a long stretch of time, unquantifiable the same way the distance between the beach and the horizon is unquantifiable. It’s sprawling and infinite and desolate. The only relief from the drowning quiet is the occasional gulp of air or gasp from you which furthers your humiliation. 

“I’m sorry,” Spencer finally whispers, soft and unsure like rays of weak sunlight over staggered tides, in the grey morning after a raging storm. It’s an attempt. It’s earnest and afraid. 

The energy radiating off of him is so tangible that you can sense his desire to come near. To hold you. But that would be your worst nightmare come to fruition. This—this warbling and crying in front of him in silence in his dark apartment is god-awful enough. But to be comforted? For him to bear witness up close and personal to your humility and your ugly, jagged pieces—that inspires true catatonia. That is everything he said you were afraid of, and he was right. 

You resent your human nature, and the fact that you care how his friends look at you and that it stung when they did so with little more than apathy. You hate that you care that he hasn’t told them about you. You hate that you feel so unimportant—because more than anything, you want to be fine with being unimportant. 

You want to be fine. Constantly. 

You hate that you feel. You hate that you care. 

But you always have. And so fucking deeply. 

Somehow, Spencer Reid is the only one who has ever noticed. 

Eventually, his self-restraint snaps and he surges forward at the same time as you take a shuddering inhale and step back. 

“Please don’t touch me,” you whisper. Afraid that if he did, his fingers would only sink into your flesh like decaying fruit. That you would disintegrate in his hands, and he’d finally see you’d been rotten the whole time. 

He speaks softly, holding his hands up to show you he’s not a threat. 

“Okay. I won’t. I’m sorry.”

“I need to go home.”

“I’ll—”

“No. I don’t want a ride. I’ll get a car.” You speak quietly. Efficiently. There’s no point in pretending this doesn’t feel catastrophic anymore. 

His brows furrow. Like a moth to flame, like he doesn’t even realize he’s doing it, he draws nearer again. 

“I’m not comfortable with you on the street at this hour.”

“I’ll wait in the lobby,” you insist, pleading, a wounded animal, because he doesn’t seem to understand how every casual notion of kindness is a violence, how he’s ripping into you and making it so you’ll never be able to put yourself back together. He can’t be kind like you’re easy to be kind to. 

If you’re easy to be kind to, you are just as easy to hurt. Accepting that kindness is a sort of vulnerability you feel you can’t afford right now. 

Another moment of silence, of stillness, as if you’re both bolted to the ground where you stand. 

When he speaks it’s a blow to the chest because you’ve made him cry too. 

“I’m sorry,” he repeats, quietly, and a venomous self-hatred drips down your throat. Because you’re doing it again.

Maybe this is all you will ever be. 

You fail to stifle a sob and Spencer steps closer still, saying your name desperately and so quietly like it’s his last rite. 

And you try. You try harder than you ever have to stay in one place, to get a hold of your vibrating and to swallow all those slithery feelings and ignore every alarm telling you to panic when he reaches out to touch your arm because it’s never safe to let people in. But when his hand finally brushes you, it’s like a cow prod. You jolt backward. 

“I can’t, I’m sorry,” you whisper all in one harrowed breath, and there’s so much you’d like to say—you’re right, about everything, you do know me, you know what I want, I tried, I’m ashamed—but none of it matters. None of it is enough. He’s backed you into a corner of your own making, and the only way out is by pushing him aside even if it hurts you both. 

So you don’t say anything else. You leave him there, in the dark of his own apartment, and you disappear down the hall. 

Maybe this is all you will ever be.

[james-bucky-barnackle]

I mean?

Synopsis: On a press tour with your co-star Sebastian Stan, the interviewer asks you a question about another film he did and the answer surprises him.

Pairing: Sebastian Stan x Actress!Y/N

Word Count: IDK I'm too sleep deprived to count.

A/N: Bro I am on a resurgence. Might just fuck around and continue writing more fanfics or whatever.

It’s another busy day promoting your new movie with Sebastian, The Road Trip. It's a funny romcom about two best friends going on a long trip to see another friend who your character is dating. Interestingly enough, the guy who plays him is Chris Evans. The interviews are currently being done in pairs, and you're with Sebastian.

You've always been candid, speaking your mind without feeling shy. Deep down, you're a bit of a pessimist, accepting things as they are. When you first heard from your agent that you were cast in The Road Trip alongside Sebastian Stan and Chris Evans, you laughed hysterically. The idea that you, an unconventional beauty, were chosen to be on screen with those two seemed surreal. You never really think about dating co-stars, which helps with acting in general. The media is impressed with how chill you are around A-list actors, and even though it hasn’t fully sunk in yet, the industry has started promoting you to that list.

The interview has been going on for about 15 minutes when another journalist joins, mostly asking about the experience of working with the cast.

“It’s my first romcom, can you believe it?” you say.

“First?!” Sebastian stares in mock disbelief.

“I know, right?!” You feign surprise.

The interviewer continues, “How does it feel to do something lighter and a bit comedic for once?”

“You mean, a movie where no one dies?” Sebastian covers his mouth at your response.

“I mean essentially,” the interviewer laughs. “Wait, no one dies?!” They nudge you playfully.

“I mean, I’m not sure, no spoilers,” you say, breaking the fourth wall and looking into the camera. Sebastian cackles. “It’s definitely refreshing. It feels like going to school for some reason. Like I don’t want to miss a class just because I might miss something wild happening.”

“What?” Sebastian glares. “What school did you go to?”

“I mean, aside from the learning stuff…” You grimace. “It’s fun, honestly. I’d love to do more romcoms. It’s very down-to-earth and just resonates with you so much. I don’t wanna get too cheesy, but I’m such a hopeless romantic—this is my jam.”

“Sebastian, how’s your experience working with Chris again, this time outside of the Marvel universe?”

“Wait, this isn’t in the Marvel Universe?!” you butt in. Sebastian again, fakes a loud gasp. You two laugh. This interview feels like it’s going nowhere.

“It’s totally fun, as Y/N mentioned—it really is like going to class. But most of my scenes are with Y/N, so she’s like the lab partner I’ve never had. Chris was always texting us, checking which location we’re going to be at, making sure we’re scheduled on the same day. It’s fun when we’re both on set.”

You nod in agreement. “Yeah, we’ve got a good rhythm going. It’s like having a little family on set. Plus, Chris is always the one who brings snacks, so that’s a bonus.”

Sebastian laughs. “Oh, absolutely. Chris and his endless supply of trail mix.”

The interviewer chuckles. “Sounds like you all have a great dynamic. Was there a favorite scene you both enjoyed filming together?”

You think for a moment. “I really loved the scene where we’re stuck in the car during that rainstorm. It was so chaotic, but we had a blast improvising and just playing off each other.”

Sebastian nods. “Yeah, that was a good one. The rain machine was going full blast, and we were just trying not to crack up the entire time.”

The interviewer smiles. “It sounds like it was a lot of fun. And the chemistry definitely shows on screen. Speaking of different roles, Y/N, Sebastian’s been in the movie Fresh where he plays a sociopathic killer who preys on lonely women pretending to be a genuine guy.”

“I don’t like where this is going,” you say, laughing, as Sebastian shakes his head.

“Would you, like Noa, fall prey to Steve’s antics?” This question gets a louder laugh from Sebastian as your face shows pure shock. You hold him back with your hand and say,

“I’ve thought about this, to be honest,” you start, looking at Sebastian as he raises his eyebrows, impressed.

“Oh, you have?”

You laugh and continue, patting his thigh and looking back at the interviewer. “Me and my friend talked about it a while back. And it’s frightening because I would’ve probably ended up on a chopping block.”

“Noooo!” Sebastian shouts, “I was rooting for you.”

“No! But, like, you are incredibly good-looking and charismatic. It would be hard not to give my number at the grocery aisle.”

He tilts his head at your response. “Surely not good enough to get yourself killed?!”

“You’d be surprised how far I’d even go,” you say, as the interviewer laughs with you both. “Oh god, I need to call my therapist,” you add, ending the topic with the three of you gagging.

“Might just have to talk to mine too, after hearing that.”

You can already feel TikTok saving this clip and turning it into a meme.

You notice, after you call Sebastian good-looking, he’s been eyeing you sideways and biting his lip. As if he’s suddenly gone bashful. You can’t help but feel a boost in your ego. Could it be that Stan is shy? You make it a point to tease him for the remainder of the interview.

“What’s something funny or unexpected that happened on set?”

“Oh, there were so many moments,” you start. “One time, we were filming this really serious scene, and out of nowhere, a bird flew into the set and landed right on Sebastian’s shoulder.”

Sebastian laughs. “Yeah, I had no idea what to do. I just froze, and then Y/N started making bird noises to try and get it to fly away.”

You laugh, nodding. “It took a good ten minutes to get back into character after that. Everyone was cracking up.”

The interviewer grins. “That sounds hilarious. It’s great to hear that you all had such a good time. Speaking of moments on set, were there any funny or awkward moments while filming the more romantic or intimate scenes?”

Sebastian raises an eyebrow, smirking. “Oh, plenty. Like the time we were shooting that kiss scene in the rain, and Y/N kept slipping on the wet pavement.”

You roll your eyes playfully. “Hey, it was slippery! You were the one who can’t stop laughing during takes.”

Sebastian laughs. “True, true. But come on, we both know it was because you were so nervous about kissing me.” You notice him biting back.

You gasp in mock offense. “Excuse me, I was not nervous! I was just...distracted by how ridiculously good-looking you are. It’s hard to concentrate when you have that face right in front of you.” He smiles uncontrollably again, feeling defeated by your nonchalance. He wonders, how are you so good at this?

The interviewer laughs, clearly enjoying the banter. “So, who do you think had the hardest time keeping a straight face during those scenes?”

You both point at each other simultaneously, then laugh.

Sebastian leans back, shaking his head. “Definitely Y/N. There was this one scene where we were supposed to be having this deep, romantic conversation, and she just couldn’t stop giggling.”

You nudge him playfully. “Well, you weren’t helping with all your ad-libs! You kept whispering things like, ‘Is that your stomach growling or are you just happy to see me?’”

Sebastian laughs. “Hey, I was trying to lighten the mood! And let’s not forget the scene where we had to stare into each other’s eyes for what felt like an eternity. I swear, Y/N, you blink more than anyone I know.”

You smirk. “Only because I was trying to avoid getting lost in those baby blues of yours.” At this point, Sebastian was laughing hard, but feeling nervous at your jokes. He secretly wished it were all real, his ears were red and hot. He’s already thinking of how to approach you after the interview and get himself out of the friend zone which he didn’t even thought he’d be in, having found a new interest in you. 

The interviewer looks between the two of you, amused. “It sounds like you both had a lot of fun with it. Do you think all that chemistry will translate to the screen?”

Sebastian nods. “Oh, definitely. I think our off-screen dynamic really helped make the on-screen relationship feel more genuine. Plus, Y/N here is an amazing actress. She made it easy.”

You smile, feeling a bit bashful. “Well, Sebastian’s not too bad himself. It’s hard not to enjoy working with someone who’s so talented and, let’s be honest, ridiculously attractive.” 

Here she goes again .Sebastian grins. “Right back at you. But let’s be real, we’re both just incredibly good-looking people trying to make a movie here.” The internet is gonna have a field day.

The interviewer laughs. “Sounds like a tough job! Any last funny or romantic moments you’d like to share?”

You think for a moment. “There was this one scene where we had to dance together. Neither of us are professional dancers, so there were a lot of missteps and toe-stepping. But it ended up being one of the sweetest scenes because it felt so real and unpolished.”

Sebastian nods. “Yeah, that was a great scene. It was supposed to be this perfectly choreographed dance, but it turned into us just goofing around and having fun. I think it really captured the essence of our characters' relationship.”

The interviewer smiles, clearly delighted by your stories. “Well, thank you both for sharing these wonderful moments. It’s been a pleasure talking with you.”

As you and Sebastian leave the interview room, you head towards the lobby where a few other cast members are mingling. The energy is still high from the fun and laughter of the interview. Sebastian nudges you playfully as you walk.

“Hey, remember in the interview when you called me incredibly good-looking and charismatic?” he teases, a mischievous glint in his eye.

You roll your eyes, grinning. “Oh, come on. Don’t let it go to your head, Stan.”

He chuckles. “Too late. I’m pretty sure I’m going to bring that up every chance I get now.”

“You would,” you laugh, shaking your head. “ It’s not like I was lying.”

Sebastian stops walking, turning to face you. “Well, thank you. And for the record, you’re pretty incredible yourself. Both on screen and off.”

You feel a warm blush creeping up your cheeks, putting a palm to your chest as if to continue the gag. “Thanks, Seb. That means a lot.”

He smiles, his eyes softening. “No, really, it’s been really great working with you. I think we make a pretty good team.”

“I think so too,” you agree, feeling a flutter in your stomach, you realize he’s actually serious now. There’s a moment of silence as you both just look at each other, the playful teasing from earlier now replaced with something more tender.

Sebastian breaks the silence first. “So, what do you say we celebrate wrapping up the promotion tour? Maybe dinner tonight?”

You raise an eyebrow, teasingly. “Is this your way of asking me out, Stan?”

He grins, a little sheepishly. “Maybe it is. What do you think?”

You pretend to think about it for a moment, then nod. “I think it sounds like a great idea.”

“Perfect,” he says, looking genuinely pleased. “I’ll pick you up at eight?”

“Eight it is."

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[robertreich]

The Truth About Immigrants and the Economy

Immigrants are good for the economy and our society! Don’t let anyone tell you otherwise.

For centuries, immigration has been America’s secret sauce for economic growth and prosperity.

But for just as long, immigrants have been an easy scapegoat.

One of the oldest, ugliest lies is to falsely smear immigrants as criminals.

It’s just not true. Crime is way down in America. Anyone who says otherwise is fearmongering.

And whatever crime there is is not being driven by immigration. Immigrants, regardless of citizenship status, are 60% less likely to be incarcerated for committing crimes than U.S.-born citizens.

Maybe that’s why border cities are among America’s safest.

Immigration opponents also claim immigrants are a drag on the economy and a drain on government resources.

Rubbish!

Quite the opposite, the major reason immigrants are coming to America is to build a better life for themselves and their families, contributing to the American economy.

The long-term economic benefits of immigration outweigh any short-term costs. The nonpartisan Congressional Budget Office estimates that adding more immigrants as workers and consumers — including undocumented immigrants — will grow America’s economy by about $7 trillion over the next decade. And those immigrants would increase tax revenue by about $1 trillion, shrinking the deficit and helping pay for programs we all benefit from.

Immigrants of all statuses pay more in taxes than they get in government benefits. Research by the libertarian Cato Institute found first-generation immigrants pay $1.38 in taxes for every $1 they receive in benefits,

This is especially true for undocumented immigrants, who pay billions in taxes each year, but are excluded from almost all federal benefits. After all, you need documentation to receive federal benefits. Guess what undocumented immigrants don’t have. Hello?

And of course, one of the most common anti-immigrant claims also isn’t true.

No. Immigrants are not taking away jobs that Americans want. Undocumented immigrants in particular are doing some of the most dangerous, difficult, low-paying, and essential jobs in the country.

Despite what certain pundits might tell you, immigration has not stopped the U.S. from enjoying record-low unemployment.

And as the Baby Boom generation moves into retirement, young immigrants will help support Social Security by providing a thriving base of younger workers who are paying into the system. The fact that so many immigrants want to come here gives America an advantage over other countries with aging populations, like Germany and Japan.  

What’s more, immigrants are particularly ambitious and hardworking. They are 80% more likely to start a new business than U.S. born citizens. Immigrant-founded businesses also impressively comprise 103 companies in last year’s Fortune 500.

And immigrants continue to add immeasurably to the richness of American culture. We should be celebrating them, not denigrating them.

It’s time to speak the facts and the truth. We need immigrants to keep our economy — and our country — vibrant and growing. They are not “poisoning the blood” of our nation. They’re renewing and restoring it.

[spidermanifested]

heres MY rambly black sails analysis for the day, after watching the show twice in as many months i wholeheartedly believe in the "long john silvers quote unquote missus in treasure island is max, not madi" theory

the most obvious thing, as others have pointed out, is that in treasure island long john silver runs an inn with his wife, a black woman, in bristol, which is absolutely not madi behavior-- i cannot imagine madi would take him back in the first place much less move with him TO ENGLAND-- but IS maxs exact area of expertise. but theres so many other things that cement it for me

as early as episode 2, max tries to convince eleanor to buy out the inn and run it together with her when england takes nassau back. this is her dream-- to share power over her life with a woman she loves, free of the pressures of the outside world. (youll note this also happens to be silvers dream for himself and madi. the parallels)

in season 4 shes faced with the suspiciously similar option to take a husband to be the face of her business, completely on paper, for the sake of the public eye. and she refuses! she doesnt want to give a man that kind of power over her. not only that but she desperately wants to retain some kind of truth in her identity-- she admires anne for her honesty, her courage. these are things she can rarely afford to express. in refusing a marriage of convenience, she asserts her autonomy.

But. black sails tells us over and over again that an oppressive society will always find ways to batter down these private boundaries. there is no island safe from colonial rule. mirandas peaceful house in the interior is burnt to the ground. the maroons are forced to accept a freedom that comes at the price of abandoning those still enslaved and taking part in their continued subjugation. the things it takes to make these spaces are terrible, and unsustainable, and when it comes to being gay in the 1700s there is a tightrope to walk between privilege and privacy, one that destroyed flint and the hamiltons, thats even narrower to max as a self-made woman of color.

given all that, i do not believe she can girlboss her way out of her circumstances no matter how many lessons she took from what happened to eleanor. nor do i think the show believes it. i think the political-marriage-offer plot point is another illustration of that theme-- maxs desire, and silvers desire, to build a warm, happy room in the middle of the imperial machine, without meaningfully striking out against the machine itself, is destined to be futile no matter how strong they are as individuals.

max and silver are mirror images of one another. each of them is essentially the narrator of one half of the story. it is absolutely agonizing how BOTH of them tried to convince their lovers to abandon their ambitions, to settle for a quiet life with them, and in doing so saw that relationship destroyed by their own fear of an uncertain future....

....And its even MORE agonizing to imagine them finally securing the trappings of a domestic life... but without the love. and they know the love was what mattered! theyre always going to know!!!

it bookends PERFECTLY with their alliance at the start of the series. theyre right where they started, trusting no one, pretending to be humble and harmless, planning to steal the EXACT SAME TREASURE, except now theyre 50 years old and jaded and bitter and both pining after their lost loves. silver probably pictures madi whenever he tells people about his wife. when he and max have time to themselves they talk solely about finances and nothing else. its honestly impressive how miserable this is for every single person involved. im losing my mind

[barblaz-arts]

I've come back to drop some Next Gen Nevermore lore, this time about Sora and Regine's parents ����

Yukiko Toriyama

Because of my love for parallels, she's a doctor to match the adult characters in the show (Principal - Weems/Bianca; Sheriff - Galpin/Walker). She's a surgeon though, not a therapist like Kinbott, but still a doctor!

Yukiko's around Wednesday and co's age, so she was also in Jericho High when they were in Nevermore. She has a huge respect for Outcasts, thinking that they are very cool. In fact, she thought this one siren girl that she first saw during Outreach Day was especially cool. Soon she will find out that her name is Bianca Barclay and that her classmate Lucas Walker will end up dating her.

She met Sora's father some time after graduating from high school. She fell for his confidence, and was especially impressed that he was an Outcast. Unfortunately she realized too late that he's all talk. When she got pregnant with Sora, his rich parents essentially sent her hush money, which she accepted and used to pay for med school. Sora's grandparents helped raise her while Yukiko finished her studies, so she wasn't as present as she probably should have been during Sora's childhood. She tries her best though, really.

Hugo Schuyler

Sora's father. He came from a rich and reputable family of psychics that specialize in spirits, also known as Herons. Because of his family's reputation, he developed a huge ego and has delusions of grandeur.

He's a glutton for attention, a trait that Sora unfortunately inherited as she also always makes an effort to fit in with "the popular crowd" among her peers. However unlike Sora who is ashamed of her outcast status and prefers to hide her power, Hugo has a superiority complex and overcompensates for his weak psychic abilities by being obnoxiously loud about his outcast status and his family's name.

He ends up starting a YouTube channel as a paranormal investigator after Nevermore. When he finds out he has a daughter, he's quick to head over to Nevermore and rope Sora into his paranormal shenanigans. No, it doesn't end up being a cute father-daughter bonding activity.

He sees both Wednesday and Enid as rivals. Wednesday for her formidable psychic powers (and reputation!), Enid for, well, her more successful YouTube channel(which isn't even hers, it's the Wolf Preserve's). Wednesday does not remember him from their high school days though, and Enid purposely mixes him up with Xavier when addressing him.

Vega hates him because he thinks aliens don't exist.

Erica Gutierrez

(I don't have her design and personality fully conceptualized yet, sorry)

Erica is Eugene's ex-wife and is a famous actress who started out when she was a teenager. She used to be a celebrity crush of Eugene's when he was in Nevermore, and dating and marrying her was a dream come true that sadly didn't last.

Erica makes an effort to see Regine when she can, and she usually has her daughter stay with her throughout the summer. Her fame comes with its own cons, particularly the excessive attention she(and by extension her family) gets hugely contributing to Regine's overly reclusive personality.

Erica had nothing to do with Outcasts before meeting Eugene and is every bit of a Normie. She and Wednesday never liked each other. She gets along well with Enid because she thinks Enid is normal enough when she isn't wolfed out. Enid likes her for getting her Michelle Yeoh's autograph and a video message as a birthday gift once. (Wednesday hates that Eugene's ex wife of all people showed her up that year)

None of the Nevermore student knew Regine's mother was a celebrity until Erica decided to give her daughter a surprise visit during Family Day(coincidentally the same day Hugo goes to meet Sora. It was a long weekend for the girls)

(masterpost for my AUs here)

EDIT: I ALMOST FORGOT!

Partial credit to @whitebeltwriter for coming up with Yukiko's background with me. I no longer remember which parts were my idea and which is hers, but pls know that it was a collaborative effort

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[bluegiragi]

Hi friend!! I've been following you on a couple platforms when it comes to your amazing art!! I know you've talked about ghostprice, but I saw the Price's hand on the back of Kyle's neck and was wondering if you could talk about the relationship between price and gaz? I loved the ghost price one, but I totally understand if you don't have the same write up for these two lol

!!! thank you so much for this ask, because i love thinking about this dynamic in my free time.

lots of reading under the cut!

so, because I like to cherry-pick influences from canon, in the monster au, Gaz and Price met before Gaz got drafted into the 141. Gaz was the harpy escort to a standard military op that got off-track when doing recon, and ended up wrapped up in a territorial dispute with two griffin hybrids. The whole team got stuck sandwiched between the two with neither side willing to let them move, and when Gaz tried to fly above to do some surveillance he got beaten out of the sky by both of them (they don't take kindly to interlopers interfering with griffin disputes). They had to request emergency assistance from the closest party which, by chance, happened to be Price's team.

This all happened after Price lost his wing, and on this mission he collaborated with Gaz to help get (most of) his team out safely without having to rely on his skill of flight. They both made strong impressions on each other then, with Gaz forming the first seeds of a long-term loyalty to Price. When his contract with his current station ended, he was all too happy to get poached for the 141.

Coming from a more interpersonal perspective - Gaz is a harpy, which means he's fiercely independent and bases a lot of his identity on not being reliant on anyone. Price is a dragon, which comes with a lot of pesky hoard instincts that instruct him to 'provide' for his hoard. It means that Gaz dislikes being taken care of and a strong instinctual part of Price is unhappy about that. When they're more intimate, Gaz insists on giving as much as he is getting (if not more) and is always seeking ways to contribute and prove his value to the group. Even though he might be chill by harpy standards, Gaz is still very proud and he gets flustered when forced to accept things without 'earning' it.

(also he might have a little bit of hero worship for price lingering in the recesses of his mind)

Price only having one wing and being essentially grounded also adds an extra layer to their relationship. Harpies put a lot of stock in their flying prowess, so the loss of a wing is truly a world-ending event in their culture and he's extremely uncomfortable broaching the subject with Price even though he'd be happy to talk about it if pushed. He also feels that it is his role to be Price's 'wings' now, which is a sentiment that he hasn't shared to anyone but puts a lot of pressure on himself to live up to. He doesn't think this way out of any sort of pity for Price - his captain has proved time and time again to be the kind of monster worth following - instead, this mentality is him militantly breaking himself down to how useful/valuable he can be to others.

tldr; gaz is bad at accepting care, price wants to take care of him so bad and is slowly figuring out loopholes

[court-jobi]

Tagalong

((banner by me! I don't own Horikoshi's work OR the mindblowing art of @toshiimura))

Pairing: Midoriya x reader (retired by injury pro-hero fem!reader)

Words: 2.6K

Rating: T (18+ touches later on, to be safe~)

Warnings: Interrupted first time, heavy petting, established relationship, sharing a bed, honestly just Izuku in love and fluffy times commence in a hotel room.

Summary:

Joining Midoriya Sensei on his work trip -and yes, even sharing a bed for the first time- is medicine for you. The exchange of your passions has -and continues to be- an endless source of healing as you navigate life post-hero work. Each night away, you've danced into a settled calm with him; learning the rhythm of his habits. His sounds, his silences. When Izuku meets your gaze in the mirror, you read his mind loud and clear in how he emotes: he fawns, he sighs, then nods in the dearest way.

A/N: give me my sweet, simpering Deku, or give me death. Also by the way, yall are the best readers out there, thank you so much for all the love for my lil stories!

For my My Hero Academia Masterlist, check it out here!

Read on AO3

Life post-hero work was an adjustment for you… but you were starting to really get into the perks.

The lack of daily physical hardship holds the top spot on your list. PT? You can handle that on a rolling basis– the worst is behind you, and due to what you put yourself through which resulted in your injury, you’re out of official hero work for the foreseeable future- and in a way, grateful for the break on your muscles. You still retain your quirk, but can enjoy its thrills on a more recreational basis– your sweet boyfriend has even helped your healing by way of gentle exercises to keep things moving properly and get life manageable for you. 

Next would be the diet. You could certainly dip back into your baking hobby guilt-free now. You couldn’t get away from the hero world entirely -nor did you want to… but being able to settle into an agency office with an hourly job was also an incredible blessing. Late nights here and there were inevitable, but on the whole, you were able to greet and end your days with a steadiness of routine and safety.

Meeting Izuku Midoriya was the icing on your early retirement cake. Where you were tenderly finding your footing off the hero charts, Izuku held your hand to keep you upright. He didn’t lead or pull back on you– just came alongside you, so you didn’t fall too hard on the knees of self-doubt. He’s always so good like that. He knows your path because he himself shares it, and what a thing of fate that is.

New to you now though, is the general scope of free time you have. Not a forced flexibility due to the demand asked of an on-call hero, but you have paid time off. You have flex hours. You can work from home, if you so choose– so when you get the call that Izuku has been asked to hold a spot at the Sports Festival as the lead commentator, you are over the moon that you can answer with a wholehearted ‘yes’ when he asks you to come with him.

As if he’d be anything short of ecstatic, you truly believe the job was made for him. He’s got books upon books of hero research written by hand, and is essentially a walking Brittanica for Japan’s up and coming heroes, because of course he watches every other school’s sports fests in his free time so that his class can be the most prepared. Taking the role Present Mic once held when he was a student is a full-circle moment, and it's pretty precious seeing him in it. 

From day one, he’s a master of his craft, and from the couch you share in the observation deck with his co-teacher, Aizawa, you’re beyond impressed. You honestly wouldn’t be able to tell what department he was aligned with; he’s observant and complimentary of every students’ moves. You asked the pro hero hero beside you if this was the case when Izuku was younger, and he merely offered a sleepy,

“Intolerably, yes.”

But you see the lift of his cheek against his eyepatch and know that he’s secretly proud. 

The Sports Festival spreads over the course of a week now, as the culture surrounding the events available for support students to engage in has increased- to Izuku’s pride and joy. The training and feats of the heroes wouldn’t be possible without the other side of the coin, so he’s just as enthusiastic to hype up the developments of those courses as well. 

Watching your sweet Izuku -catching his eye when he looks back over to you and silently ushers you over to come watch an anticipated match-up of his kids off and on- is medicine for you. This entire exchange of passions has, and continues to be, a source of joy for you and is a treasured part of doing life with him. On that note, the event being held away from your district also grants you extended time to spend together that you normally wouldn’t, given the difference in your professional lives. Here, you’re locked in to five days and four nights of perfectly synced time– something you’ve not been able to do up to this point in your relationship.

Falling asleep and waking up together? This is the best thing ever.

On the first night, it hits your adorably flustered boyfriend that you’d indeed be sharing a room- and bed. That arrangement was something you’d registered the moment he’d asked you and were assuming he’d mentally (and spiritually) prepared for; but evidently it faced him the moment he stepped up to the counter to check in that Nezu had arranged you both to be together by default in the hotel block. 

But rather than falling on the trope of taking the armchair or sleeping on the ground like a middle school nervous nelly, Izuku was shy about it at first… but eager for the chance. The secret part of him finally let out some boyish excitement to find a bed big enough for you to actually share. You’d learned here that you both can spoon like you do on the couch, but you have so much room now. On both your parts, you’re a bit giggly and stiff at first- but settle in sweetly for the most comfortable night of your life.

By the second night, you both scoot into your room and -after a day of dancing around each other at more and more events- you’d be heard from the hallway: jumping into his arms and tackling him to the bed, filled with giggles and lots of kissing until you tangle up more willingly to sleep.

Night three, you’d both stayed out longer than you intended; catching up with some of the other instructors, which turned into essentially a repeat of the night you met. You take to talking up a storm on one of the hotel patios in a nerdy exchange of info-dumping and story-swapping that continues for almost three hours. You basically collapsed into bed the instant you got back, not even brushing your teeth out of exhaustion. Then by your fourth, you both are still so tired from the late night before and you flop on the bed, still in the sun-warmed clothes you set out in that morning.

It's so nice to be held by him- and it's torture to then look back up at each other. There’s definitely a softness found in Izuku’s face -as always, when it comes to your perfectly freckled sweetheart- but also something deep and personal. You want to ask him to shower together so badly and get rid of the day together- anything to add to this closeness you’ve been tiptoe-ing through all week. Worry over pushing him when he’s essentially on the clock keeps you from asking. This time, you still go about your rituals separately, only when you get out, you stay in a towel and shorts instead of full dressing down for bed.

When you're at the in-suite mirror doing your expedited, travel-sized skincare routine and Izuku stops by after he's out of the bathroom, he hesitates mid-step from trying to duck around you– and comes close, holds you by the middle. He stands shirtless behind you for the first time, showing you the scarring he carries in its fullest- no more tanks or undershirts hiding the worst from you. 

You’re as they say in the movies- incandescently happy.

“You smell so good,” he whispers. 

“You feel so good,” you answer. “Wanna go lay down?”

When Izuku meets your gaze in the mirror, you read his mind loud and clear in how he emotes: he fawns, he sighs, then nods in the dearest way. No sense in holding this darn towel up anymore, you simply turn in his arms, drop it, and kiss his surprise away with your reach up to his neck for a kiss. Your first of many, on this last night you could be wrapped up in your incredible boyfriend's arms with nothing but tender intentions on your mind.

Neither of you see a strong need for too many clothes under the sheets for this little foray into skin-to-skin contact, and enjoy a restorative makeout session. He's marked you up a bit, too, by all the harsh kissing he tends to do towards you (you low-key love this, since ‘that’s what makeup’s for’), and you especially appreciate how he plays with you perched in this arrangement.

You’re the first girl he's ever had topless in his reach– which is obvious from how he holds you in his lap nuzzling at your chest,

"Wow, y'r the moss'beautiful woman i'vever seen~"

From your previous talks of dalliances, you proudly keen over him, "I think I'm the only naked woman you've ever seen."

"-I've seen naked women."

You glance back to him, humored but flat, "Who."

Those green doe eyes flicker back up at you, oddly innocent as he quickly names his former classmate, who you’ve commonly heard referred to as Yaomomo, 

“Creati?” he tries to jog your memory, “i-it's part of her quirk, I didn't ev’r mean to look..."

Playfully suspicious, you test him, "Never had a feel?"

"I mean,” Izuku sharpens up a little to answer clearly, “She fell on me once, over in one of the training centers- and I wasn't gonna let her hit or head on something.."

"So a 'strategic catch'. Is that what we're calling it?" You sway your chest in front of him, feeling up his own, “I’m a horribly jealous creature, as you well know.”

He sinks and nuzzles gently at your pushed up chest- by his desire for lift. You’re playing with his painfully polite nature, of course- nothing but secure of your place with him.

"Not even once. Promise." 

Izuku lays a little kiss on your freshly cleaned skin where your heart lies under the surface, and ends up moaning at how soft it is- and so, keeps peppering kisses to your delight, "Oh wow... Oh wow, you're soft."

His name leaves you in an unsteady sigh as you’ve been scratching through his hair until it starts feeling so sharp and heady that you grip onto his neck in need of more support.

He's working on some passes with his tongue around your nipple when he whisper-sighs up to you, 

"mmmm don't stop doing tha'..."

So you play with his hair at his request, and he adores every bit of you that’s in reach: chin to cheek to neck while being the most gently vocal you've ever heard him.

The minute you rolled your barely clothed hips up on his lap just once, he split his attention from holding your waist to him to smoothing over your thigh to encourage the movement.

He started a slinking lean as he did so, losing his absolute mind watching you in a daze, before something dull hit your window - followed by a kid’s call of 'Sorry!!' . You siphon all your attention at the noise in a wide-eyed look that matches his.

Sweetly enough, you noted how fast Izuku held you at the sound, like he was going into strict ‘protect’ mode at the clash of a frisbee.

But, out of danger and out of breath, Izuku simply fell back and palmed his face.

"ughhbyou feel'so good... Mdizzy."

The heat you’d felt simmering in you has died at the interruption, but your fondness sure hasn’t.

You giggled, lowering into his chest and gripping the covers over your shoulders to warm you up, "Good dizzy?"

Even with an arm over his eye, your boy chuckled brilliantly, 

"Very good dizzy, hon’. Whew. We uh– we better stop before they start bangin’ on the door next."

You carded through his hair more, self-assured he was still just as taken by you despite the hard stop. How he kept you to him while shuffling the covers over you both was proof he didn’t want you going anywhere. Once settled, he felt he could focus again and brushed your hair back for attention,

"Hi there, handsome~"

"h-hi~" Izuku echoed.

You kissed again, a good deal calmer at first, but growing like a steady fire. Lips roaming, claiming, and keeping you ever closer. Comfort and reclaimed eagerness tipped you over by his strong guiding hand, all in favor to continue to mouth along your clavicle again.

Then, at the first sound of your addictive moans, he detached- forehead to your sternum, watching the rise and fall of your sweet belly beneath him.

"Ahh..” Izuku’s little war with himself was adorable, “w-we should stop. For real. I can’t- that’d be mean."

“You said that,” you answer with mirth, “but I don’t think ‘Little Deku’ agrees~”

Izuku wheezes out your first, middle, last and retired hero title to the point of coughing before you take it easy on him. Poor, desperate thing, brought low by little tease.

You chuffed against his stroke of nerves kindly. 

"Yes we should, if you say so," You snaked a hand through his hair, "Thank the Maker we don't have to second guess the chemistry department, huh?"

Izuku laughed brightly, slotting himself atop you, between the legs so you didn't have to feel how semi-hard he was. Snuggling back down, your heartbeats held their own conversation, content to cool to a reasonable temperature and slow things down, together.

"I'm so glad you came here with me." Izuku spoke softly to your neck, "This time with you really does me so much good."

And you really have enjoyed it. Getting to see firsthand the place where much of his proving of himself started, this event forged a lot of bonds with the close friends he still has to this day. 

"I'm glad I did too," You kissed the hairline within reach and simply laid comforting scratches along his back. "It's gonna be hell to go back."

"You don't wanna go back to work?"

You threw pity into your voice, "I don't wanna give up this glorified sleepover, no."

You don’t mean just getting carried away with thin walls and thinner restraint. You mean the intimacy that getting out of town sometimes offers in a way nothing else would. The week has made you softer, more in tune to the rhythm of Izuku’s habits. His sounds, his silences. 

The dampened shyness you hold thinking about it floats across him, so he laid back onto your arm to look up at you, 

"We don't have to. We can still have them~"

"Yeah?" You wonder how, earnestly, and he smiles in kind.

"Yeah!” his answer radiates nothing but pure sunshine, “Whenever you want! I'll come over, and we'll cook, and have podcast nights and snuggle, and... and.."

He’s got a look now- one that teeters along the line of flirty and unsure.

"Snuggle?" you finish for him mercifully.

"Y-yeah."

"Vocal snuggles?"

"Stop it," Izuku hid in your shoulder, "don't make fun of me."

"I'm not making fun of you~" you turned and kissed his blushing cheeks, rubbing his shoulder slowly. "No more than I'm making fun of myself for sounding like a wonton Victorian who just caught sight of an ankle for the first time."

His laughter betrays how offended he is at the idea, "Stoooop…"

"Mmmm, I don't think I will!"

Time to take things slow.. that might top your list now. If it means more nights with your hero draped in your arms, then the promise of time spent under his attention beats out any other remedy you’ve found so far. 

[crowleysgirl56]

Ok, so I wanted to do a deeper dive into this particular passage of Good Omens:

For context, this is at the climax of the book, they’re at Tadfield airbase, the horsemen have been dispensed with, Aziraphale has his body back, and Satan is about to claw his way out of the pit.

In most of the proceeding chapters involving Crowley it talks a lot about how scared Crowley is. He is very scared of Hell.

One could perhaps say maybe he is scared of them due to The Arrangement, but that is never explicitly stated. I think it has more to do with Hell is bad, and Crowley has spent the majority of the book being yelled at by some entity through the radio or TV telling him how he’s going to be in super amounts of trouble when they get their hands on him. He is just scared of what will happen. When he comes across the book shop burning he doesn’t cry for his lost friend. He curses Aziraphale, and I think it’s because the one person who may have been able to keep him safe and protected from Hell is now gone.

So when he thinks to himself (as shown in the above screen shot) that there is now nothing left for him to lose, this is why I never thought (upon reading the book the first time that is) there were any romantic feelings between him and Aziraphale. I know that technically he had already lost Aziraphale. But by this point he was back again, and back in his body. If there truly were romantic thoughts between them surely the idea of losing him again would come up.

I have read so much fanfiction, some old, some new, and what they all have in common is the detailed inner monologue of Crowley’s turmoil over his feelings for Aziraphale and how he doesn’t feel like he can act on them. In the book we get nothing of the sort, from either character. Even when they’re separated there is hardly ever any description of them thinking of the other except occasionally to frame a short reference to something. Reading the book I never got the impression that there was anything more than two ethereal beings spending time and proximity to each other and doing work for each other for no other reason than they’re essentially a bit lazy.

I think they’re only queer coded for the fact that there’s the line about Aziraphale appearing “gayer than a tree full of monkeys on nitric oxide”, and Crowley is, well, very Freddie Mercury coded. Them being seen as gay together and all the gay slurs in the awful racist scenes of Aziraphale body hopping about in culturally indigenous people after the bookshop fire has more to do with the very typical 80’s/90’s trope of “being gay = comedy gold”, than them actually being together romantically.

I think the reason why they were shipped so much after the publication however is for the same reason we ship so many male couples (or female couple) in modern media, why we’ve always shipped them: because of the complete and horrid lack there of, of proper queer representation.

If you’ve ever seen the magnificent Russel T Davies TV series It’s a Sin, there is a wonderful scene where the character Ash starts a job in a school library and the headmaster asks him to go through all the books and find any book that has queer love scenes so they can be removed. Ash then gives a most beautiful and impassioned speech (albeit it turns out the speech is just in his head) of how there is nothing. Absolutely nothing. There is nothing to the point where they are nonexistent. They are invisible. They are not seen. (Or like, something to that effect. I tell you though, it’s bloody brilliant).

So I think that’s rather the point really. You have two iconic characters, albeit supporting bit characters practically, and I think a lot of our minds automatically get drawn to wanting to put them together because of the sheer lack of queer couples. People have been doing it for years from Frodo and Sam, to Harry Potter and Draco (or Ron I guess), to Sherlock and Watson (even before the Benedict Cumberbatch show. Also as an aside let’s not get into how obsessed people got about Sherlock Holmes back in the day when those books were first published. The obsession was the reason Doyle killed the character off the in first place, then after getting letters from people telling him they were literally going to kill themselves, the reasons why he resurrected him again. Don’t tell us that modern day nerds are weird and obsessive. We’ve ALWAYS been like this).

It’s for this reason why queer representation is so god damn important. Why I still support the idea of Good Omens season 3. Because regardless of how the characters were originally intending to be represented in the book, it’s very clear now that they are so much more than “Just friends”. And we NEED that! Whether you subscribe to the idea that they will be physically intimate with each other, the fact remains is they love each other. They love each other immensely. And that comes from years of Terry Pratchett (and the other guy) accepting that canon and telling fans that it’s true. Because Michael Sheen made a choice and held a belief about how he saw his character and then David Tennant followed suit. That literally tens of thousands of fanfiction writers have decided the same.

So that’s my take. I don’t think loving each other was ever intended that way in the book, but in the last 35 years their story has morphed into the ineffable husbands that we now know.

What are your thoughts? Have I rambled on long enough to make any sense? Do you agree? Have I missed something completely obvious and gotten it all wrong? Keen to hear thoughts.

[wordsinhaled]

"when edwin and charles hug after 'you, charles rowland, are the best person i know' it's first time they've ever hugged" - i mean... you're completely entitled to that headcanon but. i offer the suggestion that charles just has got to be the snuggliest person of all time. look at him! that is someone who loves a good snuggle. i can almost guarantee he has casually hugged edwin countless times before.

it was a hug like so many others that preceded it and yet - this one - fundamentally different. this was the hug of realization. george fucking nailed it.

the way edwin holds perfectly still at first - like he's not sure if he can relax into charles' embrace this time the way he always has. then, tentatively, how he folds his arms around charles in turn. how he clearly relishes the force and abandon with which charles is embracing him. it's them against everything because they are choosing each other. he's relieved he's managed to impress on charles the esteem in which he holds him. maybe charles will get it now, how essential he is to edwin, not because edwin cannot exist without him but because he does not want a world he does not share with charles.

and then the sigh. the sigh. like edwin's letting go of all his tension, fear, doubt. he knows his truth. he's found the happiest, most peaceful place in his entire afterlife and it's where he's always expected it to be. everything makes sense. everything is clarity. he never wants to let charles go. and his expression when charles pulls away, it seems before edwin's ready, just when edwin's settled into it - he's shocked and awestruck by the enormity of his own feeling - his eyes searching charles' beloved face - the way he staggers back, like he has to separate from charles before he forgets himself, betrays himself, stays too long in the moment of complete happiness he just experienced.

that was edwin's "oh" moment. 💖

[thedivineden]

Thin Ice

Summer Olympics Collab w/ @tetzoro

pairing: gojo satoru x reader

genre: smut

words: 5k+

notes: dubcon, enemies, breeding, jujitsu kaisen au!figure skaters, slight mentions of sexual harassment from Gojo, obsession, controlling behaviors, jealousy, drugging, peer pressure, slight manipulation,

AN: I had so much fun writing this, you should see the notes I scribbled at work because we’re not allowed to have our phones! Thank you so much @tetzoro for allowing me to be apart of this lovely event. ૮꒰˶ᵔ ᗜ ᵔ˶꒱ა˖⁺‧₊

You and Gojo Satoru have been competing against each other since the day you were placed in the same class at nine years old. He was favored due to his family standing within the figure skating community but you had raw, unfiltered talent which shook him and his family to their core. Despite all your talent, he’s managed to win almost every single competition. You’d bet big money that it had to do with his family status but you don’t upset the balance until you’re both picked for the Olympics.

And boy were you fuming. “I ALONE have went through hell and back to be where I am whereas he gets placed just because of his family name! It’s preposterous Shoko!” you’ve been ranting to your coach for an hour about the competition; how you didn’t believe that he deserved to be here and wish you didn’t have to compete along side him. “That spoiled brat doesn’t have a INCH of talent in his bones even if it was injected with a needle!”

“Aw do you really hate me that much? I thought we were friends?” You turn to the door to see the lanky white haired man standing against its frame smiling down at you. “Friends? Satoru please, you know I never enjoyed your company now leave. I’m having a discussion with MY coach or are you wanting to take her away from me too?” Shoko stifled a small laugh and stood up. “Gojo, don’t stress my prodigy out. What do you want?”

Gojo never took his eyes off of you; he saw your annoyance as just another game. You roll your eyes and say, "Well, I was just coming to check on my favorite figure skater but I don't think she was to see me." Despite your request to go, Gojo slips into your room and envelops you in his arms. "I'll break all ten of your toes in five seconds if you don't get off of me."

Gojo chuckles at what you've said because he adores your fierce personality and is confident that you will follow through. You lost a tournament at 15 after he "jokingly" slapped your behind for taking first place and your only recourse was to throw your ice skate at him. His parents complained to the judges and got you disqualified.

You were more concerned about scuffing your brand-new Eden Piano ice skates than you were about the blade nearly striking him. You could feel his breath on your ear as he said, "Aw, must you struggle so much, you know you love it, and I know you love me, why don't we meet up later? My room?” You're furious now and shove him away from you. You're about to charge at him when Shoko, sporting her signature side grin, stands in between the two of you.

“Shall we maintain the calm? Alright, sweetie?” The man behind her laughs audibly, saying, "Yeah, sweetie! Let's maintain harmony.” Even though you were angry, you wouldn't allow him or anybody else to sour your mood. "Shoko, you're right; I won't have to deal with him for very long. After the Olympics, I'm heading to Brazil, and I have no intention of returning to Tokyo.” That touched a nerve; your coach's gasp indicates to Gojo that she was equally clueless. You had no idea that your remark had the man fuming.

You? Leaving? The young man finds just such idea absurd. Ever since he first saw you in class, you have been everything to him. You were not impressed with Gojo's antics, even if he is accustomed to getting his way. No matter how many pranks and tricks he performed or how many gifts he put in your locker, his efforts were consistently disregarded.

The man continued to essentially harass you every day despite your denial. He would make harsh remarks about your body, clearly taking care to point out that you are curvier than all the other figure skaters in the class or that your ass is "so massive that you might tip over," which would ultimately be the undoing of you. You could not care less, and all he wanted was the thrill of having your undivided attention.

Gojo needed and desired you more than anything else, and this only made his fixation worse. Without saying anything more, the young man left the room, leaving Shoko to ask all the relevant questions and provide the information later. He's going to make sure that you remember him forever.

It took hours for the two of you to be back together again. You were seated close to each other for the opening ceremony. The opening ceremony typically features the entrances of the head of state or other official of the host nation as well as the president of the International Olympic Committee. The national anthem and flag are then raised and played. Then the tournament started.

You have a strong passion for figure skating, and when you're on the ice, it feels remote. Nothing could distract you from your quest for excellence in each trick, flip, and turn. Everyone in the stadium is quiet, appreciating your stunning appearance and captivating performance. Your candid feelings convey a tale of bereavement.

You jump off the backward outside edge on one foot, using your toe pick to help you get airborne, then use your other leg to reach across your body and back to pick into the ice. Gojo is an enormous admirer of your performances and would do anything to spend time on the ice with you.

You were actually quite flexible, as required by the biellmann spin. You spin on one foot, stretching the other leg behind you and above your head to make the shape of a teardrop, and Gojo is staring at you in astonishment. You release your leg and step off the ice again. You can turn the odds in your favor with just your pure resolve.

You release everything forward, shift your entire weight on your takeoff left leg, raise your arms, and release your right leg back at the same moment of takeoff. At first, it looks like a typical axel leap, but in order to complete the trick, you have to make four and a half rotations in the air. When you land perfect, everyone in the stadium goes crazy. Gojo was aware of the announcers' adoration for your flawless quadruple axel.

Interviewers are waiting in line to chat with Japan's figure skating prodigy as soon as you step off the ice. Gojo heard all of the inquiries: "Wow, it was incredible! "How long have you been practicing your quadruple axel?" "How long have you been training?" and "Do you ever see yourself performing routines in pairs with?" You were brisk even off the rink, graciously and enthusiastically responding to every inquiry.

Gojo is the next to go, but not before he interacts with you. "Looks like you're going for the gold, but we all know who's really taking it home." Your smile quickly disappears and is replaced by a frown. "If you already know you're the winner why are you trying so hard to convince yourself that I'm not?" You grin again and walk past the gaunt man before he can respond, heading toward Shoko.

God, you made him so hard.

Despite what you previously stated, Gojo is without a doubt the greatest for Japan, and his mesmerizing methods are hard to ignore. Every now and then, Gojo stretches out his palm and takes a tiny step forward, sliding across the icy rink with effortless ease. Not long after he picks up speed, he throws his right leg over his head and balances on his left foot. He spread his arms, almost making a T or possibly a K. Gojo never fails to demonstrate to his own nation and the rest of the world that he was a showman in addition to a prodigy.

He swung his body in fluid motions, bending his knees. He was able to move down the rink more quickly and farther as soon as both of his skates were facing in the same direction and parallel to one another. Watch as the man launches himself and lands on the back outside edge of the opposing foot. You see him use his free leg to assist with the takeoff. Gojo starts off across the rink once more; he has the appearance of a swan on a quest. Despite his solemn expression, he manages to pique the audience's interest by molding his face to suit his intended message.

Your thoughts are interrupted by a tap from another skater. "Hi!"You're — correct? The most beautiful man you have ever seen is revealed when you turn around. "Yes I am and you are?" Your smile was enough to break any man's heart, and it certainly broke Gojo's. His eyes caught you talking to the low-level figure skater during his back bend. To get your attention, Gojo slowly lifts his body upward while making sure to circle close to you.

You paid no attention to anything, not even when the crowd chanted his name. He saw you gazing passionately at the man, touching him, and grinning during his performance. He'll make sure that everyone is aware of your connection. Interviewers swarm Gojo as he emerges from the ice, asking him questions about the tournament, his emotions, whether he predicted Japan would win, and what he loves best about the Olympics.

He took great pleasure in watching you, even though you were hostile toward you. He enjoys watching you on the ice and knows that all of these eyes will be able to see and appreciate your beauty and brilliance, even if that's not a suitable answer to the question. “I had fun watching my girlfriend accomplish a quadruple axel on the ice, going above and beyond the norm!” The interviewers are going crazy over the exclusive insider information that Japan's Olympic candidates are a couple! “I'm very proud of her!”

“How long have you two been together?”

“Could you two come on my show to give more information about your relationship and experience in the competitive skating world?”

“Do you plan on marrying her?”

Gojo has a broad smile, but it widens when he notices you approaching from the corner of his eye. He ensured that there would be enough disturbance to draw in people from a 50-mile radius. He quickly puts his arm around your waist to hold you close once you are arms length apart.

He undoubtedly knows that you are extremely conscious of your appearance and would never intentionally make a fool of yourself in front of thousands of people. "Hello my darling, don't you want to tell them about how our love blossomed?" Even though you're terrified, you swiftly avert the interviewers' attention to the man by saying that he always tells story better than you. He makes fun of you and tells a made-up tale of jealousy, hate, and love. Gojo lets the interviewer know that you two are deeply in love, plan to be married, and want to start a family.

He knows when you get uncomfortable in his arms and knows it's time to finish the interview and express gratitude for the interviewers' time. Curses fly from your mouths towards Gojo the moment you two are out of earshot. You attempt to escape his hold, but it's firm and powerful, and he won't let go until he proves that you are his.

Because he would be pressed for time, he had everything set up before the competition day. After his performance, he asked to have a car ready for him so he could take you to the Olympic village, to his room, and finally to his bed. You sound even more enraged now that you're practically yelling at him.

“Are you out of your fucking mind? Why in the hell would you tell them that?”

"I just want you to realize how much I adore you, now hush and enjoy." Gojo hurries you into the back of the tinted Range Rover, entering on the left side. He signals the driver to shorten the route and closes the partition — his hand finds contact too high on your thigh and his look is exceedingly strained. "I'm not your enemy but you treat me like one, why?"

You chuckle and roll your eyes at his assertion, "You've been tormenting me since we were seven, and you think I have no reason to want you away from me?" When you look at him, his expression is one of perplexity. Torment? I used to put gifts in your locker, and from what I remember, you threw them out." Your face flushed from the accusation. "Well, I'd have kept them if you hadn't said anything about my physique. "Everyday, you said something demeaning which encouraged other people to say hurtful things. Now you all are in my shadow, I’m winning the gold ."

You turned to face Gojo and said this with the biggest smile on your face, but as soon as you saw the tear streaming down his hot cheeks, your smile fades. "What's wrong, you?" Even with a hint of worry in your voice, your countenance suggests dissatisfaction. "I'm sorry, I didn't realize, but I'd like another chance." In all honesty, Gojo doesn't give a damn about earning your favor. All he wants is what any man would want.

To win.

Gojo makes sure to be the ultimate gentleman as he ushers you out promptly as the car arrives at the village. When he offers his hand to help you out of the car and opens the compound door for you, he can see you're nervous and cautious because you pause. To be honest, you felt anxious at every turn, and when Gojo came up behind you, his arm clasped tightly around your waist. You didn't know why you two were at the compound without your coaches, or what he wanted, but you weren't enjoying it.

When he arrives at his room, he stops at the entrance and looks at you intently. "I set everything up for you because I want you to know how special you've been to me," he says as he opens the door. The smell of cinnamon and vanilla greets you, along with the sight of candles and petals scattered on the corridor floor. Gojo releases his hold on you as his hand travels to your lower back and softly presses you inside his room.

Although your instincts are going haywire, the environment appears in the opposite way. When you step fully into his room the corridor floor is only the tip of the iceberg. Gojo, rather, the person he hired to arrange the space, created a lavish pallet on the floor and surrounded it with a heart made of flowers. accompanied by a bouquet of flowers and a selection of finger appetizers. There are images of you from previous competitions, including ones where you lost, hanging on the walls with the term winner printed on them.

"Do you Iike it?" The pleasure on his face is palpable. In a normal situation, you would do anything to erase Gojo Satoru’s smile, but right now, it would be bittersweet. The amount of work he put in is both sweet and a little alarming, given that several of the images on display were taken when he was alone himself in the booth. You feel the silence begin to take on an unsettling note, so you turn to nod your head at the man, a small grin on your lips.

“Sit down, try the foods. I’ll be back with drinks!” Gojo disappears down the corridor and out the room door leaving you and your rapid heart alone. Thoughts were swirling in your head.

You could just leave.

What does all of this mean? I mean he did give you gifts when you were kids but you just chalked it up to him trying to buy you and throw you off your game.

Does he actually like you? Could it have been your announcement about you leaving?

You sit down on the pallet allowing your weak legs to rest and distract yourself with the white chocolate covered strawberries. Halfway through the patch and uncontrollable anxiety, Gojo comes in with a drink tray with two bottles of martell cognac l'or de jean and two glasses. “I see you enjoyed the strawberries, I made the beef yakitori but you have to try it with the miso ranch” he places the tray on the pallet and sits extremely close to you.

You take a seat on the pallet, allowing your ailing legs to relax, and use the strawberries coated in white chocolate as a distraction. Gojo enters with a drink tray with two glasses and two bottles of Martell Cognac L'Or de Jean halfway through the patch and uncontrollably anxiousness. He lays the tray on the pallet and sits quite close to you, saying, "I see you enjoyed the strawberries. I made the beef yakitori but you have to try it with the miso ranch." He picks up a piece of beef and dips half of it in the homemade ranch.

“Open” you look at the man as if he grew three head and laugh. You try to take the meat, saying, "I'm perfectly capable of feeding myself," but Gojo pulls his hand back and gives you a stern look. Without a second thought you open your mouth to allow the man to feed you. Not only did you let him feed you once but the whole plate of beef along with the miso ranch.

Surprisingly, the beef is really soft, and when mixed with the miso ranch, it is exquisite. Gojo fed you the trend of white meal options, asking you what you thought of whatever he served you next and ensuring you finished at least half. You attribute it to his big ego, and he is still making whatever this is about himself, albeit in a minor way.

You begin to feel lighter, and your discussion with him has become comfortable, flirtatious even. Only when he places his hand on your thigh does your body react.

Your face is now hot, your mind is muddled, and his hand rubbing your thighs makes you want him to move his hand up higher under your skirt. You clear your throat and remind yourself who you’re with. "So, why did you actually do this? I didn't expect Gojo Satoru to be romantic” he hasn't taken his gaze away from you, but appears to be getting closer.

“Because you’re leaving and I know I won’t be able to stop you but I want to give you something to think about while you’re 17 thousands miles away.” It's the first time you've truly appreciated his appearance; he has subtle muscular physique. His lips appear smooth and plump, while his jawline is sharp. And his eyes? Women who testified about losing themselves in his gaze weren’t lying.

As your stare deepens, Gojo notices and seizes the opportunity to slide his hand up your leg and under your skirt. You pretend not to notice the precarious situation you've placed yourself in. Truthfully, all you want is for him to be beneath your skirt, to slide your panties to the side, and finger fuck you. Despite your increased heart rate and anxiety you don't stop him.

"Strip for me, princess," and your body becomes frigid instantly, making you appear almost ashamed. His eyes narrow as he leans in to whisper to you how much he wants you, how amazing you are, how he put this whole thing up for you, and how he begs you not to waste this lovely night. “You’re the one who let me put your hand up your skirt, don’t you want it?” You started to stammer and your pussy's heartbeat is becoming unbearable, but are you going to let this man defile you after he has attempted to humiliate you and make you feel inferior?

Gojo rolls his eyes and scoffs at your apprehension He starts to stand up, but your hand catches his arm and stops him instantly. "No, I think I want—" Before you can even finish speaking, Gojo covers you with his lips and hands. His thin fingers are hurrying through your clothing, admiring every inch of your body and snapping a mental image of your exposed breasts and pussy. His touch is light but frenzied and every kiss feels like it’s scorching your skin leaving an imprint on you.

Your body reacts beautifully to him which makes him hungry for you. Gojo is above you, staring down at you as you lie flat beneath him. Your gaze is locked on him, as though you're trying to assert your power and take charge of the circumstance in an effort to look less desperate and eager. He smiles and ask how much do you want it— with a cunning look on your face, you glare at him and repeat his question. The young man chuckles at you and pushes your legs apart by swiping his palm behind them.

Once your legs are spread, Gojo places his face close to your pussy, basking in its magnificence. "Is all of this for me?" He says before swiping his tongue through your slit. Your legs snap without warning, but his grip keeps you immobile. He revels in your flavor, the way your body heats up, and the way you try to hide your pleasure in your . This time, he didn't want to come up for air; he wanted to be buried in your wetness and hypnotized by your moans.

Your skin feels as like it is being scorched by every kiss and lick to your clit and hole. Gojo commands you to hold your legs up so he can stick two fingers into your dripping hole and curls them to give you the most ecstasy possible. He may be selfish, but he's definitely not when it comes to pleasure. You abandon your position to position your legs on his shoulders and tangle your fingers in his snow-white hair.

"Gojo~ I need- my head..I can't," you say as your legs start to tremble and your eyesight becomes white from the pleasure that has been building up. “You can take it princess, just hold on a little longer for me” he knows that he won’t stop until you've created a mess; you begin to urge the young man to stop so you can regain your breath, but he doesn't hear you at all. He looks up at you with his bright blue eyes and hums at the sight.

You have a face of pure bliss, your eyes are closed and your hair is starting to stick to your sweat covered body. Gojo has an unrelenting pace — you could do nothing but focus on releasing yourself on his blessed fingers. All he can hear after coming up is your ragged breathing which forms a smile on his face. “I would ask you how everything was but I can see you thoroughly enjoyed yourself”

“You fuck like a virgin who just got some for the first time.” Gojo smile is immediately wiped off his face. You sit up on your elbows but he pushes you back down and pulls out his angry throbbing member. “A virgin huh? Let me lose my virginity with you then” without warning he slides himself through your gummy walls. Now hovering over you, Gojo uses his hands to push one leg up and bend the other to your side. His face is beet red and you can tell he’s enjoying himself more than you are right now.

You want to fuck him, you can’t deny how he has you begging for him to move, yet everything feels forced in your mind. As your face starts to well up with tears, he notices and bends in to get near to your ear. "Aw, don't cry, I'll make it all better, okay?" you nod your head, and he replies "good girl.”

As much as he loves to tease you, he can no longer control himself. Although he intentionally uses deep, languid strokes, the louder your moans the quicker he thrusts into you. He's been saying in your ear all along how gorgeous, wet, and tight you are. How ever since he met you, he's been dreaming of this and wants to be the one man who can win your approval.

You become this lustful shell of yourself that just wants him to consume you, and everything begins to feel like an out-of-body experience. You cry out in desperation for him to go deeper and use you till he is unable to. When he lets go of your legs, you encircle them around his torso while wrapping your arms around his neck forcing his face into your neck.

Your mind is foggy and all you can think about is using your legs to drive him inside of you and lock him in place as Gojo takes advantage of this opportunity to leave as many markings on your neck as possible, intensifying the pleasure you're experiencing.

The young man is breathless at your actions and he makes a mocking tone saying you’re a desperate slut aren’t you? how about I give you something to remember me by”. He lifts his body up untangling your legs from his torso placing both of his palms behind your knees to extend them to the sides of your head, you whine at the lack of contact but he calms your hunger by pounding into you. Even if the action took you by surprise you start to moan and praise the man for fucking you so well.

The young man is breathless at your actions and remarks in a mocking manner, "You're a desperate slut, aren't you?" What if I gave you something to carry me with you forever? You whine at the absence of contact as he lifts his body up and separates your legs from his torso, extending both of his palms behind your knees and push them to the sides of your head. Gojo slams into you stifling your hunger. Even if the action took you by surprise, you start to moan and praise him for fucking you so well.

His climax happens quickly when you mutter, "I-I may just stay for you," in a breathless manner. He closes his eyes in an effort to continue for as long as possible considering he feels his balls getting tight. He desires to relish each instant spent within you, the way your walls enclose him, the firmness with which your hands clasp his arms, and the volume with which you utter his name. Gojo leans back toward you abruptly, giving you a passionate kiss and cums inside of you. Though you're mentally panicking out about the lack of protection, you quickly forget about it as he releases your hold on your limbs and turns you onto your tummy, telling you to lift your ass.

"That fat ass has to get love too, princess, don't be shy." Your embarrassment is the only reason for the heat that is starting to appear on your face. He scoops you up by your hips and slams into you, rolling his eyes at your hesitancy. He is aware of your sensitivity, but you wouldn't be aware of Gojo's struggle to endure the pain in order to prolong this time. Your ass jiggling with each thrust has him spellbound, and as he slides out of you to slam into you again, his dick is drenched.

At this moment, your pussy is hurting and you're crying, but the heatbeat is becoming worse. Then it dawns on you that he is the only one who can stop the excruciating feeling underneath. Your mind is immediately repulsed by the idea. Gojo Saturo, of all people, fucking you senselessly is shameful, but the young man wipes that notion away as soon as it occurs by grabbing your hair with one hand and playing with your clit with the other around your waist.

You were too high and fucked out to realize that Gojo had taken the remote and turned on the television before seizing you. You were so overstimulated that your legs were trembling, and your tears were blurring your vision. "Gojo, please, I just can't handle it any longer." The teleprompters are now announcing the male single winners, “Just let them announce the winners pretty, if you win I’ll give you a present okay?”

Your body became heavy and you can feel your thighs become wet from your climax and hear his win being announced. All he could hear from you now is sobs begging him to give you a second, this is what he wants, for you to break down on his dick. It goes without saying that Gojo takes home the gold, he saw the camera move to his coach; who was very upset over his absence and had a stone-cold expression on his face.

He didn’t want his movements to be soured by the display and leans his head back in bliss. He’s beyond sensitive and doesn’t want you to see the tears coming out of his eyes to. Not only did he win literally but he’s achieving his life long goal of ruining you. His next words are winded, “make sure you come back in nine months for your next present princess.”

Leaning his head back in delight, he didn't want the event to ruin his moves. His sensitivity is immense, and he would prefer that you not see the tears welling up in his eyes. Not only has he literally won, his lifelong ambition to ruin you has been achieved. He continues, "Make sure you come back in nine months for your next present, princess," in a taunting manner.

You continue to sob as Gojo bullies your overworked cunt, cumming again coating your tantalizing walls in white. He lets you go and once you hit the pallet your world goes black. Waking up you notice the space around you is pitch black, you attempt to get up and survey the surroundings but your body is incredibly sore.

You sob on and on as Gojo abuses your overworked cunt and once more covers your alluring walls in white. After he lets you go, you strike the pallet, and everything goes dark. When you wake up, you discover that the space is pitch black. You want to stand up and take in your surroundings, but your body hurts so much. From your head to in between your legs, you look and feel around for a light or at least your phone.

You jump back and scream as soon as you feel warmth and skin when you reach to your left. Your head is throbbing and you try to recollect the last few hours, but when you discover you can't, it just makes you feel more anxious. You stand up despite the fact that your legs are weak and sprint to the closest corner to make yourself appear smaller. Your final recollection is leaving the ice and talking with the interviewers. Besides that, you don’t know where you are, why you’re naked and who that is laying next to you.

“Why are you yelling princess, it’s late.”

Princess? When you hear the voice, your blood starts to boil, and you start to remember what transpired. "FUCK, FUCK, FUCK! GOJO SATORU YOU WAKE THE FUCK UP AND TELL ME WHAT HAPPENED," the man gets out of the duvet and moves across the room to turn on the light. He can't stop laughing when he sees you in the corner. "Princess, get up. I got you something."

The man walks to the nearest dresser, throws you in the shorts and shirt, and walks to the bathroom, seemingly unaffected by your outcry. It's amazing how calm someone can be when he's clearly done you some harm. But you get dressed immediately, grab your stuff from his room, and run out of there. "You sick bastard, I hope you know that I'm going to the authorities." A flurry of flashes from microphones and cameras jammed against your face greets you as soon as you open the door.

Questions about why you were in Gojo's room, whether you were actually unwell or if you skipped the rest of the competition to spend time with him, and why you were leaving in his clothing suddenly burst out of the seemingly small gathering. The sensation of his arms enveloping you, his naked chest resting on your back, and his murmur in your ear, "Gold winning Olympian misses her win to share intimate time with her new boyfriend," further intensifies your feelings of overwhelm. “I believe that is a catchy headline.”

Gojo got what he wanted, attaching you to him forever, hopefully in more ways than one.

[project-sonadow]

My [15M] rival [15/50M] has been weirdly aggressive towards me ever since he lost his memories for the second(?) time. Should I be worried about him trying to kill me again?

Summary

A post on r/relationship_advice by u/Chili_Dog1991

EDIT 1: Stop saying I'm Sonic I'm not.

EDIT 2: Okay I am Sonic. I don't see how that matters.

EDIT 3: Stop trying to figure out which of my rivals this is.

EDIT 4: Stop telling me to contact the police about his attempts to murder me or his age. It's complicated in regards to his age but he's essentially 15 and I can already defend myself way better than the police can in regards to his murder attempts. Also the police would probably try to arrest me too because they're either useless or make things actively worse.

EDIT 5: Stop DMing me to ask how murder attempts can be fun. I shouldn't have to explain this.

EDIT 6: Stop implying I'm a masochist.

EDIT 7: Stop implying I'm an adrenaline junkie. If I just wanted adrenaline I've got tons of other people who could give me that.

EDIT 8: To everyone who actually responded with advice, thank you. I attempted to talk to him about it, we fought again, and it turns out he's been acting aggressive because he doesn't know how to show affection so he just defaults to violence. We ended up holding hands after we physically couldn't fight anymore. It was a great night and I think we're together now.

EDIT 9: Which of you motherfuckers sent this to Tails.

ORIGINAL POST

Hi everyone, using a throwaway account to make this post because my little brother knows my main and the embarrassment would kill me if he ever saw this. 

So for context, I've known this guy for a while now, at least in the context of my life. I've got a pretty hectic life and I'm a traveler, so I've met a lot of people and he's one of the few that's been able to keep up with me. Our first meeting was during a bit of a stressful time because he kind of inadvertently framed me for thievery (we look kinda alike and the police are stupid, it's not his fault but I was pretty pissed at the time) and got me arrested, so we ended up fighting about it in the middle of the street. I'm used to fighting and pretty good at it, so it was a surprise when he turned out to be basically my equal at it, which is pretty rare even among my other rivals. He got the upper hand on me for long enough that the police were able to arrest me again. I was pretty mad but also impressed. Our second meeting was even more stressful because I had just got out of jail after being arrested for the second time, and I was still angry about it so we fought again. I was about to win but then it turned out we were both in danger along with some friends of mine so we both left as fast as we could. Both of these times I could tell he was taking the fight seriously, but I could also tell he wasn't trying to KILL ME kill me. Y'know?

Anyway, in our next meeting he was definitely trying to kill me. Outright said it to my face. I won that fight thankfully, and I'm not even angry about it because a lot of people have tried to kill me over the years and also he has some kind of goal I was getting in the way of, and he didn't even succeed. He ended up changing his mind about that goal though, and when we next saw each other we were on the same side trying to deal with a mutual threat. 

And it was at that point I kind of realized I was in love. I've never really wanted a relationship because I thought it would get in the way of my lifestyle, but with this guy specifically it wouldn't be a problem. I would have told him about it, but then I thought he died and I didn't see him for a while. I wasn't too broken up about it because we only knew each other for a couple days, but I was still sadder than I thought I would have been.

He ended up coming back to life though, and he had lost his memories for the second time in his life (long story I'm not gonna get into) and he didn't really remember me anymore. I know from a mutual friend of ours that he remembered me well enough to be annoyed by my name, which made me irrationally happy, and I think he did end up getting his memories back, but when we first saw each other he definitely didn't know who I was. We fought again, it was a tie, and then we ended up teaming up to take down a mutual enemy again. 

Things have been a bit less chaotic since then. We've fought a couple more times but nothing serious, he's saved my life, I've saved his, you know how it goes. We haven't really talked about anything that happened, but that's fine because neither of us have ever been much for verbal communication and we understand each other just fine. I've tried getting over my crush on him, but that's never really worked because we see each other a lot due to our lifestyles and we have some mutual friends in common, and I like spending time with him anyways, even if we're just beating each other up most of the time.

Personality wise, he's basically my polar opposite, but we get on pretty well despite that. I think aside from my general attraction to danger and his ability to match me in a fight and a race that might be the main thing that draws me to him. I've got a lot of friends, but never one so different from me and yet so similar. He's just always been special to me.

But the main reason I'm making this post is because despite all we've been through, he still acts like we're enemies at worst and temporary allies at best. We fight almost every time we meet unless something less serious is going on, and he's pretty grumpy and mean to me all the time. I like this about him, but it does make me question if he even sees me as anything more than a rival, and I don't know how to ask him because we don't talk about weird emotional stuff. I also think that asking him directly could maybe lead to another murder attempt, which would be fun, but it's not what I'm looking for anymore. I don't mind all the fighting, but just once I'd like to kiss him on the mouth instead of punching his teeth in, y'know?

[suguru-getos]

| Bully!Satoru Gojo x F!reader | Part 2 |

-> Part 1

Summary: You had just transferred schools, and your first day was an encounter with your new bully. He’s mean, terrifically hot & absolutely a menace. Though there’s more to that personna. Chapter Summary: After humiliating Gojo in the cafeteria, he has better ways to force pay-back. Hey! That shirt you ruined, was expensive.

Warnings: Oh he is a real piece of shit here with a barely there moral compass. Mentions of humiliation, bul!ying, belittling, teasing. The reader is slowly getting into an auto-pilot mode.

New chapter every week, comment down below if you want to be tagged! ^^

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It feels like pure humiliation, the way you walked off from the cafeteria. Satoru stood there, the warm, sticky gravy sticking to him. It feels like a sensory nightmare. White hot rage simmering through the very marrow of his bones. He exhales, glancing up just to see if there was anyone dumb enough to enjoy his misery he could stomp on. Nobody had the balls to, nobody has the balls to until you come across.

What was your fucking problem?

He walked away from the cafeteria, long strides eager to seek you out and punish you ruthlessly for your deranged and depraved, bratty behaviour. Satoru Gojo is worshipped like the literal god, who the hell are you? Meanwhile, you, amidst all your molten courage flowing in your veins, were the epitome of anxiety. You can't mistake his blazing steamy rage filled blue eyes greying… to be anything but merciful. You're not delusional.

A veiny, pale hand gripped your hair, the other wrapped around your mouth as you were dragged through the lonesome corridor. You whimpered at the burn in your scalp and before you could register what was happening, Satoru was standing in front of you. Baring his hostile teeth as he grits. "You've done it." He's almost amused, contemplating what more he can do to you, what more can you really handle… then again, does it matter if you can or can’t handle?

"Here's what's going to happen…" He pushed himself against your chest, unrelenting at how disgusting you might feel, transferring the filth on his shirt to yours. You struggled like a fish out of water. Satoru is taller, bulkier, stronger and you realize that soon enough.

"You will be my silly little pet, because guess how much this shirt costs?" He chuckled, whispering gravely against the shell of your ear. "1800 dollars, missy."

You feel shocked upon hearing the price, eyes widening as he slowly leaned his hand away so you could speak.

"Either you fucking pay me back, with interest for each day. Or you shut the fuck up and be my silly little pet for a month I will stomp on, my little useless errand girl. Sounds fitting to someone who looks like you, no?" He smirks, watching the colour fade in your eyes. He is sort of impressed by himself, the way he instantaneously thought of such a brilliant idea. That money means nothing to him, but not everyone is that blessed.

Once you finally gathered what was happening, you raised a brow. "Why should I be an errand girl to someone who collided against me and is now begging to be paid for his filthy shirt? Learn to walk properly asshole!" You spit back, eyes siren and jaw gritted.

"Kay then, I will ask your mommy and daddy to pay for their daughter's bullshit." He left your hair, the pain subsiding into a dull ache.

He wasn't fucking serious was he? You and your parents weren't essentially on the best terms, they have just shifted to Tokyo and while they would be willing to pay, your self-respect wouldn't allow you. Your mother would keep taunting you about this for the rest of your life… you really don't want that.

Satoru noticed the shift in your behaviour when he mentioned your parents - "Heh, guess they don't like you either huh?" He smirked, not caring how hard it would jab you. It kinda did.. but you couldn't care less. Not coming from him especially.

"10 days, of me being your errand girl." You wanted to be ploughed down into death once you uttered these words. There was nothing you could do anyways. Parents involving, not so much…

"A month." Satoru shrugged, smirking. He has you exactly where he wants. His sole goal is to make you cry every single day and make sure you apologize for being a little shit to him.

"And, you do whatever the fuck I say you to. If I tell you to clean my shoe with your tongue, you 'fucking' clean my shoe with your tongue."

Oh it felt like dying, like you were stabbed endlessly by a thousand swords when he said that.

"How do I know after a month you wouldn't bother me or my parents with the money?" Satoru raised a brow, smirking. "I'm a man of my word, little bitch." He squeezed your face in a single hand, watching your puckered lips. "I say you're free after a month, then you're free after a month, though you'll wish every single day that you paid me back." He chuckled, rolling his eyes as he let go of your face with a jerk, letting the back of your head collide a little with the wall.

You were so cute, small, stompable…

"See me when the school ends."

Satoru walked away with that, and your shoulders slumped. This is what it has truly come to? You needed some time to yourself after this, why are you always so pushy and so cocky? What if you didn't humiliate him… a month of sheer torture is what you've signed up for, just to not be tortured by your mother. Besides, it's a lot of money and you don't think your parents owe you because a shitty ass senior got pissed.

You dragged your feet to him, after the school ended. His whole group was present, they were busy chitchatting. Satoru perked up like a spoiled brat the moment his eyes glazed through you beneath the glasses. "My little lap bitch is hereeee~" He perked, walking towards you and smirking at how you grimace when you see the way he was treating you.

"Go, fetch us popsickles." He grinned, giving you the money. You didn't say anything, trying oh so hard not to slap him across the face and breathing out. "Mkay."

You looked up, counting the number of people, "Excluding yourself, no popsickles for you." He simply shrugged.

Oh he was getting beneath your nerves so bad. "I wouldn't buy them for myself." You explained anyway, "Don't wan' em." With that, you walked away, getting to the vending machine and getting those fucking popsickles which you rather wish were poisoned so he dies for good.

When you're back, he made sure you give them to everyone, made sure you give it to him- after opening the packet- and then dropped it.

"Whoops, gotta run again lil girl." He chuckled, his friends were… stunned too. Satoru is a cunt, they all know that. He pushes people through their limits but he's never been this much of an asshole towards any girl. Maybe because none of them did anything except slither around him and worship him.

You tear up, you have never… felt this humiliated in your life ever. Nanami gives his popsickle to Satoru, "Here, Gojo san. I don't want it. Please take it." He is so polite, kind… but his Senpai had other plans.

"Didn't you hear what I just said?" He raises his voice a little, and you are left with nothing but a reminder of him demanding this money from your parents. Your feet are stoned to the ground though, unmoving. "Okay." You managed to say again, taking a deep breath as you force yourself to the vending machine yet again, bringing back his popsickle.

You thought highschool would be fun, you would make new friends, go to karaoke parties, excel in subjects, in extra curriculars, whatnot.. you never expected yourself landing into the clutches of rich asshole Gojo Satoru.

Once you're back, you unwrap it again and give it to him. For fuck's sake he finally accepted.

"Kay, gimme your number." He extends his hand with his phone on it, letting you reluctantly add your number and saving it as 'Servant'. Showing it to you to rub salt on your wounds. "Off you go, see you tomorrow." He smiled. You were relieved you don't need to see his face for the rest of the day.

Once you reached home, you cried. All the emotions overwhelming you all at once. Guess he was right, he will make you cry everyday..

The rest of the day passes by in a haze before you find yourself back in school again.

"OH good morning little errand girl!" Satoru's presence looms, he was waiting for you at the entrance, you looked up at him. Not responding for now. You needed to get to class. OH so you're being indifferent now? Satoru is pissed…

"So eager to go to class, I have a job for you though!" He snickers, watching your stompy feet come to a pause. Good, you were still listening. He will push you a little more. "During the lunch time, go and bring my lunch for me, kay? You won't eat unless I finish." He smirked, walking away.

The problem is… it's not fun anymore. At least… not how it was when you retaliated. Maybe he shouldn't have used the money thing and just teased you when you had the means to push it back. You just nodded and left.

During the lunch time, you did as directed. Bringing his plate to him in front of everyone… oh it satiated his silly little ego so much.

Though he wonders if you will snap… finally. If not, he can just push it. No? He extends his hand to Haibara who reluctantly gave his water bottle to Satoru.

Before you could process what happened, you were drenched. The white shirt now translucent, showing your bra. Everyone laughed, some of them were gawking at how the shirt does no justice to you, now that it sticks to your skin, you look much more delectable. "Oops, my hand slipped." He says again, though he knows he's pushed this one too hard. Today was only the second day. Besides, a vile feeling erupted beneath him when he felt others gawk at you. Look away. Look. THE FUCK. AWAY.

Rolling his eyes, he puts his blazer on you, "Here, go get changed.." He mumbled, your silence was not helping. Not fucking helping when you shivered at the coldness of your body, how you just… took it. You didn't even cry, this was to be expected from him anyways.

You nodded, walking towards the infirmary alone. "For fuck's sake…" Satoru snarled, whatever left of his inner conscience slapping him hard as he followed you to it. Making sure you change your clothes and gave you a juice.

You were silent again, taking it from him. "Got nothing to say?" He raises a brow, "I thought you were all big and mean…" He emphasized again.

"Nothing to say. I expected worse." You shrugged, walking away. You expected 'worse'? What kind of worse…

"What the fuck do you mean?" He holds your wrist, "You know, like beating me the fuck up or something." You looked at his eyes. Wow… you truly think of him as vile and disgusting don't you? Why does it pinch him so hard? He's done nothing but bother you and made you believe he is trash.

"Kay." He mumbles, walking away. He's the one bullying you and he's the one being bullied at the same time.

Satoru Gojo doesn't bother you for the rest of the week and the weekend after.

Monday… he asks you to hold his bag for him all the way to his home. Watches you cutely manage both yours and his bag when he could easily hold your bag and you…

You're panting softly when you reach the Gojo estate, cutting the call from your mother and texting her you'll be late. "Here's your bag." You gave it to him and he took it from you easy peasy. "Alright, well.." He can see the sweat beads on your forehead, the way you are twisting your shoulder for relief. Suguru has already stopped talking to him because of this behaviour. You look cute, even when you piss him off so bad.

"Go run home." Satoru scoffs and leaves. Maybe he should just shorten the duration from a month to 15 days… but then, would you become the rebel he liked you to be or would you just ignore him…. contemplation, contemplation… and lots of contemplation.