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goldentigerfestival · 1 year ago

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Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

Note because people have vagueposted about me since making these: Do not start "dub versus sub hurr hurr" arguments with me or imply that's what I'm doing with these. Firstly, Japanese is a language, not your English subtitles. Secondly, these posts are not in main tags and I am not bothering anyone by making posts of my feelings on my own blog related to these facts. If you have time to vaguepost and whine about my untagged opinions after hatereading (or not even reading it at all and making stupid assumptions), you have time to be nice to people and find something fun to do. Lastly, I've said many times that the entire loc/dub in this game is not bad. There are specific things I take issue with. It does not mean I'm anti dub and hate all dubs. It does not mean I go out of my way to find dub fans and start shit with them.

Update: Went back through to correct the way I used "dub" and "localization" interchangeably. I don't do that anymore bc "dub" obviously refers to the dubbing of foreign media, and dubbing is a part of the localization process. Lines themselves are not the dubbing, and the dubbing is the vocals. Thus, I edited cases where I really didn't think about that while writing these and changed mistaken "dub" mentions as needed.

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I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get a better experience for this Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the loc context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

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Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The loc just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the loc made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The loc made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the loc. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the loc just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the loc here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The loc changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the loc/dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy" (his line is more like, "but I lost my sense of genuine happiness when I saw this!").

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the loc/dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing to me?

This loc change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the loc, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The loc just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the loc Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the loc ended up with that.

An example of the loc having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the loc. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the loc to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The loc changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the loc it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the loc he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the loc just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the Eng localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the loc because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

#Tales of Vesperia #GTF JP Vesperia Things #GTF Vesperia Localization Woes #really like... a lot of the time? the other characters weren't changed all that much #it's primarily Yuri who got this weird shift where they just... flattened his personality?#but some of the biggest offenders ended up being some of the most important scenes in the game which is what bothers me #and sometimes the localization is pretty much just... on point with the plot dialogue and other characters #yet for some reason they just... changed a lot of tone for Yuri?#it's just like... Yuri will have personality in his tone and they instead make dub Yuri speak it in a flat way in those moments #this did happen with the original dubbing quite a bit but it's also just SUPER noticeable with the new lines #my suggestion would be to at least play the game w/ JP dialogue and see how you feel coming out of it if you're a fan of Yuri and/or Flynn #and if you like it enough then I'd suggest watching the playthrough in JP that these screenshots came from if you're RLY dedicated lol #it's not JUST Yuri it's just /dominantly/ Yuri. other odd lines just didn't... go as hard?#like Raven and Karol especially go pretty hard on their lines in JP and the Schwann stuff with Karol was OOF #or if you'd rather just skip to watching it in JP I mean be my guest lol I just know some ppl might rather PLAY it #I just feel like... like... even tho not everything in the dub is horrendous... if you're a YURI fan?#it's hard to go back to the dub (impossible for me ngl) when you have this actual silly little guy #who is a lot more emotional and wholesome and Yuri isn't acting like he has a stick up his dubbed ass in some scenes #I still prefer the 360 version plot-wise for the most part and it's a mixed bag there a bit but #I can't get JP audio on the 360 so. it's the struggle ig.#in my case though it's this feeling of like... them wanting to create an image onto Yuri that wasn't supposed to be there?#obviously I don't know what went on in the loc room but I do know I walked out looking at dub Yuri like #him and the original Yuri aren't even the same. I get so frustrated with dub Yuri's unnecessary ATTITUDE sometimes #which wasn't ever a problem for me period in JP. he's emotional and sincere WAY more often #also lbh I cannot reasonably picture dub Yuri all dressed up and pretty the way he is in official artwork LOL #and that's the thing. I see them so differently it's like they're different people #I also just feel like the dub was like. he doesn't fit OUR vision for him. what WE want him to be like #and again I don't know what went on in that loc room but I DO know that's how I came out feeling from this game #anyway this is in hope more ppl will come to love JP Yuri's personality and stuff #but yeah more next time on ''why did you do this to my sweet baby boy''

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d1stalker · 10 months ago

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The Feeling's Mutual | Part One

[Logan Howlett x Mutant!Reader]

Summary: If somebody told you a week ago that you were a mutant, being stalked, and would be teaming up with an annoying, grumbly bastard, you probably would have laughed in their face. Too bad that was last week, because here you are, in that very situation, wondering how in the world things escalated so quickly.

PART TWO PART THREE FINAL PART

Warnings: fem!reader, canon-level violence, reluctant alliance, bickering, not exactly enemies-to-lovers but they don't rly get along, it's gonna be a slow burn y'all WC: 5.7k - MASTERLIST - A/N: If you saw me post this earlier, no you didn't 🤫 i added more hehe

You’ve never been so confused in your entire life.

It all started last week—when you were walking to the grocery store. Just an ordinary day, nothing special about it. You had a list in your hand, some cash in your pocket, and thoughts of what to cook for dinner running through your mind. The route you took had you winding down the usual streets of your neighbourhood, and that’s when you noticed him.

Something about him was different, but you couldn’t quite place your finger on what it was that made you think that. Perhaps it was the way his eyes followed you, stalking you, like a predator its prey.

At first, you thought it might be a coincidence. Maybe he was just another person going about his day, heading in the same direction as you. People share paths all the time; there was no reason to suspect anything sinister, right? But as you continued walking, a nagging feeling in the pit of your stomach told you something was off. You decided to test it, making a sudden turn down a side street, one you usually never take.

The street was quieter, less foot traffic, and the late afternoon shadows were starting to stretch across the pavement. You glanced over your shoulder, and there he was, still a few steps behind, his gaze remaining locked onto you with a focus that sent a shiver down your spine. Quickening your pace, you felt an almost paralyzing fear.

This wasn’t just a shared route.

The more you turned, the more you weaved through unfamiliar streets, the more persistent he became. He never faltered, never hesitated, always keeping just close enough to let you know he was there.

Finally, you reached the store, breathing in short, panicked gasps, your eyes flitting around. You ducked inside, hiding the fluorescent lights and bustling aisles. You tried to calm yourself, telling yourself it was nothing, that you were being paranoid. After all, what were the odds? Maybe he’d walk past, maybe he wasn’t even following you. You spent longer than usual picking up items you didn’t need, giving him time to disappear.

But when you walked back outside, bags in hand, you saw him again. He wasn’t right at the door, but still, close enough—across the street, half-hidden in the shadow of another building, watching. His eyes locked with yours once more, and you froze, the plastic handles of the grocery bags digging into your palms as your grip tightened in fear. He didn’t move, didn’t smile or sneer, just stood there, silent.

You rushed home, not even bothering to see if he was tracking you down, too scared to find out the answer. Your mind was racing with a million thoughts. Who was he? What did he want? You didn’t sleep much that night, jumping at every creak and groan the apartment made, the image of that man’s cold stare burned into your mind.

The next day, you told yourself it was nothing, a one-time thing, just some creep who had too much time on his hands. A pervert, possibly.

But happened again. A different man this time, but with the same unnerving intensity. He followed you the same way, mute and relentless, through the streets, to the store, and back home.

Then the day after that, and that, and that. They didn’t approach you directly, just followed, watched, waited. It was like a game, one that you didn’t know the rules to, and the stakes felt like they were getting higher and higher and more time passed. Whenever you stepped outside, you felt their eyes on you, felt their presence lurking just out of sight. It was terrifying.

The fear gnawed at you, growing with each passing day, until it became impossible to ignore. You started taking different routes, avoiding your usual stores, changing your routine as much as you could. Still, no matter what you did, they always found you.

Soon it changed—no longer just silent stalking. One night, as you were walking home, one of the men stepped out from the shadows and blocked your path. His presence was oppressive, the way he stood there, so still, so certain of his power over you. You had no idea what he wanted, but you knew it whatever it was, it wasn’t good.

“Why are you following me?” you demanded, trying to muster up all the courage you could, voice shaking slightly despite your attempt to sound strong.

“Because we were told to,” the man said, his voice cold and emotionless. There was no malice, no pleasure in his words, just a chilling matter-of-factness. “You’re coming with us.”

Panic surged through you, a primal instinct to run, to fight, to do anything but comply. You refused to show it, refused to give him the satisfaction of seeing your fear.

“I’m not going anywhere with you,” you spat back, hoping your defiance would be enough to make him reconsider.

His eyes narrowed, a dangerous glint flashing in them, and before you could react, he lunged at you, his fist swinging with brutal intent. Time seemed to slow as you saw the blow coming, your mind racing, but your body moving almost on instinct. You raised your arms to defend yourself, bracing for the crushing impact that would follow.

You couldn’t explain what happened next. When his fist connected with your arm, the force that should have sent you to the ground, left you unscathed. Instead, it was the man who staggered back, a look of shock and pain twisting his features. He clutched his hand, wincing as if he had struck something far harder than just flesh and bone.

You stared at him, bewildered, before glancing down at your own arm in disbelief. There was no pain, no bruise, nothing to indicate that you’d just been hit. It was as if his attack had bounced off of you, like you were made of steel.

Had you really just blocked that hit? And why did it feel like… nothing?

Before you could process what had happened, before the realization could fully take root, another man appeared out of nowhere, moving with a speed that blurred the edges of his form. Mutant. He was faster than the first, more determined, and this time, you felt your heart stop as he came at you from behind, his hands outstretched to grab you.

But something in you reacted faster than your fear. You twisted out of his grip with lightning speed, with movements so fluid and precise, it was as if your body knew exactly what to do, even if your brain was struggling to keep up. You sidestepped his attack, narrowly avoiding his grasp, and found yourself behind him, safe for the moment.

“What the hell?” you muttered under your breath, your heart pounding in your chest. How did you move like that? How had you known where to go, how to dodge?

There was no time to dwell on it. The fight intensified in an instant, the two men coming at you one after another, relentless in their assault. They weren’t holding back, and suddenly neither were you. You moved like a force of nature, dodging their attacks, striking back when you could. Each punch you threw landed with a power that surprised even you. You watched in stunned disbelief as one of the men crumpled to the ground after a single blow, his eyes rolling back as if he’d been hit by a truck.

You are not a gym regular. In fact, you hadn’t worked out in weeks. You weren’t strong, not like this. So how was it possible that your punches were so devastating, that each one seemed to carry a weight far beyond what you’d ever imagined?

Then, with a flick of his wrist, the first mutant, conjured a ball of fire in his hand, the flames crackling and roaring, craving something to burn. He hurled it at you, the fireball spinning through the air with only one target in mind.

You barely had time to scream as the flames engulfed your arm, the searing heat burning through your skin. The pain was unbearable, a white-hot agony that made you gasp and stumble back. You expected to see your skin blackened, blistered, ruined.

And it was.

For a minute.

To your shock—or horror—you looked down, breath catching in your throat as you watched the burn heal right before your eyes. The charred skin knitted back together in seconds, smooth and unblemished, as if nothing had happened at all.

What the fuck?

It was in that moment that the truth hit you, like a thunderclap in your mind. You weren’t just an ordinary person caught in a nightmare. You were a mutant, with powers that had only now revealed themselves, right when you needed them most.

The men kept coming, but now you fought with a new understanding. Each punch, each dodge, each rapid movement felt more controlled, more intentional, your gym class self-defence courses coming in clutch. You were strong, faster than you’d ever been, and you could heal—regenerate from injuries that would have left others incapacitated.

Finally, the two men laid groaning on the ground, defeated. You stood there, panting, your mind spinning as you tried to make sense of it all. Super strength, super speed, regeneration… these powers, they were yours. And they had just saved your life.

But as the adrenaline began to fade, confusion set in. What did these men want with you? Why had they gone to such lengths to provoke you? To make you discover what you were capable of?

All you knew was that one thing was clear: this was far from over. Whoever had sent these men wouldn’t stop here. They knew what you were now, and that meant they’d come after you again. You weren’t just an ordinary person anymore. You were something else, something powerful. And that put a target on your back.

Whatever was coming next, you needed to be ready.

----

That’s how you found yourself here, one week later, crouched on the apartment rooftop, the cold wind nipping at your exposed skin. The dark streets below are eerily silent, save for the distant hum of traffic. You sense them before you see them—another group of male mutants, closing in on your position. You grip the hilt of your knife tighter, feeling the now-familiar twinge of anger and frustration settle in your chest. This is the fifth group tonight. They’ve been hunting you in groups for days now, their numbers increasing as each one goes by, and you’re tired of it.

You’ve started to get used to your new powers—testing your limits, pushing yourself harder with each confrontation. What started as simple self-defence, a punch here, a dodge there, has escalated into something far more lethal.

You didn’t want to kill, didn’t want to by use your sharpest kitchen knife (your only kitchen knife) as a weapon, but as the attacks became more violent, you found yourself with little to no choice.

These mutants weren’t holding back, and neither could you.

Within a week, you went from the most average person in the world to what some people might call a vigilante—except you're really only trying to save your own skin.

Leaping off the roof, you land silently behind them. The speed at which you move is almost dizzying, your body a blur as you close the distance in the blink of an eye.

“Looking for someone?” you call out sarcastically.

They turn, eyes widening in surprise, but you’re already moving. Your blade sings through the air, striking true, as you move like a shadow, taking them down one by one. It’s not easy—these guys are tough—but you’ve become tougher. With each strike, you can feel your strength surging, far beyond what should be possible. One of the mutants tries to block you, creating a forcefield, but you grab the edges before it can fully form, and break through it, the temporary pain vanishing as quick as it came. A solid kick to his face, and he crumples to the ground, unconscious before he even realizes it.

“Is this what you wanted?!” you shout, your voice echoing through the empty street as the last attacker falls to the ground, groaning in pain. “Is this what you came for?!”

The answer doesn’t come from them. Rather, it comes from a low growl behind you.

You whirl around, heart racing, and there he is—Logan Howlett—the Wolverine himself. The man you’ve read about in every article, every piece of mutant-related news you could get your hands on since discovering your own abilities. He’s infamous, pretty much a legend, and the stories about him are as terrifying as they are fascinating.

Standing there with that scowl on his face, he looks every bit the dangerous figure you’ve imagined. His eyes are blank, calculating, and you can feel the weight of his gaze as it sizes you up. There’s a tension in the air, thick and suffocating, as he takes a step closer.

“So, you’re the one causing all this trouble,” Logan states gruffly, irritation coating his tongue. He unsheathes his claws, the adamantium glimmering under the streetlights. The sound is unmistakable, and it sends shivers down your spine. “Heard you’ve been killin’ off mutants left and right.”

You narrow your eyes, instinctively stepping back into a defensive stance. Your heart is pounding, but you can't show any weakness.

“Funny, I thought the same about you, Wolverine. What’s the matter? Run out of bad guys to play hero with?”

Without warning, he charges at you, claws outstretched, but you’re ready. You dart to the side, your speed giving you an edge as his claws slice through the air where you’d been standing, making a woosh sound. You counter with a swift kick to his ribs, putting your enhanced strength into the blow. He grunts, stumbling slightly, but quickly regains his balance. The momentary advantage you gained is gone as he storms toward you once more.

You meet his attacks head-on, your blade clashing with his claws in a shower of sparks. The force of each impact reverberates through your arms, but you hold your ground, refusing to back down. His attacks are ferocious, a whirlwind of claws and fury. He's fast, but you’re faster, dodging and weaving with a precision that keeps you just out of reach.

“Look, sweetheart,” he growls between strikes, his frustration evident. “You can make this easy or hard. I don’t care which, but I’m not lettin’ you hurt anyone else.”

You scoff, rolling your eyes as you deflect another swipe of his claws. “Oh, please. You think I’m the bad guy here? These jerks have been coming after me for days. I’m just defending myself.”

Logan doesn’t look convinced, and that pisses you off more than anything. “Right. And I’m supposed to believe you, why? You’re leavin’ a trail of bodies behind you.”

You narrow your eyes, feeling the anger boil over. “Because I’m not the one who started this! They did! But of course, you wouldn’t know that, would you? You just show up, swinging your claws around like you’re the big savior.”

“You got a mouth on you, don’t ya?” He retorts, snarling as he charges at you again, faster this time. You barely have time to block his attack, the force of his blow sending you skidding back several feet. But you dig your heels in, refusing to give an inch as he continues plows forward. Your speed kicks in, allowing you to duck under his next swing and land a punch to his jaw.

He staggers, but quickly recovers, swiping at you with renewed fury. You're a bit sloppy compared to him, not as much of a seasoned fighter. His claws swipe at your arm, cutting deep and drawing blood, but the wound heals almost instantly, the skin closing up as if it had never been cut. You see the flicker of surprise in his eyes, but it doesn’t slow him down. He lunges again, becoming a blur of motion as he ups the ante.

You parry with your knife, but this time, you’re on the offensive. You launch a rapid series of attacks, your speed and strength managing to drive him back. In the rush of movement, you're able to see an opening, grasping his shoulder and shoving him hard, sending him crashing into a nearby wall. The impact is enough to crack the brick, but Logan just shakes it off, pushing himself back to his feet.

“Gotta say,” you huff, panting slightly from the exertion, “I’m a little disappointed. I expected more from the you, after all I’ve heard.”

Logan grunts, clearly fed up with the banter. “I'm done talking.”

He lunges at you again, and this time, it’s a battle of wills as much as it is of skill. You don't back down, your knife clashing with his claws in a series of rapid, brutal strikes. The alleyway becomes a blur of movement, metal against metal, strength against strength. Each time his claws find their mark, your regenerative abilities kick in, healing the wounds almost as quickly as they’re made.

And for a moment, you wonder if you’ll have to kill him too, just to survive. But then something shifts. Maybe it’s the way your attacks grow weaker, less lethal. Or maybe it’s the way Logan’s eyes narrow in realization when he notices your hesitance.

“Wait a damn minute,” Logan says, stepping back just out of your reach, wiping his mouth, then spitting on the ground. He’s breathing hard, just like you. “You’re holdin’ back.”

He pauses, his eyes narrowing as they flick down to the knife you’ve been holding, and then back up to you. His expression shifts, a mix of disbelief and exasperation crossing his face. “And is that a kitchen knife?”

You glance down at the knife in your hand, realizing how absurd it must look in the middle of this intense fight. It’s not exactly standard combat gear, but it’s all you had when this started. You can’t help the smirk that pulls at your lips as you meet his gaze again.

“It gets the job done,” you quip, shrugging slightly.

He shakes his head, clearly not impressed. “You’re something else, you know that?”

“I'm choosing to take that as a compliment,” The sarcasm is practically oozing off of you.

He eyes you warily, his posture still tense. “You’re not makin’ this easy, you know. You got me here thinkin’ you’re some crazed mutant killer, but you’re just a girl wavin’ around a kitchen knife like you’re in a bad horror movie.”

You cross your arms. “Well, I didn’t exactly have time to hit up a weapons store. Besides, I didn’t ask for any of this. These guys came after me first.”

Logan studies you. “So you say. But you’re killing dozens of mutants. Doesn’t exactly scream ‘innocent.’”

“Trust me, if I had a choice, I wouldn’t be doing this–fighting… killing–at all. Hell, I didn’t even know I was a mutant until some guy swung his fist at me a week ago.” You meet his gaze, challenging him. “And what about you? You’re not exactly known for playing nice.”

He snorts. “Yeah, well, most of my casualties are from the missions I go on, so I'd say it's justified.”

Your eyes narrow, catching the implication in his words. “Oh, am I your mission now? How long have you been tracking me?”

Logan’s expression doesn’t change, but there’s a slight shift in his posture, a subtle acknowledgment that you’ve hit on something. “Long enough to know you’re not just some innocent bystander caught up in the wrong place at the wrong time.”

“So, what? You’ve been watching me, waiting for me to screw up so you could take me down?” you demand, the frustration clear in your voice.

“Something like that,” he replies gruffly, “But from what I’ve seen, you’re more reactive than proactive," he looks you up and down. "I can’t seem figure out if you’re the real threat here, or just someone caught in the middle of a bigger mess.”

You let out a slow breath, trying to calm the fiery anger rising within you. “I told you, I didn’t start this. They did. I’m just trying to survive.”

He doesn’t respond immediately, teeth grinding as he considers your words. You can see the gears turning in his head, trying to piece together whether you’re telling the truth or just playing him. He takes a step closer, his claws still out but not as threatening as before.

Finally, he asks, “You got a name?”

You roll your eyes, exasperated. “No shit I have a name.”

Logan huffs, unimpressed by your attitude. “Well, if you’re not gonna tell me, I’m just gonna have to call you somethin’… How 'bout Knifey?”

You stare at him, half-expecting him to crack a smile, but he’s dead serious. “Knifey? Really?”

Logan shrugs, a smirk tugging at the corner of his lips as he eyes your weapon of choice again. “Fits, don’t you think?”

“Fine. I’ll tell you my name, alright? Anything but Knifey.” You say, trying not to laugh at the absurdity of it all.

“... Gotta say, Knifey sounds a little better”

“Shut the fuck up, Wolverine”

“It’s Logan, actually.”

You release a deep sigh. “I know, and I don’t care. I’m telling you I am not the one you need to be going after.”

Logan scoffs, crossing his arms. “I’ve been around a long time. Seen my fair share of people who think they’re doin’ the right thing and end up doin’ a hell of a lot of damage. So, forgive me if I’m a little skeptical.”

“You would know a lot about that, wouldn’t you?” The words come out of your mouth before you had time to think about them, and you regret it immediately. You can see the mutant in front of you’s face darken to a degree bordering murderous, and you think you’ve crossed a line you can’t come back from. Whatever playful banter existed before this is gone.

“Careful,” He growls menacingly, “You don’t know what you’re talkin’ about.”

You swallow hard. The Wolverine is infamous for a reason, and you just poked at the beast beneath the surface. You briefly consider backing down, but your pride refuses to let you.

“Maybe I don’t,” you admit, “But I do know what it’s like to be hunted, to have no choice but to fight back. So yeah, maybe we’re more alike than you think.”

Logan’s glare softens just a fraction, and he lets out a long, frustrated breath. “You really don’t know when to shut up, do ya?”

“Not when I’m trying to make a point,” you retort.

He doesn’t respond immediately, just stares at you, as if he’s trying to decide whether to continue this conversation or end it with his claws. Ultimately, he shakes his head, the anger in his eyes dimming, replaced by something more akin to weary resignation.

“Fine,” he mutters. “Maybe you’re not the one I should be takin’ down. Doesn’t mean I’m gonna start trustin’ you.”

“I wouldn’t expect you to,” you reply, feeling a bit of relief that the situation isn’t about to escalate into another fight. “But I swear, there’s someone else out there pulling the strings. And I’m not sticking around to be their puppet.”

He nods slowly, crossing his arms again. “We’ll find out who’s behind this, but I’m callin’ the shots. You step outta line, and we’re gonna have a problem.”

You smirk, a little of your bravado returning. “I’ll try not to disappoint you, Logan.”

You can tell he doesn't appreciate your attitude, but he lets it slide. “Let’s get one thing straight. This ain’t a partnership. I’m doin’ this to figure out what the hell’s goin’ on, not because I like you.”

“Trust me, the feeling’s mutual,” you shoot back, though there’s no real heat behind your words.

Logan turns abruptly, not even bothering to beckon you with him.

It makes you roll your eyes but you fall in step beside him anyway, knowing that despite the rocky start, this uneasy alliance might be the only thing keeping you alive.

“…So… where exactly are we going?”

He sends you a sidelong glance. "Who said I’m takin’ you anywhere?"

You throw your hands up, exasperated. "Well, if you don’t, these mutants are going to keep hunting me, and I’m going to keep killing them…” you shoot him a look, batting your eyelashes innocently. “You wouldn't want that, would you?"

“Fuck off”

"Well, too late for that now."

He grumbles something under his breath that you don’t quite catch, but it sounds a lot like cursing his bad luck.

"We’re headin’ to my place. It’s the safest spot right now."

----

Turn’s out, it’s not really his place. Or at least, it’s what you’d thought it’d be. It’s more of an abandoned warehouse that he just decided to seek refuge in one day, doing the bare minimum to make it feel at the very least, home-y. The heavy metal doors creak open, revealing a chaotic interior cluttered with garbage, old newspapers, and a few scattered items. In the corner, a single bed and a sagging couch that look like they’ve definitely seen better days.

Your nose wrinkles in disgust as you take in the mess. "Seriously?" you mutter, your voice tinged with disbelief. "This is where you've been hiding out? It looks like a tornado hit a thrift store."

Logan, who had been trailing behind you, lets out a low grunt as he shuffles past, not bothering to respond to your jab. His heavy footsteps echo in the otherwise silent space, the sound bouncing off the bare, cold walls. He heads straight for a small, battered table that looks like it's one sharp nudge away from collapsing. On it lies a worn notebook, its pages yellowed and curling at the edges, evidence of extensive use. Without a word, he picks it up and starts flipping through the pages, his expression unreadable.

Your curiosity gets the better of you, and you step closer, peering over his shoulder. "What's this?" you ask, reaching out to take the notebook from him. He hesitates for a brief moment before relinquishing it into your hands. As you flip through the pages, your eyes widen in shock. The notes are detailed, almost obsessively so, listing the names of various mutants, their abilities, and the exact locations where their bodies were found.

"Oh, great," you say with a sarcastic, half-hearted laugh. "You've been keeping tabs on me. What kind of creepy stalker are you?”

He rolls his eyes and snatches the notebook back, his voice dripping with irritation. "I wasn’t exactly tracking you. I was trying to track whoever’s been killing all those damn mutants."

Logan’s jaw tightens as you just continue to stare, and he lets out an exasperated sigh. "And don’t act all innocent. I needed to know who was causing all the chaos."

Scoffing, you continue to look through the notebook, stopping when you come across a particularly detailed entry. "Wow... 26 kills? Not too shabby for an amateur mutant, huh?"

“Is your mouth unable to stay shut?” he questions, though you know better than to answer that.

The notebook flops back onto the table with a casual flick of your wrist. "Hey, don’t be mad just because I’m doing a better job than you expected."

He crosses his arms over his chest, his muscles straining against the fabric of his shirt. "I’m not mad," he snaps. "I’m annoyed that you’re making light of this. It’s not exactly a high score to brag about."

"Oh, come on. You’re the one who turned this place into a shrine to my success” you smirk.

"It’s not a shrine," Logan growls, his patience wearing thin. "It’s a record. If you’d been paying more attention to what’s going on, you’d know that."

The playfulness fades from your face as his words hit home. He’s right, but you’re not about to admit it. Instead, you deflect. "Yeah, and if you’d bothered to talk to me instead of playing detective, maybe we’d have figured this out sooner."

"You think you’re the only one who’s had a rough time? This whole situation is a mess, and we’re both caught in it." His eyes narrow.

You cross your arms, mirroring his defensive posture. "You didn’t have to get involved, you know. Unless...what if you’re the bad guy here?" you challenge, raising an eyebrow in suspicion. "Using all these mutants to lure me into your dungeon under the pretense of trying to ‘stop’ me?"

His response is immediate. "I’m way too lazy to think of doing all that."

You can’t help but believe him, especially given the state of the warehouse. He clearly lacks the energy—or the interest—to tidy up his living space, let alone mastermind a complex plot. You let out a sigh and walk over to the sagging couch in the corner. The fabric is threadbare, and the springs groan in protest as you flop down onto it.

"Fine, fine... I trust you," you concede, though your tone is far from serious. "Did you notice anything specific amongst these mutants?"

"Yeah, I’ve noticed somethin’,” Logan says, dragging a hand down his face, now looking more tired than ever. “They’re all pretty low-key. Not exactly top-tier in the mutant rankings. Never caused any trouble before, yadda yadda. If anything, they’re usually on the weaker side."

You furrow your brows, intrigued. "So they’re not a serious threat."

"Exactly," Logan confirms with a nod. "It’s weird. These mutants aren’t the type to just go around being fuckin’ annoying like they have been. Someone—or something—must be pushing them into this."

"You think they’re all being controlled somehow?" you muse, the pieces slowly falling into place. "And that’s why they’re suddenly acting out of character?"

"Seems like it," He replies, rubbing his temples. "Must be powerful if they’re all falling in line like this. We’re going to have to dig deeper to find the source of it.

He moves to sit next to you on the couch, the worn fabric sinking even further under his weight. "Tell me everything you know," Logan says quietly, his voice a tinge softer now, almost coaxing. "Everything that’s happened to you."

You sigh and lean back against the couch, staring up at the ceiling as you start to recount your experience. "It all began about a week ago. Just a normal day, I was walking to the grocery store, then I noticed this guy following me. At first, I thought it was a coincidence. But no matter where I went, he was always a few steps behind."

His attention sharpens, his gaze locking onto yours. "And?"

"It started as just stalking," you continue, your voice growing quieter as the memories flood back. "Nothing violent. But then, it started happening with different people. Each time, they were more persistent, more intimidating. It became clear that something was off."

You can feel Logan’s gaze burning into you, his concern evident in the way he leans closer, listening intently. "Eventually, they started getting aggressive," you say. "One night, one of them blocked my path and tried to grab me. I managed to fight him off, but when he hit me, it didn’t hurt. I mean, it should have, he looked pretty strong, but my arm felt fine. That’s when I realized I had powers—some form of super strength, super speed, and healing abilities."

"And you figured that out just from fighting them off?" he questions, somewhat impressed.

You nod, rubbing your arms as if to ward off a lingering chill. "Yeah. I didn’t really have a choice. They kept coming, and I had to use whatever I had to protect myself—including my damn kitchen knife. The more I fought, the more I understood what I could do.”

Logan pauses, his expression unreadable as he processes everything you’ve said. The dim light from the single bulb casts long shadows across the room, emphasizing the lines of fatigue etched into his face. Finally, he stands up, his movements slow and deliberate. "So, here’s the plan," he starts, his voice rough and tired. "We need to figure out exactly where these mutants are coming from. There’s gotta be a main location where they’re getting their orders or some central hub for this control."

You hum in agreement, though a part of you is reluctant to jump back into action so soon. "Alright, so how do we start tracking that down?"

His lips press into a thin line as he thinks it over. "We’ll stake out the rooftops. From up there, we can get a clear view of their movements and see if they’re converging somewhere specific. Maybe spot a pattern."

You stretch, stifling a yawn as you glance around the shabby room. "Okay, but are we doing that tonight? I’m pretty beat."

“Seriously? You want to put this off?" he accuses, face twisting in irritation.

"I’m up for it, but I’d be more effective if I’m not running on fumes. Plus, you look pretty tired yourself," you shrug.

He lets out a frustrated sigh, running a hand through his hair. "Fine. We’ll do it tomorrow."

A small smile tugs at the corner of your lips as you sense his reluctance to agree. "So you agree with me," you state, not really feeling any real pride, but just wanting to push his buttons.

Logan grumbles under his breath as he starts to clear a space on the threadbare couch, which creaks loudly under even the slightest pressure. "Do you ever shut up? I’m letting you crash in my bed, aren’t I?"

You chuckle softly, watching him arrange a tattered blanket on the couch with exaggerated care. "Yeah, yeah, okay. Goodnight, old man."

"Watch it, Knifey," he mutters, settling onto the couch with a groan as the springs protest under his weight.

You roll your eyes at his choice of nickname, and with a sigh, you make your way over to the bed, which is small and far from luxurious, but it’s better than nothing. The mattress dips slightly as you climb in, and the covers are thin, barely providing any warmth. Still, exhaustion pulls at you, and you barely have time to think about what the covers smell like before sleep overtakes you.

----

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