#so poetic but they drive something to the point

[stingslikeabee]

@strongfuck

on light

euripides grief lesson: four plays by euripides (tr. anne carson) (via @weltenwellen​) \ virginina woolf the waves \ maggie nelson bluets

buy my daily chai latte

[avianyuh]

Jeon Wonwoo as a boyfriend...

Other SVT as bf's { S.Coups , Jeonghan , Minghao/The8 , Hoshi }

Like most, I'm sure Wonwoo appeals to you because upon introduction, you think he's the quiet, brooding type

But he'd show a different side of himself in a relationship with you

A goofball all the way

Any carat knows that he's a secret comedian

I think he'd always be trying to make you laugh

Had a bad day? He'll make you watch a funny video he saw

Texting him that you miss him?

You will be sent stupid pictures as his response

GAMING

He's not competitive though

He likes to play chill games with you just because he likes to spend his time doing one of his favorite things with you

And that makes him really happy!

Please encourage him and geek out with him over video games

I think he can be sensitive sometimes

But strikes me as the type to not verbalize when something is bothering him

So being with someone observant would do him good, get him to open up more

Especially in the beginning of the relationship

I think overtime, you won't have to try as hard to get him to share his feelings with you

He'll just naturally start to feel really comfortable around you

The g-gl-glasses

Ughhhh

I know you love them

You get to see him in his glasses basically everywhere

Barely takes them off to begin with

Even some promotions he keeps them on

Imagine late night gaming with him

The lights are all out and your sitting as close to each other as possible

And the reflection of the computer screen is in his glasses and he's all happy because he's really enjoying himself omg

You're just looking at him and thinking Damn that's my man...

As I've pointed out in my previous dating seventeen posts, you have to pass the vibe check and get approval from all the members if you want to be a permanent part of Wonwoo's life

Strikes me as the type to see you on the down-low for a few months

Would probably mention you to Mingyu since last I heard, they're roomies

You'd be introduced to Mingyu first

Then he'd probably mention that he met someone to the rest of the guys

Then he'd bring you around the dorm, or a dance practice, somewhere you can meet as many members as possible

That way Seungkwan can be his extroverted self and make you feel comfortable.

Like, imagine meeting another relatively quiet member like Jun or Woozi

"Nice to meet you😐🙂"

Please tell me you can see that happening cuz I can

Maybe even Minghao or Seungcheol would be sorta awkward

Like not in a bad way, but introverts need time to warm up to someone new (speaking from experience)

But once everyone has been acquainted and they like you, you will be family and it will shift from like to love

Because you treat Wonu right and you make him happy

Wonwoo being with you would make him more energetic and outgoing

He's a homebody

Normally I would say opposites attract, but in his case I definetly think being with another introvert would be ideal lol

Would recommend you a lot of books

And would want you to read his favorites so the two of you could discuss them

Same with video games

Remember I told you to let him geek out?

PLZ LET HIM BE A GEEK!!!!!!

I think Wonwoo would love to go on vacation every once in a while

I think he can drive abroad

But even just driving in Korea

Going on day trips

Just talking, singing to your favorite songs

Teasing him by playing some of SVT's music

Or just sitting in a comfortable silence

That's the best type of silence and it's very underrated imo

One thing about Wonwoo is how tall he is

6 feet I think? (182 cm for those not in the U.S.)

And he has very broad shoulders

Imagine watching a scary movie with him and hiding your face in his chest, and he wraps his arms around you

Lowkey protective

Just wants to keep you safe

Loves everything about you

The type to stare at you and just blurt out that he finds you beautiful

He's well read so he'd probably say something really poetic

Just makes you feel special

Shexy Shtuff:

Okay, we need to sit and have a conversation about how buff this man is...

Look at those pecs

Damn

He's ripped

He's not a gym bro, but he definitely likes going

Imagine him coming home and he's all sweaty and his muscles are all visible

He loves a good sweater or hoodie so I think seeing his physique is rare

The quiet ones are always great kissers...

This bitch is all dark and mysterious

A.K.A most likely a FREAK

Uses tongue when he kisses

Like, probably pulls you on top of him if you're on the couch or lays you down on the bed

Or pins you against the wall if he's frustrated or hasn't seen you in a while

If you ever got in an argument he's apologizing profusely and then making up for it in bed

Definitely a grunter

Not overly vocal

More concerned with your needs

Definitely a giver

I don't think he's that adventurous when it comes to location

Bed, shower, couch maybe

Most of the time, you'll be watching a movie or maybe sitting on his lap if you come in while he's playing games on his computer (or just doing something on his computer in general)

So there you are, sitting on his lap, not trying to do anything sexual, just asking what he's playing or doing

And at first everything's good but as you're readjusting yourself in his lap, you're shifting around and suddenly he's getting turned on

He'd start kissing your cheek, your neck, moving his hands up to waist

Eventually getting impatient and scooping you up and taking you to his bedroom

Shower sex after the gym

Or late at night after practice if he isn't too tired

I see him being a big pillow-talker

Get's really emotionally vulnerable with you after sex

And that's how you know he trusts you

And congratulations, his voice is already deep as is, but in the morning, omg he'd sound so hot right after he wakes up

Would love to just keep you in his arms and lay in bed for a while, especially if he had nothing to do that day

Okay, i think this is long enough now

In conclusion, I think he'd be a great boyfriend

~

{A/N: AHHH, omg I'm sorry I've been inactive the past two weeks, I got pneumonia. I'm still recovering but felt really bad that I hadn't posted. I've been trying to make up my missed schoolwork. I couldn't think of a fanfic to write so I decided to do a headcanon for seventeen to add to the series. Wonwoo was my first bias back in 2017 before I realized I'm a coups girl. But I'll be honest, sometimes I'm creeping on Wonwoo's fancams (sorry Cheol) Anyways, I love you guys so much whether you're a frequent reader/follower or this is your first time reading anything from me. I love you, have a great day/night, whenever you're reading this, mwahhhh❤️ I put in a continue reading because this one was so much longer than my previous bf headcanons, Wonwoo, a man of substance lol}

[eelnoise]

supplicate (nsfw!)

18+ MDNI!

Trafalgar Law x afab!reader cw: mild brat taming, teasing, edging, snarky law, piv sex, creampie an: this one kinda went overboard and was not meant to be this long. it was supposed to be two drabbles for both zoro and law but i kinda got carried away. i'll post them separately or whatever idk. tagging: @bby-deerling @themushroomofdeath @risenwrites @kaizokuniichan @strawheart-pirate

At this rate you were going to kill him.

He sighs and runs a hand through his hair as his jeans tighten again. You’d been at it all day – touching and teasing him every chance you get. Running your fingers down his arm when you bring him coffee and lingering far longer than you usually do before departing with a small smirk across your lips, not-so-subtly unzipping your boiler suit just enough for him to get a glance of the soft flesh that lies beneath when you cross paths throughout the day’s work, and he doesn’t miss the sultry, half lidded gaze that seems to follow wherever he goes.

Must be some kind of cruel joke, he thinks. Something you and Ikkaku had conspired together to conjure just to drive him up the wall. Law wasn’t keen on any of the crew knowing of your shared… situation, though considering the fondness you have of your crewmate, he should’ve known it was inevitable. And usually, he pays it no mind – so long as he isn’t bothered by any unwelcome, irritating comments or jabs.

But today it eats at him, riles him until your very image is superimposed onto the backs of his eyelids. As much as it pains Law to admit – your stubborn attempt at teasing him had worked, and probably much more than you even knew. Of course, he could simply take care of the ever growing, insistent need for you right now – right here in his office, and without you. He considers it for a moment as he leans back in his chair. There's poetic irony in the thought, and he chuckles selfishly to himself imagining the look on your face when he doesn’t give what you think you’ve won.

Though why deny himself the sweetened privilege of correcting your impish behavior? You’ve earned it at this point, a victory certainly – though perhaps not quite the prize you seek. Law’s mind reels with possibility, bringing him to a point of distraction that leaves him unable to focus on his own tasks. He wants to teach you a lesson, wants to hear you beg, whine, writhe beneath him, pleading for release that he plans on withholding until your absolute limit. 

The way his cock throbs painfully against his thigh gives him an answer that he can’t ignore, and without a second – more rational – thought, utters a near-silent “Room. Shambles.” 

Suddenly it doesn’t matter where you were or what you were doing. And Law isn’t surprised when you appear before him looking smug and as expectant as ever. 

“Took you long enough,” You begin, the coy edge to your voice cutting through the silence that had been his prison for the past few hours. “Thought maybe-”

Law slides backwards away from his desk and cuts you off with a snap of his fingers – a sure signal for you to keep your mouth shut. “Strip, and make it quick.” The way you shiver from his words alone does not go unnoticed, lips twitching upward at just how easy it is to make you come apart from him.

Spurned onward by both his demeanor and his obvious predisposition, you hastily peel your layers off and leave them in a heap around your feet and step toward him. Law leans back and places his elbows on either arm of his chair. Seems like you’re going to have to work for it.

He only assists you with a slight raise of his hips when you move to free his cock from its confines and allows you to pull his jeans and underwear down as you see fit to do. Instinctively you lean down with means to wrap your lips around him, but Law grabs you by the forearm and clicks his teeth – twisting you around to settle into his lap. 

Law reaches down to the backs of your thighs, pulling you into a position that aligns himself near perfectly with you, and pressing your back to the edge of the wooden desk. You gasp when he glides his length along your slick folds, an excited half-mewl that lets him know that you’re exactly where he wants you to be. He delights in the sight of you trying in vain to roll your hips for any sort of friction, but his hold on you is too heavy and the attempts get you nowhere. “Law – come on!” 

At your frustrated plea, Law tilts his head forward to peer at you with a knowing smirk on his lips. “I don’t think you’re in any position to be talking,” He purrs smoothly, breathing hot upon your neck. “Let alone making demands.” 

He ruts his hips slowly – painfully – against you. Whines befall your lips as he lazily slides his cock up and down your pussy, making sure to press just a little harder against your clit. Law knows what makes you tick, having analyzed and researched each reaction to his ministries over the years at sea. He knows just how to make you cry out in limited bliss, how to inch you right to the precipice of paradise – only to whisk it away at the blink of an eye.

Why should you get away so easily?

Still tight within his grip, you’re at his will. Each stroke of him against your walls, feeling every throb of his cock within you leaves you a whiny, needy mess. The frustration turned ecstasy in your gaze cracks his guise further, though not enough to unmask him – yet.

He’d never admit it at a time like this, but the way you sound, the way you feel, the way your expressions twist and curve at his teasing – he needs you like a man needs food. And deciding that you’ve had your fill of his game is a good enough excuse to up the ante.

Law guides himself to your entrance, and using the abundance of slick that glistens along his flesh, eases you onto him. You hiss out a moan as he bottoms out, and a moment later he’s bouncing you up and down his cock, pace still unhurried and languid. 

It's agony, sweet and unsated passion that you’re not being given despite your best attempts goading both now and throughout the day. Your laments fall on deaf ears as Law continues his tortuous campaign, pulling you down onto him until your hips are flush together, letting the head of his cock twitch against the spongy spot that makes your eyes roll back in your head. You’re desperate, the need for him begins to outweigh your tolerance of his little game – so you do the one thing that you know will make him crumble.

You reach out for him, pressing a hand to his cheek to lead him into a tender kiss. Law’s eyes widen in surprise, but cannot help to fall into your trick. He closes them and leans into you, deepening the lip lock and groaning in satisfaction. You slip your tongue between his lips and the grip on you loosens enough to allow you to more freely grind on him. 

It takes Law a moment to come to his senses, too lost in kiss and affection to notice that you’d taken control. He breaks the gesture with a growl and a feral grin to match, and that's all the warning you get before he stands up from the chair and folds you backward onto the surface of the desk. Papers crease and books shift as he presses your thighs up to your chest, his cock drilling into your core as fast and as hard as he can give you.

“So fucking needy,” Law taunts, hovering his head just out of your reach. “Look at you. You’re desperate. Drooling for the thing only I can give you, isn’t that right?” He follows up the words with a smack to your thigh and a low chuckle. 

So much do you want to speak, though words fail you again and again. You’ve been reduced to nods and wails of pleasure, and Law is living for it.

He brings you to the edge so many times, and only a handful does he allow you to leap. Law’s stamina doesn’t give, and just when you think he’s close he stalls to a near stop – leaving you breathless and panting and giving you some respite before slamming his hips back into yours until the sound of skin against skin echo throughout his cabin once more. “Law, I can’t–” You wearily exclaim, tears pecking at your eyes beyond the hazy, fucked-out gaze you’re giving him. “It’s too much, I can’t…”

“Of course you can,” Law directs from above you. He clasps your jaw with one of his hands, lithe fingers grasping and forcing your face toward his. “You’ll take everything I have to give you since you’re being so good for me now, won’t you?”

The familiar tug from low in your belly pulls once more at his words, and in an instant you’re cumming again around his cock again. His name falls from your tongue like it's the only word in your vocabulary, and it sends his mind reeling. Law’s words eventually deceive him, and soon enough he’s digging his nails into your thigh and sighing into your neck as he fills you to the brim with his own cum.

The moment stalls, and for a moment Law looks at you, the hand nearest to your face coming to rest gently upon your cheek. You offer him a smile, and it makes his heart skip a beat. It always does. Law leans down to press a soft kiss to your forehead, and trailing an even softer one to your lips. It isn’t something he says often, what he’s saying to you now. The simple phrase is a whisper on his tongue, and made only for your ears – it's one you return just as quietly, though almost too eagerly.

After all, you do love him.

[aww-canon-no]

Projects self all over Deaf Steve: 

He wants to be a writer, but after getting made fun of by his English teacher, he never tells anyone about this.

He was born Hard of Hearing with progressives loss.  By kindergarten he’s profoundly deaf, but crappy parents just stick him in mainstream school and hope for the best.  They live in a small town so resources are terrible and Steve scrapes by with his horrible bulky hearing aids until he just abandons them because being cool is better than sound anyway.

He learns ASL because he’s got one speech therapist who actually learned about the Deaf community, and it sits in his brain so much better, but it makes switching from ASL to English hard and everyone thinks he’s dumb.

His teachers have written him off.

He starts writing out of spite- learning to turn sentences into lyrical, poetic prose that feel like water rushing over smooth stones whenever he reads them.  But he doesn’t show anyone because when he goes over his work he still finds spots where he gets nouns and verbs swapped, and he drops articles and plurals are hard to remember, okay?  They just don’t make any SENSE in English sometimes.

And yeah his teachers were probably right, even if he never lets go of his petty dreams.

He gets a job working for his dad.  It’s all hearing people and it’s hard and the end of the day he’s exhausted in spite of the fact that it’s not hard labor.  He naps a lot.

He’s still close with the kids he used to babysit so on some days he goes to visit Mike’s house and annoy Nancy who pretends like she’s not happy to see him now that they’re just friends.  The kids have been MIA for a while and Steve finds out why.

He goes down to the basement and one of the prettiest men he’s ever laid eyes on is sitting on a makeshift throne with a book propped up in front of him.  Steve can’t see his lips so he can’t make out what he’s saying but whatever it is, he can tell the guy’s really into it by how the boys are really into it.

His name is Eddie and he talks with his whole body.

When he notices Steve, he also starts throwing in some signs which...

Steve will unpack that later.

Later, Dustin explains DnD to him.  It’s story telling, and it makes Steve feel things.  He’ll never admit to being interested.  Ever.

But he shows up more and Eddie invites him to sit and peek at his notes, and Steve starts making quiet suggestions behind the partition on his fingers once he realizes Eddie’s not fluent but at least conversational.  Eddie looks at Steve with big doe-eyes and an expression of wonder.

He personally invites Steve back.

Together they start planning a campaign and when it’s over--it lasts twenty-eight hours played over two weeks--Eddie cups his face and tells him that it was beautiful thanks to Steve.

At some point, they kiss, because they’re both so obviously in love there’s no point in hiding it anymore.

Eddie shows Steve his music, and Steve buys Eddie some really powerful ear plugs so Eddie can experience how Steve listens to it.

One day Steve suddenly feels like he can’t hide anymore so he shows up at Eddie’s house and dumps a thumb drive in his palm and tells him it’s stupid but he just wanted to share something.

Eddie disappears for two days, and Steve thinks yeah.  It was that bad.

Then Eddie appears with spicy chicken sandwiches in a greasy bag and throws Steve onto his bed and kisses the breath out of him before signing to him that his stories were the best things he’s ever read, and the world should probably know.

Steve doesn’t think he’ll ever actually pursue writing.  But he might write more for Eddie.

[kaeso4ka]

You're being stalked. It becomes even more of a problem when you find out who it is

Pairing: yandere Optimus Prime x reader

Oddly enough, it started with a glance. You never suffered from paranoia, but it was impossible to ignore that feeling of constant scrutiny. Someone was peering at your back on the street, staring out your window, and even crossing their eyes with you a couple times, I think.

Jasper was a small town, and you worked at one of the most popular cafes. It wasn't strange that a lot of people knew you by sight and even sometimes recognized you on the streets. But a slight nod from a group of teenagers, to whom you made a discount yesterday by great kindness of heart - it's one thing, but the feeling of persecution - quite another.

During one of your shifts, you found a note on one of the tables, on which someone described your smile and hands in a very poetic and beautiful handwriting. It looked cute and weird in equal measure, so the strange note soon went in the trash and the memory of it went out of your head.

Then strange things started happening more often. Someone attached to the doors of the coffee shop not small notes, but whole letters in which someone addressed to you.

You tried to catch the joker for a long time: you watched the cameras, followed the visitors. But it didn't bring you any closer to an answer. It was as if someone was invisible: he did not meet anyone's eyes, bypassed all the cameras.

The situation began to get out of control at the moment when on the doorstep of your own house you began to find the same notes, but this time with presentations: scarlet roses, food, something that looks like jewelry. Someone continued to correspond with you one-sidedly, confessing their warmest feelings for you.

It sent a chill down your spine.

It wasn't normal.

Someone knew your workplace, your personal address. Someone was following you. Wanted to get you to like them. They were showering you with gifts.

And at one point, even contacted you.

It was an early Saturday: you woke up to the hot desert sun beating down on your face. And the sound of notifications coming in.

Normally, no one bothered you on weekends: your bosses knew you weren't going out on your day off, and everyone else preferred to rest rather than write to you.

And yet someone had broken a glorious tradition.

You frowned, unlocking your phone. Messages came from an unknown number.

“Hello. I apologize for disturbing you. Did I wake you up?”

“Jack, if it's you, I told you, just because you have ballet on Saturdays doesn't mean I'm going to go work a twelve-hour shift for you. Let's go without me somehow, friend.”

“This isn't your work colleague. I'm writing to make sure you liked all the presents. I didn't misjudge your taste?”

Sleep receded into the background soon enough. You sat up abruptly on the bed. Immediately you took screenshots of the correspondence. You weren't five years old, and she knew exactly what to do if you were being followed. At the very least you had to prepare evidence for the police.

“It's understandable. You do know there's still a statute for stalking in our state, right? That's a pretty serious violation of the law.”

“I apologize, there was a misunderstanding between us. I didn't mean to scare you at all. I'm just showing signs of attention.”

“Uh-huh, yeah. Tracked me down at work, at home, even got my personal phone number…. Not stalking at all, huh. If you wanted to meet me, you would have approached me yourself.”

“I can't.”

“What are you, a wheelchair user? Well, you'd drive up.”

You nodded your shoulder, remembering. Did a lot of handicapped people go to your coffee shop…?

“That's not the point. I can't come up to you right now. But I'll be able to soon.”

“You shouldn't bother. I did not like the note with which you began the acquaintance. I do not wish to continue it.”

You didn't wait long: you threw the undecided number on the block and drifted further into sleep. A sense of dread dulled the ironic hilarity.

The gifts and notes were gone. The unknown person didn't try to contact you again, and you exhaled hastily: it's nice when people around you turn out to be strange but understanding.

One shift, a tractor-trailer pulled up to the car food dispensing window. The red-and-blue, expensive-looking Paterbilt looked pretentious against the gray-and-yellow Jasper. Still, truckers often passed through this town on their way to Las Vegas, so you weren't surprised.

“Could you take the order outside?” a pleasant male voice asked quietly and conciliatory. “The booth is very high up. I won't be able to reach the order.”

“Yes, of course,” you nodded into the void, as if the person you were talking to could see you, ”the order will be ready in ten minutes. Wait in the parking lot, don't hold up the line.”

When the food was ready and stacked, you hurried out from behind your desk. You headed for the parking lot, which was empty except for Paterbilt.

The car door from the driver's seat was ajar, and you hurriedly reached forward with the bag of food, but… There was no one in sight. The cabin was empty.

“What the…?” the moment you reached forward to look for the trucker, who had obviously moved back to where they had a sleeping place, something yanked you forward by the arm. “What the…!”

Paterbilt's door slammed shut exactly as the plugs pulled you inside.

“I can speak to you personally now, my Spark.”

[xypheris]

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

[oathkeeper-of-tarth]

Time for a long Aylin ramble, because I haven't indulged in a while.

I'm actually really invested in Aylin being an aasimar! I do not think it is a misnomer or mistake, as I've seen people suggest. She was referred to as a celestial explicitly in some older builds of the game, but this was changed at some point during development. And I noted aasimar enjoyer Oath, quelle surprise prefer it this way for a variety of reasons. Primarily, I think, because it lets her be larger than life, have a touch of that other-worldliness and otherness, while keeping her very much "of this world" still, very (physically and otherwise) present and part of the prime material plane, and ultimately far more human than I believe even she herself would sometimes like to be.

To bring up the most basic and rules/mechanics-bound "creature type" level of categorisation, as an aasimar she is a humanoid, and not a celestial - outsider. Her outsider status is absolutely there and a goldmine of things to explore, but that's a different post sitting in my drafts for far too long that I'll get around to one of these days (but for now you should read this post that I love). Yes, she is in a very real sense above it all, she will outlast everyone around her and whatever she gets involved with. We also get to see her dramatic poetic archaic speech idiosyncrasies (Ho!), her odd sense of the passage of time, and, of course, her oft-discussed and joked about apparent lack of filter or regard for current social graces.

(Endlessly amused at her just going: I'll do it when my mum tells me to.)

All things combined, Aylin feels more like a being of two worlds to me than a guest visiting this one, even as she is called the emissary of a goddess. She embodies a blending and an odd balancing act between the lofty divine and the mundane, duty and preordained purpose and personhood, and touches on the many ways this balance can be tipped. A classic D&D aasimar struggle, really, and a well I am happy to keep returning to.

Balthazar: She was a unique specimen even before I began my work. Aasimar. A god's blood united with mortal flesh.

She honestly isn't even that far from a regular aasimar stat- and ability-wise - Aylin does have several special abilities, but these are flavoured as blessings from her divine mother instead of an inherent property of her as a creature - though, notably, Aylin herself at one point claims she is always reborn because "it is [her] nature".

“Blessed with the favour of a goddess, Nightsong cannot be permanently killed. When unconscious, at the start of her turn she recovers 1 hit point.” “Nightsong will be resurrected by the powers of Selûne whenever she dies.”

Importantly, she does not get to reincarnate, or get a new body, or flit away to her "home plane" or anything like what celestials get to do. She is anchored to this one physical existence (again, very human of her), tied and limited to this one body as it painstakingly repairs itself over and over and over (to a sometimes extreme extent, e.g. the all but outright stated regrowing of amputated body parts in a frankly horrifying context), insistently and indomitably but ultimately imperfectly. And I think that's part of why the kintsugi design drives me utterly wild, why her immortality setup is more interesting to me than, say, a mutant healing factor, or something like the characters in The Old Guard. Her history is pretty literally engraved on her skin, and when she, in the role of a power-granting artefact and the object of a ritual sacrifice, tells you she will feel every wound you inflict upon her, it is so easy to believe her. And I'm not even that invested in physical suffering, just that it means it's all still very palpably there, forever, and she doesn't get to magically restart with a clean slate in this sense, nor does she get to forget past lifetimes as some creatures like devas do. It's just a flavour of immortality I personally find far more engaging than most.

(I mean, yes, I am also a known hurt/comfort sucker and if you're going there in order to set up a scene where she's, I dunno, getting doted on by Isobel who's invented new scar tissue pain relief massage techniques, you know I'm going to be all over that.)

I'm also not sure I'd say she can just pop over to Argentil to hang out with her mum at will. I mean, planeshifting is not that hard to achieve, and also she can just… ask Selûne, ultimately, I guess. But I wouldn't say she has spent much time there, and I think she takes her role as Selûne's champion and representative in the Realms too seriously and too much to heart to be away from them for very long.

Which also calls to mind the issue of the obvious and "simple" answer to Isobel's eventual death - namely that with Isobel picked up as a petitioner soul they'll all just go live out the better part of an eternity in Selûne's realm. Probably in some form they will - it's never guaranteed, but this time, yeah, probably something like that will happen, and there will be, as Melodia says, no loss, only temporary separation. But I'm really not into just handwaving or stripping away most of the mortal/immortal pairing issues inherent in the relationship. If we're going for the "hang out in a different plane of existence forever" option, I think at one point Aylin would have to "complete" her duties and lay down her sword, in a way, and pick between Faerûn and the Gates of the Moon - meaning she herself is effectively moving on to a completely new phase of her existence as well.

And while Selûne carving a lovely marble statue and bringing it to life and similar takes are fun and beautiful and interesting, I'm very invested in an Aylin who was born, raised, and had to actually grow up and learn and be trained. I have a ton of headcanons of Aylin being a weird glowy baby at some point (with all the Disney's Hercules jokes I've seen folks make, of course), being entrusted to a series of Selûnite enclaves and temples and cloisters, hounded by Shar and her agents pretty much all her life.

(Neither here nor there, but Aylin also comes off as a fairly "young" immortal to me - note that I am basing this on absolutely nothing but a general impression and there's no actual hint anywhere about how old she really is. Just vibes.)

To finish up, I'd like to shout out Isobel, and the big humanising factor she is presented as. For instance, a very concrete bit of motivation for Aylin to eventually "humanise" her perception of time, if nothing else.

Aylin without Isobel is horribly depressing to me mostly because she seems to distance herself from her humanity and err on the side of holy duty (see: her epilogue letter, ouch). And Isobel is definitely the person who (invaluably, imo) explicitly and consistently insists on Aylin's humanity and personhood, who cares for her as a woman and not a divine weapon, who actually treats her well-being as a priority, and who understands her so very well and so deeply. Who does acknowledge the gloriously resplendent Dame Aylin, daughter of the Moonmaiden herself in all her awe-inspiring presence and occasionally amusing foibles, but who never fails to look past the titles and fronts even Aylin herself is so keen to put up, and focus on what lies behind it all.

A moment that sticks out to me in particular is her bemoaning Aylin's disregard for her own safety, then actually getting very angry if you suggest Lorroakan can't hurt Aylin:

Isobel: Even after all she's been through, she thinks herself unstoppable - invincible. It all feels like recklessness to me. Player: Lorroakan can't harm her. Have faith. Isobel: He can harm her. Just as Ketheric did. She'll survive it, but she can suffer like any of us - and for longer.

Using Isobel's words verbatim is a good conclusion to my thoughts here, I think: the truth of Aylin being "singular among us all" coexisting with all the ways Aylin is "just like any of us".

And now I'll pay the cute Aylin screenshot tax one last time.

[smolvenger]

In A World of Boys, He's a Gentleman (Professor! Tom Hiddleston x Reader blurb)

Summary: Collapsing into tears after a hellish week, your professor boyfriend confesses he loves you.

Warnings: cursing, some work problems (I may have used some of my irl experiences in here, oops) Reader liking Romantasy books, but other than that, some hurt/comfort and lots of fluff!

A/N: I decided to leave it ambiguous if Reader is a student or not, so that is personally up to you. From @holdmytesseract's request for the birthday blurbs! Thanks for your patience!

Word Count: >2K

A03//My Ko-Fi//My Etsy Shop//Masterlist//Wattpad

Taglist: @asgards-princess-of-mischief @jennyggggrrr @five-miles-over @fictive-sl0th @ladycamillewrites @villainousshakespeare @holdmytesseract @eleniblue @twhxhck @lokisgoodgirl @lovelysizzlingbluebird @raqnarokr @holymultiplefandomsbatman @michelleleewise @wolfsmom1 @cheekyscamp @mochie85 @fandxmslxt69 @skittslackoffilter @mischief2sarawr

If the past week was purgatory, then today was utter hell.

Everything in your life was driving you so busy, you felt both stasis and panic at once. You got so distracted that you would zone out on your phone closing and reopening the same apps for hours. Then at work, people were driving you up a wall. Because you were a good employee who had to get things done in the order and way they trained you or else…less got done. The impossibility of productivity crept on you. Minutes became hours. You had to argue with someone in a conversation that should have been four minutes but lasted eight because she would not shut up, kept repeating the same things over and over, would rarely let you speak and when you did, never replied or added onto your responses. On top of that, your body decided that the buttcrack dawn of morning when it was still dark was a good time to be awake. And impossible to drift back to sleep even when you took cold medicine. Which then made you exhausted at work.

Thank god for your professor boyfriend.

He was your light in the midst of all this. You had dated for some time, and even the sight of him putting on glasses in a nice suit as he headed off ofr work still made you tingly inside. He would leave you little gifts at your place- flower bouquets, cupcakes, and the like. You were at a point where you didn’t have to have romantic dates all the time. You were now just in his place. Just hanging out. Simple as that. 

You could be quiet and not interact every second. As cats parallel played you could just be in comfortable silence together. Especially when it came reading- for you had something of a silent book club. You both turned off your phones and would sit devouring book after book. 

He was a Literature professor, so it was in his nature. It seemed though sometimes he was never off the clock!  He even challenged you- it was one thing that drew you to daring him. He was smart enough- he respected you as an intelligent being in your own right but was able to have questions and discussions. It was the academia in him. It made you grow into wanting to be a better person for him…and he for you.

Though today, your stress, anxiety, and semi insomnia was creeping up on you. You sat on the brown chair and he on his sofa. There was the same book in your hands. He was already rubbing a finger over his lips, pressing his glasses close. Enchanted by the spell words made. It was a well-reviewed piece of literature that won awards and was featured on the official lists of esteemed journals. He recommended this title to you and you were both reading it. 

As you sat with your own copy that he leant you, you cracked open the stiff spine from it’s newness and began to read…

You were spacing out on the first chapter. It was dense, poetic, and beautiful….but you had no idea what the heck was going on.

After a few more pages, it was starting to get sad.

What was it with these books? And it was not cheery- Was high literature just sad things happening like people having affairs on their wives or committing abuse or doing drugs or going to war or just being awful with no repercussions?

With a sigh, you reached into your bag and pulled out a different book- an escapist, spicy romantasy that all the girls on social media were losing their minds over. You replaced the high literature book, setting it down quietly, and opened it. Tom was so engrossed in the book he didn’t notice. You didn’t want him to notice.

You found this time you were understanding the words in front of you. And you found yourself drawn. Was it the best piece of literature to be studied in a professors class in the future? Hell no. But you were here for a good time, not a long time. And not to study human nature deeply, but to be in a different world, where you had a different name, a different look, and different problems, but far more magical and exciting than everything crashing down in your dull, grey reality. One where your clothes were beautiful with corsets and fine fabric instead of just jeans. One where you would have a sword with a name then a smartphone that sucked all of your free time. One where you could be a princess, a queen, an assassin, a fae lady, a vampire, a pirate, a goddess, a duchess… anything other than plain old you in a plain old life at a plain old job.

Tom looked up. He then eyed over your cover and back at you.

You looked up at him and grimaced. Then you shoved the book back into your bag.

“Please! Don’t judge me!” you cried.

“Why would I judge you?” he asked.

You gestured over to the book in his hands.

“I’m reading this silly trash book and you have all of your fine literature!” you cried.

He set his own copy down, but his blue eyes softened.

“My dear…Is something up?” he asked.

He knew you well enough he could tell the signs.

“Yes, my day was hell! It was this and this and this and…I try to handle it but..I’m overwhelmed so I can’t…I really can’t…I’m not even smart enough to read this book, because I try and try but I just can’t understand this stuff and I can’t get into it, like you…I’m an idiot…”

You burst into tears, and he came over, hugging and kissing your head in little pecks. 

“No…darling, no…” he murmured.

You leaned into his arms. You found yourself vneting and complaining the suffering long inside you.

“I know…I’m a mess…” you sobbed out. “And there was a lady at work who’s a bitch, and my job is so hard, and I can’t sleep at night…it’s just…I wish I could be smarter, nicer, better for you Tom, but…”

“How do you take tea?” he asked.

Looking up, you wiped your tears with your sleeve and answered him.

He made it for you the way you liked. It was the prettiest mug- white with bluebell flowers painted on it.  And returned with it. You sipped at it, it was perfect in it’s flavor and so warm, you felt it melt inside you. You placed both hands around it- science said it was like receiving a hug. Feeling the warmth inside and outside as you looked up at him. 

He scooted himself to be close, a gentle smile on his face and one of his large, beautiful hands rubbing your forearm in comfort.

“I know I’m a mess.” you said.

“I like you as a mess.”

You began to blink at him.

“No, I…but I’m…I’m trying, but I just…I know I complain and I read trashy books and I call people bitches and all that, you can say it, Tom. It’s the truth,” you replied.

“Set your drink down,” he requested.

You complied.

He cupped your face. A gasp aired itself in your throat. 

“My dear, you are perfect as you are. A mess, broken, crying…and I want nothing else than to be with you.” he confessed.

You nearly dropped your jaw.

“That’s…a…you’re saying that…”

“Well…I…yes, I never thought I’d run into someone like you, who’d change everything. Why should I care if you feel upset sometimes like every human being  or what you read to make you happy or that things aren’t always wonderful…I…I love you….there, I said it.”

Love. The little word that changed everything. And it was the first time he said it. It was…unspoken. Something you both felt for the long months you dated, but never confirmed. And here it was, materialized and as present as the furniture and mugs and books, for it was just as real.

“I love you too, Tom.”

You embraced him tight, and he embraced back. He then pressed his forehead to yours, squeezing hands.

He then let go, looking down at your mug.

“Here…your tea will get cold…” he said, offering the drink back to you.

“And…my book….” you murmured.

“Oh, I have no problems with you reading it with me! If it’s that good, I’ll make you another cup of tea and get us some biscuits as well! Then you must tell me all about it!” He gave a little laugh. “Who knows, I may even try it myself someday!”

Smiling with him, you gave him a kiss on his cheek. Then, you settled into cuddling him, sipping your tea and enjoying both of your books in a moment of pure bliss.

[d0wnb4df0rf1cm3n]

Still be here in the morning?

Nikolai Lantsov x F!Reader

Summary: You drive Nikolai wild. You want him to see you, to see you, but you're scared. If you give in to your desires and you let yourself fall, will he still be there in the morning?

Word Count: 2.9K

Warnings: SMUTTY SMUT, LOTS OF SMUT, lots of teasing, a lil bit of angst, and some fluff. Also the reader's nickname is Mouse - but it's not a size thing, it's an occupation thing *thumbs up emoji*

Author's Note: This started off as a smut thing but became a whole story thing so enjoy ;D

It was safe to say you drove Nikolai wild. You hardly listened to his rules, questioning your Captain in his every decision and driving him crazy with your constant bickering. You knew that you could, you were Nikolai's star crewmate and he would never risk firing you. No one was a better diplomat, marksman, or sailor - except perhaps Nikolai himself. You were a good detective too - you were the only one of his crew to have figured out his true identity.

You had teased him about it on a brief visit to West Ravka - an old family painting had given it all away.

"You'll never guess what I found, Cap." You said, waltzing into his quarters and jumping up onto his desk. He tilted his face up to you - indicating that he was listening - but kept his eyes focused on the maps laid in front of him, studying new routes out west. You were only docked in Os Kervo to collect a round of new supplies - enough to keep you afloat to Novyi Zem or even further.

"Tell me, Mouse. What have you found that is so worth sharing that you break into my quarters?" He used the affectionate nickname you had picked up since joining the crew - you were quiet, almost undetectable when need by. Of course, Nikolai knew how annoying and boisterous you could get when you were comfortable. Still, the nickname had stuck. In fact, you were almost certain that aside from Nikolai, and the twins, no one could remember your true name. It didn't matter. You had moved on from that life.

"Well, Tolya and I spent most of our afternoon in the galleries in Os Kervo-"

"-leaving Tamar to collect the supplies? Yes, I heard about that. Just because you keep us out of trouble with the law does not mean that you get to delegate all your duties to someone else. We work together, Mouse, you'd do well to remember it."

"Yes, yes, she said she was fine with it. Something about getting Tolya's poetic arse off her back for a few hours," Nikolai chuckled at that, "And anyway, the interesting thing is what I found in the galleries. You see, despite the Fold, West Ravka is still a united nation-"

"I'm aware."

"Stop interrupting me!" You swatted him with a loose piece of paper on his desk, "It's rude. You'd have thought that you had some manners - what with your pretentious nature."

"Is there a point to this, Mouse? Because I suggest you get there soon."

"Well, what I was saying was, I came across a portrait. A new one - well, sort of. It had the King - Pyotr, that is - and his wife, and their sons. Did you know that they had 2? I had simply forgotten." A cheeky grin had snuck onto your face and Nikolai was now looking directly at you. You leaned in close to his ear, "I'd say they did the younger son a disservice, wouldn't you? Your Highness?"

Nikolai moved swiftly, clamping his hand down over your mouth. "Does Tolya know?"

You move his hand off your mouth, "Of course not. I'm not one to be going around spreading rumours that are not mine to spread."

"Good. And you're going to keep it that way. Especially if you want to stay on this ship."

"Oh, Nikolai. You're not going to fire me. You won't risk having the biggest threat to your secret not on your side. I'm a diplomat - I know how intimidation works," Nikolai fixes you with a stare, "Ok, I was a diplomat, whatever. Semantics. Point is, you're not going to fire me. Your secrecy depends on it."

After that day, your teasing had increased ten-fold and Nikolai's patience with you had decreased just as much. He hardly spoke to you if he didn't have orders to give you. And it pissed you off.

To be perfectly honest, you made his blood boil. Nikolai didn't know what it was about you, but you knowing who he was had tipped him over the edge. He thought that he was untraceable - a new persona, a new look. He'd made a point to never dock in Ravka - but needs must and there was no way they'd survive a trip to Kerch. They'd been running on fumes. To be honest, the trip had gone better than expected. But of all the people to find out, it just had to be you. He stewed alone in his chambers. They were currently in Novyi Zem, planning to head further west. Ravka had no power further west than Novyi Zem, a notion which many - including you - were grateful for.

He'd never taken the time to understand what you were running from - almost everyone in his crew was running from some demon, but you had never once let slip who you were before you joined Sturmhond's crew. He knew that you were a diplomat of some kind and that you were half-Ravkan, but beyond that, you were a mystery to him. Perhaps that's what pissed him off. That you knew exactly who he was and who he had been and he knew nothing about you.

A knock came at his door. Who the fuck could that be? To his knowledge, everyone was out partying in the taverns. Who could resist a peaceful night out when you spent every other night on a ship sailing in the middle of an ocean? Nikolai could. And so could this mystery person apparently. Nikolai opened his door before the guest knock again, groaning when he caught sight of who it was. You were standing at his door - coat and boots discarded and your shirt haphazardly untied. You pushed past him and made yourself comfortable in his chair, smiling as he ran a hand over his face.

"Awhh, don't look too happy to see me, Sturmhond. Or should I say, Nikolai?" You'd taken to teasing him in the privacy of his room, where you were sure no one could hear you.

"What do you want, Mouse?"

"I just wanted to see how my dear Majesty was holding up. It has been a rough week for us all."

"Cut the bullshit. I know you're here to piss me off. Not tonight, Mouse. Please."

"Ooh. I like it when you beg. Do it again." You grinned at him. You knew you were getting under his skin.

"I said not tonight. Get out, Mouse. Go piss off some drunkard in a tavern." Nikolai said, nearly pushing you out of the door. "Maybe he can fuck the attitude out of you," he whispered under his breath.

"Make me."

"I'm sorry, what?" Nikolai said, turning around to face you again.

"I said, make me, Lantsov."

"I told you to stop fucking using that name," Nikolai growled, pushing you up against the wall, his arm pushing under your boob. You flushed pink, heat pooling in your stomach.

Nikolai grinned, "Oh, I see." He looked you up and down, scanning your figure. You could feel your underwear soak with every second of his gaze.

"What do you see, Captain? Need me to get you a spyglass. Could help you-" You were cut off by Nikolai's lips on yours. They were soft, gentle, and yet demanding at the same time. It was nice. This was nice.

"Is that what you wanted, Mouse? Attention from your Captain?" The honourific felt dirty coming from his mouth. You felt the desire to push him further - to piss him off until he gave you what you wanted. What you needed.

"Are you sure it's not what you wanted Captain? You seem to be a lot more excited by this than I am."

Nikolai nearly growled at that, attaching his lips to yours again, before slipping your belt off. He slipped his hands down to your core, feeling the wetness and smirking.

"Not as excited as me, huh?" He rubbed a circle around your clit and watched your defenses crumble. You grabbed a fistful of his jacket in your hand as your hips bucked away from him.

Nikolai lifted you up easily, depositing you on his desk, "I wanted to fuck you that day. When you hopped up on this desk and threatened me the first time. Should've done it. Should've shown you exactly who the boss is around here."

He grabbed the small knife he kept in his breast pocket off the desk and flicked it open. You gasped. Nikolai grazed the knife against the outside of your hip, slicing cleanly through your underwear. You were glad you'd taken off your stays earlier - you weren't sure if you could survive him ruining your most comfortable stays.

He placed a gentle kiss on your throat before pulling your shirt off. He gazed at you, momentarily starstruck, before latching his mouth onto your nipple. A hand came up to toy with the other, and you dissolved into a moaning mess.

He pulled away from your nipple to grin at your state. You looked at him breathlessly, grinning, "Is that all you've got, Lantsov."

His stare turned dark. He dove down and buried himself in your pussy. He licked and nipped, flicking your clit with his tongue. He played you like a well-tuned instrument. He fucked your hole with his tongue - alternating between stroking your walls with his tongue and sucking on your clit.

Your orgasm washed over you unexpectedly, sending waves of pleasure through your veins. You clamped your thighs around Nikolai's head, throwing your head back as you cried out.

Nikolai lifted his head up, eyes glinting dangerously, wetness smeared all around his lips. He looked devious. In that moment, he was not Nikolai Lantsov, spare to the Lantsov name, but Sturmhond, masterful privateer, Captain of Volkvolny. You loved him for it.

"You've caused me a lot of trouble, Mouse."

"What are you going to do about it?" You bit your lip, hiding a smirk.

He threw his coat off, carrying you towards his bed. You were lucky that no one else was on board - if they heard what was going on you'd never live it down.

Nikolai laid you on the bed, stripping his clothes off at extraordinary speed. He was quickly inside you, eliciting whimpers from you at every movement. He gave you a moment to adjust before he started to thrust. His hips snapped into you at an ungodly pace and it was all that you could do to not fall apart on his cock.

Nikolai grinned at your silence, his eyes scanning over you. Your face was blissed out, eyes rolling to the back of your head every so often. Sweat glistened on your skin, as you rocked forwards at the force of his every thrust. He couldn't help the small praises that fell from his lips as you moaned lowly.

"Look at you, so fucking beautiful under me, spread out for me like a whore. That's what you are, my beautiful little whore." You moaned at the filth dripping out of his mouth, "What's wrong, sweetheart? Have I fucked the little mouse stupid? No words left to taunt me now, huh?" You moaned softly, your mouth almost stuck in the shape of an 'O'. "Maybe I should do this more often, keep you quiet for longer." You nodded your head, head too foggy to come up with another smart-ass response.

Your second and third orgasms crashed over you in quick succession - Nikolai clamped his hand over your mouth as you screamed 'Nikolai' over and over again. He promised that next time he'd fuck that name out of your brain, before pulling out and cumming all over your chest.

You lay on his bed - dazed from the intense fucking you just received. You were surprised to find yourself alone in Nikolai's bed - he'd disappeared moments after cumming. He'd said something but you were still coming down from your last high when he moved away. You began to spiral. Of course, he was only fucking you to teach you a lesson - why else would he be interested in you? You idiot! He's the prince of fucking Ravka and the Captain of this ship. What do you have that would interest him, apart from your bratty mouth and attitude? He said it himself - the attitude pissed him off.

You were startled when something cold made contact with your chest. You looked up to find Nikolai with something in his hand - a wet washcloth, maybe? - and a sheepish grin on his face. He was still naked, his hair still tousled and his face still flushed. An involuntary beam broke out across your face. He didn't leave you after all.

Nikolai was taken by surprise at the tears that gathered on your lash line. He pulled you up into his chest when you were clean, sitting on the edge of his bed with you held tightly in his arms.

"Hey, hey, hey." He said, drawing mindless shapes on your back as tears streamed down your face, "What's wrong? Did I hurt you?" He was confused - surely, if he hurt you, you wouldn't be seeking comfort in him.

His heart slowed slightly when you shook your head, but the confusion remained.

"Talk to me, Mouse. What's going on in that pretty little head of yours?"

"It's stupid."

"It's not. If it matters to you, then it matters to me. Tell me, whatever it is, I'll fix it." Another wave of emotion washed over you. You climbed into his lap and he wrapped his arms around you, pulling you into his chest.

"I thought you were mad." You whispered quietly, almost hoping he wouldn't hear you and that he would let it go.

"Why would I be mad?"

"You left." You shrugged, "You left and I thought you were gone for good." He pressed a kiss to your temple and pulled your head into his chest.

"Oh, Mouse. For all your genius, you are oblivious." You looked up at him, confused. "I love you, Mouse. I always have." You shook your head, "What?"

"You're just saying that." You said, tears filling your lash line again as you tried to pull away, "You're just saying that 'cause you fucked me and you don't want me to leave." You tried to move out of his arms but he held you firmly. You hit his chest, trying to force yourself off him, but he stood his ground. Eventually, you just melted into his arms - he held you as you cried, hands stroking your hair soothingly.

You calmed down slowly, chest heaving as you tried to replenish your lungs. You stayed relaxed in his arms. He laid his head on top of yours. "Wanna tell me what that was about?"

You shook your head.

"Do you trust me?"

You nodded your head.

"Do you trust me enough to believe me when I say I love you?"

You hesitated.

"Well, we've found our problem."

"You don't love me."

"How do you know? You been inside my head? Pretty sure even Grisha can't do that." You chuckled.

"You hate me. You can't even look at me - let alone talk to me for long enough to fall in love with me."

"I can't look at you because if I start looking I'll never look away. I can't talk to you because I look like a fool every time I try and string two words together in front of you. Ask Tolya - he'll tell you how hopelessly in love with you I am. And for someone who's not interested in romance, he's a fucking hopeless romantic." His words involuntarily brought a smile onto your face.

You looked into his eyes, "You're sure you love me?"

"Honey, you drive me wild."

You nestled into his arms, and he leaned you both back onto the bed. Your head hit his pillow and suddenly you're surrounded by him. His arms wrap around you tightly, his pillow smells like him, his face is right next to yours. It's nice. Comforting.

You looked up into his face, studying his features while he slept. He was pretty - objectively. His face was long - pointy. Someone had done a terrible job of fixing his broken nose - but it seemed off at a second glance. He seemed so different than the paintings in the gallery - more difference than age alone could bring. His eyes were the giveaway - they were muddy green at first glance but under the right light and if you stared long enough, they were the same hazel green as the ones in the painting. You reached up to stroke his face. How long would this all last? How long until he wouldn't be able to play pretend anymore? How long until he had to go back to being Prince Nikolai Lantsov of Ravka? How long did you have with him in this beautiful bubble that you had created? You could already hear the rest of the crew filtering in from their nights out.

A hand came up to wrap around yours, "Sleep, Mouse. I'll still be here in the morning."

You smiled. He'd still be here in the morning.

fin.

[ouroborosorder]

Guide Ahead Means Something To Me

Writing about Guide Ahead is…. extremely difficult, for a few reasons. One is that it is a very dense story, and to fully unpack it would require an essay so unfocused that it would be functionally unreadable. But the biggest one is that Guide Ahead is a story that focuses really heavily on the subjective nature of interpretation. How can I speak authoritatively on the thematic meaning of the plot when even a basic description of its events demands a deeper poetic interpretation?

The answer is “I can’t.” So, let’s piss off my English teacher, and coat an entire essay in the phrase “in my opinion.” Because I have to get personal if I’m going to tell you why Guide Ahead is my favorite video game story ever told.

I was raised Mormon. My mother was religious, but my father was absolutely not. You can understand why I related to Cecilia basically immediately.

Ultimately, the thing that draws me to Guide Ahead is the very thing that makes it hard to write about. Guide Ahead is, in my reading, a story about the subjectivity of divine meaning.

The most obvious manifestation, and the most important, is Law. But, Law’s execution, in traditional Arknights fashion, is kinda unclear, so I’ll recap for those who have hobbies outside of this, unlike me.

Law is the supercomputer buried underneath Laterano, and is the sentient religion that binds all the Sankta together into a hivemind of sorts. The Sankta are actually just Sarkaz connected to Law, given halos, wings, and empathic communication between each other. But, the main thing they gain, is a biological impulse to obey the Lateran religion’s thirteen doctrines. Anyone who breaks these doctrines are marked as Fallen, are cut off from the empathic connection, and slowly revert back to Sarkaz. Law represents religion as a concept and a community. Saints and sinners are just one and the same. But despite that, the laws of religion are created just to perpetuate the existence of a special in-group. One enforced by empathic connection they cannot share with anyone outside of them. That is Patia’s point - the Sankta have created an “us” and a “them,” and even the devout Liberi are not seen as “us.” They’re just converts, not real Sankta.

But, Falling has… weird grey areas. Like how Andoain was able to shoot Lemuen, or draw his gun on the fucking Pope, and not Fall in the process. This is because the doctrines are not actually the guidelines they’re held to. The Doctrines are subjective interpretations of the objective Law that they are all beholden to. That Law being “It must survive.” Law only is interested in the perpetuation of Itself, and, as a result, the continued existence of the Sankta as a societal structure.

This is the first and strongest example of what I mean when I say Guide Ahead is about meaning. Law says that the failure of religion is ultimately that religions supplant any subjective meanings with an “objective” meaning. But this “objective” meaning is just another person’s interpretation of the in-group’s best interest. Laws biologically programmed into the Sankta’s souls are revealed to be nothing but interpretation of Law’s interpretation of events.

People Fall not because they have broken a concrete law, but because Law… because the in-group has decided they did. Or when they broke the rules, they did something that’s good for the church. There is no objective laws within the Lateran religion, no matter what the machine is named. The system just declares sin when it deems worthy, and absolution when sin is a benefit.

It is this very hypocrisy that drives Andoain.

——————————————————————————————————

I remember being pulled aside at church one day. Everyone above 14 was given a sermon about the recent legalization of gay marriage. He said it was wrong, the church would never accept it. I asked him if it was like the time the church refused to give black people the Priesthood. He said this was different. I asked him how. He did not answer. I left and someone followed me out. He asked if I was okay. I told him whatever he was saying in there was not the teachings of any god that I know, and wasn’t the teachings of any god that loves me. I kept going to church after that, but deep down, I think I didn’t believe in it anymore. I didn’t feel like part of the community, I lost that reciprocation with my people. I just… began to think.

Andoain, as an antagonist, is defined by a search for meaning. He was the bishop of an Iberian church, and Iberia is doing pretty bad lately. His request for aid from Laterano was denied, and the message was clear to him. “You are one of us, but they are not.” But that answer just created a new question. Why? Why would those who claim faith and utopia as their ideals reject those who are suffering?

He searched for an answer in exile, and he didn’t find one. Instead, he found another story. The Sarkaz man who died in the watchtower to warn a town who hated him of an invading force. And this story made his question develop. Why would someone who is hated by everyone give their life to protect those very people? And why would those people then cry over the grave of someone they hated?

He had seen the realities of the Sarkaz and Sankta laid bare, but he couldn’t figure out the meaning behind it. He tells Cecilia these stories, knowing full well he doesn’t know what to make of them. I think he tells them to hope he finds the point partway through.

——————————————————————————————————

As much as I hate the Mormon church for dear god everything they’ve ever done holy shit look at them? My feelings are predictably complicated. Years later, my family fell upon hard times. I don’t want to say more than that for my own sake. We were struggling to even live. But… the church helped us. None of us gone to church for years, but they offered a hand. They gave us access to the Bishop’s Storehouse, gave us food and supplies for free, because we were starving. 

And yes, I know. I know they do this in an attempt at creating a false brotherhood in an effort to create a fascist sense of community. I have also read that part of Brothers Karamazov. I have also read Guide Ahead, come to think of it. But… Shit. Most of them tried to pretend we didn’t exist when we met them in the grocery store. And… they still helped us. In their eyes, I was Fallen.

But still, they saved us, and didn’t even ask for faith in return. I still can’t figure out why.

This is why I just… can’t see Andoain as a villain. I mean, yeah, he shot Lemuen, but even she doesn’t blame him for shooting his friends while holding the Stick That Makes You Shoot Your Friends. His entire goal is an attempt to sort through the cognitive dissonance between what the church tells him and what the church does. A dissonance that is, because of Law and the doctrines, innate to what the church is. An experience that should feel damn familiar to anyone who has spent time as an apostate. His plan is to simply confront the Pope about this hypocrisy, to get an answer, to find a meaning.

The answer he gets back is… It Must Survive. Law must survive. The in-group must survive. It doesn’t matter if we cry over the grave of the Sarkaz, because the Sarkaz would die for us. He searched for the answer to a question, the meaning of a statement. You are one of us. They are not. All this time, he searched for the meaning of those words, but in reality, those words were the meaning. That was all they ever had to say. He just needed to accept that.

…but if the in-group is all that mattered… why allow Mostima in Laterano? Why give her her position? She’s not needed for the survival of the in-group, the Law has deemed her an exile.

And… Why not Andoain?

Before he leaves, his gun is taken from him. A gun that, according to the church, has meaning. A meaning he takes as truth. He believes a part of him is left behind there. I don’t think he realizes it, but Mostima and Fiammetta are the question he left behind. They are Not Sankta, but yet they are accepted. And… I don’t know if there is a meaning to that. I still can’t figure out why.

——————————————————————————————————

For a long time, I missed those days spent in the community I had left. I would remember the things I left behind. The churchball basketball games we were destined to lose. The conversations held on the roof of the storage building behind the church. The scouting activities that were clearly an excuse to go bowling. The shitty halloween parties with the game where you ate donuts tied to a string hanging from a fishing pole. I missed it, for a time. I couldn’t help but look back.

Cecilia is searching for meaning to almost everything. When Andoain tells his stories to Cecilia, he tells her that he can’t find the meaning of them. That if there is meaning to be found, she’ll have to find it herself. So. She does.

Cecilia was faced with the same situation Andoain was obsessed with. But for her, it wasn’t hypothetical. She existed between Us and Them. She felt the pull between the community and the love and fun they represent, and the outsiders who were hated and rejected by the people around her. Society told her the meaning of her dual identity, the meaning behind each half, and then told her to choose. But… she’d experienced otherwise. She’d felt the kindness of the Sarkaz from the Pathfinders, and the hatred from the Church. She’d felt things that contradicted the meaning that she was told was true.

Her story isn’t just being forced to pick a side between the church or apostacy, it’s being forced to pick what meaning she ascribes to the world. Ultimately, that’s why her answer can only be her own. Your belief is… subjective.

And she answered… with a bell. A Sarkaz girl, bearing a halo, ringing a bell that has not been rung since the Sankta were still called Teekaz. A bell that once marked the beginning of the new era. A bell that carries the weight of a Sarkaz, hated by the place they called home. A bell that rings with the melody of a Sarkaz lullaby once sung by a Sankta. A bell that asserts her answer. She’s not Sarkaz, she’s not Sankta. She is Cecilia.

Everyone else finds their own subjective meaning within that action. Something as mundane as the ringing of the bell suddenly has more meaning than divine scripture.

No one else understood the nuance of what she said, but they understood parts of it. They understood what they wanted to. Those who know nothing of Lateran culture understand it as just… a beautiful welcome, celebrating the arrival of talks of peace. Most have their meaning determined by the church’s traditions. The pious see it as the beginning of a new era, whatever that signals to them. To the Church, it is that their talks will bring about a new era of peace. To the Pathfinders, it is a signal to begin their attack on Laterano to begin their new era.

There is so much meaning in that action, but in the end, it’s still just a fucking bell. There’s got to be hundreds, maybe thousands of them in Laterano. But this bell meant something more than the other bells. This bell had meaning, and that meaning made it divine.

This, to me, is what Guide Ahead has to say. That there is so much meaning to be found in something as mundane as a ringing bell. Within such a simple action, there is personal expression, liberation, the sound of change. And in all of this, there is the echoes of divinity, the echoes of faith, as if all of these things are, in themselves, divine.

——————————————————————————————————

When I left the church, I couldn’t help but look back, still tethered to a community who hated me. I think I wished I could stop looking back. I don't know if I realized I was.

In the end, everyone else looks back. They still have meaning to be found in Laterano. Andoain looks back, a part of his soul anchored there by the symbol he was told to believe in. Mostima looks back, knowing she’ll return just as she always does. Fiammetta looks back, because she refuses to let herself leave. Ezell looks back, unsure if he will be able to return home after what he has found.

But… Cecilia doesn’t. She has decided that she is not defined by the church, or the meaning they try to give her. She has decided to leave Laterano and see the world outside of it, to explore the world around her and find the meaning for herself.

And the last thing Cecilia does is... defined by ambiguous meaning. She sees Andoain walking in the sunset - and a word appears to her. The title of Martyr. A title she doesn’t understand the meaning or weight of, but that she feels is appropriate regardless. A title that, to other people, would mean something more. But to her, brings to mind the saints she heard of as a youth, a word her mother told her was important.

The story is ending, and they end it with an assertion. Cecilia is finding meaning, and others will find what they will within. Perhaps even she doesn't know all of it.

A while back, during a theater rehearsal, I suddenly remembered a conversation I had years before I left the church. I remembered speaking with my friends outside of the chapel after a sunday service. My friend said a sentence that has stuck with me ever since. “I don’t think science goes against God. I think God uses science and math. I think those things are holy, because they’re… what everything is made of.”

I remember looking around the rehearsal space and thinking that if science could be sacred, then… so is this moment, now. So is my time spent with the people I love. This is sacred. What I missed, what kept me looking back. It wasn’t the actual religion, but instead… just belonging to something. So… I stopped looking back. In that moment, however fleeting it was, I had found whatever it was I needed.

—————————————————————————————————

Look. You probably had a different interpretation of Guide Ahead. This story is just… So goddamn dense. There is so much there that I didn’t even touch on. For the love of god, I just did an analysis of Guide Ahead and didn’t even really discuss Fiammetta?? What kind of hack writer am I? (I just… couldn’t talk about her without being more personal than I am willing to be in public.)

If you have an interpretation that is different than mine, that’s great. I encourage you to hold on to it, and hold it close. That meaning is yours, and yours alone, and that’s a precious thing.

Because to me, what I found… is that very idea.

There is meaning to be found in anything - and a meaning that is yours, and yours alone. All you have to do is find meaning. and the idea that there is meaning to the world, that everything has meaning not because there is a “true” meaning to it, but because we find one there, because we put one there… that makes everything feel… divine, to me.

So… wherever you find meaning, you can find the divine.

You can find divinity in a ringing bell. In a terrible cactus tart. A carnival game you know how to beat. The promises of peace around a table. A cup of coffee. A city you hate. A community you love. A flower growing near a grave. A weapon you carry. A people you surround yourself with.

Those are all… holy to me.

And to me… that meaning is enough.

I hope yours is for you.

[skaruresonic]

The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.

[longagoitwastuesday]

Anyway, if anyone is interested, Borges' "Pascal's Sphere" plays with a few of the topics/motifs I saw in the moment in which Gojo first extends his Domain that made me rewatch the same five minutes of that one episode over and over for days, like a broken watch rewinding but unable to move on. It's also just a few paragraphs long

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[wasawattpadkid]

Housewife

Part - 11

Summery: Billy and Stu have been planning these murders for quite some time. Everything is going to plan until you show up. What happens when they meet someone who is just as mentally deluded as they are?

Pairing: Poly! ghostface x fem!reader

Warnings for this series: murder, blood, smut (will be more in depth on smut chapters), power dynamics, a dash of sexism, knives, stalking, perverse behavior, cheating, homophobic slang

Part 1

Billy slammed his bedroom door after yet another fight with his dad. His father wasn't keen on his son skipping school and being a victim of a brutal attack wasn't a good enough excuse. He pulled out his phone dialing Stu's number. It rang and it rang which was unusual. No one answered. 'Maybe he wasn't home?' Billy wondered quickly realizing Stu had no place to go. He dialed again hearing the mind numbing ring. Finally Stu picked up.

"Hello?" A woman spoke. "Uhm is Stu there?" The voice on the end belonged to his mother. A person Billy only met twice. "No, Stu went... Oh shit honey where did Stu go? What's his little girlfriend's name?" Billy listened closely trying to hear all of the conversation. He could barley make out a man's voice in the back which he assumed was Stu's father. "No not that one she died remember." Billy raised his eyebrows in surprise. Even he wasn't that insensitive and he murdered her. "Y/n, Stu is staying at Y/n's." Staying?

Billy laughed nervously. "No I don't think I heard you right ma'am. Did you say "staying?"" She rubbed her forehead wanting to hang up on the strange child. "Yes he moved out while we do renovations. Goodbye now." The line died leaving Billy to piece all this together. It was almost laughable. He managed to lose the only two people he cared about on this horrible planet and both of them were probably fucking without saying so much as one word to him. Billy grabbed his things deciding to pay you and Stu a visit.

The drive back to your place was nice. He had a plan and things always ran smoother with a plan. He parked a block down the street deciding to walk the rest of the way. Your bedroom light was on making it easy for people like Billy to see into your life. He was ready for the worst. Maybe he'd break in like a scorned lover and kill the both of you. It'd be poetic but it would easily trace back to him. With your fragile little heart it'd probably stop knowing you'd been caught.

He lifted the binoculars he brought up adjusting the lenses so he could see. You walked into the room wearing some nightgown that resembled something he's sure his grandmother wore. You were holding a bowl handing it to Stu who sat on the floor. Once you sat down you were completely out of view. Billy cursed under his breath as he thought up a new plan.

"You can't hog the m&ms asshole." You threw a blue one which he caught like a seal. Stu raised his eyebrows surprised he actually caught it. "I'm impressed." You clapped and he did a half bow sitting on the floor. "This is one of my favorite's." You said pointing towards the movie that just started. Stu rolled his eyes. "Everything is your favorite." He passed you the bowl of candy. "What is this again?" Stu asked only paying attention to long haired actor.

"Benny and Joon. I saw it when it came out with my ex." Stu was interested in that story but he let it go knowing how much you wanted to watch your movie. "Billy should grow his hair out like that." Stu said before he popped a handful of candy in his mouth showing you the mashed up contents. "Why are you so nasty?" He laughed looking back towards the TV. "No, long haired boys have too much power over me. He keeps playing though I'm going to buzz off what hair he does have."

You were oblivious to the man in your home and Billy was scared for you. No wonder you needed someone to protect you. The key was still in the same place it was Saturday after they left your house. He wished he could relive that day. Billy heard his name so he stopped moving trying to hear what Stu was saying. He thought you were furious at him but you talked about him like he was still your friend.

Stu laughed. "In that case I'll grow mine out." He was only half joking. "I think you could pull it off. Grow it too long though you run the risk of looking like Shaggy form Scooby Doo." You teased tossing a m&m up letting your friend catch it. "I'll keep it like it is then. I have thought about dyeing it though." You squinted picturing him with different colored hair. "What color?" Stu scratched his head in thought. "White or maybe frosted tips." You cringed at the thought of frosted tips. "Fuck I'll make sure never to play poker with you. Damn." He laughed at the obvious face you made.

Billy crept up the stairs just enough to be able to see in your room. "Oh shhh. I think blonde hair would look good on you but frosted tips is just too gay even for you." He gasped as he brought his hand up to his forehead like he was about to faint. "Yeah you're probably right." He dropped the act eating more candy. "Besides once we graduate we'll pack our shit and leave. You could dye your hair whatever color you want. What's your opinion on cottages?"

You sat on the bed with a big bowl of candy while Stu sat in the floor at the end of the bed. Billy was relieved and a little disappointed there was no sinful act happening. Where did this leave him though? Were you both just waiting for him to make a move? You didn't tell him how to fix things and that bothered the hell out of him.

"You're worried about frosted tips being gay but you want me to live in a cottage with you? I might as well wrestle naked with Billy outside just to show off to the neighbors." You pursed your lips. "Include baby oil and I'll be there." Stu laughed scrunching his face. "You are an absolute freak. Me too." You both laughed eventually focusing back on the movie.

It was nice to know Stu was still his usual self but it was odd seeing you adapt to who you were around. The baby oil comment which Billy did not want to unpack is something you'd never say to his face. You were carefree around Stu and it felt like for the first time since he met you he was seeing who you actually were.

"Someone's at the door." Stu said pausing the VCR. You groaned knowing Billy was showing back up to either kill you or try some stupid attempt of convincing you that you need him. "I'll get it. Stay up here I don't want a fight." Stu nodded laying back on your floor. You walked to the front door trying to prepare yourself for whatever was about to happen. "What do you want Billy?" Billy had a small window of time to back out.

"May I come in?" He asked and you knew he was about to put on an Oscar worthy performance. "You may." You said bemused as you moved out of the way letting him in. "Can you tell Stu to come down here I need to talk to him too." Your blood ran cold. Billy knew and you were both likely dead. "How'd you know?" The door locked in placed once you shut it. "I called his house and his mom picked up." You sighed nodding your head. "Hey Stu, can you come down here?" You called out worried for the both of you.

Stu was terrified. He felt like a child in trouble. The walk of shame down the steps was especially embarrassing seeing Billy at the end of them. "Hey Stu." He said sending the boy a small smile. Your new roommate shot you a look saying something along the lines of "what the fuck?" Billy knew he had to choose his words very carefully. "Um can you both just sit down for a second?" Oh yeah the cops were sure to find you and Stu tomorrow.

Both you and Stu sat on the couch looking at your friend stand in front of you. "I'll be the first to say I'm not good at this." He looked to the floor only looking up once Stu spoke. "No kidding." He joked but you looked at him with eyes that could only tell him to shut up. Billy chuckled before talking again. "I'm sorry." You analyzed those two words over and over in your head. They sounded genuine but they couldn't be coming from Billy, could they? "I am sorry for what I did to both of you. Stu I'm most ashamed about what I've done to you."

Billy was walking on eggshells here. His eyes darted over at you reading you expression. You weren't mad. Stu has suffered Billy's wrath way longer than you've known him. "I really do care about you, I'm just scared of what people think about me. I hate the way people stare at us when we're out in public it makes me want to peel my skin off. I shouldn't take that out on you or make you feel as awful as I do. So I really am sorry." Billy's words worked on Stu you saw it in real time. You still couldn't figure out what was genuine and what was bullshit.

"Y/n." It was a good start but how was he going to finish it? The moment he tried to put the blame on someone other than himself you swore you'd beat his ass. You and Stu would have a body to dispose of. "I was and still am a horrible person. I never once thought about how you felt or how what I did affected you because I never cared." It hurt but it was honest. The way kids stared and whispered about him today, he couldn't begin to imagine what you went through on a daily basis.

"I'm going to change." You laughed dryly turning your head away from him. Billy dropped to his knees in front of you holding your hands in his. You were losing. He knew what he was doing and it was working. "I'm going to get better because I can't imagine a world without you and Stu in it. I know you can make it on your own but I can't. I need you a million times more than you need me and I know that. Not just to cook or clean but I need you to squeeze my arm when you watch a scary movie. I need you to call me out on my shit when I'm obviously spinning a story my way."

"I need you Y/n." Stu looked at Billy never seeing him open up like this. "You don't even know me." You quipped trying to be the voice of reason. Billy's voice cracked as he spoke. "Then teach me. I'll take notes if you want me to. This whole thing was to start over. We could bump into each other somewhere and we will meet for the first time all over again. I just need you Y/n, whatever version you give me I'll be happy to have." You lost. "Will you two excuse me for a moment?" You politely stood up going up stairs to your bathroom. Shutting the door you then turned on the faucet to full blast. The sink was going and eventually so was the tub. "Is she running water?" Billy asked worried he had done something wrong. You screamed so loud Stu honest to God thought the neighbors would call the cops. "Is she okay?" Billy asked standing up to go check on you. Stu stuck his arm out stopping him. "She does this."

You calmly returned, both the boys worried you might pass out from the length of the screams. "What do you want?" You asked Billy as you leaned on the door frame. "What do you mean?" This time he just wanted your forgiveness. He wanted to try again. "I accepted your apology. What do you want from us? Do you want us to go upstairs so we can some a threesome or are you actually wanting to figure this out?" It was sarcastic but you saw the brief second of consideration pass your friends faces. "I want us to be friends again at least. Did you know some bitches sat at our water fountain today?" He looked at Stu starting a whole new conversation. "Are they blind we sit there everyday?"

You snapped grabbing their attention. "I'm not fucking around. If we do this we do it right. I'm not getting hurt again and if I do I'm cutting someone's balls off." Stu put his finger to the tip of his nose quickly. "Not it!" He shouted making Billy smack his arm. "Ow man I was joking." He wasn't joking. "Am I understood?" The boys looked at each other not sure if they should feel this way about you right now. "Understood." Billy said as Stu echoed him. "Great! Now who wants dinner?"

Taglist: @katie-tibo @agustdeeyaa @bowlofceral @gonnapermashift @tati-the-fangirl @kozumewhore @tatijoestar @illyanam1011 @c4rved-pumpk1n @msghostface @gojosbucket @sammanna @lokigirlszendaya @reneki @fetusharryluvr @kadu-5607 @pumpk1n-writes @lovekeeho @tojisblood @zeysartzone @bluedevilss @life-of-music3 @flyestvenustrap @littleblondesoprano @loomiscorpse @nicciekawegosblog @reneemunson @miss-puregotti @ksgsfsgaj @zoleea-exultant @briefwinnerpersonaturtle @mistydreamscape @l4venderia @nex-crowley @ashreblogsnow @brynaa223 @your-desire666 @billyloomiswhore4 @holyladyofsorrows @megluv1 @ellieswifeiya @yoluvrz @forallthstarsinthesky @madsothree @youcantbesirius @lubunnii @captainhowdysseptum @geekygremlin @madneedshelp

Part 12

A/N: I am absolutely in shock by how much love this series is getting. I just wanted to let everyone know that the taglist is now closed. Thank you all so much for being so kind and supportive. 💕

(if your name has a line through it Tumblr wouldn't let me tag you.)

[obae-me]

Forgive me if this is a little out of the blue (and for the atrocious grammar-) but I must ask, what’s your opinion on Lucifer Morningstar, Mr. Pride himself, subconsciously showing off to the MC as a way of courting?

Like he’s basically a bird demon right? And you know how when trying to find a mate birds will show themselves off dramatically usually by showing of their feathers or dancing? Now I can’t really see Lucifer busting a move for MC, but I can definitely see this dork doing everything he can to look all “grand” and “cool” for MC, and he won’t even realize he’s doing it! It just happens automatically. Whenever he’s in MC’s general vicinity he’ll automatically make sure he has perfect posture and move with a graceful poise that you can’t help but marvel at, he’ll also start speaking more poetically in hopes of making MC swoon at his words, he’s basically just automatically going into “formal gentleman mode” to show off. And it gets even worse when he’s in demon form! He’ll ensure his horns are in tip top shape and his wings will subconsciously begin to puff up and open wide when in the presence of MC just so Lucifer can really show himself off all like “Look at me don’t I look so amazing and desirable?” Maybe he’ll even go as far as showing off his flight skills to MC to really drive in just how dorky cool he looks. God forbid any of Lucifer’s brothers witness this, they’ll experience so much cringe it nearly kills them!

MC also definitely catches onto what Lucifer’s doing even if he doesn’t realize it himself. But they won’t point it out, they always think it’s really funny especially when they catch him acting more crass until he notices they’re there and does a complete 180 in behaviour. They also have to admit his tactics are kind of working, Lucifer is very marvellous to look at…. I do however like to imagine that on one random night where MC’s helping Lucifer in his office, they’ll just offhandedly say something like “You don’t have to show off to me all the time you know? I actually think you’re cuter when you’re just your normal self” before bidding Lucifer goodnight and leaving the poor man at his desk blue screening.. poor guy XD

Oh, Anon, how in the world did you find the technology necessary for cracking my head open and taking a good look at my brain? Because I think about this kind of stuff ALL the time!

The only difference being, I find it so much funnier to have an MC that's completely oblivious to this kind of behavior for the longest time. He's been doing this sort of thing essentially the entire time they've been down in the Devildom, and he's PRIDE, so the prim and proper steps to his feet and the way his head is held high and the end of his coat-tails gracefully fluttering behind him just must be normal for him, right?

So they go about their days completely in the dark, and all of Lucifer's brothers have to simply watch this happen for months.

The way he'll purposefully go out of his way to show off, giving 120% in everything he does and in such an effortless way with his chest almost puffed out in pride. Keeping himself neat and clean and shiny, dressed in vibrant and royal shades of blue and red.

The way his wings are almost always spread wide when they're around.

Keeping his voice smooth and deep, with a hint of a vibrato in his voice.

Both an oblivious MC and a knowing MC are great options. And I absolutely approve of them calling him cute in any scenario, because come on, let the strong stoic men get called adorable sometimes.

In any case, my Lucifer brainrot is as strong as ever, thank you, Anon.

[drdemonprince]

i read in the comments to my last ask about "ordinary unhappiness" the idea of depression as a lack of agency and i feel like that is true? when i feel miserable and in pain, it's not because something is sad but because something is either unachievable or impossible (or at least there is the perception of it). and like i think that's what you were getting at too? this thing that drives you to keep going, this lack of satisfaction. i simply don't have anything i can give into such that i would ever even feel a lack of satisfaction. i've never had anything to give myself into and feel frustrated and perhaps sometimes successful in but instead i just envy the people who do have those things. nothing i've ever done has felt maintained a sense of emotional connectiveness in that way (positive or negative). i guess to wrap this back around to another potential talking point, i'm curious how you find that in your life? is it weird for me that nothing has ever felt worth putting myself whole ass into? idk, i find it envious you've got both writing and gay hypno fetish stuff you're able to just throw yourself into so wholly and utterly

Passion isn't inherent, it can be a choice too. I only look like I care a ton about writing and gay hypno stuff because I have deliberately chosen to pursue those passions, for many years, and cultivated a deep interest in them, anon.

When I was in my early twenties, I felt completely empty. I was a void. If you've read the first chapter of Unmasking Autism, this is the period I'm talking about in that book. I went away to graduate school (because I was good at academics, and I had some illusions about what a career in that field would do for me), but I had absolutely zero zest for the subject of psychology at that point. I had no research ideas. I read psychology books and publications purely out of obligation. I did what was required of me, but nothing additional beyond that, and I spent the rest of my time sitting at home, sometimes literally staring at the wall and crying. I had no friends or hobbies, aside from taking long, long depression walks listening to podcasts in order to fill the silence.

This was when I was at my most depressed, and my most suicidal. Just existing was a pain. I'd sob in bed at night and cry out begging for God to kill me, and I didn't even believe in God. The only thing that distracted me from my pain was a guy I was seeing, who was beautiful and very cruel and inconsistent, and I clung to him through all kinds of lies and abuse because it felt as though my happiness was located inside of him.

I had a friend that I wrote to about how miserable I was, and all the twists and turns that my horrible romance was taking. Her name was Heather. (Unlearning Shame is dedicated to her). She told me hey, you're a really good writer, did you know that? I really enjoy reading your emails, even when you're speaking about the most pitiful anguished shit, you really put it poetically and have a ton of insight. You should write more.

For a while, I ignored her. I didn't care about writing. I just wanted to get my pain out on the page because I had nobody to talk to, and oodles of time to waste. I had nothing otherwise that I felt I HAD to say. I had no PASSION. I did not feel like I was put on this earth to do anything. Other people seemed to have these drives, and I had nothing.

But then one day in a fit of depression I stopped by a bookstore right near my apartment, The Armadillo's Pillow, just to get outside of the house. I happened upon a book I had loved in high school, Jonathan Franzen's The Corrections. I took it home. I read it. It transported me for a few hours away from my pain. I went back to the book store and picked up some sci-fi. A John Varley collection, I think. I was also swept away from my suffering, even when the stories had flaws that I noticed. I was interested in the actual craft of storytelling: what worked and what didn't. And there was finally some beauty in my head instead of the usual dreariness and self-hatred and emptiness.

And so. I made the choice to write. I could have taken it or left it at that point. I didn't care about anything. Caring is a muscle that you have to flex. And when you're depressed, it can be very hard. I needed a lot of nudges from the external world and other people, to realize that I had some things I did gravitate toward, even if I didn't realize it.

All that time of course I WAS driven to write. I was churning out 5k word letters to Heather every day practically. I was reading stupid shit online. And when it was put in front of me, and I had no reason to feel guilt about not working hard enough on other things, I reached for books. But I didn't feel passion strongly under the heavy blankets of my depression. Or usually at all, really. I am a quite internally muted person whose emotions are suppressed. But they're there. Speaking to me softly. And to overcome my depression, I had to decide to listen to them instead of ignoring them all of the time, and give them kindling, and then fan them into a flame.

I started blogging regularly while I was in graduate school (right here, hello, you can check my archive dating back to 2011), and finding a reason to live. When I was writing, I felt like the world was interesting, and beautiful. It gave me new things to do. I attended literary readings and book launches all over town. I submitted work to magazines. I bought old copies of magazines and read them. I inhaled books. I listened to fiction podcasts. I joined writing groups. At first, it felt like a slog, like anything else. Doing these things, I was not "happy". But I was interested. I liked learning about the world of publishing, critiquing people's stories in my head, and commisserating with other Tumblr writers about the stuff that got featured on the Prose tag that sucked.

After YEARS of doing this, of choosing to fan my passions, it became a genuine motivation in my life. But even then? I lose track of it sometimes. I get busy, or there's no place comfy to sit and read in my apartment, and I forget that I like writing and reading for months at a time. And then I have to choose it again. It takes effort to care about something, every time.

It's the same way with hypno. I did have a fetish for this stuff all my life long. But it's a passion that people always thought was weird and gross, and that I thought was bad. I didn't tell anyone about it until my late 20's. I felt ashamed masturbating to it or looking up hypno content online. For years I snuffed out that flame of passion until I could barely feel it anymore. It wasn't until I was super depressed AGAIN in my later 20's that I took a bunch of weird off-label anti-depressant drugs under the table and had a weird dreamy headspace overtake me and make me insanely horny that I remembered how much I loved hypno, and because I was in search of an escape from my tormented brain, I sought hypnotists out.

And I had the time of my life. But I also had boring, awkward encounters, bad hook-ups, and had to do a ton of work.

My passions have drawn me out of depression because I needed them to. I had to find them, listen to them, and then give them lots of food. And it's one of the few things that a person does often have agency over, no matter how dispiriting their circumstances. You can make choices about where to put what attention you do have, in what free moments you do have. When you're on the bus or in line at the grocery store and you're thinking about how much you hate yourself, you can try to think about a story you read or a sexual fantasy you had, instead. It's a lot of work. But it's better work than the work of hating yourself, which takes a whole lot of energy and attention itself.

I hope you can find something like this for you. It doesn't really matter what it is. It can be some hobby you've always wanted to try, or something "childish" you've suppressed. Having a passion isn't like being chosen by the universe to care about something. It's not like love at first sight. Nothing fucking works like that in life. It's always work. It's always a choice you have to make, because no one else will give it to you. But there can be hints that you can follow, sometimes.

[thoughtsafterdark]

Changeling

Years ago

When I fell I love with the shake of a head

The sweep of a fringe across honey eyes

With hard edges and cutting comments

With earnestness and sincerity

Trembling, pouting lips

And everything in between

When the thought of going to bed with strangers unnerved me

I was so in love with the unwavering notion of love

I thought there must be something wrong with me

When I was 13 I had a letterbox of loves, real and imagined, made from long sighs and airy thoughts

and I would take them out, carefully, blow off the dust and cobwebs at birthdays and holidays

Dance with ghouls under the green and red and blue Christmas lights

The hazy mouldy smog of the artificial tree made my throat itch, triggered asthma attacks

A 1970s astigmatic capitalist daydream

Our reflections mirrored on baubles in the dark of Christmas Eve

And I lived there between branches

Polypropylene leaves digging into my skin

And I would whisper in their ears

Exchange love notes by the nativity scene

Who needed friends when I had

Tempero parietal epilepsy

And a rich internal life

(Autism diagnosis pending)

Sometimes I think

Whatever happened to her

To that wild, wide eyed, unsettling little changeling

The one who would watch the washing machine for hours

Hypnotised by the universes trapped in soap bubble films

They warp and change divide and split. Mitose. Evolve. Is this what it is to play god. We are closer to him in those years. Half formed clay golems with chubby, pawing fingers, muddy hair and drooling eyes.

If I were to crawl into his lap

Do you think he would hug me close like my father never did

I remember mornings

On the way to school

Stomach in knots

I remember French toast smothered in buttery creaminess. Bottled sunshine. Red berries popping on my tongue. Bursts of blood red flesh against retainers. An autumnal afternoon wrapped in a nauseous morning haze. Palms drenched in sweat.

I remember mud and dirt on knees, under fingernails. The feel of butterfly wing powder on my fingers.  Digging through mud, playing with ants. I used to pluck out their legs one by one, and watch as the others tore it apart.

I remember the hypnotic lick of flames against midnight skies, paper towns and cardboard dollhouse burning to ashes in the wind. I used to imagine the screams.

Don't you think fire is so poetic. Some glitch in the matrix. As alive as a dead thing can be. Heat and light, ionised air, a chain reaction that spreads and jumps from one thing to another? Destroys in its wake. The cancer of the dead world, with its own nefarious self replicating agenda. The 2nd Law of Thermodynamics, heat death made sentient. Saltatory conduction and Conway's game of life (or death)

Do you suppose with enough time it could learn to think? Do you believe if it could it would scream?

She's been locked in her cell for too long. I'm so so tired and the mask is melting.

I used to think I was good at reading people. At empathising. Now I wonder was it just her. Playing with puzzles, matching faces to appropriate responses.

I can feel her waking up, with her wide fae eyes, her long pointed ears. The better to see you with my dear. Better to quirk a head to the side and hear you with my dear. Unhinge her jaw and swallow you whole. Feel my spine crack, bones rearrange, muscles twist. The crunch of food plunging down my throat. My scales contracting around the bolus, accommodating, slithering.

They say hate and love are two sides to the same coin and I am inclined to agree. I thought I knew hate, and then you came. Like a storm that left me desolate and full of rage. I can feel the bitterness and fury sharpening itself in my gut every time I hear your voice. The blade melting, forging. The voice driving me insane. To best you, leave you in the dust. I am so so bone tired.

Sometimes I wonder

If I should love my hourglass body more

There are moments when I envy men

But never as much as now

Nothing drives my dysphoria like

Wanting to gauge out your eyes with my fingers

And fuck your empty eye sockets while you scream

Feel the supraorbital notch against my pelvis

Revel in the wet, garish squelch

I think you've gone braindead but that's alright

That's what my fingers buried in your nape are for

There is blood everywhere, god so much blood.

And here you had us all thinking you couldn't bleed

(Shut up

You all know

If I were a man

Writing about a woman

Pinning her down

Rearranging her insides

You would clap and ooh and ahh

Such a tortured soul, aching for release

Slaps on the back and salutations

"Tell us Stanley! Oh did you know since you were

a fucked up little boy pulling on Pigtails

That your self-indulgent gore pornography would revolutionise the medium of film?")

My momma used to say, clutching at her bloated belly

that she would love any baby

As long as it was happy and healthy

And! As long as it wasn't mentally...deficient. She would laugh then. How could she have a baby like that.

Some say I'm a genius mommy

I was the best in my class

But why do I feel like

I should tell you I'm sorry

I really did try

But mommy I'm so tired

I want to go to sleep

My bones are sick of trying

And the redcaps in the Earth are calling to me

They're so hungry momma

And so am I

I hope you find your real daughter mommy

Hope she has your eyes

I hope you get to love her mommy

Just not the way you loved me