#so much story ideas so much things to think about

[chaoticwriting]

YOU ARE MARRIED??!!

-Wayne Manor, Gotham-

Cass is not having a good time. From the Arkham breakout last week all the way to losing a bet with his siblings on who is going to attend the gala with Bruce. And now this annoying lady kept asking her about her preference in men or something. And Bruce can't help her since he is being occupied by those rich assholes about investment or stuff.

Vicky: So, Miss Wayne. Is it true that you have a secret boyfriend?

Cass: No.

Vicky: Then how about that pict-

Cass: I'm already married.

Vicky blue screened as Cass finished her sentence. Cass takes the chance and slips away from her before she starts barraging her with questions. Revealing that she is married may not be the smartest thing she has done but she is very annoyed at people who keep asking her about her secret significant other. If they want to ask, at least use the proper term.

Just as Cass reaches the hallway, she is scooped up by two strong arms and is carried away to the Batcave. Cass looks to her side to see Dick and Jason both holding one of her arms each and looking very pissed. Well, Dick looks very pissed. Jason looks like he is having fun. Cass doesn't struggle and just lets her brothers carry her to the Batcave to have the talk.

They put Cass on the couch and proceed to guard the exit of the cave on the off chance that she decides to escape. Not that she would because she and her husband have been thinking of breaking the news to their respective family for awhile now.

She waited for a few hours while playing on her phone. Her main phone. Not the one she used to contact her husband since this family has a lot of competent hackers. She knows that being married is like a big deal. But she doesn't expect it to be such a big deal.

When she says everyone is here, she means everyone. From all his close family all the way to Selina (Bruce's fiancee), Roy (Jason's boyfriend), Kori (Dick's wife), Kon (Tim's boyfriend), Jon (Damian's bff) and even Harley and Ivy is here. She is also pretty sure that Clark is listening from somewhere but it's not like she is trying to keep it a secret anymore, so the more people there are the less she needs to explain.

Harper: So what are we here again? I would rather be home to polish my new gun than in this cave.

Dick: Since everyone is here, I would like to apologize for calling all of you in such short notice.

A murmur ranging from 'it's fine' all the way to 'I want to sleep' sounded in the room.

Dick: Anyway, let's get to the main topic shall we. For starters, I would like to say that none of us wishes to control who you dated nor who you choose to be your partner.

Some more murmurs sounded in the room.

Dick: HOWEVER! We would really appreciate it if you wish to marry someone, at least notify one of us since being married is a big deal.

More murmurs sounded as all of them have a rough idea on what the topic going to be.

Dick: So, the person in question, would you like to explain yourself?

A spotlight lights up on top of Cass, directing all the people's attention to her. She doesn't even know there is a spotlight installed in the cave.Cass stands up and looks at the crowd. She replies, "No."

Everyone is stunned by her reply. They expect many types of replies but no is certainly not one of them.

Tim: Fuck you mean no?

Alfred: I would prefer this conversation to remain civil and proper please master Timothy. I would also like to express my extreme displeasure at the fact that I am not notified by your marriage Mistress Cassandra.

Cass goes still at Alfred's sentence. Okay, shit is really serious. As much as she loves messing with them, she would rather not have her food burnt on the inside. (No one knows how Alfred manages to do that.)

Cass: Ehem, I'm just messing with you. It is a long story but to make it short, my husband and I met when we were in Hong Kong. We met after he got roped in one of the gangs that I was busting. After we met and a little misunderstanding, he helped me to dismantle the underground drug labs across Hong Kong.

Tim: So he is also a vigilante?

Cass: Ex-vigilante. He has a daughter now so he is taking care of her.

Dick: You get pregnant?!! How? When?

Cass: I did not get pregnant. But she is technically my daughter.

Jason: Like how Lian is with me?

Cass: No. Biological daughter.

Kon: Umm, guys. I think Bruce needs to rest a little. His heart has been beating a little too fast for even him.

Dick and and Tim are closest to Bruce realizing that Bruce's face has been impossibly pale for quite a while now. They take him to an empty couch and let him lay there and rest for a while. Everyone's reactions range from amused to straight up concerned that Bruce's career as Batman might get cut short today.

It takes a while but as soon as Bruce is fine, they continue another round of questions and answers.

Bruce: How long have you been married?

Cass: Next week is our 3rd anniversary.

Duke: Wait. Didn't you plan to go to Hong Kong for some time next week? You even ask me to cover your patrol because you say you need to go somewhere.

Cass: I don't lie. I missed last year's anniversary since there was an Arkham breakout at the time.

Duke: Dude, still not cool. You are going on a date with your husband while I need to spend hours running on top of buildings around Gotham. So not fair.

Jason: Was the present you asked me to send last year also was for your husband?

Cass: Yes.

Jason: I've been your middle man all this time and I don't even know.

Barbara: I found it! This is the registration for marriage between Cassie Cain and Daniel Fenton. You used a fake name?

Cass: Yes. You will know otherwise.

Bruce: Why do you hide it?

Cass: I'm not sure all of you are gonna like him and vice versa.

Dick: Is he a bad person? I will kill him if he treats you badly.

Cass: No. He doesn't trust all of you at first.

Steph: And why is that?

Cass: He thinks the Justice League is working with the government. So by extension, all of you are associates of government to him.

Steph: Why is he running away from the government? Is he a criminal?

Barbara: No. He doesn't have any criminal records in his name. Except for the fact that he is practically nonexistent before he is 18, there is nothing wrong with him.

Tim: Is it a forged identity then?

Cass: No. The government wiped away his records.

Dick: What? Why?

Cass: I don't know.

Damian: I expect you to at least do a background check on someone before marrying them, Cain.

Dick: Did you get married with someone you barely know? Do you understand how dangerous that is? What if he just dipped you after you got married?

Cass: *Rolls her eyes* He isn't a bad person. I make sure of that at least. I know he is some sort of meta tho-

A green portal suddenly appears out of thin air making everyone be on guard except Cass. She expects Danny to come out of the portal to greet her but what comes out baffled her.

A young girl that looks a little like Cass riding on a big wolf comes out of the portal swiftly towards Cass. Everyone is just about to shoot their weapons when the girl's word shock them.

???:Mama!

Everyone: Mama?!!

[angelltheninth]

Arcane Characters That Are Big of Heart and Dumb of Ass

Pairing: Vi, Sevika, Vander, Jayce, Loris, Ambessa x Fem!Reader

Tags: fluff, dating, flirting, cuddles, kissing, sparing, muscles, protectiveness

Ko-Fi | Rules | Fandoms and Characters

A/N: This came to me today during my work break. I love himbos and whatever the female version of it is!

PURE OF HEART: She will do anything, put herself in any kind of danger to protect you. Vi is ready to get into a fight with anyone, stand up to anyone if they're bothering you. The bruises might be there after but she knows you'll help her get patched up. Depending on where the bruises are she might get some kisses.

DUMB OF ASS: Charges head first into any situation and that more often than not gets her hurt. One would think she learned to use hear head a bit more by now. And just in terms of headbutting her opponent. However she defends her attitude by saying that she's the muscle here, so you should let her take care of things her way.

PURE OF HEART: First of all she doesn't want anyone knowing she has a soft spot for you. She is very aggressive in her flirting both in public and in private but when you're up close, in her lap she will whisper sweet nothings into your ear. After which she will bite it. Don't blame her, she has an image to uphold.

DUMB OF ASS: Sevika has always been a badass in Zaun, but not for her brains. As respected as she is some also see her as a glorified bodyguard that's now dating her boss's cute secretary. She hears these rumors of course but they don't phase her when she's had a few shots of her favorite drink. Not her best moment.

PURE OF HEART: He is a family man to the bone. And he sees you as his wife even though you're not officially married yet. It won't stop him from grabbing you around the hips and pulling you into a kiss, his tongue tasting of tabaco and your favorite drink. Yes, your favorite, because he wants to taste good when he kisses you.

DUMB OF ASS: While Vander might be one of the de facto leaders in Zaun he's made his fair share of dumb choices. He's forgotten to lock up more than once, leading to the people thinking the bar open and he walked out in his underwear. What made it more embarrassing is that you were right behind him, wearing just his shirt.

PURE OF HEART: Everyone who met Jayce even once can see that he has a heart of gold. There isn't a challenge he won't try to take out, be it with brains or brawn. Knowing he's smart hasn't stopped you from visiting him a few times in the forge and appreciating the way the sweat rolls down his muscled body. He even flexes for you.

DUMB OF ASS: The amount of times he accidentally burned himself because he was too busy making out with you is astounding. He picks you up easily enough. But then backs up a bit too much, touching or stepping too close to the heat of the forge. Either that or he knocks important tools down when he places you on his table.

PURE OF HEART: No one's got your back like Loris has your back. He's is one of the most supportive boyfriends you could ask for, husband material really. Whenever he notices you're having a bad day he will beckon you over and scoop you into his big arms. You're not getting away from him or his cuddles until you feel better.

DUMB OF ASS: Among the Enforcers he has always been known as the muscle, and as more than a bit of drinker. But he also tells the best stories. He can be a little crude sometimes, flirting with you and forgetting there are other people in the room. The next morning everyone is smirking at him and he has no idea why.

PURE OF HEART: Ambessa will crush anyone who has anything bad to say about her, her family, or anyone in her army. Her strength is in her physique, strategy and loyalty of her people. But on occasion she can show her softer side, when it's just the two of you. It's one of her weaknesses, that cute smile of yours that she would do anything for.

DUMB OF ASS: One of her favorite ways to flirt, and have foreplay, is to spar with you. However that tends to attract more than a few eyes. She always acts insanely possessive over you in those moments, her head still in the fight but also getting in between you and her soldiers. it ends up looking a bit like a dance, much to everyone's amusement.

[quantomeno]

I typically prefer the past tense. I consider it as a 'neutral' tense: the reader is unperturbed by it and it makes sense since most of the time you're retelling an event. But the last book I read was written in present tense and I had this distinct 'there's something off here' feeling until I realised it was the tense.

Also there's a bit in The Great Gatsby where Fitzgerald switches from past to present:

At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. ... By seven o'clock the orchestra has arrived .... The last swimmers have come in from the beach now and are dressing upstairs; the cars from New York are parked five deep in the drive ... The bar is in full swing and floating rounds of cocktails permeate the garden outside until the air is alive with chatter and laughter and casual innuendo and introductions forgotten on the spot and enthusiastic meetings between women who never knew each other's names.

As you can see, it goes from absolute past (came, crowded) to present perfect (has arrived, have come) to present (is, permeate). It evokes a sense of energy: "the air is alive" and it feels alive because it is in the now.

The past tense is the natural tense because that's how we talk about our personal stories. But you'll notice sometimes you'll use the present tense when recounting: "So I'm walking down the street when I bump into Marie and she keeps me there talking for half an hour, and I'm standing there with my shopping bags digging into my hands and she just yaps away."

The present tense tends to make the reader feel more involved in the situation, it makes the story feel more immediate and more real because it's not relegated to the past. A perfect example would be Se una notte d'inverno un viaggiatore (If on a Winter's Night a Traveller) by Italo Calvino, which not only uses the present tense but the second person ('you') to make the reader a character in the story.

There are also times where the present tense is used in recounting history. I've seen it done. I think it has a similar enlivening effect as it does in fiction.

Personally, I think the present tense is strongest when you use it sparingly. Too much of it can grow tiring. Partly by virtue of being a less commonly used tense it has a more exciting edge.

One last thing though, and as a final reason for the present, is that it makes the reader think the story is playing out now and thus what will happen next is still variable. In the case of the past tense, it's implied that the full story is over and the reader feels the narrator knows how it will end. In the case of the present, it feels more like no one knows what's going on.

Also the past tense is comforting. It is the tense of old tales and sitting by the fireplace, the tense of legends and rumour. It igves things a sense of fixity and truth. Brideshead Revisited, for example, needs to be written in the past tense because it is all about a reminiscence of the halcyon days of youth. Dracula should be written in the past tense since it is a collection of supposedly real diary entries and so it needs to look like things were being recorded properly and fully. The present tense can feel rushed, fleeting, but the past is always there and gives you time to set things down.

As a bonus: the future tense is an odd tense because it implies a degree of certainty, but can also have the feeling things could change still. It is incredibly disorienting and weird and should be only used if you really think it helps the idea you're trying to convey. Don't do things for shock value or o be cool. Like, a future tense horror/thriller story about an impending disaster to evoke a sense of helplessness in the reader might be interesting. Also consider context, because if the story is set in the past, future tense would be really off-putting (that might be the goal, or perhaps it's because a character in the past is predicting the future, there are times I'd say it's justified).

(also obviously I mean this as 'the whole book or a significant section is written in this tense, you can of course have bits where there's a bit of future tense, like that present tense passage in Gatsby. I just mean reading a whole novel in the future would be annoying)

I am thinking about fan fiction writers, but anyone who writes any kind of fiction can answer. (As far as I’m aware, non-fiction is usually written in the past tense - but if I’m wrong do let me know!)

If you like, explain why in the tags!

When I was young I gathered that all serious works of fiction were written in the past tense (past tense third person to be precise) so that is what i did when I started writing. However my mind was blown by the power and immediacy of Margaret Atwood writing in the present tense so I started to experiment with it myself, and now i strongly favour it. I get the impression that past is still the most commonly used, but I’m prepared to be surprised!

Please share!

[yellowfics]

“can i leave a kiss on your soft lips, baby?”

it was one of those days. the kind of day where bakugo katsuki found himself in an internal battle, silently questioning what the hell it was about you that had him so damn hooked.

it reminded him of the time his mom used to go on about how she fell in love with his old man, telling that whole corny love story. he thought it was stupid back then, but now, here he was, going through the same damn thing with you.

you weren’t doing anything special, and you hadn’t changed a damn thing about how you looked—you were just you. the way you carried yourself, the way your laugh filled the room as you scrolled through your phone, probably watching some dumb tiktok. and that laugh, all carefree and unaware, drove him crazy. you had no idea how much it was getting to him. hell, he loved every little thing about you, even if it pissed him off sometimes.

katsuki stood by the counter, arms crossed, crimson eyes trained on you. he told himself he wasn’t staring; he was observing. watching. noticing every damn detail about you.

why the hell do you have to look so good doing nothing? he thought, scowling as he clenched his jaw.

it annoyed him to no end. not you—no, never you—but the fact that he couldn’t stop feeling this way. the worst part was you weren’t even trying to be attractive; you just were. the kind of attractiveness that made him feel vulnerable, and katsuki bakugo didn’t do vulnerable.

when you glanced up from your phone and caught his glare, you raised an eyebrow. “why are you looking at me like that?”

“like what?” he snapped, quickly averting his gaze and biting the inside of his cheek.

“like i just insulted your cooking or something.” you tilted your head, amused.

“damn it,” he muttered under his breath, ignoring your teasing.

you set your phone down, curiosity piqued. “what’s up with you?”

he didn’t answer immediately. his gaze flicked back to you, and it hit him again. that look in your eyes, the sound of your voice, the way you stood there like you weren’t making his heart pound out of his chest. katsuki ran a hand through his spiky blond hair, a growl rumbling low in his throat as he closed the distance between you.

when he was close enough, he reached out, his calloused hand cupping your face. his thumb brushed over your cheek, rough but surprisingly gentle. you blinked up at him, caught off guard.

“katsuki?” your voice was soft, questioning his actions.

he didn’t answer right away, his crimson eyes locking onto yours. for a moment, his usual scowl softened, something unspoken passing between you. then, in a voice low and steady, he said,

“can i leave a kiss on your soft lips, baby?”

your breath hitched, and your lips parted in surprise. a shy smile tugged at the corners of your mouth as you nodded.

the corners of his lips twitched into a small smirk before he leaned in, pressing his lips to yours. the kiss was slow and filled with a raw intensity that made your heart race. katsuki wasn’t often tender—he didn’t think he needed to be—but when he was, it was like the world melted away, leaving only the two of you.

when he pulled back, his forehead rested against yours, his crimson eyes still locked onto yours.

“you drive me crazy,” he muttered, his voice quieter than usual. “hate how much i love you sometimes.”

you laughed softly, wrapping your arms around his neck. “i love you too, katsuki.”

[puma-riki]

⋆˚𝜗𝜚˚⋆ 𝒜 𝐻 𝓊 𝓃 𝒹 𝓇 𝑒 𝒹 𝒮 𝓁 𝑒 𝑒 𝓅 𝓁 𝑒 𝓈 𝓈 𝒩 𝒾 𝑔 𝒽 𝓉 𝓈

۶ৎ ʟᴇᴇ ʜᴇᴇꜱᴇᴜɴɢ x ꜰᴇᴍ!ʀᴇᴀᴅᴇʀ

୨ৎ 𝒮 𝓎𝓃𝑜𝓅𝓈𝒾𝓈 ~ Heeseung accidentally lets his secret slip in his sleep

𖹭 𝒢 𝑒𝓃𝓇𝑒 ~ Fluff a smidge of angst

𖹭 𝒲 𝒶𝓇𝓃𝒾𝓃𝑔𝓈 ~ Not proofread Heeseung has a bit of self-doubt (just a lil)

𖹭 𝒜 𝓊𝓉𝒽𝑜𝓇𝓈 𝒩 𝑜𝓉𝑒 ~ take this draft while I work on the next riki smau update. The next update is written so if it's not perfect I can't post it BEAR WITH ME. I got this idea from a TikTok abt ppls fiancée's being incredibly nervous before proposing and being painfully obvious about it LMAO

── .✦

Heeseung was exhausted.

He trudged through the door of your apartment, the door clicking shut behind him with a soft thud. The weight of the day pressed on his shoulders like a lead cloak he couldn't shrug off. His muscles ached from the hours of dance practice, and his throat was raw from recording in the studio. Even though the day had been long, his mind wasn't on the new choreography or the endless takes of content they had filmed.

It was on you.

As he slipped off his shoes at the door and padded into your room, his thoughts swirled. The small velvet box in his bag felt heavier than it should, tucked carefully between a change of clothes, and a water bottle. He dropped the bag onto the floor by the nightstand, staring at it for a moment before carefully pulling out the box.

He opened it, letting the dim light of the room catch the sparkle of the diamond. It sparkled like a fragment of a star

Is this enough?

The question struck him like it had every night since he bought the ring. Heeseung thumbed the velvet edges of the box, chewing on the inside of his cheek.

You're going to say yes... right?

He closed the box with a snap, shaking his head to clear the self-doubt. Heeseung loved you more than anything and he wanted this moment to be perfect for you-- a story you'd both tell for years. But as much as he tried, nothing felt good enough.

His mind replayed the day's events as he stepped in the shower, hoping the warm water would wash away his worries. Hours spent perfecting choreography, filming promotional content with the guys, then heading straight to the studio to work on their upcoming track. By the time they had wrapped up, it was already close to midnight. He'd pushed himself through the day, fueled by a mix of adrenaline and nerves, but as he went through his nighttime routine alone in your apartment, he felt the exhaustion set in.

Still, his thoughts were restless. He had written about a million things he could say to you, to lay his heart bare in front of you, and none of them felt right. His notes app was flooded with scrapped speeches and unfinished confessions.

You deserved a proposal straight out of a movie. Everything down to the time he popped the question, had to be perfect. He thought about proposing on New year's, but was he about to share what was supposed to be your guy's day with the whole world?

Absolutely not.

The place had to be stunning. Should he take you to dinner? One of the really fancy and expensive ones? Maybe not, that was too cliche.

The place you first met? Or maybe on a beach? No, it was too cold for the beach around this time of year. You'd probably like a smaller and more intimate place anyway.

But the scariest part was this:

Would you even say yes?

He was ready to wife you up the moment you laughed at one of his dumb jokes-- one that wasn't even funny-- and then you told him he was stupid right after, but you said it in a way that gave him heartburn.

He was ready, but are you? Did you even think he was husband material?

He had reached out to your family after he bought the ring. The gentlemanly thing to do was to get permission from your parents before he asked, of course, he would've married you whether they gave him permission to or not. They were enthusiastic about it. They had been sending him praise and encouragement over the phone since he last called, saying you'd definitely say yes and more than happy.

But they weren't you.

Heeseung groaned and covered his face with the towel he'd been using to dry his hair. He needed to go to bed.

Now showered and dressed in pajama pants and a sleep shirt, he tucked himself under the cool covers of the bed. Your side was empty, and he didn't like how cold it felt. He checked his phone.

1:03 AM

You had told him earlier today that you would be out late with your friends. Much to his disappointment, he would have to go to bed alone. He'd be asleep when you got home and probably be up before you for work.

Heeseung put his phone down on the nightstand to charge and turned to your side of the bed. His eyelids felt heavy, and his worries and doubts were starting to become muffled as he sank into the plush mattress.

--

1:47 AM

You quietly crept into your bedroom, heels in hand to make sure you made as little sound as possible. The apartment was quiet, save for the hum of the air conditioner and the steady rhythm of Heeseung's breathing. You glance over at the bed. He left his bedside lamp on, something he usually does when he knows you'll be coming home late. He's sprawled out on the bed, one arm thrown over his face as if shielding himself from dreams.

Your heart melts at the sight and a soft smile tugs at your lips as you move to the bathroom. The night had been fun, filled with laughter and stories from her friends, but this moment was your favorite part of the day. When you come home to Heeseung.

Once you freshen up, rid of makeup, and your pretty (but uncomfortable after a few hours) outfit, you turn off the bedside lamp and slide into bed carefully.

The mattress dipped under your weight as you tried to move as slow as possible to not wake him, although you knew how deep he slept after long days like this. Your gaze fell on him again, the dim light from the bustling city behind your window, casting a faint light on his face.

You reached out, fingers brushing back the hair that had fallen into his eyes. His chest rose and fell steadily and his body felt warm against yours as you moved closer. His face looked so soft, peaceful in sleep. His lips form a small pout as his cheek lays snugly against the pillow. A pout makes its way onto your face as you trace your thumb over the heavy shadows under his eyes.

Heeseung was always working hard. A little too hard. You could feel the stress radiating off of him the past 2 weeks. You'd boiled it down to him wanting to perform well with their packed schedule. Which is what it usually was, but you had heard that the group was doing just fine balancing everything and had every song and dance down to a T.

There was something else lingering on Heeseung's mind and you couldn't quite figure out what.

"My hard-working man," You murmur, hand resting on his cheek. "You need to rest more." You murmured again under your breath, squishing his cheeks gently between your fingers. He let out a soft snore in response, and you giggled, the cuteness aggression bubbling up inside you.

As you pulled your hand back, he stirred.. "Mmm... perfect." he mumbled, his voice thick with sleep.

You froze, stifling a laugh. "What's that, Hee?"

"...perfect... has to be perfect..."

You blinked, leaning in closer. "What has to be perfect, baby?" You whispered, brushing your fingers along his temple.

"...proposal.." he muttered, his brows furrowing slightly. "I dunno... if the rings enough... dunno if she'll like it.."

Your breath caught, eyes widening as you realized what he was saying. A flush crept up your cheeks, and you lips curled into a soft smile. "Oh, Heeseung," You murmured, voice barely audible. You seriously wanted to smother him he was so cute.

"She deserves the best... better than me..." His words slurred together, his hand that was resting on your pillow twitching slightly.

Your chest ached at the vulnerability in his voice, even in sleep. You grabbed his twitching hand and held it in yours, placing a kiss on the knuckle of his ring finger. Your thumb gently stroked his skin as you whispered, "You're already the best, silly. Nothing else matters"

"...What if she says.. no"

The words were so soft, almost a whisper, but they broke your heart a little. You leaned in, pressing a kiss to his forehead as you blinked back small tears that were starting to form. "You're such an idiot," you whispered against his skin. "I'd say yes to you a hundred times over."

Heeseung sighed in his sleep, his body relaxing against your touch. You laughed quietly to yourself, shaking your head. "My hard-working, overthinking man," Wrapping your arms around him and holding him close to your chest.

5:13 AM

Heeseung stirs awake, the soft morning light filtering through the curtains and painting the room in a golden glow. He blinks a few times, his eyes adjusting to the light, only to find you already awake and tracing the bridge of his nose with your pointer finger.

"Hi," he mumbled, his voice raspy with sleep.

"Hi," Your voice was so quiet, he would've missed it if he wasn't so close to you. A small grin formed on his face as his arm snaked around your waist, pulling you closer to him. "Were you watching me in my sleep, you weirdo?"

You smiled softly, a quiet laugh threatening to fall from your lips. "Maybe, You're cute when you're asleep."

"Oh, yeah?" Heeseung smirked, his hand slipping under your shirt to pinch your side, earning a squeal from you. "And what about when I'm awake?"

You squirmed in his hold, laughter spilling out of you as you tried to push his cold hand away from you," You're quite annoying actually."

"Rude." He mumbled, relenting and holding you tight against his chest. The warmth of his body and the steady beat of his heart grounded you, your earlier excitement now mingling with contentment.

"Why are you awake so early?" he asked, pressing his chin lightly to the top of your head as he began to play with the ends of your hair.

You shrugged, trying to act casual. "I couldn't sleep."

"Couldn't sleep?" Heeseung echoed, his fingers absent mindedly tracing patterns on your back, "Why not?"

"Just... thinking," You murmured, your cheeks warming at the memory of his sleep-talking confession just hours earlier.

He hummed, though his curiosity didn't press. The comfortable silence stretched between you until his voice broke it.

"Hey,"

"Hm?"

"If you could go anywhere in the world, where would you want to go?"

You pulled back just enough to meet his gaze, your face thoughtful for a moment as you looked off to the side and pursed your lips.

Cute.

Your face softened into a smile as your eyes met his. For a moment, his wide, doe-like eyes shimmered, gazing at you as if you had taken the night sky and laid it at his feet

"Anywhere, as long as I'm with you."

Heeseung blinked, his eyes wide for a split second before he let out a soft laugh, his hand coming up to squish your cheeks.

"You're so corny."

"Hey, you asked," You shot back, though your grin only widened when he leaned in to press a kiss to your forehead. Then your nose. Then your cheek and your jaw.

"I could also see you blushing" You giggled, face scrunched as he pressed another kiss to your cheek.

"Mmm.. I wasn't blushing." He mumbled into your cheek. His arm holding you impossibly closer to him.

"Yes, you were," You laughed, trying to squirm out of his hold again.

"Prove it then." He challenged pulling away from your face and holding your head close to his neck to prevent you from seeing his face.

"Hey!" Your protests came muffled against his skin and the pillow.

"Shhh, go back to sleep." You roll your eyes but give up anyway. The position you were in was comfortable and heeseung's warmth made your eyelids grow heavy.

"Hey, how do you feel about beaches in the winter?"

𝐏𝐞𝐫𝐦𝐚𝐧𝐞𝐧𝐭 𝐓𝐚𝐠𝐥𝐢𝐬𝐭 (𝐎𝐩𝐞𝐧!)ᯓ★ | @jiiyen @yangjungwonnie @amoressb @sugarikiz @stvrriki

Send and ask or comment on any post of mine to be added to my permanent taglist >:3

𝐍𝐚𝐯𝐢𝐠𝐚𝐭𝐢𝐨𝐧ᯓ★

[mareastrorum]

Been chewing more on how C3 wound up here. What’s throwing me is the strange shift from the cast’s unflinching “yes, and” game in C2 to a misplaced feeling that they need to choose correctly in C3.

I want to be clear here that this isn’t a criticism post because I genuinely don’t know what’s happening here. It’s just odd behaviors that seem to signal a problem, and I don’t know what solution would resolve it. I’m not going to be so presumptuous as to hypothesize about any cast member’s thoughts.

In the Cooldown for C3E118 (and offhandedly previously), Laura and Ashley expressed some nervousness about making big decisions because they’re worried about making the “wrong” choice. Without more, that attitude alone would explain much of the party’s indecisiveness about key campaign questions. After all, their characters are the two Ruidusborn of most interest to the campaign villains, and other characters (especially Orym, Laudna, and Ashton) have insisted that Imogen and Fearne take the lead on Predathos.

But this isn’t a story in a vacuum. C2 got completely derailed multiple times. The Mighty Nein decided to steal a pirate ship and leave the continent the campaign was set on; shortly after they returned, they decided to reopen a collapsed tunnel to go the opposite side of the continent; then Caleb returned the Luxon Beacon and made themselves heroes of an enemy nation instantly. That’s not even getting into the fact that Molly died before the Nein got to Shadycreek Run (which absolutely would have been all about his backstory) or that Twiggy left an incredible magical artifact that wasn’t supposed to be given to the Nein. Each time, Matt adjusted and made it work. Granted, C2 was more of a sandbox campaign, but Matt demonstrated his flexibility as a DM time and again.

Like, as a general rule of thumb, DMs shouldn’t offer options that would torpedo the campaign. It’s rational to avoid situations that have a genuine possibility of undercutting the game. Matt has been DMing for a long time; he’s done a very good job of finding ways to make the campaign work regardless of the decisions the players make. Even when players do something directly against the signals he threw out (like Ashton trying to absorb a second shard despite consistent, dire warnings that it would kill him), he works with the players to come to a reasonable solution (Ashton survived but the shard wouldn’t take, and he got some character moments out of the failure). We, the audience, know Matt is good at pivoting when he needs to.

In addition to taking the players’ curveballs like a champ, Matt also takes big swings for the sake of the story. In C1, Matt broke his biggest city with a dragon invasion, then made a new god leading an undead titan to go stomp out the world’s oldest civilization. In C2, he let the players go off the map whenever and still made the digression relevant to their character arcs every time. Not to be parasocial, but if we can figure out that that Matt can handle this sort of thing, the players certainly have a better feel for it than us.

So what is going on in C3? We know Matt isn’t scared of breaking Exandria or destroying the pantheon: he set that possibility in motion as the default ending if the players did nothing. CR literally did a mini series about the start of the end of the world with EXU Calamity. Laura and Ashley were also in Downfall and making big choices between the gods and mortals. Breaking stuff is what they do!

Where did this idea that there’s a “wrong” choice come from? That type of thinking kills a lot of great improv, and the whole point of the “yes, and” exercise is to shake it off. While it’s incredibly obvious to say not to think that way, the real issue is sorting out why that mentality has taken hold at all. That’s a problem no amount of fan discussion is going to resolve.

[greatmountainfloofsquatch]

I'll come out and say it: being born special is a gateway to fascist thinking.

It doesn't mean all stories about being born special are fashy, no, not at all. But if that's the trope someone was raised with, then when they get to adulthood, what will they be likely to think about human ability?

The flip side of "do not pursue specialness, that is wrong" that @asha-mage noted above is very Calvinist, and I don't think that's accidental either. Calvinism is very much about the notion of predestined special ones, and that dovetails nicely with fascism as well.

So maybe we need to push the idea that specialness being something you can and should pursue is a good thing...

rudolph the red nosed reindeer

[xxmooxmooxx]

irritable. ~ s.r. x fem reader.

MDNI 18+ ONLY

- told from spencer’s pov

prompt: Spencer accidentally sees y/n secret nsfw twt account and is struggling dealing with working along side her now.

warnings: angry Spence, nsfwtwt, mentions of sex, sex toys, perv! Spencer if you squint your eyes, age gap, lmk if im missing anything :)

a/n: BLURB! not a v long story. my first Spencer fic AND my first time writing smut. NOW reader and Spencer don’t hookup in this but it’s talked about quite a bit so proceed with caution loves. gimme feed back pls!!!! Lmk if you’d want a pt 2!!!

“i can't fucking do this, y/n. We have a lot of work left to do on this case.” I say getting out of my seat and walking towards the office door. It’s just too much right now. We’ve gotten nowhere close to finding this god awful unsub. Then here is y/n smelling like cocoanut and vanilla. Looking at me… no searching my eyes for answers I don’t have. And her hair? God. It’s down. Unlike most days where she wears it pulled back.

“Spencer! What the fuck? You told me if i needed to confied or talk to someone to go to you? If thats no longer okay then just tell me. You don’t have to talk to me like this.” She says getting out of their chair and stepping in my path to the door.

Shes right. I am being a complete an total ass right now. It’s not her fault. When she started last year I did tell her to come to me and she has taken me up on that offer lots of times and I've never minded it. I don't mind it. At Least I didn’t before… I look down defeated and sigh before looking at her. “You’re right. I apologize. Please, excuse me.” I take a step to the door.

“Reid…” She grabbed my arm looking up at me. “Please. What’s going on?”

I jerked off and came multiple times to your secret twitter account, y/n. I have your body engraved into my brain. I know exactly what i’d have to do, where to touch, how to touch, where to lick and suck now from watching the videos of you playing with yourself. I cant look at you let alone work with you, without wanting to take you into an empty office and showing you all the many things about your perfect fucking body I have learned and memorize. God even now during this stressful case all I can think of is fucking you so hard over this table that you cant remember what you came in here to ask for in the first place. But I can’t say that.

“I’m… fine. Okay? Many daily things in our lives especially in this field can cause irritability, for example: we’ve been on this case for 48 hours, we’ve gotten nowhere close to a profile, no idea how to stop this unsub, exactly how many victims he has so far, which means there's gonna be more innocent people dying. So, if I'm irritable that may be the reason. Now if you excuse me i need to go look the files we found on Amy Cassandra and Olivia Hidmen.” And with that, she let me go and I made my way out.

—------------------------------------------------------------------------------------------------------------

After a long week we are finally back home. I avoided y/n as much as I could which is the only way to deal with this until I can figure out how to move on. Then of course… once we get home going out to “split” the teams favorite local bar was suggested. We all agreed to meet up in an hour, giving ourselves time to go home and get ready.

I was sitting at our usual table with Derek and Emily when y/n walked in talking with Hotch. Fuck. me. She was wearing a short, silk, black dress that was hugging her body perfectly. Her hair was down framing her face perfectly and she was wearing her glasses. Last time i saw her glasses, they were on her bed side table in the background of the video she posted, showing off her new toys a sex toy company sent her. My thoughts are interrupted by her looking at me. I can't. I turn to Emily and Derek asking to be excused before walking past y/n and out the bars glass doors.

She’s your coworker, spencer. Not only is she a coworker, shes damn near 10 years younger than you, sees you as a mentor, and trusts you. What the fuck have I done.

“Reid!” i hear yelled from behind me.

No no no no… I turn to see her jogging towards me.

“y/n please go back inside.”

“No.”

“y/n…”

“Spencer, please stop.”

“No. y/n. You. please stop. Leave me alone and go back inside with the others…” I turn to walk away. After a few paces I hear:

“I saw.”

I pause in my tracks. Looking down at my feet. I’m fucked. I take a deep breath before turning and walking back to her. “You saw what?” I say looking down at her. My voice coming out deeper than intended.

“You liking and unliking one of my post on twitter.” She says softly and almost unsure.

I dont break eye contact. I’m frozen. What am i suppose to say to that?

“Spencer, please don’t tell anyone. I’m-”

I shake my head. “I wasn’t planning on talking to anyone about this.”

“Oh… okay…” A few more moments of silence. “I’m really really fucking sorry you saw that, no one i know in person was ever meant to see it. I just do it for fun and…”

‘I cant be having this conversation right now.’ i think to myself as she continues to ramble. “y/n. Stop.”

“... i know youre probably mortified…” she continues.

“Stop.”

“... I just dont wanna lose you-”

“y/n!’ I say louder than intended as i grab her shoulders trying to get her to listen to me. Shes staring wide eyed at me, silent. I losen my grip and lead her to a near by empty stairwell. I let her go and brush her hair off her shoulders and try to straighten the straps of her dress that was underneath my hands.

“Now…” i start calmly. I see her relax more and start looking at me with curiosity. “y/n, you have no reason to be apologoizing to me. You-” i stop myself to think before i let more rambling come out of my mouth. “I should be the one apologizing to you.” I say taking a step back attempting to give her some space.

“For what?” She asked genuinely.

“For invading your privacy. I saw your account and I was intrigued then after a few moments of analizing i realized it was you. I shouldve clicked away immediately but I didn’t, I kept scrolling and looking and I’m so sorry, y/n. You’re an amazing person, agent, and friend and I’m someone you trusted and i-”

“Did you like them?” she asked bluntly looking up at me.

Spencer. Stop. you cannot entertain this.

“Yes.” I answered searching her eyes for any signs of regret or disgust.

None to be found.

She takes a step closer to me making our hight difference extremely noticeable. “Spencer,” she started softly. The sound of my name on her lips going straight to my cock. “Did you touch yourself to me?”

“I did.”

She searches my face almost the same way i did hers moments ago before she yanks me into her by my tie our lips meeting and her pulling away before I could even register what happened. I look at her as if asking if she's sure she wants this before we quickly grab each other crashing our lips together again. Our bodies moving together and our mouths hungry.

“Fuck, I need you closer.” I moan into our kiss before softly pushing her against the wall of the stairwell. My hands roaming her body until they find their way to her beautiful thighs. I yank one of her legs up by her knee taking the opportunity to get my body closer to her. I can feel her hot core against my aching cock. My hands now resting on her ass and I leave kisses along her neck.

“Fuck, I’ve wanted you to touch me like this for so long, Spencer.” She moans softly into my hair.

“Is that so?” I ask, looking up at her as I slowly drop down to my knees.

“Oh my god.” She whispers as she realizes my intentions for getting down here.

‘She’s definitely gonna believe in a god when i'm done with her.’ I think to myself as I start leaving kisses along her thighs.

“Y/n??”

We jump at Penelope’s voice we hear from around the corner. FUCK.

I immediately get back up and look at her attempting to straighten her dress and hair up. “We’re just having a conversation. Okay?” I whisper to her searching her eyes trying to keep her calm

“Okay.” She whispers back.

I nod as I take a seat on the steps crossing my arms over my knees in an attempt to hide my boner from Penelope.

“Oh my god! There you two are!” Penelope said relieved once she saw us. “Is everything okay with my two favorite nerds?”

“Yeah, just kinda debriefing the past week. It was a lot for me.” Y/n spoke up.

“Awwww okay pumpkin. If you need to take time to yourself it’s okay, everyone would understand.” She said as she pulled y/n into a hug.

“Yeah that’s probably what i'm gonna do. I need to decompress.” Y/n says in response, hugging our friend back.

“Okay baby cakes.” Garcia responded by pulling away. “What about you, my handsome wonder boy? You okay?”

“Yeah i'm good. Just got a bit overwhelmed. I’ll probably head home as well.” I say in response looking up at her from my seat on the stairs.

“Okay then my loves. I’ll go let them know.” She says as she starts to back up. “Reid, be a gentleman and make sure our sweet y/n gets home safe.” She turns and sends a winks to y/n before turning and making her way back to the bar.

“You um… maybe wanna come over and talk about everything?” I ask looking back to the beautiful woman I had in my arms moments ago.

“I would like that.”

[meraki-sunset]

so your crow strider au gave me inspiration for my own au, but i've built up the idea in my brain so much that now im scared to try to put it to paper (oops) did you ever deal with this while making crow strider? (and if you did, how you got over it would be much appreciated thanks fhdjks) also your art is cool :]

Hi, sure, i encountered a few blocks when writing CSAU and other projects. I think my method comes down to a couple rules

You need to know how the story ends from the start, so everything in the story leads to the end. Things can change about the contents of the story as you write it and you change your mind about the events that will transpire in it, but you need an end goal you can build your story towards. Most importantly, this is what allows you to add foreshadowing for said ending and structure the narrative in a clear direction. Otherwise, you might come up with a cool ending too late and regret some choices from past chapters that now don’t help this new ending you want

On that same note (and i’ll proceed to copy and paste from an old post) You need to have a Word document with a rough timeline of the events from start to finish. You need to know how it ends from the beginning and how they get there. It can be really, really vague, but it has to be there. It can go like

. They start the game, the trolls bother them.

.both games go to hell

.scratch

.trip, develop relationships

.new set of kids/teen drama

.old kids they get there

.to hell again

.John retcons everything

.new timeline

.they win

And that's homestuck simplified, Those are your Acts. With them, you will know where you're going and if you need to change something earlier. Everything will be constantly up to change of course, but you will be going from point A to point Z more easily.

From there, you go to every point in that list and create a Word document for all of them. I have them in different folders to have every act separated and in order.

A folder for each Doc for every Act, Numbered, and in each one make more lists like that one telling what happens, for example

WordDoc1 - ACT 1 "They start the game, the trolls bother them"=

.John needs to get his game

.introduce Rose

.introduce the trolls on pester chats

. John gets the game

.introduce Dave

.etc

And those are your chapters. Now you can know the extent of what you want to do and if it makes any sense.

I addition to that, every Folder can contain not only the Word document for the Act but also relevant texts and art that are connected to the Act, so evey folder is all about that specific act and any inspiration for it.

Another piece of advice I can give you is to hint at anything important. That's a rule of comedy; actually, the comedian usually closes the show with something related to the first things they said.

That works for everything, and makes people go, "Oh the thing! The meaningless thing they said earlier, it was a clue all along!"

Interconnect it like a web, and that web will stop the story from falling

Homestuck is so ridiculously interconnected that you lose track of the stuff and objects that repeat that have no way to be where they got to be, songs and people and events that are too similar to not be connected but nobody addresses, things like that make it feel like you're dealing with a universe and not just a line of events.

3. Yet another thing, it's something I'm still trying to assimilate, and is that less is more, sometimes things don't need to be said, specialy not bluntly, and an expression, a gesture, a flinch can summarize them. Backgrounds can be reduced, and ideas can be conveyed.

one example is, In homestuck, it's never said that Dave was raised with lack of food. He never sais it, but it's shown in how happy he was to find a warm bottle of juice in his closet, how there is only weapons on the kitchen and no sign of food, how he later sais he never learned what the purpose of a fridge was until he saw it on tv. If someone is lacking something, don't have them say, "i grew up without X thing" show what filled that space in the absence of X thing.

Instead of some character saying, "My dad was never there for christmas" have them say how they thrited for presents at the local goodwill, payed with their lawn mowing money and put the presents under the tree themselves for their siblings and mom.

4. Something that I always have in mind when writing the dialogs and sketching the scenes, is

"I have an idea; what's the easiest way for someone to get the idea, to get the feelings i want to transmit from the idea?" I made the art something I could handle drawing hundreds of times, simplified the coloring, the aspect symbols, the way I draw backgrounds, the way I write dialogs, etc.

That will save you time and work and could prevent you from getting stuck with a project too big to handle

5. This is the most important one: The first draft’s only purpose is to exist.

Writing is like playing darts sometimes; you only get closer to hitting the center by missing it and learning what not to do. That’s an actual rule on animation and a motto on the Disney office. “Get it wrong as quick as you can,” because when you learn what you’re doing wrong is when you start learnign what doing it right means.

If it helps, title your first draft “the dumb version,” because that’s what it is—the version to get the idea out of your head, and then you built over it.

On the same note, once you write "the dumb version" don’t correct it. Rewrite it. It’s annoying, I know, i know, but fixing and fixing a text only carries the mistakes from the first draft, and everything looks kind of disconnected, because it ends up being a Frankenstein text of all the versions of the story mixed together.

This also applies to art; that’s how I handle both writing and drawing; if it’s not working, hold onto the core idea, new page, restart.

Rewriting it puts it in perspective; it feels like a text of its own, with a clear intent in mind.

I think that’s all I have. Making a story is mostly about managing your strengths and weaknesses, organizing and not being scared of it not being perfect.

Hope this helps.

[natsmagi]

ok no i need to bitch because i have remained positive and hopeful throughout most of !!-era because i believed that happyele loved their characters and wouldnt deliberately go out of their way to butcher them but time and time again i have been proven wrong on this fact. and seeing the way theyre doubling down on having ibuki, a ryukyuan kid from okinawa, join a traditional "wa" japanese unit that embraces mainland japan traditions when the mainland has continuously tried to make okinawa theirs and disregard the ryukyuan identity WHILE ALSO LITERALLY HAVING EICHI COLONIZE OKINAWA IN ATLANTIS its all just becoming too much. I am no expert when it comes to these topics so do not take my word when it comes to jp culture, conflict and the likes, but knowing how poorly happyele has continuously time and time again treated their indigenous (or middle eastern in adonis's case) cast i cannot see this going well. Not to mention how having ibuki join akatsuki goes against everything the three of them have built up and the whole POINT of their unit and that for them to even fucking put this garbage in the story they had to make keito PAINFULLY ooc to pull it off because NO OTHER REALITY WOULD ALLOW IT!!!!! theyre taking akatsukis developments and throwing it out the window in an attempt to make them something "new" and more profitable while also using a beloved group that so many have spent so much of their time loving and supporting into nothing but a scapegoat for their imperialist propaganda im so unbelievably angry that theyre doubling down on this. im so angry that theyre stupid enough to let shit like this pass

and im sure youve probably read posts explaining the aktk thing better than i ever couldve, esp considering im not an aktkP, but im also writing this to tell the fans of big units to Stop Giving In. do not feel safe just because happyele is scared of losing you, because I used to be an undeadP before getting into switch and the reason i STOPPED producing them was because they viewed the unit as nothing but a money-maker machine and would completely disregard their developments for the sake of feeding into tropes that fans liked and they cared more about yaoibait than they did the characters themselves. They tossed out any growth rei and ritsu had in opperetta for the sake of bringing back sakuma brothers conflict in that painfully annoying la mort story and theyre gonna keep doing this shit until fans tire of it. valkyrie, eden and knights are three super popular units with upcoming events, and i seriously need you to not give happyele any of your time or money because they do not deserve it.

even with switch, a rather unpopular unit, theres been total garbage pulled. in switchs case i think its safe to say that akira does genuinely really care for natsume and tsumugis relationship considering thats basically all that man even includes in his switch stories, but he never really knows what to do with sora. And i feel like he doesnt really care. Like sure i can sit here and be like "well at least MY favs seem to be doing alright" but thats purely because they keep spoon-feeding us crumbs of the units popular ships so we wont complain. i still really like their dynamic and i strongly disagree with alot of fans saying natsume and tsumugi have been OOC lately, but like. Look at sora man. i dont mind him having a little gf in the virtual world, i dont mind him growing more independent, i dont mind him relying less on his synesthesia. but the executions are just. Theyre painful. with the synesthesia thing esp bc synesthesia doesnt just go away. You couldve easily made a simple point of "you cant always rely on your synesthesia to know how people feel" because that is TRUE! but that would de-fetishize this idea these people have of synesthesia being some Magical Ability and not just a neurological condition. And with the sora being more independent; this is also something thats been needed for his story! natsume and tsumugi would often coddle him way too much, and sora himself would complain about being treated as a kid. But like. sora has started to feel so disconnected from switch in a way.....? and this has even been a point of conflict in stories, sora not knowing how to partake in ntmgs conversations because theyre too difficult, or being sad that ntmg never have time to hang out with him. But instead of working on these things, they just. keep having sora hang out with people outside of natsume and tsumugi? who have practically become a package deal at this point?? literally having sora join a NEW UNIT without natsume or tsumugi????????? i dont know. im rambling but i just wanted to get this out there. Theyre my specialest guys in the whole entire world and i just want to make people more cautious of thinking "well the aktk thing wouldnt happen to MY fav unit! they wouldnt butcher MY favs!" because they very much can. even if theres an aspect youre still hooked on, other factors are visibly crumbling because management cares only about what will bring the most revenue, and not what is best for the character

i cant help but feel the reason theyre pulling this shit with akatsuki is because they felt as though they somewhat got away with it with Double Face and raked in some extra cash because kohaku ended up popular, so now theyre doing that again but taking it to the next extreme. its disheartening

anyway. i will continue to draw and enjoy ensemble stars. But i wont be supporting them financially anymore as they clearly do not care about fans at all. if i desperately want some merch ill just buy it second-hand. And while im at it, i need you people to stop telling enstarries to get into some other idol franchise instead as if the main problem here isnt how disgustingly predatory they are. Happy Elements were THE biggest joseimuke franchise, making the most money out of all their competitors, and it still wasnt enough. they still didnt respect their fans. when the fans would continuously respect their wishes. Enstars is like the only fandom ive seen that doesnt share leaks for example, yet this courtesy means nothing to them. Corporations arent your friends, never have been and never will be. those characters arent real, they do not have feelings of their own. They were all written by someone to serve a purpose, and this includes ibuki being an indigenous kid joining the wa japanese culture unit. To use this popularity to spread so much fucking bigotry and hatred is heartbreaking. And to blame the fans for being upset over it????????????? youre disgusting happyele.

[soupy-the-only-one]

This post already tackle many thing, but i would also like to add that many people do not know there are actually different types of Omegaverse, and they developed thanks (for fault) of how different is the health insurance situation or the societal situation is by country to country.

If you have red omegaverse, you probably have seen three main branches, that we will name by the country developed them: USAmerican Omegaverse, Japanese Omegaverse, Chinese Omegaverse. Every country tend to have their differences, but these three, by merit of being the countries with more population or more tumblr famous media coming out of them, are the ones you will probably encounter in your fandom life.

USAmerican is the one everyone born before the 2000s started with. Alpha and Omegas must get together, and every other secondary gender couple may be seen as wrong. Heath can make you lose your mind. An Omega to be safe must be mated. Suppressants may often be illegal, or very expensive, and omegas will be ready to go in lenghty journeys just to get them. The parallels with private health insurance in the USA and the woman figure in that country are pretty evident. The country you live in have decided the medicine you need to regulate your cycle is now illegal because it may ruin your fertility. Is it true? Is it not? Depend by writer, but the everyday omega generally would care fuckoff about it and just want their pill. Is abortion possible? Well, the pup in the alpha propriety, so of course not. The normal (women having to suffer from very painful periods the doctor tell is absolutely normal, women having to merry to have some rights (like opening a bank account), women having to merry young if they want to actually have a life) got exagerated till they can no more think without their meds. And of course, for kink reason, for vengeance reason, for wanting to be outside the narrative reason, now there is a man instead of a woman in the story. Get your pariod pain you bastard.

In the past it was often time dystopian. Omegas were put in institution and sold to a rich alpha. Omegas got castrated. In the last years stories tended to become more slice of life, and heath more menagable. Still now, omegas have not their supressants covered by health insurance. It must be told that the change was more internal in the fandom, deciding the extreme kink of the first years was now too much and objectifind gay man. That must be told is an idea does not consider why they were written like that, but it would be a whole another post.

Japanese Omegaverse, instead, tend to have a complete different basis: No more Alpha/Omega like for the USA, the only good cristian WASP couple. In this country the anglicanism did not embed society like in the USA, and the system function more as a caste: Alphas stay with Alphas, Omegas with Omegas. Going outside of the status quo may shut you out, and it is not unheard of couples faking their secondary gender to stay in a relationship.

It is intersting in here how the health care mix with how the society is seen. While in the USA the anglicanism make the go get couple the most heteronormative possible to think of, but does leave space for societal movement, in japan the family and the group may be more important. Of course, it does not change the ending couple. Romance is the same in all the world. But in a world where suppressants are more easily available and everyone can hide their secondary gender (being a normal neutral office worker instead of the boasting american alpha use his secondary gender to escalate the company hierarchy), the secondary gender become something to be embarassed of whatever you are, to be hidden, and to be best shown only to other people are the same to you.

Of course we cannot forget how also japanese omegaverse had the warewolf trope, you probably saw sold in your comic book shop. And while this is their fully kink, with alpha warewolf getting their beautiful omega, we must remember how these also function: Omegas are not sold as wives. Omegas do not get the bite mark. While in the USAmerican omegaverse the bite mark is a necessity, because it make you an actual couple, in japanese warewolf omegaverse the wife, or more often the woman hired to give heirs to the house, will have a collar. It is unsightful to have a mark. It is not even necessary to calm down an omega, since they can get medicines, or to have a relationship, contracts are in there for that.

Chinese Omegaverse have a main difference by the other two, and it is its connection with the Xianxia genre. While both USAmerican and japanese are connected to the warewolf genre, in chinese it is all based on cultivation. I must preface by the fact also in China of course they have what we would call classical Omegaverse, near the USAmerican or the japanese slice of life type, but they have also this genre unheard of, by virtue of the genre it is based of being a classic Chinese genre, in all the other countries. This is by far the one i red less about, so please come and tell more in case you have more historical knowledge about it.

First of all, for everyone does not know, xianxia is a media genre based on the taoist concept a man can "cultivate" their qi (a type of life force existing in everything) to obtain immortality and particular powers. The Mo Dao Zu Shi novel, from whom The Untamed live action serie was adapted, is probably the most well know exemple.

Cultivation as a concept, existing since ages of old, already gave multiple notions could be used for fics, like the use of caulderons, people of lower cultivation from which someone can steal the qi to get more power, and the numerous theories about semen retention to keep your qi inside. If some hollywood star or musicians in the late 90's first 2000's talked about Tantric sex, it is the same source, with less knowledge about the real actual phylosophy than the worse teenager omegaverse fanfictioner.

The names of the secondary gender are changed:

Omega: 坤泽 Kunze Beta: 中庸 Zhongyong Alpha: 乾元 Ganyuan

In Cultivation there is the notion you can cultivate with someone else, your cultivation partner, to better cultivate each other energy by transferring it to one another. With Omegaverse, with the existence of heath and ruth, a cultivation partner become not only someone you could have to better cultivate, but a necessity to dissipate there problems and make them energy. Becoming this now a purely cultivation method, the romantic or sexual theme can disappear. Often a kunze and a ganyan will become cultivation partner, even arriving at a mating, but this will never be a marriage. In some versions even, if you fall in love with yout partner and want to marry, you will have to break the mating. This type of omegaverse give more fluidity, changing the fundamental of the USAmerican omegaverse, the bite you can never take back, and mix with the social, phylosophical and fantasy elements typical of the genre. It is now more rare to have a type of relationship frowned upon by the secondary gender element, but by how it is used. This also open new ways to change secondary gender. Being it connected to your qi, a corruption of your energy by external or internal forces can now change your secondary gender. Being used as a caulderon, deciding to use an unhortodox cultivation way, or living in a very bad energy polluted place, can all change your gender. The mating can be broken. And the clan is always extremely important.

As you can see, while all three clearly omegaverse, the themathic talked about can differ very much, and everyone can interact with them in multiple ways go beyond the knot fucking. And even the knot fucking change feeling depending on why it is happening. Are you an omega because you are tired of your sexual feelings and you want a way to act on them, without it being your choice and your fault, so making you innocent? Or are you considering fucking a know just a biological thing you have to do for your health, but consider it the same as eating a protein bar on an hike, and the real relationship is outside of it? How are you two connected? Are childrens possible or not and how does that influence your body?

Even if not liking the kink or the genre, it is not possible to deny the way it is often used to explore real situations the writers live in.

Do you think in the omegaverse there’s a new, awful layer to “the talk” that teens get

[thewertsearch]

@necrowyrm asked: happy new year!!! enjoy the last little bit of homestuck before act 6! Anonymous asked: You have NO IDEA how much I was looking forward to your reaction to this flash :D @teddy-bearer-of-bad-news asked: a very late congratulations from me for making it this far! i gotta say, saving CASCADE for new year's is probably the smartest thing i've heard all week. may your experience be nothing short of righteous, comrade Anonymous asked: Cascade … Even years latter knowing it almost by heart, every once in a while I will take a little quarter of an hour to rewatch it, Say what you want about Hussie but there is a good reason Homestuck became so iconic. @adeptarcanist asked: The leadup to Cascade was honestly my favorite sequence in Homestuck, and maybe one of my favorites in any media ever? The way the narrative splits apart into all of the different scenes swirling in towards the critical moment, both advancing main plots and finding time to spend a moment of melancholy with characters who’d been left behind (The Jaspers and Nepeta scene :( )… it’s such a strong narrative device, and the tone it generates is impeccable. @calamitascalliope asked: I literally watched the flash again, and it still gives me chills every single time. Welcome to your post-Cascade life. You won't be able to think about anything the same ever again @iris-in-the-dark-world asked: "she looks so cool… but she’s so tragic… but she looks so cool…" has become a brainworm for me. i too love the handmaid's design btw, cascade time has been i think the most anticipated non-personal event of the entire year for me. i'm so excited @publicuniversalworstie asked: I want you to know that I also opened Cascade and started watching with you right after I saw your "oh my god it has chapters" ask, and I finished just as you posted "I will never be the same" !! And I bet lots of other people did too <3 so it's like we all watched it together!!!! Happy New Year and thank you for liveblogging!!!! It's been a pleasure！(and will continue to be) @krixwell asked: I would like you to know that your "Right, we're good to go!" and "oh my god it has chapters" posts were posted right as I was outside watching midnight fireworks ring in 2025 for the Central European timezone. Happy new year! @captorations asked:

hey remember when rose just up and fucking said that. anyway congrats on reaching cascade! it absolutely wrecked me back in the day, i think i stared at those flaming curtains for a solid ten minutes as my brain permanently reconfigured. the first few notes of the track alone still give shivers. getting your reaction to cascade was a wonderful birthday present. (speaking of getting older: aradia 🤝 dulcinea also got that "distressingly short lifespan only to die early anyway" story thread going on. the parallels are paralleling.) anyway happy new year and congrats you are… slightly less than halfway done with homestuck. have fun!

Hey, guys. Cascade was so fucking good.

Like, there's really no competition; this is the best Flash page in the comic thus far. Peak music, peak animation, and absolutely a peak narrative. It tied up mountains of plot threads, providing complete answer to questions we're been asking for literally thousands of pages. It completed over a dozen arcs, both big and small. It made me gasp three times in fourteen minutes. It let Jade become a furry.

11/10, and I'm glad people had as much fun here as I did on New Year's Eve. Happy 2025, and happy Act 6!

@morganwick asked: Sally, predicting Cascade: "I have approximate knowledge of many things." @morganwick asked: "You literally have the whole world in the palm of your hands." -Sally to Jadesprite, December 16, 2024 (You might also want to reread post/770701212350857216 in light of recent developments.)

Hah!

I mean, based on her powerset, it made sense that Jadesprite would do something like this eventually, but it's pretty funny that she did it more or less immediately.

And in the end, CD really was a tricky little bastard. We'll definitely need to keep a closer eye on him, next time around.

Anonymous asked: Take a moment to consider that if anyone were to use the Homestuck website as it stands now instead of the Collection program, Cascade would have been presented in the YouTube player in Standard Definition, artifacted to hell, with a clear boundary showing the dimensions of the video from the very start. Preservation is so important.

Jeez, you're not kidding. The 1080p is fine, I guess, but it certainly doesn't hit like the Flash version does, especially with its lack of moving panels.

I know something had to change when Flash kicked the bucket, but surely there was a better way to preserve the video's soul.

Anonymous asked: to give you some of an idea of what homestuck fandom looked like during this time period, im cribbing from a very popular homestuck post: “first, this upd8 was something that we had been waiting for for WEEKS. A literally unprecedented wait period at the time. We were used to suckling at the teat of daily updates, a constant stream of conversation and plot twists and buildup, and as EOA5, we were finally going to figure out what all these countdowns and plot threads and disconnected elements were building up for. And when the progress bar reached 100%, and when the page FINALLY loaded on 10/25/11, it was chaos. This was 2011, a primetime peak point and growth period of Homestuck fan density.” (…) “MSPA crashed, as it had started to during the last few big [S] updates. Hussie had already bought new servers in advance, but even when allegedly thousands of dollars were spent it couldn't handle the accidental DDOS attack of Homestuck fans. People were up all night waiting for this upd8, the curiosity was killing me. I know at some point he was receiving at least 1 million unique visitors per day to his site [correction: according to Hussie’s tumblr, upwards of 2 million during this time], and even though Hussie had foreseen such traffic and thusly hosted [S] Cascade on Newgrounds, a dedicated video streaming site, Newgrounds was similarly unprepared for the sheer amount of people frantically mashing the play and refresh buttons, and also crashed. Immediately. MSPA and Newgrounds crashed definitively for at least two nights in a row” (…) “Andrew Hussie has gone on record to say this was one of the few times he thought Homestuck wasn’t worth it, because the sheer unbelievable cost (was it $10,000?) [correction: according to Hussie’s tumblr, it looked like it was going to cost $100,000 to keep [S] Cascade up for several days] of servers and the chaos of no one able to see the upd8 and crashing nearly every site after. He was tweeting during the whole debacle, stating he was reluctant to put it up on Youtube because of all the moving elements of the flash, and style, and how youtube degraded the quality of the file size, and how he tried to scratch out buffer time and pauses by putting periods of silence between each section of the 14 minute upd8, the longest upd8 yet” “So after Newgrounds patooted, he didn’t put it on youtube and instead put up the entire flash file on Megaupload, where it could be downloaded in it’s entirety to be watched. UNFORTUNATELY, Megaupload also crashed very quickly, which Hussie felt much headache over. But before that happened I managed to get the file, since I happened to be up very early that night! Next it was on dropbox, which didn’t crash but had “link unavailable” on and off. ”Spoilers were flying everywhere, people didn’t understand everything that had happened, and by the time the timeline of events in and out of [S] Cascade was all straightened out, people became even MORE hype. Like this whole thing lasted at least four days, and on top of that, the upd8 was good. Fandom exploded.” it is impossible to quantify the experience. The fact hussie was going to have to fork over A HUNDRED THOUSAND DOLLARS to host it is crazy. I am never going to be over it.

Cascade's complete obliteration of the Flash-hosting internet says a lot about huge Homestuck truly was - but I think an even bigger indicator of the comic's success is the fact that Hussie dropped literally thousands of dollars on server upgrades to host the thing. That's not an investment you make unless you're expecting some serious returns.

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[kudouusagi]

Animedia Uryuu Kyouko interview

Not skating but playing karuta!?

Q: What is the scene that you though "this is hot" the most during?

A: While they were playing Karuta! Please feel that true breath of life!

You'll be able to see all sorts of firsts!

You'll be able to see how Sakurayashiki and Nanjou interacted while they were young!

Just as the title says, you'll be able to see their morning routines!

You'll be able to see Hiromi-chan in love!

Click to read the rest of the interview

We asked Kyoko Uryu for secrets about the production of the OVA! 

--It's been just about 4 years from when the first season was aired on TV, and the OVA is going to be shown in theaters soon. How did you determine how production would go?

While we were making the first season, people would often say things like "I'd like to do this type of thing in season 2" so there was a strong desire to continue in the production team. So it was determined we'd make a season 2 very soon after we saw the reaction to season one. However, since it's an original anime without a work to base it off of, and the staff had plans to work on other projects, we figured it would take a while to make another season. We decided to produce an OVA before the second season, as we wanted to deliver something new in the meantime, and also as a gift to express our gratitude to the fans who would be waiting for a long time. That ended up taking quite a while too though......(sweat). Thank you so much for waiting......!

--Uryuu-san, please tell us your favorite part of the OVA, that's an "Omnibus story about their everyday lives"

We wanted to make something we couldn't do in the series, and we wanted to make it something that us as the staff would also want to see, so this is an episode we made from all of our ideas. I can't say much about the content yet because it would be spoilers, but I can tell you now that my personal favorite point is the theme song! Not only is it sung by Reki and Langa, the lyrics that Utsumi-san helped produce are amazing, so please listen to the full version on the OVA bonus CD!

--In the commercial currently available, we see Sakurayashiki and Nanjo in their highschool days. Was the part set in the past something you came up with after it was decided there would be an OVA?

Well, we had decided that they've been "frenemies since childhood" before this, but we started from wondering how these two would have been during their school days if they fight like children even as adults..... That's how we went about creating this story. We hope you enjoy seeing their former daily lives(?) that we aren't really able to depict in the main series.

--If there's a character that your impression of has changed, or you've found a new appeal because of the OVA, please tell us!

Kikuchi! Kikuchi is a mysterious character by nature, but I think you'll see a side of him that's completely different from the image you have of him from the TV series.

--Other than the second season that's already being made, there have been various collaborations and pilgrimage tours held for this series that's been loved for a long time. Is there anything that you personally want to see happen for SK8, Uryuu-san?

I feel like the fans of SK8 have a deep love for this series, so if I ever have the change, I'd like to have a tea party or something like that to talk with the fans about the series. I'll never forget about how enthusiastic the fans were at the talk event held during the pilgrimage tour last year (lol). Other than that, I'd like to be able to have a Canada episode someday and be able to hold a Canada pilgrimage tour...... of course before that I'd like to go to Canada with Utsumi-san for location scouting!

--Finally, please give a message to everyone waiting for the OVA to go one sale and the theater screening!

Thank you so much for waiting 4 whole years. 

The OVA is made for the fans who are overflowing with love for SK8, and I think it's packed full of rich content for them so please look forward to it!

The limited time theater screening will of course contain the OVA itself, but we also plan to deliver specially edited footage from the first season so that everyone in the theater can enjoy it together, as well as behind-the-scenes talks with the cast and director. There will be footage only shown in the theater so I hope everyone will enjoy it together before the OVA comes out. The OVA packaging will be just as elaborate, if not more than, the series packaging, so we hope you'll pick it up and watch it over and over again!

[ashonheavenscloud]

so i read this last night and have spent the last 24 hours of insanity thinking in circles about this fic and trying to come up with an idea of what to say about it… i’m not sure if this review will illustrate my feelings effectively but i hope, at least, that picture helps to demonstrate just how much of an impact this had on my brain chemistry.

you characterized seokmin SOOOOO WELL i could visualize EVERY action. i adore how you write, everything feels so alive and realistic, and so richly human. the scattered tidbits of their childhood, the nicknames, the tangible affection and closeness shared between seokmin and reader, really made this story feel all the more vivid. you have such an enchanting way with words. seeing seokmin through your eyes was such a treat. the pacing felt perfect, i’m in LOVE with all the repeated motifs (easily one of my favourite things in writing, makes me go crazy), and you succeeded in putting me through the whole human spectrum of emotion in 13k words. by all accounts i am deceased. 1000/10

ending my ramble by saying “he cups your face in his hands like water from a spring” had me setting down my phone and nearly crashing out oh my god that metaphor was GORGEOUS

triple-dog dare | lsm

“Bambi.”

The sternness of his tone surprised both of you, so much so that when you snapped to look at him, both of you froze. Your moon-sized eyes were further proof that your childhood nickname still rings true to date, although your being the deer made him the oncoming car in this scenario. 

He didn’t love that analogy.

Recovering quickly, he pulled the Ace from his sleeve: the surefire way for one of you to get the other onboard:

“I triple-dog dare you to come with me.”

pairing: lee seokmin x reader summary: when you're left off the guest list to seokmin's parent's thirtieth anniversary party, you're content to keep your questions to yourself and stay home. seokmin, on the other hand, is not content. in fact, he pulls the one card he knows will always win. au: childhood best friends to lovers genre: fluff, angst, smut type: one-shot rating: 18+ only. minors do not have my consent to interact. wc: 13k cw: pov switches, complicated sibling dynamics (seokmin’s), there is in fact one (1) bed, halmonis gone wild, stupid childhood nicknames, fingering (v), oral sex (m receiving), multiple orgasms, implied penetrative sex (p in v). reader notes: afab, uses she/her pronouns, wears a dress/heels to the party, is implicitly an only child. the setting is intentionally ambiguous, so she's not implicitly korean and/or asian. there are no descriptions of body shape/size, complexion, etc. a/n: thank you to the incomparable @daechwitatamic for beta-ing this! it's been a long damn time since i've written anything, so this might not have seen the light of day without jo, the hype-man. on that note, i suck at summaries; just read the fic, lmao. svt masterlist. svt permanent taglist. multi permanent taglist.

For being the walking disaster that he is, there have been shockingly few moments in Lee Seokmin’s life where he’s needed to shove his oversized foot into his oversized mouth.

Prior to the incident at your apartment, the last time he’d embarrassed himself like this was when he’d asked his oldest sister, Soyeon, in earnest whether or not she was pregnant, only to learn that she was just bloated; and he’s just an ass.

To your credit, you’re far from cruel when he slips up, but that almost makes it worse. You visibly deflate when he asks his well-intentioned but ill-fated question, rather than letting him have it the way his two siblings would have done.

The day in question went like this:

He asked, “Did you reserve your room yet for the 31st? If not, we can double up. It’ll be a lot cheaper.”

And you blinked, stunned like you’d been slapped. “Have I what?”

It dawned on you both at that moment that, for whatever reason, his parents’ thirtieth anniversary party was in fact news to you. Two things then happened at once: you tried to hide your surprise and the twinge of pain that comes with being excluded; and he racked his stupid brain to find any explanation for why you had to feel either one of those things.

The best option he found was to gently toss his middle sister, Seonmi, under the metaphorical bus. 

“Seonmi’s been working on something special for them. You know how she gets,” he waved dismissively. “So obsessed with finding the perfect napkins — ” He wiggled his fingers for emphasis. “— and creating custom cocktails, that she misses the forest for the trees.”

You didn’t look convinced. Likewise, you didn’t look any less uncomfortable.

Fuck.

“I’m sure it was an honest mistake.” To drive his point home, he reached from his spot on your couch to give your knee a reassuring squeeze. “I have a plus-one, so it’s not like it’ll be a logistical problem. You belong there as much as we do.”

And he meant it, wholeheartedly. 

All his life, the running joke has been that Soonyi and Minseok Lee have four kids: two biological daughters, a younger son, and his otherwise unrelated twin, who spent more time sleeping on his top bunk than in her own home next door. 

The way he saw it — and the way he’s sure his parents would see it — is that no family gathering is complete without you. That’s a hill he’d die on if need be.

You shifted in your seat, which caused his hand to slip off your knee, whether or not you meant for it to happen. Glancing uneasily out your window, you worried your bottom lip between your teeth, mumbling, “I don’t know…”

Seokmin frowned. You didn’t see it, though, and therefore weren’t moved by it. Instead, you cycled through your anxious thoughts at high velocity. If he was still touching you, he’d be worried that your sparking brain might catch him on fire.

“What if it’s not a mistake? I mean, what if it’s a couples thing?” 

He couldn’t even classify these questions as rhetorical because he wasn’t meant to hear them in the first place. Though you asked out loud, each one of them was for your ears only. From his half of the couch — miles away — his frown deepened, unbeknownst to you.

“You know, Seonmi follows me on Instagram; she’d know that Kai and I broke up a few months ago. Maybe she doesn’t want me to feel awkward? Even if I went, and I didn’t feel weird about that, her expecting it to be weird might make it weird, right?”

Fuck.

You’d spiral all day if Seokmin didn’t stop you. As much as he loves how thoughtful you are, he knows better than most that you have a tendency to take it too far, inflicting that relentless consideration on yourself until it wounds. 

“Bambi.”

The sternness of his tone surprised both of you, so much so that when you snapped to look at him, both of you froze. Your moon-sized eyes were further proof that your childhood nickname still rings true to date, although your being the deer made him the oncoming car in this scenario. 

He didn’t love that analogy.

Recovering quickly, he pulled the Ace from his sleeve: the surefire way for one of you to get the other onboard:

“I triple-dog dare you to come with me.”

Begrudgingly, you’d conceded, just like Seokmin hoped you would. You sat with him while he figured out travel plans to the mountain resort, helped him visualize what the hell he needed to wear to an event like this. When the time came, you sent him half the cost for the room he booked, even though he repeatedly insisted that you didn’t need to chip in.

Now, that unsolicited sum sits untouched in his Venmo balance. You sit next to him on the night train out of town.

Sit, he thinks, is a bit of an understatement. You’re barely upright, so exhausted from your work day that his shoulder and side are bearing most of your weight. His arm went from tingling to numb an hour ago, but Seokmin doesn’t mind. There isn’t a burden he wouldn’t carry for you, up to and including you yourself.

Besides, he’s not worse off for being left to his own devices. In fact, he keeps himself thoroughly entertained by taking selfies of the pair of you. The aftermath will stay securely in his camera roll — largely because you’d kill him if you saw how squishy your face is, pressed against his coat, or how your little pout trembles slightly, almost as if you’re trying to talk through your sleep — but he still finds it worth the risk. This mochi-cheeked version of you is one of his favorites.

When Seokmin has amassed enough silly photos to comprise a dossier, he tucks his phone back into his pocket with a self-satisfied smile. You’re still out cold, so you don’t stir at his subtle movements or the sound of the concession trolley rattling your way down the aisle.

The girl manning said trolley is significantly outweighed by the thing itself. She hardly looks old enough to have graduated high school, he figures, and he can’t imagine how it is that she’s working at this hour — or how she got stuck doing this job, when it takes all she’s got to maneuver the giant metal contraption through all the train cars.

“Anything, sir?” She asks politely, albeit slightly out-of-breath. 

Even though she’s speaking to him, her gaze is directed squarely at his hat, leading him to believe that she may also be too shy for her job. Nonetheless, it’s been two entire hours since his dinner, and he’s on the brink of starving to death, so he coughs up a few bills in exchange for several different snacks. 

She could do him the kindness of assuming his massive pile of food is for sharing, but she doesn’t. She gestures to you and whispers, “Anything for your —?”

Seokmin intercepts the question, knowing exactly where it’s headed: in the same direction as the million others like it that he’s heard over the years. 

“— parole officer?” He supplies with a smile, “No, this nap is fueled by a lot of crab rangoon. She’ll be out for the duration, I fear.”

Both halves of his response seem to stun her, which means he has to cover his inevitable laugh with a fake cough. 

This bit of yours will truly never get old, although the implications that prompt it did a long time ago. It was a stroke of genius on your part, dodging inaccurate references to your relationship status by offering up something too absurd to converse around.

“You two make such a cute couple,” an Uber driver once told you.

“He’s not in a relationship,” you’d politely corrected him. “He’s in witness protection. I’m duty-bound to keep him and his identity safe.”

The silence turns awkward, so Seokmin thanks the girl and gives her a smile he hopes says, “you’re allowed to run away from me now; I won’t take it personally.” She bows her head a little too eagerly, then skitters off with a grimace, like she pulled something in her neck.

Alone again with you, he wiggles gently upright in his seat so that you can rest more comfortably against his pectoral, rather than his shoulder bone. Even though you’re still asleep, Seokmin swears he hears a quiet mmpfh, as if you’re expressing gratitude. He bites his lips to keep from smiling, knowing that smiling in your proximity is one step away from laughter: the only thing you’ve never been able to sleep through.

Instead of giving into the urge, he murmurs, “You should get paid royalties whenever we use that joke. Being as smart as you are should pay off.”

Now, he knows he’s not simply hearing things because you’re just barely loud enough to overcome your own mumbling. 

“Agreed,” you sigh on an exhale before slipping to sleep off again.

“Well?” 

There are two beats between his first question and his next: the unfilled gap you’ve left in the conversation and the cab’s trunk shutting firmly. “‘s that cool with you?”

Seokmin stares at you, staring at him. His expression is soft, like your lack of responsiveness is something to be fond of, rather than annoyed by. It’s unexpectant, too, leaving the door wide open.

You blink. “Sorry — I — What did you say?” 

Hitting him when he least expects it, you shift your suitcase from your dominant hand so you can gesture properly to the bright, poorly crocheted bucket hat flopping over his forehead. “It’s a bit hard to hear you. That hat is so loud.”

His quizzically raised eyebrows drop in an instant. Likewise, that airy smile of his flattens into a straight line. 

Bullseye.

“Is it me that you hate?” He asks, tone dead serious as he points his finger towards his own chest. “Or is it the very concept of whimsy?”

You’re too busy biting back a grin to protest when, without being asked, Seokmin reaches out and takes the handle of your suitcase into his own hand, as well as the garment bag you’d draped over your arm. Before turning away to abscond with both sets of luggage in addition to his own, he shoots you an incredulous look. It dissolves entirely before his face even disappears from view. 

“This is an objectively delightful hat,” he mutters, nonetheless, in furtherance of the bit.

He spots a member of hotel staff standing on the sidewalk directly outside the hotel’s double doors and pleads his case to them. “She made me this hat, you know,” he announces, gesturing back to you with a nod.

The valet’s uniform hat casts a shadow under the lamplight, but it doesn’t do enough to hide the expression on their face. It is abundantly clear — even in the dark — that they didn’t hear a single word Seokmin said before he offered up that bit of trivia, seemingly apropos of nothing. They muster up a customer-service smile that doesn’t reach their eyes and tell him it’s a wonderful hat. Meanwhile, you roll your eyes from behind because nothing either of them just said is true.

That hat is the byproduct of delusions of grandeur and innumerable skeins of color-conflicting yarn. You made it for yourself, believing that you were the kind of cute and kitschy person who could pull it off; and inconsolable weeping Christ, were you wrong. It was — no, is — your greatest fiber arts failure.

Frankenstein’s floral monster would be in a secondhand shop somewhere if you’d had any say in the matter. It isn’t because you didn’t. Seokmin “rescued” it from the “to donate” pile on your bedroom floor. Since then, he’s worn it at every — public — opportunity, season be damned.

Admittedly, he’s exactly the kind of cute and kitschy person who can pull it off, but you’ve decided out of sheer pettiness to keep that appraisal to yourself.

You take your time catching up to him, both because his long legs make it hard to keep pace; and because the room is reserved under his name. After all, he’s the welcomed guest, not the reluctant party-crasher. The receptionist is already handing him a white keycard when you finally reach the desk. Seokmin holds it up between his index and middle fingers, closed-eye grin sparkling in a matching shade of ivory.

Though the journey up to your shared room is long, the real trip is being confined to an elevator with mirrors for walls. 

No matter how hard you try to avert your eyes, you manage to keep finding some new, horrible angle of your stale, post-train state. It’s torture. Three versions of you stare back with deep, dark undereye circles; and all you can think about is how dull your complexion is — especially in comparison to Seokmin, who may as well be bioluminescent with the way he glows from the inside out.

It’s joy, you know, his primary state of being and something he radiates like no other. He’s happy to be here, happy that you’re here, and happy to be happy. Whether or not he means it to be, it’s infectious. Now, you feel yourself starting to smile, too.

Despite your quiet observation, you must have missed him looking at you. Seemingly out of nowhere, he carefully sets down your belongings, raises his now-empty hand, and cups the right side of your jaw. Unaware that you’ve frozen solid, he swipes his thumb carefully over your cheek, tilting his own head to the side and frowning.

“I got you bad, huh?”

You blink.

“The zipper on my coat,” he explains, laughing. “Looks like it took a bite out of you when you used me as a pillow on the train.”

For reasons you can’t possibly explain, the only word to roll off your tongue is a sheepish, “Sorry.”

For a second, Seokmin is just as confused as you are about whether you’re needlessly apologizing to him or his coat. He chuckles quietly at how easily distracted you both are, then he gets back to the point: “Does it hurt?”

“No.” 

Your response comes unnaturally quick. Your pulse does, too, when you finally make eye contact with him. After clearing your throat, you give him a half-hearted smile, ignoring whatever medical event you seem to be experiencing. “I didn’t know it was there until now.”

He hums in acknowledgment, then rescinds his hand. You watch in silence while he re-encumbers himself with your luggage and turns back to face the elevator doors, which open almost immediately.

Seokmin steps out easily, like the weight of your respective burdens doesn’t mean a thing. “I’d say this way, please, but I’ve already forgotten the room number,” he admits with a sheepish laugh. “The keycard’s in my pocket.”

You take his cue and reach into the front, right pocket of his coat for the keycard. As soon as you see the room number, you snort.

“You booked room number 218 because that’s your birthday, and then… what? You forgot your own birthday?” 

“I’m deeply flawed.” He sighs, put-upon. “Now, let’s go, Bambi. It feels like you packed a week’s worth of bricks.”

There’s no time to point out that you never asked him to carry your suitcase or bag for you in the first place. Likewise, there’s no opportunity to ask exactly how many bricks is a week’s worth. He’s on the move again before you can blink, energy evident in each step regardless of how late it is.

Once again, you follow Seokmin’s lead. Despite the signage, which is clearly visible on the wall, he walks confidently in the wrong direction, prompting you to grab him gently by the elbow and steer him the opposite way. His smile doesn’t falter; he plays it off as if he was just testing how closely you’re paying attention. 

It takes several turns down several additional hallways before the pair of you reach your target. When you come to room 218, you tap the keycard against the reader, causing the lock to click open. You turn the handle, push the door open into the room, and step awkwardly out of the way so your personal bellhop can get by.

“This is what I was trying to tell you when you so viciously insulted my favorite accessory.” Seokmin nods his head towards the center of the room. “All of the rooms Seonmi included in the reservation block have a king-sized bed — singular. The rooms outside the block are criminally overpriced for ski season.”

It’s far from the first time you’ve doubled up, so you shrug. “Just like old times, right? Like, when you thought your house was haunted, and you forced your way into the top bunk with me?”

“First of all,” he says as he sets both of your suitcases down and places one hand on his hip, the other pointing at you. “We were six.”

After locking the door behind you, you toe off your shoes, smirking at him from over your shoulder. “What’s your second point?”

“It was haunted —” He insists. Then his stern expression melts into something smug, the way it always does when he’s about to blatantly rewrite history. “— and you asked me to come up there because you were scared.”

A laugh slips out of you automatically, but you selflessly decide to let him have this. Crossing to him, you pat him on the bicep, patronizingly simpering all the while, “You are the brave one.”

Even though you’re both cowards, and he knows it, he pockets this little victory with a pleased hum and a grin.

Turning away from him, you make a beeline for the closet area near the door. There, you shuck off your coat and hang it up, out of the way. While you do, Seokmin passes you both your garment bag and his. From there, the pair of you work in efficient silence: you, pulling your respective formal wear from their bags and smoothing out any wrinkles; him, tucking away your extensive collection of toiletries in the bathroom.

When everything is in its place, you turn back around and notice for the first time how beautiful the room actually is. Though the shades of the floor-to-ceiling windows are almost completely drawn, the snow-covered mountains are at least partially visible through the gap in fabric. If you had the time, you’d spend all day tomorrow sitting on the forest green, velvet chaise directly in front of the window, staring at frosty peaks so massive, they feel close enough to touch.

To your right, an electric fireplace heats the room, while a portrait-framed television hovers on the wall above the mantle, flipping through famous artworks as a screensaver. In between flashes of Van Gogh’s Almond Blossoms and Klimt’s The Kiss, you catch a glimpse of Seokmin’s smile reflecting on the black screen.

Awestruck, you turn to him and sigh, “Don’t let me get used to this.”

He jerks his thumb to his right, gesturing towards the bathroom. “Don’t judge me if I steal one of the bathrobes. They’re probably more expensive than half the shit in my apartment.”

“I won’t, but they’ll bill you for it when they figure it out,” you warn him. “On that note, do you need to shower or anything before I start my skincare side quest?”

Seokmin shakes his head, causing the crocheted abomination to flop. “All yours. My hair’ll get weird if I don’t deal with it tomorrow before we head out.”

And with that mental image of his insurmountable cowlick, you quickly grab your pajamas and shuffle off towards the bathroom.

The first few seconds after you close the door are spent gawking at the insanely intricate, geometric tile pattern in the walk-in shower. Thinking of how much time it must’ve taken to lay each one of them, you set to work on your own tedious task: your ten-step regimen of cleansers, toners, serums, and moisturizers. Seokmin says otherwise, but you don’t think any of them truly make a difference. As stupid as you know it is, the routine itself is therapeutic, even if your skin is no more bouncy and glowy than it was before.

When it’s all said and done, you emerge from the bathroom to find your best friend stretched out on the half of the bed nearest the door with his eyes fixed on his phone screen. It’s the side of the room he always chooses, claiming that it’s to protect you from any intruders, but you know the truth: he’s too much of a freeze baby to sleep near the window, and he knows you like it cold.

“Feeling refreshed?” He mumbles to the best of his ability; his sweatshirt hood is pulled up and drawn so tightly that it squishes his cheeks and chin, restricting his movement.

Chuckling quietly as you go, you pad over to your half of the bed and slip under the comforter. Like a moth to a flame, the other occupant sends his last text, tosses his phone to the side, and scoots closer to you, eager to siphon whatever extra body heat he can. His head winds up on your shoulder, while your cheek rests against the top of his head.

“Before you tell me that I look it, I’d encourage you to stare long into the abyss that is my under-eye circles.”

When he laughs, it’s merely a puff of air from his nose. “You never look as tired as you feel,” he says distractedly, fiddling with the drawstrings of his hoodie. “Pretty miraculous, given how little sleep you get.”

That comment warms you up so thoroughly, you wonder if he can feel it. Then, you wonder if that was the point. You intend to tease him for that, but then it dawns on you how fidgety he’s being. It’s rare for him.

“You okay, Thumper?”

It feels silly, using that nickname after so long. Your clumsiness stuck around for the ride, continuing Bambi into perpetuity; but he grew out of his companion name when he hit puberty, and his giant feet were suddenly proportional to the rest of him. 

He’s certainly no bunny, nor is he a child, but the low ebb of anxiety rolling off of him reminds you of the scared little neighbor boy you used to know. It fits, even if it is silly.

At first, Seokmin begins his explanation without peeling his gaze off his restless fingers. “Apparently, Seungcheol and Mingyu are in town.”  Then, his eyes slowly lift up to find you peering down at him. “They want to meet up to go snowboarding before we leave.”

Ah.

There it is: the top-secret look in his eye that only you can decipher. The one he’s been practicing for years, at your insistence, for moments like this, when he needs to be talked into something. When he needs to be brave and avoid missing out on something he’d love, solely because it freaks him out.

You respond the same way you always have; the way you once pinky-promised you always would: “I triple-dog dare you.”

He sighs deeply, neither fully resigned nor relieved, but then he nods. His head knocks slightly against your shoulder as he does. “I’ll do it.”

And that’s that; it’s settled.

Or so you think.

A beat passes in silence, until Seokmin suddenly pipes up again, “But you’re going to have to hold my hand on the chair lift, or I’ll pass out and fall to my death.”

“Deal.” 

You grab his hand now in consideration of your promise and scratch affectionately at his palm. Surprisingly, his thoughts haven’t made him clammy. His skin is even softer than usual, likely due to the expensive hotel lotion he’s undoubtedly now harboring in his suitcase. Tongue firmly in cheek, you look at him sideways. 

“Just — leave the hat in your suitcase, okay? The snow will be blinding enough.”

Seokmin’s been dressed and ready for at least thirty minutes, but you’re still standing exactly where you have been for the last forty-five. Face pinched, you turn this way and that in front of the mirror, smoothing fabric that’s already wrinkle-free, apparently for the hell of it.

“I’m oh-for-three.” Your exasperated sigh is punctuated by your bare, right foot stomping on the carpet. It doesn’t make the impact you likely hope it will, at least sonically. It does, however, speak volumes about how close to the ledge you are.

“All of them looked good,” he says earnestly. “I think this one is my favorite, though, if that means anything.”

Apparently, this is the wrong answer. Your wild-eyed gaze lifts from your own reflection until you’re staring him dead in the eye through the mirror.

“Why did I even pack this?” You ask, “Do you see this?”

Suddenly, you lift a manicured hand to point at your neckline, from which he’d admittedly been averting his eyes. “This is too much cleavage for a family function, isn’t it?”

As quickly as you glanced at him in the first place, you go right back to fussing with your dress, thankfully missing the way he swallows thickly.

Fuck, now he’s staring — but you’re the one that made him look in the first place — and he can feel heat rising to ears, a dead giveaway. His sudden silence does enough to communicate his struggle. He has no idea how to respond without vaulting over the boundaries of your friendship.

Is it hot in here?

Deciding to rely on his usual tactic, he jokes his way out.

“If you think I’ll ever side against tiddie…” He forces a grimace, shaking his head gravely. “Then you really don’t know me at all.”

You laugh loudly, and whatever one-sided tension filled the room snaps like a twig. Better still, the smile you give him stays on your face while you reassess your dress. Seokmin takes it as a personal victory that you commit to his choice, rather than cycle back through your options for the second time. 

While this means that you’ll both be able to hit the open bar sooner rather than later, the biggest upside is that he no longer has to keep excusing himself to the bathroom so you can change again, and again, and again.

You finish up quickly, tossing on jewelry, and then turn to him. His shoulder keeps you steady while you slip into your devilishly high heels. Seokmin pays them little mind now, however; his attention is drawn to the accessories you’ve chosen. Sure, they match perfectly with the rest of your outfit, but that’s not what strikes him. It’s the fact that everything you’ve picked was gifted to you by his parents at one point or another.

Unable to stop himself, he reaches out and gently taps on one of your dangling earrings. “Eighteenth birthday,” he muses to himself. 

Then, both his gaze and his hand lower to your necklace. He skims his fingertip along the delicate, gold chain, inadvertently making you freeze up. “Christmas 2019?”

You shake your head slightly, though it barely counts as movement.

“Ah,” Seokmin corrects himself. “2020.”

Sensing that he’s somehow made you uncomfortable, he reels himself back in and clears his throat. “Shall we?” He asks, furnishing you with a bent arm to loop yours through.

You take his cue, link your arm to his, and sigh, “I suppose we shall.”

The walk to the elevator is quiet, in that neither one of you says a thing. Seokmin can hear the gears in your head turning, though, without any conversation to drown them out. 

You step inside that glorified, mirrored box; and for a few minutes, he lets you work through the thing he knows ruined your sleep last night. That is, until he hears your breathing come a little quicker than usual.

“Hey.” 

It was supposed to be a jumping off point. He was going to go from there and reiterate that you belong here with him. The plan was to reassure you for as long as it takes to get you to believe it, but you look up at him almost helplessly, and his Etch-a-Sketch brain is wiped clean in an instant.

The very best he can do is smile and offer a single word: “Hi.”

“Hi,” you whisper back, eyes twinkling. 

Your plagued frown curves slightly back in the right direction. The creeping shroud of doom lightens, if only a little bit.

“That’ll do, pig.” You swat his arm, but he says it again, emphatically, “That’ll do.”

Halfway through you scolding him for quoting Babe at a time like this, the elevator door reopens, ready to regurgitate the pair of you out onto the ballroom level. 

Unlike the lobby, which sits only one floor below, this floor looks like it was ripped straight from the pages of a fantasy novel. Everywhere he turns, there’s something new — and vaguely elven — to look at. Fairy lights hang in perfectly spaced arches from the lofted ceiling, delicately illuminating the exposed, wooden beams above. The chandeliers — plural — are crafted out of antlers of some kind, cutting between rugged and highly refined.

As stunning as it all is, Seokmin’s mind snags on a single conclusion. You’re the one who voices it, though, much to his surprise.

“This is the most Seonmi thing I’ve ever seen in my life,” you whisper to him, all without taking your eyes off the extravagance in front of you. “Is this a dress rehearsal for her wedding next year?”

He bites down on his lips hard to keep his laughter to himself. Of course, you’re dead on. Nothing about this space feels like his parents, who are supposed to be the sole focus of this entire event. He already found it odd that they agreed to such a big to-do in the first place — especially when it would require their loved ones to go out of their way, literally and financially — but this is….

“Am I being petty, or is this kind of… selfish?”

Petty, no. 

Psychic? Probably.

“You’re right, and you should say it.” Seokmin nods and withdraws his arm from yours so that he can drape it properly around your shoulder. “This way to the beer, please. We’ll need it.”

Merely four steps in the direction to the bar, and a screech rings out from somewhere neither of you can locate. In fact, Seokmin’s head is turned the opposite way when someone launches themself at you, damn near ripping you from his hold.

“Oh, my god! I knew you’d come!”

Soyeon’s relief in seeing you is palpable. Seokmin can practically feel his bones being crushed as she hugs you tight, swaying from side to side. He catches a glimpse of your expression, which barely peeks through the curtain of his oldest sister’s hair; you’re far happier now than you were in the elevator.

His sister kisses the side of your head. “I missed you so fucking much. I love my residency program, but I hate how far away it keeps me.”

A solid minute passes by like this. When it starts to get unbearable, Seokmin clears his throat, hoping to remind his sister that she hasn’t seen him in months, either; and he’s also standing right here.

Instead of greeting him, Soyeon shoots you a wry smile. “Who is he today? A fugitive you’re harboring?”

In tandem, the two of you appraise him with thoughtfully narrowed eyes. See, this he didn’t miss: being both of his sisters’ least favorite younger sibling.

“Oh, no, though I can see why you think that.” You shake your head, then reach out to pat his shoulder patronizingly. “If anyone asks, this is a foreign diplomat, and I’m the interpreter he can’t understand a word without. Best not say hi to him; he won’t know what you’re saying.”

Soyeon nods, though Seokmin wonders if she truly  gets what you’re trying to achieve. Not quite, he realizes a moment later. Instead, she covers his chin with her hand so she can squeeze both his cheeks at once.

“He’s adorable,” she coos. “Doesn’t look old enough or mature enough for diplomacy, though.”

Seokmin rolls his eyes. “Well, we can’t all be doctors, can we?”

Again, in tandem, all eyes on him widen with feigned shock. Between overlapping gasps of “he does understand!” and “someone’s been studying!”, he shakes off his sister’s touch and scowls.

“If you’re going to keep bullying me, can you at least do it at the bar? That way, I can numb my suffering with booze.”

At this, Soyeon drops the charade and pulls him into a hug like a vice grip. She holds him so tightly that his vision starts to get spotty. It’s not until he gently pats her back, begging for air, that she lets him go.

“I missed you too, Thumper,” she swears, prompting you to snicker.

Now, he’s annoyed for a completely different reason — one that makes even less sense to him. That nickname hasn’t bothered him in the last decade, so it shouldn’t now. Then again, the only person who’s called him Thumper since middle school is you.

The rules are different for you, if they exist at all.

“And I promise to catch up with you later, but I’ve got five thousand questions for Bambi, and the answers aren’t half as juicy with you around.”

Just like that, his plus-one is subtracted.

As much as you love Soyeon, she’s no Seokmin. With him, talking is easy; he never rushes to fill silences, doesn’t steer the conversation with a white-knuckled grip. 

On the contrary, his oldest sister comes forward with a pickaxe, smashing through small talk while she mines for the wild stories she thinks she’s missed out on since moving away.

You don’t blame her, really. If you spent all your hours in a hospital, only sleeping in the lulls between other people’s trauma, you’d probably become just as intense — the human equivalent of a cracked-open fire hydrant — in the search for closeness, too.

In the thirty minutes you sit with her, you brief her on all the cliffhangers you’d left her with the last time you saw her.

Yes, you’re still stuck with your lease in the same apartment; and the old lady next door still regularly sets off the building’s fire alarm by accident.

No, you decided not to stay with Kai and haven’t spoken since the breakup; he needed more of your time and energy than you wanted to sacrifice for him.

No, Seokmin still hasn’t gone out with anyone that you know of in months. In fact, it’s been so long since either of you have touched on this topic, especially compared to how little time he and the last girl were together, that you can’t even remember her name. 

Beyond that first, limited fact, you keep your mouth shut about the rest. It’s not your business to share; and it wouldn’t kill her to ask Seokmin about himself for once.

The longer you spend with her, the more frustrated you find yourself getting, although you keep this fact to yourself, too. Soyeon and Seonmi have both spent their lives fussing about Seokmin, talking about him like he’s some helpless baby, without doing much to get to know him.

That’s it.

If you were at all confident that Soyeon would take the initiative, you’d let her find all of this out on her own. She won’t, you know, but maybe it’ll sink in if she hears it from you.

“Seokmin’s doing really well, now that you mention it,” you offer, though she barely mentioned him in the first place. “He got promoted last month; he’s now lead architect on that massive commercial lot downtown. Apparently, it’s still a secret, whatever it is they’re putting there. Must be something special.”

Seokmin is something special, you all but yell inside your head.

Soyeon’s eyes brighten. 

Nobody loves secrets quite like she does. You wait for the barrage, anticipating all the questions to which you’ll have to respond with “seriously, I don’t know,” but they don’t come.

Instead, she puts her drink back on its coaster, reaches out, and squeezes your wrist with her slightly chilled hand. “I’m grateful that he’s always had you, Bambi. If he didn’t, I don’t know if he’d lean in to opportunities like that.”

The look on her face tells you she means it. Maybe that’s what makes your stomach sour: that she can sit there, hearing of Seokmin’s accomplishments, and still find a way not to credit him for them.

Anger ignites inside of you. The flames lick up your esophagus, ready to explode, and you suck in a breath with every intention of letting her burn.

But then an arm slinks around your waist. Seokmin’s head bumps slightly against yours until you’re cheek to cheek.

“I hope I’m interrupting something.”

For a second, you think his slight tipsiness caused him to misspeak. Tilting your head to the side the best you can, you look at him out of the corner of your eye and catch his very subtle wink.

Soyeon opens her mouth, but Seokmin makes his wish a reality.

“Sorry, sis,” Seokmin says, entirely unapologetically. “I just found out that the band takes requests; and I’ll be goddamned if Bambi and I don’t show you clowns the meaning of dance.”

It takes no encouragement whatsoever for you to slip off your stool, get to your feet, and inch your way closer to his side. Then, like a starting gun was fired, the two of you bolt clumsily away from the bar, with you shouting “sorry!” over your shoulder as you go.

Your heels skid against the dance floor when you finally reach it, but Seokmin steadies you before you can eat shit in front of god and everyone.

“You’re way too expressive, you know that?” The fact that he’s out-of-breath doesn’t keep him from laughing. “I could’ve seen that grumpy turtle face of yours from space.”

Unintentionally, you prove his point, drawing your eyebrows together and frowning. “I do not —”

“— Also, I lied,” he interrupts yet again.

This, coupled with the everything else going on, leaves you too stunned to speak.

“This band is all trot, all the time. They don’t take requests — trust me, I tried — but if you stay here with me long enough, we can kill two birds with one stone.”

Seokmin doesn’t wait for you to answer because he knows it’s a yes. He doesn’t wait for you to assume your position, either, and instead holds your left hand in his right before placing your right on his left shoulder. This close, you feel the urge to tell him how handsome he looks with his hair parted off his forehead. You don’t, however.

The music swells behind you. Seokmin leads, and you follow, swaying slowly and moving across the floor.

“Two birds?” You remember to ask, one eyebrow arched.

His right arm lifts. “Spin,” he whispers. You step under his arm, then twirl. While you’re facing the opposite direction, he continues, “There. Do you see it?”

“Oh, my god.”

You do.

The bar stool you were just occupying is now filled by Seokmin’s great-uncle, Hajoon, while his new and much younger girlfriend, Yunhee, hovers near his shoulder. Even from this distance, you can see the look of abject distress on Soyeon’s face, totally unhidden by her attempt to seem engaged.

You return to your position in front of Seokmin, your hand accidentally landing on his bicep, rather than his shoulder. Flustered by the deceptive bulk there, you immediately scoot your palm back to where it belongs.

He leans in so that only you can hear him. It doesn’t feel necessary at all, given how loud the band’s horn section is, but you don’t recoil this time. 

“They had me trapped over by the appetizers,” he explains, low voice making you shiver involuntarily. “Every time he started a story with when I was your age, I wanted to point out that Yunhee hadn’t been born yet.”

You can’t help the laugh that erupts out of you and therefore can’t pull your head away from Seokmin’s ear in time to save him. Instead of wincing or complaining, he looks at you and breaks into laughter of his own as soon as your eyes meet. The effect doubles, and before you know it, both of you are teary-eyed.

“How the hell did you get away from him?”

It’s a feat you've never once managed. Uncle Hajoon’s inability to read a room is equal parts due to his horrible hearing and his tendency to never stop talking. Even if he did leave space in the conversation for you to excuse yourself, you’d never successfully get the message across.

Seokmin lifts his arm again but not for you. He takes his leave to spin himself, simpering as he goes, “That’s where Yunhee came in handy, actually. I didn’t know she had it in her, but she’s not as much of a dud as we initially thought.”

“Oh?”

“She told him that I should be able to dance with my girlfriend, and he shouldn’t keep me any longer.” He shrugs. “It didn’t seem like the time to correct her.”

All the heat in your body goes straight to your cheeks. Nonetheless, you attribute it to the dancing and choke out, “No royalties for me, then.”

“Not this time.” Seokmin shakes his head. “I said that Soyeon was trying to catch up with everyone and would love to hear his stories.”

You bite back a grin. “You’re a bastard, you know that?”

“Maybe.” He smiles with every single one of his teeth. “But you’re free.”

“Surprisingly so. I haven’t felt the Eye of Sauron on me at all yet.” Just in case your statement serves as a jinx, you glance around the room for Seonmi. The tension you’ve been keeping in each one of your muscles slackens when, once again, your radar is blip-free.

“Dinner was supposed to start ten minutes ago. If I had to guess, she’s either leaving a scathing Yelp review or personally waterboarding the chef as we speak.”

“Both at the same time,” you counter, earning a wry smile. “She inherited your mom’s self-assuredness. If she believes she can, she will.”

After the pair of you dance through two more songs, the band breaks, and the hotel’s battalion of waiters come in, bearing domed, silver trays. Seokmin takes off in a hurry for your assigned table in the far corner of the ballroom, so famished that he barely remembers to tug you along behind him.

Through the meal and all its complimentary wine pairings, you do your best to focus on the conversation. Seokmin introduced you to the few people sitting with you that you haven’t had the occasion to meet yet. While he does what comes naturally to him, charming them with ease, you struggle for the first time to pay attention to him.

A few tables over, Seonmi sits down with her fiancé, joining the company of her parents; Soyeon and her date are there, too, leaving Seokmin out by design. Like an insane person, you can only watch her, rather than Seokmin’s blatant theft of bites from your plate. She laughs at whatever jokes her mother cracks, but you’d recognize that look of veiled angst anywhere. She isn’t happy, you realize. You can’t avoid the feeling that you’re the reason why she isn’t.

Time passes, somehow too quickly and too slowly. The plates are emptied, then cleared away by the wait staff — except for your half-empty glass, which is your third. Much like the other guests at your table, the joyful buzz you’d been feeling so far leaves, too.

All that’s left is you, Seokmin, and that ominous, storm cloud you can’t seem to shake.

“You’ll probably feel better if you talk to her.”

He’s always more observant than you give him credit for. You snap out of your zoned-out stare across the room in order to look at him. You frown. “I doubt it. She already looks pissed. Me parading my presence here despite her isn’t going to help anything.”

“Bambi,” Seokmin sighs, not impatient but gentle. “She’s not exactly warm, but she has always liked you. There’s literally no reason why she wouldn’t be happy to see you —”

You open your mouth to argue.

“— that happened over twenty years ago, and you really need to stop feeling guilty about it —”

You close your mouth, cross your arms self-consciously, and sink in your seat. Despite yourself, you glance over at him and catch the way he’s looking at you. He doesn’t need to say the words out loud for you to hear them.

It’s either the unspoken dare, his reassuring, soft-eyed smile, or all the blasted merlot that does you in. You’re not sure which of the three was the coup de grâce, and as you slink off towards her table, you realize it doesn’t matter. For one reason or another, you’ve decided that fear isn’t going to get the better of you this time.

Seonmi somehow senses you coming. Even without the band underscoring your movement, your timid steps across the mahogany parquet should’ve been impossible for anyone to pick up on. 

Must be an older sister thing, you think, being doomed to keep a perpetual eye on others. 

She doesn’t say anything when you slip into the chair next to her, which doesn’t bode well but isn’t a deal breaker, in and of itself. The important thing is that she doesn’t get up to leave. You tell yourself that this is a good sign. The knot in your stomach begs to differ, however.

Say something.

Say anything.

“Everything’s… lovely, Seonmi, seriously.” You gesture around you, smiling, but she only gives you a cursory look. “You’ve really outdone yourself with this one.”

Seonmi takes a sip of her cocktail — something bitter, the petty voice in your head assumes — and lets the corner of her mouth rise slightly. If it’s the closest thing you’ll get to a smile, you’ll take it. She hasn’t granted you a proper one in the decades since you got gum in her favorite Barbie’s hair.

“Thanks, kid,” she sighs, setting the drink back down on her personalized, cardboard coaster.

You can’t remember the last time she called you “Bambi”, let alone your real name. Just like Seokmin, you’ve always been a child to her. Apparently, you always will be, no matter what you do.

Her grip around the glass remains rigid, not unlike her overall posture. Condensation weeps under and around her manicured fingers, uninhibited. You watch those droplets soak through the coaster’s design, darkening her parents’ initials and wedding date, while you mull over whose turn it is to talk.

Ultimately, as is usually the case, Seonmi makes this decision for you. Without so much as a glance at you out of the corner of her eye, she muses, “It was a lot of work, getting all the details ironed out.”

You pick up on the subtext immediately. One of those details would’ve been the guest list; another, the invitations. Seokmin assumed it was all an accident and said as much to you no fewer than a hundred times, but this little comment from his sister blows his assurances to smithereens. 

Your exclusion wasn’t an accident at all.

Suddenly, somehow, the room is twenty degrees colder. You shoot a panicked glance over to where Seokmin was just sitting, wanting nothing more than to slink back to his warmth with your tail between your legs; but he’s not where you left him. In fact, he’s nowhere to be found.

Fuck.

“Ah,” is the best you can do.

And then the two of you sit awkwardly in silence while the seconds age in dog years.

You should’ve brought a drink over with you so you’d have something to do with your hands. Or your phone — except you left it on its charger, you idiot — or a time machine, so you can revoke your bullshit decision to walk over here in the first —

“He deserves that, don’t you think?”

The combined suddenness of her voice and the switch in topics makes you jolt ever so slightly. You try to pass it off, to pretend that you’re simply adjusting the skirt of your dress, but your efforts go unnoticed. Seonmi is too busy pointing casually ahead, drawing your focus to the center of the dance floor.

Like absolutely no one else is watching, Mr. Lee twirls around his laughing wife, his heart-shaped smile beaming so brightly that it almost hurts your eyes. The love of his life has to hold one of her hands over her mouth to keep her laughter from bursting out; the other hand is raised with the rest of that arm, allowing her husband to spin himself underneath. When he’s halfway through, she surprises him, drops her arm down, and embraces him fully, giggling all the while.

It almost makes you tear up — Mr. Lee’s unabashed, silly love, and how much it reminds you of his spitting-image of a son; the way Seokmin’s mother’s eyes sparkle in the same blissful, radiant way his do. Maybe the same can’t be said for his older sisters, but it’s abundantly clear where Seokmin came from. It’s even clearer where he should end up.

“Yes,” you breathe, and it almost sounds like a laugh because of course, he does. Before you can stop yourself, you ask, “Is that really a question?”

No, you realize too late, it’s bait.

Without batting an eye, she counters, “Is it really so hard for you to let him have that?”

Seonmi turns her head to look you dead in the eye. Confusingly, despite her words, there’s nothing in her tone or gaze that reads like malice. If anything, the slight furrow of her brow shouts concern.

Your mind is spinning too fast to keep up with. Whatever her next move is, you’re too dizzy now to see it coming and too disoriented to follow it. With the knot in your stomach tightening further, you stammer, “Is — what?”

“God,” Seonmi drops her face into her hands. “You don’t get it, do you?”

A fish on dry land, all you seem to know how to do is open and close your mouth. You may not be literally flailing, but with the state your mind is in, you may as well start.

“Seokmin loves love.” 

She says each of these words slowly, like she’s trying to hammer each nail through a thick skull. 

“It’s the one thing he’s wanted most since he was a kid, yet I can count on one hand the number of short-term relationships he’s been in. He doesn’t ever bring anyone home to meet us; he doesn’t bring anyone to weddings, or parties, or holidays; he just brings you.”

Of course, you’ve been right there through all of his situationships. He’s always scant on details when they end — and you’ve never pressed for any — but you know better than anyone that nothing has stuck long-term. 

You’ve never thought about how odd this really is, but with Seonmi spelling it out for you now, you can’t come up with a single, good reason why someone as objectively incredible as Seokmin can’t make these things work — or why, even as you rack your brain, the only constant you can find in his life is you.

She glares now, as if she’s daring you to speak; as if you’ve got anything she’d deem worth adding. The bulldozer revs up again, whether you’re ready or not: “You’ve always been the only person he saves space for, whether or not there’s a place for you, and he has no room left in his life for someone to love him like that —” 

Seonmi points again to her parents, who are circling slowly on the dance floor, talking softly to one another. 

“So, what is it? Do you truly not see what he’s missing, or are you choosing not to because you like his attention?”

Your eyes burn with tears, but you can’t let them fall, and you can’t wrap your head around why that is. 

Who are you hiding them from: Seonmi or yourself?

The longer she stares at you, the muddier it gets. You don’t want her to be right. You don’t want to be the kind of person she’s describing; but there’s something awful whispering in the back of your mind, saying that you might be. 

You’ve left every relationship you’ve been in, telling everyone who asks in the aftermath that you like being on your own better. But that’s bullshit. It’s not your own company that you keep when you’re single; it Seokmin’s. 

He makes sure that you never spend a day feeling alone, that he’s always available over the phone in the rare times he’s not physically with you. As his best friend, he treats you better than every single one of your exes ever has. Like you’re worth more than anyone else will credit you.

What kind of friend are you if you feel relieved whenever his relationships expire?

Seonmi’s hand drops, landing half-heartedly clenched on the tabletop. Just the same, her voice drops until it’s almost a whisper. 

“I am begging you,” she pleads, eyes narrowing desperately as they search yours. “If you don’t want him, someone else will. Please just —  get the hell out of their way.”

By the time you reach the elevator, all you’re left with is a blur. You’ve already forgotten how the conversation ended, or which one of you was the first to get up. If she said anything else to you, it was drowned out by your own hammering pulse and a looping chorus of voices validating your biggest fear, stating in no uncertain terms that you don’t belong.

You’re shaking when you reach your floor. Heels clicking under unsteady footsteps, you make for room 218; and as you go, you shove your hand into the well-concealed pocket of your dress for the keycard Seokmin forgot to grab himself on the way out earlier.

He’s certainly not in the room when you finally step inside, although you have no clue where he’s gone. It’s for the best. The door closes behind you, and with no one to see it happen, you burst into tears.

All rational thought flies out the window, shaken off by the tornado of utter confusion tearing through your brain. You grab your suitcase, needing nothing more than to be anywhere else, and begin haphazardly throwing your things back inside of it.

Why did you still come with him, knowing it wouldn’t end well? It wouldn’t be the first time you’ve told him no; he would’ve listened if you truly meant it.

If you didn’t mean it when you initially tried to squirrel your way out of this, why not? Was it just your friend asking sincerely that won you over without a fight; or was it because you knew, deep down, it’d hurt to see him bring someone else?

Why would it hurt?

The answer to that will crack the foundation of everything the two of you have built, but only if you admit it to yourself. It can’t threaten you if you don’t say it out loud, don’t make it real.

So, you won’t. 

You’ll bury it deeply enough to forget about, repour the concrete, and tiptoe through the rest of your life with your best friend still at your side.

That is, if your friendship survives the weekend — rather, your sudden departure from it — at all.

“Halmoni, it’s time to go back to your hotel, okay?” 

He coos this, as if he’s pleading with a toddler at bedtime, because that’s exactly what it feels like to wrangle the drunk, 80-year-old clinging to his arm.

Physically, she needs to hold onto Seokmin to keep herself steady. Mentally, she’s ready to run and has made several attempts to do just that when she thinks his guard is down. It’s no wonder the hotel staff cornered him and begged him for help; she’s too wily for those who don’t know her.

The manager had at least done him the courtesy of hailing a cab. It sits out front, warm and waiting, while he shepherds his grandmother through the lobby.

“— and another thing!” She slurs.

There is never not another thing. She shouldn’t bother concluding her sentences in the first place; she’s never done talking.

“I told your sister — I said, Sunny —”

Seonmi, he dares to presume, although he doesn’t dare to correct her.

“— you can’t have stuff like this —” She gestures animatedly, albeit vaguely around her. “— in places like this and expect retirees to pay for it! I said — oh, what did I say? — Ah, I said, ‘find me the cheapest motel in the area, or I’ll be staying in your room with you’ —”

Her kitten heels hit the brick outside with an angry thwump.

Seokmin can’t help himself. “She didn’t go for that?”

“No!” His grandmother squawks. 

The driver sees the ball of a woman wobbling his way and quickly exits the cab, skirts around it, and flings the back door open for her. 

“I can’t imagine why, halmoni,” he lies through his teeth, which shine down on her in his best, least sincere smile. “You’re a blast in a glass.”

She roars with laughter, even while two grown adults work together to pour her into the backseat without bumping her head on the doorframe. “Glast in a blass!”

“Exactly. Can you —?”

He gives up before he finishes voicing his request; it’s no use. Instead, he bends down to hug her and finagles the buckle of her seatbelt while she’s too distracted to fight him off. That click is the most beautiful sound he’s ever heard, after the clunk of the door shutting her in.

By the time Seokmin turns to the cab driver, his grandmother is fully slumped in her seat, pilled peacoat rising and falling with every wine-laced breath.

“I am so sorry.” He sighs, which devolves into a sheepish laugh, and fishes all of the cash out of his pocket. No tip could possibly cover the emotional toll of this ordeal, so he does his best and gives the driver everything he has.

The driver’s eyes widen. Seokmin gets the impression that he doesn’t quite understand the task he’s undertaking. 

Poor bastard.

Seokmin continues, “My grandfather is at the inn already; he didn’t feel well enough to come here, but he’ll be ready to get her inside once you drop her off.”

“Sounds easy enough.” The driver smiles and holds out his hand to shake. 

Seokmin reciprocates, and he declines to explain just how wrong that assessment is. He thanks the man and chirps a quick goodbye to his grandmother before rushing back inside.

Walking into the ballroom, he hopes to find you and Seonmi laughing about whatever misunderstanding had gotten in your way before. At the very least, he expects you to still be sitting next to each other at the same table. That would be good enough, he thinks; he could assist in repairing the situation from there.

The problem, it seems, is beyond his help. Neither one of you occupies the same table. If his quick scan tells him anything, you’re not even in the same room.

No matter which way he turns, he can’t spot you. His sister, on the other hand, is near the far corner, having what looks like a nightmarish conversation with their parents. There are approximately five billion things Seokmin would rather do than get in the middle of that, but you don’t have your phone on you, and he has no other way to find out where you went.

Above the heads of the two women, Seokmin’s father catches sight of his approach. They lock eyes; there’s something insane in his father’s gaze. The older man shakes his head, mouthing “no.”

Seokmin stops short, raises his hands with the palms up to get across his confusion, and mouths back, “Bambi?”

In response, his father extends a single finger and points upwards. He then makes a shooing motion with his hand. His wife and daughter are so engrossed in their argument that neither of them catches the pantomime or Seokmin’s quick exit, back the way he came.

On the elevator ride upstairs, Seokmin worries. The most likely explanation is that you went to find your phone so that you could find him – but you haven’t texted or called him in the time he’s been looking for you, so he supposes it isn’t likely after all. 

Maybe, he thinks, the wine caught up to you. You’re not as strong a drinker as you think you are. While he walks down the hallway to room 218, he steels himself. Even though you both hate it, he’s ready to hold your hair if he walks in and finds you with your head in the toilet. That dress looks too good on you not to be expensive; he’d rather talk you out of your embarrassment tomorrow than have you shell out for dry-cleaning.

You didn’t deadbolt the door behind you, which strikes him as odd. In fact, you didn’t even close it properly; it isn’t latched. All he has to do is tap on it for the door to open.

“Bambi?” He calls out before stepping inside entirely, thinking it’s only decent to confirm in advance that he’s not an intruder. “Sorry for disappearing. I had to pour my grandmother into a cab – it was exactly as awful as it sounds.”

The faint rustling sound he hears isn’t coming from the bathroom, which is both dark and unoccupied. Part of him wants to take this as a good sign, but the rest of him wonders if he’s walking in on a burglary. That flicker of fear is followed by a stupid sense of validation: 

You always laugh at him when he cites this as his reason for choosing the bed closest to the door; you claim it’s statistically unlikely. Finally being able to say “I told you so” after a robbery wouldn’t make either of your belongings magically reappear, of course. That said, it might make him feel a little better.

But the figure rooting through your suitcase isn’t a bandit at all. It’s you with your coat on.

“Um,” he starts, unintentionally startling you. “What is….” 

His question peters out when you look up at him. There are broken mascara tracks down your cheeks, as if you tried to wipe them off without actually looking at them. Above them, your wide eyes are wet, like you’re seconds away from crying all over again. Even worse, you’re trembling.

Seokmin’s only instinct is to reach for you. Before he can wrap his arms around you, you jerk away from him. “Please don’t.”

So, he stops, though he doesn’t understand why. This is quite literally the only time in your life that you’ve pushed him away.

“What’s going on?” Ideally, he’d project calm at a time like this. He just sounds desperate. “What happened with Seonmi?”

“She — um, she didn’t — It wasn’t that bad; I’m just… You know how sensitive I get when I drink wine.”

Like a switch flips, a half-hearted smile takes over the bottom half of your face. It’s not real; if it was, your eyes would light up and crinkle at the corners. Whatever that look is, it’s bullshit.

Seokmin gestures to your suitcase, where everything you brought with you has been unceremoniously shoved. “Sensitive enough to, what, run away? No. I’m not buying it. She said something — or did something — to make you this upset. Bambi, what happened?”

His urgency is selfish, he knows it. Seonmi’s always been way too intuitive for her own good. There’s no way she hasn’t noticed the way he looks at you when you aren’t looking; how god-awful he is at acting platonic.

He tries — has been trying, for a long time now — to shake these feelings off because he knows you’re not emotionally available. Because he knows who he’s supposed to be for you, and how devastating it would be if he threw your friendship away.

That devastation is right in front of him now; and it’ll  push you out of his life forever if he doesn’t shut it down. He has to get in front of it.

You strike first, though. “Seokmin, why didn’t you bring anyone else?”

There are two ways for him to interpret that question: with the emphasis on anyone, meaning not you; or as an escape route. For your sake, he chooses the latter.

“She gave me a plus-one, not a plus-two,” he says softly.

Despite his tone, it must hit you like a punch. You nod curtly, once. “Got it. Basic math. Thanks, Seokmin; that was never my strongest subject.”

Foot, meet mouth.

You immediately set back to work, reaching for the lid of your suitcase to close and zip. Before he thinks once, let alone twice, his hand darts out and flattens against the mesh inner pocket on the top, preventing you from doing so.

“No.” He shakes his head firmly. “Not happening.”

You don’t scowl at him the way he expects, nor do you even stop to look at him. It’s far worse than that; your eyes start swimming, focused helplessly on your suitcase. 

When you speak, your voice cracks. “I shouldn’t have come in the first place. I knew that this invitation shit wasn’t an accident; I knew I wasn’t welcome to —”

“— You came anyway.” Seokmin doesn’t mean to snap at you, but the point is moot. Softening at the edges, he quickly continues, “And I’m glad that you did because I don’t want to be here with ‘anyone else’.”

It’s not the whole truth, so it may as well be a lie. You know him too well for him to get away with it; it was stupid of him to try. Your head turns, and the slight narrow of your eyes says it all.

I triple-dog dare you to tell me the truth.

This fork in the road has two dead ends. His only options are to do just that or double down and lie straight to your face, while you see straight through him. Either option pulls the pin, he figures, so it’s no longer a question of who gets hurt; it’s who gets hurt worse.

Seokmin jumps on the grenade.

“I don’t want to be with anyone else!”

It comes out too loudly, startling you. In a way, it’s angry, too. He wishes could project that anger onto Seonmi for starting shit, as usual, but the person he’s maddest at is himself for putting you both in this position.

For the first time ever, he can’t decipher the expression on your face. He’d shove his foot into his mouth to try and keep himself quiet, but his adrenaline is firing on all cylinders, and he can’t seem to stop shouting.

“And I’m really fucking sorry to say it because I know you don’t want to hear it, not from me or anyone else. So, you can leave, alright? I’m not going to stop you.”

The force of the surprise almost knocks the air out of him, so quick that Seokmin can’t process what’s happening until his back is flush to the wall behind him — until your hands, flat against his white button-up, curl to grip the fabric, and you kiss him so hard that he sees stars.

You’re surprised too, it seems. When you pull away, chest heaving, you freeze in the same way he does. Eyes searching the other’s, unsure of what to do now that twenty-plus years’ worth of boundaries have been blown to bits.

You whisper, “Are you still sorry?”

Of the five million feelings swelling inside of him — fear, kind of; joy, yes; fucked up by your blown-out pupils, definitely — regret isn’t one of them.

Actually…

He cups your face in his hands like water from a spring, drinks down the sight of you in this new and perfect light. “I’m only sorry that it took me this long to tell you,” he confesses before kissing you back twice as hard.

You’d ask Seokmin to pinch you and prove to you that you’re not dreaming, but the fear you feel at the thought of waking up is too overwhelming. 

Even if it wasn’t, he can’t help you, can he? 

His hands are far too busy.

Your pretty dress is long gone now, having been shucked off and tossed somewhere out of sight. In its place, it’s Seokmin’s body that now drapes over yours, warm in touch and tone, like molten gold. 

His middle and marriage fingers curl inside you, working you up again; and all you can do is cling desperately to his hair, whimper, and wait for the fall.

“I take back what I said earlier,” he murmurs between nips and kisses at your neck.

You can’t ask him to elaborate. You’re too close to careening over the edge for the second time tonight; too busy babbling fucking nonsense.

His simper against your throat reverberates all the way down, lights up your every nerve in tandem like a switchboard. “Only an idiot would tell you to be less expressive.”

The pad of his thumb swirls over your clit; its movement synchronizes with his middle finger inside of you, targeting your weak spot. He presses down on that spongy patch of nerves, and your hips buck involuntarily, a hallmark of your body begging for you while your words fail.

“You were right, though.” 

You summon all your concentration. ��I’m always right,” you counter. Seokmin pulls his mouth away from the underside of your jaw just to look at you pointedly. “You’ll have to be more specific.”

He picks up the pace of his ministrations, pulling no punches. You’re teetering on the ledge with no real ability to lift your own neck; your head crashes back against the pillow as you wail, clenching and gushing around his fingers.

“I do know how sensitive you get,” he snickers before slipping his fingers from you and sweeping down to kiss you sweetly.

The ringing in your ears has barely subsided, but you’ve decided not to take anymore of his teasing laying down. Slipping your fingers from his hair, you move your hands to his shoulders; and with whatever muscle control you still maintain, you flip him off of you, onto his back.

“How long —” 

You climb over his lap and straddle him, placing your palms flat against his chest. It’s as much a show of dominance as it is a carefully disguised trick for balance. 

“— have you been waiting to say that?”

Caught red handed, Seokmin shoots you that trademark, heart-shaped smile. His cheeks were already flushed from the effort he just expended on you; that perfect pink only deepens when he blushes and laughs, “What, you think I can’t come up with killer lines in the heat of the moment?”

You scratch your nails gently down the lines of his abdominal muscles. “Nope,” you purr.

Sitting up on his elbows, Seokmin tilts his head to the side and narrows his dark eyes at you. You’re nowhere near used to seeing him look at you like this, like you’re something to be devoured. The feeling of being wanted so badly makes your stomach flip.

“Give me some credit, won’t you?” He asks, voice low. “You’re a knockout; you’re naked in front of me for the first time; and it’s a miracle I can talk at all when I feel this concussed.”

When you lean in, he licks his lips expectantly. You’re close enough to kiss him, of course, but you stop a few millimeters shy of your mark and watch him fight the urge to pout. His eyes search yours, almost pleadingly.

“Is that why you’re still not naked?”

Seokmin’s next move is to reach for the black briefs he’s still got on, but you stop him, encircling each of his wrists with your hands.

“Ah, ah, ah,” you tut with a patronizing shake of your head. “You’re fired. I’m in control now.”

If the little sigh he lets out is any indication, he is very much on board with your self-promotion.

He takes your cue and reels himself in, allowing you to move further down his body, your fingertips hooking under his elastic waistband and tugging as you go. When his length finally springs free, you duck your head to take him into your mouth, beyond eager to feel his weight on your tongue.

“Oh, my god,” he groans, eyelids fluttering, while you swirl your tongue around his head. “Feels s-so —”

The rest of his sentence gets stuck in his throat; you take what you can of him down your own throat, working whatever remains with your hand. 

Seokmin wants so badly to watch, you know he does, but he’s sensitive, too. His head tips back, eyes closed and mouth hanging open.

It’s messy, the spit dribbling down your chin and the sound brought forth by the suction of your mouth around him. The obscenity of it all spurs you on. Nothing inspires you quite like Seokmin’s breathy whines and low moans, though. Above all else, it’s his reaction to you that slicks the inside of your thighs.

You’d give him the ending he deserves, right down the back of your throat, but you feel his fingertips graze your shoulder, beckoning you to look up at him.

Voice rough, he pleads, “Come here.”

With his steadying hands on you, you move back into your original position with your bent knees on either side of him. You immediately spot the indent his teeth have left on his lower lip, which is now slightly swollen. Delicately, you brush your thumb over the mark. “Oh, you’re a goner.”

Seokmin looks at you pointedly. Though you tease, you’re even worse off: drunk on the taste of him, as much as the sight of him underneath you, wanting you just as badly.

“Alright, alright,” you concede. “I am, too.” 

The hand you use to wave dismissively at him then reaches down between your thighs, fingers wrapping around his cock and lining it up with your entrance.

“But I’m taking you down with me.”

And you do.

So thoroughly that you barely recall him staggering off to the bathroom when all is said and done, the wash cloth he returns with to clean you up, or the way you slump into his waiting arms before promptly falling asleep.

You sleep so soundly, in fact, that you don’t stir when the sun blares through the open curtains. Likewise, when Seokmin carefully maneuvers himself out of the tangle of your limbs and places your head on a real pillow instead, you’re none the wiser.

What finally gets to you is the clatter of the expensive, hotel-issued shampoo clattering against the floor of the shower, echoing off the tile like a sonic boom. You sit bolt upright in bed, staring bleary-eyed in the direction of the bathroom. 

As if on cue, Seokmin pokes his head out of the doorway to see if you managed to sleep through the noise. Damp hair splays over his forehead, hanging just as loosely as his lazily-knotted bathrobe. If you weren’t still too sleepy to function, you’d love nothing more than to grab him by that tie and drag him back to bed.

“Shit. I’m sorry, Bambi,” he coos, though his mouth is full of both toothpaste and a toothbrush in a distinctly greener shade of blue than usual.

You merely point at his mouth with a half-powered look of distress, otherwise unable to put your suspicion into words. He doesn’t get it; he glances down at his chest, looking for what he assumes is a stray glob of paste.

When you finally do speak, it’s a prayer: “Please tell me that’s not mine.”

Seokmin blinks at you, then down his nose at the toothbrush he’s using. He cocks his head to the side, opens his mouth to assure you it isn’t, and finally, when the realization makes his eyes widen, he groans.

You wail, “Noooooo!”

Memories of your last trip together clash before your mind — specifically, attempting to navigate a drug store in a foreign language while you shopped for the replacement toothbrush Seokmin is currently holding.

Ears bright red with embarrassment, he ducks back into the bathroom. Immediately, you hear a rush of water from the tap, which nearly drowns out his feeble cry of “I’m sorry!”

“I know it’s an honest mistake, but how do you make it twice?” 

You collapse back onto the pillows and bury your face in your palms; and you stay that way, even when you hear him padding softly over to you. The mattress shifts under his weight as he makes his way, one knee at a time, until you feel him looming over you. His hands reach out and gently pull yours from your face.

Before you can get any ideas, Seokmin flattens himself on top of you; a weighted blanket, smelling like vanilla and spearmint. He folds his arms across your chest and props his chin up on the top of his right wrist, bright eyes sparkling as he peers up at you.

Suddenly, you find it very difficult to be annoyed with him. The worst part is that none of this is by design. He always just looks at you this way, not to get out of trouble but because you’re you.

Your hand reaches out of its own accord and brushes the remaining damp strands off his forehead. When your touch lingers, Seokmin leans into it, warming your palm with his cheek.

“Hey,” you say, after failing to come up with anything better.

He beams. “Hi.”

“Why are we awake at this hour?”

That smile of his evaporates slowly, giving way to a grimace you’ve seen before. “Seungcheol and Mingyu want to meet up at the ski lodge before the post-brunch crowd gets there,” he explains. “And I told my parents we’d get breakfast with them first, since yesterday was… well, mostly a disaster.”

“And it will conveniently provide you with time to think of a way out of snowboarding?” You chuckle quietly and pat his cheek.

Seokmin shakes his head firmly, then stretches his neck enough to kiss you.

“No,” he mumbles defiantly against your lips. “I never back down from a triple-dog dare.”

[modmad]

hey so, was SKIP! ever on American TV? and if so, how?????? cuz I am 100% sure that I watched SKIP! on the TV when I was younger, like, an actual child kinda younger. it was like PBS or something showing student animations I guess?? and I was so enamored with it, I was desperately upset that I had no idea where I'd be able to find it again because I didn't know what it was called. and then later on I just happened to read tpoh (cuz i love webcomics) and there it was. right beside everything else. do you have any idea how crazy that is. It was like finding a long lost friend! Anyway that was years ago but I just wanted you to know that, since I don't think I've told you before but I've been following you for years.

Also your doodleduck comics are REALLY GOOD and are my single entry point into that kind of older-ducktales stuff. (also this is kind of random but I think your comic about gladstone and white guilt is one of the better works of art I've seen on that subject matter which I find very impressive)(source: I am black lol) OH AND HOW COULD I FORGET!! The princess and the jester is, like, phenomenally well made both visually and with its writing. It literally gives me CHILLS to read it. Frankly everything you make is so gorgeous, I kind of want to be like you. In the back of my mind when I'm like "what kind of artist do I wanna be?" your little checkered blog icon always pops up eventually haha. ok bye!!

;A;

damn this whole message means a lot to me, and yes! for a short time VFS was airing on a tv channel, I forget which but that was very cool and they gave me 500 dollar bucks which was a huge windfall for impoverished student mod :D :D :D it means so much to me that you like my work and found me again, and that particular duck comic was so scary for me to make but I've had so many wonderfully supportive messages from people like yourself that I'm really glad I stuck to my guns and listened to it. that was another 'seized from beyond by something bigger than myself' story moment... I'm glad it paid off and I hope I can continue to make things that scare me shitless but do some good in the world.