#so much shit happens in this chapter

[sophiethewitch1]

holy shit i think it might be done? just gotta do the edits and then ill publish it?? tell me, will, did you ever think i could possibly finish this stupid fucking chapter-

[commander-revan]

What the fuck was the point of all this

[aroaceleovaldez]

Romantic in nature or not, I always just looked at that scene in MoA with the notion: Annabeth is convinced that Nico, a gay man, has a crush on her in this exact scene (or you know, a different scene in MoA, I don't remember), and since we know that Annabeth isn't the best on the emotional front, she read Luke's intentions incorrectly, and Percy did, as well, due to his jealousy of the guy.

(Now, I know that neither of these are the case, especially since I doubt Nico was thought to be gay until HoH, and this is around the time that Annabeth was starting to be characterized as Never Wrong About Anything Ever, but it's always been my go-to regarding the whole Luke-Annabeth debacle. What I mean to say is that I like your interpretation of the scenes, too)

Oh i actually believe Nico was fully intended to be gay starting around MOA at least (though I do believe Rick claiming he had figured that out about Nico earlier than that), because Rick was absolutely acknowledging queer topics in his writing at that time. Jason's arc particularly in the latter half of HoO is extremely bi-coded and there's just straight up a canonical polyamorous relationship in Serpent's Shadow, which came out several months before HoH.

Which does make Annabeth's line about that in MOA funnier, especially considering by that point Nico has held maybe one full conversation with her in the entire franchise thus far, maybe two or three if you wanna push it. I cannot emphasize enough how little they had spoken to each other - and tbh, continued to not speak to each other. Just in general. Like the most notable interactions the two of them have prior to the high-five scene in BoO are literally both in BoTL and it's one line and then one off-screen scene of Nico breaking up a fight between Rachel and Annabeth (where they were fighting over Percy) entirely for the purposes of going to save Percy. They barely interact in HoO. Nico and Annabeth have a chronic case of their plot lines being in different locations because only one of them is allowed to be active at a time due to their narrative roles. Annabeth is kidnapped for most of the TTC Nico scenes and Nico is at camp when they get to Annabeth, and then in TLO Nico's busy with all the Underworld stuff and flirting with Percy so he never interacts with Annabeth. Then Nico is off at Camp Jupiter when Annabeth's at CHB and then busy being kidnapped for the first stretch of the Argo II mission and only shows up when Annabeth is busy on her Arachne quest. And then Annabeth FALLS INTO TARTARUS when Nico gets there (and proceeds to pine at Percy) and then IMMEDIATELY after Annabeth gets out of Tartarus, Nico skips away with Reyna and Coach to drag the Athena Parthenos to camp. And then FINALLY they interact and it's not even Nico speaking directly to Annabeth really, just high-fiving her after insulting Percy to his face. He literally only says one word directly to her.

Like. I cannot overemphasize the absolute comical degree to which these two avoid interacting. They're like magnets repelling each other. And yet Annabeth is like "I think he has a crush on me - he spoke to me once, allegedly." Like ah yes, sure, HoO. Next you're gonna tell me you retconned them into having a FOURTH conversation! Don't get too wild!

[queenie-ofthe-void]

A Desperate Fool - Part 9

Part 8

Last time: Eddie finds out about Becky

~~~

"How can he lo–" he coughs to clear the word from his throat. "The person you're marrying's supposed to know everything about you. How can she just, not? And apparently everyone’s just ok with that?"

Nancy's moved to lay down on the floor next to him. Her face even with his, and when he tilts his head to look at her, she reaches out to hold his hand. The warm, yellow lighting softens her features, reminding Eddie of all they have in common despite their own fathers. Curly hair, big brown eyes, an angled jaw and high cheekbones. A flair for the dramatic. Strong, driving passions for their careers. They're two people who get what they want, if they want it bad enough, and they'll do whatever it takes to get it. Even if it means breaking Steve Harrington's heart along the way.

Nancy smiles at him, gentle and small, like she can read exactly where his thoughts have taken him. "She's really good for him, Eddie. Becky loves sports, wants kids. She's patient when he's having an off day. Doesn't poke fun at him when he loses track of the conversation, and explains what he's misunderstood. She takes care of him. She loves taking care of him and isn't that something he deserves?" Eddie squeezes her hand when the first tear slips from the corner of her eye, tracing her cheekbone until it drips onto the dark green rug beneath them. "After his parents, you and I, and every other shitty hand he's been dealt– doesn't he deserve someone like that? Like her?"

“Then why send Max?” he asks in a last ditch effort. “Why send her and Lucas saying Steve wants to talk to me, when he’s finally happy with someone else.”

She frowns, guilt radiating off her in waves. “He does want to talk to you. I just wanted you to talk to me first, so you could really understand what we all went through– what you put him through. I love you, but I need you to think hard about what would happen if you walked back into Steve’s life right now.” Nancy wipes a tear from his eye as she cups his cheek. “Eddie, he’s happy. If you walk through his front door, he could lose everything you know he deserves.”

As Eddie releases a deep, cleansing breath, he nods again. Not hollow, but clogged with resignation. She squeezes his hand before standing. She reaches out her hand again and he takes it, only to be pulled up and into her small arms in a crushing embrace. Nancy rubs soft circles into his back, until they're both breathing just a bit easier.

The rest of the night's a quiet affair. Nancy shows him to the guest room where he unpacks the small duffle of clothes he brought with. For his rockstar sleep schedule, the night's still young. But the wear of the day drags him under the covers. He's thankful she's letting him stay when he didn't even expect her to answer the door. Except that's Nancy Wheeler, isn't it? A woman willing to push through any obstacle for the people she loves. Never letting them fall when they trip, and always there to offer a steady hand. Eddie drifts off to sleep wrapped in the comfort of knowing, without a doubt, that that includes him.

~~~

Part 10

Tag List!!!

@sadisticaltarts @5ammi90 @blacklegsanji21 @jaytriesstrangerthings @thewickedkat

@stripey82

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[discjude]

SO funny that the only explanation for why Aric stabbed Rhian is, in Japeth's words, "because [Rhian] said things about [his and Aric's] friendship" (the full actual quote is "because you said things! About him and me! About our friendship!"). Which is such a funny way of phrasing it because that could mean LITERALLY anything. Soman why would you phrase it like that. genuinely

The only other elaboration we get on the stabbing ever is right after the first line and it's vague as to what it's actually talking about, which is where Rhian says "Because he was a monster / a sadist with no soul" (which. yeah lmao), but that could be either "he stabbed me because he was a monster" OR "I said those things because he was a monster", and the rest of the line supports the second interpretation, so we just???? don't know what made aric do it??????? This is the single most influential event in the series it literally doubled the series' length what do you MEAN there's only ever two lines about it????? ? ? ??? arbed prequel when hello

[kindlythevoid]

Part One, Part Two, Part Three, Next.

[starrysharks]

chapter 1 of reassassination's nearly done script-wise! hopefully the next chapters won't take like 6 months of on-and-off work to complete lol

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[cairavende]

Worm Arc 11 Interludes thoughts:

AAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!

Ok. Just in order I think. Sorry for the chaos.

Started off with puppies. I was happy.

Then the puppies started getting a little more violent than needed. I was less happy.

Then Victoria got clowned on a little and I was little bit more happy.

Then the unkillable naked zebra lady showed up everything kinda went downhill. For everyone.

Bitch do not join the supervillain serial killer group, please and thank you.

Seriously though, The Siberian is a bit scary. Just, completely invincible as far as anyone can tell. And super strong.

Theo is having a bad day. And unless someone takes care of Jack Slash for him he's gonna have a bad few years.

Jack Slash is such a poser oh my god. Dude. Come one. You aren't all that.

Also. Jack. Do not toss a loaded baby! That baby had a full diaper. You toss that baby and you are liable to have a containment breach. Speaking from experience, you do not want a containment breach. (Also just don't throw babies of course.)

I hope Theo gets cool powers and is able to become a super amazing hero like he dreams of. On the plus side, probably gonna be lots of opportunities for trigger events coming up. On the minus side, he didn't trigger when Jack Slash was planning on killing him so I don't know if he's gonna be able to.

They were obviously going to go for Labyrinth. She has such amazing powers for mass terror. Though I guess Burnscar never tried to actually recruit her. I assume that was the plan though.

Also Burnscar needs to stop excusing her actions. Just be evil or don't be evil. You don't get to be evil and say it's not your fault (that sure will come up again in these interludes).

I fucking LOVED the description of how Labyrinths powers work. Just the details of everything. So good!

Fucking Colin. Of course they had to go for you. Why can't you just go away and leave my robot daughter alone?

Mannequin is fucking WILD. Like, god damn. Those are sure choices you made. Helps you be creepy as shit though. And get through air vents.

Mannequin writing out "U ME" to Pocketknife Man by laying keyboard keys down on the table one at a time has cursed meet-cute energy.

In the end, Colin survives cause my robot daughter saves him. And I guess she's gonna tell him the truth about being an AI. Fiiiiiiine. I will be polite to Colin if he comes over to dinner. He still needs to apologize to my other daughter though.

Also I'm sure glad the Slaughterhouse Nine won't have any use for the magic pocketknife that can cut through anything that Mannequin took. No worries at all I'm sure. It won't do jack shit for them. Might as well just slash the idea and toss the knife out.

Cool. Some Nazis died. That's great!

Not enough though. Disappointed in Shatterbird.

But if one good thing can come of this whole Slaughterhouse Nine thing, maybe Hookwolf can die. I'm not holding my breath though.

Shatterbird has a very interesting power set. Being specifically glass focused like that. Definitely can see how she would terrorize a city.

Dinah PoV. DINAH POV!!!!!!!!!!!!!!!!!!!

Ok well first off, I obviously hated Coil for Dinah already. Enough that I don't really know if the Dinah PoV can technically make me hate him more. But that said, I hate him more. WTF.

The description of her power was so NEAT though! Had a minor moment of "oh hey this paragraph of this precog talking about her power works inside her head is an almost perfect description of how my brain works" which was wild. I don't actually get to see the future though, which is a major difference.

She can actually just full blow see a possible future holy shit! Wow. Like it hurts and she hates it but it's still crazy.

Also I guessed that Crawler was going to come for Traveler in a Vault (that is Noelle's cape name until I am told different) after the Bitch interlude. I was very happy I got that right since I really knew almost nothing about either.

So Crawler just basically can't die and gets stronger every time he gets hurt. I wonder how long it will take him to reach Endbringer level power?

And Traveler in a Vault is just a large monster that is always hungry and can be driven to the point of eating people. That sucks a lot for her.

Also Leviathan came after her too huh? Well that's probably fine and won't matter in the future.

Regent's sister is worse than he is. That's impressive! Like, not good impressive. But impressive.

Getting real close to the "can't exist" physic power set. I guess it's not quite it though.

She should keep a better eye on her phone battery.

AMY DALLON! I knew it would be you.

I knew you were destined to be a tragedy from the moment I met you. You were always going to become a villain. So once I knew the Nine were recruiting it was a guarantee that you'd be recruited.

Specifically, that you'd be recruited by Bonesaw. She is an artist and obviously she is obsessed over the art you could make together.

Holy shit though that chapter.

Lets see. FUCK CAROL. Victoria gets some excuses, she's a kid, she's following her mom's example, etc. But FUCK CAROL. You are partially responsible for what Amy is about to become.

Despite being terrified, Amy seemed to have a dark fascination with everything Bonesaw was doing and saying. Really listened as Bonesaw explained things.

The more detailed view of what Amy's power does is crazy. She really can do just about anything to someone.

“Why not fix your dad?” is where Bonesaw won. It's about 3/5 of the way through the chapter. And she won at that point. That was the killing blow. The rest of the chapter, the remaining 3.5k or so words, is watching Amy bleed out to drive the point home. It is Panacea's death monologue. It is beautiful and tragic and amazing.

All that said, since she is losing anyway, is it bad for me to want more of Bonesaw's notes? SHE HAS LORE! GIVE IT TO ME!

Dad at least seems pretty good. He made the perfect response after getting healed. Unfortunately she was already gone.

AND THERE IT IS. THERE IS THE THAT FINAL STEP. Fucking rewire your adopted sisters mind to have romantic feelings for you. No you don't get to say it was an accident! You chose to do it. Holy shit Amy. You are going to be an amazing (terrifying) villain.

Callback to Burnscar and blaming her power for her actions.

If Worm was a Disney movie Amy would end up with the best song, 100%. Hellfire or similar levels.

[erythristicbones]

21 pages of my book edited!! wooo!!!

[boyswanna-be-her]

Touching grass is not enough, we must organize

[whatshehassaid]

I’m sorry to say I think Louis is manipulating Daniel a bit there…. I just have a bad feeling. Especially with that tease of Raglan being like “you’re afraid of Armand, you should be afraid of the other one”

Yall…. Something is NOT right here.

[ghostboyhood]

if the dps fandom thinks their denial about neil is bad they should take one look at the IT fandom...

[ranticore]

do nico's friends/colleagues know of his. uh. shenanigans regarding everybody's favorite horse/otherworldly being? i cant imagine they'd be happy about it

I wanted to answer this one with screenshots of the book text but when I say I haven't been at home except to sleep since tuesday I really do mean it so you will be getting the acoustic version of a response

Answer is that in canon (not au), Nico is disaffected and has sworn off dating and has withdrawn from most relationships. He and his ex dated while transitioning and couldn't handle how it affected their relationship and it had a very harsh impact on him. So it's actually his colleagues who push him to hang out with Pascal more (his friend Aimée sets them up on an investigation/date together, as Nico's first meeting with Pascal is in the context of Pascal being a key witness to a kidnapping). But they think he's just some weird guy who seems disarming and unconventional enough to catch Nico's attention.

After it's revealed that Pascal was certainly responsible for some (not all) of those disappearances, Nico was the one who dragged himself to the Otherworld to confront him, because he felt responsible and humiliated for having been strung along like that. His colleagues explicitly told him not to go but Nico hates being accountable to others and wanted to be the one to Deal With Pascal, as the person who kinda knew him best. After rescuing the detainees he quit the investigation and went home.

From then on, nobody knew that Nico continued to work with Pascal (investigating the unicorn). His friends who pushed him to open up and date again were like ohh fuck we messed up, let's give him some space and stop pushing him - not really knowing that behind their backs, Nico kinda was dating again (Pascal) (for real this time) (lovers to enemies to lovers)

Then one day he got caught by Aimée (she's a hooks ranger). He'd gone out onto the lough to investigate the islands on it with Pascal, got attacked, stranded, and broke his ankle badly. Aimée was the rescue worker who got him back home and she saw him with Pascal on that island. She threatened to tell on him but eventually agreed not to. He was disciplined formally for nonstandard unsafe operations and told to Stay The Fuck Home or he'd lose his job.

He didn't stay the fuck home and when he was caught a second time - by Aimée's captain - he was dragged to the ranger disciplinary council again and charged with aiding and abetting a faery. this time Pascal was made to give testimony, and he saved Nico's hide by making this great big (very fake) speech about how he was such a horrible monster who needed Nico to tame him and he's soooo sorry for losing sight of his own humanity but Nico dragged him back from the brink of evil etc. Nico was stripped of his captain's post and suspended on condition that he Keep An Eye On Pascal as, apparently, the only person in the world who can hold that leash without coming to harm

[tennessoui]

Wait, there are people who LIKE WIPs? Mind officially blown. O_o

yeah idk maybe just consider that all your favorite fics were wips at one point and one writer liked it enough to spend hours turning that wip into a finished fic and I doubt they were writing just to write an ending

like that fic did not emerge fully formed as a multi chapter novel length anon divergent masterpiece on ao3 one day!!! even if a fic is all posted at once, ONE person knew it and loved it as a wip or it never would have been posted at all!!!

like come on!!! think about fic writers as people who are experiencing their wip more than you ever will no matter how many times you read it and I promise the concept of liking a wip will NOT blow your mind