#so much lore coming :)

[hinamie]

post-graduation trip airport looks

[capesch-arts]

Under the blackened skies,

the twin stars gleam,

Under this tranquil night,

the stranger sleeps.

Memories of old joys comes and flows,

as the Old King watches the stranger's form,

Strange is this feeling of longing,

but stranger still is The Old King's yearning.

Hm?

What is that?

What.. (yawns) what you just said.. just now...

A poem...

What is it about..?

It's... Nothing. It's nothing... Go back to sleep, Arthur.

(btw this is a filler illustration that took place before Faroe came to Carcosa. the in-betweens where Arthur and The King warm up to each other)

[royaltea000]

Me when I’m in a being coerced into parenthood competition and my opponent is sun wukong

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[littlecrittereli]

Guardianship au,,,,,save me guardianship au,,,,,,,

If you don’t mind the questions, how’d the Tortuga gang react to Chris tagging along? I assume they understood Chris would be joining them early on into Martin being accepted, but I imagine the situation was more like. Martin snagging a new job on the Tortuga >> realizing he can’t take this job and leave his brother alone >> Chris says don’t worry just take me with you >> Martin nervously asking heyyyyyyyy is it cool if my little brother comes with?

Obviously everyone had to be cool with it eventually, but do you know what Aviva, Koki, and Jimmy had going through their heads when a mildly emo, 14yo Chris rolled in with a deeply anxiety-ridden Martin?

This is kinda the awkward phase of the team's relationship where they know Martin is struggling, but he's not willing to let them help just yet.

The second Chris finds out about the Tortuga it becomes his life-mission to convince Martin to let him go on the trip (it will not be difficult at all to convince him)

Martin is just hesitant because he wants to make sure he's not being selfish in his decision to join the team. Of course Chris wants to go too, but Martin is trying to think of his best interest.

Of course, he eventually realizes that the team genuinely cares about them and he's willing to let them help out with Chris, and then the found-family can commence!!!

[revvethasmythh]

not to be an insane person but look at this flyer for brenatto's apothecary in felderwin

family owned since 828 PD! the campaign takes place in 835, meaning Yeza and Veth founded it WHEN THEY WERE 18????

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[garzzum]

Very very rough sketches of these two cuz it's about all I'm capable of rn.. I love art block!! 😍 /s

[weirdly-specific-but-ok]

doctor who but i've never watched it

and so it begins again. the people asked for it. the people got it. i will ensure the people regret it.

i have never watched this show, or seen an edit, but i am a thorough researcher and i feel that i've got the essence of it.

this is what i have gathered. academicians worldwide take note.

Firstly, so I don't anger anyone, I accept and acknowledge that the tardis is blue and not yellow. My misinformation was from a Drarry fanfiction, and I had hitherto regarded Drarry fanfiction as the absolute truth.

There are doctors, and there are at least fifteen of them. At least two of them are David Tennant, which I can respect.

I'm not sure why the doctors are doctors, because I can find no trace of any medical procedure except for one doctor who licks things, which he learned from the previous doctor. If this is sufficient reason, I apologise for doubting their credentials.

On the other hand, if they are doctors thanks to a postdoctoral degree, this is also fine, though I have never seen anyone study anything. There is however a doctor, and there were people upset about her, but the fandom pointed out she set the tardis on fire, which is apparently a very doctor thing to do. Setting things on fire is absolutely something any research scholar would love, so again, apologies for doubting their credentials.

At least one doctor is gay. It is probably one of the David doctors, which checks out. He says someone, I think a dentist, is hot. I envy the maybe-dentist.

A t least one doctor is trans. I was unable to find them. But they exist. Oh yes, the fandom assures me they exist.

David Tennant as well as Ncuti Gatwa were fanboys, first of the show, and second of David Tennant, and thus they got into acting. Just a fun tidbit from me, since I am now the authority on this fandom.

There are time machines with which the doctors have sex by piloting them, which is questionable because the time machines are only partially sentient. I am not sure if the time machines are the tardis. But the tardis is blue, and not yellow, of that I am certain.

There was a stage play. Or maybe that was a metaphor for the production budget of the early seasons. I am not sure, but toddler David Tennant watched it. I assume no one took a 3 year old to a stage play, so through scientific deduction, it must have been a metaphor.

At some point, Death is an agony aunt and they have to spill secrets to it, or drown in a lake of human skulls. Who is this they? It's so obvious that the fandom sees no need to explain it, and neither do I. I do know it though. Of that you may remain certain.

A David doctor has a niece and she likes being his niece.

A David doctor has a best friend named Donna. He kisses her head. She supports his fruitiness. It is wholesome. It killed him when he lost her.

Slight tangent, but younger David doctor looks like Andrew Garfield. Current David in photos does give Ben Barnes energy. Any Wolfstar shippers, I believe you've found the Wolfstar kid. It is David Tennant.

A lot of people are David Tennant. A reliable Pinterest post on Doctor Who, clearly well researched, gave me the statistic that 15% of Doctor Who is David Tennant. From the amount of David Tennant that I ran across in my research, I don't understand it but I don't doubt it, either.

Speaking of Andrew Garfield, he in involved in this somehow. I am not sure how, but you cannot escape Andrew Garfield. He is even a part of fandoms he never acted in.

There is an individual named Catherine, I think she is the actress, but she could be a character. She seems to have much less knowledge about Doctor Who lore than I do. David Tennant finds it funny. Maybe he would find me funny, too.

The doctors installed some things in the tardis, from a wheelchair ramp to a jukebox. I don't know why a jukebox was needed. If I'm honest I don't know what a jukebox is. I don't know what the tardis is. But it is blue, and not yellow.

There is a French catchphrase.

Something happens in Wales. I don't know what it is, but something always seems to be happening in Wales in these fandoms, so I don't doubt it.

There is an old Doctor Who in a wheelchair, and he is happy to see a David doctor.

They go around in space, and do things. Who is this they? You and I both know the answer, so we needn't talk about it.

The show intro is "doo wee doo".

There is an alien who is not a mouse, the alien is The Meep, and uses the definite article as pronouns. David doctor is supportive of this, which is very good.

I found baby Yoda in the show, but apparently they call it a 'goblin' there, and someone doesn't like it.

There is a lot to do with time. There is a time hole, and things happen, and people die and are resurrected. There is danger, but it is fun.

They have CGI, and it is not good, which is the best thing about it. Who is they? Please stop asking me. It is rather obvious and something I definitely know.

Someone's boyfriend dies and the boyfriend is then resurrected but then gets lost with his boyfriend but then is reincarnated as a girl who would still call herself the someone's boyfriend but then she is replaced by the boyfriend but he's different now. I apologise for any errors that have crept it, but the tardis is blue and not yellow.

Someone named Martha is a doctor, and someone is very proud of her for it.

The eleventh and twelfth doctors like bow ties.

David Tennant wants to be ginger. David Tennant always gets what he wants. Who can refuse David Tennant? David Tennant is then ginger.

A David doctor gets a happy ending.

Someone yelled at Neil Gaiman about this. It was a mistake. He said that since it had already been done, he wouldn't want to give David's character a happy ending in S3, that would be a trifle unoriginal.

A lesson to be learned, Good Omens fandom, just a bit of advice from your son, do not yell at Neil Gaiman, it does not go well. Rumour has it he murdered the people who complained about him always wearing black. Of course, there is the fact that he doesn't exist, but that doesn't seem to have stopped him.

The doctors manifest in the previous doctor's clothes, which is apparently so last season. The tardis also manifests. I don't know where, or how. But it is blue, and not yellow.

I know, there was a lot of lore, so many of you thought I wouldn't be able to gather it all. But look how much research I did! I've got it better than maybe-actress-maybe-character Catherine, I'm sure :"]

Anyway, all the major plot points are covered above, so anyone who hasn't watched Doctor Who, feel free to refer to this and impress your Whovian friends with your knowledge! [not to be judgemental, but what a dreadfully Dr Seuss name, I rather like it]

[ganondoodle]

botw2 (totk rewritten) ganondorf design (+some story) post

Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)

the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh

the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes

mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-

at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses

at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)

(after which he leaves the scene as zelda tries to understand what she just saw)

post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)

the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)

the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict

but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream

he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.

your friends arrive, and the battle begins.

(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)

Beast Ganon(dorf), normal appearance (phase 3)

at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda

(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)

Beast Ganon(dorf) while charging magic (phase 3)

Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)

at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-

the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-

zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.

(heres a rough example for his weapons)

(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)

[deimcs]

[VARRIC] Let's just try not to do that again. Bianca hates being turned on her friends.

[murkying]

hello gays

[luffysprincess]

𝐀𝐌𝐈𝐑𝐀

𝐄𝐏𝐇𝐄𝐌𝐄𝐑𝐀𝐋 𝐓𝐎𝐔𝐂𝐇

QUALITY | WEAPON

☆☆☆☆☆ | 𓌜 Polearm

ELEMENT | MODEL TYPE

𖤍 Anemo | Tall Female

CHARACTER ROLES

ጸ On Field 🗡️ DPS

BIO

Birthday: September 10th

Constellation: Heres Floralis

Regions: Sumeru

Affiliations: The Akademiya

Special Dish: Pickpocket’s Winnings

Namecard: Amira: Aeolian Sonance

Additional Titles: Rumored Princess of the Red Sands

DO NOT SAVE/REPOST HOWEVER REBLOGS ARE OKAY ᰔ

actual back view bc in the image above, the hair has been edited so that you can see the outfit

[thestarfishface]

tfw you have a loose collection of ideas for a new story but it's still really early on so most of it's really loose concepts and not anything solid enough to fully brainstorm, but you REALLY REALLY want to get to the point where you can DO something with it

I have essentially planted a mystery seed in the garden and am now staring at the little patch of soil waiting for something to happen and it's driving my CRAZYYYYYYY

[memen18-m5r3]

hello surviving centricide fandom...I bring you some wacky food

(i'm also animating a small portion of Centricide 3.5 but since I can't tell how much more time it's gonna take I'll show you some sneak peeks! :3)

((since I'm a certified yapper, I added some additional info + translations to all the images descriptions! not sure if it qualifies as ID so feel free to add upon it if necessary))

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother