#so much conflict and it's always resolved in a matter of seconds then everyone just. forgets about it

[theodoravery]

ended up deleting the love is blind game app. i had such high hopes given how good thth was this year, and it had so much potential at the beginning, but for weeks now the chapters being released have sucked. a lot

[theerurishipper]

Coming back to one of the points I've made earlier but never really elaborated upon, what does it do for Adrien's arc to have everyone lie to him?

Adrien's arc is about finding his self-worth and his independence and learning how to be loved unconditionally. Gabriel is controlling and abusive and only gives Adrien a second's worth of attention if Adrien caters to his every whim. And so, you'd think that part of Adrien's arc is learning that people will love him for who he is without him having to bend to their desires, and that he has the right to make decisions for himself. But this new development as of the Season 5 finale is that, no, Adrien's loved ones actually don't want him to make his own choices. In fact, they would rather support and emulate his abusive father's controlling actions and deny Adrien his agency and his ability to make informed choices about his own life. They would rather dictate how he should feel and would rather decide what's best for him rather than giving him the choice to do so himself. This comes with its large set of very much unfortunate implications.

Under the cut because this is long.

This is a problem that started with Season 4, with the introduction of Ladybug's Gabriel-esque behavior towards Chat Noir, and the subsequent lack of proper resolution. In fact, the resolution was that Chat Noir was asking too much of Ladybug, and that what needed to be done to resolve this conflict of Ladybug keeping important secrets from Chat Noir and replacing him with other holders... was for Chat Noir to suck it up and continue supporting Ladybug. It was for him to put aside his legitimate concerns with her actions and to accept that he would never be treated the way he wants to be. It was for him to push down his own feelings and come to stay by her side even though she had not treated him well, and even though she never actually fixed her mistakes.

What is the importance of his relationship with Ladybug? For the first 3 seasons, at least, it was the escape from his abusive home life that Adrien needed, to someone who would accept him unconditionally. But Season 4 introduced the infamous Ladynoir conflict that permanently altered their dynamic. I've talked about how the Season 4 finale only served to reinforce the inequality between them. It begins with Ladybug keeping secrets from Chat Noir and pulling away from him, and it ends by him simply forgiving her because he is used to downplaying his own needs. And I don't feel the desire to rehash all that, but it does beg the question: What is the takeaway from the Ladynoir conflict? Is it that he should bend himself over to be what she needs, but she doesn't need to return the same support? Is it that Ladybug is the Flawless Leader™, and he should learn his place? Because that's the impression it gives.

Now, I've talked before about how Gabriel's abuse has caused Adrien to believe love is conditional and has to be earned by him pleasing the other person and doing whatever they expect of him. And the importance of his Chat Noir persona being more expressive and "imperfect" is that this is the only time he can let loose and have fun, free of the expectations of others. And Season 4 has him return to his trauma responses around Ladybug, the person who is narratively supposed to be the one person who accepts his imperfections and doesn't place any expectations on him. Now, Chat Noir being traumatized is not Ladybug's fault, of course, and if he is fawning over her, certainly it is not her fault. But the narrative frames this as beneficial to her. Ladybug likes when Chat Noir fawns over her as Catwalker. Over and over in the story, she takes advantage of his forgiveness and trust, and never examines herself or her actions, and never tries to fix her mistakes because he always ends up forgiving her due to his belief that his feelings don't matter. Ladybug meets Catwalker, which is literally just Adrien fawning and trying to be whatever he needs to be to please her, and she instantly falls for him.

And in a narrative sense... this is detrimental to the concept of the Love Square, because it reinforces the narrative that Ladybug will never fall in love with Chat Noir, because what she wants is the perfect image, the flawless partner. The rose-tinted glasses she sees Adrien with are not being removed, rather she is putting on a fresh, darker shade. And it doesn't say good things about their development that she falls for the perfect act almost immediately upon meeting him, the moment he swears that he'll take care of her. And I won't go into too much detail since I've covered it in my other posts, but the point is that Marinette only ever seems to fall for boys who don't inconvenience her with their emotions, and instead take care of her needs without expecting anything, and this makes it seem like she is benefitting from Adrien's trauma. And Marinette is never allowed to return the support she gets from Chat Noir in any meaningful way, and it is framed by the narrative as right and wonderful that Adrien is so nice as to put his feelings aside and support her over and over again despite her repeatedly making the same mistakes and hurting him. His trauma response is framed as a good thing because it benefits Marinette.

Season 4 was about Marinette deliberately keeping secrets from her partner, dictating his actions and outright lying to him and taking advantage of his trust at times. Decidedly Gabe-like behavior, even though it was way more toned down and way less malicious (I won't go too far with that comparison, but still). And Season 5 ends up adding more salt to the wound, by having Marinette straight out lie to Adrien about his father, dictating his perceptions and controlling his thoughts and feelings, just like Gabriel would have liked. And in fact, Gabriel asked her to do this to the son she knows he abused, and she sides with him. And it's not just Marinette. The list of people who have denied Adrien honesty just goes on and on. Gabriel, Emilie, Nathalie, Amelie, Felix, Kagami, Master Fu, Luka, Plagg, Tikki, Marinette, Alya, Su-Han... they are all, as those who knew truths about different situations, people who chose to lie to and hide information from Adrien that he was entitled to. And with the exception of Luka and Master Fu, all of these people are complicit in siding with Gabriel and denying Adrien the most important secret of all, the truth of his very existence.

Which raises the question: if Adrien's arc was supposedly about breaking free from a controlling life and finding those who didn't do that to him, then why is it that everyone around him appears to agree with Gabriel? Why does the person who, in the narrative, is supposed to be the opposite of Gabriel and the saving grace for Adrien, parallel him so much in both actions and backstory? Does that not cheapen Adrien's arc? What does that imply for him? That he can never escape the fate of being controlled? That being controlling over a person's agency is fine and dandy if done for the right reasons?

Let's take a look back over Adrien's arc. Adrien's first scene is him rebelling against Gabriel, and we see him come closer and closer to the realization that Gabriel is abusive and cruel. We see Adrien make friends like Nino and Ladybug. We see the trajectory that his arc is going in, one of him learning to reject his father and assert his self-worth and his own identity in the face of the man who has controlled him his whole life.

And yet, there are still some glaring problems that become more apparent as the story progresses, and they come to a head in Seasons 4 and 5. It's shown in scenes like in the episode Felix, where we see that despite everyone getting together to do something nice for Adrien, the moment he acts out of character, their first instinct is to admit that they don't know him very well at all. Almost all the interactions he has with his supposed best friend and his other friends are about setting him up with Marinette. Adrien only matters to them in his role as Marinette's future boyfriend. And this is not addressed by the narrative as something that should be fixed or resolved, or that it is even a problem in the first place.

Adrien's feelings are repeatedly denied in this show. From him having to simply forgive and forget how Ladybug hurt him, to him being repeatedly taken advantage of by Felix without the narrative letting him be upset over it, to his instant forgiveness of Gabriel, the narrative will not let Adrien feel anything negative towards the characters that the narrative actually cares about so as to not inconvenience them. His only purpose is to prop them up and bend to their needs, and anything he might realistically feel against them is invalidated and forgotten because it would go against his role of being their motivation/prop/plot device.

We also see a problem with narrative focus for him. Adrien is not the protagonist of the show, and my criticism is not that he does not get as much screentime as Marinette. The issue is that even the dedicated screentime he does get outside of being shipped with Marinette and being a part of the battle of the episode, the screentime that should be used to develop his character is often cut into by the writers' desperate need to shove Marinette into every single plot and have her be the focus of every episode. Episodes that should have focused on Adrien's loneliness like Puppeteer 2, or episodes dedicated to Adrien's friendships with others like Party Crasher, or even episodes like Gabriel Agreste which should have focused on the Agreste drama, are ultimately about Marinette trying to confess her feelings for Adrien. But this really shows itself in Chat Blanc, where the main plot of the episode is one where Gabriel's abuse of Adrien is ramped up to the max, and one where Adrien undergoes unimaginable and incomprehensible trauma, and the only thing that truly matters about it is... how it affects Marinette.

And as I said, Season 4 takes this to a new level. Ladybug, the one supposed to be Adrien's escape from his civilian life, is also someone who he fawns around. And that inherently is not a bad thing to depict, because it is not Ladybug's fault that Chat Noir is traumatized, and it is realistic that this happens. What is a problem though, is the way the narrative never paints this as a trauma response. Chat Noir pushing aside his feelings and supporting her as she repeatedly hurts him over and over is treated as good and nice of him, without her having to examine herself or realize she's treating him badly. And in the end, he accepts that he'll never be treated like he wants to and comes back to support her in her hour of need, and simply shoves his feelings away, never to complain about them again. I mentioned that Ladybug benefits from Chat Noir's civilian abuse, and this is how. Chat Noir is allowed to be traumatized, but only as long as it doesn't affect Marinette. Then, his trauma response is not only beneficial, but also the romantic and right thing to do. And, as Kuro Neko said, the answer to the issue of Ladybug keeping secrets and making mistakes is for Chat Noir to stop being so sensitive and just push his feelings away to support her. Chat Noir's trauma does not matter.

And Season 5 only doubles down on this. Adrien's rebellion against his father only matters now because the end goal is for him to date Marinette. The issue of him being a Sentimonster only matters because now it's getting in the way of him dating Marinette. But it could have been fine. Development is development, and the scene where Adrien finally confronts his abuser and asserts his right to be an individual and have autonomy over himself will still be an empowering moment that shows him breaking free of abuse-

He is not in the final battle.

Instead, Marinette is the one to face Adrien's abusive father, by merging Adrien's Miraculous with hers, by facing him off in Adrien's home. Marinette is the one who stands up to Gabriel and faces him. Marinette is the one who completes Adrien's arc for him. It was never about Adrien facing off against his father. It was all a set up for Marinette to do it.

As we all know, Thomas Astruc has gone on record on Twitter to say that Chat Blanc was the reason that Adrien could not participate in the final battle. Chat Blanc, which happened in Season 3, two seasons before Adrien rebelled to this extent against his father, before he underwent that little thing in writing called character development. In Season 4, we watched Ephemeral which more or less rehashed the same points as Chat Blanc, and in Season 5, we watched Representation, where Adrien's final interaction with his father was to be sprayed with nightmare gas and be unable to fight in the final battle (even though Bug Noire managed whilst also suffering from nightmares). We saw these ridiculous excuses be used to contrive a reason for why Adrien could not participate in his own arc, in his own story, even though they could have been easily resolved.

Throughout Season 5, we see the parallels being built up between Marinette and Gabriel, about how they both came from the same situations, and how alike they are in that regard. Previous parallels established between them that the show does not acknowledge as much as it should are their controlling streak (though Marinette is nowhere near as bad as Gabe) and them being willing to do anything for the people they love ("love" being questionable in Gabe's case). Marinette is the one who hears the truth of the Agreste family. In the Season 5 finale, Marinette and Gabriel are the ones that face off against each other. Adrienette was rushed up to come to full fruition in Season 5 despite it hampering the development of the Love Square, all in an attempt to connect Marinette to the Agreste plot. Therefore, Adrien was only ever a plot device so that Marinette could have a stake in the Agreste plot. He is there to connect Marinette and Gabriel and give them something to fight over. Their fight is about him and what is best for him, but he has no agency in it despite it being about him. He only exists as the prize for the winner.

I've talked about this before, but the jist of it is that Adrien was never meant to have an arc about breaking free of abuse. He was never meant to confront his father. Adrien's story only mattered so that Marinette could use it in her speech to talk Gabe down. Adrien's feelings only mattered as far as they affected Marinette herself. He was just meant to be there to further her development. His main contribution to the arc with his last name was to give up his agency and step aside for Marinette, and this is what his role has been throughout the show. All his character was meant to do was be the damsel in distress who she could receive as her trophy once she defeated the big bad villain.

Everything Adrien's character was meant to do was to be Ladybug's prop to offer he support when she needed it, to offer her a connection to the main plotline, and to be her prize after she won. His feelings, his emotions, his trauma... they all only mattered in the context of what they meant for Ladybug. If they inconvenienced her, they were unimportant. If they benefitted her, they were good. He took the blame for her mistakes so that she didn't have to be held accountable, he forgave her so that she didn't have to work to fix her mistakes, and he continued to support her when she didn't really return the favor. Because that is Adrien's role, to be Marinette's emotional support partner who conveniently comes pre-abused and ready to downplay his feelings and emotions to cater to hers while not asking or expecting anything of her. He only exists to take care of Marinette's needs, not as his own character.

And this writing of Adrien's trauma as secondary to Marinette's convenience is a really awful way to write an abuse victim. Not allowing him to prioritize his own feelings and portraying it as a good thing when he fawns over Ladybug is a really awful and bad way to portray his trauma stemming from his abuse. But good thing the fact that he is a victim of abuse is respected at least with regards to his relationship with his abuser, right?

Right?

It's been discussed before how Gabriel's actions are downplayed and minimized in order to afford him maximum sympathy, to portray him as just a misguided and lost soul, instead of as a terrorist and abuser (credit to @erisluna35 for their great post on the matter). The show denies Adrien an opportunity to confront the man, and instead, the good ending is that his victim forgives him. One way the show downplays Gabriel's abusiveness towards Adrien is by having Marinette want to work with him to find a solution for Adrien, implying that his only crime was to not think of Adrien's well-being, and that the only intentions he had for Adrien were correct, fatherly ones that he just lost sight of, and that if he had paid attention to Adrien, he would have been an excellent and loving father, instead of it being that he actively mistreated his son and therefore should not be trusted or allowed to make any sort of decision regarding Adrien's future. He was always "just a man who loves his family" deep down, and he always had only good intentions and a pure heart, and he simply forgot about what he had in pursuit of an ideal family for that son, instead of it being that he was an abusive, controlling person who whittled down his son's self-worth and treated him like a possession, like property, like a doll that was made to cater to his wishes, and that he only ever wanted his wife back for himself and not for his son.

And this just suggests to me that Gabriel's actions... are not meant to be read as abusive. His only crime was paying attention to the Miraculous over his son. Not the gaslighting, the manipulation, the lifelong isolation, the controlling, the physical violence in some realities, the fucking sensory deprivation chambers... those were all not abuse, I guess.

This is confirmed by the fact that Marinette and everyone else lying to Adrien about his existence because Gabriel asked them to do so is framed as a good thing and as proof of Marinette's love for Adrien or something. They are quite explicitly doing what he says, literally following his wishes on how to treat his son. And yet, their actions are not framed as toxic and controlling as they should be, but as selfless and kind towards poor Adrien who won't be able to handle the truth because he's too emotional and weak. Despite this being classic Gabe rhetoric, this is supposed to be seen as sweet and heartwarming and touching, that Marinette is oh so selfless to deny Adrien the information he is entitled to know and to make that choice for him. This tells us that the writers don't really see how Gabriel treated Adrien as... wrong. They don't see his actions are wrong, because when Marinette does it, it's fine! The issue, then, isn't that Gabriel is an abuser who denies his son his autonomy, it's that Gabriel did all these things for the wrong reasons, and Marinette is doing them for the right reasons.

Indeed, the parallelisms, whether intentional or not, between Marinette and Gabriel only serve to further downplay the magnitude of Gabriel's abuse of his son. The problem wasn't that these things are wrong and awful, it's that Gabriel did them because he was Evil and Marinette is doing them because she's Good, and when you're Good, it's okay to gaslight your boyfriend into loving his abuser. There's nothing inherently wrong or abusive about anything Gabriel did. The issue, in fact, is not that he did these things, but his reasonings for them. While it's okay if Marinette denies Adrien the right to be informed of his own life because she feels he is too emotional to be able to make his own choices, because she is Pure and Good and she Loves Him So Much.

And for another example, consider how Emilie Agreste is framed as a perfect and loving and wonderful mother, even though she allowed Adrien to be isolated his whole life and is also heavily implied to have been using the mind control rings on him, since there are two of them. This kinda shows that the writers don't really think mind controlling is abuse or even wrong. It's just wrong because Gabriel is Evil, but Emilie is Pure and Good and therefore allowed to abuse her child this way.

But I don't think the writers were malicious about this. Despite his questionable tweets, I don't think Thomas Astruc doesn't care about abuse. I don't think the writers were deliberately trying to infantilize the abuse victim in the story. I just feel like they don't understand that what they portrayed is abuse. And yet, it comes off as them invalidating the trauma Adrien suffered, but I don't think that would be intentional. The explanation I have for this, therefore, is that Adrien is not supposed to have trauma. Adrien is not supposed to be read as a victim of abuse.

I've mentioned the Marinette-Gabriel parallels, but let me add one more. Adrien is the plot device that furthers Marinette's character, but he also fulfills the same role for Gabriel.

Throughout Season 5, we see Adrien rebel against his father more and more, and it was expected that this would culminate in a final confrontation where Adrien would confront his abuser in his entirety. But Adrien was not a part of this final confrontation, so the arc wasn't about him, and it stands to reason that it must have been for some other character. We see that it is for Marinette, since she was the one who fulfilled what should have been his arc and got the moment that should have been Adrien's. But who was on the other side of this confrontation? Who was the one the speech was directed towards? Who did Adrien connect Marinette to?

It is Gabriel.

Adrien's callout of his father does not matter for furthering his character, but for furthering Gabriel's character. His calling out of Gabriel is less a way for him to finally realize that his father's treatment of him is cruel, and more of a way for Gabe to be seen a tragic, fallen villain. Adrien's callout of his father is not about him, it's about Gabriel and how he feels about it. The finale deals not with Adrien's feelings about being failed by his father, but how Gabriel feels about having failed him. Adrien's increasing rejection of his father is not used to finish the arc he should have had, but it is used in Gabriel's instead. And Gabriel's redemption comes from him being praised by his victim, who aspires to be like him. Adrien was only ever there to progress Gabriel's arc, not the other way around. Adrien had no real agency in the matter, and Gabriel's increasingly cruel treatment of him was only ever there to highlight how far he himself had fallen and was never really about Adrien realizing the truth about him.

And once Gabriel makes the choice to "change," he is rewarded with the forgiveness and love of his victim, who is there to conveniently express to the viewer how we should feel about him. Adrien is there to call out Gabriel when Gabriel is being Bad and Evil and is there to then inform the viewers that Gabriel is Good now by forgiving him and forgetting all his mistakes. Because Adrien forgave Gabriel and isn't Gabriel so wonderful now that he's made up for his mistakes and his victim has forgiven him and even looks up to him?

The main highlight of Gabriel's supposed redemption is the forgiveness of his victim, further highlighting the point that Adrien only existed as a character to push Gabriel's narrative, and not as a victim of abuse who is entitled to decide whether or not to forgive this man. Adrien did not forgive Gabriel because of a natural and believable development in his arc, he forgave him because he is ultimately a plot device to exposit about the current state of Gabriel's arc and to show the viewer what kind of a man Gabriel is, and Gabriel is good now, and so he must be validated through the forgiveness of his victim. Adrien is a prop in Gabriel's arc, who shows us the tragedy of Gabriel's fall and the future redemption of his "selfless sacrifice." His character that of "Gabriel's son," to take us through Gabriel's arc, and not a character of his own.

And since Adrien's ultimate end is to show that Gabriel is a good man after all, it also lends credence to the interpretation that, no, he is not traumatized after all. Nothing actually happened to Adrien himself, because he is only a plot device, not a character. He is there to let us know the tragedy of the man Gabriel. He is just there to let us know where Gabriel is in his arc. We see this in the way his development in just completely erased once Gabriel is "redeemed." His reactions don't make sense in the context of his arc, and it's OOC how he goes from calling out his father for who he is and then reverting back to worshipping him and forgetting all his flaws. But when you consider that the purpose of his character is less being his own character and more about highlighting and pushing forward Gabriel's arc, they make a lot more sense. His reactions don't make sense for the development that he has received throughout the season, but it makes sense if you consider that he is just a cog in Gabriel's story, and that his arc only matters as far as it affects Gabriel's arc. His struggles only matter as far as they affect Gabriel. Just like they only matter in the way they affect Marinette. Adrien doesn't get to learn anything, choose anything or even do anything if it is not about Marinette or Gabriel.

But to go back to the question at the beginning of the post, what purpose does it serve in Adrien's arc to have everyone he knows lie to him?

The answer is that Adrien does not have an arc.

Of course, it seems like he does. He does show some form of growth in calling out his father, so it would appear. But the arc of realizing his father is abusive, the arc of realizing that he deserves to make his own choices, that he deserves unconditional love... does not exist. He is only a plot device in the story, meant to be the motivation for the protagonist and the antagonist. Any arc or character complexity he has is largely accidental. His story about being a victim of abuse is unimportant and non-existent, and the show itself denies him agency and the ability to have any meaningful impact on the story outside of his role in the arcs of the main characters of the show. He has nothing of his own happening for him, he has nothing to do with his own life and family. All he matters for is to be the prop for Gabe's redemption and the prize for Marinette. His only role is to connect these two so that they can duke it out.

He has no autonomy, no agency, no nothing outside of being what Gabriel and Marinette need. We can scream until we're blue in the face about how Adrien feels the need to put on masks to please everyone and has been conditioned into believing his worth is based on pleasing others and that his emotions don't matter, and to be fair I will not stop making those analyses myself, but the fact remains that this is his narrative role. The narrative validates the abuser, both through the actions of the characters around Adrien and the framing of his arc. The characters around him don't treat him as a person as much as they treat him as Marinette's boyfriend, or as someone who doesn't get to make informed choices and should be kept in the dark because he is too emotional. The narrative treats him as a doll who must bend to the needs of the real characters with arcs and a story in the show, as a character who does not have agency and any value of his own beyond being what other characters need. His supposed development is only there to highlight Gabriel's fall. His own feelings and trauma are invalidated in favor of focusing on Marinette. Nothing he does is about him, it's about the main two characters in the show.

The show goes out of its way to remove him from the conflict. There are two episodes devoted to how he cannot ever find out about his father. He gets sprayed with nightmare gas. Fuck, even the only importance of him being a Sentimonster is to make sure that Adrien cannot find a way to break free of Gabriel's control and actually contribute to the plot. The Sentimonster plotline is mainly meant to make sure that there is no way that Adrien would be able to break free of Gabriel's control, hence he cannot take part in the final battle. Its very existence in the story boils down to being a convenient excuse for Adrien to not be a part of the finale. The only importance of the rings is ultimately so that Marinette can have a moment to slide it on his finger while ambiguously either giving him an order or not (I wouldn't be surprised if it was since the show doesn't seem to think mind control is wrong) to show that she's Good and Not Like Gabriel. The Sentimonster thing is textually a plot device to make characters unable to do anything because they physically can't. And it only serves to reduce Adrien into even more of an object, because he's now literally an object. The deeper ramifications of Adrien being a Sentimonster are never explored. It literally only exists to deprive Adrien of more agency so that Marinette can get into the spotlight. The only thing that matters about it is that it is now in the way of Adrienette, once more only focusing on how Adrien's issues affect Marinette.

Adrien is literally reduced to being a part of the magic slave race, because he cannot under any circumstance be a part of the finale and be the one to confront his abuser. And to a smaller extent, this is also the case for Felix and Kagami, two people who have a closer connection to the plotline beyond "fighting the guy who won't let me date my boyfriend." They are also Sentimonsters, and therefore have no choice but to rely on Marinette to save them and cannot fight alone even though Felix had no problem with that in the last season. The Sentimonster plotline is just an excuse to remove anyone with closer ties to Gabriel than his son's girlfriend from the conflict. Either they are working with Gabriel, or they are part of the slave race and cannot fight him, leaving only Marinette to do that for them. But like, at least Felix and Kagami got to make an informed choice about it without being lied to by everyone.

And this denial of abuse and the invalidating of Adrien's trauma leads to some pretty crazy abuse apologism for Gabe. And yes, reducing the impact of Gabriel's abuse, trying to pass him off as "just a man who loves his family," and denying the abuse that Adrien suffered throughout the show is in fact, abuse apologism. And the creators' insistence that Adrien was not emotionally mature enough to fight his father, being that this was the point of Chat Blanc all along apparently, also falls into this same trap of implying that abuse victims are not capable of making sound decisions and having autonomy over their own life, and isn't it so nice that Adrien is now Marinette's doll instead of being Gabriel's. It's victim blaming garbage, and it is frankly really gross. But in the narrative tells us what Gabriel has been telling us from day one about Adrien, that he is too emotional, that he must be protected, that he cannot make his own choices and his autonomy is better left in the hands of others, that his only purpose is to be a doll and a prop for the people around him. He only matters as far as he is useful to them.

And if you want to see the most damning example of Adrien being irrelevant outside his role as the motivation for the two people who actually drive what should be his story, look no further than Chat Noir.

Chat Noir is the only thing that indisputably belongs to Adrien. Chat Noir is him asserting his agency, his freedom, his choices. Chat Noir is his. And Chat Noir is not part of the finale. Not even in terms of physical presence. Chat Noir is an absolute non-entity in the finale. I'm not talking about Adrien; I mean Chat Noir. Chat Noir, who spent nine months fighting Monarch by Ladybug's side. Chat Noir, the owner of the Black Cat Miraculous. Chat Noir in Miraculous: Tales of Ladybug and Chat Noir, is missing in both body and mind from this final battle against his father. The one part of his life and the one part of the story where Adrien had any agency and autonomy of his own, was removed entirely from the finale. Chat Noir was reduced into nothing, to mean nothing. Because Ladybug only went there for Adrien and not to finish her and Chat Noir's fight.

Ladybug didn't fight Monarch in order to end their months-long crusade, she didn't acknowledge that Chat Noir was at least there with her in spirit, she didn't come to Monarch to put an end to the battle that they'd fought for so long with any intentions of at least wanting to carry his fight along with her to bring their enemy to an end, she wasn't there for both of them. She came there for Adrien. She came there to look for Adrien. And the symbol of Adrien's agency, Chat Noir's ring, was on her finger throughout her fight with his father over him. Chat Noir did not matter.

I'll say it again. Adrien had nothing. He was only a tool for Marinette and Gabriel. His role was to be passed on from Gabriel's clutches to Marinette's. And it paints a very bad picture that the one reduced to the role of the plot device is the abuse victim. And for anyone who doubts that Adrien is supposed to be Marinette's plot device, Thomas Astruc has helpfully made my point for me by tweeting that Adrien is Ken and Marinette is Barbie, and that we should just deal with it because it's not going to change. And I hope that this also makes it clear that we will not be dealing with the fact that Marinette is siding with her boyfriend's abuser and doing what he wants, because Marinette is always right, and Adrien doesn't get to have feelings that inconvenience her and only exists to prop her up.

The show makes it clear that he is just an object in the story from the way he's written as a damsel in distress who needs someone else to come save him, and this is taken even further by the fact that he is literally a puppet who can be mind controlled. It takes away Adrien's story of regaining autonomy and informs us that he was never supposed to have autonomy and never can, making it clear that he was never really supposed to have any arc of his own. He was never supposed to break out from his father. His end was to become Marinette's boyfriend and to worship Gabriel. Because that is how their arcs end, and their plot device must go along with it regardless of narrative implications or established characterization.

But that is Adrien's purpose in the show. For Marinette to beat the villain, and to receive his son as her prize for doing that. His abuse and trauma are secondary to Marinette's needs, and him being a victim of Gabriel's abuse is secondary to him being the vessel for Gabriel's redemption. He is only there to be a source of motivation for these two characters and to cater to their arcs. Marinette and Gabriel are the only ones who matter, who have agency in the story. Adrien is just a simple plot device to push their arcs, instead of having one himself. There is no arc for the abuse victim. He exists solely as an object, as property, as a damsel in distress, as a doll. There is no agency and autonomy for him in this story. And that is the unfortunate truth.

[actual-changeling]

ahhhhh fuck it. sure. back to normal meta posting.

do not copy or otherwise repost any of my writing without express permission, including (but not limited to) any and all blogs that are dedicated to harassing people based on their opinions.

—

a south downs ending does not equal a fairy tale ending/happily ever after.

regardless of how you personally characterize crowley and aziraphale and interpret their actions, ignoring the emotional impact of pretty much the entirety of season two would be a disservice to neil (and terry) as a storyteller.

aziraphale not just broke crowley's trust, he repeatedly chose to side with heaven and "morality" over him—crowley has always been the second choice, otherwise aziraphale would have fallen long ago. he would not fall for crowley because so far he has not fallen, he turned away from crowley every single time it came down to either falling or continuing to hold his position as an angel.

meanwhile crowley fell from both heaven's and hell's graces long before he fell in love with aziraphale; it has never been a choice for him because he decided on who he wants to be and how he wants to live once he found out about the 6000 year deadline on the universe.

crowley fell for what is right, for what is decent and kind regardless of the consequences he'll have to face afterwards.

aziraphale has not fallen simply to keep his personal comfort intact and stuck to the selfish ideology centring whatever is the most convenient option in a given situation, and no matter how you twists and turn it, that's at the heart of it—because, again, otherwise he would already have fallen.

so when neil resolves their conflicts—because i trust that he will do it in a way that's satisfactory for everyone involved, including us as the audience—those centuries predating season three don't just magically disappear.

crowley will hopefully have learned to live for himself and not anyone else, which allows him to choose what kind of relationship he wants to have with aziraphale. they might move into their cottage with their relationship still healing and the end result open. content and together, sure, but crowley is under no obligation to forgive aziraphale for any of the shit that he put him through. there's a degree of intimacy and trust they'll never get back; it sucks, it's sad, but it is what it is.

meanwhile aziraphale will have to face that he fucked up, openly acknowledge how he's hurt crowley and others, and apologize without expecting forgiveness; he might get it, he might not, but he needs to keep growing/learning/changing no matter what.

think about the ending of season one—they're dining at the ritz, content and happily enjoying each other's presence, but outside of that we are not given more information. i can see exactly that happening at the end of season three, a satisfactory ending that also simultaneously allows us to decide for ourselves what happens once we leave them.

if there is a single thing i am certain of it's that we will not get a fairy tale ending, no happily ever after, and if that's what you're expecting going into it, then you will probably be disappointed.

[gachagon]

Rambling about Kunigiri-Matching yet different

I've never made a post about this even though I think about it all the time, so here it is. Kunigiri is interesting because they both have the qualities of the other's ideals. And what I mean by this is that Chigiri has the straightforwardness and confidence of a hero, while Kunigami has the stalwart resolve to keep going in soccer despite his circumstances.

In a way, they're total opposites much like the other partners in Blue Lock, and they both have exactly what the other person is "missing" in soccer. Chigiri wanted to find a reason to keep playing soccer despite his injury, so it makes sense that he'd end up getting along with a guy who's never going to give up soccer no matter the circumstances. And Kunigami is someone who wants to inspire others and be a "hero", but who seriously lacks the confidence in order to do that, so it makes sense that he'd get along with a snarky yet confident guy.

And in the beginning, their roles are completely reversed. Kunigami is the bigshot player that has a lot of potential and talent, and is someone everyone gravitates towards, where as Chigiri is a loner who wants nothing to do with anyone.

We see in the Second Selection arc when they're together that out of the two of them, it's actually Chigiri that's the more extroverted one. He's the one constantly making jokes at Reo's expense and he's the one who plainly says Reo should get over his moping and not sabotage their plays just to get back at his partner.

Kunigami is known to not be that great with conflict and especially not that great when it comes to receiving praise for his efforts. While he was also great at soccer as a kid, it's clear that was never the thing that truly ostracized him from the others when he was young like it did with the other Blue Lockers, namely Bachira and Chigiri. Their pasts contrast each other totally as well just like everything else.

Which I why i think it's really cute that they sort of have matching nicknames. All the Blue Lockers have a little nickname that the others will sometimes refer to them, and I like that Chigiri's is "Princess" and Kunigami's is "Hero".

Hero's in stories are always saving Princesses, though their relationship is switched because Chigiri never needed saving. Kunigami is the one who really needs help from others.

[isa-ghost]

I need qPhil to tell Sunny how awesome and swaggy she is so she stops thinking he hates her and so Tubblings that clearly don't watch any other POV besides Tubbo's shut the FUCK up about Phil hating her and stop posting the most rancid, untrue, one-sided & illiterate ass takes I've ever seen.

IT'S MISCOMMUNICATION. THAT QPHIL DOESNT REALIZE IS HAPPENING. BECAUSE NO ONE HAS TOLD HIM. BECAUSE QTUBBO'S STUPID ASS (I SAY THIS AS A TUBBLING MYSELF) DOESN'T FUCKING SPEAK UP FOR HIS DAUGHTER. AT LEAST NOT OFTEN ENOUGH. NO ONE ELSE BESIDES HIM REALIZES SUNNY IS FEELING THE WAY SHE IS. AND HE SAYS NOTHING ABOUT IT TO ANYONE. AND SUNNY DOESN'T REALIZE SHE CAN SPEAK UP HERSELF. OR SHE'S AFRAID TO BC SHE'S JUST A KID, WHICH IS COMPLETELY VALID. SUNNY'S ADMIN IS FANTASTIC AT PLAYING A CHILD THAT DOESN'T UNDERSTAND THIS SOCIAL STUFF.

TUBBLINGS NEED TO PULL THEMSELVES OUT OF RP FOR 2 SECONDS AND REALIZE A CHILD'S PERCEPTION OF THE WORLD ISN'T WHAT'S ACTUALLY TRUE. FOR A BUNCH OF CHRONIC METAGAMERS, THEY FUCKING SUCK AT THINKING META WHEN IT ACTUALLY FUCKING MATTERS. I SAY THIS AS SOMEONE WHO WATCHES STREAMS REGULARLY. I SEE CHAT.

AND IT SHOULDN'T BE ONLY SUNNY'S JOB TO SPEAK UP FOR HERSELF WHEN SHE'S FEELING A BAD WAY ANYWAY. PARENTS SPEAK FOR THEIR EGGS ALL THE TIME. TUBBLINGS MAY NOT HAVE WATCHED QSMP BEFORE TUBBO WAS ON TO KNOW THAT, BUT THEY'RE METAGAMING LITTLE FUCKERS ANYWAY. SO IF THEY'RE SO PRESSED ABOUT THIS, THE LEAST THEY COULD DO IS THINK OF PROPOSING COMMUNICATING ON SUNNY'S BEHALF AS IF IT'S AN ORIGINAL IDEA THEY HAD, SINCE THEY LOVE SUGGESTING META OR BACKGAME-Y SHIT SO MUCH.

OR THEY SHOULD THEMSELVES OUT OF RP FOR 2 FUCKING SECONDS TO REALIZE ROLEPLAY IS ABOUT COMMUNICATION. AND TUBBO IS NOT COMMUNICATING THAT THERE IS AN ISSUE. SO THIS IS NOT PHIL'S FAULT.

Also Tubblings & Phil antis in general have this habit of assuming he's being fucking rude when That's Just How Northerners Talk. So good job, you dumbasses are stereotyping. I've seen so many UK northerners speak up about how they hate seeing people from their region labeled as assholes for talking the way they talk. But I digress.

REGARDLESS OF FANDOM ISSUES.

QTUBBO SHOULD HAVE TOLD PHIL BY NOW THAT SUNNY FEELS THIS WAY. INSTEAD OF LETTING THIS FUCKING FESTER. WORSE, SOMETIMES HE STRAIGHT UP TALKS TO SUNNY LIKE HER PERCEPTION OF PHIL HATING HER IS TRUE. RATHER THAN REASSURING HER HE DOESN'T. FROM PHIL'S POV, TALLULAH & SUNNY GET ALONG NOW SO THERE'S NO TENSION BETWEEN THE DEATH FAMILY & THE UNDERSCORE FAMILY. HE HAS NO FUCKING IDEA THAT SUNNY DOESN'T RECOGNIZE HE'S TEASING. OR THAT HE CAME OFF A WRONG WAY. AGAIN, HE JUST TALKS THE WAY HE TALKS. AND SUNNY DOESN'T REALIZE THAT. AND THAT'S OK BC SHE'S A KID.

I hope to god this is ccTubbo playing his character this way intentionally bc I'm down for imperfect/flawed characters. Even if this is aggravating me SO MUCH and even if I HATE characters that think everyone & everything is against them when it's clearly not true. Bc at least then that means there's time for qTubbo to learn he's severely fucking things up going about things the way he is. There's opportunity for the narrative to progress and for the conflict to resolve. qPhil is imperfect and flawed and I snort that shit like crack. I'm down to ride out qTubbo's character development just the same even if I don't enjoy it.

BUT UNDER THE ASSUMPTION THAT THIS IS NOT A MATTER OF META VS RP AND NOT AN INTENTIONAL CHOICE ON CCTUBBO'S PART.

QTUBBO SHOULD BE SUPPORTING SUNNY WHETHER THAT MEANS SPEAKING UP FOR HER OR ENCOURAGING HER TO. INSTEAD HE BASICALLY GOES "DAMN THAT'S CRAZY, WE'RE BOTH SO HATED" AND MOVES ON. WHEN. IF YOU WATCH PHIL OR FIT OR PAC OR MAYBE EVEN BAGI BC SHE'S ON "EARLY" SOMETIMES. THEY ALL CARE SO MUCH ABOUT THEM BOTH. THEY CARE ABOUT EVERY ISLANDER. EVEN THE ONES THAT DON'T SHOW UP FOR FUCKING MONTHS. ITS THEM VS THE FEDS. ALWAYS. EVEN AFTER FUCKING PURGATORY, THEY WILL ALL STILL DROP EVERYTHING TO MAKE SURE EGGS ARE OK OR ASK IF PEOPLE NEED HELP WHEN MESSAGES POP UP IN CHAT. THEY STILL PANIC EVEN WHEN MESSAGES OF SOMEONE GOING DOWN POP UP BECAUSE THEY'RE PLAYING AROUND. IT HAPPENED JUST THE OTHER DAY WITH RICHAS AND MIKE. NOT EVEN BEING FORCED TO BETRAY AND HURT EACH OTHER, AND BEING PITTED AGAINST EACH OTHER FOR WEEKS HAS BROKEN THE BONDS THEY ALL HAVE. THIS ISLAND HAS ALWAYS BEEN AN "IT TAKES A VILLAGE" ISLAND. EGG NEED HELP, EGG SAD, PARENTS SCRAMBLE TO HELP AND COMFORT. SAME WITH FELLOW ISLANDERS. EVERYTHING THE ISLANDERS DO IS TO A) PROTECT THE EGGS NO MATTER WHO'S EGG IT IS, B) PROTECT AND SUPPORT EACH OTHER, AND C) TO FIND ANSWERS FROM THE FEDS TO GET CLOSURE. OR ESCAPE THE ISLAND. THE DAY TUBBLINGS LEARN THAT IT'S NOT AND NEVER HAS BEEN TUBBO VS EVERYONE IS THE DAY I KNOW FUCKING PEACE.

SO I AM BEGGING. THAT IF QTUBBO WON'T FUCKING SPEAK UP FOR SUNNY. AND IF SHE'S TOO AFRAID TO SPEAK UP FOR HERSELF. THAT AT THE VERY LEAST, PHIL FUCKING DOTES ON HER SO SHE REALIZES HE DOESN'T FUCKING HATE HER. AND THEN TUBBLINGS REALIZE HE DOESN'T FUCKING HATE HER. HE DOESN'T HATE ANYONE ON THE ISLAND THAT ISN'T A FED OR A PURGATORY FUCKWAD. AND BY DOTING ON SUNNY AND TELLING HER HOW COOL AND FUN SHE IS, TUBBLINGS WILL FINALLY SHUT THE FUCK UP. AND SUNNY AND THE CROWS WILL ALL KNOW FUCKING PEACE.

[katerinaptrv]

Ing's POV - The new son

Deep down Ing always knew, in an instinctual way, that the boy that wakes up in her boy’s body wasn’t the child she birthed.But it was her son nonless.

She felt the loss of her little boy and the disappearance of the second chance to do right by him she dreamed for many years. But she decided not to be ungrateful of her fate, no son could have returned, she was given a new one to try once more.

A son without a mother and a mother without a son, her and the new Joe complete each other, they never will replace the people they loved and lost but they still had love in their hearts to give to someone new. And he was always so loveable, this boy, despite everything, to her, to his friends, to everyone. Always willing to be there for them all and help her in any way he can.

So, this Joe was also her son, and will always be until the day where he is no more.

She saw the conflict in him, about the past, about who he was going to be, her new son also had been given a second chance and she saw how hesitant he was in who to be in it.

When she first met Sol, she thought: he is a good boy, kind, maybe he can bring peace to her son's second life. Ease his tormented inner self. She was eager to show her support to any choice Joe made this time, she does not want to repeat past mistakes, this time the only thing that matters is her son's happiness.

And soon she saw how wrong she was in her assumptions and daydreams, because the next person she meets is Ming. And she finally understands. The only one who could end the storm was the one that started it in the first place. She also had loved a difficult man, she understood Joe and his situation here on a deeper level, the same as she understood Ming's need for a second chance to right his past mistakes.

So, she waited, because they were a mess, it was clear as day, but she could also see they loved each other so much that she was very hopeful they would find each other again in the end. And they did, but after a lot of suffering from both sides.

Joe and Ming could not keep away from each other, as much her son liked to say he wanted the other to be gone. Ing knew the truth, that was just words he said, he never really meant it. So, they spend a long period of being together without ever resolving their issues, too attached to let go, too close to move on.

And that stand still continued, but Ing was patient, and after everything, maybe even she started to believe a little about things that are fate.

The turbulent truce was broken with a terrible occurrence, in one of their events night out they had a very brutal accident. And Ing came to face again that familiar horrible feeling of almost losing everything.

Joe was beaten up from the crash, but very much alive for her great relief, but Ming was not so lucky this time. The boy hung in the abyss of life and death for a while, to after, in a poetic irony, lay in a coma.

She would like to meet the god that wrote their lives, he sure had a very interesting humor and sense of irony. 

And it was time for her son to face the same fate as her once before, and be confronted with the possibility of losing everything. Ming has been with him for some time now after his rebirth, he had tried to prove himself and ask for forgiveness in his own way many times.

And now by circumstances of fate her song got the break he needed to put everything in perspective and finally make a choice for himself about what he wanted.

It was very hard for everyone to watch from outside, how her easy going, always cheerful boy, ready to solve any of her problems with smiles looked so lost, afraid and hopeless.

She tried to help him as much as he could but she knew this road was one he needed to cross alone. 

Hard days followed, Ming’s family did not even want to let her boy in his lover's room, hesitant to let this stranger around one of their own. But before Joe did something crazy, what today she knows he is very much capable of, Ming’s secretary Jim intervenes for him with Ming's brothers that reluctantly let him visit.

That mean stubborn boy stayed down for a month, but like she predicted, not even death could keep up with him.

And when he woke up her son was ready to let go of their past and finally look for their future. And her new Joe started his path to happiness, now unburdened by the past and choosing how he wanted to live his second life without guilt or fear. 

And just like Ing and her late husband, happy they were, a sort of feeling you only get when you figure out all the challenges to be with that one person. That person that makes everything make sense in their lives, gives them purpose.

Sure, her and Joe could have been with different people, maybe easier ones, but it would not have felt this way with them.

Now, she only hopes that her first son and husband have found each other and that they will also be happy like her and Joe. And she dreamed that maybe if she proves herself worthy being here for these people now, she can find them again in her next life.

PS: I wrote this last week when i thought the family drama would not actually be adapted in all his glory and i had no idea about the new kidnapping plot

If you liked you can check it all all oneshots in this universe here:

[extraterezi]

I'm a big fan of two characters being well aware that they love each other - no oblivious unrequited pining, no miscommunication - just being fully aware that they're loved back, BUT, emotions and situations being messy and scary enough for them to not quite know what to do about it and/or messing it up real bad. Bc in real life you'll notice - relationships are really hard! Even when the situation seems simple enough. Being honest and brave is terrifying! And reading other peoples intentions without bias is a complicated endeavor even for the most empathic and socially blessed

And I think that's whats putting me off about a lot of good omens s2 content I see on here, bc while I agree that they can both be dense in their own separate ways, Aziraphale and Crowley know logically that they are important to each other and that it goes both ways. But see, that doesnt mean anything in the grand scheme of things. That doesnt mean they know in what way and what that means for them. Someone can tell you they love you to your face and you'll realize, if you give it a think, that that doesn't mean you know any more at all about what that person wants from you

I think letting the characters know both gives them some agency and emotional depth beyond "these oblivious gay idiots cant see they're soulmates", which was charming the first few times it happened but now just feels so trite. Its also detrimental to the conversation we could have about the really fun stuff about characters and their relationship to each other - their values and way of thinking and saying things and how those will inevitable clash with the other's and create conflict!

The tension in Aziraphale and Crowleys relationship doesnt come from will-they-wont-they insecure pining. And it doesnt necessarily come from the classic fanfic miscommunication either. It comes from the fact that they have different worldviews and ways of thinking of their relationship, different worries and insecurities, that makes it hard to communicate. To read the others actions. And human romance would not resolve that. A proper consensual kiss would not solve shit! It would communicate to the other that they do, indeed, want to engage in that kind of physical human activities. It would say things about their desire and how human it is and how theyre not on the side of hell nor heaven but rather with earth and humanity because thats what they've become really. It might even make both of them more likely to listen to the other with good faith. BUT. Its not enough, not even close, to resolving that tension.

So. I don't want a fluffy next season. I dont want them to just TALK TO EACH OTHER! <3 and confess and smooch and merry second coming of christ everyone. I like a happy ending as much as anyone, but theres so much potential here to make this complicated and appealing, and if we're stuck on the level where we believe them to be oblivious to each others heart-eyes and 6000 years of gallivating I think thats as far as we'll ever get.

This is not specifically about gomens though I just think its unrealistic and boring to reduce all pairings to "theyre so insecure and/or stupid they cant see that theyre in love" bc while you can definitely have a hard time believing you are loved, in real life doing anything alone with another person will feel intimate and special no matter your relationship, and if you like them and they happen to hold eyecontact and ask you to hang out more just that alone will make the vast majority of people go "hmm seems like they might like me". What that means is another pickle all together. But you'll definitely consider it! And if you do everything together and are always referred to as a duo and save the world together and have little inside jokes? ...yea

[melancholytimes]

So Arsenal has had a rocky start to the season. We're back in champions league which is great but the performances have not been very convincing. There have been grumblings for a while about the lack of passion it seems that the girls are playing with. To me the beginning of the end was the 1-1 draw at Everton last season but this season they drew again and this time they didn't even score.

THEN they went to Germany mid week and got absolutely battered by Bayern. As a Bayern fan also I was very conflicted watching but honestly it was alright and I thought they could pull off a draw cos Bayern hasn't been starting games well this season either. But then Jonas took out McCabe just after she assisted the equalising goal. That made no sense she had 2 goal involvements and was really pushing the team. Then Pernille does what she does and got a hatty!

Also he refused to play Khul and Kafaji and we could have used them especially during that Everton game when we needed energy and creativity in the attack.

Everyone is fuming now and the #JonasOUT is louder than ever.

Then we go back home to play Chelsea...

Chelsea started the game with two fairly lucky goals. We were able to pull one back but it wasn't enough and Chelsea won at the Emirates for the first time. Honestly, the thing is that if we weren't on this terrible roll this Chelsea result wouldn't have felt as bad probably.

Also as you can see pictured above someone pained Jonas out directly across the road from the Emirates on a wall. Jonas has been under a lot of pressure. This is his fourth season and all he's achieved is a close second his first season and two league cups. Speaking of the cups, I don't know why people look down on these cups. like its a trophy that they beat Chelsea to win the last 2 seasons. like the 22/23 season, they jumped into the quarters sure but even last season they played the whole in-season tournament and people shit on it like it doesn't matter. i think that all trophies matter and yeah I get that they're Arsenal football club but to me, a trophy is a trophy. anyways, after the chelsea game people said that jonas just went straight back into the tunnel and did do the lap with the team.

on Tuesday after the game, it was announced that Jonas would be stepping down and that his assistant coach would take over until at least the international window, which are the next two games.

the next two games were victories!!

first was the second champions league match day where they played valerenga. they played at home at the emirates. they won 4-1! emily fox scored her first arsenal goal! they played with what looks like some joy. of course the new manager bounce is a thing that can affect them but playing with joy is always good. also LINA HURTIG IS BACK!! I was so happy to see her in the squad and then she came on near the end of the game. she really made a difference too she and Katie reid came on in the 92nd min and then Alessia scored a minute later. i believe that its cos the average hair length got shorter and it freed them up lol. so now alessia has scored again since the rangers game. now all that's left is stina and to get her to score in the WSL. they all looked so happy at the end of the game and lina and her kid were on the field and everyone was cheering for her. I'm glad shes back, I hope whatever was keeping her has been resolved. I know her wife is pregnant again so I hope their family is happy.

next game they played was west ham away and unfortunately, I was terrified. in classic wsl fashion the camera at chigwell construction stadium was getting pelted with rain and the clearly didn't have like a little hat for the lens and it was covering up the screen so badly they had to wipe it a bunch. they very much were playing arsenal terror ball in the first half. then renee made the choice, which kind of screwed my fantasy team, to make 4 changes which took out a bunch including alessia and kim and brought on stina, kyra and rosa!! the change with rosa and stina injected so much energy into the game. then stina got fouled in the box and drew a penalty that mariona took with ease. then later on stina ran up the left wing with the ball and the crazy thing is ROSA WAS IN THE BOX!! so what happened when stina crossed?! rosa was there to score! first rosa arsenal goal!!!

these two games under renee were wins which is what we need. I'm sure there is bit of new coach bounce but I also saw them playing with happiness and smiles on their faces and honestly that's so important. i hope they keep renee for a bit just to see if they can get better under some consistency from her.

There has been so much conversation about this team, from the fans to the media and pundits. I think there were definitely things that weren't working under Jonas, and sure he may have lost the locker room but, we'll never actually know that because we're not in there with the players. i also think there needs to be some accountability from the players as well. the center forwards alessia and stina arent scoring. the fact that defenders have more goals between them is just silly. i saw ruesha Littlejohn talking about beth mead and how beth is a 9, and I agree. and then there is leah Williamson. leah is barely a year on return from her acl injury and she was concussed at the beginning of the season but I'm begging her to put her arm down looking for offsides and take care of the backline. kim I love kim, shes solid as a rock but I need there to be rotation for her sometimes too. laia, Katie and caitlin have been quite solid and mariona and frida have been flying and I hope that their energy can be spread a bit more around the team. i hope laura can come back into the team soon to give emily some rotation and I'm so pleased to see lina hurtig back into the team, when shes fit shes so fantastic, its so unfortunate that shes struggle with injuries. but as i mentioned before i hope that this change is good for the team and that renee stays until at least winter break to keep some things consistent.

at the end of the day, I chose this team and I'm gonna stick beside them. i just want them to succeed. this team of players have the capability to win the league if they can work together well.

[thunderberryart]

Star's Rune Factory 3 Special 1st Playthrough, Part 3: It's... already nearly over?

So, going into Rune Factory 3 Special, I knew that the main story was going to be a fairly quick affair. That was one of the big things I heard about RF3; it's a good game, but it's not the longest. And I thought to myself "Well, I played RF5 and I'm pretty sure I finished the main story by early autumn of year 1 in my one playthrough. Surely, it can't be as quick or quicker than THAT."

It is, in fact, early autumn of Year 1 and I am just about to rescue Micah's fiancee AKA Shara from Aquaticus.

Knowing that I am very close to the end of the plot, I feel like it is a good opportunity to talk about the story. When I think about RF3's story... it's weird. Vishnal's marriage event comes to mind because the flaws of that event, I feel, encompasses a lot of the issues I have with RF3's plot. I have an older post going over my experience watching Vishnal's marriage event via YT, but to explain its biggest issue; it's short. I don't know if it's THE shortest of all the marriage events (I've still haven't gotten around to watching Forte's, Margaret's, Clorica's, Doug's, and Dylas'), but it is the shortest of the ones I have seen so far. And because it is so short, everything in that event comes in rapid fire--the plot, the emotions, Vishnal's proposal, the resolution--and so for what is there, it never feels like there's enough time to enjoy a scene and let it set in before the next thing happens.

That is essentially what happens with Rune Factory 3. The game has an incredibly good plot in concept, but because it's so short and things happen so quickly, it's difficult to appreciate what's there when it's there. For instance, compared to the likes of Frey/Lest and Alice/Ares, there is a lot less mystery with Micah; he starts recovering his memories immediately after defeating the first boss and it's always a sort of "Oh, that happened" kind of deal whenever he discovers an orb that triggers a recollection, even though him regaining his memories should really be that much bigger of a deal (the most emotional memory recovery scene was, I feel, the third where he remembered that he was the one tasked with defeating the monsters causing problems around Sharance, since it plays into the intro to the Death Wall fight later.)

There is also the matter of the Human-Univir conflict, which is its own problem. It's bad enough that it is resolved fairly easily, but the fact that the conflict isn't rationalized very well beyond "The Univir were exiled from Sharance at some point in the past--no one knows why, but the humans of Sharance and the Univir have hated each other since" is kind of... sad. In what I've experienced so far of the series, Rune Factory plots aren't anything to write home about, but... I don't know. I can't say whether RF3's plot turns out to be forgettable, but I can't say anything from the game's main story sticks out other than getting Kuruna to stop being so prejudiced against humans by giving her a handmade bouquet from the residents of Sharance.

But you know what they say; a mediocre story can be saved by good characters! And while I was initially overwhelmed by RF3's cast as mentioned in my first post, I've grown somewhat used to the eccentricities of Sharance by now and if there's anything memorable about the writing, it's how bonkers everyone is while still managing to convey some genuinely heartfelt storytelling. (And according to people on Reddit, XSEED's new translation for Special is apparently toned down from Natsume's original. Geez, I wonder how I would have reacted if this had been the original DS version.)

My favorites are the same as last time and... goddamn, I really do love Shara. Initially I figured I'd be marrying her purely to see if she was as bad as the fanbase makes her out to be and then in my second playthrough move on to a bachelorette I actually feel has genuine chemistry with Micah, but I really do like these two together. Granted, she doesn't have the most emotionally intensive plot associated with her requests (It's more about helping her younger sister, Monica, come out of her shell than any issues that Shara herself has), but she's so sweet and kind, cares for her family, and she loves flowers! I love flowers! And not gonna lie, her manner of teasing Micah and occasional bluntness do remind me of Frey, so that might have something to do with why she hits just right for me.

Girl, plz. You're killing poor boy.

That said, even though I made the firm decision this playthrough to marry her (and we would have had the wedding by now if Aquaticus didn't * grumbles *), there are other bachelorettes that I am considering marrying in subsequent playthroughs, which is pretty shocking considering my track record with RF4S. And by track record, I mean Arthur is the entire record.

Of the other bachelorettes, I've done a fair chunk of Sakuya's requests and I still like her a lot; besides having one of the more "normal" personalities, her love of travel and commerce reminds me a lot of Arthur (even though she's not a workaholic and is genuinely concerned with profits) and I'm liking the progress of her character development through her events. She also has a cute character design, but that's only ever a nice bonus and not something that determines whether I like a character or not.

The bachelorettes I was most skeptical of were Raven and Pia, and this is because I was aware of the fandom's opinions on those characters going in. Long story short: I figured this was going to be another Leon and Dylas situation for me, and by that, you know, I don't dislike either of them, they're pretty neat and I get why they hit close to home for some people, but it got annoying to see them constantly treated as objectively The Best when hey, their writing is not perfect, there's a reason why not everyone romances them; I'm certainly among those people. And at first, I was disappointed. Pia's personality was too airheaded for my tastes, and Raven... I liked her guest appearance in RF4S, but here, she's a straight up tsundere and tsunderes are one of those hit-or-miss kind of characters for me.

In Raven's case, I think I've done at least half her requests by now and by god, I feel bad for judging her so fast. Despite being a tsundere, she actually has an incredibly valid reason for telling Micah to stay away from her; according to her, anyone who becomes close to her disappears and she's afraid of the same thing happening to him. That... that hit hard and even if she doesn't end up being my favorite ship choice for Micah, I do want her to be happy.

Pia, I think, was just an instance of finding her initial personality overwhelming like many others in Sharance. I can't give any opinions on her character arc because I have only done one or two of her requests, but she is very cute. She is often lost in her own little world and tends to blatantly ignore things Micah says, but I do really love her happy-go-lucky approach to life and I unironically find her personal vendetta against squid hilarious. (She and Margaret would be friends.)

That is definitely the benefit of the romance system in RF3S. I'm sad there isn't a true dating phase and you can just go right to marriage once you've gotten the Engagement Ring recipe from Wells and Marjorie, but knowing that I can help these girls with their personal issues without having to turn down a heartwarming proposal at the end of their last request does make me feel a bit better about "hareming" all these bachelorettes. (And I say that as someone who detests harems and prefers a single dedicated romance in any narrative.)

My next post will presumably be my last for this first playthrough given how fast this has gone. I'm still incredibly attached to Selphia and RF4S is still my favorite game of the RFs I have played, but there really is a lot to love about RF3S despite its imperfections and I am already looking forward to my next playthrough. Cheers, everyone! I'll see you next time!

[bestworstcase]

Both gods created humans together but the god of Darkness is the one who gave them magic.

Even if BOTH brothers made the cat, maybe they don’t know it was two ppl?

The god of Darkness Creating CC after what he says in the lost fable, something about how the god of light might rule over creation but he’s not the only one who CAN create, makes a lot of sense. If he and he only made CC without any of his brothers input to prove he could make something besides the Grimm.

This isn’t disbarring with your earlier posts or about Salem I’m spouting out ideas under the guidelines of the brother gods are involved

see this is the kind of engagement with ‘word of god’ that i appreciate, because it’s thoughtful. i do think it’s a lot more likely that a statement that also included the phrase “humans and stuff” (ghdhsk) is meant to be vague, and i don’t think there’s much narrative punch in an “actually, two!” reveal (like why bother, most everyone is going to assume that anyway), so my inclination right now is to assume that the cat is correct on the number.

i’ve not talked about it as much, but my second-place theory has always been that the god of darkness made the ever after parting ways with his brother post-extinction. i think focusing narrowly on dark’s gift of magic is kind of missing the forest for the trees, because dark’s half of humanity comprised destruction and knowledge. all the way back in V1, the fundamental struggle between grimm and humans is explained as an existential conflict between anonymity and knowledge—which is fascinating because it posits that the god of light really doesn’t have anything to do with it at all, it’s a struggle between the two facets of dark’s nature. there’s also some obvious congruence between the cat’s envy of humanity and the mythical portrayal of grimm; in the two brothers, grimm are said to hate humans in part because the god of darkness favors humans over grimm.

and then like, the cat is the storybook chill—the grimm from ‘the grimm child’—which might tie them to the god of darkness just as easily as it might tie them to salem. the narrative set up generally works just as well if the cat is a creation of the god of darkness, albeit in a somewhat looser way—it doesn’t integrate them into the wider narrative quite as intricately, but that’s fine bc they don’t need to be intricately connected necessarily.

there’s some stuff that has to happen in the next two episodes if one of the brothers did create the ever after or the cat or both, though, and this is the main reason i’ve gotten less convinced of their involvement with every episode. which came first, the ever after or remnant? (humanity was created twice, millions of years apart—which iteration was the cat left behind for?) if it came first, why does it only seem to be a creation of dark’s? if it came after, where is the god of darkness now, and why did he leave? did he leave?? (<- is he dead.) how might the resolution of these questions evolve into the resolution of the looming threat of the brother(s) ultimatum? (if salem made them, it’s much easier to connect the dots between resolving the cat and resolving salem, bc in that case the cat is the key to understanding who salem really is.)

the cat’s origins don’t exist in a narrative vacuum; the conflict with the cat is predicated on their abandonment and resolving that conflict is the climactic arc of the most important volume in the show. we’re on the cusp of the keystone holding the entire narrative together. (and also, just as a matter of practicality, with two episodes left every important thread remaining needs to be tightly woven together or else there won’t be enough time to deal with it all.)

so it matters a lot. i think any theory about the cat or the ever after’s origins at this point is incomplete without a solid sense of how it sets the momentum for the rest of the story and how it completes the key change from the tune of the last eight volumes—the gimme here is that the characters realize the brother gods are awful, but we’ve known that since volume six. it’s not exactly a paradigm shift.

this is why i keep saying—i’ve been saying since the minute i finished v8—they have to realize something about salem in this volume. what that might be is flexible, as long as it’s important enough to change the trajectory of the conflict with salem, but they cannot go back to remnant without changing their perspective of salem. narratively, this is mandatory. that’s the whole point of this volume. so the conflict with the cat and ruby’s experience in the tree both have to facilitate that, ideally in a manner that twines these two threads together.

the biggest unknown rn is what’s going to happen in the tree, i think. we’re probably going to learn about alyx (<-little?) through the process of ruby putting herself back together; we know she’ll meet the blacksmith again, and there’s “you never were the hero” still on the docket. a face-to-face encounter with summer feels like a gimme, with the only question being whether it’ll be the real summer or a figment of ruby’s imagination. loosely all of this fits together in a pretty straightforward way, it’s about ruby finding herself. and of course if summer is 1. alive and 2. with salem, that handles ruby’s side of the salem paradigm shift as a matter of course; if summer is dead (she isn’t) then it’s more of a diffuse rejection of pedestals (which runs into the same problem of the characters merely realizing that the gods are awful).

so how does the cat get involved, exactly? they’re most likely headed for the tree—they believe it’s their way out—which puts them on a collision course with ruby (maybe) and leaves wbyj stranded. with how fucking brutal the last episode was, i dooooon’t think it’s likely that the narrative is going to throw ruby into another violent confrontation, at least not until her ascension is complete (and even then—V9 has made it clear that ruby doesn’t want to be a warrior anymore, and i am… deeply… skeptical of the widespread assumption that of course ruby ascending is about ruby coming back as a more badass warrior than ever before.)

if the cat’s creator is the god of darkness, i would anticipate the resolution hinging upon what the girls know about why the brothers left remnant. the cat needs to know why their maker abandoned them, and if their maker was one of the brothers then team rwby can answer that question. the brothers are cruel and arrogant and see their creations as inferior little playthings to be discarded at whim; if one of them made the cat, they left the cat because they didn’t care. in this scenario i think the resolution is about getting the cat to understand this, and then handling the aftershocks. that facilitates the salem paradigm shift via the symmetry between the cat’s predicament and salem’s, and the kids return to remnant with that model for dealing with salem in mind.

this feels… kind of off to me, though, because the cat already learned this. the cat interviewed them quite thoroughly about the origins of remnant and it allayed their obsession not at all, which makes sense if neither brother is their maker but makes the resolution thornier otherwise—which isn’t necessarily a bad thing, if the general thrust is that the cat’s true desire is for their maker to come back to them and needing to accept that it’s not going to happen.

bu-ut if that were going to be the case… well. ruby’s mom left for unknown reasons and never came back, and ruby has spent her whole life living in the shadow of an absent mother honored for her presumed heroic sacrifice, always remembering that summer promised to come back. yang’s mom left, too, and yang became obsessed for years with the question of why and spent most of her life actively searching for answers, only to get them and realize that the answers sucked and didn’t make her feel better and she couldn’t just make raven be the mom she wanted.

if the cat’s arc is headed for realization that their maker doesn’t care and isn’t coming back, that the answer they want isn’t the answer they’ll get, the cat really ought to be anchored to YANG, not ruby, because that’s where the narrative symmetry naturally lies. at the very least, i would expect yang’s estrangement from raven to have had more of a presence—any presence at all—in her character arc for this volume. this kind of emotional and thematic set up is something rwby excels at, so the fact that it *isn’t there* says to me that the natural symmetry is between the cat and ruby.

and the thing about summer is, she’s clearly not dead and the story has been rolling out the proverbial red carpet in preparation for her to return. whatever summer’s reason for leaving, and whatever develops with ruby and her mom once summer returns—the cat and their maker are going to mirror that in some way, which doesn’t mean that it will necessarily resolve in exactly the same way, but it’s certainly going to dovetail. summer’s reasons for leaving are likely a lot more complex than anyone who knew her ever guessed, and either she’s going to need saving or (more likely) she’ll turn out to be on “the enemy’s” side and precipitate a lot of rethinking. that is, very loosely, the sort of trajectory the cat is on too.

the cat might, maybe, turn out to be the mediator between humanity and the god of darkness, if the end-game is humans+dark vs light? but there’s a lot of fiddly bits involved in that and obviously the cat can’t reach their maker right now, otherwise they would have already done so, so there’s a decent amount of mechanical work necessary to make this happen—& probably requires bringing the cat back to remnant and incorporating them as a major character for at least the next volume.

dunno. this is where all the brothers-did-it theories tend to unravel for me—carrying that momentum forward out of the ever after in a way that achieves the salem paradigm shift is tricky, and a lot of the obvious ways to do it have been cut off as the arc narrative develops toward the climax. (e.g. the brothers aren’t here, so no confrontation with them is possible; the mains have fretted about the truthfulness of the novel quite a bit, but they haven’t been curious about what the ever after is, the only part of its nature that has been a point of focus is ascension; they’ve not stumbled across any evidence of ozma or salem ever having been here before; there’s no sign of any relics being hidden in the ever after; etc. we’re basically down to “discover a compelling reason to summon the brothers” by now. or “finally realize that the brothers are the Real Problem, transferring the ‘we have no plan!!!’ futility from salem to the brothers,” which seems to be where most brother-origin theories land but is imo hilariously inadequate.)

[lurkingshan]

Moonlight Chicken: Final Thoughts

I have really enjoyed watching this show along with everyone. There was so much to dig into and it was a real pleasure to see a BL with such mature themes, nuanced characters, and complex morality. By far my favorite part of this show was the care and attention shown to familial love, especially the complicated relationship between Jim and Li Ming. I love that we got to see them work through their frustration with each other and find some peace, and help Li Ming reestablish a bond with his mother, as well. They both seemed to learn things about themselves and what they really want by working through their conflicts and it was really rewarding to see.

That said, it was not a perfect show for me. @waitmyturtles made the point a week or two ago that some of the story beats and resolutions felt a bit rushed, and ultimately I do agree with that. I think for a show with only 8 episodes aired over 4 weeks, Moonlight Chicken tried to do a little too much. In particular, I thought resolving the conflict with Alan (and steering away from the messiness we expected from the trailer) partway through released a lot of the dramatic tension in the story, leaving us with a slower pace and fragmented focus. My man Gong fully disappeared from the show in the last few eps, and I thought the backstory with Beam was glossed over too quickly in favor of spending time on other things like Gaipa’s mom’s death. I enjoyed all the characters and themes, but I’m not sure it all came together as one cohesive narrative engine.

As for the romances, in the end I did find Heart and Li Ming most compelling. Not just because they were young and sweet and uncomplicated, but because I was deeply touched by Li Ming’s ability to see Heart in a way no one else did and his commitment to finding a way to help him communicate with the world again. Without Li Ming, I’m not sure Heart ever gets through to his parents and repairs those family relationships, or finds a school where he can pursue his education surrounded by his community. No matter what happens in the future for them, that’s the kind of first love that makes both people better and will always be remembered fondly.

Where do I start with Jim and Wen? First of all, I want to note for the record that I am exactly Jim’s age and I relate to him on a number of levels. I too grew up burdened by poverty and responsibility, got burned and became quite cynical about romance, and am wary of ever making myself that vulnerable again. Even still, something about his love story with Wen just never fully clicked in. It might just be that Earth and Mix’s chemistry doesn’t hit for me (I felt the same way about ATOTS) or that I’m still disappointed we didn’t get the messier, sexier version of their story we all thought this was initially. That first episode was the only time I really felt a spark with them, and then the story steered firmly away from that dynamic for the rest of the series. I also thought it was a weird choice to only show them finally consummating their romantic relationship in the end credit sequence. Better late than never but it really should have been part of the main narrative instead of an epilogue.

I am also choosing to believe that Alan and Gaipa don’t become romantically involved because I really dislike the drama trope of the rejected second leads pairing up. Props to the show for giving me plausible deniability on that lol.

This show also cemented for me that First, Khaotung, and Fourth are extremely talented actors who I’ll watch in pretty much anything they decide to do. For how young he is, Fourth is unbelievably impressive and I’m really excited to watch MSP now. First’s ability to produce believable chemistry with just about anyone is wild (part of the issue I had with the main romance is I thought Wen had better chemistry with Alan). And Khaotung’s ability to express so much via his eyes and microexpressions really made his story of unrequited love and grief land for me.

Overall I highly recommend this show and give it a solid 9/10. It was clearly made with such love and care and exuded warmth throughout. I’m sad it’s over so soon!

[casspurrjoybell-19]

Does it Matter? - Chapter 55 - Part 1

*Warning: Adult Content*   

Brayan approached Hudson where he was crouched next to the river that cut through the valley, washing clothes in the clear, fresh water.

For the first few months after Hudson had joined them, Brayan had assigned him this job as a light punishment for inappropriate behaviour.

He'd understood that a Wrasher wouldn't have perfect manners and he had been willing to offer some leniency but he had been determined to poke and prod him in the right direction.

Then one day Brayan had wanted to give Hudson a small reward and he had let him choose his camp chore and he had chosen... laundry.

The whole time, he had enjoyed the job or at least preferred it over others.

Most of the men hated it but Hudson liked to be on his own and get lost in his thoughts.

He didn't find such things tedious or isolating.

Hudson looked up as Brayan neared, held eye contact for a full second and then returned to ringing out the shirt he'd been rinsing like he had never even seen him.

"We need to talk," Brayan told him.

Hudson didn't bother to look up again.

"That never goes well."

"Which is why we need to talk."

"Uh huh. What about?"

"Well, first of all, I'd like to apologise for threatening to whip you."

Hudson looked up, eyebrows lifted.

"Oh, come on. You've done worse when I've deserved less. Why that of all things?"

"Because it happened yesterday. I can apologise for things that happened a year ago if you like but I doubt that would bring you any satisfaction. The point is that things are changing now and I can no longer resolve conflicts with a whip."

Hudson scoffed and returned his attention to his work.

"Thing you don't realise is that the whip was always pointless. You've never taken a whip to a man and then not cut him loose shortly after. Wrasher don't bother with beating people. We know that if someone's worth having on our crew, all you have to do is talk to them when they fuck something up and they'll learn just fine. If you have to whip them to keep them in line, who knows what they'll do behind your back?"

"Wrasher don't have the kind of leadership structure we do. If someone is no longer on your crew, that's the end of things. Maric is a prince. I don't think you appreciate what would happen if there was no particular expectation that anyone show him respect."

Hudson wrung a shirt out and tossed it into the clean side of his clothes basket.

"Just doesn't make much sense to me to demand someone respect you. If they work for you, fine but otherwise... why should they? Just because you happen to be more powerful?"

"Because when you're trying to run a country, someone has to be in charge and there has to be some expectation that they will be obeyed and respected. There would be chaos if it were optional. Nobody is so beloved that everyone would follow them by choice. Not on the scale of a country."

"Hmm..."

"I'll admit I've been unnecessarily rigid in my enforcement of that at times but consider the other powerful men we've encountered in the time of this short trip," Brayan said.

"Consider how those situations would have ended if Maric had not been able to lean on his inherent power to assert his will. Men like that need someone above them to tell them no."

"Men like that need a knife between their ribs."

"Believe me, I hope the day will come when I can deliver one to Lord Nolen. He is exactly why a king is necessary. If there wasn't one, the kingdom would fracture once more and Lord Nolen would become a king himself with nobody to tell him what he can and cannot do."

"Because our current king is doing such an excellent job of controlling him."

"He's not, clearly but Maric would."

"Hmm."

Hudson slapped a pair of pants into the water.

"Fair."

"Maric is considering going with Dara and Bug into Ticia. He thinks that's where the visions have been leading us."

"Makes sense."

"How do you feel about that?"

"Fine by me. I hate your awful country and maybe you'll stop complaining about treason when we're no longer within its borders."

Brayan tipped his head in acknowledgement.

"That is starting to feel like a silly thing to worry about. At least from our own men simply speaking their minds."

"Uh huh. Prove it. Say something bad about the king."

"He rapes children. Maric doesn't like to say the words and I... I don't know... I knew it was true."

"You still went with Maric to meet with him just weeks ago. Sat in the same room with him, bowed to him, called him Your Majesty."

"What would you have had me do? Spit in his face and get executed to prove a point? What would you have done?"

Hudson smiled.

"Ah, I just like giving you shit. Someone's got to do something, though, right?"

"What, though?"

Hudson shrugged.

"Seems like maybe head over the border into Ticia. After that... I don't know."

"Do you truly not know anything we don't?"

"I know many things you don't but about this? Not really."

Brayan sighed.

"Well, thank you for your time. I should get back to Bug."

"Uh huh."

Brayan shook his head and walked away.

[beardedhandstoadshark]

Which OC can lift Thor’s hammer ?

Thanks for the ask! Tbh I‘m not sure if anyone truly could? The one with the best chances might be Violet. Though at the current point in time, it’s more of a "Captain America lifting it slightly"- moment. Red might’ve been fully able in the past, but not anymore. And it definitely ain’t any of the others lol

Also here’s a mythology fun fact as well as reasonings/rambles:

Mythology fun fact! That whole worthiness Spiel most people think about when talking about Thor‘s hammer isn’t actually a thing in the stories, instead it can be wielded by anyone but it’s just so fully packed with calamity-juice it‘d instantly disintegrate anyone who‘s not as op (even within mythology canon) as Thor is

As for why those two oc’s:

Violet might have a "Captain America lifting it slightly"- moment, due to having some traits that check out, but aren’t fully there yet, and might actually fully lift it at the climax of/post-[character arc I‘ll totally write someday that’s currently smth along the lines of growing into the duties needed to do but without conforming to the shackles that were attached to it, and being more than just a means to an end]. But the problem is that the "right“ thing to do might not always be the ideal one, and there’s enough situations that just don’t have any, the greater good isn’t always the greatest good, which might lead to being unworthy again.

Meanwhile Red‘s backstory is being the paragon hero trope, which basically fits perfectly, but her present story‘s the struggle from everyone else only seeing her as said trope, and not seeing or wanting the person behind it. Causing a conflict between wanting to be worth their faith, but also hating what it means, leading Red to see herself as unworthy of that faith a bit. So, despite seemingly being the obvious choice, I don’t think she’d actually be able to properly lift it, due to that doubt. Should that inner conflict get resolved, then totally, though.

Mage, Deniz and Yel ain’t gonna happen. Yel runs away from problems (literally), Deniz is very much a "you reap what you sow“ type of person who also puts his own survival first, and Mage is prone to backstabbing and angry breakdowns when cornered. The first and latter‘s also got at least a bit of a drive to protect things deemed important to him despite them, but absolutely not enough to overshadow the other things in any way. With Deniz, there’s not even a despite. Putting himself in total danger just to save his necklace and miscalculated, completely getting f-ed? Should’ve just planned better, that’s absolutely on him.

That being said I do have 2 deities on the sidelines (who’re in desperate need of a redesign lol) So there’s always the mythological version to drop back to. But for the regular Marvel version…what even makes someone able to lift that hammer? It sure as heck isn’t personality since Thor had no problem being a prick before the first movie and Fortnithor was still deemed worthy too, plus for the comics there‘s 298 worthy people listed on the marvel wiki and a lot of them are either alternative Thors, regular people, straight up evil, otherwise questionable, and like 7 Lokis? Closest thing to an actual answer was "striving to be and doing good for others, not your own glory“ and "being worth of all the faith others put in you“ (which doesn’t check out with anything else, but when was the last time continuity ever really mattered in comics XD). It’s that second one that drove a bit of the choices above.

[wonda-cat]

Misconceptions About Tommyinnit’s Character That Genuinely INFURIATE Me

Since the recent events following the second L’Manburg Festival and subsequent war, I’ve seen many, many hot takes surrounding the nature of Tommyinnit’s character on the SMP. Some of which annoyed me to the point where I felt compelled to sit down and actually write this. I’m going to only be highlighting the most common complaints or questions I’ve seen, one by one, in hopes of providing a better understanding of Tommy’s character for anyone interested. (I also briefly discuss Techno and Tubbo’s characters as well.)

If you’ve said similar things to what I’m going to be discussing below, please know that it’s perfectly understandable how you’d come to these conclusions. Some of these aspects of Tommy’s character are not always obvious; especially if being watched from another streamer’s POV. This may become quite lengthy, so bear with me for now.

“Tommy’s motives are all over the place. He can’t decide whether he wants the discs back or not.”

Tommy is actually one of the most motivationally consistent characters on the entire Dream SMP. Even Techno, someone completely confident in their ideals, does more motivational flipping than Tommy. From the very start of the story, Tommy has always cared for three things; L’Manburg, Tubbo, and his music discs. However, him caring for something is not itself a motivation. 

Surprisingly enough, his motivation isn’t even just, ‘Get my discs back,’ like many assume it is. Tommy’s one true motivation, since the end of the Independence War, has always been, ‘Keep things the way they are now.’ 

Tommy’s one fatal flaw is that he is resistant to change and refuses to let go of the past. This is seen through all of his actions and words; in all conflicts involving him. This flaw is the drive to all of Tommy’s mistakes. Burning down George’s house, an action which resulted in him getting exiled, was done out of a desire to pull pranks the way he used to before the first war. His friendship with Ranboo started because Tommy said he reminded him of Tubbo, back before he was President. 

Tommy still talks highly of Wilbur because he chooses to remember him as the wise, kind mentor who cared for him. This motive is the reason he defends L’Manburg so fiercely; it’s his memory of a better past. This is why he holds grudges more often than any other character; especially refusing to forgive Techno after he killed Tubbo during the Manburg Massacre.

It’s why Tommy falls under extreme distress whenever Tubbo or Quackity tell him that something will never be the same again. This motivation is entirely formed from an underlying desire for peace and comfort, something Tommy has been denied since being forced into a life wrought with war and death. To accept change, to Tommy, is painful and terrifying. But he will only ever truly be happy when he finally learns to let go.

“Why do the discs matter so much to Tommy? They’re not actually worth anything.”

Tommy’s discs are much more than just any ordinary pair of music discs. They were never important for their material worth, but for what Tommy was willing to sacrifice in order to keep them. Tommy is entirely what gives the discs their value. 

Tommy also commonly operates under the Sunk-Cost Fallacy, wherein he’s invested too much of himself into something to just abandon it, even if it’s causing him problems. This mentality is a huge piece of what keeps him tied to both L’Manburg and to his discs. He’s sacrificed too much at this point to simply let them go. If he admits the discs are worthless, then he’s admitting that he wasted all this time and effort, just to keep them.

The discs also act as a constant source of hope for Tommy because they are directly tied with his motivations as a character. They’re something he’s had since the very beginning. They’re something he used to listen to with Tubbo on their shared bench. 

To Tommy, they symbolize a life before war, filled with comfort and peace. They are a love letter to his country and his late mentor Wilbur. They are a physical representation of Tubbo’s companionship. They are the only thing, besides L’Manburg and his best friend, that gives him the hope that he can one day return things to the way they used to be. 

This ideal, paired with Tommy’s refusal to let go, has left him ruthlessly pursuing the things he’s lost. Not his music discs, but his peace and comfort, his friendship, his country, his mentor Wilbur, and his life before war.

In his desperation to hold onto his prized possession, it has only hurt and pushed away the people that love him. If Tommy continues to ignore this reality, while still refusing to resolve his major flaw entwined with it, he will lose all that the discs had once stood for. He will lose his country, then his friend Tubbo, and then he will lose himself.

“Tommy never grows or learns from his mistakes. This makes him a badly written character.”

Characters do not have to constantly learn from their actions to be well-written. Tommy is one of the best examples of this. The fact that his growth is infrequent is the entire point of his character; it’s completely stemmed from his fatal flaw. 

By addressing himself, he would be accepting change, something that terrifies him; something he stubbornly resists until he is absolutely forced to confront it. Contrary to popular belief, Tommy knows when he makes mistakes, but he pretends to be ignorant as to avoid facing reality. He digs his head in the sand despite knowing better, puppeteering the person he used to be during happier times, now gone.

In spite of his infrequent growth, the idea that Tommy still hasn’t learned anything isn’t quite correct either. Tommy, as of the last three plot streams, has shown incredible character development. By giving up his discs again, he had finally demonstrated that Tubbo is more important to him than his possessions. Speaking as a makeshift leader, he put aside his issues with others to rally them together against a common threat, something which Tommy had never been able to do before. He owned up to all of his mistakes openly, apologizing to everyone he’s ever hurt in one place. 

He apologized to Tubbo after they were reunited and came to terms with the fact that Tubbo was forced to exile him without choice, finally forgiving him. He was kind to Sapnap and learned how to be his friend after months of bitter rivalry. And these are only a few examples. This isn’t to say Tommy has overcome/fixed everything because he clearly hasn’t. There are still major things Tommy needs to work through that remain unaddressed, the biggest being his complicated relationship with Technoblade.

“Tommy only cares about himself. He does everything in his power to be the hero, always putting himself in the center of attention, especially during Doomsday.”

Tommy, since the start of the L’Manburg War for Independence, has never set out to be a hero. Not once. He may fall into the role of the protagonist, but his identity as a hero was pushed onto him by others. Giving up the discs was his only option during the Independence War. 

So when Wilbur called him a hero for it, Tommy said he didn’t feel like he was. During the November 16th War, Tommy again said he didn’t feel like a hero because he had lost what he thought was everything at the time. During exile, Tommy certainly knew he was no hero. And upon reuniting with Tubbo, he admitted to feeling like the farthest thing from it. That he’d hurt everyone and all he wanted to do now was fix it. 

The day before Doomsday, Tommy only took a leadership position because no one else was willing to, filling the role for Tubbo, who was crumbling under pressure. He had no choice but to try to bring everyone together, or fight alone. Most viewers never saw this during Doomsday, but before the battle, almost everyone who had vowed to fight alongside L’Manburg had abandoned them the very next day. They were convinced it was going to be destroyed either way, no matter what they did, so they chose not to see it through to the end; ultimately leaving Tommy and those who remained to fight a losing battle, alone. 

After about a third of the way through the battle, it became clear to everyone that they could do nothing to win. One by one, everyone stopped fighting and stood by to watch their country go up in smoke. Tommy was the only person on the battlefield who refused to stand down and give up. And so he took over the role as leader again, trying his best to keep them alive, to keep Tubbo hopeful; to keep fighting, no matter what. 

However, what most people don’t realize, is that this isn’t Tommy trying to be a hero or force himself into the spotlight. This is Tommy trying to convince himself to keep going. Because whenever things start to look hopeless, Tommy simply chooses to ignore them. He puts on a happy face and soldiers through it because that’s all he knows how to do. Tommy, at his core, is someone who wants peace through stagnation. He doesn’t want to fight, although causing the occasional friendly conflict is how he finds fun. He doesn’t set out to purposely hurt others. 

Tommy may come across as self-centered, but this is because he is an extremely extroverted character. He finds energy and joy in the attention of others, both good and bad. It’s why he’s always seeking the approval of others and, oftentimes, will destructively insert himself into another person’s life in order to find it. 

Out of every character in the story, Tommy is the most drawn to praise and positive reinforcement. He is constantly seeking out mentors and friends because Tommy needs someone else to help him feel confident in his own identity and abilities. It’s why Wilbur was such a positive influence on him. His boisterous confidence has always been a front because if anyone were to actually hurt him, he knows it will make his self-esteem crumble instantly. 

This is part of why Dream’s manipulation was so effective against him. By isolating him, he’s left without energy and looking to another person’s guidance. Tommy outwardly may seem independent and rude, but just under the skin, he’s unconfident and lost when he’s by himself. Tommy will only grow from this flaw when he finds his own identity and inner confidence; when he finally learns to be okay with being alone.

“Tommy goes to the festival solely to get his disc back and then tells Tubbo to give it away immediately after. That doesn’t make any sense.”

Before the screaming match between the two friends during the second L’Manburg Festival, Tommy had been in exile, manipulated by Dream for long enough to lose his will to carry on. It is because of him that Tommy’s reality becomes distorted, long after fleeing from his abuser. This mangling of ideals leads Tommy to subconsciously believe that L’Manburg and Tubbo are unsalvageable. 

Therefore, the only thing he has hopes of retrieving are his discs, which are easier to manage than the latter two things. And so Tommy does reprehensible things at the behest of Techno in a vain hope of getting them back, going so far as to kidnap and torture for them. This ultimately culminates in a confrontation between the ex-friends, quickly turning violent. It is in this violence that we see Tommy has sunk to his absolute lowest point in his journey. 

Swinging his axe, he nearly kills his friend as he delivers a string of words that cause the room to silence instantly. He says the discs were always worth more than his friend. Within the quiet of the room, Tommy is forced to reflect on everything he’s done. How he kidnapped and tortured Connor. How he accidentally drowned Fundy. How he traumatized Ranboo. 

And now he’s hurt Tubbo, the one person he has always sought to protect; someone he vowed to never hurt. This realization causes Tommy to break. He’s so ashamed of himself that he can’t look at anyone. Tommy knows now that he is worse than anyone he’s ever hated. 

With pain in his voice, he tries and fails to apologize to Tubbo in the moment. The only way he knows to redeem himself now is to prove to Tubbo, after everything, that he can still put the discs aside. And so he does.

“The fact that Tommy is still trying to get his discs back after L’Manburg was destroyed is unreasonable and ridiculous.”

Tommy deals with grief in an interesting way, doing something very similar to Techno. His grief almost instantly becomes anger and a drive to prove himself. It morphs into a need for vengeance in response to injustice, always. 

After the destruction of L’Manburg, Tommy saying he wants the discs back is a double-sided motivator. The obvious side being: Tommy still needs them to feel comfort. The subtle side beneath it: Tommy is using them as an excuse to find Dream and kill him. To make him pay for helping destroy their home, hurting his friends, and abusing him in exile. 

Upon the loss of his home, I’d also argue the discs have only grown more important to Tommy in the aftermath. Typically, in grief, people hold onto things that survive devastation far more than if the tragic event never occurred. If your eldest child dies, one may hold their surviving children tighter. If your house burns down, one may deeply treasure a box of items that survived the flames. Tommy’s desperation after losing so much is entirely understandable.

On top of this, the discs are still the core to Tommy’s fatal flaw. They are what keeps him from achieving total happiness, so him getting over this intrinsic part of himself so easily would make for an unsatisfying character arc. He still has to work for his happiness in order to change for the better. 

To add, I’ve seen a lot of people complaining that Tommy is still prioritizing the discs over Tubbo, especially in that moment. And while I mostly agree, there are some interactions that stand out to me as being different between the pair that may imply otherwise. Tommy says a few times that despite L’Manburg being destroyed, he still has something left to lose; each time, turning to look at Tubbo. 

This subtly implies that losing Tubbo would be as devastating as losing his home. Tubbo also never voices disagreement over Tommy’s continued pursuit of the item. However, Tubbo frequently does what he thinks will make others happy, so this doesn’t implicitly mean support for Tommy either. Besides these two things, this is still Tommy’s fatal flaw shining through, continuing to hurt others around him. 

I only hope Tubbo can learn to stand up for himself and voice his real thoughts to Tommy now, after everything. It would provide at least some desperately-needed closure for Tubbo’s character.

“How could Tommy betray Techno like that? Techno told him upfront what he was going to do.”

While it’s true that Techno was obvious about his plans, Tommy was also just as upfront with Techno about what he thought of it. In fact, maybe even more so, considering Techno attempted to hide them from Tommy for a good portion of their partnership. Whenever Techno brought up the idea of destroying L’Manburg or hurting Tubbo, Tommy would always remind Techno that he didn’t want to hurt anyone. And that if Techno ever did, Tommy would be there to stand in his way. He never once stopped saying this. 

Tommy’s two major positive character traits have always been his undying loyalty and his strength to never give up, even in the face of death. Two classically heroic qualities, both of which, ironically, reinforce his fatal flaw. His refusal to change makes him stubborn; stubbornness being the only quality that makes unwavering loyalty and extreme persistence feasible. 

Because of these two traits, it was impossible from the start for Dream to completely break Tommy’s spirit and for Techno to get him to agree to anything too extreme. Despite this, Techno already had no hope of keeping Tommy on his side after the events of the day before the Festival. During it, Tommy had asked multiple times for Techno to give his word not to hurt anyone. That they’d only threaten to spawn a wither, get Techno’s remaining weapons in exchange, then leave. That’s it.

Techno avoided directly promising Tommy but still agreed not to regardless. So when Techno chose to spawn the wither anyway, despite Tommy urging them to leave multiple times, whatever trust Tommy had with him went completely out the window. Thus, when the threat was finally real, that Techno would make due on his promise to burn his home country to the ground and slaughter his friends, Tommy intervened. It would be unreasonable to expect Tommy not to stand against him in that moment, especially after his mental breakdown which ensued as a result of him nearly killing his best friend. 

Adding salt to the wound on Tommy’s end, Techno decided to also align himself with Dream, someone Techno knew Tommy was afraid of. This might have been a way to purposely hurt Tommy. More likely, it was because Dream and him shared a common goal in the moment and Techno desperately needed allies.

However, the implication of Techno siding with Tommy’s abuser most certainly hurt him, regardless of its original intentions. This is possibly why Tommy kept insisting through Doomsday that Techno betrayed him, avoiding actually telling anyone the reason as to why. If he couldn’t find the words to describe what Dream did to him, even to Tubbo, he certainly wouldn’t be able to tell Techno either.

“Techno gave Tommy everything, only to be repaid with betrayal.”

This statement regarding Tommy is the one I see most often. (It is also the one I get the most heated about.)

Dream’s character is well known for his manipulation tactics against other characters; pitting them against each other, crushing them under his heel, bending their will to conform to his own. It’s what makes him an interesting villain. It’s something fun to discuss. 

But is it still fun to discuss manipulation tactics if they’re so subtle, almost no one notices them? This is the paradigm Technoblade’s character falls into. While people know Techno for his laid-back personality, dry humor, and complex motivations, many fail to recognize him as a manipulator. The reason why this is so hard to spot is because it is mostly unintentional on behalf of the character. Dream performs his craft with intention, Techno does it without realizing. 

As well as this being unwitting, it is sandwiched between Techno’s actual attempts to connect with Tommy and care for him. Thus, making the manipulation feel less damaging. The only problem is, this still hurts Tommy just as much, regardless of the intentions behind it. Especially after just escaping Dream, Tommy’s reality and sense of identity are horribly distorted. In this vulnerable state, he desperately needs healing and someone to help ground him. This is what makes him even more susceptible to Techno’s influence. 

And because it is much subtler, it is harder to notice, and much harder to break free from. Despite Tommy claiming to hate Techno for what he did on November 16th, he still chose to flee to his house because it was the only place he could think of going, as well as being the safest area possible. After the failed execution, Techno mentioned potentially hurting Tubbo through a vengeance plot. Tommy voiced extreme distress over this, to which Techno threatened to kick him out of his house. 

Tommy then says he’s fine being homeless because he doesn’t want anything to do with someone who would hurt his friend. This is when Techno decides to weaponize Tommy’s own trauma against him. To be fair to Techno again, Tommy never told him the extent of the abuse he suffered in exile. But Techno isn’t stupid. He knows Tommy is extremely afraid of Dream, and for good reason. 

So he tells Tommy that if he were kicked out, he’d be defenseless. That if he were out there all alone, Dream would find him very easily. That Dream would drag him right back to Logstedshire in an instant. He notices the way Tommy reacts to this, how quickly he changes his mind about being kicked out. He continues to use this trauma repeatedly in order to keep Tommy under his roof, no matter how disagreeable he gets about Techno’s plans. He knows he can’t retrieve his weapons alone because he has no leverage. 

Therefore, using Tommy like a wild card was a major side strategy. Techno knows it will hurt Tubbo by doing this and may make the President more willing to compromise. In addition to this, many of the strategies Techno utilizes are Narcissistic manipulation tactics, categorized by their intent to keep the victim in a position below the abuser in terms of worth. This includes Techno using the silent treatment as a punishment, something which hurts Tommy since he craves affection from others. 

He also attempts to isolate Tommy by telling him he doesn’t need anyone else; that everyone abandoned him during exile (something which Dream has also said.) He tells Tommy that he’s only alive because Techno is there to defend him and supply for him, as well as constantly reminding Tommy to not let any compliments he receives get to his head. These are both meant to make Tommy depend more on Techno and doubt his own abilities. Techno also occasionally engages in subtle gaslighting, attempting to sow doubt in Tommy’s mind about his relationships with Tubbo, Quackity, Ranboo, and Fundy. 

It’s also vital to keep in mind what exactly separates Dream and Techno in this regard. The most important thing being that Techno actually does care about Tommy. He trusts him and wants to earnestly help him. He knows Tommy has been traumatized and abused in some way, but he doesn’t know how to help because he’s not that great with people. It also doesn’t help that Tommy is unable to tell anyone what happened. 

In the end, Techno really does want to be a shield for Tommy. Despite debating handing Tommy over to Dream, it’s more likely Techno was using this as bait for Dream to waste his favor on something useless. After all, he could always save Tommy, should he ask for him to. Techno’s warnings about Tubbo and L’Manburg also come from a place of love, as Techno was personally hurt by them and wants to protect Tommy by telling him to leave it behind. However, just because something is done out of love, doesn’t mean it’s automatically helpful or good for someone. 

There’s no better example of this than in Techno’s most damaging and frequently used tactic: ‘Buy Their Love,’ a technique commonly used on children by narcissistic parents. At first glance, nothing seems wrong. Techno gives Tommy most things he asks for; providing him with food, gifts, protection, and a place to sleep. The manipulation within this arises when the act of kindness is counted as a debt against the person who receives it. That by receiving so many good things, they would be ungrateful to go against their abuser. Doesn’t matter if they emotionally or physically hurt you, they gave you gifts, so you should shut your mouth and allow the abuse to continue. 

Whenever Tommy speaks out against Techno’s violent actions or his plans to hurt his friends, Techno would frequently bring up all his ‘good deeds.’ He consistently reminds Tommy that he could’ve just thrown him back to Dream, but he was too kind. That he went out of his way to give him gear, food, and a roof over his head. That he was kind so Tommy should be quiet and let Techno plot to hurt the people he loves. Or else he’s selfish and ungrateful. Or else Techno will take all of his gifts back and leave him with nothing.

Knowing this, it is horrifying seeing people justifying this behavior by mocking Tommy’s character and calling him ungrateful using this very same fallacy. (Especially for those who grew up being controlled by this very tactic.) 

It is through knowing Techno’s use of the ‘Buy Their Love,’ method that makes Tommy’s, ‘I am worthy,’ response, not one of betrayal, but one of triumph. This moment is a major positive character change for Tommy for many reasons. When Tommy decides to stand against Techno, this causes him to fall back on his most reliable tactic. He insults Tommy and then asks for the Axe of Peace back. Instead of caving, Tommy refuses. 

By keeping the Axe of Peace, Techno’s final gift to him, he is not only rejecting the destruction of all he loves, but he is breaking free from Techno’s manipulation. He says, ‘I am worthy,’ because now he knows his own self-worth. He doesn’t need Techno or Dream to decide it for him. This moment is Tommy finally breaking free from not just Techno, but Dream as well. He is finally free.

“Tommy was only using Techno and never thought of him as a friend.”

Tommy and Techno’s relationship is complicated, which is why pretending only one side was in the wrong isn’t entirely accurate. Their friendship, in summary, is tragic when fully examined; being doomed from the start. Techno and Tommy are brought into conflict often because they are simultaneously so similar and so different. Techno and Tommy both deal with grief in the same way. They both long for a life of peace and comfort. They each long for companionship, hold their ideals in kind, and are both naturally resilient in the face of adversity. 

Yet, their personalities and courses of action are polar opposites. What makes this friendship one of tragedy is the fact that not just Techno, not just Tommy, but both of them, actually thought the other was their friend. They had each wanted to be the other’s friend since the day they’d met. Tommy never stopped wanting to impress Techno and get on his good side, even if his methods annoyed the target of his affections. Him calling Techno ‘The Blade’ was never meant to dehumanize him; it was a title of adoration. 

Along the same spectrum, Techno is a character who generally longs for friendship, but pretends not to after a lifetime of hurt. He’s been burned too many times, and so he chooses to stay alone. Techno is generally very reclusive and awkward around others, so when he likes someone or cares for them, it’s noticeable from a mile away. Their friendship has a very brotherly dynamic, and the fact that Techno allowed him to stay in his house, implies Tommy is a step above pretty much everyone else but Phil. Putting up with Tommy’s shenanigans is itself a sign of affection. 

However, when their goals come into conflict and the two start to drift apart, they deal with this in massively different ways. With Tommy devastated and enraged, and with Techno withdrawn and hurt, once more burned by someone he slowly learned to trust. They were once both friends, neither one was pretending. Yet, both of them thought their companionship was unreciprocated. 

On top of this, both Techno and Tommy were using each other. Techno used Tommy to get his weapons back by manipulating and lying to him. Tommy used Techno to protect him from Dream and get his discs back. They each hurt the other and refused to listen, both shouting valid complaints at the other that they refused to hear. 

Their relationship is also deeply affected by the themes of vengeance in the current arc, which is something I haven’t seen many people talk about. Most of the current conflicts this past month have resulted from characters being unable to forgive, resorting to revenge as a way to cope with loss. L’Manburg was the first to initiate this, through the influence of Quackity. The Butcher Army was formed to punish Techno for a war crime he committed. And while this is perfectly reasonable, what isn’t is the way the incident was orchestrated. It was an unchecked abuse of power to execute someone without a fair trial, as well as punishing Phil, who was not involved whatsoever. 

This was also particularly unfair to Techno, as many projected their anger at Wilbur onto him. Even Tommy did this, finding himself unable to blame his late mentor, so Techno was the next best option for him. However, it was Techno’s response to this that was interesting. He chose a path of vengeance, the same way L’Manburg did, after vowing to live his life as a pacifist. By doing this and following through, he hurt everyone, not just the people he claimed needed to pay for their actions. 

Instead of just picking the weed in the garden, he set the entire flower bed on fire. Through L’Manburg’s destruction, he gets what he wants. He destroys their government, but he also scars the earth and shatters the sky. He leaves uninvolved people homeless, deeply hurting Ranboo, Eret, and especially Ghostbur. Philza turns to vengeance as well, taking his anger at the death of his son out on people who do not deserve it. 

Tubbo, a day before the second Festival, was given another chance to seek revenge when Techno had spawned a wither on their land. Instead, all Tubbo could say was, ‘We do nothing … It’s pointless, vengeance. It’s poisonous.’ By doing this, he has managed to be a bigger person than even Techno was, with the strength and maturity to turn the other cheek. And now with Tommy’s plan to kill Dream, the conflict continues to escalate; only ending where forgiveness begins. 

It’s sad to think, if Techno didn’t choose a path of vengeance and Tommy was strong enough to tell Techno how he really felt, the two might have remained friends. Who knows? Maybe they still can.

“Tommy was the one in the wrong. Techno was right to destroy L’Manburg.”

Techno is a lovely character. He’s well-written, engaging, funny. He has many values and quirks that are generally relatable and interesting. His motives are deeply understandable and sympathetic. And yet, he is perfectly capable of being evil, in just the same way that Tommy can be deeply flawed despite being the protagonist. 

I’m sure most people already know that Technoblade is a villain. Or more accurately, a tragic antagonist. Techno (the streamer) knows he is and he’s having fun playing that part. Just because a character is morally in the wrong doesn’t mean their values and ideology don’t have merit. The best character I could compare Techno to is Thanos. 

They have completely valid concerns and points, but it is the way in which they go about achieving their goals that makes them into evil people. And despite this, many will still agree with them, even after they do something reprehensible. Contrary to popular belief, Technoblade’s tendency towards violence isn’t a good thing, no matter how you look at it. Even Techno himself knows this, that’s why he decided to reform and become a pacifist with Phil. He was not a good influence on Tommy, on top of also manipulating him. 

Techno caving to hatred and vengeance makes him no different to the resolve of the Butcher Army that pursued him. It is precisely the fact that he went on to destroy the home of not just Tommy, but also Ranboo and Ghostbur, that puts him in the wrong. He is allowed to despise all government and remove himself from it, but the moment he decided to insert himself into someone else’s country and take their home from them in order to destroy it, he abandoned an integral principle to his own values. 

This principle being: ‘Choice.’ The act of letting others be free to decide what they want for themselves. It is a huge component to the concept of anarchy, the freedom to choose. And yet Techno robbed this from, not just the ruling powers that hurt him, but individuals who were not even involved in the first place. He justifies this by saying it’s for their own good, that he’s helping; while acting in a self-serving manner. 

In his anger, he became the punisher, stooping lower than L’Manburg has ever gone. There is also the issue of Dream weaponizing Techno to destroy the one thing that has been a thorn in his side since the very start, manipulating Techno’s grief to achieve his goals. Tommy’s biggest sin in the Doomsday War was standing up to Techno and getting in the way of him hurting his friends and destroying his home. 

This isn’t to say Tommy is perfect, because he still hurt everyone he ever loved. But the only way he knew to redeem himself was to fight for what he knew was right. And so he chose to fight alongside his best friend, Tubbo. However, just because Techno is in the wrong doesn’t mean others are wrong for wanting to side with him, or by finding joy in his ruthlessness. The biggest appeal of Techno is the fact that he opposes people like Tommy. 

He knows how to put people in their place and it’s satisfying to watch. Some people love rooting for villains and it’s entertaining to see a being with so much power crush everyone else down so effortlessly. Especially because it’s so easy to sympathize with Technoblade. Sympathetic villains are the best kind; where they have understandable motivations, relatable flaws, people they love, and something they can lose. Dream is a villain you love to hate. Technoblade is a villain you hate to love. Simple as. 

Despite the destruction of L’Manburg being either devastating or fantastic depending on who you are, there is one major good it has done. It has pushed Tommy more towards the completion of his character arc. By losing one of the three things he loves, it will be impossible for him to pretend any longer. He will be forced to confront reality very soon. It all depends on whether Tubbo will have to die first for him to finally see it.

[wakaoujisenhime]

Hello! Lots of love to you. 😘 can I request GoM+ Takao thinks reader is going to breakup with them but is actually not. It can be funny misunderstanding or angst anything really. Happy ending.

A/N: Lots of kisses for you my dear anon! 💋 I tried to keep them all the same length, but guess what?? I failed (✌︎ ՞ਊ ՞)✌︎ Hope you’ll enjoy these nonetheless!! <33

Tags: GoM and Takao x reader ✅ SFW ✅ fluff ✅ angst ✅ jealousy ✅

image/art source: Takao -> Pixiv (by もいさま)

━━━━☆ ━━━━☆ ━━━━☆

Kuroko:

Being in a relationship with Kuroko was filled with nothing but tranquility and love. The two of you rarely had any type of conflict with each other, but one very urgent problem you’d always had in mind was the lack of communication. Because your boyfriend was so silent and barely complained whenever something was amiss, you tended to misunderstand each other…

One morning after you’d entered Seirin’s school building, you immediately caught a glimpse of your blue-haired boyfriend, and just as you were about to go up to him and greet him with your usual hug, he wordlessly turned his back to you and disappeared in the crowd. His behavior was quite unusual, but you figured that he just didn’t see you and went on with your day.

Unfortunately, the young man kept showing you the cold shoulder on that day, and by the end of his team’s basketball training, he’d even gone back home before you.

“Did something between you two happen?” asked Kagami as soon as he saw your dejected reaction to the unexpected news. Your grip on your school bag’s rims tightened and you simply shook your head.

“Not that I’m aware of anything…”

“Then why don’t you just ask him?”

His teammates stared daggers at the tall young man who had once again said something insensitive, but to you, it was a simple summary of the constant problem between your lover and yourself, so you couldn’t help but giggle at his question and nod.

——

Just where have you hidden yourself Tetsu?!

Annoyance had distorted your usually calm facial features and was chasing away any of your classmates that hoped to approach you for whatever reasons. After Kagami had given you the necessary push you needed, you made it your mission to find your lover and confront him once and for all, but he was nowhere to be found. No matter who you asked, where you went, what you did, it was as if he never came to school. At times such as these, his low presence proved to be pretty useful and a damn nightmare for you, but you stayed vigilant and even decided to make use of some…unexpected tactics.

During the second break, you sprinted to your lover’s classroom, knowing fully well that he was already gone, and called for his partner, who only very reluctantly agreed to accompany you during your search. The plan you’d forged relied entirely on Kagami’s strong presence that - according to his teammates - was so strong that even the people who saw him daily couldn’t help but stare at him. You knew that Kuroko was more or less immune to this and preferred to look down at his book, so you were positive that with this plan you’d find the odd one out of the crowd pretty easily.

Luckily for you, the plan was a success and after just a couple of minutes you’d caught sight of the familiar blue hair, but when you locked eyes with your loved one, a sharp pain ran through your chest. Kuroko looked heartbroken and had to bite his lip to hide his anger and tears.

“(Y/N), this is your chance! Go! Run!”

The unexpected encouragement from the man next to you managed to wake you up from your trance and not even a second later you were running after your lover. Fortunately for you, he wasn’t that quick and on top of that, you were convinced that he ran extra slower than usual because somewhere deep inside of him he wanted to talk to you as well.

“(Y/N)…I-”

“We can’t continue like this Tetsu,” you began and intended to take a small breather before you continued, but the anxious face of your counterpart made you reconsider, “what I mean to say is, that we can’t ignore our constant misunderstandings due to miscommunication. I love you Tetsuya and whenever I am with you everything is nearly perfect, but we need to do something about your aversion of expressing your opinion and my reluctance to speak up about it.”

You couldn’t blame him for being so surprised that he couldn’t answer instantly since you surprised even yourself with how direct you were. Just as you were about to break the uncomfortable silence between you two, Kuroko unexpectedly wrapped his arms around you in a hug.

“Thank god…I thought you wanted to leave me for Kagami-kun.”

“Excuse me, what? Why would I-” you stopped for a moment and remembered the scene he saw just a couple of minutes ago before you corrected him, “…I needed his help to find you, since all of my earlier attempts were futile against the legendary Phantom Sixth man, you know?”

And with that small joke, you both chuckled, kissed each other, and decided to spent the rest of the break hand-in-hand, while you resolved the small thorn in your relationship.

Kise:

Being Kise’s lover was pretty tiresome and restricting. Since he was a famous model a lot of rules had to be followed by not only him but you as well.

Any selfies you took are not to be shared with anyone and not to be published. Bragging about him as your boyfriend was out of the question. Public dates? I think not.

When his manager had first thrown all of these at you, you were pretty stomped and ready to burst with anger, but he stopped you and after your talk, Kise reassured you that you would still do the majority of the things “normal” couples do, but you’d simply have to be more careful and aware of your surroundings than others. You trusted him of course and he didn’t lie, in fact, he made an enormous effort to provide you with a proper love life, one that you deserved. Much to your surprise, everything was working out just fine and you got used to the abnormalities of some situations pretty quickly, but as we all know life can rarely be filled with nothing but sunshine and rainbows…

-` EXCLUSIVE INTERVIEW WITH MODEL №1 KISE RYOUTA ´-

That was the headline of one of the many magazines your boyfriend was featured in. You always made sure to show your support for his career by buying almost every issue that had a section dedicated to your blond lover, that and the fact that the photographers and designers always made him look hotter than he already was. With a big grin on your face, you browsed the magazine until you found the corresponding pages and began reading yet another interview.

At first, the questions were pretty standard and tame, asking the young model what his future plans were, how he manages school, basketball club, and modeling without being stressed out at all, and many more similar questions such as these. Being his significant other, you caught a few lies of his that he had to make up in order to keep your relationship a secret and even though it didn’t sit entirely right with you, you brushed it off since you knew that he couldn’t help it. With mixed feelings, you read on until one particular question and answer caught your eye.

-` Q: A lot of your female fans have been constantly speculating about what type of boyfriend you’d make, what’s your take on that subject?

-` A: (laughs) Well you see, I hate to break it to everyone, but I like the type of women that don’t tie me down. I just can’t imagine myself being with the same person every single day, it’d be quite suffocating, you know?

You stared at that answer for a while, hoping that the words would just merge into something that didn’t sound so…ruthless, but to no avail. Just as you were about to continue your lecture, the front door to your apartment opened and the familiar voice of your lover echoed, filling your home with more life than before. While the blond removed his shoes and jacket you quickly hid away the magazine and forced yourself to smile, hoping that he wouldn’t notice…

——

“You damn idiot, what were you thinking?!”

“Oh (Y/N)…what do you even see in him?”

“I have never been more pissed off to be in the same team as you…”

The moment Kise had entered the gym to participate in today’s training all of his teammates had surrounded him and had begun reprimanding him for something he couldn’t quite understand because of how chaotic everyone was. It took a while, but when they became more or less calm he used to chance to find out just what’s got them so pissed off.

“Isn’t it obvious you imbecile?! That over the top answer of yours is what we’re so mad about”

“Kasamatsu-senpai I can’t quite follow…what answer are you referring to?”

After being kicked down by the shorter man and lectured yet another time, Kise finally understood just what this fuss was about. You’d been quite out of it since his latest interview got published, so the guys decided to find out what had you so bothered and the answer was, of course, Kise…who else?

“B-But I didn’t mean it! It was just for show an–”

“Does (Y/N) know?” interrupted Moriyama with an unusually serious tone. Your lover intended to answer fully confident that you were aware, but a small voice inside of his mind stopped him in his tracks. How were you supposed to know that he didn’t mean it when he never explained himself? What if the reason you’d been so absentminded these past few days was that you were planning on leaving him?

N-No…I can’t let that happen…i-if we break up then what am I–

“Excuse me, is Kise here?”

At the unexpected sound of your voice all of the members instantly shut up, turning to you, but before anyone could answer you, the blond took off sprinting right towards you and wrapping his muscular arms around your body.

“Please forgive me (Y/N)-cchi, I…I figured we’d been over this and that you know that no matter what I say to the press, I never really mean it. It’s all supposed to be a façade to make me more attractive to the public, b-but you know me, right? The real, insecure, weak, and ambitious me…the one that’s no good without you…”

Even if he’d taken you by surprise with his sudden hug, his words rendered you pretty much immobile and left you with no choice but to listen to his desperate apology. He held you tighter and buried his face in the crack of your neck. The moment you felt something wet drip down on your clothing, you wrapped your arms around him protectively, gently caressing his head, and kissing his temple all the while he whispered one apology after the other, begging you to never leave his side.

“I won’t ever leave you, Kise…I promise”

Midorima:

“…and with that, we’re coming to today’s last and unfortunately most unluckiest signs of all…Cancer!”

At the sudden announcement, Midorima flinched, grip tightening on his iPod, as he continued listening to his daily horoscope. His sign being the unluckiest out of all was quite the rarity and that alone was worrisome, but the fact that today’s misfortune was predicted to be in his love life made the man the more afraid. Usually, he’d ignore any prognosis that went beyond his career, but the moment you had become his girlfriend, Midorima couldn’t help but lend an ear every time the presenter of his favorite show mentioned the word love.

Your lover’s flame for you has been near extinction, I suggest breaking up with them before they do, or else this pain will haunt you for eternity…

With heavy steps, the green-haired man made his way to his school, lucky item in hand and a never before experienced fear deeply rooted in his heart. If possible he’d try to avoid you as much as possible today, so that you couldn’t break things off with him. He was aware that his behavior was quite over the top, but that was his way to cope with the anxiety of losing you - his most important person. In Midorima’s eyes this was a solid plan, but putting it into action was harder than expected.

Every time you jogged up to him with your angelic smile, your big and beautiful eyes that sparkled the moment you saw him, the energetic way you waved to your boyfriend when you spotted him across the hallway were so adorable and heart-warming that whenever he had to act extra cold towards you, it felt like his heart was being torn apart anew every single time. While he was beating himself up over his behavior, you simply shrugged it off and figured that he was on his usual tsundere trip for some reason and decided to ask him about it after basketball practice.

“Shin-chan sure is acting weird today, huh?” asked Takao with a hint of amusement in his voice as he sat down next to you on a bench in the courtyard. You simply looked up at him and nod with resigned smile on your face as you answered: “I’m somehow used to his antics, but something must’ve happened for him to act so…distant.”

The boy next to you studied your expression and despite his usual enjoyment of watching a misunderstanding between the two of you unfold, he could see how much the green-haired man’s behavior was weighing on you, so he broke his silence and told you about Midormia’s plan that he’d schemed following today’s horoscope.

——

“Midorima Shintarou, we need to talk…now!”

Your loud and sudden order startled the young man in gym clothes, who was mere movements away from throwing his umpteenth three-pointer, as well as his teammates. If it weren’t for the serious tone in your voice, he would’ve come up with some kind of excuse to dodge the upcoming conversation.

Now that the two of you were outside of the gym you didn’t beat around the bush and got straight to the point: “Are you seriously avoiding me all day because of Oha Asa’s words? Is that how little you believe in me and my feelings for you?” Your boyfriend never quite knew how to deal with such straightforwardness and seeing how with each question you uttered, the tears in the corners of your eyes grew, pushed him even further into a corner until he couldn’t handle it anymore and just needed to shut you up. Out of nowhere Midorima took a tight hold of your shoulders, seizing your frantic movements, and pressed his lips firmly to yours, kissing you in the process.

“…now that I finally have your attention, allow me to explain myself, will you?” he asked and waited for your nod before he continued “Look…I know I overreacted and to be honest, my behavior bothered me more than you think. I was just…j-just so afraid to lose you. Up until now everything Oha Asa said came true, s-so–”

Before he could finish his sentence, it was your turn to kiss him on the lips and use his moment of confusion to stop the train of negative thoughts that were about to overwhelm him. “I love you Shintarou…more than any horoscope could ever hope to calculate and sure, every time you listen to this show it all comes true, but did you forget that my sign is on that show as well?”

Your sudden question caught him a little of guard, but the moment you pulled something small out of your pocket he couldn’t help but smile to himself as a light blush spread across his cheeks.

“Unfortunately for you, today is my lucky day and your beloved presenter advised me to be more assertive than what I’m used to, and show my lover just how much he means to me.”

Aomine:

With quick steps, you neared the basketball club’s gym while frantically looking around for your boyfriend, who’d once again decided to ditch today’s training and laze around somewhere.

“Captain, we might have a problem!” you shouted out the moment you entered the building, ready to break the unpleasant news to the young man in glasses, who looked surprisingly relaxed, even though one of his best players was missing yet again. But before you could even say anything he simply put his hand up, motioning you to look behind him with his head, and there you saw the wanted man, crouched down while reading something.

With a heavy sigh, you joined Imayoshi and Wakamatsu, who was looking at the power forward with hopeless and annoyed expressions. After explaining to them that you couldn’t find him at his usual spots, you asked how they got him to join practice that quick.

“Oh you know…the usual” the blond said as he tapped a few times on his mobile phone, searching for something, and the moment he found it, he showed you the typical photo with which they always managed to catch Aomine: one of his favorite gravure magazines being held above a candle’s flame. You eyed the image a tad longer than what the men next to you were used to and then replied drily: “I see.”

The two players you were standing next to, were quite surprised by your reaction and couldn’t tear their eyes from your back as you walked towards the bench where their coach and manager were seated. They wanted to brush it off at first but the moment you had sat yourself down, your sad expression managed to guilt-trip them to such an extent that they immediately walked to the dark-skinned young man to lecture him.

“Aomine, you idiot, stop reading these things already!”

Said man didn’t even flinch at the sudden scream from the blond and continued looking through his magazine. Wakamatsu was already agitated enough and ready to throw punches at his sitting teammate, but the captain stopped him with an unobtrusive head-shake and took his chance not short after: “Ya see…your cute girlfriend’s over ‘ere and she looks mighty disappointed at the fact that ‘er boyfriend gives some random women more love ‘n attention than ya give ‘er. If ya keep that up, then who knows what could happen.”

It didn’t take much to annoy or upset your boyfriend and if you were as tactful as Imayoshi, you could do it whenever you felt like it, but this time he intended to make the man before him aware of what seemed to be a minor problem.

The two of them watched as Aomine finally closed his magazine and stood up, a terrifying glare fixated on the wall before him, and hissed out: “My relationship with (Y/N) has nothing to do with you, so don’t even butt your noses where they don’t belong.” He turned and just as he was about to leave and enter the practice match, he stood beside the man with glasses and stared at him with the same amount of bloodlust he had whenever he faced a strong opponent, and whispered: “Call her cute one more time and see what happens, captain”

——

What the hell is going on?

With a furious expression and gritted teeth, Aomine’s eyes followed your frantic movements in annoyance. He watched how you held Sakurai’s hands and whispered something to him to calm him down, how Wakamatsu ruffled your hair as thanks for bringing him a bottle of his favorite drink and a towel, and how Susa and Imayoshi patted your back while praising you. Today was the first time he actually noticed this, but now everything was making sense.

Since the beginning of this week, Momoi told him that she’d be away for two weeks and couldn’t manage the team in that timeframe. Her childhood friend wasn’t interested, so he didn’t ask any further details such as why she going away or who’d take her place for the time being, but now he wished he would’ve.

During her absence, he didn’t receive any of those dreadful SMS and for the first few days, he was living his life, skipping every single practice day. He did ask you a couple of times whether you wanted to ditch your class and come hang out with him, but he got rejected pretty quickly. Additionally, he rarely asked you out himself so the lack of messages from you wasn’t surprising to him, of course until he heard some of the substitute players comment something about how well you were doing your job as temporary manager.

“So that’s why you were so busy, huh?” he asked in his typical monotone voice the moment you had come back to the bench where he and the coach had taken place. Without sparing him even a single glance you took your clipboard and began explaining something to the older man. Seeing how you ignored him, paired with your cold attitude made Aomine involuntarily remember his captain’s words.

If ya keep that up, then who knows what could happen.

Your conversation with the coach was quickly wrapped up and not soon after just the two of you were left sitting on the bench. Your boyfriend’s deep blue eyes glanced briefly at you and observed how you were writing something in a small pink notebook that most likely belonged to Momoi. He never considered the fact that you would actually lose interest in him or perhaps even break up with him, but your recent behavior change matched exactly that and it scared him more than he let on.

The moment you finished writing and intended to pack everything up, a big hand took a gentle hold of your wrist. Slightly startled and taken aback you looked at the man beside you, who was covering his lower face area as he murmured something that only you managed to hear and understand.

Please don’t go…d-don’t leave me

A small smile slowly adorned your lips as you took his hand in yours, intertwining your fingers, and squeezing it ever so slightly. You figured that the reason he was hiding his face was because of the blush that had painted his cheeks in a shade of dark red. An unusual but very welcome sight as well as a great reward for the plan the entire team had come up with alongside you. The goal? Teaching your lover a small lesson that he’s surely not forgetting that quick.

Mission accomplished…

Murasakibara:

“Hey Atsushi, my friend told me they’d be opening a new store in–“

“Mmm…I don’t wanna go (Y/N)-chin”

You were stunned at the sudden refusal of your boyfriend even before you’d finished your sentence and couldn’t help but giggle to yourself as you looked at his slightly annoyed face.

Of course, he’d say that…

And with that prompt rejection, the conversation between you two died down and you wordlessly continued watching the movie you’d put on for tonight, while gently caressing the purple head of the large man who was using your thighs as a pillow.

——

“Eh? You rejected (Y/N)’s invitation again?” asked the black-haired young man while he handed his gigantic friend a tissue for his sticky fingers. With a slightly annoyed glare, Murasakibara snatched the handkerchief from him and hurriedly removed the honey residuals from the snacks he had finished a couple of minutes ago, before answering: “Of course I would…I’m not in the mood to go shopping for hours in this heat.”

The man’s laziness never failed to surprise Himuro everyone who has ever talked to him was aware of his quirks and despite it all, no one has ever left his side. The same goes for you as well. Since the first time you’d seen him, your heart already belonged to him. It was easier to pursue him than you’d expected since his team liked you very much and always helped you out by telling you about his schedule or when he’d come to practice. He was pretty cute once you got to know him better and unbeknownst to you, he had also fallen in love with everything about you. Your smile, the adorable way you tried to follow his basketball practice, the way you panicked when he told you that he didn’t like the type of candy you’d picked out, and everything else about you made his heart thump hard against his chest.

“You know Atsushi…if you keep your indifferent attitude up, your relationship might end pretty soon.”

“W-What do you mean…?”

With a perplexed expression on his face, Himuro took a glance at his friend who had panic written all over him, and reluctantly explained how you could feel neglected by him, or even think of leaving him because he seemingly doesn’t want to spend time with you. The purple-haired young man opened his mouth, wanting to protest but anything he said was immediately rebutted by his friend who told him that he was the wrong person to tell this to, and with that, Murasakibara sprinted out of the room. His destination: your home.

——

You were just out of the shower and preparing yourself to go to bed, when suddenly the doorbell starts ringing furiously, scaring you in the process. With a thumping heart and silent steps, you made your way to your door and took a glance at your peephole, needing less than a second to recognize just who had decided to spontaneously visit you this late at night.

“Atsushi, what are–”

“I’m sorry (Y/N)-chin, please don’t leave me! I-I promise I will go to that store reopening with you a-and to any other event you’d like, I’ll even do it without you having to buy me over with sweets, just–”

Thrown aback as you were, you took a tight hold of Murasakibara’s arms, squeezing them while you screamed at him to hold on and stop talking. Despite your reassuring words it took him a good while to calm down, so you made use of it and prepared some soft drinks, and put a couple of his favorite snacks in a rotating multi bowl set. After putting everything down on the small table in your living room, you got your boyfriend his favorite blanket, covering him with it, and finally sat down next to him.

“Now then, I’m almost afraid to ask you this, but…why are you pleading with me to not leave you?”

With his big and almost puppy-like eyes, he looked at you and asked with a slightly trembling voice: “S-So you really w-want to l-leave me?”

“Heavens no! Who even gave you that idea?”

The moment these few words left your lips, the tension finally left the young man’s body and he slumped back on your couch with a relieved sigh, whispering a silent thank god before massaging his closed eyes. You had never seen your lover being as worried as tonight and you figured that whatever has been bothering him must’ve been quite serious, and that made you in fact even more curious than before. Despite that, you figured you’d wait for him to start his explanation, or at least that was what you’d planned, but after a couple of minutes of nothing but silence, you decided to speak up and reassure him first.

“I’m not quite sure what happened, but it seems like you’re feeling bad for refusing my invite from some days ago, and well…I was kinda disappointed about not being able to go with you there, but I’ve known you for so long now and truth be told, I was prepared for such an answer so I’m not pissed off or anything, you know? You’re just the type of person to prefer staying indoors while lazing around…that’s just how you are and how I love you, so…”

You got embarrassed after a while and the young man’s missing reactions didn’t make it any better, so you eventually stopped mid-sentence and called out to him.

Silence.

“Atsushi…?”

You put your hand on his shoulder and gently shook him, causing his arm with which he was covering his eyes to fall to the side, revealing his slightly puffy eyes and sleeping face.

D-Did he…fall asleep…?

Who would’ve thought that your reassurance alone would have such an impact on him and cause him to fall asleep?

You giggled to yourself and gently caressed some strands of his hair away from his face, giving him a soft kiss on his cheek as you silently wished him a pleasant nap. A few seconds passed during which you contemplated whether you should go to your room or snuggle up to him, you picked the latter and as carefully as possible, leaned your head on his shoulder, closed your eyes, and missed the small smile that adorned Murasakibara’s lips.

Akashi:

Akashi usually isn’t one to get jealous of other people, since he is quite confident that there is no one better suited for you but him. And yet whenever he sees how you talk to Mayuzumi he can’t help but feel a tight pain in his chest and notice how his mood instantly drops. He’d immediately turn away from the sight of the two of you and go somewhere else, preferably the gym where he can either let his frustrations out on the ball or on some of the unmotivated basketball club members. When you were close to him during one of his bad days he was prone to behaving rather rude and harsh and even though he regrets it seconds after opening his mouth he just can’t stop himself. One day though, he truly lost it.

Everything was seemingly going well and then he saw both Mayuzumi and you come in the gym together, hand in hand, laughing, and worst of it all: you were blushing. The red-haired young man watched how his upperclassman helped you sit down on the bench and the way you two looked at each other made the captain feel sick. That’s when a certain thought entered his mind.

What if (Y/N) is planning on breaking up with me for….

While you laughed alongside the older member of the basketball club, you noticed out of the corner of your eyes the way Akashi approached you two and immediately sprung up to calm him down. “S-Sei, please calm yourself down!” you pleaded as you held onto his wrists, but no matter what you said he wasn’t listening, he only had eyes for the man behind you.

Out of desperation you wrapped your arms around the slightly trembling body of your boyfriend and began whispering how nothing was going on between the two of you, how Mayuzumi had only helped you reach the gym since you had sprained your ankle on the way, and how he had teased you for loving the captain too much. As if released from some sort of spell, the young man came back to his senses and returned your embrace in slight confusion. While you were quick to forgive and forget the sudden snap of your boyfriend, the grey-haired man behind you wasn’t in the mood to just forget how the first-year would’ve stabbed him with a ballpen if it weren’t for you. Luckily the other main team members came to calm their teammate down, while you excused yourself, took Akashi by the hand, and went out for a walk to help him calm down.

——

Holding tightly onto your boyfriend’s hand you dragged him off to a more remote area where you could properly talk to each other and resolve any type of doubts that seemed to sprout inside of his already restless mind as a sudden and unexpected whisper caught you off guard. You halted mid-step, turning to the young man behind you, and asked him to repeat what he’d just said.

After a short moment of reluctance, he nodded and did as asked. “I’m sorry for losing myself back there.” His sudden apology caught you quite off guard and made you forget your initial plan. The Akashi you knew rarely showed such enormous remorse for his actions, he might have finally found inner peace with himself and his insecurities, but that didn’t mean that he was now a completely changed man who’d thrown his entire pride away. Not being able to hold back your curiosity, you asked why he felt the need to apologize.

“The way I was ready to lash out at someone older than me, in the same way, I did with Kagami back then was uncalled for…not only that but your expression,” he paused, softly caressing your cheek and continued with a silent voice “that fearful expression you had when you saw me…I-I don’t want to see it ever again.”

Now I get it…

A sad smile adorned your lips as you squeezed his hand tighter. You were secretly thankful for his small outburst right now because it showed you not only that he indeed loved you as much as he usually told you, but also that despite his perfectionism he was very much flawed. He was afraid of losing you and equally afraid of you hating him for expressing these worries. Without saying anything you wrapped your arms around him in a hug and held him tightly as soon as he’d returned your embrace.

“Seijuro…please don’t try to tackle every worry you have on your own. That’s why we are a couple, right? Anything that bothers you, no matter how trivial or serious it is, please share it with me instead of tackling that burden on your own, ok..?”

His sharp yet beautiful eyes looked directly into your own before he leaned his forehead on your shoulder and murmured: “I know, it’s just…I’m still not used to having someone so dependable as you by my side, offering me so much support that I don’t know what to do with it.”

You giggled at his statement and kissed his head, thankful that you had more or less resolved one part of his issues, but more than anything you were happy that from now on he’d involve you more in his worries and problems.

Takao:

Everyone from Shuutoku warned you multiple times that being lovers with Takao would cause you to have severe trust issues and you didn’t believe them at first, but after a couple of weeks, you finally understood their warnings. The lively young man was surprisingly a jokester and tended to take certain things not serious enough for your preference, but since it was a part of his personality, that you’d fallen in love with, you decided to overlook it for the majority of the time.

Usually, his jokes were kinda misplaced and sometimes even more sympathy-inducing than fun, but they never failed to make you crack even the smallest of smiles. But lately, though his jokes started focusing on love and were constantly dealing with the topic of breakup or cheating and it made you quite anxious and hurt that he took these two so lightly without considering your feelings.

Day after day you put up with them until you just couldn’t take it anymore and interrupted him, saying that he should just stop talking for a moment. You were so agitated that you failed to notice his taken aback expression.

“Hey (Y/N)-chan, you do know that I’m just joking, right? There’s no need for you to take it seriously!”

There he goes again with the same excuse…

The young man attempted to take your hand in his, an usual gesture he made every time he upset you, but right now this was the last thing you needed. When his slender fingers brushed yours, you slapped his hand away.

“Not this time Kazu-chan…I’m sorry” you whispered and hurried off, leaving your boyfriend behind who was blown away by your reaction.

——

A few days passed since your little outburst and you’d been avoiding Takao ever since, afraid of being confronted with what you’d told him. You felt bad of course for treating him like that, but you were just not ready to talk to him yet and needed some time to come to terms with your thoughts first.

“What’s with you two always gluing yourselves on me whenever you have some kind of problem?” asked the green-haired young man who you’d forced to stay by your side since then. You responded with a giggle and told him that thanks to his confident behavior and direct words you felt placid and could sort your thoughts in peace. He simply sighed and looked at his lucky item for today, a silver ring with a small green jewel, which he’d once again gotten from his captain, who told him that it was yet another merch of his favorite idol.

“You shouldn’t avoid Takao so much. We both know that he makes jokes to hide away his insecurities and weaknesses and what do you think might happen if he sees us right now?”

He’s…right

You bit your lower lip and slumped forward, leaning your elbows on your thighs as you nodded a couple of times. Nothing good would come out of you brooding over this on your own and having Midorima with you wouldn’t make your little “fight” with Takao just disappear. Seeing you so lost in thought, the young man behind you had an idea, one that he didn’t entirely like, but right now all he wanted was to make you feel better, so he swallowed his pride and handed you the ring.

“Take it…i-it’s not like I’m giving it to you forever s-since it’s not mine and all…b-but Oha Asa said t-that Scorpio might need some k-kind of symbol o-of…love so” he stuttered as he held out his hand, the fragile ring between his bandaged fingers. You were at a loss for words at his gesture and all you could do was whisper out his name in surprise.

“Shin-chan! What do you think you’re doing?!”

Suddenly someone took a hold of your slightly outstretched arm and tugged on it, causing you to stand up and fall against their chest. You looked at the face of the person and it was none other than Takao who was glaring at his friend through glassy eyes. As if bitten by a bug Midorima jumped up and began protecting himself, but all you could focus on was the man who had his arms wrapped tightly around your body. While the two men insulted each other and bickered you realized just how stupid this entire situation was and couldn’t help but smile.

You placed your hand on your boyfriend’s cheek and turned his head, so that he was now facing you, and kissed him, shutting both of them up almost instantly. It took the young man a shot while to return your kiss, but when he did he also took the opportunity to properly embrace you.

“I’m sorry for overreacting Kazu-chan, it’s just that I-”

“No, don’t apologize (Y/N), I know I went too far this time. You know I love you more than anything else in this world and that I’ll never think about leaving you.”

The smile that adorned your lips widened as you nodded energetically and reassured him that your love for him is also one that will most likely last forever.

While you two made up, smiling at each other, the green-haired young man looked at the ring and grinned to himself.

I knew it…Oha Asa is never wrong

[yesimwriting]

Solutions

A/n kinda a blurb that took me FOREVER bc my ADHD has been really bad today but people have been wanting more General Kirigan/Darkling x reader and someone requesting some the Darkling x reader angst so here it is :)

Summary: The Darkling comes to visit you while you’re half asleep

Warnings: implications of teasing if you squint but it doesn’t really go anywhere 

Something small in me registers the sound of the wooden door opening, the rest of me is too lost in sleep to react. The even footsteps are measured, deliberately soft. I can’t bring myself to stir, not even when I feel the duvet I’m covered with pulled down just enough to expose my face slightly. I’m still as soft fingers touch the side of my face that I’m not sleeping on. At first the touch is cautious and tactful, meant to be reserved, but then the touch brushes against my skin slowly. The touch feels so much like silk I can’t help but groggily incline towards it. He adheres to my silent request, adjusting his hand beneath my jaw and chin, patiently trailing his thumb up and down my skin. 

“You’re awake.” The accusation comes softly, lacking any kind of bite. 

I let out a long exhale. “No.” 

“Do you always have to disagree with me?” There’s an unusual graveness to his light scolding. 

I squint my eyes open slowly just so that I can glare at him. Always so dramatic. When my vision adjusts to the darkness of the room, I see that my instinctual analysis on his tone had been correct. He always seems to be touched by darkness, like the cost of controlling the shadows is something that can be physically seen. But there’s an extra edge to the gloom that clings to him, an exhaustion. It’s visible in the bags beneath his eyes and the way his pupils swallow the bit of moonlight that dares peer into the room. 

“Only when you’re being disagreeable.” My voice is drowsy, which is good because it masks my concern. He moves his hand off my cheek, I instinctually frown at the loss of contact but he’s quick to brush his fingers along my collar. “I don’t think you’re being disagreeable right now, though.” 

Something soft threatens to break across his expression. “No?” He keeps his motions tactful, tracing the outline of my shoulder and collar. “You seemed to think differently earlier.” 

He has such a talent for distracting me. “Why are you here, Aleksander?” 

At that, the corners of his lips pull upwards as he presses them together. The expression is so genuine something warm begins to flood my chest. His name on my lips alone is all it takes to crack the hard exterior he’s spent lifetimes curating. In an odd way it feels like a power, to be able to stir emotion in someone with a desire to be cold. 

He squeezes my shoulder lightly before placing one hand on the duvet that covers me. I say nothing when he pulls the blanket back entirely. “Say my name again,” he breathes, moving to sit on my bed so casually I almost doubt the oddness of it. “Please,” his voice reveals more than his words ever will. “I need to hear it.” 

I should not want to provide him any type of comfort, and yet my heart yearns to. “Aleksander.” 

He breathes out easily, relaxing like the name is physical contact. “I’m tired.” 

“Me too.” 

Aleksander turns, resting his back against a pillow. I should tell him to leave, I should send him away. He’s clearly not someone that should be trusted. Instead of doing that, I find myself rolling onto my back to give him the room he needs to lay down. What am I doing? Aleksander says nothing, he only turns over to lay on his stomach before stretching an arm out lazily, hand settling on the hem of my nightgown. 

“What are you doing?” 

He brushes his hand upwards, testing the waters as he hints at pushing up my nightgown. “Do you think me a monster without redemption?”

The question is so sudden and genuine it’s practically a blow to the chest. “No.” I answered too quickly, a part of me desperate for him to understand how much I mean my answer. “Sometimes I wish I did.” 

The unnecessary addition leaves his eyes burning. I won’t elaborate no matter what he does. I can’t. To explain to him the extent of my attachment would be to let him see the way he’s burrowed himself into my heart despite my desire to loathe him. 

Aleksander must know that I have no intentions to explain my words because instead of replying immediately, he moves his hand up and down my upper thigh gently. It takes all of my concentration to not let my breathing hitch. “What do you mean, Little Dove?” 

He keeps his voice patient as he continues to trace his fingers across my skin in what is meant to seem like a thoughtless pattern. However, I know his motions are calculated because with each second of silence his fingers edge closer to the inside of my thigh. 

“If I could convince myself you were some kind of irredeemable monster,” when I stall, his fingers continue to inch towards my inner thigh, forcing me to inhale sharply, “I’d be able to walk away from you.” He pauses. “But I can’t.” 

“I am what I am because I have to be.” Those words are all it takes for his typical exterior to return. 

I press my lips together. “If you’re going to be the way you are with everyone else than leave, I’m too tired to deal with that right now.” 

Aleksander draws his eyebrows together. The look he gives me is so pained with conflict I have to stop myself from reaching for him. I close my eyes, hoping that he’ll take it as a sign to do anything but continue this conversation. My desperation to not hold onto the way I see him is a testament to my attachment. It’s naive. 

I hear his motions and a part of me longs to ask him not to leave. The bed dips, his warm breath is on the side of my face, near my ear.“Sometimes I think I may be a monster and then I see you at my side.” His whispers leave goosebumps across my skin. “And I think someone as good as you would never be at the side of a true monster.” 

The words chip away at the last of my resolve. A skeptical part of me wonders if his words are meant to manipulate me the way he manipulates so many others. But his voice had been so raw, so desperate--I don’t think anyone could manufacture such feeling into words. 

“Aleks I don’t think I could leave your side if I wanted to.” He moves his hand easily, never losing contact with my skin as he settles his palm on my hip. “But I can’t support what you want to do.” 

The silence is a thick fog in the air that will never sit right in my lungs. “Then just stay.” 

We have not reached a solution. Perhaps a solution cannot be reached when the problem is...what? Infatuation? Adoration? Love? Yes. There is no resolution for any of those things because emotions rooted in care are much more dangerous than feelings rooted in hatred. 

“Yes,” I whisper, placing a hand on his back, “I’ll just stay.”

--

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