#so it was an interesting coincidence

[r-aindr0p]

when you said Azul barges in in a more discreet way, I imagined him just. appearing in Rollo's house. like. ✨️poof✨️ there he is

Yeah magic ! You know, he just :

Oh don't worry he's just doing his weekly door-to-door business thing ! Except he's actually in your house and you can't really close the door on him.

[sporeclan]

😻?

[From this prompt list (New Requests Closed!)]

😻: Favorite ship in the clan?

So, I'd say it depends! For ships that are canon in SporeClan so far, I'd have to go with FoxFox <3 I just love that classic energetic and kind x shy and really easily flustered dynamic, I think its cute every time :'D

But for ships that aren't a thing (as of yet, at least(fingers crossed))... I am OBSESSED with the idea of Riftbranch and Puddle's dynamic. Big goofy woman and her strange strange little husband. He just finds her so fascinating to listen to and thinks she has the most profound philosophical quandaries he has ever heard, but they're all stuff like "do you think water is wet" and "how are you gonna feel pain in your leg if you lose it in battle (because it is gone)". Man who thinks way too much before he speaks and woman who speaks before she thinks every single time. I love them so much

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[lirarey]

Tim Burton loves couples where one is dead and the other is alive, doesn't he?

[yellenasbelova]

BRIDGERTON (2020 -) | 3.01 Out of the Shadows

[allyriadayne]

Jace's anger

[xeemaee]

We aren’t even on hiatus yet and I miss him so much already

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[thegaydepressedone]

Does anyone else think about how Oliver Banks was Lonely? He was so afraid of the death that followed him that he risked everything to sail as far away from life and humanity as possible, which is awfully reminiscent of Peter Lucas.

But the thing is, even when he wasn’t heading to Point Nemo, he was still isolated. He would be just as alone in a bustling city as he would be in the middle of the ocean. Because even as he walks amongst others, he is still surrounded by only the dead.

He cannot get close to other people because he can’t see them as people, only as the corpses they will one day become. And that may be one of the Loneliest fates of all.

[autumnwhistles]

(note: this is purely from a character perspective, not a comment on CCs.)

grian and scar have now both been in opposite positions to the original 'cactus ring', and it's so interesting to compare their attitudes to sacrifice on both ends. whether or not scar threw the fight in the cactus ring, he did offer for grian to kill him before it began. grian declined this, but was clearly fighting with the intention to win during the fight itself – he's giving scar a chance, but not sacrificing.

in secret life, scar's on the other end of things. he's fighting another winner – who herself has been sacrificed for previously – and, like grian, is going into what he assumes to be a fair fight... but which is in his favour due to the others' willingness to sacrifice themselves for him. this is a common pattern for winners: in whichever order, they take the win once, and are once willing to sacrifice themselves to let another take it.

cut to wild life.

this time, it's grian in the final two once more, yet again against an – albeit more distant – ally. he's got a win under his belt already, so you might expect him to do what pearl did, what scott did, right? sacrifice their chance at glory to let another taste it for the first time.

and yet:

"I'm going to have to kill Joel"

"Can I win this? I worked so hard on this series, I'd love to win it!"

because here's an important thing about life series!grian: though he's willing to even the playing field, he's not willing to sacrifice – not when it matters. pledge your loyalty to right a wrong, yes; give lives to gain allies hours, yes; refuse others' sacrifices to fight on fair terms, yes. but in the end, no matter how much he wants to stick with friends, no matter how bad he feels about it, no matter how may "i'm so sorry"s he gives – he will put his own life first, in the end.

there's a reason he's the reason for so many of his allies' deaths, after all. and in its contrast, the wild life finale showcases this beautifully.

(and for the record, i don't see anything wrong with this from an out-of-univere perspective – it's been 5 seasons and 3.5 years since Grian's last win, and even if it hadn't been, it's the CCs place to judge fairness, not ours.)

[nephriteknight]

okay i've talked about this in tags and stuff before but i want to really break down the dorian - ashton dynamic, because it's so interesting. there are a lot of ways in which dorian and ashton are perfectly opposed, and there are also a lot of ways that they're deeply similar, and something about it is just fascinating to me.

they're both genasi, but one is air and one is earth. one was born into wealth and privilege, while the other spent most of their childhood in an orphanage in bassuras, and yet they both have very complex feelings about their parentage and their birthright and the power that comes with it. they're both frontline fighters who started c3 with the same strength score, but ashton uses a massive hammer and chaotic, uncontrollable powers, while dorian uses bardic flourishes and precise spells. ashton was abandoned by the closest thing they had to family, while dorian was the one to leave his own family. ashton is -2 charisma covered up with brashness and projected confidence, while dorian is +3 charisma but too nervous to use it effectively half the time. they both end up being treated as a sort of leader in their parties, much to their own surprise. dorian is this inexperienced, sheltered prince seeing the world for the first time, and ashton is frequently the voice of reason in bells hells, the one who knows how the real world works ("does no one crime?", reminding them that their actions will have consequences for others, pointing out that leaving someone to die is not actually better than killing them by hand).

in exu, dorian tells lolth that he would do anything to protect his friends, even if it would hurt others, and he meant it so deeply that his alignment changed from chaotic good to chaotic neutral. he got into an argument with orym because he wanted them to keep lolth's circlet, a decision influenced by his family history with power and responsibility. and now ashton took the shard, searching for power, motivated by the longing for his parents and his birthright and it is such a juicy parallel.

it's "i would do anything for my friends" vs "we don't leave anyone behind".

the first kiss of the campaign is dorian kissing ashton's cheek after the ratanish fight as an excuse to get close enough to heal him and tell him "we need you". ashton curses quietly when he realizes dorian has to go with cyrus. "to dorian, who is leaving us for his stupid brother. what the fuck is up with that." ashton says dorian is "our bag of dicks".

they're just so interesting. they're such interesting contrasts, both symbolically and in their characters, and i really hope that when (don't say 'if' it's gotta be a 'when' i am clinging to this) dorian comes back their relationship gets explored more.

[oblisker]

i can’t articulate this properly but i love looking at jekyll and hyde through the lens of death vs life/youth vs maturity. it’s so interesting and i feel like i could write a whole essay on it but i don’t know where to start

[mellifiedberries]

Okay, I said I would so here it is: A (hopefully) comprehensible collection of thoughts and hcs based on what we know about the corruption! (Bit of a rant ahead! including spoilers from todays stream)

First, the crystals, this seems to be the main form of corruption, as it was the one talked about and seem most frequently. It appears to originate from crying obsidian, and has heavy ties to The End. The purple corruption was accompanied by the addition of observers (eye beings that hover around and spy on people) and a giant eyeball replacing the moon. Now, all of this pretty obviously points to it being eye related, but what exactly does this mean? As it has been shown that the skulk and the corruption are direct opposites, and with the skulks ties to listening, I feel like them being opposites is very interesting.

Now, !Ros, who seems to be the main suspect of being corrupted (along with !pili), seems to do a lot of watching, her head always moving, her eyes never staying in one place. She's also very frightened at sudden sounds (ie the fireworks and lightening) and absolutely freaked out when she heard the skulk. She also seems to correlate each person with a color, using that as what seems to be a basis on who these people are. She's not the best at remembering words, but she has a better time remembering things she's seen (like the path to Sneegs house)

The skulk, which is referred to as an 'infection' instead of corruption, showing that the two are either two sides of a spectrum or two sperate things entirely. The skulk already has direct ties to listening, and the people that are 'infected' by the skulk don't really go against this. tr!Aimsey, for one, is/was someone people go too with their problems to rant them out (ie. !Ros) and tr!Sneeg was also very much a listener when issues arrived, listening and responding to what !Ros was saying, and overall being a rock to hold on to.

Now, one thing I find very interesting is the fact that the two are direct opposition, despite the fact that in the body the two work together. Adding onto this, the crystals are directly used in making sound, and the two can be used together. Along with this, blue and purple are analogous colors, so having them be opposites is another interesting thing.

[murdockhawkeye]

this is *maybe* a bit of a stretch but i still find interesting to think about? don't know if i have everything right

but

i feel like with the elemental opposite duos - emma & rikki, cleo & bella - you could reasonably say their arcs'd mirror each other in a way

like

emma and rikki have issues with responsibility/expectations but on opposite ends of the spectrum

emma was a gifted child, everyone had high expectations for her and she tried to meet those expectations the best she could. she’s responsible emma, who makes sure everyone is looked after, and everyone “knew” was going to become a top athlete, because look at all those trophies on her shelf

and then rikki on the other hand, was alone for “her own good.” she admitted to elliot that no one really liked her growing up, so when somebody did, it made her feel weird and she pushed them away. she stayed away from other people, made sure they never had any expectations of her

they both avoided disappointing others, by going to opposite extreme lengths

and then they overcame these issues, with emma facing a sudden change in her life (becoming a mermaid) that meant she had to give up her swimming dreams and disappoint the people in her life (that had to suck for her, honestly.) she had to come to terms with that - but then, she also found a whole new world that she’d never have been a part of, if things had gone the way she planned

and as for rikki - her biggest change wasn't the tail, but becoming friends with emma and cleo. had she'd her way and zane’d never gotten cleo stuck on that boat, she’d never become friends with them. rikki had to learn the hurdles of friendship and of keeping them, like when she mistook the different kinds of fish, when cleo and emma didn't support her relationship with zane, etc. they had their issues - but in the end, they were there for rikki, and rikki was there for them back. she'd have never gotten that kind of solidarity, had things gone the way she thought it would

and then there’s cleo and bella

bella - unfortunately, didn’t have much in terms of development, since the writers prioritized will’s relationship with her over expanding her character background+ for some reason ??

so i'm just mostly going to talk about cleo here first - but i'll get to bella in a second

cleo by s3 is a very confident and self-assured person; but she didn't start out that way. she was insecure, somewhat naive. she grew up overshadowed by her two best friends, the both of them being gifted in their own rights - emma, the young up and rising athlete, and lewis the science genius, they were sure to go places. cleo, on the other hand, was overlooked. she didn't have much going for her - except for adequate grades and a love of the marine life that was hindered by her fear of water

and then cleo became a *literal* mermaid. either she was going to avoid it or overcome it. in the end, she didn't just overcome her fear of water, but she also took a risk by taking that job at the marine park, where she'd be working right by the marine animals. she let her fear control her before, and she wasn't going to let it stop her from wanting to pursue things anymore

(funny, she started out with a fear of water, then became a mermaid. she struggled with her grades, then became a science genius)

bella, much like cleo - had her own issues when it came to the kind of attention she got, but the other way around. her first appearance, she was being catcalled. same ep, nate is drooling over her. they've made her beauty a point throughout s3. even cleo and rikki's brought it up. it. could not have been easy for her to deal with that, especially with her secret in mind

seeing that, even with the different issues when it came to attention, i think they'd still have had the same feelings about it. a younger bella, probably would've been similarly insecure/anxious as cleo had been - until she learned to be more sure about herself and grew into the bella we know and love today

(we should've gotten way more lore and background about bella, agh)

tldr; emma and rikki have same feelings but opposite reactions (people pleasing and people avoiding.) cleo and bella opposite situations but same feelings (overshadowed and center of attention)

yk, rikki was right in a way i think about the "universal law," but like, more about keeping in balance and not about trios. emma and rikki balance each other out, cleo and bella were *meant* to balance each other out. but in s2, bella wasn't there - charlotte was

do i blame the antagonizing of charlotte and cleo's out of characterness on the writers, or do i blame it on some magical semi-canon mermaid universal law about balance

blaming it on a mermaid universal law sounds more fun, and could have interesting implications. (though the writing grates me, still)

[keekity]

popular kids & their cringe-fail counterparts