#so it just gets weird imo

[muffinapologist]

The thing about mlp is that it’s right on the tin that it’s about friendship so it’s ripe for horse Yuri

[avelera]

Laois from Dungeon Meshi legit feels like someone said the generic blond main character guy in a fantasy story can never actually be an interesting character in his own right and Ryoko Kui went, “Oh, bet?”

[hinamie]

atla!au designs part 3 !! one of these things is uh. not like the others

first year trio gojo/choso/nanami

[aroaceleovaldez]

tbh my latest biggest theory for why HoO and onwards is such a dramatic drop in quality and consistency is just. Rick stopped making teaching guides.

Like, the Lightning Thief teacher's guide is SUPER in-depth with even stuff like sources about middle grade child psychology and exact specifications of where he's applying that, explaining what different character's goals/motivations are, their dynamics with each other and their environments, etc etc. Even specifying which specific myths certain plot elements are supposed to reference or be about.

That stuff just doesn't exist for later books. There's activity guides and smaller, significantly more simple teacher guides for later books but they don't go into anywhere NEAR the same level of depth. The TLT one is a full lesson plan that breaks down the book at every level and explains what's going on and more or less why Rick did that. The others are all basically just glossaries of terminology and some simple question guides.

And they didn't even use the TLT teacher's guide for the Disney+ show because they clearly aren't adhering to any of what's discussed in that breakdown of the book.

By creating a teaching guide alongside writing the actual book, that's forcing you to document what you're doing, why, your sources, and information about your characters and the story they're in. It's like an even more in-depth version of a series bible. But that's lacking for later books (and etc) and it shows because that level of thought and depth and attention just isn't there anymore.

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[groven4]

"I don't ship securitywaiter" I say as I continue to fall deeper and deeper down the "crackship" rabbit hole.

[waitineedaname]

POV for the no excuses writing meme, please 👀 (i love this game so much!)

a bit of context: this is for my lesbingqiu wip inspired by that "can yuo put that out on me" tweet! the wip is from binghe's pov, so here's shen yuan instead. she strikes me as the kind of person to think being thirty makes her old (it does not lol)

--

Shen Yuan wasn't sure why Shang Qinghua had insisted on dragging her out drinking if she was just going to abandon her at the first sight of her situationship across the bar. She didn't care if Shang Qinghua insisted she needed to go out more! She had work to do! Never mind that her "work" these days mostly amounted to opening her dissertation document, glaring at it for an hour, and then closing it again. She was simply getting too old to go out drinking. She was thirty now; she might as well join a knitting circle if Qinghua was that worried about her social life.

She continued grumbling to herself as she lit her cigarette. It was much quieter outside the bar, though she could still feel the music thumping through the wall behind her. She would give Shang Qinghua another five or ten minutes to prove she hadn't completely forgotten about her, just long enough to take a smoke break, and then she'd leave. She could go home, change into her pyjamas, and spend the evening working through her reading list like she'd originally intended.

Her plans were interrupted by a sudden spike in the bar's volume as someone opened the door and stumbled out into the alley beside her. Shen Yuan nearly dropped her cigarette as she was suddenly confronted by the most absurdly beautiful woman she'd ever seen.

She wondered deliriously for a moment whether there had been a modelling event that she didn't know about, because there was no other explanation for a woman this gorgeous being loose in the wild. Her dress hugged her curves in all the right places, and she had the kind of artful curls that Shen Yuan thought only existed in professionally styled wigs. Her bone structure was fine, and her skin was perfect. Seriously, was Shen Yuan hallucinating?!

The woman was also, Shen Yuan realized, extremely drunk. She stumbled over her high heels, reaching out to support herself on the wall with a groan. Shen Yuan's hands itched to reach out and support her, but she resisted the impulse.

"Are you alright?" she asked instead. The woman looked up, startled, eyes wide as if she hadn't realized Shen Yuan was there. Absolutely no way those eyelashes were real. They had to be falsies.

The woman made a slightly incoherent noise, and Shen Yuan frowned. How drunk was she? She then abruptly stood up straighter, though she was clearly still supporting herself on the wall.

"I'm fine," she said, surprising Shen Yuan with a low, smooth voice like honey. "I just needed some fresh air."

Shen Yuan nodded sympathetically. Poor thing. "Drink a little too much?"

The other woman's lips pursed in a pout. "My friend ordered shots," she explained.

And then just let her wander off?! Shen Yuan would like a word with this friend of hers. "You should be careful with those," she cautioned. "They can get you drunk very fast."

The woman nodded with the earnestness of an eager student. "Jiejie is very wise."

Oh, she was far too cute. Is this what people were referring to when they talked about blessed interactions between drunk girls at a bar? Never mind that Shen Yuan was hardly buzzed herself. She wanted to pat this girl's head and give her more wisdom, even if this wasn't really her area of expertise.

"Would jiejie keep me company while I sober up?" asked the other woman, her speech slightly slurred and her dark eyes pleading. As if Shen Yuan could say no to eyes like that!

"Of course." Shen Yuan nodded. It was her responsibility, after all! A code of sisterhood, to look out for drunk girls! "What's your name?"

"Luo Binghe." She found a more comfortable position leaning against the wall, resulting in her curls spilling over her chest. Shen Yuan foolishly tracked the motion, then forced her eyes back up to Luo Binghe's face. Aiyah! That dress really left very little to the imagination! Wasn't she cold?! Should Shen Yuan offer her jacket? "What should I call jiejie?"

"Shen Yuan." She lifted her cigarette to her lips and took another drag in the hopes that it would make Luo Binghe's appearance less distracting. Luo Binghe was staring at her with an intensity that made her want to squirm. "Are you here for some special occasion?"

Luo Binghe just continued to stare at her for a while. Poor thing, she really must be drunk. Shen Yuan knew how slowly she processed things when she was drunk. She could be patient with the girl. "My friends wanted to celebrate me starting graduate school," Luo Binghe eventually explained. Her pretty features pulled in a slight frown. "I think it's just an excuse for them to get drunk."

Shen Yuan chuckled at the petulance on Luo Binghe's face. "Maybe, but that’s a worthy thing to celebrate. Congratulations on starting grad school."

"Thank you, Shen-jie." Luo Binghe's expression softened into a smile again, still laser-focused on Shen Yuan's face.

Shen Yuan took a moment to look Luo Binghe over again. Grad school, huh? Shen Yuan struggled to believe that, but she couldn't see why Luo Binghe would lie. It's just, Shen Yuan was in graduate school, and she felt horribly outclassed by the girl in front of her. With looks like hers, she could easily become an idol or something! She didn't deserve to waste away in academia like Shen Yuan, though she admired Luo Binghe's academic drive. And so young, too...

"You seem awfully young for grad school," Shen Yuan said. It could be that she just took good care of herself, but she wouldn't have been surprised if she'd said she was still an undergrad. "How old are you?"

"I'm twenty-five," Luo Binghe said.

"Twenty-five," Shen Yuan repeated. Twenty-five! And she was here, talking to thirty year old Shen Yuan outside a bar. Shen Yuan's earlier impression was right; this really was not the scene for her. "I think I’m officially too old for this bar. People will think I’m a creep if I keep coming around here." She took another drag from her cigarette, feeling morose over her age. "When I graduated high school, you would’ve been thirteen. Isn’t that weird?"

It had seemed like Luo Binghe was sobering up, but she suddenly wobbled on her heels. She was staring intensely at the cigarette in Shen Yuan's hand. "Can you put that out on me?" she slurred.

Shen Yuan's heart rate spiked. Ah! How could she be so oblivious? What kind of helpful jiejie was she if she was blowing smoke in Luo Binghe's direction?! "Oh! I’m so sorry, I should’ve asked if it was okay to smoke near you. I’ll put it out." She quickly ground it out on the wall. Luo Binghe made a pitiful noise of complaint, but that's okay, Shen Yuan had this handled now! No more smoke when Luo Binghe had specifically wanted to get fresh air!

"I know it’s a bad habit," Shen Yuan attempted to make an excuse for herself, her fingers itching with nervous energy. "It gives me something to do with my mouth and hands. I guess I should get a fidget cube or something less bad for me, but…" She trailed off with an awkward laugh.

Luo Binghe's eyes were still wide and slightly wet, fixated on her hands. Poor thing, the smoke must've made her eyes water. She opened her mouth, but she was interrupted by the door to the bar opening with a slam.

"Bing-jie!" A girl burst out of the bar, covered in jangling jewellery and not much in the way of actual clothing. She latched onto Luo Binghe's arm, speaking way too loudly to be sober. "You left your Ling-er all alone in the bar!"

Luo Binghe's expression immediately soured, but based on the way she didn't shove the other girl away, it was clear she knew her. Ah, Shen Yuan realized. This must be the friend who'd ordered the shots. Well, she'd just been planning to keep an eye on Luo Binghe until she sobered up or a friend joined her, and here was the friend. Her company was no longer needed here.

"I should probably get going," Shen Yuan said, giving Luo Binghe a soft smile. She had been scowling at her friend, but when she looked back up at Shen Yuan, her eyes were wide and puppyish again. "Get home safe, okay?"

Luo Binghe nodded, once again reminding her of an earnest student. "I will, Shen-jie."

Shen Yuan waved and left the alleyway. She sighed and pulled out her phone to call a cab. Shang Qinghua could find her own way home. Serves her right.

Still, the night wasn't a complete wash. Even as she made her way home, her thoughts drifted back to Luo Binghe. Did she get home alright? Was she drinking enough water? Would she be too hungover in the morning? A girl that pretty and that drunk could be a real target for unsavory people. Shen Yuan didn't doubt that she could handle herself -- those arms of hers were impressive -- but she couldn't help but worry.

Ah, well. Worrying wouldn't do her any good. It's not like they'd ever see each other again.

She put thoughts of Luo Binghe aside and decided to put her energy towards preparing orientation for her department's incoming graduate students.

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[kingly-court]

I’m legitimately gonna explode if I don’t find someone else who understand the background tragedy of the Gleeful Family in Gravity falls.

[sundial-bee-scribbles]

a smile would be nice

[greensaplinggrace]

i don't think willow realizing she's a lesbian is a rejection of her relationship with oz. you don't do a disservice to past partners if you realize your attraction lies elsewhere. willow's relationship with tara doesn't negate what she had with oz - it reframes some aspects of their dynamic, but not necessarily in a bad way.

[silver-horse]

unfortunately I have opinions about the ascendant astarion ending and I have been holding back from saying it. but it's a problem that applies to the whole game and it's been annoying me

what's actually weird about the ascendant "romance" scene is that the writer considers it a tempting option for the player. They wrote it to be bad, but they also think it's a fun and sexy option. Same goes for the haarlep scene which they also wrote that way because they find it sexy. Except finding this sexually appealing entirely hinges on the idea that the player is a submissive. So RIP to a scene that the rest of us could have found sexy because the lead narrative designer was a submissive. lmao

In this game you can have a scene where you have to kneel for a male character. But you can never have a male character do the same for you. (Halsin doesn't count. It's a vanilla scene, he is not submissive there and we are not even asking/telling him to kneel down) You don't get such options, not even if you play a drow female! RIP the number one reason for playing drow female to be honest. lol You can kneel and fully submit to ascendant astarion or fully submit to mizora or fully submit to haarlep or submit to lae'zel or submit to minthara. you can get whipped by abdirak or you can tell him "touch me and lose a hand" he even responds positively to this remark and yet the possibility to flip the dynamic doesn't exist. There is never an option where a male character truly submits to the player. RIP to a scene that would have been the opposite of the traditional dynamic. the potential that existed but they never used the opportunity

By the way, how interesting that Lae'zel is dominant but she is a woman so ofc you get the option to tell her “no you will submit to me”. You never get such switch options with any of the male characters... Obviously it's not ascendant where they could have made that an option. My point is that it's NEVER an option among so many male characters.

It's a cool idea that the bad ending in a romance means "I saw this character as a sex object" except it falls apart when the scene is very sexually unappealing to anyone who is more dominant leaning. If I see a character as a sex object then I would place them in sexual situations which are appealing to me. so the message doesn't quite work. because there isn't anything that I can selfishly choose for myself just because I like it and I find it sexy.

[mamawasatesttube]

bruce characterization is so hard because he really has been written all over the place. generally i try to think of him as a man who really does mean well, but whose drive for justice and unprocessed traumas can blind him to his shortcomings and lead to him inadvertently hurting his children. i also think that comics are a medium that doesn't usually lend itself well to character growth, because they to maintain a certain status quo to keep telling stories from, and so the bruce in my mind would honestly develop and learn from his mistakes a lot better than canon bruce actually does, because for someone who espouses the values he does, it makes no sense for him to completely stagnate, right. he's a puzzle you can put together in a lot of different ways and it's fascinating but also can be such a pain because of all the different books writing him in so many different ways, but characterizing him solely as an asshole is just boring and reductive imo...

...but all of that said i still think if martha kent ever found out how he talked to kon in sb94 #85 or in those issues of batgirl '00, she should be allowed to beat his ass with a pitchfork. yknow?

[jessiescock]

ok i got another one

i can’t seem to find a comprehensive list of dub languages online rn, these are the audio options i can select on my netflix account – not included in the poll but also available to me are hindi, indonesian, thai and a japanese audio description. idk tho if those are all that were produced or if there’s more options that are just not available in my region, lmk if there’s something else i missed here! also if you’ve listened to/watched multiple of these options do kindly tell which one(s) you like best!

[myimaginationplain]

do you ever think about how Ohkubo extremely casually dropped the fact that Spirit & Kami were teen parents & then proceeded to never expound upon that fact or bring it up ever again despite it explaining a whole lot about them & Maka

[ganondoodle]

(idk if anyone wants to keep hearing my opinions on totk book stuff but-)

apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this

i dont think theres anything they can do or say that wont make be believe they either

are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all

something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)

given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??

are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )

(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)