#so if i want to say it that way then I'd have to attach possibly dansk rotte to it too?

[beemovieerotica]

warning for talking about OCD related paranoia, please don't feel pressured to respond to or even read this if that might bother you.

I just rly want an opinion on this from someone else who has ocd, and I literally dont know anyone who might understand and wouldn't treat me like I'm crazy. The new administration has affected my ocd so badly. I'm so stressed every day about the possibility of any information that I've put online, publically or "privately," over the course of my whole life being dug up and used to incriminate me somehow. Such as anything expressing views the administration disagrees with. Which has been a worry of mine for a while but it has ramped up with all that's going on recently. And the thing is I know that that's not entirely outside of the realm of possibility, but I dont know how likely it is. I dont know where reasonable concern starts and ocd begins. And I get like literally paralyzed with stress over this. Have you experienced anything like this and if so what did you do about it? Thank you if you read this.

yes 100%, I think a lot of fear of what's going on can be compounded by OCD beyond what is helpful to protect one's self.

I'm not going to provide reassurances here because that's one of the big no-no's of talking to someone with OCD: it turns into a cycle of us seeking reassurance from others in a way that can escalate our behavior and place an undue burden on others. And it ultimately doesn't work.

on my own end, I need to put hard limits on how much reading the news I do, otherwise it can literally go on for hours as I keep searching out tiny bits of new information that will supposedly help calm me down. but the relief doesn't ever happen. I just get mentally fatigued and shut down, and that's not the same thing as relief. at a certain point I have to just do a hard pivot. completely change scenery, change tasks, do something new to get my brain off that path.

I think limiting fear spirals related to current events would be the first step in reducing overall anxiety, since that goes hand in hand with upticks in OCD behavior.

I've been able to exposure-therapy myself slowly on this blog, but I can't say that will work with everyone. I show my face, people know my first name, etc - it's something I'm able to afford to do as an adult and it's helped me overcome some of the fears of ever being known, and of having my political stances be connected to me.

there are other more tangible ways to dip into free and open expression - consider writing a letter to a public official, getting out and supporting queer events in-person, or even just dropping a $10 donation for a cause - something that puts you in a community or attaches your name to a community that needs help, little by little.

I think there may be a pivot point where that fear can be channeled into action, like a "fuck it, I'm doing this" attitude. and you can feel *good* defying your OCD when it comes with that realization of, "hey, I like these people. I like being in this space." some of the wildest things I ever did in my life were a "fuck you" to OCD, powering through the warning sirens in my head and I ended up with experiences and friends I never thought I'd ever have. I think this is one of those times where really crucial communities are being born out of this intense hardship and stress, and we all need each other. OCD thrives in isolation, and you've gotta have a support network to help you live your best life despite it.

[somedaytakethetime]

He's literally obsessed with kicking the ball at this kid in this fashion lately... show off..

Bonus of my favourite, precious dansk rotte:

[moonchild9350]

Before You Go

Summary: you’d give or do anything for your boyfriend, especially if he pouts cutely at you.

Pairing: established relationship Han x fab!reader

Genre: smut-18+ MDNI

Word Count: 2.1k

Warnings: teasing, masturbation, handjob, oral sex (m & f receiving), clit play, clit slapping, dirty talk, unprotected sex (don't), squirting, creampie, taking nudes, thick cock Han lol

Notes: Jisung's pouts, that's it that's the post. I'd do anything for him if he pouted at me lol

Divider by: @cafekitsune

If you enjoyed please reblog, comment, or like ♡

Please do not copy, translate, modify, use, or repost this work elsewhere without my permission. ©moonchild9350 (2024)

“Babe, lemme fuck you.”

These four words stopped you in your tracks, your head snapping to look at your boyfriend sitting on your bed. You eyed him as he lounged on the bed, his hand placed behind his head as he smirked at you.

“What?” You responded you voiced laced with disbelief.

You were packing your suitcase, preparing for a trip with your girls in three days. You would be gone for one week and your boyfriend Jisung had much to say about it. He’s been nagging you nonstop, saying he’ll miss you and what will he do when you’re gone. Every chance he’ll get he attaches himself to you in some way…not that you cared much.

“Lemme fuck you!” He repeated, this time with a little desperation in his voice.

You stared at him, watching as he squeezed his thighs together, his bulge very much present in the gray sweatpants he was wearing.

Taking a deep breath you said in a sing song voice, “No.”

You walked away to gather more clothes as Jisung whined, his bottom lip jutting out like a toddler throwing a tantrum.

“Well what am I supposed to do about this?” He inquired, gesturing toward the tent in his pants.

“Go jerk off babe…without me,” you added as you noticed his eyes get big and bright as he probably thought of some grand idea to get through this slump.

“You hate me!” Jisung said as you walked out the bedroom, to go grab a snack.

“Whatever you say babe!” you teased as you smirked.

The next two days passed in a similar fashion with Jisung flashing his boba eyes at you and begging for sex, claiming he’s had blue balls for the last two days. You knew the last part to be true, but that just made him more whiny and desperate which you loved.

He tried everything from cooking you a nice dinner to even helping you pack, his little brain thinking you’ll give in and have sex. However, you were steadfast in your task, not budging in your decision.

The afternoon before your departure, you needed to make a quick drugstore run, picking up some last minute supplies. You pressed a chaste kiss to Jisung’s lips, chuckling as he chased after you hoping for more.

“I’ll be back babe!” You said as you shut the door, a little whimper from Jisung reaching your ears last minute. — — Once you were done with your errands, you made your way back to your apartment. You made it in record time, wanting to finish up packing as soon as possible so you could relax.

As you unlocked the door, you heard a low moan, the sound drawn out and laced with frustration. You tossed your keys on the hallway table, kicked off your shoes, and made your way towards the sound.

It seemed to grow louder as you neared your bedroom door. You smirked, knowing exactly what was going on behind the door, the thought causing your pussy to clench.

Taking a deep breath, you opened the door, your eyes zeroing in on your boyfriend laying spread eagle on the bread. His head was tossed back as he rhythmically stroked his cock, lewd wet sounds echoing in the room from the copious amounts of precum that was leaking from his tip.

“Fuck! Y/n, please!” Jisung whined as he canted his hips upwards as he picked up the pace.

You decided to stop his fun, walking over to the bed and slapping his hand away. He let out a loud groan in frustration, his wet eyes snapping to yours.

“Why’d you do that?” He whimpered, his cock twitching pathetically as it lay against his stomach neglected.

“Awww, are you having trouble babe? Hmm?” You teased, rising your eyebrow at him.

Jisung nodded his head, his lip jutting out as he wiggled on the bed. He was so hard it was almost painful, his length seeming to grow with each passing second.

“Answer me babe,” you cooed, crawling onto the bed as you shucked your top off.

Jisung’s eyes widened at the sight of your tits, the flesh all but spilling from your bra.

“Mmm yes baby, need- need your help…please, please,” he whimpered, his words trailing off to a whisper.

You chuckled as you approached him, licking your lips at the sight of his chubby cock.

“Poor baby,” you hummed, as you wrapped your hand around his length.

Jisung let out a hiss as you slowly stroked his shaft, your wrist circling around the head to gather more of the leaking pre cum. With your other hand, you fondled his balls, squeezing them gently as he thrashed around, high pitched moans leaving his lips.

“Mm close baby,” Jisung panted as he thrusted his hips up into your hand as you matched his pace.

“Already?” You smirked as you squeezed his cock causing him to yelp. “Aren’t you just desperate.”

Jisung whimpered as his breathing increased, his words a jumbled mess as he chased his high. You chuckled before leaning down to take him within your mouth. You bobbed your head once, twice, three times before darting your tongue out to press into his slit.

“I’m…I’m coming!” Jisung wailed as he shot ropes of his cum down your throat.

You suckled the head as he came, moaning around his length at the taste. Once he relaxed, his body going limp, you continued to suckle his cock, teasing his slit again and again until he was whimpering from the overstimulation.

He tugged on your hair, attempting to get you to stop, mumbling that it was too much. You released his cock with a pop and licked your lips, grinning at the man below you.

“Help me out babe,” you said as you popped your bra off and rid yourself of your sweatpants and panties.

You laid down and chuckled as Jisung eagerly laid on his belly, grasping your legs in the process. He spread your legs, moaning as he laid eyes on your wet folds, your arousal glistening in the light of the bedroom.

He leaned forward and licked a stripe up your folds and pressed a kiss to your clit. Jisung repeated the action again and again, grasping your legs tighter as you thrashed around.

“Mmm love your pussy,” he mumbled before sucking your swollen clit between his plush lips.

You moaned as he alternated between licking and sucking, his nose pressed flush against your mound as he ate you out like a man starved. You ran your fingers through his hair, grasping some of the strands as you rocked your hips against his tongue.

Jisung relaxed the muscle so you could get off as you pleased, the vibration from his moans sending little shocks through your core.

You were close as he was at your mercy, your belly tightening with each thrust of your hips.

“So close Sungie, so good, lemme just use you,” you said as you grasped his head harder and pulling him further flush against your pussy.

Jisung wrapped his lips around your clit once more before sucking hard, the sudden switch causing you to tip over the edge, your orgasm racking through your body. You continued to ride his face, coated his nose and chin with your arousal.

Once the last ebs of your high faded away, you released your hold on Jisung and tried to focus on your breathing. Jisung sat up with a huge grin on his face, his chin glistening.

He brought his hand to his hardened cock, stroking the length a few times before pinning your legs down to the bed.

“Can I fuck you?” Jisung asked as he looked down at you desperately, his big boba eyes traveling from your tits down to your pussy and then to your face.

You pretended to think for a moment, your eyes on his face. You thought about saying no once more, but you needed him just as much as he needed you. Your pussy clenched around nothing, your slick continually leaking out and dripping down your ass.

Jisung smirked, his eyes trained on your core. He brought a thumb to your clit and gently circled it, biting his lip as wet sounds echoed in the otherwise quiet room.

“Let me fuck you baby,” Jisung cooed as he continued to tease your bundle of nerves. “Your pussy needs me, listen to it, she’s talking to me.”

You whimpered as a wave of pleasure settled in your pelvis, the need to be filled by his thick cock on the forefront of your mind.

You gripped your thighs and held them open as you looked your lover in the eyes.

“Yes, fuck me Sungie,” you said in a sultry voice.

Jisung smiled and pushed the head of his cock through your folds, the flesh parting at the intrusion. He dragged his length from your clit down until the tip caught your entrance.

With a breath, he pushed in, your little hole stretching as it accommodated his length. You moaned at the pressure, loving how he filled you so good, so perfect.

Jisung thrusted his hips slowly, fucking just the tip within your entrance, mesmerized at how you took him so well.

Your walls were warm and wet, the sound your pussy made driving him insane. He needed to be within you and he needed it now. With a powerful thrust, he sheathed himself fully within you, letting out a loud groan as he settled within your thighs.

“Ahh!” You whined at the sudden intrusion, your eyes rolling back as he begin to pummel into you, his balls slapping your ass with each thrust.

You gripped your thighs, his biceps, the sheets, anything you could get ahold of as he fucked you deep and hard, his cock massaging your walls just right.

Jisung adjusted his hips so he could fuck into your sweet spot, sending little waves of pleasure through your core.

“Faster Sungie!” You begged as you took him in, watching as he fell apart above you.

His eyes were trained on his cock, watching as your entrance stretched around it, leaving behind your cream assisting with the glide. He let out a groan as you clenched around him, trying to keep him snug within you.

“Look at this mess baby,” he said as he watched your arousal mixed with your cream drip down your ass, coat the little hairs on his pelvis and your folds.

You groaned as his words, clenching your walls again and again as your pleasure built within. Jisung brought his thumb to your clit and flicked it, his cock twitching at how you responded, your body jerking at the shocks of pleasure he was giving you.

“Don’t stop,” you mumbled so close to your high, the warm feeling slowly spreading throughout your lower region.

“Gonna come? Come for me baby, give it to me,” Jisung growled as he slapped your clit.

You yelped at the sensation as he chuckled. Jisung loved your pussy, worshipped it, would do anything to make it cum, cream his length, and milk him for what it’s worth.

“Damn, im gonna miss this pussy,” Jisung whined.

He was close, your pussy too much for his sensitive cock. He thumbed your clit in earnest, needing you to reach your high so he could fill you up.

You began to pant as your pleasure mounted, coming to a crescendo as Jisung continued to fuck you and finger your clit.

With Jisung’s name on your lips, you let go, squirting your release around his cock. You moaned as you listened to the lewd sounds, so wet and filthy as your arousal dripped onto the sheets.

“That was hot, so hot. Gonna cum, gonna…” with a strangled moan Jisung came, filling you up with his cum until it dripped out of your hole mixed with your slick.

Jisung looked down once more before grabbing his phone off the table.

“What are you doing?” You asked as you watched him search through the device.

He didn’t answer but instead you heard a shutter click as he took photo after photo of your pussy, his cock still buried within your warmth.

“Gotta have something to remember you by while you’re gone,” Jisung said as he tossed his phone to the side.

“And you thought to take photos of my pussy,” you chuckled.

“Mmhmm, I love her just as much as I love you baby,” he said as he withdrew his now softened cock.

“You’re unbelievable,” you said as you waited for him to clean you up.

“Maybe, but you love me!” Jisung shouted from the bathroom.

That you did. And how could you not with that adorable cute face and pout of his.

taglist: @jehhskz @jeonginsleftcheek @simpforleeknaur @armystay89 @palindrome969 @slut4hee @ivydoesit23 @amarecerasus @kaysungshine @fun-fanfics @baby-stay92 @velvetmoonlght @baby-stay92 @possum-playground

[jaal-ama-daravv]

dissecting the emmrich romance scene (lich path)

dissecting the graveyard scene dissecting the alternate romance path dissecting the argument scene (lich path) mortal vs lich romance path emmrich x rook cinematic

Emmrich Volkarin - Dissecting the Lich Romance Scene fair warning you're in for an emotional rollercoaster

first, i wanna touch on this from our previous dissection (argument) -

"What if I can't bear that for eternity?" Oh, Emmrich. his entire soul aches over the inevitable future that awaits rook. i think this line is so important for emmrich because 'bear that for eternity" implies Emmrich will either, a) go rogue trying to bring rook back c) live with so much grief over his lost love it changes his soul forever in a dark, yet unknown way. and quite frankly, all of these are incredibly sad, and that just hurts. i thoroughly, full heartedly believe that there is no concievable way that emmrich just 'moves on' and 'accepts' the death of rook as previously stated in the lichdom scene. sry bioware, but youre wrong on that one as if he was 'fine' with it, he wouldn't of had a massive panic attack over rooks death and his grief. COUGH, the eternal flame. i could rant for hours and HOURS about how emmrich in the lich path is absoloutley devastating if rook were to pass on, because he is so compulsively, irrevocably in love with them. and not only is he in love with them, he has the love he has yearned for, for over 20 years. its huge for him which is evident given how both romance paths have him terrfied of how much he loves you.

Additionally, Emmrich grew up poor. This would impact his view on society and love. But more impactfully, it would impact his view on himself. His self-worth. Emmrich likely thinks he doesnt deserve this type of love. Hence the attempt to push Rook away and act over-suave at times.

anyway, to the SCENE -

immediately we are hit with this, to which Emmrich replies stating that he did it not to scare the citizens. what a load of huff. youll see why thats a straight deflective lie soon -

don't you worry handsome man, youre not alone emmrich expressing his fear of losing rook, and/or losing eachother, continues to be a major dynamic between these lovers

oh rooky, im so proud of you for opening up about your feelings. (remember the argument they had prior, it was fort knox up in here)

rook expresses clear fear and gratitude that they were able to escape the fade. I do believe that the line "I was afrad I'd be there forever" is a parrelle to emmrichs lichdom - as they would of spent eternity without eachother. hence why this next line, hurts so much -

the raw emotion, the crack in his voice when he says this line tells you everything you need to know. he is so grateful to have rook back with him. I do believe in this moment that emmrich has a moment of realisation of his love for rook, and just how immensed and attached he is with her. which is why he later vows that nothing will part them ever again, "not in this, nor any other world" (cough, soulmates). idk man, i have a feeling that emmrich would find rook's spirit in the fade (or any other world) if they passed on, and he'd never leave.

key point back to the lichdom decision scene -

man would go full blown rogue, scarlet witch rogue, i see it now.

I also want to touch on the "you're here with me" line. this, this is important considering what happens directly afterwards - remember how i mentioned desire a few posts ago? lets break it down, "you're here with me." Emmrich has held a consistent view throughout the whole romance that "its gratifying a fresh-faced adventure took any notice in me at all", does emmrich also possess the belief that the love he so dearly desired may not of been possible in his life time due to his age? i think so. which is why desire and the "wow, you're here with me" is so, so important. Now watch closely -

he looks defeated, ashamed - "why would someone like her be with someone like me? let alone, desire me."

the pose, how he is holding his chest and his body up against the coffin, the disbelief and sadness that is pained over his face. he is heavy with angst. this man wants rook, body and soul. he is SO in love with her. god my heart breaks typing this. he is so in love with her, but is so afraid that she doesnt want him now that he is undead - I will add in here to think back to when he was mortal, 3 flirts lines in total were regarding his looks. UGH, just stab me - ps the music in this scene rips out my heart, stomps on it, and shoves it back into my chest bloodied and bruised.

when rook touches him, his face unstiffens and his body relaxes. he looks at her nervously, but before he can address her or admit his pain, rook has NOTICED (YAY - take that argument scene rook) what is bothering emmrich, because she loves him so much, maybe even more, regardless of his undead figure. "You don't have to hide your face from me" is just a perfect way of phrasing that you are made for eachother. rook reassures emmrich of her undying love for him.

its that gomez and morticia dynamic, unwavering, obsessed dedication to eachother. a bond that strengthens the other. for emmrich and rook at least, theri dynamic is so strong I wholeheartedly believe the death of one, would break the mind and soull of the other.

there is so, so much emotion in this scene and most of it is written into the facial expressions and movements of the characters. watch how the fear of death becomes easier now that emmrich knows that rook loves him truly -

im not crying, you are -

this WRECKED me. because there is a slimmer of hope in his voice and particularly the words he chose. "I will let nothing part us again, my love" emmrich is a lich lord, with powers we dont understand just yet (cmon sequel with rook & emmrich), it is safe to say though that emmrich and rook would fight for and protect eachother to the death so that they may not be parted. This also takes me back to my original point of not letting anything part them, nothing - not even death. hence my belief that emmrich would do anything to find rook in the fade or any other world.

"Not in this nor any other world" - do i need say more? the hope seeps through, its not alot, but its there. don't get me wrong, he still has a crippling fear of death, but its, different. different in the sense that if rook was to pass or trapped somewhere, he would get them back and find his way to them, at all costs, one way or another.

the rest of the scene is very, very sweet and shows them being happy for the extra few hours they have together before facing untold danger - by either rook being able to see the fade through emmrichs eyes, or them boning again. actually i think both lead to boning.

this scene has me in absolute tears everytime I witness it because it is so powerful. it is hopeful. it is pure committment of their relationship and bond to eachother. combining this with the knowledge of the argument scene and having played through the mortal romance path, this - is extremely emotional.

Both romance scene are emotional and touching in their own regard - however, I do think the lich romance scene is more deep due to the dynamic. It is not about simply coming to grips with mortality, it is coming to grips with mourning your lover for eternity, and if you cant bear it for eternity, (which he wont, cmon) he is afraid. afraid of losing, rook. his heart. his dearest heart, and of losing himself because rook is, and I quote, "the most magnificent thing to ever happen to me."

mourn watch rook and emmrich are on a whole other level, and that level is something that is told in the minute details, the edging looks. the tone of voice. there is hope in this scene and a sense of overwhelming love and acceptance, but, there is also impending grief. which makes this story so real.

you can feel emmrich yearning for rook throughout the entire romance path because of the fated connected they share, in this and any other world. you can feel it. but this, in the lich scene? there is yearning, acceptance, hope, grief, joy, and melancholy all in one. without a doubt in my heart, these two, are made for eachother, in every world.

I shall break down the mortal romance scene next ♥ see you soon

[vincentbriggs]

@once-a-polecat replied to your post “My uncle's friend asked if I wanted this machine...”:

So do Whites have the same parts availability as Singers? I see them around for a fraction of the price, I’ve just been holding out for a Singer because the parts are relatively easy to source. I’ve seen some really lovely White machines tho! I bet yours is going to look stunning when it’s cleaned up. That cabinet is {chefs kiss}

​I don't know, I haven't looked into it because mine's not missing any pieces and still has all 6 bobbins.

I think that as long as you can verify that it has all the parts, and at least one or two bobbins, it probably won't need any new ones.. ever? The little rubber ring on the bobbin winder and the treadle drive belt degrade after a few decades and need replacing, but you can easily buy those, and everything else is highly unlikely to break from regular use.

The one thing I was worried about was accidentally stripping the screws while taking it apart for cleaning, and there was one screw that I didn't quite have the right size of screwdriver for and it started to look a bit ehhhh so I just didn't take that part off. It wasn't one of the really gunky ones anyways, and I did my best to clean around it, and may try again someday if I get more sizes of screwdriver. So I'd advise making sure you have all the right tools before starting and slathering all the stuck bits well in kroil (what the guy in a video I watched yesterday used) or wd-40 (what I used) or some such loosening thing.

It seems like it's very hard to find new bobbins, especially since there are different styles of shuttle and the bobbins are not interchangeable. Mine's a boat style and my bobbins wouldn't work in a bullet style from a couple years later.

While cleaning this thing it hasn't even crossed my mind to wonder where I'd find replacement parts because, well, what could possibly break? Nearly every single piece is cast iron or steel, and it's already been used SO much that the decals on the bottom are almost completely gone just from the amount of fabric that's run over it.

As mentioned in the previous post it's about 140 years old, was owned by a woman who made her living sewing on it for many decades, and it still works just fine! I haven't got the bobbin winder cleaned up yet and it's still off the cabinet, but I couldn't resist trying it out with just the hand wheel (using one of the bobbins that was wound long before I was born) once I got all the bits back on and yeah! Perfect stitches right away!

As long as it's kept well oiled it's just gonna keep on chugging along indefinitely.

Are you seeing these White machines in person at secondhand stores and such? If you can check to make sure they have bobbins and that no pieces are missing, I'd say grab one! Maybe keep some reference pics of working ones so you can look and see, or even better see if you can make a stitch with it before buying it, and presumably if it can do that even slowly and gunkily then it'll just need cleaning like this one did.

By all accounts they're REALLY good machines! I'm super excited to try mine out properly, and to post more about all the features. It has a lip around the bottom of the needle bar so that if some oil drips down it won't get on your needle! Genius!! Why doesn't every machine ever have that?! It's also fairly quiet AND you can adjust the bobbin tension right in the middle of a seam without disturbing the sewing or taking the shuttle out. Incredible.

The manual for mine says "The Best in the World" on it, and while that's just a normal Victorian thing to say about a product, I'm not about to argue with them. There are a few little things that I like better on Singers, such as the quality of the hinges that hold the machine to the cabinet, and the way the presser foot attaches, but all in all this White VSII is extremely goddamn good so far and I have no doubt that once I get the bobbin winder cleaned up it'll also work perfectly!

So yeah, GET ONE!

[amerricanartwork]

Look at that! The little creatures are back! And there's two new ones this time!

Hey, what brings you guys around here—

Oh. My. God. This little blue one is so cute!! And those little frill things are so pretty!

What's it carrying, though? Come here so I can get a closer look!

Whoa! Calm down, purple one! I wasn't gonna hurt your little friend here!

See, it's alright!

Though I must say, you two are quite the interesting pair! I'd love to get to know you more! Both of you, feel free to stay as long as you'd like!

-.-.-.-.-.-.-.-.-

At long last, a new update to Rain Wool is here! And to hopefully compensate for the very long time it's been since my last addition to this project, I've decided to showcase TWO new figures this time!

First up is everyone's favorite little wet goober, Rivulet! And I must say, this one's been the hardest so far! Like I mentioned in a previous ask, it was quite hard to find a suitable blue color for Riv, in the sense that it both matched the in-game sprite as closely as possible and looked nice with a pink color that fit for the gills (which was also a bit hard to find). Then, on top of that, actually felting all six gills and attaching them to the cheeks was rather tedious. However, the end result was definitely worth it! Rivulet's gotta be my favorite Rain Wool figure so far; it's just so cute, I wanna hug it every time I see it!!

And next up is the quiet yet deadly messenger, Spearmaster! This one was a bit easier to make than Rivulet, though dark-colored slugcats are always a bit of a challenge for me. Visually, it's the same as Nightcat in the body, with the main difference, of course, being that thick spotted tail. It was a bit of a challenge to gauge just how thick I wanted the tail to be, but once it seemed satisfactory, placing the spots was pretty relaxing, and I like the way they came out in the end!

And, like my last two figures, I made little props for these guys as well! Again, I tried to make things matching their characters and stories. Using the same mini bamboo skewers with some hot glue and white ink, I made three of Spearmaster's special white spears, while some black and blue wool was used to make a little rarefaction cell for Rivulet.

That's about it for now, though. I hope you enjoyed seeing these two new figures! I'm pretty excited myself, not just because they both turned out great, but because I now only have two more slugcats to make!

Stay tuned for more Rain Wool: Downpour! I'll see you next time!

[raven-at-the-writing-desk]

Hello, Raven! I have a question I'd like to ask: if all these dreams are supposed to be where everyone gets their happy ending, why's everyone having dreams about things that they aren't happy with?

It just feels like Malleus is looking at those build-it-yourself toys and he didn't read (or ignored) the instructions. Does that make sense?

[You can read my full thoughts on the book 7 part 12 Cater and Deuce update here! My thoughts on the book 7 part 11 Leona update is here!]

I've been receiving many asks expressing confusion over how the dream worlds in book 7 work, so I figured I'd try to dump all of my thoughts on this topic down in one place. In truth... I DON'T UNDERSTAND HOW IT WORKS MYSELF. Like, I thought I understood how it worked at first??? But then with each new update, it feels like a completely different team of writers worked on it without communication with one another, so every update adds new lore that either contradicts what was said in the previous update or just piles on new details that overcomplicates our understanding of the dreams. I think the first ask is right in saying that this feels like "looking at those build-it-yourself toys and [the writers] didn't read (or ignored) the instructions."

So instead of attempting to explain how the dreams work, I'll lead you through my own train of thought (starting from the beginning of book 7 all the way to part 244, which is about where we are at the time of posting):

So Malleus promises everyone happy dreams (something that Silver later states) and that they will "become the protagonists of [their] own fairy tales" before he sends them off to slumber. That makes sense; he thinks that, by banishing them to a convenient false reality, they can avoid the sadnesses and injustices of real life.

... But Malleus doesn't know his peers and the residents of Sage's Island well enough to tailor happy dreams for each of them. How's it possible that he can manufacture happy dreams for thousands of people, most of whom are complete strangers to him???

... Oh, okay! So the game tells us that Malleus's dream magic is autonomous, meaning it operates on its own (by pulling from each dreamer's wishes and desires) and he's not making the conscious decisions as to what's happening in each dream.

... But wait, then why did Malleus offer Lilia a new dream once he's able to intrude into Lilia's dreamscape? Malleus literally starts listing options as though he can manipulate the dreams, should he wish: "What manner of dream do you want? Perhaps one where Mother and Father are alive? Or one where you live quietly with your son? [...] I shall grant any wish you ask of me."

... And speaking of Lilia's dream, why the hell is it so needlessly complicated???? Malleus promised "happy dreams", didn't he?? But Lilia's happiest moment is when Malleus hatched... yet his dream "begins" SEVERAL HUNDREDS OF YEARS PRIOR instead of beginning right at the moment of hatching. What the heck is the logical explanation for this other than "oh, it HAS to start here so that the player and the other characters can witness and experience this tragic history themselves"???? Is this implying that Malleus hatching wouldn't be the happiest time for Lilia had Lilia not experienced the canon events of literally losing everything else in his life to get to that point???? Would it not just be easier to give him one of the more simplistic dreams Malleus later suggests to Lilia???? Why set the dream so far in the past if it takes place in a period of time Malleus isn't familiar with, and thus cannot imagine, and thus cannot enter and enforce control over???? THAT'S JUST NERFING YOURSELF ON PURPOSE. Wouldn't Malleus want to grant Lilia's dream extra attention because he's so attached to him????

At one point, Idia shows us a video explaining how the dreams operate. He explains that Malleus's magical realm is like a server host and each dream is managed individually by Malleus copies while the OG Malleus serves as the server administrator. The server administrator has the ability to both operate and manage the server, while the copies crack down on ruler violators (attempts to "wake up") in each dream. (A Malleus copy tries to keep both Sebek and Idia under the influence of their dreams.) This logic holds, but it doesn't really explain to us what exactly shapes the dreams. Something else that really bothers me is how we keep wasting so much time in each dream when, in reality, we should be on a considerable time crunch, especially since we DON'T want any of the Malleus clones noticing that we're messing with things. How convenient that not once have we had to content with a clone noticing something is off or coming to hunt us down.

In Floyd's dream, Idia remarks that "Malleus-shi has a shallow understanding of what happiness is", which explains the limited scope of the dreams they come across. This... seems to imply that Malleus (or at least his autonomous magic) can only pull so much from the dreamers and seems to manifest dreams from the most superficial aspects of each dreamer.

But wait, these dreams are supposed to be "happy", right??? More specifically, Malleus promised "No longer shall you shed tears over sorrowful goodbyes. [...] Today, you shall all be reborn. Into a world without sorrow, where you will never lose a single person—not friends, not family." SO WHY IS LEONA'S DREAM DEPRESSING... He literally lost several family members and is clearly pissed off or at odds with himself. You'd think the least the dream could do is... I don't know, try to course correct to satisfy him, similar to how Floyd's dream constantly changed??? Like maybe make the people love him or no real negative repercussions for nature. There is inconsistent logic from dream to dream.

Idia tries to explain the sad state of Leona's dream away by likening the dreams to sandbox games where the dreamer has free reign to play however they like and explore possibilities. He suggests that Leona's dream is "too realistic" because Leona, the dreamer himself, decided to make the settings this way. So... doesn't that imply that the dreamer has more influence over how their dream manifests than Malleus's magic does???? And somehow a dreamer can still make a depressing dream even though Malleus promised the dreams would be happy?????? ISN'T THIS COUNTERPRODUCTIVE???? DOESN'T IT GO AGAINST EVERYTHING ELSE WE KNEW UP UNTIL THIS POINT... Shouldn't the Malleus clone in charge of overseeing Leona's dream be cracking down SUPER hard on his????? HELLO???????

But wait!! It gets even more inconsistent and weird!!! In Deuce's dream, he gets upset with himself for dreaming of a school full of delinquents and where fists solve your problems instead of words. He thought he had put all of this stuff behind him, but he guesses he hasn't changed much at all. So???? Even if the dreamer doesn't consciously desire something, the dream could still pull from outdated or subconscious desires??? Or did it make a convenient reality where Deuce's delinquent side can more easily thrive??? How come Deuce gets this instant gratification scenario but Lilia didn't???? What is the explanation for us getting delinquent Deuce instead of honors student Deuce in a school with far easier curriculum (which would be the more realistic option for his dream) other than "oh, it would just be really cool and funny to see bleached hair Deuce and the school doing gang wars!!"?????

And how about Cater's dream??? He claims he doesn't want to be dorm leader and never did (it’s too many extra responsibilities), so how come that's what his dream showed us???? Is that supposed to imply Cater's lying to us??? But we have no reason to believe he is other than Cater being a character that tries to hide his true self. Cater has no reason to lie to us about this though???? At least none that the dream hints at or tries to indicate. Are we just supposed to assume he doesn’t know what he wants himself because he masks so frequently? But if we believe Cater, then that creates another contradiction: how come the dreams can seemingly also manifest as things the dreamer never actually wanted to begin with???? Is it because the devs thought "oh, it would be really fun to show dorm leader Cater!!!"

*LOUD GROAN OF PAIN* But then Ortho tries to hand-wave this away by claiming that dream outputs can be distorted or change quite a lot??? And this information in of itself is fine and true--dreams are loosely defined things without absolute rules. The problem is that this doesn't hold up when Twst has been trying to do nothing BUT define the dreams and establish rules for how they work. Why are they trying to walk this back now???? You shouldn't have tried to explain it in the first place if you weren't going to commit to the logic you attempted to clarify.

So how much of is the dreamer’s own doing (ie not fully understanding themselves or what they truly want), how much of it is Malleus's will or autonomous magic at work, and how strictly the “this dream must be a happy one” parameter stretches??? NONE OF THIS IS CLEARLY DEFINED. Why is the nature of the dreams so… noncommittal???? Even though they keep trying so hard to explain it???

Result: me, a pile of brain mush on the floor

D-Do you understand where I'm coming from???? OTL It feels like so many of the writing decisions made revolving around the nature of the dreams was not done for any reason other than for convenient fanservice and novelty. Several decisions ring hollow or like they make little to no sense in-universe and were clearly made just to justify showing the audience/player base an interesting "what if" scenario. The efforts made to explain away problems only creates more problems in the long run or pushes the onus to explain the future problems on the fans... and that's not necessarily a sign of good writing.

In some cases, less is more. However, that only works if you've actually dropped enough breadcrumbs or clues for the players to come to their own conclusions without the characters having to explicitly spell out what's happening. It can very rewarding to get payoff for a bunch of small clues and details you noticed along the way. But no one in the fandom can agree exactly on how the dreams work despite multiple attempts to explain them so it feels like the devs didn't leave a good enough trail of breadcrumbs (ie the writing quality is poor). It shouldn’t be the fans’ jobs to fill in for writing so vague you can come up with a million interpretations to justify the dreams being the way they are. “Leona’s dream is sad because he doesn’t believe in himself!”, “Cater’s lying to us about not wanting to be dorm leader!”, etc. Maybe that was the intention (to promote unique ways of thinking)??? But it doesn’t feel intentional due to how numerous the plot holes are. Refer to Occam’s razor: the simplest explanation is probably the correct one, and that simple explanation is the writing is just messy and overly reliant on fans to fill in for what is lacking.

When the foundations of the dreams are shaky in the first place (despite magic having rules and even formulas that govern it), it does NOT work. Unless… is this intentional and there’s going to be a reveal at the end that magically patches up all the dream plot holes??? I really doubt it 🤡 At this point, it’s 2+ years of book 7 and far too many issues have cropped up to be feasibly explained by the end. It doesn’t feel like saving for a big reveal, it feels like they accidentally wrote themselves into a corner and are trying to write themselves out of it.

I actually really like the third Anon’s telling of how the dreams work; according to them, the dreams allow people easy ways to indulge in the worst aspects of themselves (ie they’re the ultimate escapist fantasies) without allowing them a chance to improve/work toward a future of their own design. It’s simple and suits most (if not all) of the dreams and falls in line with Malleus’s own stagnation and refusal to accept change. Had the dreams been explained this way early on, we could have avoided a ton of the issues we are now facing. Unfortunately, the way the dreams have been presented is so confusing that it’s difficult to come to this conclusion on one’s own, even if it was or was not the writers’ intent. Alternatively, you seriously could have just said “it’s a dream, anything could happen” and leave it at that; it would have been a simpler and all-encompassing explanation than what we got 💦

Needless to say, I think you can tell I have a lot of gripes with how book 7 has been going 💀 I’m so sorry if this post didn’t help you at all, I tried my best to summarize the flow of explanations offered by the game… but I just couldn’t piece together something that makes total sense myself 😭

[thegoldencontracts]

ONE OF MY TWST OCS IS A TOTAL TSUNDERE WHAT THE HELL

Make twst tsundere content, I DARE you(I'd say I'd match you with content of my own, however it is drama and science finals week and I'd rather not burn myself out on more than one front bc my english final is next week. So I will not guarantee that lmao BUT STILL THAT SOUNDS AWESOME MAKE THAT CONTENT I WILL EAT IT UP)

- thoughtlessdesires

THANK YOU SOMEONE ELSE WHO UNDERSTANDSSSSS

Hello, you there, yes, YOU 🫵 can help make tsundere twst by uhh... idek man it's tsundere twst,,, it's cuteee i swearrr imagine THIS:

I-It's Not Like I Like You!

Summary: The Housewardens deal with their affection in the oddest of ways.

Notes: This is a taste of what we can make possible GUYS tsundere!twst is cute and it's not ridiculously ooc or smth like that i SWEAR- Also the last sentence in Azul's part is literally ripped straight from the third part of his dorm vignette (the tsundere potential of this man is so understated guys PLEASE let me yap here I have a point-)

Night Raven College; a place of raw meritocracy. Sentiment is rarely found, and affection is often mocked. Logic and strength are meant to take priority, and discord between students is common.

So what happens where these students find someone who treats them with kindness, understanding.

...Completely flounder, of course.

The housewardens, during one of their meetings, even discussed the dearest Ramshackle Prefect, so odd, so understanding. Kalim had brought the topic up, of course.

"...Why's this important?" Leona had said, a bored look on his face.

"I-Indeed," Riddle said. "The Prefect isn't particularly relevant to our current topic of discussion, regardless of accomplishments."

Azul sighed in his typical, overdramatic manner of his.

"How cold!" he said. "Kalim was merely doing his duty to discuss the needs of all students, regardless of how-"

His nose wrinkled.

"Talentless."

"Well, the Prefect's not that bad." A lukewarm praise. Even Kalim wasn't speaking highly of the Prefect? Just what was going on here?

"A total normie," Idia had said.

"It's true, the potato could use some work," Vil said,

Wow. These housewardens sure did hate you, didn't they?

Wrong! At that moment, all of the, were lying! They liked you. And no one in that room had any clue how to deal with it.

Riddle hasn't ever really got to experience relationships due to the stifling pressure of his mother. Thus, he has absolutely no clue how to handle the sudden affection for you he feels. He'd often stop by Ramshackle to help you with your homework. Just because you happened to need it way more than the others, of course. N-No ulterior motives here. What do you mean 'his face is red'? You're just imagining things!

Leona's always been treated like a cold, uncaring individual, and that's what he's used to. That leaves him completely flabbergasted when you suddenly start making him lovesick. He happens to "accidentally" drop money and the like while you were near. Not that he wants to help you, of course! He just doesn't really care about the money that much. Why're you looking at him like that? He's not that kind of sap!

Azul's childhood's left him used to rejection. After so long of being mocked for any desire of love and companionship, he's shunned it. Love's just business to him, an easily exploitable emotion. So he'll never be able to admit it now that he's the exploitable one. He gives you stuff... for free? Since when did he do that? Ask him about it and he insists he's just doing it for business' sake. What kind of business? Is he sure he doesn't just like you? W-What sort of foolish questions are those? Do you honestly think him capable of such an illogical sentiment as "attachment"?

Kalim, of course, isn't immune. Even he doesn't understand this. Someone actively returning his kindness? He's absolutely in love, and he doesn't know how to handle it. Although he won't be quite as abrasive as the others, he'll definitely struggle to admit his feelings. He might actually be less nice to you than to others. Not in a rude way, of course, he's just a bit quiet because he's always so flustered around you! Can you blame him?

Vil, too, despite his normal mentality of being candid and mature, struggles to handle his affection. He'll buy you skincare and the like. B-But, he'd do this for anyone, of course. There's nothing particularly special about the way he feels for you! Once again, though he isn't particularly defensive, he'll definitely struggle to admit his feelings, and it causes him boatloads of internal conflict. Why's he being so immature all of a sudden?

Idia doesn't get you. Why'd some normie suddenly have to start talking to him? J-Jeez, it's not like he enjoys your company or anything! Idia can vaguely recognize the word 'tsundere' in his head as he mulls over his interactions with you, but he denies it. Denying his feelings? U-Uh, what feelings?

"Looks like you have some competition, huh?"

"What competition, Lilia?" Malleus's face twisted in displeasure. "The Child Of Man- they're merely a friend."

Malleus doesn't know how to feel. He's never really had these sorts of close relationships before, so when his heart pounds around you and sparks seem to fly, he has no clue what to do. He's so deep in denial, partially due to his obliviousness when it comes to matters of sentiment and partially due to how he's used to being intimidating, and blushing like a schoolgirl around one's crush is the opposite of intimidating.

[butterfly-ribbon]

thinking about the kamikou festival event again and how it conveys the tone and atmosphere of the school while showing the constant transmisogyny microaggressions mizuki lives with every day so well, and this phone call with an drives me insane bc even though an is genuinely well-meaning and is trying to ensure that mizuki knows that today is a safe day for her to come to school due to the circumstances of the festival, the way she words this is very discomforting bc she's basically saying "nobody is going to notice that you're dressed as a girl today bc everyone is wearing wacky outfits!" which carries the unfortunate implication that the way mizuki presents herself is equally wacky in a way that reinforces everything ppl say about her, but this isn't easy for her to push back against bc she doesn't have a good enough 'excuse' to do so when this is one of the few ppl who go out of their way to accommodate her even if they don't fully get it? it's thoughtful of an to want to reassure her but also it's another little thing that others fail to understand. she's trying to be kind but even then mizuki feels somewhat pushed into a corner. she's very bad at actively saying No. and an has removed her ability to misdirect here bc an is speaking with ambiguity.

mizuki also being too anxious about the idea of changing her clothes in school bc she's terrified of the possibility of being caught and thus having her body perceived by others... that's also another reason she'd hate being at school. gym and changing for it … i'd wager mizuki skips almost every gym class bc she can't stand the idea of being forced to change amidst boys, but she's also not allowed into the girls' locker room… literally only has the option to go to the roof if she wants to change. she's so hyper cognizant of her body and being seen … and the worst part is, she likes to be seen under her own circumstances and control (which is one of the many reasons she's very passionate abt fashion, and a lot of trans ppl in fiction tend to have an attachment to fashion and styling which makes a lot of sense bc of the element of control over one's appearance and making a self one can love). she really does. it just … happens that she knows she has so little control.

i've read the vbs main story (and a bit of their events but i need to continue whoops) and this makes me appreciate mizuki's brief interaction with kohane and an here more, bc it's obvious in this moment that kohane is just being her usual self—anxious around other ppl she's not familiar with and this is something she wants to improve upon (which as far as i can tell is the conceit of her character arc as an underdog of sorts compared to the others in her group). but mizuki assumes that she has to be uncomfortable with her specifically (presumably due to her transness) bc of her experiences, so she immediately feels bad about 'taking up space' and decides to make up an excuse to get away from the situation to give kohane the chance to comfortably hang out with her friend. and the fact that mizuki goes out of her way to say that she's going to find a place to hide alone is interesting bc the way it's framed it doesn't sound like it means much, but it feels deliberate on her part, like she wants an to know... mizuki's internal world and where we see she has internal bias and how she blames herself or assumes she herself is the problem if she can't make others comfortable, and she takes so much upon herself all the time bc she's used to constant microaggressions and either can't say how she truly feels or has to divest what she feels from its context to make it palatable. but of course kohane is not transphobic, she is someone who has trouble socializing with strangers bc of her own anxiety that has nothing to do with mizuki herself, but mizuki doesn't have access to this perspective like the reader so it's easy for her to assume that she's the problem. it's paranoia but it's understandable considering how she's treated by almost everyone...

[ms-demeanor]

Hello! First, I wanted to say thank you for your post about updating software and such. I really appreciated your perspective as someone with ADHD. The way you described your experiences with software frustration was IDENTICAL to my experience, so your post made a lot of sense to me.

Second, (and I hope my question isn't bothering you lol) would you mind explaining why it's important to update/adopt the new software? Like, why isn't there an option that doesn't involve constantly adopting new things? I understand why they'd need to fix stuff like functional bugs/make it compatible with new tech, but is it really necessary to change the user side of things as well?

Sorry if those are stupid questions or they're A Lot for a tumblr rando to ask, I'd just really like to understand because I think it would make it easier to get myself to adopt new stuff if I understand why it's necessary, and the other folks I know that know about computers don't really seem to understand the experience.

Thank you so much again for sharing your wisdom!!

A huge part of it is changing technologies and changing norms; I brought up Windows 8 in that other post and Win8 is a *great* example of user experience changing to match hardware, just in a situation that was an enormous mismatch with the market.

Win8's much-beloathed tiles came about because Microsoft seemed to be anticipating a massive pivot to tablet PCs in nearly all applications. The welcome screen was designed to be friendly to people who were using handheld touchscreens who could tap through various options, and it was meant to require more scrolling and less use of a keyboard.

But most people who the operating system went out to *didn't* have touchscreen tablets or laptops, they had a desktop computer with a mouse and a keyboard.

When that was released, it was Microsoft attempting to keep up with (or anticipate) market trends - they wanted something that was like "the iPad for Microsoft" so Windows 8 was meant to go with Microsoft Surface tablets.

We spent the first month of Win8's launch making it look like Windows 7 for our customers.

You can see the same thing with the centered taskbar on Windows 11; that's very clearly supposed to mimic the dock on apple computers (only you can't pin it anywhere but the bottom of the screen, which sucks).

Some of the visual changes are just trends and various companies trying to keep up with one another.

With software like Adobe I think it's probably based on customer data. The tool layout and the menu dropdowns are likely based on what people are actually looking for, and change based on what other tools people are using. That's likely true for most programs you use - the menu bar at the top of the screen in Word is populated with the options that people use the most; if a function you used to click on all the time is now buried, there's a possibility that people use it less these days for any number of reasons. (I'm currently being driven mildly insane by Teams moving the "attach file" button under a "more" menu instead of as an icon next to the "send message" button, and what this tells me is either that more users are putting emojis in their messages than attachments, or microsoft WANTS people to put more emojis than messages in their attachments).

But focusing on the operating system, since that's the big one:

The thing about OSs is that you interact with them so frequently that any little change seems massive and you get REALLY frustrated when you have to deal with that, but version-to-version most OSs don't change all that much visually and they also don't get released all that frequently. I've been working with windows machines for twelve years and in that time the only OSs that Microsoft has released were 8, 10, and 11. That's only about one OS every four years, which just is not that many. There was a big visual change in the interface between 7 and 8 (and 8 and 8.1, which is more of a 'panicked backing away' than a full release), but otherwise, realistically, Windows 11 still looks a lot like XP.

The second one is a screenshot of my actual computer. The only change I've made to the display is to pin the taskbar to the left side instead of keeping it centered and to fuck around a bit with the colors in the display customization. I haven't added any plugins or tools to get it to look different.

This is actually a pretty good demonstration of things changing based on user behavior too - XP didn't come with a search field in the task bar or the start menu, but later versions of Windows OSs did, because users had gotten used to searching things more in their phones and browsers, so then they learned to search things on their computers.

There are definitely nefarious reasons that software manufacturers change their interfaces. Microsoft has included ads in home versions of their OS and pushed searches through the Microsoft store since Windows 10, as one example. That's shitty and I think it's worthwhile to find the time to shut that down (and to kill various assistants and background tools and stop a lot of stuff that runs at startup).

But if you didn't have any changes, you wouldn't have any changes. I think it's handy to have a search field in the taskbar. I find "settings" (which is newer than control panel) easier to navigate than "control panel." Some of the stuff that got added over time is *good* from a user perspective - you can see that there's a little stopwatch pinned at the bottom of my screen; that's a tool I use daily that wasn't included in previous versions of the OS. I'm glad it got added, even if I'm kind of bummed that my Windows OS doesn't come with Spider Solitaire anymore.

One thing that's helpful to think about when considering software is that nobody *wants* to make clunky, unusable software. People want their software to run well, with few problems, and they want users to like it so that they don't call corporate and kick up a fuss.

When you see these kinds of changes to the user experience, it often reflects something that *you* may not want, but that is desirable to a *LOT* of other people. The primary example I can think of here is trackpad scrolling direction; at some point it became common for trackpads to scroll in the opposite direction that they used to; now the default direction is the one that feels wrong to me, because I grew up scrolling with a mouse, not a screen. People who grew up scrolling on a screen seem to feel that the new direction is a lot more intuitive, so it's the default. Thankfully, that's a setting that's easy to change, so it's a change that I make every time I come across it, but the change was made for a sensible reason, even if that reason was opaque to me at the time I stumbled across it and continues to irritate me to this day.

I don't know. I don't want to defend Windows all that much here because I fucking hate Microsoft and definitely prefer using Linux when I'm not at work or using programs that I don't have on Linux. But the thing is that you'll see changes with Linux releases as well.

I wouldn't mind finding a tool that made my desktop look 100% like Windows 95, that would be fun. But we'd probably all be really frustrated if there hadn't been any interface improvements changes since MS-DOS (and people have DEFINITELY been complaining about UX changes at least since then).

Like, I talk about this in terms of backward compatibility sometimes. A lot of people are frustrated that their old computers can't run new software well, and that new computers use so many resources. But the flipside of that is that pretty much nobody wants mobile internet to work the way that it did in 2004 or computers to act the way they did in 1984.

Like. People don't think about it much these days but the "windows" of the Windows Operating system represented a massive change to how people interacted with their computers that plenty of people hated and found unintuitive.

(also take some time to think about the little changes that have happened that you've appreciated or maybe didn't even notice. I used to hate the squiggly line under misspelled words but now I see the utility. Predictive text seems like new technology to me but it's really handy for a lot of people. Right clicking is a UX innovation. Sometimes you have to take the centered task bar in exchange for the built-in timer deck; sometimes you have to lose color-coded files in exchange for a right click.)

[dragon-watcher03]

I like when ppl write their own version of mk intros, so I shall request those. I don't have any specific idea for reader's backstory so I'd love to see what you come up with o/

Thx for the motivation, you gave me a brilliant idea-

Mk1 x Gn! Doom God! Reader

Note: Reader uses mini scythes connected via chains as a Krucible and has armour more like those from Halo. Implied Doom Slayer x reader.

Ft. Liu Kang, Johnny Cage, Raiden, Kitana, Shang Tsung

Liu Kang: You are a God in your realm?

You: I'd rather go with Slayer, but yes.

Liu Kang: The fact that your realm's Seraphims see you as nothing but a weapon... doesn't sit right with me.

You: Why? It is my sole purpose.

Liu Kang: Slaying demons for many decades must have been challenging.

You: Less challenging, more soul-draining.

You: I do not intend to stay here long, Lord Liu Kang.

Liu Kang: At least grant me one last spar?

You: There is another like me, but he is a lot less talkative.

Liu Kang: I have no doubt that he is as honorable as you.

You: The humans in this world are very different than the ones back at home...

Liu Kang: How so?

Johnny Cage: So, what exactly are you the God of?

You: I am no God, but people have no better words to describe me.

Johnny Cage: C'mon, you and your buddy would totally fit in a first-person shooter!

You: I have better demons to fight than Paparazzi, Cage.

Johnny Cage: So, this buddy of yours, he anything other than just your partner in crime?

You: Even if we were, I wouldn't tell you.

You: I have no time for trivial things like "love".

Johnny Cage: Sheesh, talk about workaholic.

You: I know what you're going to ask, and no, you can't hold my Krucible.

Johnny Cage: Y'know if you weren't such a buzzkill, I'd totally tap that.

You: Do you get anything out of flirting with me?

Johnny Cage: The possibility of courting a Goddess/God.

Raiden: Your people see you as a God?

You: Yeah, they even made a whole religion based on us.

Raiden: This other "Doom God" you speak of, he sounds like a ruthless man.

You: Oh trust me, he is.

Raiden: Is it foolish of me to request a spar with a demon-killing God?

You: Don't worry, I'll be gentle.

You: That amulet you have is fascinating...

Raiden: As is that weapon of yours.

You: Ashrah is a Demon? She looks so human compared to the ones back at home.

Raiden: Whatever monsters you deal with at home, I can assure you she is nothing like them.

You: Are you sure you want to meet him?

Raiden: When you speak so highly of him, how can I not?

Kitana: The war you fight sounds worse than Outworlds.

You: I pray this universe will never experience such a war...

Kitana: I feel like you and my sister would get along well.

You: I take from the way you say that, that it's a compliment.

Kitana: The humans of your world call you "Ruin God"?

You: They are so creative, aren't they?

You: I must say, you were right about getting along with Mileena.

Kitana: The blood coating your armour seems to prove so.

You: I have been alive for so long with the mind of a human, that I started to forget who my parents were...

Kitana: I'm... sorry to hear that, Ruin.

You: I hoped to not get attached to any of you to make my departure easier.

Kitana: laughs Guess that didn't work out so well, did it?

Shang Tsung: Well, aren't you a fine specimen.

You: Back off you cretin, or you'll see why we are called Gods.

Shang Tsung: I could set you and your partner free from the shackles of being weapons for your world.

You: And be yours instead? I'd rather serve the Seraphims.

Shang Tsung: We could have been such a powerful couple, you and I.

You: I already have a stronger and better suitor, sorcerer.

You: You are worse than the demons back at home...

Shang Tsung: Oh~ feeling feisty now are we?

You: You are playing with forces beyond your power, sorcerer.

Shang Tsung: Then let's play~

You: You look horrible. Did you finally meet him?

Shang Tsung: Tch, how you two have such power for mere humans is beyond my comprehension.

[cy-cyborg]

Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

[mysewingadventures]

Making the ✨Lioncourt Gown✨ (Part 4/4)

It's been such a fun project working on the Lioncourt Gown (aka Interview with the Vampire's Lestat de Lioncourt's theater costume -

made into a 1790s women's redingote) and I can finally say that I have finished it. It's done, and I love it. It didn't turn out exactly how I'd planned, but that's how it is with me and sewing. I admire anyone who can just stick to their original plan haha but that person is not me. Usually, when sewing I don't think too far ahead, I just do it until I hit a point where something just isn't working out and have to find a way around it. I'm also self-taught, so my workarounds may not be standard procedures when you actually know what you're doing. But I'm still really, really happy with it, and I did a little photo shoot as soon as it was done.

But anyways, here's the final part of this project.

In my last post, we left off with the still detached but finished collar/yoke and the finished bodice. I attached the yoke to the bodice, and then went on to make the final piece - the outer skirt.

For that, I essentially did the same thing I did with the bodice and the sleeves. I attached the colored satin triangles and stitched them down with the tape. Here is a picture just before I attached the tape:

This process is very time consuming and I had severely underestimated it. I did end up finishing it in a day, but it was the only thing I did that day. You have to stitch super close to the edge or the satin is going to fray and stick out and it's not a pretty look. It did end up happening in a few places, so I had to take the stitches out and redo them. But when that was done, I added red tape to the raw edges of the fabric and finished the skirt.

Then finally, it was time to attach the skirt to the bodice. For that, I gathered it with a quick basting stitch to bring it to the needed width and then had to hand stitch it in place, making sure I was attaching it only to the lining layer so the stitches wouldn't be visible from the right side.

Once that was done, it was time for the first complete try on! For one, I was really excited to see it as a basically completed project, but more importantly, I needed to know where to put the buttons. So I put on all my layers for this (shift, stays, bumroll, two petticoats, the skirt, and the bodice with the outer skirt), and realized... it was a bit smaller than anticipated. It fit, but I'd planned to make it double-breasted and the front panels didn't overlap quite enough to make two button rows possible while keeping them centered. So I ended up deciding in that moment I was only going to do one row of buttons. The original only has one row, so it was fine either way. But while on the topic of buttons, another thing: I'd mentioned in a previous post that I wasn't sure whether to add buttonholes or to fake the closure with hooks and eyes, and I decided to do neither. I was way too scared of the satin fraying if I did button holes and the whole hook and eye system is pretty annoying to do, and since I'm only really gonna wear it once or twice a year I decided to just use some red pins to pin myself into the dress for the day. This protects the satin from fraying and is less work for me. It doesn't look super professional though and while historically accurate for some dresses in the 18th century (some even used to sew themselves, or have someone sew them into their dresses), it was not used on redingotes (as far as I'm aware) for practicality reasons. Redingotes are essentially riding coats and were used primarily outdoors, so buttons was the most common way to close up these types of garments. Still, I did not want to risk ruining the fabric, so I decided to do it this way.

So once I'd figured out where to place the buttons, I sewed them into place. On a side note, I do love the way they look. They're so pretty.

I added four in the front, two on each sleeve and four in the back.

So this is it. It's done.

This was, mostly due to the color details, the most time time-consuming and frankly expensive project I've ever worked on (well, maybe except for my very first dress as I still didn't know what I was doing back then - that one took me literal months hah). But it was so worth it. It's been in my bedroom for a few days now and I smile every time I see it. I still can't believe it's in my possession.

Part 1 | Part 2 | Part 3 |

[noihavenosanitythanksforasking]

so this is based on my ramble in the byler discord but im gonna try and compress it into something readable n shit

So in the recent panel with my king Finn Wolfhard, my boy dropped a hint. A very important hint.

"The differences? Mike's a lot more brave than me. I don't think I'd be out there in a different dimension trying to save my friend and be in gunfights and stuff like that. Yeah he's way more brave than I could ever be."

A different dimension??

So Mike is going to the UD in S5. Im very unsurprised and im sure you are as well but lets fuckin talk about it bc holy fuck.

So I know this is the byler community but listen to me when i say, hold my hand and look me in the eyes when i say, I highly doubt that this friend Finn is talking about is Will. ESPECIALLY if byler is canon. Finn is very media trained and you can read legit anything he has ever said about the show and know how good he is about keeping secrets. If this friend was will we wouldn't have mentioned it. It's too close to the danger zone. He would have said something like 'i dont think i'd be out there fighting monsters and risking my life' or something like that. Which is much more vague and can apply to all seasons.

My theory is that this friend is max. CALL ME CRAZY. it could be anyone and I dont have exact reasoning on why its Max other than the fact that shes the only friend actively in danger rn and i adore madwheeler friendship with my heart and soul. But imo its def not Will and its not El.

Now if you go through the main characters there are only (if my memory is correct) 3 characters who havent been to the UD yet.

Lucas, Jonathan and Mike.

Other Characters:

El- Season 1 during the school battle (possibly sooner in the lab idk)

Will- all of s1 duh

dustin- season 4 with eddie

max - season 4 when she was vecna'd

nancy- season 1 in the forest or in s4 with robin and steve to kill vecna

steve- watergate and with nancy and robin

robin - season 4 with nancy and steve

hopper- im p sure hes been more than once but season 1 to find will

joyce- same thing i think shes been more than once but to find will in s1

So Lucas, Jonathan and Mike.

What do these 3 characters all have in common.

They are all a part of one of the main relationships that had issues in season 4. And what are these problems? Lets assess.

Jonathan is stressed because he doesnt want to go to the same school as nancy. He wants to tell her but he knows that she'll give up what she wants to be with him. He doesnt want to hold her back. Nancy feels shut out and afraid that Jonathan doesnt love her anymore. She wants to be together but she doesnt want to put Jonathan in a situation where he has to choose something over something else. They are having issues communicating.

Lucas is stressed about max because he wants to be there for her. Max is shutting him out due to the fact that she feels unworthy of his love or because she is scared of getting hurt and attached to someone. Lucas is hurt because he feels max doesn't trust him. They are having issues communicating.

Mike is stressed about about two people. El and Will. And for this brief moment we're going to look at this in a non byler pov. Mike is stressed about El because he doesn't know what she wants. He wants them to be happy but they aren't and he's not sure how to fix that. He also doesnt ask. Communication issue. Mike is stressed about Will because they aren't talking the way they used too. They dont tell each other anything anymore. They've drifted and Mike doesn't know what's going on anymore. Communication issue.

Interesting.

Thoughout the series the UD has been used as a symbol of all the hard things. Depending on what theories you believe (*cough* lonnie *cough*) this can have more or less meaning but lets assess how going to the UD has affected two of these relationships so far.

Jancy-

Jancy in season one was very tense. they were not friends for a good part of the season. They had constant issues with each other and fought a lot. Then barb goes missing. Will goes missing. They go to the forest in an attempt to figure it out. And Nancy ends up in the UD. Her going into the UD and making it out alive is the catalyst for her and Jonathan to get past their differences, to see each other for who they are and to put their pride aside enough to work together and appreciate the other as a fellow person.

Lumax-

Lumax had a lot of issues with communication and not being able to understand each other in the beginning of s4. They couldn't see eye to eye no matter what lucas did and max was very shut out. Then Max get's vecna'd and comes back. And then lumax finds the strength to communicate for the first time in the season, to see where the other is coming from and allow the other to be there for them.

So what does this mean for Mike. Well, both nancy and max had something that they we're struggling to overcome. A fear that they couldn't escape. Nancy's was barb and Max's was billy. Jonathan and lucas both have something they are afraid to express. Jonathan's is that he wants something diff than nancy and Lucas is that he wants to be there for her but doesnt want to intrude. All of these characters were pushed to solving these issues because of the Upside down (well jancy's recent issue hasn't been solved yet but ykwim).

Mike is going to go to the UD. Which is going to push him into a state of giving in on holding back his feelings. He's going to have to overcome something

El wants to be together, to be happy.

Will is afraid of his feelings, afraid of letting himself want what he wants and being hurt. He feels unworthy of love.

And Mike doesnt want what El wants. Mike loves Will but he is afraid of intruding.

So anyways thats why mike going to the UD means internalized homophobia thanks for coming to my ted talk i'd love to hear yalls ideas :D

[hello-vampire-kitty]

Servamp chapter 136 translation "The gentle flutter of a butterfly's wings"

Read the chapter on Mangadex!

Keep reading for translation notes.

Oh boy, this chapter had some difficult lines that took me a while to translate and hopefully I managed to convey them ;;

Alright, to start off, I want to point out that in the top left panel, Hokaze is holding the novel Jane Eyre by Charlotte Brontë, so if you know the plot of the story, you can make connections with her. Also, regarding her name...It's sounds weird for her because she's a woman. I looked up Hokaze (歩風) on Japanese names sites and it was listed for boys, while the readings Ayuka or Honoka were listed for girls.

Well, if Tanaka-sensei hasn't mentioned so far that it wasn't a mistake, then her name is Hokaze.

In Japanese, 情欲 and 色欲 mean lust the latter is the one used regarding Lily, however they have different nuances. Basically, the former implies a desire for emotional attachment as opposed to 色欲 that is focused on the physical aspects of attraction, without necessarily implying emotional attachment.

As you can see in the translation, the intended reading is 私 (I, myself) while the other reading is 色欲 (lust).

愛のない情欲のことだけを私 (色欲) の名前で呼ぶのでしょうから。

I had the most trouble with this page, like OMG...

Lily had some difficult lines and it's possible that I haven't conveyed them to well, thus I will give insight on how I understood them. Here's the original line 人は���しい時間のままに死にゆく。 それだけがいい。

I don't like to assume things. I try my best to convey what characters say and of course I rely on the grammar that is used so that's why it was difficult to interpret the above line which I ultimately translated as "People dying while they are still beautiful...That alone is a good thing"

A direct translation would be "People will die in a beautiful time" which sounded weird...Like I said, maybe my interpretation isn't good and I wanted to add "should" because Lily's is giving his opinions and I thought it will work but I if it's not suggested by the grammar, I couldn't do that. If you look at the first line on this page where "should" is there because that's how a grammar part translates.

So yeah, it was tough working on this line seeing how it can be interpreted...

Sloth uses words that have alternative meanings. When he says "This makes us even", the other reading is fire. "We should have a discussion after all". The other reading is "fighting" and Sloth also said this in chapter 133.

There is one word with another reading in Tsubaki's first line which I found that it has the meaning of "older sibling" although it's usually translated as head or neck 首 (kubi) My assumption is that Tsubaki used 首 with the connotation of "older sibling" because it reflects how he was born in the Edo period (revealed in later chapters), so he's using an archaic term. The intended reading is もの which means "object" and one theory I have about the other reading is related to the camellia flowers that are said to be associated with a head that is cut off because when they wither, the flowers fall at once.

The last note is about Tsubaki's skill which is difficult to interpret its meaning ;;

I translated it as "Crossing".

The Japanese word 渡 comes from the verb 渡す that has the general meaning of "to hand over/deliver but there is also the meaning of "to transport", "to carry across". While it can be translated in several ways, I like the translation I made and I found that the verb is used "to say a requiem" 引導を渡す I'd say it connects with his ability "Shura Funeral". This term originally refers to a ritual or ceremony in Buddhism called "引導供養" (indou kuyou), where a deceased person's spirit is guided to the afterlife. So yeah, let me know what you think. I'd like to hear your opinions and I hope these notes are helpful!

[suzukiblu]

WIP guessing game: help

"I know about Billy, Marvel," Batman says, and Billy . . . blinks.

"You know?!" he sputters. Okay, so apparently his secret identity was just . . . literally never a secret at all, then. Which, well–Batman, so that just figures, really. So actually this is kind of a relief and might even mean that he's fine with–

"Yes," Batman confirms with a nod. "So I understand your current reservations about parenthood."

. . . wait what.

"Huh?" Billy says, blinking stupidly at him.

"I don't know how much of you is still C.C. Batson or what you do or don't remember about being him," Batman says. "But the resemblance is undeniable, if nothing else. Certainly your and your wife's deaths were . . . well, suspicious. And you're hardly the first archeologists to dig up a god or six."

Oh, okay. Well.

This is apparently what Billy gets for his personal mental image of a "hero" being his dad, then, isn't it.

Crap.

"To be honest I've been looking for Billy for a while now, I just didn't want to bring it up before I found him," Batman admits, looking dissatisfied with himself. "My most recent reliable intel puts him in Fawcett City, but I assume you're aware of that, given your evident attachment to the place."

"You're looking for Billy?" Billy asks incredulously. "Why?"

"Because he's your son," Batman says. "And because he's a homeless child who's been abused and neglected and needs help. I honestly don't know where you go when you're not being Captain Marvel–frankly I'm not sure if you even exist when you're not being Captain Marvel, given what little I actually know about your powers and your death and your role as the Champion of Magic and just how damn impossible you are to find when you're off-duty–but I'm assuming that wherever it happens to be is not necessarily conducive to providing a stable home environment and being legally dead certainly can't be helping with that, so my original intention was to find the boy and help you arrange some manner of care for and visitation with him. And given the revelation of your relation to Robin, well . . . I'd like to take Billy in myself, if you'd both be comfortable with that. It seems . . . appropriate, under the circumstances."

"You want to foster Billy because I'm Robin's soulmate?" Billy says, absolutely positive that he's misunderstood literally every single word that just came out of Batman's mouth. There is no possible way that he did not.

"It's not exactly out of my wheelhouse," Batman replies wryly. "Although I'll be keeping this one out of the tights, ideally. Though I make no long-term promises about that because quite frankly at this point I'm spoiled for soulmates who insist on wearing capes and I wouldn't really be surprised to turn up another one, especially given that Robin is yours and your own involvement in the superhero community."

Billy stares at him.

"Wait, are all the Gotham vigilantes your soulkids?" he blurts unthinkingly.

"Not all," Batman says. "But, well . . . probably more of them than you'd expect."

"Oh my god," Billy says in disbelief. "And you're just telling me that?! You don't tell people things, you're Batman!"

"I haven't always been the father I should have been," Batman says, and then he pulls down his cowl. Billy chokes, and then chokes again because apparently Batman is Bruce freaking Wayne and his brain just . . . just needs a moment to process that fact, like there is literally any way whatsoever that he could ever actually process that fact. He would've been less surprised to see a Kardashian under that mask, he's pretty sure. At least they've got athletes in the family, technically! "So I'm not going to make things difficult for you with Robin. Clearly he needs more than I'm capable of providing, and I'm perfectly willing to be transparent and to co-parent with you as much as possible. I want Robin to be safe and content and grow up well, and frankly put, Batson, you've proven yourself to be a good man time and again and I trust you to do what's best by our son."

Okay, well, now Billy just feels like dirt.

"You do know what happened to Billy, don't you?" he asks just a little bit desperately, because there is literally no way that this conversation is a real and actual thing that's really and actually happening. "Like, just–everything that happened there? There's a reason he's not in school or the system or with a relative or anything like that."

"What happened to Billy wasn't your fault," Batman tells him, meeting his eyes all quiet and intent and sincere. "And I will do everything in my power to help you make it right."

"Oh no, you're actually like . . . just genuinely a really good person, aren't you," Billy says despairingly, staring at him all over again and really, really wishing he could swear right now.

Maybe he'll just go throw himself into the sun. Maybe that's what he'll just go and do.

The corner of Batman's mouth quirks up wryly. His eyes even crinkle a little, which Billy can see on account of his total lack of cowl right now, oh god.

Billy despairs.

"I mean it," Batman says gently. "It wasn't your fault, and it doesn't mean you can't be a good father now."

"I need to talk to Robin," Billy says, because he definitely, definitely needs to talk to Robin. Batman inclines his head in an accepting nod, because Batman is probably under the impression that Billy wants to go give Robin a good ol' traditional "I know I'm not your biodad but I'm here for you, champ!" kind of speech, and Billy just . . . really cannot explain the real situation to him right now. Or ever.

Can he just lie to Batman for the rest of their lives, maybe? He can just pretend to be his own dad for the Justice League and keep dodging whatever Bat-surveillance happens to be in Fawcett and parent his older-than-he-is soulmate, right? That's a thing that he can do?

That's probably not a thing that he can do.

Although he might be willing to try, at this point.