#so idk why he would think i said that

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[spaceistheplaceart]

had more thoughts about genderqueer layton after my last post. thought about how it would be for her/him in the 60s/70s... then this comic spawned

[boycaca]

I think the reason people believe chuuya would be the more open and affectionate in soukoku (as like. A romantic relationship) is because they believe him to be the mentally stable one and i think the reason people seem to believe he’s one of the few “mentally stable” characters in bsd is because he does not let himself be seen as vulnerable, and the few times we do see him go through something genuinely horrible and having a moment of vulnerability he does not really have the time to truly process it and ends up “moving on” pretty quickly (for example when he was at the flags’ funeral and adam interrupted him, or how when the sheep betrayed him dazai was immediately at his side trying to convince him to join the pm). And even if he does process it and thinks “man that was pretty fucked up wasnt it” it is never shown on screen so i feel like a lot of viewers end up seeing it as him not being bothered by these events and just a pretty chill dude that doesnt wallow in grief or self pity. But i think him never wallowing in grief or self pity is kind of a problem because in the end all he is doing is suppressing all that trauma and not really trying to acknowledge it, but at the same time when he does he ends up pinning the blame on himself (how the sheeps betrayal was his fault, the flags dying because of him). I feel like this impacts how affectionate he is too because he has built up so many walls that at the point when the flags make a party to celebrate the one year anniversary of him joining the pm he gets suspicious, then surprised and then flustered and tries acting like he doesnt care about it. All this is to say that i think him believing he cant show weakness and has to maintain the facade of being “the strongest” makes him seem like some regular degular guy (if he’s not fighting dragons) ends up him getting viewed as some mentally stable, communicative guy with maaaybe just a bit of anger issues when in reality he got so embarrassed by dazai’s corny speech in mersault that he shot him in the head with a gun

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[puppppppppy]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[moeblob]

"Yeah, it was over here. Follow me."

(based on work yesterday)

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[ldpdluvr]

louis loves lestat, a part of the tragedy was/is that he loved/loves lestat so much and can't STOP loving him, that's why he couldn't fully kill him, why he lets him come back home after the drop, why dreamstat is even a thing during paris and stayed with him for 77 years, even when he tried to let him go he couldn't move on or forget about him because he LOVES him

[book-lover85]

Stay at home dad and artist on commission Keefe

[starrysharks]

i am the cattt just chillin outt but in the night she's all i think aboutttt

[mockiery]

Once Upon A Time 3x05 "Good Form" my beloved, I know the text and shots and scene transitions directly parallel Hook saving David's life to Killian's loss of his brother, and Killian's pained expressions of seeing David succumb more and more to the same poison Liam did. Killian's insistence David tell his family, give them the chance to say goodbye that Killian didnt have with his brother. Of Killian himself sayinf David reminded him of Liam, his canonical hero. I know the ep's dialogue speaks of Killian's want to be seen as a man of honor, to be that man of honor.

And I know Killian would absolutely have been a deflective ass with the "I didn't do it for you" to David about saving his life, bantering teasingly that he did it for Emma like David has accused all of his actions to get to and be at Neverland as - just a selfish attempt to have Emma.

And I know Killian's half-joking flirtation with Emma later with "Is that all your father's life is worth to you?" is in character bc for his entire presence on the show previously he has used compliments of himself and flirtatious remarks as deflection, jokes, and to be actively antagonistic/inflammatory/annoying/playful.

I know all of this. I know this is all perfectly in character and the nonspoken motives informed by the flashbacks to his past and his performance are deeply in character. But christ alive I wish that a tiny little line would've been added in somewhere that made it clear that his motivations in this ep and the Neverland arc as a whole weren't just about Emma bc it feels like the writers partially forgot this in 3a, despite the strength of this episode and all its parallels. They say characters' feelings out loud or allude to them more directly in dialogue all the time like pleeeeeeease, you could've made it a lil more obvious it's not solely bc of Emma like. i just wish it wasn't easily misread if u didn't read into it deeper with Killian's characterization, beyond his contradicting words

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.