#so i had to dedicate
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inkskinned · 1 year ago
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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hedgehog-moss · 3 months ago
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Welcome to the great donkey contest of 2024
I must confess that I, once again, forgot the date of the yearly donkey contest, so I had to leave early (I had a restaurant reservation in another town) and have no idea what was the jury's verdict on each of these donkeys. Therefore, you are the jury. It will be heartbreaking, but I will ask you to vote at the end of the post, setting aside the known fact that all donkeys are the best donkey.
There were Poitou donkeys, Berry donkeys, Bourbonnais donkeys, Provence donkeys, Andalusian donkeys, and common donkeys who seemed to have no distinguishing features other than being acceptably donkey-shaped. I can't possibly post all my photos, so I have chosen 4 noteworthy contestants (or 3 and half, one is very small) for you to vote on. I'll add that I only stayed long enough to watch 2 donkeys demonstrate their skills, so in a spirit of fairness I will not mention anyone's job. You won't be voting based on how good they are doing their specific donkey job but on how good they are at being a donkey.
Donkey #1 — CHEWBACCA.
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Chewbacca is big, and he has ears. These are his most salient characteristics. Each one of his ears looks like a separate fluffy ferret-sized mammal attached to his head, gently twitching or napping. Chewbacca's hooves are the diameter of a medium pizza and he looks very formidable but he is extremely kind. I know the most pressing question is "Can I scritch Chewbacca's ears?" and the answer is yes, but then he will immediately appoint you ear-scritcher in chief and will look very sad when you walk away to meet other donkeys.
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Chewbacca's ears on their own could be enough to let him win Hairiest Donkey in any contest—but he is mixed breed, and there were purebred baudets du Poitou in attendance. Their entire identity is "the hairy one", and giving the Hairiest trophy to another donkey would result in massive spread of existentialism among Poitou donkeys.
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(He is not a contestant, as I didn't have time to get a good aperçu of his personality.)
(Same for this shiny black donkey, pictured here canoodling with a Poitou lady—unfortunately I don't have photos of him in motion, but believe me when I say he was the glossiest donkey I've ever seen. When walking or trotting he shone in the sun like a freshly-polished dress shoe.)
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Back to our contest.
Donkey #2 — UGOLIN.
Ugolin (who seems to go by "Glin") is a shaggy, gangly teenage boy whose main characteristic is being utterly love-starved. Left unattended, Ugolin would wander about the donkey contest, stopping in front of every child or adult he encountered, hoping someone would love him.
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I was initially the only human Ugolin did not want cuddles from, because he was scared of Pandolf and seemed to think of me as his minion. Then I tied Pandolf to a tree and crouched down a few metres away from Glin, unsure if I had a chance now—and after hesitating for about 2 seconds he came over to kiss my forehead. My friend was so touched by this moment that she (somehow) got her phone to turn her photo into an impressionist painting.
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"Can I scritch Glin's ears?" Yes. He is desperate for someone to pet his ears.
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Donkey #3
—no, sorry, it's Ugolin again. It's very hard to get rid of him.
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Donkey #3 — THE BABY.
The baby has no name. The baby has no skills. The baby is not good at anything other than being tiny enough to walk under her mum's belly. In the absence of any other qualifications she was happy to show off what is possibly the most low-effort limbo dance in the world.
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"Can I scritch the baby's ears?" No. Big point against her, here. She will, however, come over if you say "awww le petit ânon <3" and let you pet her tiny nose. (More nose photos in this post if you missed it)
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Donkey #ah no wait here's Ugolin again
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He actually overcame his intense fear of Pandolf to come trap us in his forcefield of infinite neediness! I'm proud of him.
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Donkey #4 — MYRTILLE.
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Myrtille is in her mid-thirties, and did not come to the donkey fair to demonstrate any particular skills or be admired by us, but because she likes to meet new donkeys. She was not tethered to the rope and yet did not wander around to mingle with humans like other untied donkeys did; she shuffled from one end of the rope to the other like a friendly pensioner at a continental breakfast buffet, making small talk with everyone. It was hard to approach Myrtille (as a human) without feeling like a third wheel.
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I don't mean to gossip, but she spent quite a while flirting with the glossy black donkey.
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I love her. She's my favourite. I was not able to pet her or take a good close-up photo of her but that's okay. Myrtille is like a tempting rollercoaster at an amusement park that you are barred from by the sign that says "You must have ears THIS long to go any farther." I wish her only good things.
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poorly-drawn-mdzs · 5 months ago
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Sublime Equine.
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emziess · 2 months ago
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Fire Marshall Buck 9-1-1 - S03E04 - Triggers
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lucascsinclairs · 2 months ago
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Every Lumax Scene in Stranger Things: s4e5 - The Nina Project
“Will it still work, or will Kate Bush like, lose her magic power or something?" "Kate Bush? Never."
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heybaetae · 2 months ago
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maknae line + gestures of love 🫰🏼💋🫶🏼🌹🤟🏼 happy birthday @jkvjimin! ♡
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yes-asil · 1 year ago
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Martin stimming will never not make me smile
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savagegood · 1 year ago
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welcome to the nhl bottom training camp. i mean biosteel training camp. i mean. i. i mean.
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strawberri-draws · 3 months ago
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Silly entry for day 3 of potsnpicksweek (Dinner/Modern AU/Gift)!
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swangrave · 2 months ago
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the scarmobile... but with no scar ?
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chiliyue-archived · 1 year ago
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cause i love to love, to love, to love you
↬ in which you have him all lovesick and smiles
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includes; dazai, chūya, atsushi, fyodor
notes; i am gonna pretend i didn’t disappear for 2-3 months. this has been in my drafts for so long :( i tried to clean it up as much as i could but it’s really old jfjdks
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DAZAI
dazai appears happy. present tense.
his typical inquiries for double suicides came to lessen to conscious degree, substituting in drinking sake together when the sun cowers, nothing but a string of nonsensical chatter proceeding each sip.
he was sticky like that: unannounced visits, impromptu phone calls, sudden changes in his schedule to accommodate yours. in any case, he isn’t one to shy from stooping as low as whining if it rewards him with your familiar face.
( his windpipes splinter before he could mutter it out loud, but the solitude that’s wedged deep in his bones for so long felt lighter when you were near. he questions how long such benevolence would last before becoming sullied by his hand… ).
…and yet all things considered, it hasn’t deterred him from courting you nonetheless. at times he can’t help but think he’s taken a bite of his own medicine when he’s the one skipping around like a helpless maiden.
and yet again in spite of it all, his brazenness remains perpetually untouched as ever. he entertains different approaches if only to coax out a new reaction from you and he’s not bashful in the slightest. so much so, he remains unruffled even under the scrutiny of your coworkers.
. . .
“ this is highly unprofessional.”
“ don’t be so mean, bella. don’t you know how much i missed you?”
your eyes flit down to the man currently using your lap as a headrest, the rest of his body stretching over the expanse of the couch. he was shameless, that much was certain, but his ability to remain unperturbed whilst in his lovey dovey state was impressive. you cocked a brow, sighing.
“ osamu.” his lips visually twitched at the call of his name; it’s a word warm on your tongue but leaves the hairs on his nape at your mercy anyway. " you saw me fifteen minutes ago—”
“ twenty.” he corrected, cheeky (and quite frankly, you wouldn’t be surprised if he pulled that number out his ass). “ but it was the longest twenty minutes of my life.”
he was unrepentant as ever, experimentally positioning his head to rest on the plush on your thighs. by muscle memory, he began to absently draw shapes wherever he could reach, a crude rendition of stars decorating over the bend of your knee.
he smiles innocently when you squint at him, the gleam in his eyes unwavering. “ only a couple more minutes and i would have been yours,” you mutter out, your voice not as sturdy as you hoped. “ at home.”
dazai almost turns pouty at that. almost. “ but my love, i’ve missed you like crazy. twenty minutes is too long, how can i possibly manage?” the words come out through a breathy exhale and you watch as his lashes kiss his cheeks when he flutters them closed. “ all i could think about is you. and now i have you right here.” he hopes his words carry as much truth as the way his heart does, scurrying away the cold that's mocked him for so long. “ can’t we just stay like this a little longer? pretty please?”
resigned to your fate, you could only clamor your palms over your features— if only to salvage your waning dignity from your coworkers.
unfortunate though… that in doing so you miss the blissful smile curling on his lips as he peeks at you from below. and atsushi notes(after throughly grimacing, not expecting him to be so blunt), it reaches his eyes too.
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CHŪYA
" chūya-"
" you can't flirt with me. i have a partner."
terse, stubborn and slurred. if the groggy voice wasn’t enough to confirm your suspicions, the shit-face look belonging to your boyfriend did. he was drunk. wasted if you were to speak bluntly.
in truth, it really doesn’t come off as much of a surprise; his ability to hold his liquor was nothing to brag of (despite what he may profusely argue) and you’re half-convinced he’s already forgotten his own name.
still, you don’t loosen your grip on his sleeve even under the figurative holes he’s burned with his stare. “ chūya. i am your partner.”
“you—! wha-!” his voice erupts into a sudden warble, eyes akin to saucers. " you… you are??"
he takes what’s left of his thinning rationality to study you proper; the style of your hair, your clothing, the smell of perfume/cologne, the familiar quirk of your lips—
oh, he thinks as you push back the loose bangs veiling his face. he doesn’t make any attempts to move, feet stalled and eyes blinking, evidently stunned.
you decide to press on. “ do i look familiar now…?” the lilit of your voice grazes against his ear, plucking out a faint memory tucked somewhere in the crevice of his fuzzy head.
oh. he thinks twice, the stern look bruising his face thawing.
without realizing it, he squares his shoulders in any attempt to remedy his current disheveled appearance, slumped posture pulled taut in— what he hopes— was a more put together frame. conversely, he wobbles on his feet when you continue to eat away at the distance, the ghost of your touch pushing pinpricks into his skin.
“ you’re- you’re really all mine…?” he cringes as soon as it leaves his mouth, coming off eager and hopeful. something like a laugh escapes you and he can’t tell if that’s what made his stomach turn or the alcohol. perhaps both.
“ that’s what i’ve been trying to tell you. you’re so stubborn when you’re drunk.” you punctuate the words with a kiss to his cheek, now warm with revelation. chūya, exhausting the last bits of his energy, shrinks beneath it, a gloved hand clutching his reddened face defensively.
“ why haven’t i made you my spouse yet?” he remarks it so suddenly, you nearly choke on air. he can’t even comprehend what you say thereafter or register the look beginning to contort your features, nothing but liquid courage keeping him afloat.
but- well, if there’s anything the haze trotting his head and his thinning cognition could agree on, it’s that your ring finger appears a little too barren for his liking.
( but not for much longer, he hopes )
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ATSUSHI
the sudden change in atsushi’s behavior was a notable observation within the ADA, many of whom watched as the weretiger became stupefied by a face belonging to you. it wasn’t long before concluding it was all the result of a crush; the culprit of which being atsushi himself who played his hand poorly at discretion.
the lovesick chatter would leave his mouth without much rationality, waxing of "[name] this" or "[name] that," and effectively becoming on the receiving end of his praises. it was almost a routine of sorts, occupied by stutters, belated responses and his fidgety footfalls. by the end of it, he fruitlessly attempts to steady his rabbiting heart— if only to stop his blush from staining beyond his cheeks.
even now as he silhouettes by the agency door, the rattle of rain is deafened by the rush of blood to his ears. he anxiously worries the handle of the umbrella in his palms, bouncing from one sole of his feet to the other. should he just ask you? maybe he should wait… now that he thinks about it would be more appropriate to just leav—
“ damn it.” he perks at your sound of displeasure, his heart spiking. “ so much for leaving in a hurry…” you stiffen, realizing you have nothing but a coat protect you from the weather. the flimsy jacket you hurriedly plucked from your wardrobe only added flavor to your disappointment.
atsushi doesn’t miss the opportunity; his feet carries him to you before the unpleasant voice lurking deep in his subconscious bullies him otherwise. “ we can share,” he gestures to his own, silently praying his voice was leveled. it wobbles anyway and by now his knuckles are sheen white as a product of his nerves.
with the organ jumping around in his chest, he almost doesn’t register your ‘thank you,’ only that his fingers were quickly undoing the straps of the umbrella before you could change your mind ( he impulsively bought it earlier that day— his previous pair worned out and far too tiny for two people. but when you thank him with a kind smile, hands slightly brushing with each step, he argues it was the best 800 yen he’s ever spent ).
… that said, a more appropriate question is how you managed to remain naive to all his pining for so long— he’s become despairingly obvious against his own good and yet he can’t find it in himself to change himself, a perpetual lovesick look copy and pasted whenever you entered his proximity.
the same can't be said to everyone else however and he wasn’t particularly pleased when he caught wind of the bets exchanged among his treacherous colleagues. he fears it's only a matter of time before one of them blabs their tongue to you. at this rate, perhaps one of them should.
. . .
" y'know atsushi," ranpo once said, offering his companion a gleaming simper. " you reallllyyy talk about [name] a lot."
"oh.”
his heart flutters, eyes slowly blinking.
" yeah,” he smiles. “ i guess i do.”
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FYODOR
" you've been awfully quiet, my dear." fyodor’s voice was just loud enough over the sound of clashing cutlery, fixing you a gaze of genuine interest. " is the meal not to your liking?"
you feel your lips twist into a frown. for being attentive, he (for once) falsely saunters pass the source of your displeasure, failing to recognize the extent of your internal woes. " no- no-" you fidget with your fingers, ignoring the way your propped elbows skidded against the table. the behaviour doesn't go unnoticed by the former, who takes it upon himself to hook his index fingers with yours. “ there’s something i’ve been meaning to ask of you. a… request of sorts.”
“ what is it? i’ll have it shipped to you by the end of the week,” he offers generously though it quickly fades into a confused hum when you shake your head at the proposition.
" it isn’t something you can buy…” you drop your gaze from him to the scantly poked portions of cuisine on your plate. fearing he may misinterpret your words and assume it to be unattainable - perhaps gifting you something ludicrous as a piece of land - you amended quickly. " it’s not what you assume to be either.”
at that, he bums questioningly. “ then what displeases you, my darling?” he provides a faint squeeze to your hand, igniting something warm and paradoxical to his thin layer of frigid skin. “ what can i offer to rid you that frown?”
" just your company.”
" my company?"
" yes." perplexed, he cocks his head; an invitation. willing an inhale to your lungs, you took a moment to gather possession of your words. “ these days you've been rather occupied. i was hoping for perhaps… if we may spend some time together?"
fyodor appears vaguely surprised by that, something unfamiliar fortifying around him. requesting his time felt like a hefty expenditure just in itself and it wasn’t too far fetched to assume he’ll disregard it in favor of some plot embellishing deep within his brain. but a swift refusal never comes.
“ i see,” he finally says after a brief pause. his voice was so soft you wondered if it was meant for you to hear.
it's grows quiet before he speaks again, the fingers curled around your hand withdrawing but not before providing the tips a delicate squeeze. " i can arrange some time tomorrow for you,” he proffers. “ will that satisfy your request, myshka?"
hardly anything can catch fyodor off guard, but something had to be said in the way you brightened at the suggestion, a deep curve coasting over your lips. how pleasant you are.
" yes," you hastily replied, dipping your head slightly. " more than perfect. thank you."
the way your lineaments crossed into a smile was always enduring to observe — exasperated, but one he wouldn’t mind seeing tomorrow knowing he was the cause for such elation.
( idly, he wonders what he can do to see it again ).
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A/N !
i’ve been meaning to post this for months but it’s so old & i never quite (and still kinda don’t) liked it :(( fyodor’s is bit ooc jfjdkskla
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mozzaremi · 6 months ago
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waiter waiter, more grey background pleasee
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seefasterdraws · 1 year ago
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better call ice king or whatever the fuck
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poorly-drawn-mdzs · 4 days ago
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Burning Rotten Bridges
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#poorly drawn mdzs#mdzs#mianmian#nie mingjue#jin guangyao#JGY is nothing but outwardly calm and carrying on his duties as the chair for the meeting#but in that small pause after Nie Mingjue commemorates Mianmian for leaving...you can feel the tension.#Because Nie Mingjue comes from a place of privilege. He's always been in a position where his legitimacy and political standing-#-were never challenged. He didn't have to fight for respect. He was born into this world respected.#For people like Mianmian and JGY who clawed their way up from the bottom...this is a huge deal.#Truth be told I have a lot of things to say about what it means and feels to be in a position where leaving is messy.#There are times where the situation is bad but to leave means that those years of your life will have been for nothing.#That all the other suffering incurred will be fruitless. So you just *keep going*. Because it *has* to be worth it.#Because going back to what you were before is even more terrifying than the hell you are boiling in.#My concrete example for this is post-grad academia.#Because that cohort will have spent over a decade pursuing a goal and leaving means...well...it means throwing away those years.#It means losing (likely nearly all) your connections. It means going into debt you'll never pay off.#It means putting up with some pretty heinous abuse from your supervisor because what are you suppose to do? Leave?#Leaving is for those with the privilege to have options.#And even if you do have options...#Ultimately we would rather love the pain we know than risk the unknown. Hoping it's worth it one day.#With that mindset established; never say JGY should have just left like Mianmian. He couldn't. This was what he dedicated his life to.#He never had the option. Even if it seemed like he did - no he did not. He never conceived this ending ever happening for himself.
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lesspopped · 1 year ago
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unintentional subtext is not queerbaiting. intentional subtext is not queerbaiting. queercoding is not queerbaiting. queer themes are not queerbaiting. queer themes in works by cishet creators are still not queerbaiting. writers of any gender identity/sexual orientation seeing fans pick up on queer themes and intentionally playing up those themes as much as they can get away with are not queerbaiting. chemistry between actors is not queerbaiting. chemistry between actors who then decide it’s more interesting that way and lean into it is not queerbaiting. a real cishet person behaving in ways that do not perfectly and completely fit with your idea of what cishet people of their gender are supposed to be is not queerbaiting. I am going to scream
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pumpkinnkidd · 1 year ago
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I LOVE WOMEN!!!
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