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etruatcaelum · 2 years ago

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On Semblances.

As this post mentions, neither Salem nor Ozma have ‘true’ ancient magic anymore: her immense power derives from the pools of light and darkness, and when Ozma created the maidens, they sacrificed their divine gifts but awakened their aura. Both now wield powers functionally identical to the aura and dust-based magic of modern humans; the sole difference between them and ordinary humans is vastly greater experience and, in Salem’s case, the interaction between her infinite aura and her grimmness.

(That is the subject for another post, but in essence grimm flesh and atrum ‘burn’ aura and this reaction can be controlled and channeled just like dust; Salem, who is grimm, uses this to her advantage to mimic ‘true’ magic.)

And, because their ‘magic’ is really just aura trained to a level beyond what any mortal could achieve in a single lifetime, both of them do have semblances.

Salem’s semblance is less an outward projection of her self than an inward one. It developed through the slow reconstruction of her mind and soul after a long period during which she had no sense of identity and was just kind of mindlessly dreaming all the time; her semblance sparked from the need to become whole and to know herself again. What it does, in essence, is immanentize her thinking.

Think method of loci, but crystallized from the imaginary construct into a real, tangible place—in a sense, the interior of her soul, her semblance, is a realm. Not one anything like as vast or complicated as Remnant or the Ever After, but quite a bit larger and more intricate than the vaults, and accessible only through doors she chooses to open.

It’s how she keeps herself sane and also why her sense of identity and conviction are so unshakable in the present: Salem knows herself extremely well and nearly everything that defines who and what she is, she made a deliberate choice to include as a fundamental part of herself. She is capable of change—and in fact capable of changing herself very rapidly and easily, once she decides to do so—but she cannot be forced or coerced or compelled or worn down or manipulated into it. Because the only way she can change is for her to literally disassemble and reassemble parts of herself and her semblance will not let her do that if she doesn’t truly want it to.

Ozma doesn’t know that they even have a semblance, because their semblance fluctuates from one life to the next; they believe the permutations of their own semblance have all been semblances taken from the lives they steal. What’s actually going on is that their very fragile sense of self gave them a semblance that lacks clear definition because it has yet to be fully-realized. It warps and bends and molds itself into the hollowed-out masks of every host, then loses that shape once those masks crumble again to expose Ozma.

There are, however, some constants:

The base essence of their semblance is remembrance and accretion of time. It’s the grasping for another chance and the tearing pain of almost and the venom of what if and maybe then and it wasn’t supposed to happen this way all rolled into one. It’s the aching possibility on the trailing edge of a mistake. Often, it takes the form of small-scale temporal manipulation: with Ozpin, it became an ability to ‘skip’ a second or two here and an idle moment there and ‘save up’ that time to spend all at once, squeezing several minutes worth of action into a single fraction of a second. (<- Ozma still has this ability and Oscar can tap into it for a while, but after the events of V8 it fades as their self-identification as Ozpin disintegrates.)

As themself—once freed from their curse and restored to live as their own person—their semblance is effectively only half-formed: not quite latent, but not truly manifested either. They will need to find themself and know themself before they’re able to fully bring it out. In its true, unalloyed form, Ozma’s semblance is unbinding: the breaking of chains, the opening of doors, the snipped thread of fate to unleash boundless possibility.

In less poetic terms, they will be able to reach back and bring forward the moments when what is now became inescapable. Nothing can be undone, nothing erased: the past cannot be unwritten, but what they can do is create a second chance to rewrite the future, whether by literally making a new possibility that didn’t exist before or by cutting through whatever beliefs or rationalizations a person clings to to pretend that they have no other choice.

Their fully-realized semblance will turn inward and confront them whether they like it or not; toward other people it is entirely under their control. (<- It is also quite likely the one thing capable of reaching into Salem’s head and shaking the foundations of her self, by drawing out her line of reasoning for committing to those choices and asking her to walk those paths anew, decide again.)

Oscar does not have a semblance and will not have a semblance until he’s separated from Ozma. If the integration were completed he would eventually produce a new permutation of Ozma’s, but it wouldn’t in any meaningful sense belong to Oscar, because Oscar as an individual would, for all intents and purposes, be dead.

But once he’s separated from Ozma, and once he sorts out who he is and who he wants to be outside of the looming existential dread of becoming Ozma, he’ll be able to discover his semblance.

(<- Also his aura, when not subsumed by Ozma’s, will turn out to actually be orange. Like a pumpkin. Because his Ozian allusion isn’t Tip OR Dorothy, it’s Jack Pumpkinhead)

Oscar’s semblance is… essentially, a hyper-specialized form of empathy: he can take the words people say and unfold them to reveal the things they mean, the feelings they’re trying to express but can’t communicate clearly, and then find the words to articulate those things back. He’s an interpreter, not of language but of emotions. He’s able to very quickly talk through to the heart of a problem, and he’s preternaturally good at listening in a way that makes people feel seen and heard. It also has the side effect of making him almost impossible to lie to.

Even with Ozma in his head, there are traces of this latent ability eking through to the surface—his determination to connect with Ironwood throughout V7, his intuitive sense for what to say to Hazel and Emerald to earn their trust, and even earlier, his realization that Ozpin is lying and his ability to break through long enough to spill Jinn’s name: these are all inklings of what could be, if not smothered by Ozma’s curse.

That sort of rising-to-the-surface is very rare among Ozma’s hosts. With Oscar, it’s happening partly because he’s fighting so hard to hold on for as long as he can, partly because his upbringing gave him a pretty strong sense of identity to begin with, and partly because the nature of his semblance itself resists falsehood and obfuscation. Latent though it is, it still gives him a firm place to stand when he pushes back and asserts himself against Ozma’s resignation. This struggle also has the effect of deepening the potential of his semblance—in effect, training it before it even properly manifests—so that once he’s free and it emerges fully he gets in tune with it fast.

#MAIDENS AND KINGDOMS ( hc. )#THIS DARK THING THAT SLEEPS IN ME ( hc: salem. )#FOND HEARTS CHARRED AS ANY MATCH ( hc: ozma. )#SUNS RUN TO SEED ( hc: oscar. )#[ mumbles.#resilience + liberation + compassion. ]#[ also i am so serious about #the pumpkinhead thing #like. point blank #rwby is a retelling #of marvelous land of oz #this is why i say that salem is glinda!#her role in the story is wrathful justice and truth #set against the deceit and manipulation of the true villain—#the god of light / mombi #ozma’s curse is broken through glinda’s relentless pursuit of the truth #rapunzel’s tears unblind her prince.#the uniting thread of salem’s allusions #is the breaking of curses and restoration of truth.#also summer rose is general jinjur #searching for the crown in the ruins of the emerald city.#please read marvelous land of oz.#it’s the man behind rwby’s curtain. ]

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writella · 6 months ago

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Reckless Romantics

Synopsis: Can be read as a stand alone or part two to getting ready for me; a return to innocent, inexperienced!reader and her relationship with Rick Grimes; two weeks after their first time together there has been some distance, but now Rick wants to make up for how hasty he was when he touched her last.

Details: Rick Grimes x fem!reader, smut: oral (f receiving) and teaching reader how to give a handjob, unspecified (of age) age gap, sweetness + kissing + a little mutual pining maybe, probably cliche, and leaning more into Rick as the dutiful leader and gentle lover (I feel this is just as in character as dom!Rick). Reader is a music lover— any kind of music you like— but she also likes a specific band only because I watched a documentary about them at the theater in July so it made its way into the story. Slightly proofread— will be corrected more later. wc: 5-7k (I lost track after finishing it on tumblr).

A/N: I wrote this message before I returned for the summer, but I still want you to read it: Been spending time outside this summer, trying to reach some goals— time got away from me. I don’t think I’ll ever stop saying I miss you, but please know it’s always true.

— with love from writella, my beautiful reader. ♡

Rick Grimes was not a man to give in to temptation.

My mercy prevails over my wrath, he’d say— his secret keepsake phrase. The one he whispers to himself in moments of hardship; the one he uses when he needs to make decisions only a leader would. Rick was a man of discipline; honor. He never boasted about how seriously he took these qualities, but when others did— admired, applauded, stuck by him for it— it would be a lie to say that he didn’t take note and use their pride to keep him going. This is how he knows he is strong-willed, why he wouldn’t fall for foolish, forbidden things. He was better than that. The safety and prosperity he brought to Alexandria proved it, reaffirmed it.

So why couldn’t someone remind him of that two weeks ago before he touched you?

As for you, you believed yourself to be a girl who wouldn’t fall so easily for the first man who showed you any kind of affection.

From an adolescence of peers who never seemed to take notice of you to one filled with walkers and adults who were either dead or seldom your age, you learned how hard love, let alone any connection, is to come by. It has made you quite the perpetual daydreamer because of it. One with a heart and mind filled with fantasy worlds, creating what you lacked externally. It often made you see yourself as much younger than you were despite all you’ve been through. No regular person your age in the old world has probably escaped as many deaths and wannabe cowboy dictators as you have. Still, they probably knew what it was like to have a high school romance, or at least go to the movies with friends, and have graduated from well, anything. You were simply born too late and shoved into this new world too early to experience even half of it.

This upbringing has brought you up to believe yourself precocious, although— maybe you were already too old for that word now. No, you were, so maybe– sensible, realistic despite the overactive imagination; you could decipher between right and wrong, real versus fake. This is why, for as long as you could, you did not entertain any thoughts of Rick Grimes.

Other people would though, women mostly. But you did have your suspicions of others who thought the same— they just weren't as shameless. Those who were, could be found during lunch breaks from work on house porches; or laughing and whispering at community gatherings and at the back of town hall meetings. Basically any time or place they could turn into a gossip session, which was often. And it didn’t always have to do with Rick. It could be about any one of the men in town; or retelling funny moments to their friends or complaining about their co-workers. But anything of true, great interest always had to do with the community leaders. You wish you could say you were the exception to this interest, but hypocritically, you loved a good inside scoop, and luckily for you, you had a trustworthy way about you. Almost everyone who spoke to you or allowed you to sit with them and their friends for meals agreed: you were a intent, quiet listener making you the best kind of person to say things to without judgment; and people assumed you as shy, yet you loved to laugh which was great for boosting egos. They often treated you as a little sister in that way, as if the pleasure was all yours to get to hear their ramblings because they were either older or perceived themselves to be more sociable and experienced than you. You tried not to care too much about what they took you for. It was nice to feel trusted, even if people could be a little too mean or weird for your liking because no matter who it was, they made you feel as if you were watching television, and you missed television. They told you things from period mishaps– (it’s the apocalypse, there are a lot of free bleeding queens okay)— to which people in their workstations annoyed them most with very detailed explanations as to why and, of course, rumors or general talk about the leaders: who they thought each of them has slept with, if there seemed to be any fighting between them and what side they were taking, and obviously, anything that had to do with one of the guys. Some were downright obvious that one or the other was their type, while others might try to be more sly about it, always bringing whichever man it was up more than the others. But unless they were diehard Daryl girls, wanted to dominate Glenn, or had some military man, hot priest, or doctor kink for Abraham, Gabriel, or Siddiq, most of them apparently felt that Rick was the love of their lives. He was like a local celebrity. A band’s frontman.

“So, what about you?” One of your scavenging partners asked on the ride home. “Which one do you like?”

“They’re all attractive guys,” you say, keeping your eyes on the road. “But I don’t really think about them like that.” You feel a flush coming on. Crushes, or anything romantic, is a part of your internal world, not something you discuss aloud.

“Come on,” she prods. “You never join in. You just laugh at us for being delusional.”

“Whose us?” Rosita asks, her voice sharp, humorous, and not without judgment. “I don’t talk about that shit.” But secretly, she loved the drama as much as you and would have many questions for you later tonight about why you have yet to tell her of the town obsession of treating her friends like the cast of a reality show.

“I don’t laugh at you! I like it when you guys talk about that stuff.”

“But what I’m saying is that I didn’t let you ride shotgun this time so you can hold out again,” the girl jokes half-heartedly.

“What do you mean this time? I get to ride shotgun because I’m the one with the CDs.”

And it’s true, the only thing that cancelled out the silence of drive in moments where conversation ceased was your Oasis album playing in the background. Learning about the band was your new obsession. Much like listening to the crazy imaginations of the girls in town, you found the Gallagher brother rivalry riveting even if you only knew pieces of the story from the music, scraps of magazine articles, and by asking whoever in town happened to be a teen in the 90s. Thankfully you had hit the jackpot today though. One of the houses you visited was once occupied by a dad and daughter with an insane music collection in the living room and a smaller, more curated one in the girl’s room. After gathering what new music you wanted to try from downstairs, you also found some old issues of QuizFest in the girl’s room, filled with activities that were themed with shows you remember from when you were a kid, but the most important discovery— the find of all finds— was one of those Ultimate Guide, Complete Life Story magazines of none other than the band Oasis.

You would now probably know all of the drama between the brothers to tell a coherent story about the band’s history to anyone who wanted an escape from walker related events and farming talk. When you weren’t listening, that’s what people would come to you for: to borrow music, get recommendations, or to tell them a story. In all, you were getting the reputation of being the town’s music historian, meaning you usually used your knowledge to avoid talking about yourself. And it mostly worked.

Except for now.

“Well, if I had to guess,” the girl persists despite your silence, “I think it would be Rick.”

“What?” Noticing the incredulity in your tone, you calm your voice. Shrugging you say, “Why Rick? Everyone likes him.”

Rosita sends a look your way. It’s innocent enough, probably just showing that she is still listening on as she drives but you were refusing to look at anyone now to know for sure.

“Exactly,” the girl says. “He’s a classic knight in shining armor type. I feel like he’d talk you through it, which I think would be good for— someone like you.”

Your face is on fire, you can’t even speak properly. “I- first of all, what do you know about my experience?” you ask, the incredulous tone returning. But all you get as an answer is knowing snorts and chortles from the two women. Ouch. Nonetheless, you continue, “Second, you think shooting a guy in the head in front of his wife and the whole town is chivalrous?”

Oh—

That makes car goes quiet.

You know you made a mistake.

You didn’t mean it as crassly as you said it, and you did feel bad for saying it knowing that the situation was more difficult than you summed it up to be, but you didn’t apologize. All this talk about crushes and especially Rick made you embarrassed. It’s not that you didn't see what others saw anyway. Of course you noticed how nice Rick’s curls are, how he doesn’t have to use any product for them to look as they do; or those blue eyes and how when you get closer, they become that much more stark and crisp; or how good he was at talking to people, convincing them of things or simply just reassuring them as a friend; and that southern drawl that still sometimes catches you by surprise by sounding so pronounced at the end of certain words, making his voice that much more intoxicating. Of course you saw the appeal, but that didn’t mean you had a crush on him.

Right?

Maybe it doesn’t matter. You just felt you knew better. He was like a president. You know of them, and you believe in them, but you don’t get close to them. And it didn’t matter that he told Carl to personally deliver you a stereo he and Daryl found while out once. How he remembered how you liked music. How he told Carl to tell you this one was probably better than the old one you had, that it was louder. You only showed him your old stereo that once when he was helping you move. He was just a perceptive guy with a good memory. All leaders are like that.

Right?

Anyway, let’s get back to your crass… joke.

“Hilarious.” Rosita says and you hear the low contempt in her voice at your insensitivity.

“That was ages ago though,” the girl chimes in, saving you just a little, “and he did it to help her. He didn’t care about the mess he made. He save her. I’d say that’s pretty romantic.”

“Let’s not call that romantic,” Rosita scoffs, and despite the slight frustration, there was a quiet sadness in her voice at the memory. “That wasn’t love.”

“That was reckless, not romantic.” You agree. Partly because you truly do, but also in attempt to win back favor from your friend. “I shouldn’t have mentioned it.”

But after that day, it was all you could think about.

The idea of a knight; a romantic; someone that would do anything for you, ruin his reputation for you; find gifts from the outside that he’d send is son to give to you. Maybe you did find it charming, idyllic.

These thoughts soared in your mind so much so that on one night when thinking about boys from books or your favorite artists wasn't enough during moments under your sheets when your back arched and your fingers trailed up your thighs, your mind switched from people you would never meet to him, to Rick. Your eyes scrunched tighter, and you tried to shake it away, telling yourself it was just the women in town and the talk in the car getting to you. But then you thought about how rich and hot pink his lips looked on a bright sun-burning day and how it would feel like flames firing inside of you if he kissed you with them.

Ideas like these went on for nearly a year now. You even started questioned if maybe you had always liked him, maybe you were always just like the other girls even though tried to not be. You had thought it made you respectful, realistic; after all, how could Rick be the love of your life if he was everyone’s? Wonderings like this became even worse and more confusing when Rosita had asked if you’d like to move in with her. Becoming closer with her meant being around the leaders more often, which meant coincidental encounters and conversations with Rick as well. Quickly, he wasn’t just that president or celebrity anymore who talked to you sometimes and got you that stereo that once. He was becoming a peer— at least in some ways. One who was curious about your interests as much as your opinions. But it’s not exactly like you were in the in-crowd now as some people assumed. You didn’t get to go to leader meetings, and as much as you knew Rosita must have been telling you more than others know, she couldn’t have been telling you everything. But you did see him more than other people now, when he and the leaders came over to the house or when Rosita was invited over to theirs and she’s tell you to come too. And now, with these thoughts spiraling, you can’t help but to look back at the at the times where Rick approached you, gave you all his attention no matter how small it was and asked you about what you were listening to or reading that week, letting you ramble. He was an older guy, yes, but he cared, he actually listened, and he didn’t make you feel like the childish little sister others do.

Sadly, you did become the fawn like you had told yourself you wouldn’t be. But you couldn’t stop picturing him when you closed your eyes, and in fact, it was nice to imagine someone to fall asleep with, to wake up to. It was just going be your secret. Part of your fantasy world. But then— it all caught up to you.

Through the sliver of the open door he saw you, fingers between folds, goading yourself on as you chanted his name in whispers.

And to your surprise, he encouraged it. No, he did so much more than that— he helped you, made you come; gave you your first orgasm and made you his like no one has before.

You loved it. You gave into it. Even if it was just one secret moment. It made you give into the idea that this would continue but of course, it didn’t. He hasn’t spoken to you in almost three weeks until—

“Woah-” you gasp, almost crashing into just the person as you exit your room.

“Sorry,” you both say in unison, holding onto each other's forearms before quickly letting go. Your arms cross over into your chest before dropping as you enter your room again, clearing the hallway, and his hands go behind his back. He’s still as unsteady as you are, his mouth is slightly open, thinking of what to say.

“Hi,” you whisper tentatively.

“Good morning,” he politely replies. His eyes now smile slightly as he nods to you. You don’t miss how the light emanating from your bright room makes them shine. And he doesn’t miss how the light shining behind your figure makes you, in your white cotton sundress, look like an absolute angel.

“Good morning,” you repeat, giggling slightly, not knowing what else to say.

“Good morning,” he says again, lost and as giddy as you are.

“Oh wait— is the leader’s meeting here today?” Rick starts to nod and answers yes as you continue to speak, “I totally forgot! I’m sorry. I know I should be gone by now.”

He shakes his head, “It’s fine. I was just going to the bathroom.”

“Here? Was someone in the one downstairs?”

“Just wanted to be away from everyone when they came. Daryl and I came early so we started talking and I just- we didn’t see eye to eye on something. I needed a minute.”

You nod. That seems to be your signature when to talk to him. You hated it honestly. Often over-analyzing your words, worrying you’ll sound immature or stutter in front of him. “I'm sorry,” you tell him sympathetically. For a moment there is only silence which makes you worry he will go away, so without thinking, you ask: “I know you’re busy but, if you need a moment, maybe you would like to come in here instead?”

Rick freezes but then, inevitably agrees. As he enters, you close the door and quickly go to shut off the low playing stereo and rehang some of the dresses on your chair in the closet— you had been getting ready for the day. Rick goes to sit on the chair after you empty it but you stop him. You sit on the vertical side of your bed and guesture Rick to sit in the spot next to you, closer to the headboard. You wanted to sit next to him.

Rick doesn’t question this, maybe he wanted to be as close to you as you had, so as he sits, your thighs touch. You try not to move too much at the first contact. Still, the heat that starts to burn inside you makes you realize how much you’ve craved this. Can two weeks feel like a lifetime? It’s like you haven’t felt him in ages.

“What were you playing today?” He asks and you realize you eyes went straight to the area where yours and Rick’s legs touched. You know he noticed but still you try to answer normally.

“Selena. Rosita loves her. It’s one of her most famous songs: Amor Prohibido.”

He nods. “I probably wouldn’t understand a bit of it,” he laughs.

He would probably remember the singer from the news if you gave more context but you don’t. There is a silence that follows until you ask, “So,” starting slowly, “what’s wrong? Is Daryl aright?”

He doesn’t answer. His mouth is open as if he’s deciding what to say, but nothing comes out, so you continue, “You know, nothing is ever right in the world when Rick and Daryl fight. It makes me sad.”

The joke makes those lines at the sides of his eyes appear— a quiet laugh. “Well you know I’d never want to make you sad. Especially not you.” You two exchange a light smile while that heat rises fast to your heart. “We’ll be fine,” he finally says, but then he goes quiet again. Rick seems unsure if he wants to continue. He even looks at the door, wonders if the others have shown up yet, but— he knows he doesn’t want to leave. And even more, he knows he shouldn’t after ignoring you like some teenage boy. He decides to tell you what’s happening: “Daryl wants us to bring new people in. You know how he’s always going out there. But I think it’s way too soon.”

You hum agreeingly, but at the same time, you understand Daryl. “I think he just likes to give people what he never used to have,” you suggest.

“I know,” he nods a bit annoyedly; “and that’s a nice way to put it, but you know him, when he has his mind set on somethin’ he can be so damn stubborn. It’s frustrating. He won’t compromise or listen to anything.”

Endearingly, you try to withhold a laugh, your lisp pursing. Not only because when he says anything, it actually sounds like anythang, but because Rick sounds like he’s describing himself and he doesn’t even realize it.

“And,” he adds, pausing for a moment before he continues, scratching his beard. It looks as if maybe he shouldn’t tell you what he’s about to. His head hangs low to say: This is not information for everyone to know, okay? But the last time he went out there with Glenn, the reason Glenn’s arm is in a sling right now, is because they met a group, tried to bring them back and before they could make it even close to home, the group fought ‘em, tried to steal what they scavenged, and almost kill Glenn.”

You widen your eyes at the statement. You actually already knew this from Rosita, but that will stay between you two. All you feel is humbled that he felt he share it with you, despite it being a dark thing. It was a close call. Rick was right for being very cautious right now. “Wow,” is all you can get in before he speaks again.

“Imagine if we lost him. Fought this war with his wife and unborn baby at the time for nothing? So he couldn’t even meet him?” Rick shakes his head, and you notice his foot tapping lightly, making his knee bounce. This had happened a month ago now but it was obviously affecting him. “It was reckless and I told him that. That right now we need to be focusing on what’s inside these walls. People have only just started getting back to being comfortable now; to feeling like this is a home.”

Your eyes remain wide, “We did so much rebuilding you.”

“We did complete rebuilding.” He corrects, though not rudely. Shaking his head, he goes back to talking about Daryl: “I think I made it seem like what happened to Glenn was his fault. So not only were we arguing but I must’ve hurt him,” Rick realizes, “and now he definitely won’t be back today— maybe not even until next week.”

A silence hangs in the air after this; it seems he finished. Now, you know you should speak, but as the silence continues, you grow more unsure of what to say. Issues like these are things you’ve never dealt with. You didn’t want to say something stereotypical.

“I’m sorry I’m putting all this on you.”

“No, no,” you quickly console, trying to think. “Um, well,” you say, starting unsteadily, “this is probably going to sound stupid and not helpful. I don’t even remember the exact context or what was truly said so it might not make any sense either but, do you remember when I had my Oasis obsession? Earlier this year?”

“I do,” he laughs, turning his head over to your music table. His eyes scan any of the visible album titles to see if he can find it, but the print on most of them are too small. He turns back to you as you continue:

“This is going to sound a little far off but I think you and Daryl are like Liam and Noel.”

His eyebrows furrow, “Didn’t those two hate each other?”

“I mean, yes— but it’s much more complicated than that to me— but no, I don’t mean in that way. It just that there is this quote Noel says that I don’t remember exactly, but I really liked: he said that even though he wrote the music and Liam did the singing that Liam meant the words just as much as Noel did because they’re brothers and he wrote them. I thought that was beautiful, but…” you trail off.

He stays silent, trying to give you space to find your words but you feel like you’ve gone too far. It’s all pretty convoluted and not a true comparison to what’s going on that you’re even confusing yourself a little. “I think what I mean is that even though they have their different roles, they still feel very similar things and believe in the same purpose. I think that’s like you and Daryl. You two are so similar yet so different. But there’s still a binding force that always brings the two of you together. So, like I’m sure you already know and I didn’t even need to tell you, but you two will be okay. You two have different ways of doing things, but the music or the life you’re trying to create in Alexandria still has the same meaning to the both of you.” You laugh small and breathily as you end. “That probably didn’t make sense.”

Rick smiles to himself. “I didn’t get that first bit, with the quote, but no… that made a lot of sense to me.” He nods toward you and you return his smile. “You’re so bright. You know that? Not everyone knows how to stitch things together like that the way you do.”

This makes you feel good. Rick thought you were smart. You know you should say thank you, but instead, something else comes out: “May I, may I kiss you?”

“Yes,” he answers, almost stuttering it out, a hint of hesitation before he did, but he nods so kindly, so reassuringly as he tells you again: “yes.”

Your fingers touch his lower cheeks lightly, feeling the bristles of his beard. You’re slow, and careful, and scared. Your fingers linger on his jaw for a moment until they completely caress his right cheek and then you move in, swiftly— worried you’ll lose your confidence, worried he’ll change his mind. You catch his lower lip and seal the kiss. Your lips are locked for a few seconds until you retreat. It was nice, and exciting, but short. You knew you could have put your tongue in his mouth. You believe he would have let you because you remember when he did it last time, but you didn’t want to embarrass yourself by doing it wrong and once again reminding him how much you don’t know. But you’re sure giving him a grade school kiss like this one was enough of a reminder.

Your eyes roll down, chin low. Your cheeks are on fire and your hands do not know where to go so you start fiddling with the hem of your dress and then you laugh. You were trying to be courageous this time, and you were, but you also weren’t.

Rick grabs your left hand, holding it at the end of your thigh, “I liked that,” he says softly.

“You did?” You ask as softly as he, eyes meeting his.

A short, airy snicker comes out, “Mhm,” he hums, giving you a closed-mouth smile. He found you simply adorable.

“Can I… try it again?”

Rick pulls on your forearm, attempting to bring you closer to him. “Yeah,” he nods, voice gentle. “Do you want me to help?”

You nod before you speak, happily accepting, “Yes.”

He puts your hands on his shoulders. One of his grabs onto your waist and the other holds you lightly under your chin, adjusting your head to meet his lips. The first kiss he places holds just for a couple of moments as the one you gave him did, gentle but packed with longing. The next two are slow, pretty pecks that already have you melting at his touch, lips agape waiting for the next one. The fourth is the one where he brings his tongue into your mouth, carefully bringing it in quarter by quarter. He tastes the top of your mouth and tongue and you feel him as he slowly starts to explore how far you may like to go, but truly you become stagnant other than your hands that press into his shoulder. Luckily, Rick either doesn’t notice your hesitation or is already silently helping you as he takes the lead, pulling you closer by the hips and slipping his tongue in and out of your mouth to kiss you more. It makes you smile— the excitement of your first make-out session. You giggle, and then it makes him smile too and your teeth slightly bump into each other. Accidently you nip his lip because of it, making you pull back.

Your fingers hover over your lips as you impart a quiet apology but Rick just shakes his head giving you another quick kiss instead. He starts to move back on your bed, back pressed again the headboard and he tells you quietly, “Come here.”

You get up and sit higher up on the bed as well, calves folded under your thighs. He takes one of your legs and starts to put it over his as he asks, “Is this okay?”

You nod, vigor growing as you do it now, thrilled to sit on his lap. Your dress bunches around your hips and the tops of your thighs. You move closer to press your chest into his and you kiss him first again, another small one but with intent as you look at him afterward, feeling the scratch of his beard on your fingertips as you smile at him, in awe that this is happening.

“You want to try this time?”

“Uh,” he means you put your tongue in his mouth this time, but you’re afraid to do it wrong but you know you want to say yes so you do, “Yes, okay.”

So he brings you in again and you kiss him. He mouth opens a little and you try to bring your tongue in slightly but you teeth clash. “Sorry,” and quickly he responds that it’s okay and rubs your cheek, telling you to just open your mouth a little wider, no teeth, let your tongue go on top of his.

You try it. Your tongues meet again, licking each other tips before you slowing press in more, your chest touching his as you try to close the gap.

Rick starts slowly rocking your hips against his and he takes control of the kiss again. It helps you not think, you like it. And you like the feeling of that incoming tight bulge starting to form under his jeans, but then you let go. “Wait,” you say, “I like this.” You pause for a moment, confusing him more as to why you stopped. “But… there is something I wanted to ask you.”

“Okay,” his hand stay fixed on your hips and waist, rubbing soothily, “What it is?”

Another pause. “I feel nervous,” you whisper.

“You have no reason to be, sweetheart. You can ask me anything.”

You laugh, smiling as you look off to the side. Anythang.

He smiles too, although unknowingly to what you found funny. His head tilts as he tries to find your gaze and turn it towards him again.

“Well, the last time we were together here you taught me how to do something. You taught me how to pleasure myself better so,” you stutter, “I want to pleasure you. If that’s okay. And I was wondering if you’d teach me how- to touch you here.” You remove yourself from straddling him and point in the direction of his cock.

Instantly he feels a stir of his already hardening dick.

This is not how he expected things to go this time. Or truly, he didn’t expect any of this at all, but when you asked to kiss him he decided he would be gentle, more giving. It felt like you wanted him to take again, the exact thing he was trying not to do. “I feel like I took advantage of you last time.”

“Rick…” you shake your head. “I’m the one who didn’t close the door all the way. You asked if it was okay and then you asked if you could go faster. I said yes to everything…” You start to worry— is he second guessing everything now?—“I feel maybe we remember this differently.” You bow your head again now. Feeling ashamed, wondering if he did.

Rick places one hand on your knee to comfort you although he still says, “It’s just that I’ve never done something like this before.” His thumb sways on your skin. “I just don’t want you to end up feeling like you’re wasting your time. Your first times.”

You’re surprised, “It’s so funny how you can be so self-assured in front of a crowd and now you don’t think you’re good enough.” You take his hand and press it towards your chest. Your heart was racing. “I like you. So much.” You swallow as he says your name softly, realizing how fast your heart was going. “No one in town is truly ever mean to me or anything, and Rosita has been so kind with letting me move in with her and we talk and its nice but, you know— she has her flings and her friendships that are separate from mine and everyone just always seems like they have their person and I just don’t. I don’t have my person, or any person.” You remove your hands from your chest but Rick still holds onto it, squeezing your hand as you start speaking again. “You’re kind, Rick, and you make me excited, and you remember things about me… “ If your face could get any hotter, it does, “And, well, you’re very handsome. If you could teach me again, I would like that.”

God… Rick was trying to be a romantic yet you were so adamant on getting him off. He laughed inwardly, shaking his head, deciding that the best way to handle this situation— and make up for some of his guilt as he was trying to— would be to give you the thing you say you want and not what he thinks you want. Suppose that’s one for widower’s wisdom.

Decidedly, Rick gets up from the bed, giving you a once over, still admiring how adorable, and how sexy, you look to him with your feet under your lap, hands on your knees as you look up at him from the bed and your white dress. He starts undoing his shirt buttons. “Remember when I did this the first time?”

A smirk came on, there’s the Rick you remember. Blue eyes intense, and voice getting cocky as he gets ready to give you what you need, what he knows you only want from him.

“Yes,” you say quiet yet with budding excitement. You start going for the hem of your dress, “Should I start taking this off too?”

“Mm, stay like that.” He’s taking off his belt. “Thought you looked beautiful in it right when I saw you.”

Your thighs squeeze together slightly. Rick Grimes was undressing before you, for you, and calling you smart and beautiful all the while.

As Rick lowers his boxers, his cock springs up. He returns to his spot on the bed, back leaning against the headboard. All of a sudden he seems to truly recognize that he is the only one exposed. He would tell you what to do, guide you, but in a small way, in a way you probably didn’t realize, you were in control. It seems that each time this happens— although it’s only been twice— and each time he talks to you— which has been plenty— you steal a little more of Rick’s heart and he just can’t stop it.

“So,” he clears his throat, your eager eyes on his cock making him twitch, “you usually just wrap your hand around, start from the base and keep pumping up.” He shakes his head, “there’s not too much too it but it’s best to keep your hand light at the start, you—”

You nod quickly, “May I?”

As he nods back you, “Yes.” And as he says it you’re already licking your hand.

“Is it okay if I spit? That helps right? Or is that nasty to you?”

He’s caught off guard, “No, no, that helps.”

So you do and you place your hand lightly at the base as he said and you start to pump. Instantly, he lets out a gasp, and the next noises that follow are repressed grunts and groans. You want to ask him to stop doing that but you’re a little scared to speak up that way just yet and you’re too engrossed in how you can see the light veins of green and blue on him and how he’s so red at the tip. It was honestly exciting. Just this, touching him with your hand, staring at his member and watching him twitch as his mouth opens to pant lightly. It still felt unreal but you liked it and you were happy to learn. You start to pump him more towards the top, placing your thumb on his slit- pressing in. His abs clench at that. You push in a little harder and you squeeze your fist around him a little— testing it out to see what happens—and he groans, unadulterated this time, “oh, fuck.”

The heel of your foot that’s under your lap pushes into your center at that.

You start pumping faster. “Am I doing good, Rick?”

Hearing your voice sets him off, “Fuck, sweetheart. Yes.” He’s honestly choking out each of his words, he didn’t expect to get so turned on by all of this. He realizes the last time he had sex was with you that first time, and before that… he can’t even remember. “You’re doing an amazing job.”

As you pump, you start to slow down, only doing it shallowly towards his base. You’re feeling confident and you kiss the side of him, licking a fat stripe up to the top and then you pump him fully again.

“Oh, fuck, yeah,” he breathes out. He wants to tell you to slow down but it comes out of nowhere, he stutters before he can even speak. An unintelligible groan mixed with a moan comes out abrupt and louder than he intends and white spurts of liquid come out.

You go faster for a few moments, then start to slow down, a little unsure of what is best to do, but you notice when you start squeezing him a little more as you continue to pump up and more whiteness fall out from inside of him.

“Did I, make you come?”

“Yeah,” he says, huffing.

“I did?” your cheekbones rise as you ask with awe— it was another first for the books.

Rick’s tries to let his embarrassment fade, he can tell you were just excited about it, but still, he looks down and to the side, avoiding direct eye contact— almost like you typically would. You peer at him, almost nervously because of it. Rick is usually the confident one. “Doesn’t always happen that fast,” he explains.

“Well before a month ago I didn’t know how to make myself come so I wouldn’t know,” you say with self-deprecating assurance. You had heard from the girls in town that it was easier to make men orgasm. You already had it in your head as something not to judge. You wonder how hard he must have been restraining himself the first time he placed himself inside you, or if it just happened to be easier for him that time around. “I didn’t expect I could do it or anything really. I thought it was…” you smile while giggling, “interesting.”

“A good interesting I hope.”

“Very,” you assure. “I liked it.” You kiss his cheek as you take some wipes that are by your night stand and you start cleaning him up. He doesn’t tell you that you don’t have to; he helps along with you.

“You sure you’ve never done any of this before?”

You shake your head. “I just read fiction books.”

He smiles to himself, a quiet snort of laughter leaving his nose. You always surprise him.

When you two are done cleaning, he puts his boxers back on. Quickly, he is on the bed again and starts to kissing you. Rick holds your shoulder and pushes you down. Finally, it’s time for his redemption, he feels. It was your turn to be pleasured. Just like he wanted to do from the beginning.

Rick kisses down your neck to your collarbone, and the parts of your exposed chest and he pushes your dress up past your hips. His lips move back up to yours, kissing you more before saying, “I really wanna show you something sweetheart.” He presses his thumb into your clit over your underwear. “Can I kiss you down there? Have you ever had that before?”

You shake your head slowly, eyes wide. “I-” you start nodding your head, “-I would really like that.” And in such a small voice you add, “Please.”

Rick kisses your cheek. Deep and softly he breathlessly tells you, “I would love to.”

Rick moves his head lower and gives you slow kisses over your underwear from your mound to the end of your lips. He starts to drag your panties over your legs and once they’re gone he kisses up your thighs. Then his nose rubs and sways ever so lightly on your lips. He breathes in and it makes you shutter. Your heart is going crazy again. Finally, he licks upward. One long and languid stripe ending with a kiss to your clit and then he truly begins.

Tongues are wet and sticky and everything you ever dreamed of. Your eyes roll back instantly from that first lick and kiss. You remember a time when you started touching yourself that you used to never think of receiving oral. You thought it was scary, nasty, that you wouldn’t like it until the moment you thought about it as a million kisses on your most sensitive lips, or someone liking you so much that they’d get drenched by your wetness just to touch you, to taste you. After that, you thought about it all the time and now it was finally happening– someone needing you so much they just had to know what you taste like. Here he was: kissing, licking, sucking, not caring about how he looks but only how you feel— you now knew what it was like to be desired.

Rick presses his tongue flat on your clit, rubbing deep circles. His eyes are open, looking up at how your mouth opens wider and wider. You let out little whimpers, enamored by his tongue, still deciding if you like the scratch of his beard, but your eyes stay glued to the ceiling, scared to look at the scene below.

He gives you kitten licks in between speaking, “Look down. Don’t miss your first time.”

Your eyes go down slowly, watching as he gives open mouth kisses to your clit and right lip, tilting his head. He stays there for a moment, hearing your short and breathy pants, kissing and licking your clit and lower lips like they were the ones above your chin. His eye contact sends bursts of sticky wet fluid down your hole and you release a whimpered moan, they’re always sp short and soft and high pitched. He can tell you like it but he can also see you’re nervous. You don’t trust yourself, you know it, and he’s starting to realize it too. You’re scared of completely letting go.

He peppers kisses to your clit before moving upward, his tongue rolling and mouth kissing from your lower stomach to your breasts till his face reaches yours again. “No one’s here,” he tells you. He then kisses your lips allowing you to taste yourself for the first time. “Relax,” he whispers, rolling out each syllable. He holds your chin with one hand while he inserts a finger into your hole with the other, his pointer is instantly drenched and you shudder at the feeling. His single calloused finger reminds you of the time he was last inside you. He pumps slowly, looking into your eyes as he speaks, “Don’t think about who could come downstairs.”

“What if Rosita or Daryl come back?”

“What if?” He says it so simply as if he’s ready for everyone to know. Truly, that would be an issue, but right now it was not about him and it was completely about you; he wanted to give. It was short-sighted, reckless, yes, but… you were just so pretty, so bright, so insightful, and he felt like he needed to make up for all the taking he did last time, of your first time. Rosita had went to run after Daryl, hopefully no one was here anyway. But again, he didn’t care. It didn’t matter. “Lay back,” he gently commands, “forget what I said before- close your eyes. Just give in to it. Like I’m the only one who's here.”

Rick licks zig zag stripes down your slit and then he decides to insert his tongue in your hole. He goes as deep as his tongue allows, collecting your wetness and trying to swallow it in moments when he turns back to kissing. He his nose is brushing and rubbing up against your clit as he sucks wetness from down below and you start letting out stringy moans you can’t control. Soft, pretty, and continuous, “uh, ah, uh, uh” that turn into “sorry, I’m sorry.” You’re still self-conscious about your own noises. This was still only the second time you’ve heard the sounds you make when someone else is fucking you.

But Rick shushes you. Giving small kisses to your clit as he looks up at you, seeing your scrunched eyes and open mouth. “I like knowing you like it, pretty girl. I like all those pretty sounds you’re making.”

Your pussy tightens around nothing at that phrase.

“Keep going. You don’t have to be shy.” He grabs your chin and you look down at him. His beard is wet. “We’ve already made a mess anyway.”

He starts kissing your labias, licking up wetness when you decide to ask, nervously, “Can you make sounds too?”

Instantly, Rick goes again to kiss your clit, humming into it as he sucks. Breathing against you he says, “Want me to tell you I like it, sweetheart?” His tongue slides down again, tongue reaching into your hole and he moans into your pussy.

Your back arches and you mewl, you could almost scream.

That’s it, he thinks. Rick keeps humming and groaning into you now. His voice is so seductive. “I love tasting your pussy, baby.”

You couldn’t breathe.

Rick starts rubbing your clit with his thumb and going fast with his tongue in your hole “My bright, pretty girl gonna come for me? Hm?”

“Oh, Rick, I want to. Please, Rick.”

Rick starts to go faster and your brain turns to mush. Only noises coming out and when he stops his tongue movements to say something more you push his head down. “Sorry,” you say. You’ve never been forceful before but he says nothing, just continues going down on you and taking his free hand to place it over his, gesturing that he wants your hands in his hair. You tug on his curls and he grunts into you. You start chanting his name and then he switches to placing his lips on your clit and putting two fingers in your pussy. It reminded you of the first time but instead of your three fingers they were two of his and it felt so much better than you ever knew before, better than you could ever do it yourself. It sets you off. Your eyes shut tighter if they could. “Rick! Oh my god,” you moan and then again and again and then you come.

Rick laps at your cunt, vigorously trying to wipe you clean. He makes it look like it will be the last and only time. It makes you worry but at the same time he looks so sexy like that; needy for you even after you finished.

He takes your wipes and cleans his lips before cleaning you up as you did for him. He kisses you thighs and your lips and your cheeks as he continues. “You did such a good job,” he says. “You always do.”

You’re filled with pride at that. “Thank you.” Then worry sets in. You realize how public you’ve made everything. “Did I just ruin your life?”

He laughs while caressing your thigh. That anxious expression of yours that he just got rid of returns after all the work he did.

“I’m gonna check downstairs. Okay? If they’re there, they’re there.” You nod. We already made a mess anyway, you remember him saying. “They might want to start the meeting when I go down so, whatever happens, happens alright? You didn’t do anything wrong.”

Your eyes are still nervous, but it’s all too late anyway. “Okay,” you respond.

“Okay,” he says back, kissing you once more. As he dresses himself again, he tells you, “I promise I won’t wait two weeks to see you again.”

“I’d like that.”

“Me too,” he says as a send off and goes into the bathroom to clean his face.

When he reaches the living room, there is no one. Rick is thankful but confused.

As he nears the coffee table there is a sheet of yellow lined legal pad with a talkie next to it.

Call when you’re done, it reads.

“Rosita?” He questions into the device. Who else could it have been, right?

He can almost hear the grin on her face. “They should start calling you Reckless Rick for all the agony you put these Alexandria girls through.” She pauses for dramatic effect. “There’s just something about that stupid hair cowboy accent, I guess.”

Before he can respond, telling her that it’s absurd to think of him as a playboy, that he was far from it, she continues:

“So, fucking my roommate? You’re glad Glenn and Maggie called everyone over to theirs instead. Hershel took his first steps while you were teaching someone else how to take theirs.”

She unpressed the button to suppress her laughter. “Just get over here,” she concludes, putting down the walkie and going back to meet the rest of the group with a perfect poker face. She tells everyone Rick will be here shortly.

Oh, Alexandria’s leader and her new little best friend who has been hearing the townswomen’s fantasies of him for years: Reckless Rick and his reckless romantic girl.

Rosita would give you so much shit for this when she gets home.

#rick grimes x reader #rick grimes x reader smut #rick grimes x fem!reader #rick grimes x female reader #rick grimes x y/n #rick grimes x y/n smut #rick grimes x you #rick grimes smut #rick grimes fic #rick grimes fluff #twd fanfiction #twd smut #the walking dead fanfiction #the walking dead smut #the walking dead fic #the walking dead fanfic

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mask131 · 1 year ago

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The truth about Medusa and her rape... Mythology breakdown time!

With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.

Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.

Most specifically the question: Was Medusa raped?

Step 1: Yes, but no.

The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.

Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.

Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.

The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.

Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.

But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)

But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.

Step 2: So… no rape?

Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.

The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.

As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.

So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.

So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.

Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!

Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.

Step 3: The missing link

Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…

Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.

The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.

But what was the reason behind this change?

Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).

“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.

[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]

And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.

CONCLUSION

Here is the simplified chronology of how Medusa’s evolution went.

A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.

B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.

C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.

[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]

EDIT:

For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.

Before the 5th century BCE: Medusa is a full-on monster

From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.

Post 2nd century BCE: Medusa is now a human with snake hair, and just that

#greek mythology #medusa #gorgon #athena #gorgons #poseidon #neptune #minerva #ovid #rape in mythology #greek monsters #roman mythology

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rainintheevening · 9 months ago

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It's Edmund who figures it out first, you know, who Aslan is. Like, a week after they're back in England, they go with the Professor to the little village church, and they stand and sing Amazing Grace, and the rector preaches something about Jesus dying for sinners, and Edmund is nailed to the pew with utter certainty: That's Aslan.

He doesn't say it directly to anybody, he has to chew it over, has to test it and try it, and see if it holds true. He and the Professor have many lively discussions about what Narnia actually is, what it's for, what other worlds would mean for science or philosophy or theology. But every time he goes back to the Bible and reads it, he finds echoes of Narnia, echoes of the Lion's voice, and the truth settles into him, becomes something solid and certain deep down inside.

Peter... sees the possibility almost as quickly. He's not so sure of it though, is a bit shy of something so incredible, doesn't want to get it wrong. He wants it to be true. He thinks about it a lot. But he doesn’t say any of it aloud, until he says to Aslan, at the end of his last trip to Narnia. It gets decided then, in there somewhere. He doesn't understand how or why, but he will believe anyway.

Lucy, now, Lucy always knew in a way that was beyond words, unconsciously, deep inside somewhere she never stopped to examine. She stands in Eustace's room, with Aslan’s words ringing in her ears, and it's like a light bulb has come on, or a bucket of cold water has been dumped over her head. Oh. Oh, that's what he meant, oh, now I understand.

And Susan, dear Susan, she suspects, she wonders, but no. Impossible. Too strange, too illogical. Waves it away like a nagging fly. But she figures it out years later, not too late, no sir, not too late at all. Maybe it's a book, maybe it's a song, maybe it's retelling the Easter story to a little girl curled up in her lap. Maybe it's an old poem pulled from the wreckage of a train. She pauses, startled, before the tears come tumbling down, and she murmurs the name she hasn't spoken in what feels like a lifetime, murmus it like a prayer: Aslan.

Jesus.

#aslan #edmund pevensie #peter pevensie #lucy pevensie #susan pevensie #narnia headcanons #chronicles of narnia #tried to make this fit with both books and movies #peter's bit is tied to the movie in my head but whatever #narnia

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hiddenreamers · 4 months ago

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I was in your music video - f1 drivers x singer!reader

SUMMARY: They say that if a poet loves you, they will write you into immortality. But if you date a musician, they might write you into the Billboard 100. Which is exactly what happens to your driver boyfriend.

Featuring: Lewis Hamilton, Lando Norris, Oscar Piastri, Carlos Sainz Jr, Max Verstappen, Charles Leclerc, George Russell

Note: Yes, two songs are sung by male artists. Yes, I'm going to ignore that fact and you should, too.

Lewis Hamilton

He's been in the room maybe five times. The space always felt strangely sacred to him - this is where you write, compose and practice songs with your band; this is where the magic, so to speak, happens. Walls are absolutely covered with tour posters, polaroids and printed-out articles. There's a large mirror that seems to be a message board considering all the sticky notes and words written with a marker. The only somewhat de-cluttered space is surrounding the setup. It's an unspoken testament to being a musician in a band.

There's a certain tension inside the driver. You've never asked him to listen to a song before it's finished. Sure, he has listened through your albums before they were officially released but it was always just that - a recording, not a live version. So what's different this time? Why is it vital he hears this song early?

Walking through the room, Lewis has to carefully watch where he's going. He doesn't want to accidentally break something by stepping on a cable or kicking a box with unknown contents. Inside a garage, he knows what not to touch but a recording studio and instruments are pretty much an unknown world to him.

Lewis is standing around a tad awkwardly, hands in pockets, when the bassist pushes a big black box closer to the driver.

"Have a seat." The musician points to the chest.

Lewis frowns. "On the box?" he asks, unsure. "Is that okay?"

"It's the Lucky Chest, Hamilton," the bassist announces. The other band members snicker at the title. "You have to sit on it."

"What's lucky about it?" Lewis inquires. More than the seating choice, he's interested in the reason for laughter.

"The first time we played at a big festival," the guitarist begins, her story slightly interrupted by her tuning the guitar, "we were sitting on it and listening to Green Day's stage, wondering 'how the fuck are we supposed to play after them?'."

"We were doing like a punk-rock tribute thing," adds the drummer. He's adjusting his seat and judging by the constant up-and-down movement, he can't make up his mind. The process is finally over when he reaches to tap the high-hat and nods to himself, content.

"After we finished our set," you take over retelling the story, "Billy Joe Armstrong came up to us and said we did great."

"So now it's the Lucky Chest," concludes the bassist.

Perhaps it's another testament to being a musician in a band when multiple people together tell one story without cutting details or creating chaos. A true harmony, though a joke a little on the nose.

"Well, I'm honoured," Lewis says. An airy giggle escapes him as he's still thinking about how easily teamwork comes to you and your band.

"You should be." The guitarist points her finger at him in a joking but accusatory way. Then she looks over her shoulder. "Whenever you're ready, drummer boy."

Music fills the room and Lewis is instantly captivated by you. He noticed it the first time he saw you on stage, how something inside you changes the moment you hear the instruments playing. Intensity, fire - passion in its most primal form. But this time around, the look in your eyes is different. You're no longer looking at the audience but him specifically; instead of singing a song, you seem to be telling him something.

So he listens.

I'm a desert, you're an ocean It's your motion that I need Without you I am broken, left to thirst out in the heat

And how strange he suddenly feels: all of the sentiments he already knows but now that you've put them into words for the whole world to hear, he can't help but find some revelation in them. For a moment, there's only the two of you and your confession of desire. Every word resonates with him and Lewis feels like he could say all of those things about you, too.

The song is far from over but he has already decided - he will listen to it before every race.

Lando Norris

Nothing seemed different about that day.

Lando is streaming while you're still at the studio. In an hour or so, you will come back, he will end the stream and the two of you will sit down to eat something. You will talk about your day, he will say something silly and both of you will laugh. Just like you always did.

To his credit, Lando couldn't have known about the song because you never told him. Some part of you thought it would be a bit dramatic to announce that you've written a song about him but can't play it yet because it's not finished. It would spoil the fun, wouldn't it? Therefore, you decided to tell Lando only after he listened to the final product. Perhaps you also wanted to seem a lot more nonchalant about the whole thing, planning on giving him just an off-hand comment of "oh, by the way, this one's about you". Life, however, rarely turns out the way we plan and that's exactly what happened that night.

If it was just one or two people calling Lando "honeybee" on the stream, he probably wouldn't even notice. But even he will pay attention when the comments are going on hundreds if not thousands.

He can't help but grow flustered at the pet name born out of his visceral fear of insects.

"Who told you that?!" he yells in a comically angry tone, a poor attempt at hiding embarrassment.

The comments come flooding again, explaining the situation only in variations of your name and the title Espresso. And like a detective following a crime, Lando immediately searches the internet.

"I feel lied to," he speaks up. "She didn't tell me she has a new song coming out. Why am I the last one to know? When I literally live with her? This is so unfair, I'm obviously the biggest fan, I should know first!"

Lando plays the music video. From the first line of "he's thinking about me every night", his bashfulness only gets worse. What starts as an excited smile, grows into a flustered, giggly mess. Although his pride is on the line, he can't deny any of the claims you make in the song. Yes, he couldn't sleep one night thinking about you and texted you about that. Yes, he does call you often even though he hates making phone calls. And yes, Lando Norris is, in fact, wrapped around your finger. What a horse is everyone can see and similarly, everyone can see and define who Lando is when it comes to his girlfriend:

"Simp?" he reads one of the comments. "Look, maybe I am but at the end of the day I'm dating her and you're not so who's the real loser here?"

Lando can only laugh his heart out when the chat gets flooded with identical comments: You.

"Okay, I admit. I'm down bad for my girlfriend and I'm proud of that."

Tomorrow's headlines are bound to be interesting...

Oscar Piastri

Although Oscar has seen you in musicals countless times, this situation feels a lot weirder and more uncomfortable. When he comes to watch your show, he's in the audience and you're on the stage. Now you're sitting side by side on the couch in your shared apartment, about to see your first movie. You're both the audience and the creator, which leaves you unsure how to act.

Unfortunately, your discomfort only grows. Oscar seems to be enjoying the movie but joy is not granted to you on this day. With each minute, you know your big part is coming. Oh God, what is he going to think?

Then, you suddenly pause the film. Oscar looks at you confused.

"There's something you need to know before you watch this scene and listen to the song," you say before he can ask you about your strange actions.

Oscar's frown only deepens. "You're making it sound really serious."

"Because it is. The thing is... " you hang your voice, unsure how to put words together. How do you tell someone this without making things awkward? "This is more embarrassing than I thought it would be but the song you're about to hear, I wrote it thinking about you."

He's trying to smile but the shadow of embarrassment on his face doesn't go unnoticed. You can only hope it's good kind of nervous.

The movie is resumed. As your discomfort is barely tolerable, you're looking away from the TV, fidgeting ever-so-slightly. Once or twice, you glance at Oscar, trying to see his reaction. The problem is, he's sitting unbelievably still. True, Oscar Piastri tends to be on the calmer side but right now it feels off. As if lost deep in thought, he appears to be diligently contemplating the scene in the movie; picking apart the words that came to your mind while thinking about him.

When the song comes to an end, you pause the film once more. A tense silence falls between you and Oscar, both longing to say something and yet neither willing to.

"So?" you begin hesitantly. "What do you think?"

Oscar shifts awkwardly. "Erm... I don't really know what to say."

A nervous giggle escapes your lips. "It's really sappy, I know." You try to downplay the situation, fearing that his reaction is born out of something negative. Does he think you're clingy? Obsessive? Too dramatic to handle?

"It's not that," he quickly denies. "Well, okay, it is kind of sappy but it's good sappy?" Oscar's tone raises slightly, revealing that he's unsure whether it's the right choice of words.

"Good sappy?" you repeat.

It feels as though woe has weaved a nest inside your viscera. "Good sappy" sounds like a lovely, diplomatic euphemism used not to hurt someone's feelings.

"Yeah, it's just..." Oscar doesn't finish his sentence. He runs his hand through his hair, then rubs the back of his neck nervously. Finally, he looks at you but not in a way you're familiar with. There's something ethereal in his gaze, a glint of inexplicable emotion that would escape a less observant eye. "It's really beautiful," he says. "The fact that you feel this way about me?" You could swear there are tears in his eyes as he lets out a flustered giggle. "I can die happy now."

Carlos Sainz

As old tradition entails, the Thursdays before a race weekend are meant for golfing. And who is Carlos Sainz to not give in to the custom?

He's sitting in his car, impatiently ploughing through the traffic of the city centre. Why are people out and about at this time, anyway? Shouldn't they be at work? Wanting to get his mind off of the fact that he's going to be quite late to the game, Carlos turns on the radio. The man is mindlessly skipping through the stations until something catches his attention - the announcer introduces you as today's guest.

"Hello again, pretty girl," Carlos says to himself. A small smile enters his face.

"First of all, I'd like to thank you," the radio host begins. "Unfinished Business is just the album I've been waiting for this year. And not only me! Have you seen Billboard 100 lately?"

Your flustered giggle is just as adorable as always. "Yesterday evening, I think?"

The broadcaster sighs dramatically. "Then you have ancient news. I have the site pulled up now and check it every few minutes. Let me tell you, Unfinished Business has climbed twenty spots since morning."

"Oh, shoot."

"Indeed." The announcer laughs and Carlos does with him. It's such a familiar theme for the driver - you being more humble than you really should be, surprised by the success you entirely deserve.

"Now, to address the elephant in the room or rather on the music charts. Over and Over Again is like a love letter all of us have written but never sent. Tell me all about it!"

"I guess 'love letter' is a pretty good description," you explain. Curious, Carlos turns up the volume. "For some time, I was trying to put my thoughts together and tell someone how I felt but never could quite do it. I can write good songs but in real life, I'm pretty terrible at speaking my mind and talking about feelings. I just don't want people to misunderstand, you know?"

"What are you saying, hermosa?" Carlos asks aloud, although there's no one to answer him.

"At least you can write a song about it! We regular folk are stuck with memes and playlists."

"Thank God, I can!" You laugh and, as embarrassing as it may sound, Carlos feels a sudden warmth spreading through his chest. "I was struggling with saying what I wanted to say to him, so at some point, I just decided I could put those words and feelings into a song. He likes to listen to the radio when he's driving so he might even be listening right now."

Although nothing bad or negative is going on, Carlos feels himself growing tense, nervous. There's no doubt the "he" you keep mentioning is him but what exactly is it you've been trying to tell him? Is there something he's missing?

"Did you tell him you've written a song about him?" the radio host asks.

"It might have slipped my mind," you answer coyly.

The announcer only laughs. "Oh dear, what a way to find out! Without further ado, let's hear your love letter to the mysterious man. I really hope he's listening to us right now. Don't you dare change the station, you lucky guy."

To his own surprise, Carlos recognizes the melody - you've been humming it for weeks now. But as you begin singing, the words leave him in disbelief. Do you really... mean all of that?

Carlos is lost in the song, feeling as though the lyrics aren't just lyrics but your genuine confession; a true love letter, as you have said yourself. He's brought back to reality only when the car behind him honks and Carlos is a hair's breadth away from picking a fight with the other driver. Nothing requires more haste or attention than his girlfriend exclaiming to the whole world that he will always be the one for her and that she will love him over and over again.

Charles Leclerc

You don't hear Charles coming in - you're too lost in your own thing to remember there's an entire world outside of the song and the piano in front of you. On the other hand, Charles doesn't announce his arrival as he doesn't want to disturb you. To be perfectly honest, he's a little too curious to interrupt you. It happens very rarely that you practise outside of the studio and so Charles doesn't really get to hear your more casual singing, not an embellished performance for the audience.

As quietly as he can, he makes his way towards you. Charles casually leans against the doorframe, your back turned to him as you continue playing the piano. He barely bites back the smile that creeps onto his face whenever you effortlessly sing the high notes - they are difficult for professionals and yet you execute them so cleanly, they appear almost too easy.

The lyrics haunt him but in a truly delicious way. A particular note of sincerity in your voice makes the words stick to him like rain does to a reckless passerby. Sure, they will slip away, although not before drenching him; their vital piece will forever lie with him.

When the song comes to an end, Charles (without thinking twice) gives you a hefty applause. The surprise makes you almost fall off the chair.

"Shit, you scared me!" you yell at him. It takes a couple deep breaths and your boyfriend's apologies, to collect yourself. "How much did you hear?"

He shrugs, suddenly realizing that he wasn't supposed to hear even one note of the song. "Pretty much all of it."

Your expression must not be joyful as Charles resumes his apologies and poor attempts at excuses. Suddenly, you cut him off. "How'd you like it?"

For a moment, he only hums and mindlessly knocks at the doorframe, looking for the right words.

"I loved it," he confesses. A strange tension in his voice proves he's telling the truth. "It's a beautiful song."

"Good," you answer absentmindedly. Quietly, you nod to yourself before looking back at Charles, a mischievous glint in your eyes. "It would really suck if you hated a song about yourself, you know?"

His eyes grow wide and Charles seems to forget about blinking for a good minute. Judging by the changes in his expression, you can tell the exact thought process he's experiencing: realizing you've written a song about him, joy caused by that, remembering the lyrics and finally taking them personally.

The more observant fans might notice a new addition to his helmet: "Claire de Lune" written in elegant lettering.

George Russell

Common sense might tell you that a race car driver must have no fear. And that would be correct, although quite imprecise. They must have no fear on track, yes, but daily life is quite different from racing, isn't it? Or maybe George is discovering a range of emotions he has not known before.

Your relationship is fresh but that isn't to say it's not serious. The weight of the connection the two of you share is a major part of the reason why George has been dead set on taking things slow. The other part is him knowing what media circus will play out once the news breaks. It's hard to blame him for wanting to keep at least some aspect of his life private, especially one that means so much to him.

As understanding as you are, George's apprehensiveness is tiring. You perfectly understand his reasoning and to some degree share the sentiment but at the same time, you are just somebody in love - you itch to scream it to the whole world. Or, at the very least, share a picture of the two of you. Both of you haven't been middle-schoolers for quite some time now, so why act like ones?

George, like the supportive boyfriend he is, loves to see you in your element. He watches the music videos, yet, but he much prefers the dance practice videos, where you're visibly enjoying each second of the choreography. Therefore, when you upload a new dance video for your song, he's probably the first person to play it.

It's a catchy tune that makes even the most boring people want to dance a little. With his head moving to the rhythm, George doesn't focus much on the lyrics until something in the second verse catches his attention:

So used to hiding We built our kingdom around The right timing

The lines, understandably, hit a little too close to home to be a pure coincidence. Now suspicious, George replays the video - this time, he's actually listening to the words instead of focusing on your dancing. Any hesitation that he's the true recipient of the song is gone with the first line of "Say you want me". The desperation in your voice is simply too candid to be just an act for the sake of the performance.

With the song loudly playing on a loop, George is scrolling through his phone's gallery in search of the best pictures of the two of you. He can't help but mouth the lyrics along with your singing, only to randomly giggle as the thought once again settles - it's about him.

Your phone can't stop vibrating. The notifications are coming nonstop. What on Earth happened? Upon opening Instagram, the mystery is solved. The internet seemed to be set on fire when George posted a series of pictures of the two of you with a caption that earned a giddy chuckle from you: "Setting us in motion".

Max Verstappen

Max and you both understand how much support can change. Sometimes just knowing that this other person is out there, watching and cheering, can change everything. As such, the two of you try to attend each other's events as much as you can. Unfortunately, the universe isn't always kind and you end up on the opposite ends of the world. The only support you can offer then is watching the live-streamed event - just like Max is doing right now.

He's sitting in his driver's room in Singapore, while you're at an award show in the USA. Quite the distance. There's something unbearably humbling about having to watch your performance like most of the world, when Max is, without a doubt, not most of the world.

In the back of his mind, Max is still thinking about the conversation he had with you earlier. Although he never misses your performances, you made it a point to tell him to watch this one. In your own words, he's supposed to look out for something fun, like a detail that will make this show different from the others. So as though he is a hawk, or more of a vulture, Max is hyperanalizing everything that's happening on the screen. He's not about to miss your little surprise.

The song begins and as much as he wants to enjoy watching you in your element, Max is a missile on a mission. Nothing specific seems to catch his eye but that t-shirt you're wearing...

Max knows it all too well. Theoretically, it's his t-shirt but considering you wear it more often than he does, it's practically yours. Now it's styled to fit the concept and image of your bandmates but the colour, the logo, the number, are all unmistakeable. Considering how much you're touching the article of clothing, compared to other dancers, he's convinced he's found what he was meant to look for.

Before he can wonder why you've chosen to wear his t-shirt for your performance, it's you who gives him the answer through the lyrics:

I feel like for the first time I am not faking Fingers on my buttons and now you're playing Master of anticipation, don't you keep it all to yourself

Max Verstappen doesn't get flustered but if he did, he'd be beyond flustered right now. The realization hits him like a derailed train - the song that everyone has been obsessed with through the summer and that has pretty obvious sexual lyrics is actually about him.

And if he did get flustered, the emotion would be rather short-lived, giving way to pride. After all, the core meaning of the song is that he's a generous lover, right? Clearly, he's been taking good care of his girlfriend.

Now, each sung line of "Just the touch of your love" makes Max all the more frustrated that the two of you are so far apart. He's earned his title of "Master of anticipation" and he intends to keep it.

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