#so hauntingly beautiful

[pimsri]

See, this is all I ever wanted for you. For both of us.

[byemambo]

I’m a zombie, breaking down but still in bloom Love me, leave me, memories spread like poison The flame dances alone in the dark Never dying, I’m a zombie

EVERGLOW - ZOMBIE

Spooky Season K-Pop [14/31] | dir. Ziyong Kim

[petaltexturedskies]

Cause they said the end is comin', everyone's up to somethin' / I find myself runnin' home to your sweet nothings / outside, they're push and shovin', you're in the kitchen hummin' / all that you ever wanted from me was sweet nothin'

[jeyneofpoole]

rat king

[destiny-islanders]

a beginning (comic version!)

animatic version here!

[cherry-blossom-qf]

All she wanted to do was dance under the stars ✨

[maybe-boys-do-love]

Ride (Chotun Puttipong) is just an anonymous delivery driver. His helmet, his headlessness, even his name all alienate him from any personal identity. He is simply the labor he provides and nothing more. When Tarnsai (Jennie Panhan) cares enough to appreciate his work (that he would drive late in the rain when others weren't willing) and offer him a cup of coffee (a gesture that has more personal meaning rather than just the money he's earned) he removes his helmet to reveal a face, a real human being, that Tarnsai can form a connection with.

People often misunderstand Marxism as anti-labor, when it's chief concern is actually the dehumanization of the people who are laboring. Peaceful Property is so profoundly interested in remembering the human lives of forgotten laborers. They had struggles and loved ones and dreams and faces. They dreamed of better lives, of homes they could go to when all the work was done. But it's not just the ghosts. Look at how the team had to investigate through pages of renters' names to find Tarnsai because the landlord had no relationship to the tenets. Marxist alienation is about the loneliness everyone can feel when we're limited to these empty commodified relationships.

[livwritesstuff]

a snippet of the hadestown au i'll never be confident enough to fully write

“Robin,” Eddie begged (probably a bit too desperately given the circumstances), “Robin-Robin-Robin, you’ve betrayed me.”

Robin sighed as she turned to face him.

“How have I betrayed you, Eddie?” she asked, “Honestly.”

Eddie didn’t respond, just gestured wordlessly at the man currently sitting in a booth on the other side of the bar that Robin had just led him into.

The most gorgeous (handsome, beautiful, sexy, attractive, hot, whatever) man Eddie had ever laid his humble eyes upon.

“I’ve told you loads about him, Eddie,” Robin replied, wrapping a hand around her wrist and trying to tug him away from the door.

“Yeah. You’ve told me all about how nice and funny and sweet he is, and how he’s a kindergarten teacher and how he puts most of his paycheck right back into his classroom and how he volunteers at that learning center downtown and he likes to cook and he gardens. He gardens, Rob. You didn’t tell me he’s also the hottest person I’ve ever seen in real life.”

Robin, the bastard that she is, only muttered, "Gross," and rolled her eyes as she finally succeeded in dislodging Eddie from where he’s feet had been planted on the somewhat sticky floor and getting him moving towards the booth.

“Robin,” he hissed.

“Just be cool,” she hissed back, “If you’re even capable of that.”

“I’m cool,” Eddie insisted, “I’m so cool.”

And then Robin is shoving him into the booth (across from Steve, thankfully) and sliding in next to him.

“Steve, this is Eddie,” she said, “Eddie – Steve.”

“Hey man,” Steve says, “Nice to meet you finally. Robin’s told me loads.”

Steve is grinning and it’s reaching all the way to his eyes, and they’re big and bright and brown and meeting his own eyes in full and it’s making Eddie’s heart thrum in a way he hasn’t really ever felt before, and someone should really revoke his allowed to speak freely card at least for a minute or two so he can't say something stupid, but nobody does so he says —

“Dude, I’m gonna marry you someday.”

Steve’s eyebrows fly up, but, if anything, his grin only gets wider as he looks at Robin.

“Rob – when you said this guy was crazy, I didn’t think you meant this crazy.”

Robin only gives him a resigned shrug.

“Not one of you listens to me.”

[just-a-girl-07]

☆ 2005

[momentomori24]

"So I pretend

that I'll see you again and that I'll save you

from all the things I failed to

now I'm without you

I can't forgive the wrongs I've done you

but now you're gone forever

and I remember

How bright you shined on your own

yet I remain alone..."

Damn.

The lyrics are so achingly Shadow coded. I think we need a full version of this song in Sonadow Generations, y'all.

[throughinktosecondpage]

WAKE UP BABE‼️‼️

THE MIRROR AND THE LIGHT SOUNDTRACK JUST DROPPED‼️‼️

[nonamxix]

"Wait for the signal, and I'll meet you after dark"

[ed3mm]

Sofia Falcone my beloved, no one can make me hate you!! No but she stole the whole show for me

[jacksonpayneblog]

in another life, i would make you stay

(credits to whoever posted this on facebook, i was a cheapo and stole it off there haha)

[pandalilysavior]

“Time continued to pass. He never did fall in love again”

oh so you want me to kill myself ? you want me to END MY LIFE ???

ahb never truly leaves my mind

[frogwiththephatahh]

Lines from Epic that absolutely destroy me every single time

"A cave! You're saying there's a cave where we could feast?" (Just because I know that's coming) "Yes, you shall be the final man to die" (mostly because we're at the thunder saga now and Ody literally is the last man standing just...ahhh) Polites' rasping, broken "Cap...tain..." followed by "He's got a club...he's got a club!" "Since you claim you're so much wiser, why's your life spent all alone? You're alone!" "Cause the end always justifies the means/Everything's changed since Polites" The crew screaming "Captain!" as Poseidon destroys the other ships. "I keep thinking of the infant from that night...I keep thinking of the infant from that night..." Odysseus' wistful "Polites..." when Polites appears in the Underworld. "I'm right here, mom, can't you see? I'm waiting" (this genuinely made me tear up the first time I heard it and I still cry when I try to sing along) "And if I gotta drop another infant from a wall in an instant so we all don't die- then I'll become the monster!" "Cut off their tails! We're ending this now. Throw their bodies back in the water- Let them drown." (fucking BRUTAL) "Eurylochus, light up six tourches" Also, you can HEAR the crewmates screaming as Scylla grabs them during "Scylla" and it's haunting. Before I get into the MANY that Mutiny has, I've gotta give a shout out to Jorge and Armando for the insanely emotional and moving acting they deliver during this song. It's a masterpiece. "Use your wits to try and say I'm crazy and mad" the DESPERATION in Eury's voice I can't "Say something!" "I can't!"

"This statue...the God of the Sun. Don't know where it's from, but here's where we found all these cows to hunt" I read The Odyssey long before listening to Epic and knowing exactly where this was going made me shudder "Please don't tell me you're about to do what I think you'll do" One of many callbacks to other songs in Mutiny "Ody, we're never gonna get to make it home, you know it's true" "I'm tired, my friend!" Armando I hate you /aff "Eurylochus, no! You've doomed us. You've doomed us all, Eurylochus!" followed by Eurylochus softly saying, "captain?" And of course we can't forget "Captain?" "I have to see her" "But we'll die" "I know" In conclusion, I love this musical