#so good for her. definitely part of the weird girl cinematic universe

[devilsskettle]

dinner in america is such a “take what you want from it and leave the rest” movie for me because i do think it’s very cute and i can buy into some of the wish fulfillment nature of the story but admittedly there are some parts that really don’t work for me, there are some parts that fall a little flat either in terms of the characters or humor, and the pacing is a bit of a challenge tbh. but it’s unbelievable what the human brain can overcome by virtue of simply Just Liking That Guy

[kcrabb88]

Queer Movies/Books/TV Shows for Pride Month!

Happy Pride everyone!! For your viewing/reading pleasure I have made a (non-exhaustive) list of queer media that I have enjoyed! 

Movies/Documentaries

Pride (2014): An old tried and true favorite, which meets at the intersection of queer and workers’ rights. A group of queer activists support the 1985 miners’ strike in Wales (complete with a sing-through of Bread and Roses + Power in a Union)

Portrait of a Lady on Fire: On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman (or, two young lesbians fall in love by the sea, and you cry)

God’s Own Country: Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path (Seriously this movie is GREAT and doesn’t get enough love, watch it! It’s rough but ends happily)

The Half of It:  When smart but cash-strapped teen Ellie Chu agrees to write a love letter for a jock, she doesn't expect to become his friend - or fall for his crush (as in she falls for his crush who is another girl. This movie was so good, and really friendship focused!) 

Saving Face:  A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations (this is an oldie and a goodie, with a happy ending!)

Moonlight:  A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood (featuring gay men of color!)

Carol:  An aspiring photographer develops an intimate relationship with an older woman in 1950s New York (everyone’s seen this I think, but I couldn’t not have it here)

Milk: The story of Harvey Milk and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official (the speech at the end of this made me cry. Warning, of course, for death, if you don’t know about Harvey Milk)

Pride (Hulu Documentary):  A six-part documentary series chronicling the fight for LGBTQ civil rights in America (they go by decade from the 50s-2000s, and there is a lot of great trans inclusion in this)

Paris is Burning (Documentary): A 1990s documentary about the African American and Latinx ballroom scene. Available on Youtube!

A New York Christmas Wedding:  As her Christmas Eve wedding draws near, Jennifer is visited by an angel and shown what could have been if she hadn't denied her true feelings for her childhood best friend (this movie is SO CUTE. It’s really only nominally a Christmas movie and easily watched anytime. Features an interracial sapphic couple!) 

TV Shows 

Love, Victor: Victor is a new student at Creekwood High School on his own journey of self-discovery, facing challenges at home, adjusting to a new city, and struggling with his sexual orientation (this is a spin-off of Love, Simon, and it’s very sweet and well done! Featuring a young gay man of color)

Sex Education:  A teenage boy with a sex therapist mother teams up with a high school classmate to set up an underground sex therapy clinic at school (this has multiple queer characters, including a featured young Black gay man and also in season 2 there is a side ace character!) 

Black Sails: I mean, do I even need to put a summary here? If you follow me you know that Black Sails is full of queer pirates, just queers everywhere.

Gentleman Jack:  A dramatization of the life of LGBTQ+ trailblazer, voracious learner and cryptic diarist Anne Lister, who returns to Halifax, West Yorkshire in 1832, determined to transform the fate of her faded ancestral home Shibden Hall (Period drama lesbians!!! A title sequence  that will make you gay just by watching!) 

Tales of the City (2019):  A middle-aged Mary Ann returns to San Francisco and reunites with the eccentric friends she left behind. "Tales of the City" focuses primarily on the people who live in a boardinghouse turned apartment complex owned by Anna Madrigal at 28 Barbary Lane, all of whom quickly become part of what Maupin coined a "logical family". It's no longer a secret that Mrs. Madrigal is transgender. Instead, she is haunted by something from her past that has long been too painful to share (this is based on a book series and it’s got lots of great inter-generational queer relationships!) 

The Haunting of Bly Manor:  After an au pair’s tragic death, Henry hires a young American nanny to care for his orphaned niece and nephew who reside at Bly Manor with the chef Owen, groundskeeper Jamie and housekeeper, Mrs. Grose (sweet, tender, wonderful lesbians. A bittersweet ending but this show is so so wonderful)

Sense8: A group of people around the world are suddenly linked mentally, and must find a way to survive being hunted by those who see them as a threat to the world's order (queers just EVERYWHERE in this show, of all kinds)

Books

Loveless by Alice Oseman:  Georgia has never been in love, never kissed anyone, never even had a crush – but as a fanfic-obsessed romantic she’s sure she’ll find her person one day. This wise, warm and witty story of identity and self-acceptance sees Alice Oseman on towering form as Georgia and her friends discover that true love isn’t limited to romance (don’t be turned off by this title, it’s tongue-in-cheek. This is a book about an aroace college girl discovering herself and centers the importance and power of platonic relationships! I have it on my TBR and have heard great things)

Detransition, Baby by Torrey Peters: Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel (again, don’t be thrown off by the title, it too, is tongue-in-cheek. This book was GREAT, and written by a trans women with a queer-and especially trans--audience in mind)

A Tip for the Hangman by Allison Epstein: A gay Christopher Marlowe, at Cambridge and trying to become England’s best new playwright, finds himself wrapped up in royal espionage schemes while also falling in love (this book is by a Twitter friend of mine, and it is a wonderful historical thriller with a gay man at the center).

Creatures of Will and Temper by Molly Tanzer: a very very queer remix of The Picture of Dorian Gray (which was already quite queer), featuring amazing female characters, a gay Basil, and a much happier ending than the original. 

Red, White, and Royal Blue by Casey McQuiston: The gay prince of England and the bisexual, biracial first son of the president fall in love (think an AU of 2016 where a woman becomes president). Featuring a fantastic discovery of bisexuality, ruminations on grief, and just a truly astonishing book. One of my favorites!

One Last Stop by Casey McQuiston:  For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train (This is Casey McQuiston’s brand new novel featuring time-travel, queer women, and I absolutely cannot WAIT to read it)

The Heiress by Molly Greely: Set in the Pride and Prejudice universe, this takes on Anne de Bourg (Lady Catherine’s daughter), and makes her queer! 

Tipping the Velvet by Sarah Waters:  Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins (Sarah Waters is the queen of historical lesbians. All of her books are good, and they’re all gay! The Paying Guests is another great one)

(On a side note re: queer books, there are MANY, these are just ones I’ve read more recently. Also there are a lot of indie/self-published writers doing great work writing queer books, so definitely support your local indie authors!) 

[kristalpepsi]

Temptation Stairway Thoughts™ + Theory Discussion

TW: blood + Death mentions, Implied (forced/pushed) integration (systems), racism (against asians), unreality stuff bc the show is Like That, Trauma causd by therapy

TL;DR = I mainly talk about implied integration, n as some1 in a system tht! mkes me uncomfy! I mainly will talk abt wht I’m calling the multi-ena theory (n anothr theory ill call the Multiple/Multi-Enaverse Theory) thts been popping up n disccng how thts kind of the bggst thng keepng me on board! I won’t LIE I might b a little biased bc I rlly do like thise show b I am NOT blind so I will try 2 address som things. I also talk alot abt the Shepard n Phindol bc I love themb so much they make me very heart Big.

DISCLAIMERS:

Obviously Joel G Highkey/definitely/most probbly did not intend 4 any of thise, but media is very complic8d so u cn end up accidntlly making problmtc things or implyng not great things

I hav a typing quirkkkk so if u cant understand my post I rlly dont blame u! I’m sorry how I type is Incomprehensible™

Not an angry post, more like my brain is holding me host-ge until i talk abt everyth dskfjhd!!

DO NOT Send anyone in thise post hate or angry asks/messages or perish by my sword

OK so this recnt episde has me w vry vry mixd feelngs!!! I’m both happy n exctd! b litrlly 2 things is whts bothrng me. While I CLD jst say :I Am Lookng Away: i rlly do need 2 write it down. Under a Read-more bc im secure SKSJ

Part 0: I’m uncomfortable help

The Section wher i tlk abt n bring up othr ppl’s concerns

So fr most if nt all the frnds I hav who also wtch Ena ALSO has a vry “vr vry mixd feelngs now tht I’ve seen the episde!!” mood twrds Temptation Stairway! It’s 4 a bunch of rsns, like thise post (tw racism) mde by a frnd whch brings up a good point

Part 1: The Actual Intro

Episode 1 = Auction day (AD) Episode 2 = Extinction Party (EP) Episode 3 = Tempation Stairway (TS)

Who is Ena

Ena can b describd as an "abstract girl split in half, w 1 blue side n the other is her yellow side!" Each side (emotion/mood, 2 b specific) seems 2 hav their own voic actor credited along with seper8 credits 4 each mood! So far the canon sides r Ena (happy), Ena (sad), n Ena (drunk)! They seem 2 act accordingly: Happy acts happy n optimistc, Sad acts sad n especlly depressd, n Drunk acts confused n dizzy [In the Credits, it would look like thise: Ena (happy) by Gabe V., Ena (sad) by Lizzie Freeman, (drunk) Ena by Sam Meza

4 Episodes 1-2, thy follow thise pattern exctly! So we cn expect wht 2 see from them, n each voice actor is creditd accordngly as seper8 b all a part of Ena

On epside 3, Ena is seen as actng diffrnt!! She's suddnly less predictabl! I say thise bc Suddenly, her voic Actors r not stuck 2 Only their sides. Thise is also emphasized when looking at the credit list! No longer is it "Ena (happy) by Gabe V., Ena (sad) by Lizzie Freeman" it's now jst "ENA by Gabe V. and Lizzie Freeman"

Happy's voic can sound STRESSED n sad, Happy can tlk w Blue's side in mor control n Sad's voic can sound Really happy n optimistic. Somth's Diffrnt n Not The Same

Temptation Stairway Summary

Skipping 2 my point, The summary of the episode Temptation stairway is tht Moony and Ena have a bet 2 race 2 the Great Runas! The Great Runas, can grnt u any wish accordng 2 Moony n som of those Ena passes by on the wy. The wager, is tht "whoever reaches the top of the Great Runas n makes their wish 1st, has 2 pay the debts of the loser" (yes it’s phrased like that) As Ena journeys thru, The DIFFERENCES between Ena Temptation Stairway and Ena Extinction Party n Below, is mor obvious as the epsde progrsses, even 2 wher Happy's voic actor is the 1 screamng in agony 2 jst get murdered already. The Episode ends w Moony beatng Ena (but it's 100% possibl it can be the other way arnd, that ENA Beat Moony, b thats somth I'll discuss in a bit L8r). Moony splits in half, revealing that according 2 her, "she wished 2 be skinny" n a humanoid coms out of her previous form. As 4 Ena, Her blue side slowly dispprs n its not answrd why.

Theories so far, are:

Moony wished 4 Ena 2 b happy (or 4 her sad/blu side 2 go awy. 4 wht reason can b eithr wholsom or 2 Moony's advntge [like so she "doesnt have 2 deal w Sad Ena"]) - b if Moony wished 4 Ena 2 b happy/b rid of her sad side, tht wld mean perhaps she lied about wishing 2 be skinny (her new humanoid form may be how she is "paying her debt 2 the loser"). Unless the Runas can grant u more than 1 wish.

Ena ws the 1 who wished her blu side awy, whch is a little depressng tbh

If both the above r tru, it may b possibl bc it wsnt clarified (afaik) tht the great runas can only grant ONE person a wish (or more). I think we only get tht implica8ion bc we see 1 (open) door while in the distance, ther r more doors tht look like their eyes r closed. We hav 2 remembr Moony said "whoever makes their wish 1st whch means Ena n Moony can totlly mke wishes @ the sme time

Somhow, turning pure yellow/only happy is how Moony is payng her debt 2 Ena(??) (opposite 2 the 1st theory)

OR If Ena won the race, it can even b possibl 2 consider tht Ena did not make ANY wish, n her debt 2 pay 2 Moony is her sad/blue side removed (I do not subscribe 2 thise) 

This info that was brought up 2 me is high evidenc that Moony won the race, n it explains how Moony surprises Ena whn Ena arrives. “I’m The Best and you’re the worst! I wonder who got the hair chest?” said by Ena, is a direct reference 2 a phrase usd by kids when they lose that goes “First is the worst, second is the best, third is the one with the hairy chest.”

“Whoever reaches the top of the Great Runas n makes their wish 1st, has 2 pay the debts of the loser.“ Might be phrased tht way as a weird way 2 pay 4 ur greed? (Last minute addition from me since some people wld think this is quoted wrong in and outside of the youtube comments)

i'm p sure ther may even b mor theories b i dont rmmbr them OOPS

Part 2: The Implied Integration Part AKA: How the System!Ena theory is affected by this episode

TW: Final fusion discussion, medical trauma (Is that the right word)

Disclaimer: This is 100% unintended by Joel G. That’s y the Alternative title 2 thise part is “How the System!Ena theory is affected by this episode”

2 GET IN2 the whole Implied Integr8ion part of my Essay�� I hav a theory calld system ena or sys!ena! (Check out my #system ena tag. This is in chronologicl order!) While thers no canon explan8ion 4 how Ena herslf is how she is, she mkes very intrstng n almst good accdntl Sys Represent8ion 2 me! They even show cofronting rlly well! I headcanon Ena as a system bc of the accidentl system!rep, but it explains 2 me y n how she switches! she has triggers 4 when she switchs 2 a diffrnt side, etc!

Ther hav been theories about Temptation Stairway in the past (before the episode cme out) wher ppl try 2 explain y the trailer Looks Like Tht. Besides theorizing abt the introduction of a new forme (I'm ok w just calling it Scared/Anxiety 4 now until 4rthr notic), 1 of the theories ive seen is tht Temptation Stairway's new introduced forme is due 2 being something akin 2 being "integr8d" (probably by force, accordin 2 the OP) (in other words, all her sides merge in2 one) n Ena being devast8td abt it

While tht theory is now DEBUNKED, bc the new forme clearly did not come out bc of being One Single Mind now, the "integr8ion" part of tht theory is unfortun8ly a littl tru

What is Integr8ion?

Integr8ion is not inherently a bad thing. In systems, ther are 2 definitions: "the breaking down of barriers 2 form healthy multiplicity, n then healthy communic8ion n less amnesiac barriers" and the othr, n mor FAMOUS definition bc its the oldest 1, is "final fusion"

Fnal Fusion is when all the members "fuse/merge" 2gether until ther is 1 single mind left. While not necssrlly a bad thng, final fusion n ther4 "integr8ion" is a scry thing 4 a lot of systems 2 talk abt, because in the history of Treatment, Final fusion is uslly somthng forcd on2 systems 4 the longest time :^(

Very valid 2 hav final fusion as a goal, b showng it as a desire n end goal is uslly seen as a sad n even scry thing 2 promote accdntly or not in media, bc of the previous traumas in the medicl/therapy world of system treatment etc

What's Worse. is tht if we apply the Ending 2 Temptation Stairway to the System!Ena Theory, thts wht hurts!!!

Scrolling back up 2 the possibl theories of who won the race and wht happened aftr, Either Moony or Ena wishing 4 the blue side/Sad Ena 2 go awy is rlly painful!

B I'll be honest, thts a RLLY biased n personal opinion i hav!! I've seen ppl think its rlly wholsom altho a bit Sad, tht the blue side disappears. I've seen ppl think its rlly sweet esp if it was Moony who mde tht wish

BSCLLY If I were to hold on2 the System!Ena headcanon while watchng the Temptation Stairway episode, its Hurtful, not rlly bc of the implied Integr8ion of Sides, but bc most top theories r that the blue side disappeard on Purpose either from Moony or Ena wishing her away or involvng the debt! It's like asking 4 ur sibling irl 2 Disappear and cease 2 exist. it's scary n rlly sad esp whn the audienc can c tht Sad, Happy, n Drunk cn almst b seen as their own persons n mite even b abl 2 interact w each othr (as seen by the many fanart of Happy n Sad having their own seper8 forms)

  Ok so Now tht ive described my intro n Main Beef w the Episode, here's a theory I cn rlly get behind tht dsnt mke me wnna cry behind a Denny's. Prsnlly it's a rlly relievng theory even if it mite b hard 2 take in

Ther's no name 4 it, som call it the Enaverse, b just so it dsnt get confusd w other definitions (like, u wldnt call it the Marvel Cinematic Universe theory, the MCU is jst wht it is) I'm gnna call it the Multi-Ena theory! Bsclly, there's mor than 1 Ena in thise universe. But I'll get in2 a sub/partner theory tht is also possibl: ther is mor than 1 enaverse n somhow u may or may not b abl 2 travel between them

Part 3: The Multi-Ena theory

Something interesting I noticed was that the shepherds says “another ENA troublemaker?” Which definitely means more than one ENA/person has been there before.

(I blockd out the rest of the commnt not bc it ws bad, b i wantd 2 focus on this part of the commnt, but thise commnt will come up again L8r)

Not connected 2 System!Ena or the integr8ion issue I mentioned earlier, the multi-ena theory seems 2 b 1 of the top suggstd theories bc of many thngs! Bsclly n in short, thise theory believs tht in the series (or Enaverse), ther is multipl ena's! So fr i havent seen a post tht RLLY went in2 depth on thise so here is my attempt!

Evidence:

(See: above explanation on how the voic actors r credited 4 their roles individlly 2 explain my system!ena theory/intro) In episodes 1-2, Ena's diffrnt emotions/sides r creditd individually! In Temptation Stairway, Gabe n Lizzie Freeman r all creditd undr the sme nme, just as "Ena" (mening thise is a completely different Ena from the past)

Again, as said in my summry 4 Tempt8ion Stairway, thise Ena acts compltly diffrnt n is not follwng the sme "pattern" or rules as Ena did in Episodes 1-2! (Read above in my summary section) Either ther r stuff we've missd between Extinction Party n Temptation Stairway, or thise is a diffrnt Ena entirely.  I'd hav 2 sy prsnlly tht I'm leanng 2wrds the latter bc of how the VA's are crdtd. but if ur not convinced, let me continu:

When we meet the Shepard in 7:52 of the episode, they say (verbatim) "Arghh... Another ENA trouble maker." which implies there r more than 1 Ena's

9:08 - 9:19 when Ena jumps in2 the "Holy Code" where we head undrwtr in2 a sea of diffrnt doors, we see floating Ena models (n the comment section seems 2 gravit8 2 callng them "dead bodies") (Honorary mention: You'll notic they glitch in2 Mannequins if u pay attention 2 them). This piec of info is Direct Evidence 2 the multi-ena theory, bc ther r Explicitly mor thn 1 ena's on screen! wht's concernng n unanswrd tho, is y do they glitch in2 mannequins? Does tht mean all the mannequins we sw on screen in the begnng of the video (n onwards) were all previously an Ena? Is it only an Ena tht can transform in2 a mannequin or cn othr chrctrs also become mannequins?

Not the strongst evidenc b i'll input it anywy: Ena's Action boxes (Like when she receivs or gives items) spell her nme her as ƎNA (with a backwrds E). The thing abt thise 1 is tht we can't compare it with Auction Day n Extinction Part bc they don't have any action boxes. BUT What we CAN compare is how she is spelled in the dialogue boxes of those speakng in diffrnt languages AND in the Credits! In Episodes 1-2, She's Spelled as Ena with this captialis8ion. In Temptation Stairway the dialogue and credits consitntly spell her as ENA in all caps. May or may not allude 2 her being diffrnt, b i will admit this is the most Strechiest piec of evidnc. Tru or not, I'd like 2 refer 2 Tempt8ion Stairway ena as TS!Ena or ƎNA, prsnlly 2 differenti8 her frm the othr episodes

Pronounci8ion: BUT 2 build on the above evidence, In the beginning of the episode, Moony DOES pronounc Ena's name in different wys a lot, startng w I-NA (ai-na), ENA (ehna), n finally JENA. And this isnt new! She’s been doing it sinc Auction Day (ee-nah/ii-na) n Extinction Party (ay-nah). Thise may or my not sggst that perhaps Moony's inconsistancy is bc these othr pronunci8ions or names cld b of other ena's she's met in the past w similr or diffrnt preferences! I’d say because of her constant switchng in the beginning of Temptation Stairway, it would lean 2wards that she may know different Ena’s @ once. Otherwise, c the Multi-Enaverse theory below

Note: Every othr charctr besides Moony (So far; Merci and the Shepard) Pronounces Ena as ehna (or ehna) so it might be that perhaps Eh-na is the universal way of pronouncng Ena?

Conlusions/thghts on this theory: I prsnlly like thise a lot!! It makes Enasonas Very Possible, b also tht any interpret8ion of Ena cn b corrct or possibl! It knda saddens me tho bc im not rlly sure if we'll ever return 2 the Ena we're used 2, I wldnt rlly want 2 b stuck w/o Sad bc I thnk her role is rlly neat n can b importnt, b im biasd. I also rlly subscribe 2 thise theory bc it means whtvr happend 2 TS!Ena ds not hav 2 be permanent in the long run; Again litrlly the only thng keepng me from gettng supr upset abt the ending of Temptation Stairway, is tht the prev ena’s r not the sme n wld possibly not do thise, or tht ther r othr ena’s out ther besides THISE episod 1, who wld nvr do tht, etc

Part 4: The Multiple Enaverses/Multi-Enaverse Theory AKA The Alternative In Defense of Moony Mispronouncing Ena’s name over and over

An alterntve 2 the Multi-Ena theory, is tht there is MORE thn 1 Enaverse! So bsclly, a multiverse theory. Primarily thise my explain Not jst Ena's sudden Shift in how diffrnt she is in thise episode b may also explain how Diffrnt Moony is actng in thise episode 2. While thise isnt the top theory i prsnlly subscribe 2 (sinc ther isnt explicit evidence besides it bein an explan8ion 4 Moony n Ena's weird/diffrnt behavior), it DOES open a lot of doors 2 intrstng things 2 thnk abt!

Bsclly Moony keeps mispronouncing Ena’s name a lot (in Tempation Stairway) n its Really Rude, esp consdrng she’s always said it properly (As in @ least 1nce in an episode n not switchng multiple times) b4! so 2 Explain her Sudden change in behavior, this is actlly a Different Moony, besides a different Ena. this is a whole different universe/timeline!

LIKE If not multiple Ena's, The different Loca8ions in Ena cn probbly b traversible across dimensions! The Holy Code may b the door 2 diffrnt enaverses. The Shepard's garden cld b an interdimensionl place tht is singular n deals w diffrnt beings passing thru! While i dnt hav mch 2 sy on thise, its RLLY Interestng 2 thnk abt

Like the Multi-Ena theory, thise also opens the doors 2 enasonas being vry possibl :^) Som ppl's evidences r all involvng Moony besides how Ena's rlly diffrnt

Moony can skateboard??

Moony's square shape hole can shrink 2 hold an item

while not strong ATM or frm wht i cn see, its still very inch restng!!! Tho I would sy it is VERY on par w the Multi-Ena theory anyway

Part 5: Honorary Mentions: Mini Theories

The Great Runas is actlly a play on the "Run As" Command! I'm not very Smart engh 2 break thise down vry well, b bsclly w all the allusion 2 "codes" n the Blood ID looking like a Chip, The Great Runas being abl 2 grant u wishes makes a lot of sense! This ws brought up 2 me from a friend (@ambercard​)!

like its a command line. so then the great runas being able to grant wishes makes sense if its digital world like all the code stuff says Allows a user to run specific tools and programs with different permissions than the user's current logon provides.

Runas is a command-line tool that is built into Windows Vista. To use runas at the command line, open a command prompt, type runas with the appropriate parameters, and then press ENTER.

In the user interface for Windows Vista, the Run as… command has been changed to Run as administrator. However, you should rarely have to use the Run as administrator command because Windows Vista will automatically prompt you for an administrator password when it is needed.

and my friend who i was talking to said that probably explains what the password was for and the blood id being a login or something?

its possible using the blood id akin to using the run as administrator command since idk their name but one of the people ena met said the blood id didnt seem like her which is like. if she isnt administrator then it would make sense that using that command wouldnt match who she is

My response:

man do u realiz Ena uslly does not hav the corrct passwrd/admin privileges all the tme? Bc the guardian entity in extinction party askd her 4 1 b i guess it ws so Low Game tht it wsnt supr necsrry in the end

The Enaverse is all a computer code of some sort- most probbaly a game! AKA: This is a digital world

... If we were too treat this world as a video game this would make more sense since different play through bus and all that. Oh god this feels like a fnaf situation, taking a video that just wants to be a video and turning it into a big serious thing

Going with the whole ‘there are multiple enas representing the player’ theory, perhaps this ENA realized that she’s in a video game and isn’t taking it too well? But the game is kind of glitching out because of it.

Honorable Mentions: Random Info + Unanswered Questions

Ena seems self-aware of smth! (10:24 Ena screams "YOU'RE ALL LIVING A LIE!") May help the Run as command idea n the video game/digital reality idea! If not a video gme, they sure r Somewhere

What does the Great Runas look like?? is it the door? is ther mor thn 1 Runas?

What is Mariya n Gabo's Job? R they just like the Guardian Entity in Extinction Party but are assignd 2 this part/location of where they are?

In 6:30, wht does Ulysses mean by "Desires r never fulfilled nor quenched"? "You Will fail like the rest of them" Is he referring 2 the other Ena's that's passed by? who else have come n failed?

This Post Also brings up som good points I hvnt noticd yet!

Thise comment pretty much says everythng:

Standout things from this animation:

-This Ena switches between a male & female voice at seemingly random instead Happy speaking with a male voice and Sad speaking with a Sad voice. The text boxes noticeably refer to this Ena with a reversed E, and The Shepard says "Another Ena troublemaker", implying that there are multiple Enas. We also see some Ena corpses flickering into the mannequin bodies at one point. Third, at the end we see Ena's sad half turn from blue to yellow over the course of Ena & Moony's conversation. My personal theory is that this Ena is possibly 'broken' in some manner. -Moony either doesn't care or dosen't realize that Ena's voices aren't matching the personalities anymore. -The grey personality appears to come out when Ena gets too stressed out. Notably the transformation involves the happy half turning into static and exploding out, erasing Ena's face in the process. It also appears that some physical trauma (in this case, Brick Frog kicking Ena) is necessary to exit the grey personality, unlike the previously seen 'blackout' personalities which can possibly be switched by the other personality exerting themselves (in the auction episode, Ena enters her sad blackout/depressed personality, then switches to Happy!Ena, who apologizes to Moony about her depressed outburst). -Moony's hole is capable of closing to hold things, and she also knows how to skateboard. -Judging by Ena's reaction, Moony's transformation at the end is weird even by this universe's standards.

aaaand thats all 4 now! I really hope thats all my brain can think of skjsdhfsdfkh

Feel free 2 send me asks abt Ena theories n stuff! While this is a Comprehensiv post, it’s definitely mor focused on the Multi-Ena theory n my thghts on the episode whn it comes 2 how it affects the System Ena theory. I’m open 2 questions!!

Last Edit: Feb 19 2021 (GMT +8)

[ordinaryschmuck]

What I Thought About "What If...Captain Carter was the First Avenger" from Marvel Studios' What If...

Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Back when Marvel Studios announced the new lineup of films and shows, I was admittingly underwhelmed. Nothing we've seen so far has been poorly written, far from it, but during the announcement, nothing really popped out at me as worth getting excited for. That is, except for one series: Marvel Studios' What If... An animated series that changes the canon of the Marvel Cinematic Universe, all through the simple question. The question being, "What if this happened instead of that."

From the get-go, I was sold on this idea. I'm a sucker for hypothetical scenarios, thinking up all the ways of how some of my favorite stories in fiction could be drastically different thanks to one tiny change. Some might call that "Fanfiction the Series," and while you're not wrong, I fail to see how that's a criticism. Because fanfiction can be fun...just as long as you ignore the sick freaks, sure, but it still can be fun! So whether Marvel Studio's What If... is fanfiction or not, it still didn't change how excited I was to watch it. Was it all worth the hype? Well, to answer that question requires spoilers, so keep that in mind as we dive deep into Marvel's most ambitious project yet.

Now, let's review, shall we?

WHAT I LIKED

The Watcher: Gonna get the generals out of the way before I talk about what I specifically like about this episode. Ok? Ok.

Now, using the Watcher as the narrator for this series is just perfect. What If... already has a similar energy to The Twilight Zone: An anthology series that takes viewers to new and mysterious realities all through the guidance of an omniscient narrator. And using the Watcher as that type of narrator might just be the second-best choice...number one would be Stan Lee, obviously, but...he's dead now. May he rest in peace.

I haven't read that many comics, so there's not much that I know about the Watcher's character aside from a ten-second Google search. But something tells me that a character described as a celestial being that observes and records the events surrounding the galaxy sounds like the exact type of omniscience to guide us through the unknown. All added with Jeffrey Wright's performance, who really does convey a character that sounds like he's as old as time and wise beyond his years. Plus, it's pretty cool that such a seemingly odd character now technically plays a major role in the MCU canon. Comics are weird, and if the Watcher proves anything, it's better to embrace that weirdness than deny it.

The Animation: Looks like someone watched Spider-Man: Into the Spiderverse.

That really is the feeling I got when watching this. What If... doesn't look as good as Spiderverse (Nothing can be as good as Spiderverse), but the idea is still there as it combines primarily CGI animation with a few hand-drawn elements. It makes certain scenes just pop and, at times, even makes specific shots look like they're straight from panels in a comic book. Besides, while Spiderverse still looks better, that doesn't mean the animation isn't phenomenal in What If... The scenery looks gorgeous, the CGI models moderately match their live-action counterparts, the expressions are fantastic, and movements are as smooth as butter. There was definitely some money that went into this series to make it look as good as it did, and my eyeballs were more than grateful because of it. Especially when it comes to--

The Action: Holy s**t, was it a good thing that this series was animated!

The MCU has had its fair share of great fight scenes in the past, but it always felt restricted to what the big superhero fights could be due to everything needing to look "realistic." That all changes in What If... Because now that this series is animated, we can finally chuck realism out the window and allow these characters to be as epic as they were in the comics. The movements are swift, the blows look like they hurt, and best of all, you actually get to see characters fighting each other! There are no random cuts to hide the stunt doubles or weird camera angles to avoid audiences seeing how ugly the CGIed replacements are. We get to see all of the action with zero restraint, thanks to the fact that animation is limitless and allows writers to get away with literally anything. And shows like this make me wonder, "Why the hell isn't the MCU animated?"

Peggy as Captain Carter: It's here that we get into the specifics, and by golly, do I love me some Peggy Carter making a return. And what a return she made!

Seeing Peggy kick Nazi ass as Captain Carter is as awesome as it sounds as she gives a new definition of a "Strong, independent woman." She took s**t from no one and was more than willing to destroy anybody who said differently. It's a ton of fun for fans (the ones who aren't sexist, at least) and even fun for Peggy as well now that she gets a chance to wreck shop. However, that in itself could cause problems. If you watched Agent Carter (a great show, by the way), then you'll know that Peggy doesn't act as...somewhat meatheaded as she does here. As she said it herself, she's "usually more covert than this." And she is, as she was pretty much the first superspy in the MCU, who's impressive through how she effortlessly infiltrates her way to winning the day with diminutive requirements for fighting. So stripping that away gets rid of a core part of what makes her character so interesting. Although, in fairness, you could blame the fact that the reason she's acting like this is that the super-soldier serum is messing with her brain a bit. We've seen through U.S. Agent the reciprocations of the wrong person taking the serum, and while Peggy is far from the worst pick, there are hints of why Steve Rodgers was the best choice. Still, even though it's not the same Peggy Carter, that doesn't mean Captain Carter is a poor addition to the hero roster in the MCU. She's cool in all the right ways, even though they're drastically different from what made her compelling, to begin with.

Howard Stark: Another character I'm more than happy to see again!

Howard didn't leave that much of a grand of an impression in Captain America: The First Avenger, but in Agent Carter (Seriously, great show), he was a blast. You can just tell he was Tony Stark's father through all the ways he fast-talks in and out of problems and brilliantly comes up with solutions thanks to being tech-savvy. The main difference between Howard and Tony, however, is that Howard prefers to stay on the sidelines, where Tony learned to be more proactive. You get a sense of that in this episode. Because even though he goes to save the day, you can tell that he would rather be anywhere else. And, as a bonus, Howard's just funny. Probably not up there as one of the funniest characters in the franchise (Paul Rudd's Ant-Man reigns supreme), but he still cracks me up more times than not. Howard may be nothing more than a side character, but he'll always win me over no matter how small of a role he has.

Steve Rodgers in the Hydra Stomper: Don't mind me. Just admiring the fact that despite being crippled and skinny, Steve Rodgers still finds a way to fight the good fight, which is who Steve is to me. One of the best things about The First Avenger is that it fully understands the hero that is Captain America. Serum or not, he will do all he can to do the right thing and won't give up despite how many times others tell him he should. So if Steve's going to fly around in a suped-up Iron Man suit that's appropriately named "The Hydra Stomper," then Steve'll f**king soar. Because he is a gosh dang superhero, no matter what name he takes at the end of the day.

Fast-Forwarding Through Events: Some fans might take issues with this. Don't get me wrong, I would love to see all the little changes that Captain Carter makes to the story, but realistically that's not the best choice to make. Let's be honest, there's not that much to show other than what this episode did, and doing a full-on rewrite of Captain America: The First Avenger would have rubbed some fans the wrong way. Besides, from what I can tell, most of the What If... comics are one-shots that very rarely branch out into longer arcs. The primary goal is less to write this large-scale story and more of this self-contained narrative that does what it precisely delivers: Show fans a glimpse of what would happen if this happened instead of that. That's what we were given, and I can't really complain that much. I would have loved to have seen more, but I can learn to be happy with what I got.

Colonel Flynn Taking Credit: This guy is sexist and an idiot, and that's why I hate him...but I'd be lying if I said that I didn't at least chuckle when he said everything was his idea. It's such a scumbag move that I couldn't help but find the humor in it.

(Like, what even was that scene where Peggy was pissed at Steve kissing a girl. THEY WEREN'T EVEN DATING !)nd Steve falling in love inThe First Avenger, which certainly wasn't helped by how they had these dumbass misunderstandings of each thinking the other was dating someone else. Here, they at least get to interact, confiding in one another about their insecurities and offer support when needed. And while it may be a little rushed, I'm more willing to believe their romance in under thirty minutes than I did in over two hours. It could have been better, but it also could have been much, much worse.

(Like, what even was that scene where Peggy was pissed at Steve kissing a girl. THEY WEREN'T EVEN DATING AT THE TIME!)

“I won’t tell you anything.”/”He told me everything.”: That's the Peggy Carter I know and love! Added with a solid joke, too.

Steve’s Pratfall: It's nice to know that no matter what universe we see, Marvel is still funny.

Peggy’s Sacrifice: Much like Peggy and Steve's romance, I buy Peggy's sacrifice way more than Steve's. Several fans already pointed out how it makes no sense for Steve to crash the plane into the icy waters when it seemed like he had enough control to land it or could have easily jumped out after aiming for the crash landing. Here, there's a more legitimate reason why Peggy sacrifices herself. The monster was undefeatable, and the only way to stop it was to push it back through the portal. Peggy, being the only one strong enough to do so at the moment, was the only option, and there was no way where she didn't end up going through with the monster. Even her return makes more sense, as I think her being lost to time and space sounds more believable than Steve surviving being frozen in ice. Something no mortal man should live through. Peggy's sacrifice proves that while the MCU can't change its cannon past, the writers learn from their mistakes and make something better.

WHAT I DISLIKED

The Reasoning Behind Peggy Becoming Captain Carter: So, the idea that one small change can greatly alter the story we knew is a great one, and it's one of the main reasons why I was excited about this series...but how does Peggy staying in the room cause the Hydra agent to detonate the bomb early? I understand the ripples that come from the Butterfly Effect, but I feel like that's too big of a leap to reason how Peggy ends up taking the serum instead.

Colonel Flynn: How is it possible that this guy is somehow even more of a pain in the ass than the general he replaced? At least Chester Phillips had the decency to respect Agent Carter!

Red Skull is Still on the Dull Side: Red Skull isn't an awful villain, but he wasn't really a great one. It's the same here, as he's just as forgettable and wooden an episode of television as he was in a full-length movie. But at least he had a cooler death this time.

Sebastian Stan is Not a Great Voice Actor: He's not awful, but his talent really doesn't shine in this regard. Some people think that being an actor and a voice actor is the same thing, but it's not always the case. Through live-action, actors are given a chance to express emotion through their expressions, movement, and voice. With voice acting, actors still have to convey emotions, but strictly through their voice. Meaning that actors like Sebastian Stan are limited to what they're used to and can stumble a bit when trying to perform in a field of acting they're unfamiliar with. You can tell he was trying his best, but this type of thing can take far more practice for others to perfect.

“Whew. Thanks. You almost ripped my arm off.”: ...hhhhhhhhhhHHHHHHHHA! HA HA! Ah...oh man...I, uh...I felt the internal bleeding with that one. Wow. Just...wow.

Bucky Leaving After Steve “Died”: Ok, now that's the biggest bout of bulls**t I've ever heard. BUCKY WOULD BE WITH STEVE 'TILL THE END OF THE LINE AND WOULD NOT HAVE LEFT THAT QUICKLY!

...This episode did Bucky dirty, didn't it?

IN CONCLUSION

I'd say that "What If...Captain Carter was the First Avenger" is an A-. It's still a solid start of what I can already tell will be a great series, but some elements could have used some polishing out. I loved it, but it wasn't as bloody brilliant as it could have been.

(And I meant it: WATCH AGENT CARTER! It's pleasantly surprising!)

[theglguidetowebcomics]

Full review: Girly

What’s Pink, insane, NSFW, hilarious, and somehow heartwarming at points? This comic is a ride and a half, and I’m genuinely surprised more people haven’t heard of this one… I’ve been wanting to talk about this one for a WHILE. 

So let’s talk about the elephant in this room… Because I think it just ate someone’s couch. 

Slightly NSFW review with spoilers below.

Girly, by Jackie Lesnick was a webcomic that ran between 2003 and 2010, (and really has some of those early webcomic hallmarks). Its monochromatic pink, vertical, with a poppy early cartoon feel. It’s also listed as a romantic comedy, which is… correct, but cuts a whole lot of what makes this comic good, short. 

This review was always going to be one of the 4 I really struggled with. And not just because I lost it the first time without a back up in a code glitch, got distracted by a pandemic, then procrastinated my way to finally making a second version in my new backup folder… No, well also yes but no. This was a comic I read when I was younger (and should NOT have read  when I was younger), and have always had a soft spot for. I’ll admit as much as this comic has its flaws or weird moments or just weirdness in general, its one of the few comics I’ve found myself rereading in its entirety more than once. And no matter how much I know it's coming, find myself sobbing, uncontrollably, at the final panel. There’s surprisingly a lot of heart in this comic, and a whole lot of honesty in just the direction the author took this weird little thing. But, first let me take of those rose tinted glasses as much as I can… (actually that might not work too well with a pink comic seriously whats with all these early 2000s lesbian comics being PINK?). And give this old comic a look and a bit of a dust. but , first...

Sex.

Getting to the point - page 3 of “Girly”

Girly is a NSFW comic. It’s not shy about it either. It hits the audience (and the main character) over the head with it literally in the first pages. It has sex positive characters, a sex positive world, some characters with… sex powers almost, and Dildos, a whole lot of dildos. Some even with smiley faces on them. It’s a pretty unavoidable part of the comic that makes up a large core of it’s humour and is baked into its wacky world. So if that’s not your thing, and it’s not really skippable in this case, you won’t like this comic.

But, if you’re alright with that part of it this might just be a hidden gem. Moving on.

Art

Artwork is always interesting in webcomics. They’re usually one man shows, have a weird niche / strong influences, and or usually go on massive journeys as the art improves. Girly is no different here. 

Girly starts out rough. Some poses are wonky and its a bit scratchy. Technically speaking it has a few issues, which is fine. Its a free webcomic, from the 2000s that didn't copy and paste faces. (Won’t name names, you know who you are). You can’t be too harsh on a free comic, though.

However, what the art style does, even early on is set the style and feel of the comic. Anime inspired faces, bold outlines, and blocky silhouettes that were really popular with 90’s and 2000s cartoons. It has a newspaper, manga comedy strip vertical style, too. It fits the style of story well as a poppy wacky story. It's the perfect art style it could take.

Its rough in the beginning, but moves on from its scratchy days, to loose pen brush, to finally a polished free hand poppy style. It gets more technically advanced as it goes along, but it keeps its core style throughout. It’s fun, a little unhinged, and just pares perfectly.

The one issue I have with the art is it comes off as a bit cramped. It certainly matches the energy of the story, but it also feels like it doesn't let the characters have any breathing room in the frame. It comes off as squashed, and can make some character poses hard to read. That’s the only complaint I can find though. The issue even fixes itself later in the story, but just very very close to the end. It looks great there, but the majority of the comic is a little cramped. Still that’s just a small complaint.

Nitpicking here but some panels need a lil more room

This a humour comic foremost. It's the biggest part of what makes Girly specifically Girly.

Humour

The humour is mostly wacky nonsense, playing off its insane characters, physics defying world, everything being dialed up to 11. It also works a lot like satire, poking at what influences it, and playing with cinematic expectations. The first page has Otra shooting someone into space on a rocket because they annoyed them, the first “adventure” the character’s go on is stealing everyone’s pants because they couldn’t find anything else to do. Then there’s the kidnapping adventures, knight trials, and slice of life shenanigans that happen. All of it as wacky as the last. I haven’t really found any other lesbian comics like it. Its not everyone’s tastes, but it is certainly unique.

If you’re into a willy wonka tunnel of over the top characters and plots, you’ll like Girly.

Characters

Girl is a LONG comic, it ran for 7 years. The art evolved, the story writing, jokes, and themes along with it. It was originally meant to run for only 50 strips... and it ended up with 764. 

so, there’s a lot to unpack.

Firstly, the premise of the story is somewhat simple. It focuses on Otra. The kinda straight man to the entire universe. She starts out almost depressed, out of place, and bored of the wacky inhabitants of her world. Until one of those wacky residents smacks her over the head with a giant dildo and won’t leave her alone for the next 7 years of run time. 

What follows is the sullen Otra being pulled around by the always cheery and zany nonsensical Winter as the sidekick for bizarre adventures. Otra’s depressive grounded view keeps the bizarreness funny, while Winter cuts through her negative attitude and causes a lot of the over the top plot. Leaving Otra to warm up to the world, and Winter to get less reckless as they balance eachother out. It’s a fun dynamic, and works as an emotional core of the story. No matter how weird the plot and rules of the world are, their relationship keeps the story somewhat focused and rewarding to see develop.

An example of bold wacky character designs from even early on

The comic isn’t just about them, though. As an ensemble comic there's plenty of side characters that go through arcs and beats as well. From el chubacabre, the man that woman find so irresistible that they sleep with him as soon as they see him; detective Clapjaw the street wise detective who is very bad at his job; Officer Hipbone and police guy from the cute P D; captain fist the ever popular bad at his job superhero who gets all the credit; the news reporter obsessed with captain fist; the woman with babies; Steak;  the elephants that just… appear and eat buildings; among many many others. A lot of whom also have nicely written character arcs and depth in later chapters. Many of the character however are simple and remain simple, which isn’t a bad thing. For such a large cast, having a diverse range of strange characters with strong identities and looks even if a bit simple stops it from getting bogged down. It strikes a good balance. Plus there’s plenty enough of characters with more depth later on. 

 All the character’s are insane, and over the top in a way that really sets up the world they live in and how it works... as dysfunctional as it is. There’s something very Cartoon Network about all the characters, but with some wider influences. something about  dumb characters, with very specific goals and quirks that work on their own physics to feed into the high energy insanity of the world. Its entertaining to read, and leads to a weirdly charming feel of the comic. 

Story and plot

For the bit people actually want to know about. What is it about?

Just a little bit of influences...

For the style itself the comic comes off as a mix between early 2000s slice of life-y anime, 2000s cartoon Network, and a dose of 2000s webcomic sarcastic action/adventure flare. It definitely has one of the most pronounced styles that I’ve seen, and even if it's very much a webcomic of it’s time it also goes a bit beyond that into something that feels personal to the author and honest. Its a batshit comic. But, it wears its influences on it’s sleeve and really plays with tropes and ideas the author found engaging at the time. It somehow comes off as refreshing in just how willing it is to go weird or niche for no other reason but because it wants to. It's what I appreciate most about the comic. It’s honest.

The overarching story of the comic is without a doubt about Otra and winter growing together as people. But with a comic that’s run for 7 years a little bit more happens in the journey, at least you hope it would. Girly runs on chapters, 15 in total (with 15 having sub chapters due to being the story’s climax), and each one of those chapters follows a different plot or adventure with Otra’s and Winter’s developing relationship gluing them together. 

The plots themselves are wild and vary a bit in quality. But for a long comic that’s understandable and expected. They go from solving elephant problems, super villains, body swapping, fantasy parodies, and all sorts of strange things. Sometimes a few plots drag and a few character arcs feel a bit bland. It still manages to be entertaining all the way through though. The plots themselves work to get the character’s to play off each other and explore the strange world it takes place in. Exploring evil teddy bears, or an entire town devoted to cheap gags. No matter what, all the plots work in fleshing out the world and pushing character’s out of their comfort zone or forcing them to change. There are some that are less fun than others, but none of them manage to be boring or useless. Which for a long comic such as this, is quite an achievement.

Conclusion

Girly is a hidden gem, Its an insane sex positive comic. A loose style and even looser physics. It’s bold and unabashedly itself. But, at its core it's about the love story of Winter, the wacky insane woman needing to slow down and open up, and Otra, a sullen woman who’s deemed herself only worthy of being on the outskirts of society. It’s two people growing together in a world that’s up to its ears in care bears, sentient dildos, earth shattering cloning, and jabs at 2000’s paste it comics. And somehow it all sticks together.

The characters resonated, at least with me, which may be the nostalgia talking. But by the end of the comic I can’t help but  think back on how long it took them to get there. The bits that made me laugh (a lot of them), the stupid parts, and the character’s arcs, as over the top they could be at times.  It may not everyone’s cup of tea. But it has a lot of heart at its core. (If you get past all the dildos). 

For all it’s flaws and weird bits. I still find myself going back to Girly. 

Maybe now, some more people will too.

[meredithcollins]

NAME: Meredith Collins AGE: 22 BIRTH DATE: June 27, 1999 ZODIAC SIGN: Cancer GENDER: Cis Woman PRONOUNS: She/Her OCCUPATION: Full-Time student at Barton Point Community College, and Part-Time sales associate at Atomic Cominc

 HOW LONG HAS YOUR CHARACTER LIVED IN BARTON POINT?: Meredith was born and raised in Barton Point. She stayed home an extra year or so to help her dad and brother, then moved to California to attend college. She recently moved back to Barton Point.

PERSONALITY TRAITS: She is CREATIVE, RESPONSIBLE and WITTY but she is also.. IMPULSIVE, BOISTEROUS and ZANY.

3 CHARACTERS YOUR CHARACTER RELATES TO (optional): Lorelai Gilmore (Gilmore Girls), Maria DeLuca (Roswell 1999) and Anne Shirely (Anne of Green Gables/Anne with an E)

WANTED CONNECTIONS (optional): Childhood friends!! Maybe a cousin?

meredith has a twin named margot (that’s a big part of mer’s identity)

meredith was born first and definitely likes to make sure people know that she is the oldest

they have an older brother, marcus “marc”, who is 28 years old

they have a younger brother, Mason, who is 16 years old

their mother died of cancer when the girls were 10 years old

meredith really had to step up and take on the mother role for her siblings since her dad never remarried

she was in the top 2% of her high school class and continues to work extremely hard to keep good grades in college too

college was her time to let loose, she took a year off to help her dad but then she went away for the next two years. she went to UCSB- University of California Santa Barbara

joined a sorority, began to drink and just let herself have fun

one night at a party right before summer started meredith got extremely drunk and ended up hooking up with a random guy

the hook up resulted in a pregnancy, she just found out

she decided to keep the baby because she got way too attached when she found out, but she’s too embarrassed to tell anyone

she hasn’t even told margot yet, which is really hard for her

she’s currently 11 weeks and which means the baby is the size of a fig

she moved back to barton point but didn’t tell her friends or family why

meredith is a major dork

she will literally talk about dinosaurs, harry potter, musicals, video games, music, the Marvel cinematic universe, food, old movies and other random stuff for hours

she has a heart of gold

she’s super awkward ((but y’know that’s because i am too))

she’s a hufflepuff through and through

she works at the record store because it’s money and she loves music but her true passion is film

she worked at the movie theater growing up but wanted a change when she moved back

not only does she write, direct, film, and edit her own movies, but she sometimes writes music for them too along with her sister

she loves to make short films, music videos, anything

they are all really weird, but she loves getting to express herself

she posts everything on youtube but she also does movie reviews, makeup tutorials, crafts, and vlogs around campus and town sometimes too

[lovinlikeloki]

The Lone Wolf (Intermission)

Masterlist // Act I Interview

Word Count: 1.9k

ROSE HARRIS, A COMIC FAN’S DREAM COME TRUE

- “I never thought I would go from Story of Miss Oxygen to this!”

BY FAITH PRICE

Going from small independent films to one of the biggest movie franchises is a dream come true, right? Well Rose Harris could certainly tell you. She went from being someone nearly nobody knew to one of the biggest names on our screens practically overnight. Joining the Marvel Cinematic Universe as the one and only Fianna MacBhfloscaidh, Harris has become an idol for many people very quickly.

While most people know her for her part in Captain America: Civil War which hit the silver screen only a few months ago on 26 April, Harris has been in a couple of short films like Story of Miss Oxygen and even portrayed the lead character in Daughter. She also has a main character role in a new Netflix series currently being filmed named 13 Reasons Why. Needless to say, Rose Harris is a very busy girl and I was very lucky to get the chance to interview her.

FAITH: WHAT WAS IT LIKE TO JOIN SUCH A FAMOUS FRANCHISE? HOW WAS THE RESPONSE TO YOUR FIRST BIG MOVIE BEING ONE IN THE MCU?

Rose Harris: It was amazing. Joining such a big franchise with a huge cast was very daunting at first, I mean these guys are practically a family so it felt weird and almost intruding at first. But then Lizzie came over and started talking to me, uh she reminded me she was in this place only a year ago and kinda eased me into meeting everyone. As for the response, it was huge, I mean my follower count skyrocketed within like a day. I never thought I would go from Story of Miss Oxygen to this! It was really exciting.

SO I HAVE TO ASK, WHAT WERE YOUR THOUGHTS ON FIANNA’S, AND YOUR, ENTRANCE AND FIRST APPEARANCE IN THE MCU? WHAT ABOUT FAN OPINIONS?

Well, personally I loved it, I mean it was- I think it was pretty cool that, um, they made sure that she knew Wanda and like the Maximoff twins beforehand, that was always going to be a big thing. I really liked it, it was fun and very Fianna, I think. As for the fans? It’s almost a 50/50 split when it comes to their opinions, especially the fans of the original comics.

As you’ve probably seen, Fianna’s entrance has a lot of parallels to Peter Parker’s who is also introduced in this movie, which is what divided fans. For, ah, Spideywolf fans, I believe that’s what they’re called, people who pair Fianna and Peter Parker together, they were ecstatic and love to point out the similarities. But then on the other hand, Silverwolf fans, people who pair Fianna and Pietro Maximoff together, they weren’t as big of fans of this. I think it’s because in the comics they were the endgame pairing.

YOU THINK THEY DON’T LIKE THAT THEY’RE NOT ADHEREING TO THE COMICS?

Oh for sure. I mean as I said, Fianna and Pietro, they... they- in almost every comic series you read with the two, they end up together and Pietro seems to be pretty dead right now in the MCU. He- with all of those bullet holes he looks very not alive [she laughs], at the moment. And so in their eyes this is Marvel and the writers straying from the comics, as you said.

I guess they’re now left wondering how far from the comics we’re gonna go, because I mean she’s already a mercenary. Before the names Fenrir or Lupine is even uttered, she’s a mercenary, with zero Wolves Den, uh, context. So many comics are being ignored at this point, and that’s even disregarding her mutant and X-Men origins.

YOU MENTIONED THE WOLVES DEN COMIC SERIES, WHAT IS YOUR THOUGHTS ON THAT STORYLINE? IS IT SOMETHING YOU’D LIKE TO SEE IN THE FUTURE OF THE MCU?

I think that Wolves Den is probably one of my favorites, if not my favorite Fianna comic series. It’s very, I don’t know how to put this, it’s very chaotic. I mean there’s three different storylines to follow, the romantic one, the team one and then the villain one.

You’ve got the romantic one, Fianna and Peter’s storyline, I mean Fianna... she really messes Peter up in this series, emotionally. She does cheat on him, they break up and then she gets together with Harry Osborn, I mean it’s so very messy. Then there’s the subplot where she leaves the Avengers, she breaks off not only from Peter but also from Natasha Romanoff who she is extremely close to in this universe, I mean they’ve got a mother-daughter bond. Instead she becomes a mercenary where she goes by the monikers of Fenrir and Lupine, going between the two to keep the team of heroes off her back.

And while she’s doing this she’s also fighting off a villain by the name of Discord, someone from Fianna’s past, who is trying to take over and attack the minds of people in New York. She does all this at the same time, and it’s just a very chaotic, discordant series.

WHAT DO YOU THINK WAS THE MOST DIFFICULT THING FOR HER IN THIS SERIES?

Definitely the way she has to balance all of this, I mean she has so many different masks and personas and she has got everyone fooled. With Peter she’s the remorseless cheating ex-girlfriend, for Harry Osborn she’s the new rebellious girlfriend, for the Avengers and especially, as I said, Natasha she’s a traitor who abandoned them.

Then she’s also got this act of being a good guy even with the mercenaries. She really walks that tightrope between good and bad in these comics and is really morally grey and quite neutral. And she does all of this because she’s trying to protect everyone, or at least that’s her mindset. She’s leaving the Avengers, leaving Peter because she thinks it would save the heartache if something were to happen to her.

I think this is where we see how different Fianna is from the Avengers, because we see that she has the most self-preservation instincts out of all of the Avengers. She is always about protecting herself, she knows that to take care of others she needs to take care of herself first but it’s getting a little warped in her mind when it comes to how to do that.Most of the Avengers work themselves to the bone, lookat Tony Stark and Peter Parker, their mental health isn’t great at the best of times whereas Fianna doesn’t do what they do. She knows she needs to take a step back sometimes to take care of her before she can do her job.

[Rose then seemed to realise how long she spoke]

Sorry, I sort of went on a tangent, I’m sorry. I just love the storyline. Though some of it is a little too dark for the way the MCU currently is.

DON’T WORRY ABOUT IT, I’M SURE THE FANS WILL LOVE YOUR TAKE ON THE WOLVES DEN STORYLINE.

I’m sorry [she smiles bashfully]

NOW I HAVE TO ASK, WHAT WAS THE MOST DIFFICULT PART OF PLAYING FIANNA?

The most difficult part? I wanna say the stunts but actually I think it was more the dialogue, more specifically the accent and the language because it is definitely not all in English, you know, some of it was in Irish. Yeah, like learning- well no, I didn’t learn Irish for the movie because it’s... learning a language is difficult and... there’s actually a lot of grammar rules and stuff, to Irish.

I mean it’s crazy, if you’ve ever seen Irish written down and then heard it spoken you will know that it does not sound the way it look like at all. And the same combination of letters can make different sounds based on like- I think it’s the vowel changes the sound, it’s crazy. But it’s really cool, it’s such a cool language.

YOU DID AMAZING AT SPEAKING THE LANGUAGE, MANY FANS WERE IMPRESSED.

I was so lucky to have Ciarraí Quinn, she was, uh, she helped me with the accent, the dialect and the language. She was such a help with the accent because Fianna doesn’t have the accent you think of when talking of an Irish accent she has the Northern Irish accent. It’s kind of like a mix of Irish accent and maybe, some English too? I’m not sure how to describe it. It was very difficult to get down but thanks to Ciarraí I did manage to get it.

Also on the side of the language, it was really hard to not butcher it, like I said pronounciation in Irish is a little strange and I did struggle with it quite a bit. Not only did I have to learn the pronounciation but I had to make sure I had the perfect Native speaker accent from Fianna’s region.

I remember there was a line that Fianna said to Tony Stark while she was in the raft and to get not only the line, but to get the accent and the anger and pain and emotion into it, it took a long time to properly say it and to be satisfied with it. The very specific Native accent was so important because Fianna comes from an Irish speaking home, it’s her first language, and she even goes to one of the few all-Irish speaking schools. I really loved this aspect of Fianna and I really do love playing and portraying such a unique character.

THERE WAS A SCENE AT THE END OF CIVIL WAR THAT YOU HAD WITH CHRIS WHERE YOU BOTH SPOKE IN IRISH. WHAT WAS IT LIKE FILMING THAT?

Oh, yeah, a lot of fans seemed to love that scene and I did too, as did chris. It was really fun to film that scene so it was, we must have run over the lines a hundred times to make sure we’d get it right. This was something Chris and I wanted to make sure stayed in the movie, um... because it was almost cut from the script since the runtime was getting a little long but we fought to keep it in, we felt it was important.

Something a lot of people don’t know is that Captain America, Steve Rogers, he... his mother was an Irish immigrant. Based on the time she would’ve immigrated she most likely spoke the language fluently and would’ve spoke it at home with little baby Steve.

So that short scene, that little bit of dialogue meant a lot to Native speakers, Irish learners and even just second generation immigrants from anywhere. That’s why Chris and I fought so hard to keep it in the movie, the representation.

JUST BEFORE WE GO CAN YOU TELL US ANYTHING ABOUT YOUR FUTURE IN THE MCU?

Anything about my and Fianna’s future in the MCU? Let’s see, I’ve got a contract for quite a few things. Umm... there’s a couple of movies starring Fianna coming soon. She brings with her her own posse of characters and maybe a couple of others as well. Annddd I think that’s all I can say.

THAT’S ALL YOU CAN SAY?

I think that’s all I can say before someone comes in and like forcefully removes me from the room [she smiles widely, holding back a laugh] either that or you’ll end up with recording footage missing or a trained sniper will shoot me through that window [she points, laughing again] Feige will do anything to keep as much quiet as he can for as long as he can.

[takenbyemrys]

Merry Christmas Peachy!!! For @peachy-keener for Parkner Secret Santa event

---

Peter laid his head down on his books. He let out a muffled groan as Ned patted his back. MJ rolled her eyes from across the table. They were trying their best to get a last minute study session in before classes started.

“Come on, loser, it’s english,” MJ said. Peter huffed and sent her a mild glare.

“Says you.” Peter said. “All you ever do is read.”

Ned chuckled. “He’s not wrong MJ. English is so much easier for you than us.”

“Help us Michelle Jones, you’re our only hope.” Peter snickered as he said it, earning an eye roll.

“You’re both massive losers. It’s not that hard. But fine.” She leaned forward and began explaining just where they were wrong. MJ was halfway through her explanation when she was interrupted by Principal Morita walking up to their table. A tall girl followed closely behind him, her arms crossed and a scowl on her face.

“Oh you three will do,” Morita said. “Peter, MJ, Ned, this is our new student, Abbie Keener. Abbie is a junior, but she’s going to be taking a lot of senior classes, so I want you three to show her around.”

With that, he nodded to the four of them and walked out of the library.

MJ snorted. “Okay then.”

Peter, however, jumped up and grinned. He held out his hand to Abbie. “Hi, I’m Peter!”

Abbie raised an eyebrow at his outstretched hand but reluctantly reached out to shake it.

“Nice ta meet ya.” Her southern twang was rich.

“You too, Abbie.” Peter waved to the empty seat next to MJ. “This is MJ, who was oh so graciously helping us not fail English. And this is Ned.”

Abbie nodded to them, but otherwise said nothing.

“It was gracious of me, wasn’t it?” MJ smirked. “Why was I doing it again?”

“Because if you didn’t, we wouldn’t be going to NYU together next year,” Ned said. MJ huffed. “And what would you do without your soulmates?”

“Y’all are soul mates?” Abbie asked, clearly trying to assess the relationship with her eyes.

“Yeah, we’re all platonic soulmates,” Peter explained. He held out his left arm that had two phrases tattooed on it. MJ and Ned held out their wrists as well. “For me, the top one is Ned, because I first met him. Ned and MJ’s first was me too, even though MJ met us at the same time.”

Abbie studied his wrist, where the first phrase said ‘Do you like star wars?’ and the second said ‘Sup Losers.’

“Cool. My Brother’s my platonic.” She held out her left wrist. Peter saw that it said, ‘Hello, little sister.’

“Oh that’s adorable.” Peter grinned. Abbie grinned. Most people thought it was weird that her brother was her soulmate. “So, where are you and your brother from?”

“Tennessee,” Abbie answered easily. “My brother and I moved up here because he started at NYU this semester.”

Peter’s eyes lit up. “Oh cool! Are you planning on going there too?”

“Probably,” Abby explained with a grin. “I think i want to travel first.”

MJ nodded. “Same. Hard debating ditching these losers.”

Ned grabbed his chest, giving her an exaggerated gasp and the ultimate eyes of betrayal before crying out, “You would never!”

“Yeah, sorry MJ.” Peter shrugged. “After the whole ‘soulmate’ thing, you can’t really pretend not to like us.”

“I don’t know,” Abbie teased. “I’ll ditch my brother and you ditch them, and we can hit Europe.”

“The three of them can look after each other.” MJ agreed. She paused, looking between the boys. “Well, maybe.”

“Oh my god,” Peter gasped. “Ned, it finally happened. MJ found someone else who’ll be just as mean to us.”

He then wailed, burying his head in Ned’s shoulder. Ned, for his part, hugged Peter close and pretended to weep as well.

MJ stood up, both annoyed and affectionate. “Alright losers. Come on. We have class.”

“Ugh, I don’t want to go to class,” Peter groaned. Despite his dramatics, he looked to their new friend. “Abbie what classes do you have?”

Abbie pulled a schedule out of her backpack and handed it to them. It took only a few seconds for all three to look back up at her eagerly.

“Sweet!” Peter said. “You have most of your classes with us.” After he finished, he grabbed Ned and led the way out of the library. MJ snorted and pulled Abbie after her.

“Alright, Keener,” she said. “Looks like we’re adopting you.” --------

After that, Abbie easily merges into their friend group. She shares almost every class with at least one of them. This gives them all plenty of time together (especially she and Peter) and allows her to open up more. Her and MJ get on like a house on fire, making Peter and Ned sometimes wonder how they aren’t platonic soulmates, or maybe even romantic soulmates. Regardless, there’s nothing between them like that and they just all click. Abbie ends up invited to movie nights, lunch, and the occasional Aunt May sponsored thai food. She raises an amused eyebrow everytime Peter has to go to his ‘internship’ and everytime he has sprint out right after school.

It happened one day when Peter offered to walk Abbie home. He was rambling on and on about nanotechnology when it hit her. It hit her so hard she stopped walking, gaping at Peter.

“Abs?” He asked, eyebrows drawing in concern. He reached out and grabbed her shoulder. Abbie jolted out of her trance at his touch.

“Sorry. Just contemplating the inescapable chasm of loss in regards to abandonment.” Abbie pressed her lips together, trying to stop the onslaught of invasive and horrific thoughts. It was only natural. Harley and Peter were soulmates. There was no doubt in her mind that these two idiots would fucking love each other. The only problem was Abbie. They would run away together, and do science, and completely forget about her.

“Fucking mood. Literally my entire existence.” Peter snorted. Abbie raised an eyebrow.

“Who abandoned you?” She pried.

“Besides everyone? My parents dumped me on May and my Uncle Ben’s doorstop when I was like nine. Then, Ben died in my arms last year after a robbery. So, i get it. Whatever you got goin on, you’re not alone, and I’m not gonna abandon you. Never will.” Peter gave her a sad, lopsided smile, and Abbie melted. She launched herself at Peter, wrapping her arms around him. Peter gasped as Abbie knocked the wind out of him, but instinctively reciprocated.

“You’re great, ya know that Parker?” Peter shook his head and slung his arm around her. He led her down the street.

“I’m something. So, I shared. Who abandoned you?” Peter squeezed her shoulder. “Besides everyone?” Abbie smirked. “Dad left when I was a baby, but mom did the emotional abandonment thing. All I ever had was Harley.” Abbie shrugged. “Hopefully I’ll always have Harley.”

“Well, I’ve never met the mysterious brother whose never at your apartment, but based on everything I know about you and him, he wouldn’t leave you either. I mean he drug you all the way to New York because he refused to leave you at home didn’t he?” Abbie looked up.

“How in all seven hells did you know that?” She asked. Peter shrugged.

“Best guess.” He gave her his best dimples and a wink.

“You’re too smart for your own good Parker. But, I still appreciate it.” Peter stops at the door of her apartment building. “And for the record. I won’t abandon you either.” Peter lit up like a christmas tree. “Now get outta here. I know you have stuff to do.” Abbie winked and sauntered through the door. Peter shook his head, but slipped into the alley next to the building.

---------

“Does he really believe he’s bein’ subtle about the whole Spiderman thing?” Abbie asked one day, watching Peter sprint across the courtyard. MJ rolled her eyes and Ned gaped at her, already trying to find excuses to explain Peter’s behavior.

“Unfortunately.” MJ despaired.

“Ya know. I think it’s time y’all met Harley.” She was still staring after Peter.

“Because?” Ned asked.

“Because I just have a feelin’.” Abbie said as explanation. “We can go meet him now, if you’d like. Then y’all’ll definitely know what I'm talkin’ about.”

MJ shrugged and closed her book. “Might as well. Ned?”

“Why not?” Ned nodded.

Abbie led the duo through New York, stopping at the entrance to a run down garage. “You’re sure he’s here?” Ned asked. Abbie held up her wrist, staring at the invisible string she knew was there.

“Yep. I’m sure. Come on.” Abbie pushed opened the door and led them through the waiting area. Music boomed the minute she opened the door. ACDC almost burst their eardrums. When they reached the garage portion, MJ raised an eyebrow at the sports cars, while Ned was too preoccupied with the state of the art parts strewn around the room. “Yo, Harls!” Abbie yelled over the music, pointing to a car with it’s hood up. They noted the shirtless man leaning over it. He stood up and yelled at the ceiling, turning off the music. He pulled a rag from his pocket and wiped his hands.

When he turned around MJ snorted. Ned grinned.

“Ya’ll must be Abbie’s friends. I’m Harley.” The southern dripped off his lips, sweeter than tea.

“Well, fuck Keener. You had a feeling, huh?” MJ asked. Ned shook his head.

“Just a feelin’.” Abbie answered.

“I’m missing something.” Harley said, his lips twisting into a scowl.

“You’ll find out soon enough.” Ned grinned at him. “I’m Ned, this is MJ.” MJ jerked her head, smirk still dancing on her lips.

“Peter couldn’t make it. But, i’ll bring him by tomorrow, if thats cool?” Abbie asked.

“Yeah, you know that’s cool. So, y’all go to nerd school?” Harley asked.

“The nerdiest.” MJ confirmed.

“Is that the beginnings of a sublight engine?” Ned asked, pointing to a massive pile of parts on a nearby cart.

“Hell yes!” Harley grinned. He began to explain how he was making it. MJ leaned toward Abbie.

“This is the best feelin’ you’ve ever had. And i’m personally upset you didn’t tell me sooner.

“It just hit me a couple weeks ago. There’s no way they aren’t soulmates.” MJ grinned at Abbie, who hip checked her.

“When are you bringing him? I so want to see it.” MJ stared at Ned, a rare soft smile on her face.

“Tomorrow for sure. I wanted to make sure y’all agreed with me. We can do the exact same thing.”

“Do you know what Harley’s soulmark says?” MJ aked. Abbie grinned evily.

“Oh yes. And you won’t want to miss it.” Abbie collapsed on a couch near the wall and watched Ned and Harley nerd out over Star Wars and mechanics.

“Fucking losers.” MJ said fondly, sitting next to Abbie. They stayed for another hour, plotting the lovely demise of Peter Parker into the abyss that was Harley Keener. Ned and Harley kept getting more excited as the moved from engine to engine. MJ pulled Ned away after a while, offering to walk him home. As soon as the door closed, Ned turned to her with a grin.

“MJ. He’s fucking perfect.” Ned vibrated with excitement.

“Intelligence?” MJ asked.

“Off the charts. No way they won’t be on the same level. Also, did you see the abs?” Ned asked.

“You mean the ones literally showing through his shirt? I saw. The honeyed accent is no slouch either. I’m thrilled to see what happens tomorrow.” MJ hugged Ned when they reached his apartment and practically skipped to hers.

-----

“I can’t believe I missed meeting Harley!” Peter groaned.

“We’ll go back today so we can meet him,” Abbie rolled her eyes. Peter lit up, a grin gracing his lips, and his dimples gracing Abbie. After class MJ and Ned led the way to the garage, having a heated debate on MJ’s latest book. Abbie was studiously ignoring Peter as he tried to pry information out of her.

“Come on, you never tell us about him. I’ve been so curious. I mean he’s your platonic soulmate and that’s adorable.” Abbie rolled her eyes at him.

“You’ll meet him in just a minute, Parker. Calm the fuck down.” Abbie bumped his hip against Peter’s. The boy huffed and crossed his arms. MJ opened the door to the shop, and they were once again blasted with ACDC. Peter’s eyebrows jumped in surprise.

Harley was working on the same car when they walked in, but this time, he was under it. Abbie walked up and hit the hood of the car. Harley’s legs jerked as he jumped in surprise.

“Ow! Fuck! Abbie!” Harley rolled out from under the car and jumped up, glaring at his sister. She gave him a sweet smile.

“Sorry Harls. Just letting you know we’re here. Also, you didn’t meet him yesterday. This is Peter.” Abbie flung her arm out, pulling Peter out from behind MJ and Ned. Peter’s eyes widened, following the line of grease smudged on Harley’s neck.

“Oh you. Fuck me.” Peter muttered. Harley grinned and leaned back onto the car. Harley held up his wrist that said ‘Oh you. Fuck me’ in Peter’s notorious chicken scratch.

“Maybe not now, but hopefully soon, darlin’.” Harley smirked as Peter’s eyes widened. MJ and Ned were trying their hardest not to laugh. Peter held up his matching wrist and grinned.

“Well, who'd've thought.” Abbie smirked, grinning between the two who she now thought of as her brothers.

[bill-the-baker]

I’ve also decided to finish this decade with something more light-hearted, detailing the many trends that one can associate with the past ten years. I styled this picture in a similar fashion to those gaudy collages you have relating to the 1980s and 1990s, with this mainly being reflected in the style of this picture. The title of the picture holds a very minimalist design, and is shown from inside a phone, whilst the rest of the poster has a dull white background. These main design choices were added to reflect the omnipresence of smartphones in this decade, as well as the general trend of Minimalism, which has been followed by many companies in recent years. The decision to make the background seem plain was not completely because I’m feeling lazy, but because I tried to follow the trend of minimalism, a trend I personally hate because of how boring it is (I probably would have added in a pretty pattern if there was some other major design trend).

Beyond this though, there are a few other things I chose to add in to reflect the 2010s:

-Ragecomics- The basis of most early-2010s memes.

-Skrillex (or rather Dubstep in general)- A key figure in a genre of music that you either loved or hated.

-Obama- A fantastic President who laid the groundwork for change that will hopefully be built upon in the future.

-Hipster culture- Fresh-out-of-college rich kids who made avoiding the mainstream a mainstream trend.

-The Occupy Movement (“We are the 99%” sign)- A promising post-Great Recession movement with disappointing results.

Gay Rights- Gay marriage is now legal in places like the United States, and homosexuality is more accepted the western world, so much so that companies are now no-longer afraid to pander to them whenever June comes around. Still, other parts of the planet have yet to change their outdated ways.

Trans rights- With people like Caitlyn Jenner and Leelah Alcorn, Transgenderism has arrived into the forefront of social issues, though it remains a strongly divisive issue throughout the decade.

Drones- Like helicopters but smaller and cheaper.

Overwatch- An interesting game that offered a unique personality to the shooter genre in a decade oversaturated with annual Call of Duty releases.

Cuphead- A challenging run-and-gun platformer with a Golden-Age animation-style, showcasing what can be made through video games these days.

Minecraft- The game that doesn’t die. It defined the childhoods of many gamers who fondly remember the early-2010s, and has since made a major resurgence in the decade’s end.

Steven Universe- A much-loved show that offered many unique and progressive themes, which I can admire despite my mixed feeling for the show itself.

Gravity Falls- A show aimed at children didn’t have to be this immersive and interesting, but Alex Hirsch and his team did it anyway and offered the world two seasons of hilarious and yet gripping television.

Political correctness/Woke-ness (“That’s Offensive” speech bubble)- Something that has been pushed to death among the political mainstream, but especially by the Left, as people are silenced whilst others demand safe spaces to keep their precious feelings from being hurt. Political correctness is a somewhat-trend that is better off staying in this decade.

Shrek- Whilst the 2010s have been starved of a new Shrek film besides the contested “Shrek Forever After”, the “Shrek is Love, Shrek is Life” greentext story, despite its crude subject matter, has made the brutish but kind ogre a mainstay in meme culture, whilst offering people the opportunity to explore the nuances of the franchise, after growing up with the character.

Pewdiepie- Starting out strong in the decade, making a name for himself as “that funny Swedish guy who screams as scary games”, an incident in February 2017, in which he was called a Nazi by the mainstream media, resulted in him becoming a more independent and politically incorrect figure, before going on to unite the internet in a battle for the most subscribed YouTube channel against a corporation. He lost in the end, but it was fun while it lasted.

Tyler, the Creator- Offering a unique sound among waves of forgettable Pop music, Tyler evolved from an edgy but somewhat humorous rapper, to an interesting and poignant singer in this past decade, achieving near-mainstream success.

Marvel Cinematic Universe (Endgame logo)- Many mainstream cinemagoers are bound to have seen at least one of these groundbreaking movies in cinemas, with their intense action and perfectly balanced humour, all culminating in the outstanding films “Avengers: Infinity War” and “Avengers: Endgame”.

Death Grips- Unlike anything that has ever been popular among general audiences, the exciting tunes concocted by MC Ride and Zach Hill have remained in the minds of many younger and more alternative individuals.

My Little Pony: Friendship is Magic- Arguably the most unlikely of fanbases to come around in this decade, this re-imagining of an 80s cartoon series had a style of humour and storytelling that peaked the interests of a group of adult men known as “Bronies”, who’s reasons for being interested were questioned and much of the internet hated them, but they were certainly something to behold throughout these years.

The 2016 Presidential Election (Hilary Clinton and Donald Trump)- A time many can regard as the branching-off point between the first and second halves of the decade, as the extremes of both sides were exposed to the world with astonishing results.

Vine- A social media platform that has since disappeared off the face of the Earth, but brought about many notable celebrities and memes that are often remembered by younger generations.

Vaporwave- Alongside Hipsters, Vaporwave was perhaps one of the few examples of a concrete “counter-culture” movement, offering an anti-Capitalist message within its use of music and iconography from the 1980s and 1990s. Since then, it is best known for offering a warm and interesting “aesthetic”.

Pepe the Frog- A frog best known for saying “Feels Good Man” earlier on, was later used by certain Right-wingers and has since been touted as a symbol of hat. But, with a smug grin like that, it appears that he doesn’t seem to care about what others say.

Social media- It already played a massive role from the mid-2000s-onwards, but now, the scale of social media has grown exponentially, with people moving away from mainstream news and entertainment and instead choosing to get their kicks on Facebook, Instagram, Twitter and YouTube. This focus on gaining the news from social media has held some negative consequences as fake news continues to fool gullible Boomers.

Hyperbeast fashion- In terms of fashion, the Hypebeast is the late-2010s’ version of the Hipster, though unlike Hipsters, who are financially-independent rich kids who make questionable purchasing decisions, Hypebeasts are often preteen/teenagers who suck money out of the credit cards of their rich parents.

Adventure Time- A rather interesting cartoon that started off as a fun show to get high to, but evolved into a gripping epic with an expansive lore and interesting world.

Minions- While they were rather annoying to older viewers following their introduction in the otherwise top-tier film Despicable Me, children and especially 40-something year-old Facebook Mums couldn’t get enough of these wacky tic-tacs.

Brexit- A subject that I, as a Brit, couldn’t seem to get away from in the past few years, as politicians refused to move forward with the people’s decision. But, with the Tory majority in Parliament, as depressing as that sounds, it seems possible that we can finally move on as a country to more important matters.

Vaping (Juul-smoking mouth)- Recovered chain-smokers and rebellious teens have made this trend a popular pastime, though its popularity has waned recently over health concerns.

Doge- Whilst it began as a singular image of a cartoonish-looking Shiba Inu making a weird face, as brightly-coloured Comic Sans surrounds her, this dog has become the subject of many surreal and unique memes, taking on many different forms, solidifying the transformative nature that all memes should strive for.

Hoverboards, Fortnite, Dabbing, and Fidget Spinners (The monstrosity on the bottom-right)- What do a handle-less Segway, a more cartoony (but somewhat better) version of PUBG, a dance based off of post drug-taking sneezes and small bits of metal for Autistic children have in common? They have all ascended to levels of annoying trends that at least some people have had fun with.

Undertale (Sans)- An interesting game that has gained a heavy degree of fame for its interesting themes and interesting characters, some of which have been admired a bit too much by certain teenage girls.

As for my personal experiences of this decade, I can say that, whilst I was born in the early-2000s, I was definitely raised in the 2010s. Much of my memories of the previous decade are rather minimal, and I didn’t follow that many trends considering I only lived on constant repeats of SpongeBob by the start of this decade. Since then, though I have gained many impactful memories from these past few years. Some good, some bad, some great, all of which were a part of growing up. In about two-weeks’ time, I will finally become a legal adult, and shall begin the rest of my life. So, I wish you all well, and hope your Twenties are truly roaring!

[fanficsaremylifeline]

Chapters: 1/1 Fandom: The Avengers (Marvel) - All Media Types, Spider-Man - All Media Types, The Avengers (Marvel Movies) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Ben Parker & Peter Parker, Peter Parker & Dum-E, Peter Parker & Morgan Stark (Marvel Cinematic Universe), Peter Parker & Tony Stark Characters: Peter Parker, Ben Parker, Dummy (Iron Man movies), Morgan Stark (Marvel Cinematic Universe), Tony Stark Additional Tags: he likes to talk, who cares if nobody answers, Brooklyn Nine-Nine (TV) References, whump warning: fire, ironfam, Irondad, IronDaughter, spiderson Series: Part 12 of Ironfam Summary:

Not everybody Peter enjoys talking to always answers. Doesn't mean that Peter can't talk to them though.

1

“Hi, Uncle Ben”, Peter smiled, somewhat awkwardly. “Happy birthday!” He toyed around with the card he held in his hand. “Unfortunately, they didn't have any 'For the awesome Uncle, who is practically your father' , so I went straight with 'For the world's best Dad'. I mean it's true on any level except genetically. Though I'm not sure how human my genes are any more, so I guess that's even true of my parents... Sorry, I'm digressing.”

Gently, he placed the card just by the bouquet of daisies, Uncle Ben's favourite flowers. They were somewhat wilted, but Aunt May was sure to come by later, and get him a fresh one for his birthday.

“Don't tell Aunt May that I skipped school, though”, he pleaded as he sat himself down, just by the head stone. “She'll ground me from Ned, or Spidermanning, or the Avengers and that's not cool... Oh yeah, that's right, I'm an official Avenger now!”, he beamed proudly, after having made sure that nobody was around to listen in on Peter talking to his Uncle's grave. “I know, it's so cool, right? And woah, you should have seen Aunt May, when she took on Tony Stark, and made very clear that every little thing that'll happen to me, she'll make sure he'll suffer too.” Peter couldn't help but giggle at Tony's grimace. A man who didn't seem to be afraid of anything was seriously scared of Aunt May. Not that Peter could blame him for that; he'd rather go up against the Vulture again, than Aunt May when she was angry with him.

“She's alright. I know I don't have to, because she's like the most badass woman out there, but I'm still looking out for her. And she is doing good.”

There was just this big, burning thing, looming in Peter's mind. “So, this might be a little awkward, but she's seeing someone again. He works for Tony, he's a really good guy, actually. And yeah, it's plenty weird. But Aunt May says, that he's not here to replace you, or anything like that, so I guess that's something...”

Fidgeting nervously with his fingers, Peter looked down on his hands. “I'm not gonna do that, I promise”, he vowed, “I'll never forget you, and I'll always love you and as good of a guy Happy is, you'll always be my Uncle, and you'll always have that place in my heart that nobody ever can have.”

At this point, Peter wasn't sure if he assured Uncle Ben or himself. Him it definitely helped; things were sort of out in the open. It'd be so much easier though, to hear some sort of answer, get some kind of reaction. But that wasn't gonna happen, was it?

2

“What? No!”, Peter groaned and dropped to the ground. “Why, WHY?”

At his outburst, Dum-E wheeled over, looking at Peter with a somewhat tilted head. Not that he really had one, but he definitely seemed to be curious what had Peter so frustrated.

“It's not working Dum-E. Nothing is! So, you see, that thing here is supposed to light up.” He pointed at the robot he built for the science fair.

It was slightly embarrassing, Peter had worked on far more advanced projects in here, mostly with Mr Stark, but also when by himself. “And I can't just ask Mr Stark, it's way to easy.”

Dum-E followed him around the table, curiously inspecting everything Peter explained to him. “So you see, with these cables connected, it should react to my commands! Ugh.” He rolled his eyes at his own idiocy and turned to Dum-E looking at him somewhat dubiously. Great, even the robot thought Peter was an idiot.

“Don't look at me like that”, Peter made clear, pointing at him.

The way Dum-E looked up at him, with his head somewhat tilted to one side, it reminded Peter of a puppy dog, realizing that something was wrong, but not really understanding what it was.

“I'm sorry”, Peter sighed and patted the little head, “I'm just stressed and annoyed and...” He just let out a deep sigh. But, all moping wouldn't help him, so he went back to disassembling the circuitry.

“I know you're not gonna answer”, Peter eventually remarked, “but I think I'm gonna keep on talking to you.”

The beep that came from Dum-E sounded to Peter like the robot consenting to be talked to.

“Great. Alright, so the idea is that the robot can walk and follow a few simple commands. It's not like I'm creating an AI here, so it shouldn't be too complicated. I know, I know”, he hurried to say, when he felt Dum-E looking at him all funnily. “I shouldn't give too much thought to the aesthetics, but it's a damn science fair, so I'll just have to bother with that, even if the rest suffers for it.”

“Beep.”

“Come on”, Peter rolled his eyes, “that was really uncalled for.”

“Beep, beep.”

“Wow, Dum-E, there is no need for name-calling”, Peter shot back, staring the robot down, who eventually dropped his head.

“Beep.”

“Yes, of course you're forgiven.”

“Beep. Beep, beep.”

“Omigod, yes, that's it!”, Peter cried out, leaned over to press a kiss on Dum-E's head, before turning back to his own robot, where – whether by himself or with help from Dum-E – Peter had finally found the mistake.. “Thanks so much, Dum-E, you're a genius!”

3

“You full?”, Peter asked, looking down on the six months old girl, who dejectedly threw the biscuit through the room. “I guess that's a yes”, Peter snorted and repositioned her on his lap.

“So, Morgan, as your honorary older brother, it's my duty to teach you the important things in life”, he explained. “And one of these things I need to introduce you to is Brooklyn Nine Nine.”

Peter didn't even have to ask FRI to play it, Netflix opened automatically on the big TV screen. He was on his umpteenth rewatch, currently somewhere in season 1 again.

“So, that's Jake”, he explained.

“Shdkpf.”

“Yeah, he's pretty smart”, Peter agreed with her. “That's Amy.”

“Giggidgsh.”

“Exactly!”, he grinned, “he's totally into her. But he plays over it, because, well, he's a little awkward.”

“Pfffrm.”

“I'm not awkward!”

“Gskgsk.”

“Oh, that is so unfair of you to bring up”, Peter complained. “And it's totally not the same! I kept on lying to MJ to keep her safe!”

“Mmmhpff.”

“I can't believe that you would say that to me, when we both know what your Dad did for you Mum.” He looked down on Morgan who beamed up with wide eyes. “He got her an oversized stuffed bunny. I got MJ a necklace.”

“Brrrrrrrrm.”

“Thank you, Morgan. But now let's get back here. See, that's Teddy.”

“Pshhhmmm.”

“Mo! I know he's not the greatest, but we don't say words like this! Anyways, he's also into Amy. And she's kinda into him. And Jake doesn't find that so great.”

“Gshkshsga.”

“No, it's nothing like me, MJ and Brad. I don't even know where you'd get that idea. Besides, Brad doesn't even matter any more. And Teddy won't matter for too long, either.”

“Gashmmmm”

“Sorry, spoiler alert”, Peter apologized and tapped his finger on her hand, prompting her to grab it, squeeze and pull on it. “Dude, we can be happy I got superpowers, otherwise that'd probably hurt. Like a lot. You're really fierce, hey?”

“Hmmmmpf.”

“Yeah”, he beamed, “exactly like your Mummy.”

+1

The first thing Peter realized, was something or someone holding onto his hand, and a soft voice talking to him.

“How often have I told you to call me when things go pear-shaped? I'm a genius and I can't even count how high.”

That sounded a lot like Mr Stark. Why was he holding Peter's hand, and why were his eyes so heavy?

“You really are an absolute pain in my ass, Parker”, Mr Stark continued. “I mean, I'm absolutely impressed by how smart you are, by your innate desire to help people, but do you have to be so damn self-sacrificial? Remember, I got a heart condition and that shit just ain't good for me!”

A calloused thumb gently stroked the back of his hand. “Fuck”, he mumbled, “I guess I should probably tell you how awesomely you did, how you saved all the people from that burning building, but did you have to breathe in that much smoke? You're lucky you got your spider-healing, things could have looked very differently.”

Slowly, things came back to him. KAREN directed him to some office building, where a fire had broke out, trapping a bunch of people on the top floors. Peter didn't even think twice before climbing up the wall to get everybody out.

“And by the way, I'm not the only one who thinks that”, Tony made clear. “Your lovely girlfriend said something along the lines of her going to kill you if you end up dead. And Aunt Hottie... Damnit, I really should stop calling her that, especially in front of you, it's just all shades of wrong... Well, she definitely agrees with Michelle, as does Morgan. In summary, you've got three of the fiercest women on this planet on your ass.”

“That being said, I am still so proud of you. And I really am one lucky son of a bitch to have such an exasperating, snarky, pain-in-the-ass Spiderling in my life. So please, to all that's holy and good in this world, please, just please...” A deep sigh followed, before Mr Stark continued to speak: “Kid, I love you. Which means I worry so damn much. And as good as I look with grey hair, there's no need for you to give me any more of those, you got that?”

“Yeah”, Peter mumbled and squeezed the hand that was holding onto his.

“Wha...” Mr Stark jumped, clearly having thought Peter was asleep. “And how long have you been awake, mister?”

“Long enough”, he sighed, feeling himself already drifting off again. “I love you, too, Mr Stark.”

[jackyjango]

Dark Phoenix Review

I saw Dark Phoenix yesterday and I wanted to bank in my reactions until Saturday, because many more would have watched the film by then, but it turns out that I’m not very good at keeping my opinions to myself. I almost didn’t sleep the whole night (which isn’t healthy. lol)

So I’ll empty my guts here and leave it. You can read it now, or after you’ve watched the movie or not at all. Life’s full of options.

Oh, and 1 more thing, spoilers come free with my opinions

Who is that man in a wheelchair with a bald head and? They say he’s Charles Xavier. Listen, you want to portray Charles in grey shades, be my guest. Charles does have many dark qualities. He’s prideful, he’s manipulative, but one thing he’s not is selfish. He wouldn’t put his interests before the lives of someone he loves and cares. In fact, one of Charles’ greatest downfall is that he loves and cares too much. The man who practically drunk himself to death over Raven leaving him doesn’t shed a tear when she dies, instead gives a speech on what a hero she was.That, to me is not Charles Xavier. You get to see the real Charles Xavier only for the first 5 and last 15 minutes of the film, which is quite a tragedy in itself.

Jean making Charles walk up a flight of stairs while he pleads for her to stop was SO painful to watch. I can hate this movie for that scene alone. Using Charles’ disability against him is all kinds of screwed up.

The Helmet and the wheelchair has become symbolic of Erik and Charles in a way. I understand Jean destroying both of those is metaphorical and all, but they could have done it without putting Charles through that pain and humiliation.

I absolutely don’t understand Raven’s characterisation. Now, she’s suddenly the one to lecture about family (She’s not Mystique anymore). Wasn’t she the one giving speeches on how they’re not kids anymore and that they need to fight and not hide behind walls? And suddenly, they’re kids all over again? (They’re in their late twenties for fuck’s sake) The friction between her and Charles is really tiring.

Telling a little girl that she was responsible for her mother’s death and that her father didn’t want her because he thought that she was a freak is apparently the right thing to do. Brave XMCU! Blaming Charles for hiding that truth away and sending them on dangerous missions while he stays back is a low blow (He didn’t think about himself when he passed out using the cerebro, did he Raven? Is that dangerous enough for you!!?) Urghhh! I won’t even understand that trajectory, so fuck it. It pisses me off to no end.

As I expected, the friction between Charles and Hank is just baseless. Blaming Charles for Raven’s death (come on man, that was an ACCIDENT!!!) and running away to kill Jean was contradicting. Because Raven dies trying to save Jean and Hank now wants to do everything that Raven would have done? (Uhhhh? Where is the logic, exactly?)

I don’t know who wrote that scene where Hank forces Charles to admit that Raven’s death was his fault, because I’m sure I’ll tear that person to shreds if I meet them) ‘Come on, man. Admit it. Admit it to me right now!’ It’s not a juvenile version of ‘Truth or Dare’ where you force your friend to admit that they have a crush on someone.

Hank and Erik “bonding” over the fact they both loved Raven. You know what, I don’t even want to get started on that shit trail.

Why portray Charles as an almost-alcoholic? Was it really required? What did you want to show? That he’s drowning his sorrows and short comings in alcohol.? Well, in order to do that, you have to portray his sorrows first, you geniuses. It’s some shitty story telling.

Why bring in the storyline of Quicksilver being Mag’s son when you’re not going to broach the topic at all? Not once, not even in passing.

Hey, you know what? I’m terrible at writing dialogues. I write shit dialogues. But I thought that I could write better dialogues than who ever has written it in this movie. And if I can write better than them, just imagine how bad it is: In no universe I know would Charles say things like, ‘Yep’ and ‘Damn it man’. And in no universe would Erik say, ‘Save your ‘old friend’ shit Charles’. Listen, Erik might be a lot of things, but he isn’t the one to disrespect relationships. Above all else, Charles is the only meaningful relationship he has in his life (and need not be in a romantic way). He would in no way disrespect it. ‘So… yeah, I have killed people’ IS THAT THE BEST DIALOGUE YOU COULD HAVE COME UP WITH, YOU IDIOTS!? Bad dialogues are not new to the X-Men movies, but the actors have always pulled them off. Some of them in this are so bad that even James and Michael sound stupid saying it.

Some scenes are so bad that I don’t know whether to laugh or cry. Jean just taking off after Raven dies. That’s so uncharacteristic!! You would shoo away a dog better than how Erik sends Jean away from Genosha.’Go! Leave now!’ Really? I almost died out of second hand embarrassment.

The aliens feel SO WEIRD in an X-Men movie. I thought I could get used to the idea, but… no. Didn't happen. You simply cannot associate aliens with an X-Men movie. Avengers, sure. Just not an X-Men movie. It’s not a bad thing necessarily, just weird.

No matter what, I can’t root for Jean and Scott’s relationship in this. The chemistry just falls flat. They look more like brother and sister. And since their relationship plays an important role, that whole branch of that arc doesn't entice me at all.

The trope of ‘someone important in Erik’s life dying to turn him bad again’ isn’t cute the fourth time around.

I knew the ending even before I went to see the movie, so I knew that Charles would leave his school to Scott (as it is in the comics), and I was thrilled at the prospect of cherik being canon. While I’m thrilled for the cherik ending, I feel like Charles was almost forced out of his own school. Okay, he lied to Jean to protect her from the truth, so what, he’s not fit to be a teacher anymore? He’s not the same man who guided and gave you guys a home and showed you how to control your powers, you ungrateful shits? There should have been some sort of closure where Charles chooses to retire voluntarily and says goodbye before leaving.

Well, there ARE some really good aspects to the movie as well. It’s not completely bad. I really enjoyed it in many ways:

The movie is actually centred around Jean, start to end. It shows her struggling with her powers and the story doesn’t stray away from her, so that’s definitely done better than last stand, where Jean was just a fuming bulldozer. I also love how powerful they’ve portrayed her to be.

Genosha is really nice and I especially like Erik’s flat/container/living situation. It’s very rusty and cool. Suits him (I would like that very narrow single bed to turn into a double bed once Charles is there) I also loved Erik’s and Charles’ wardrobes. (Though I prefer Charles in cardigans, suits do him good)

I didn’t like the fight sequence in New York because there were too many unwanted things going on, but I did like the fight sequence in the train. Mags especially! AWESOME!!

All of them fighting together. That’s what I always wanted.

The music is really good. But that’s expected from Hans Zimmers.

These movies would have hit rock bottom if not for the actors. Sophie is AMAZING!! Everyone as well. But Sophie stands out.

The officers in the train scene who are transporting the x-men are called ‘Mutant Containment Unit’. In short, they have MCU (also known as Marvel Cinematic Universe) plastered on their uniforms. Erik telling them ‘you need us’ was brilliant. If it was intentionally put in there, it’s a stroke of genius, else it’s just luck.

There’s a scene in the train sequence where Erik protects Charles, Scott and Jean by closing the compartment they’re in with metal. I literally clapped my hands. Similar to what Sir Ian did it in ‘Days of Future Past’. Not as obvious and grandiose in gesture as the ‘X’ in XMA, but it’s enough to satisfy my little cherik heart. 

I LOVED the chess proposal at the end!! And when Erik said, ‘You gave me a home once and I’d like to return the favour’ I think my heart exploded in my chest. If your OTP flirting with each other in the city of love while one proposes of moving in doesn’t make them canon, then I don’t know what does!!

In short, you’ll love the movie if you only love Jean Grey and Raven. If you love everyone else along with them, well…tough luck.

I said that I’ll be happy as long as they give me a cherik ending.

They did give me a cherik ending and all I want now is to read a fic where Charles and Erik are cuddled up on Erik’s very narrow bed while Erik re-assures Charles with kisses that nothing was his fault. (I’ve deleted the part where Charles loses his hair in XMA from my brain, so Charles still has his luscious locks intact in this fic I want to read)

It’s certainly a private joke to me that 19 years of X-Men ended with cherik being canon. The thing with X-Men, you can love it and hate it at the same time and somehow not get tired of it.

[lullabieswrappedinlies]

Teaser ... kind of?

Yesterday I posted and asked about potential interest in a story. Someone asked for a teaser, so I pulled snippets from random parts of the series, and here they are! To refresh your memory from what I posted yesterday:

It’s a crossover with John and actors from the Marvel Cinematic Universe, two OFC pairings, and AU. The story was deeply inspired/based from The Town, maybe with some hints of The Departed in there. If you follow my Marvel blog, you may have already seen this post.

Below the cut are the snippets I’ve pulled (thank you @captain-s-rogers​ for pre-checking them for me!!) and the tags for potential interest from yesterday’s post, plus a few more I have thought of to add, people who liked the post, or have already shown interest. If this isn’t your cup of tea, please don’t feel obligated to reblog it or anything, but definitely do let me know if you’d like on the tag list if you’re interested! Thanks lovelies!

Here’s a link to my ask box if you’d like to be tagged! Or you can reply to this post. But please do let me know! If you only like the post, I won’t add you to the tag list. Definitely don’t want to bother anyone!

Also, I will be posting every chapter on both blogs; here and @arrowsandmixtapes. 

Aurelie’s pager went off and she saw the code 613, she finished the current orders she was working on, then made way for the parking lot just outside of the emergency room lobby.

Her brother, Chris, was leaned against his car, a classic American muscle number, smoking a cigarette.

“You know this is a hospital, they’ll fine you for smoking outside of the designated area, dumbass.”

Chris turned with a chuckle, tossing the cigarette to the ground and put it out with the toe of his boot. “Better? Here. Your ma packed lunch for you.”

“That was nice of her,” Aurelie replied, taking the brown bag from him. “What’d she pack for you?”

“A nine mil and a wish that I wasn’t so much like my father. The usual.”

*****

“Call me when you finish with that referral,” Robert instructed. “This is a big one, boys. Don’t screw it up.”

With that, the man was gone. Chris locked up behind him and turned the sign on the door to Closed. He turned back to Seb, who was already checking out the coordinates.

“Shit,” Seb muttered, “Boston Private? They’re no joke. The kind of cash flow that goes through there …”

Chris didn’t like the idea of a big hit, but he did like the idea of maybe being set up for a while. He was proud to take care of his siblings in his father’s absence, to live up to the responsibilities his father had raised him to, but he was also ready for a break. He was ready to settle down.

*****

Aurelie snapped her gloves into the trash can and turned back to him. “You’re welcome. Good luck.”

“John,” he smiled. “My name is John. Krasinski.”

Aurelie’s smile faded. “Krasinski?”

“Yeah,” he confirmed, “it’s a weird one, I know.”

Aurelie nodded. “Do me a favor, John. Don’t tell anyone that I treated you.”

*****

“Johnny, haven’t seen you around this area in a while,” Chris commented, not even bothering to make eye contact with the other man.

“Chris, hey. It has been a while. Don’t worry, I won’t be sticking around for long. Came by to see a friend.”

Chris nodded. “I’m not worried about you, man.”

John snorted; Chris didn’t need to look at the other man to know that tensions were high. Oh, there weren’t exactly boundaries in this part of town, but they knew enough to stay away from each other. Chris put the lid on his drink and stuck a straw through the hole. John capped his coffee cup, then nodded to Chris.

“Hey man, you haven’t seen my sister recently, have you?”

John frowned. “Carly or Shanna?”

Chris studied John carefully. Had he really forgotten about Chris’s stepsister, or was he playing dumb? In the interest of not creating a scene so close to a job, Chris decided to give John the benefit of the doubt.

“Shanna.”

“No, I haven’t seen either of them recently, actually.”

“Hmm. Been to MassGen in the last couple of weeks?”

John shook his head. “Nah, man, I’m great. Listen, I’ve got to get going, but I’m sure we’ll cross paths again.”

“I’m sure we will.”

*****

“C’mon! Open it!” Scott yelled from behind her.

She jumped, and the tears rolled harder. Chris glared at his brother, then put a hand over Elsa’s.

“You know the code,” he told her quietly. “We aren’t gonna hurt you, okay? We’re here for the money, not for any of you. Take a deep breath, try it again.”

Elsa closed her eyes and drew in a deep breath through her nose, then let it out through her mouth. Chris was momentarily distracted by the minty scent that wafted his way with her exhale. By the time he was focused again, she had the safe open.

“Good girl,” he said, gently moving her aside. He and Scott went straight into the safe to collect their bounty. It was all done in less than two minutes. They returned to the main part of the bank to gather their colleagues and get the hell outta Dodge.

But Elsa wasn’t there when they went to leave, and neither was Scarlett.

**********

Tags: @jackburtonsays @professorkrasinski​​ @booklover1814​@goldenolaf25​@ulovemelightsout​​  @jackburtonsays​​ @farfromjustordinary​​@capmunchkin99​​ @keithseabrook27​​ @alievans007​ @themtbmbgirl @ocracokedreamer

[letterboxd]

Ranking Little Women.

“This is a film not about a single woman’s quest for identity or independence, but about the infinite power of a woman’s community.”

Letterboxd is humming with Little Women Cinematic Universe energy, particularly since the trailer for Greta Gerwig’s new version, with its cast pulled straight from the Letterboxd Year in Review, dropped.

“I have a guttural five star type of feeling after the trailer,” writes Leia. “Bi culture is thirst-watching this for Timothée Chalamet and Florence Pugh,” Raph enthuses.

Yeah, we see you watching and re-watching all the previous film adaptations of Louisa May Alcott’s landmark 1868 novel that you can fix your eyeballs on. We’re not ones to doze by the fire; we like adventures. So let us take you on a romp through past Little Women screen adaptations, in which we rank the productions based on our community’s stantastic response to each.

From left: Milton, Daisy & Ruby.

Little Women (1917) Directed by Alexander Butler

Though the March family lived in the town of Concord, Massachusetts, it was the British who got to the beloved American book first, with this silent film adaptation.

Starring Ruby Miller as Jo March and musical-comedy star Daisy Burrell as Amy March, the film is considered lost, so nobody on Letterboxd will ever be able to confirm how the prolific English actor Milton Rosmer stacked up as rich-boy-next-door Theodore ‘Laurie’ Laurence.

Letterboxd ranking: #7.

Conrad Nagel & Dorothy Bernard.

Little Women (1918) Directed by Harley Knoles, screenplay by Anne Maxwell

Also considered lost is the first American adaptation, by the brilliantly named Harley Knoles, a British director who spent the 1910s working in the US. Matinee idol Conrad Nagel played Laurie.

Letterboxd ranking: #4. Jo March was played by silent film queen Dorothy Bernard, whose father hailed from New Zealand (as does Letterboxd), therefore this version ranks highly even though there are no Letterboxd ratings or reviews to confirm this fact. Instead, check out D.W. Griffiths’ dark, march-across-the-desert film The Female of the Species, in which “only Dorothy Bernard gives a believable performance” according to Michael.

(An aside: Here’s a list of unseen silent films that actually do exist, but that nobody on Letterboxd has yet seen, apparently.)

From left: George Cukor directs Katharine Hepburn, Joan Bennett, Frances Dee and Jean Parker in ‘Little Women’ (1933). / Photo courtesy MGM

Little Women (1933) Directed by George Cukor, screenplay by Sarah Y. Mason and Victor Heerman

Now we’re getting to the meat & potatoes of Little Women standom. Not that it’s a competition, but Katherine Hepburn is the one Saoirse Ronan needs to beat. Hepburn set the screen standard for gutsy portrayals of Jo March, and appropriately so in this first version with sound because let’s be honest, when the world got to hear Jo March speak those lines aloud for the first time, Hepburn’s voice was the perfect choice.

The prolific Cukor was nominated for the best directing Oscar (he eventually won one in 1964 for My Fair Lady), but it was the screenwriters, married couple Mason and Heerman, who won the Academy Award for their script. (Hepburn also won that year, but not for playing Jo March.)

Letterboxd ranking: #3. “A true gem of depression-era cinema,” writes Taj. “Every single scene in the first half of this film is a pure delight.”

“I’d like to personally thank Katharine Hepburn for being absolutely perfect,” writes Skylar. Morgan concurs: “Hepburn plays Jo with a rough physicality, bold confidence, and a gentle sensibility, standing out in a rather unremarkable movie.”

June Allyson and Rossano Brazzi.

Little Women (1949) Directed by Mervyn LeRoy, screenplay by Sally Benson, Victor Heerman, Sarah Y. Mason, and Andrew Solt

Why re-write a script that’s already perfect? Mervyn LeRoy’s 1949 Technicolor update lifted most of the screenplay and music from Cukor’s version, throwing in an on-trend acting line-up of June Allyson (Jo), Janet Leigh (Meg), Elizabeth Taylor (Amy) and Margaret O’Brien (Beth).

Never mind who played Laurie in this version (okay, okay, it was hunky Rat-Packing socialite Peter Lawford); the real tea here is the American film debut of Bologna-born Italian great Rossano (The Italian Job) Brazzi, as Professor Bhaer.

Letterboxd ranking: #2. “This is the best Little Women, fight me,” DylanDog declares. “I’m so impressed by the fact that they rewrote/restructured/padded out the 1933 screenplay, assembled a nearly pitch-perfect cast, and made such a fantastic Technicolor remake,” Dino reasons. “We actually see way more of the novel’s subversive gender politics play out here, and Jo’s motivations are much more palpable.”

“Although I also really like the 1933 version, the Hepburn film lacks the warmth I do find in the 1949 adaptation,” Annewithe writes. “I feel that this version conveys the true spirit of the book and is as cozy and warm and loving, and it’s in colour!”

Susan Dey and William Shatner.

Little Women (1978) Directed by David Lowell Rich, screenplay by Suzanne Clauser

Between 1949 and 1994, all we got was this seventies miniseries adaptation, which flies far under the radar of Letterboxd’s Little Women obsession with only two member reviews.

Susan Dey was a smart choice to play Jo March, given her Partridge Family profile at the time, while Meredith Baxter Birney, who played Meg, went onto huge sitcom fame as Michael J. Fox’s mom in Family Ties. The real curiosity factor here, writes LouReviews, is “the casting of one William Shatner as the Professor, and he’s rather good!”.

Letterboxd ranking: #6. “This story keeps moving me,” is all Sandra had to say, while LouReviews writes “not essential by any means, but if you like the novel, you'll want to see this”.

Winona Ryder and Christian Bale.

Little Women (1994) Directed by Gillian Armstrong, screenplay by Robin Swicord

It only took 126 years from publication for a woman to get behind the camera of a Little Women film, despite Alcott’s masterpiece long being a prime example of (white privileged) female complexity in storytelling. (Although, it’s fair to note that women have been involved in the scriptwriting for every Little Women film adaptation that we know of.)

Released—as Gerwig’s 2019 update will be—at Christmas, Gillian Armstrong’s version was as star-studded as they come, with 90s it-girl Winona Ryder—fresh off Reality Bites—as Jo March, and Christian Bale as Laurie. Also: Kirsten Dunst, Samantha Mathis and Eric Stoltz, with Susan Sarandon as Marmee.

Letterboxd ranking: #1. Sydney writes: “It’s really tough dealing with the fact that this movie is probably never going to get the respect it deserves.” Well Sydney, we’re happy to make your day. This Little Women is currently the highest-rated on Letterboxd (except for Bale’s facial hair, which is not highly rated by anyone). Thomas Newman’s score is much beloved, and the film is, in Julia’s opinion, “the definitive adaptation!”.

On a recent re-watch, Lauren “was transported back in time to my childhood and for those two hours everything felt simple and safe.” Meanwhile Sally Jane Black, in a thoughtful piece, gets right to the heart of Little Women-love: “This is a film not about a single woman’s quest for identity or independence, but about the infinite power of a woman’s community.”

Little Women (2017) Directed by Vanessa Caswill, screenplay by Heidi Thomas

Not strictly a film, but well worth a mention, this recent three-part BBC adaptation stars Thurman-Hawke offspring (and Once Upon a Time... in Hollywood flower child) Maya Hawke as Jo March. Emily Watson plays the March matriarch, and—Gerwig connection alert!—Kathryn Newton (Lady Bird’s Darlene) is Amy March.

Letterboxd ranking: #5. Alicia is a fan: “Winona will always be my Jo, but Emily Watson absolutely kills it as Marmee! Just love her FACE!!!! Her pain is your pain; her joy is your joy. Oyyy!”

Bethchestnut was slowly convinced: “A very handsome and loving production, even if there were a lot of things that bothered me about it. Doesn’t help that I watch the 90s version every year. Still made me cry twice.”

Little Women (2018) Directed by Clare Niederpruem, script by Clare Niederpruem and Kristi Shimek

Released to mark the novel’s 150th anniversary of publication, this version wins points for casting Lea Thompson (Howard the Duck, Back to the Future) as Marmee, but loses points for the weird contemporary update, in which the March sisters inexplicably lose the messy complexity of their far more adventurous 19th-century selves.

Letterboxd ranking: #8. “Who decided casting Ryan from High School Musical was a good idea?” asks Sue.

Also worth seeking out: two different Japanese anime adaptations, the 1981 series Little Women’s Four Sisters (若草の四姉妹), and the 1987 series, Tales of Little Women (愛の若草物語), which aired on HBO in 1988 and is notable for writing in a black character. Not worth a mention: this 1970 TV adaptation.

Greta Gerwig’s ‘Little Women’ opens in cinemas this December.

[meredith-ross]

hey there, hi there, hello, howdy, bonjour, aloha. i am dani. i am obsessed with new girl, schitts creek, musicals, and food. i live in california.  i work very few hours so i’ll most likely be v active!! i’m open to plots and connections and everything!! i’m also v awkward but i love making new friends so hi

「 zoey deutch. cisfemale. 」have you seen meredith ross around yet? i hear she decided to be in FIDELIS for their JUNIOR year as a FILM major. the 22 year old SHEEP is known to be kind-hearted, responsible, secretive and reserved. ➨ the muse is written by dani. she is 23, in the pst.

meredith and margot are twins (that’s a big part of mer’s identity)

meredith was born first and definitely likes to make sure people know that she is the oldest

they have an older brother, marcus, who is 24 years old

their mother died when the girls were 10 years old

she was in the top 2% of her high school class and continues to work extremely hard to keep good grades in college too

one night at a party meredith got blackout drunk and ended up hooking up with a random guy

the hook up resulted in a pregnancy

she decided to keep the baby because she got way too attached when she found out, but she’s too embarrassed to tell anyone

she hasn’t even told margot yet, which is really hard for her

she’s currently 11 weeks and which means the baby is the size of a fig

meredith loves to make short films, music videos, anything

they are all really weird, but she loves getting to express herself

she has a youtube channel for fun.. its not serious at all

that’s where she posts all of her work, but she also does movie reviews, makeup tutorials, crafts, and vlogs around campus sometimes too

she is a major dork

she will literally talk about dinosaurs, harry potter, musicals, the Marvel cinematic universe, food, old moves and other random stuff for hours

she has a heart of gold

she’s super awkward ((but y’know that’s because i am too))

[elcorhamletlive]

fandom: MCU (Alternate Universe: College/University) ship: Steve Rogers/Tony Stark tags: Pre Serum Steve Rogers/Fluff/Kind of a meet cute

If Bucky was here, he’d have told them to just leave the bar.

It wouldn’t be an entirely bad call, Steve guesses. It wasn’t even that good of a bar, anyway. Too loud and too crowded, with drinks way too expensive for a bar whose clientele was composed mainly of college students. Based on the quality of this evening alone, he really wouldn’t mind going somewhere else.

But it wasn’t just about that.

The guy was bothering Wanda. He really, really was. At first, it had just been awkward, when a blond douchebag stopped her on her way to get the drinks and ended up inviting himself to sit with their little group. Steve had exchanged worried looks with Bruce and Betty. If it had been Peggy, the douche would immediately have gotten a cutting reply; if it had been Natasha, a single look would have him so scared he probably wouldn’t even have approached her in the first place. But Wanda is more shy and reserved, much like Steve himself, and she isn’t very used to being chatted up. At first, she tried to let the guy down gently, smiling and nodding politely at his endless rambling, but as time went by, it became clear the man just wasn’t willing to entertain the possibility of a woman who wasn’t interested in him.

To make matters worse, although the guy is clearly a douchebag, he is also a very popular one. Wanda had become the target of one of the richest frat boys of the campus – when he introduced himself as Ty, Steve hadn’t made the connection to the Tiberius Stone, but now he did, and at least it explained the guy’s sense of entitlement.

When Ty stood up to go to his table to ask his friends about some party he was hell-bent on taking Wanda with him, Steve did what Bucky would have told him to do, and walked everyone to the exit. Bruce and Betty were wondering which bar to go next, and Wanda seemed more relaxed, when Steve stopped to say: Oh, I forgot something. It took a moment, but Steve managed to convince them to just go on without him. He promised he’d meet them later.

As soon as he got back to the bar, he walked towards Stone’s table with angry strides. It wasn’t fair that they had to be the ones to leave the bar when they weren’t the ones being inconvenient creeps. Besides, what if the jerk jumped from bothering Wanda to bothering some other girl? It wasn’t right. Something had to be done.

So that’s how Steve finds himself in front of a table with a bunch of the richest and most popular guys on campus. All of which have at least a head over him and would be definitely capable of knocking him down if they wanted to.

“Uh,” one of them starts. Steve recognizes him as Justin Hammer, who throws big parties down the hallway of Steve’s dorm. He’s sitting between Rumlow, from Steve’s math class; and a dark haired guy that also seems familiar, though Steve can’t tell why. Hammer squints his nose at Steve as if he smells really bad. “Do you need something?”

It occurs to Steve that, though he recognizes most of them from campus, none of them have any idea who he is. He feels the spike of anger on his chest rising. Stone, who has been busy looking at something on his phone, raises his head and flashes him a grin.

“Oh, hey, Stan. I’m just checking in with everyone, tell Wanda I’ll be back in a minute,” he says, with a wink.

“That’s not my name,” Steve says, clenching his fists at his sides. “And I’m not here to tell you anything about Wanda. I’m here to tell you to leave her alone.”

Stone tilts his head, frowning. “Excuse me?”

“You heard me,” Steve blurts. His stomach clenches a little in worry as he assesses the other guys – most of them are pretty bulky, with the exception of the brunet, who seems to be more on the leaner side; and, yeah, they’re all bigger than him. He swallows. “Wanda is not interested. She’s been trying to make this clear to you the entire night, but you keep pushing, and you need to stop.”

There’s a moment of silence, and then the table breaks into a bunch of chorus of Oooooo’s and surprised laughter.

“Sounds like you’ve got competition, Ty,” Hammer says, tapping him on the back. “Tough guy here wants to take you down!”

“Look, kid,” Stone says, incredibly condescending with an edge of hostility. “I’m sorry the chick is not into you, okay? If you apologize nicely for sticking your nose where it doesn’t belong, I’ll hook you up with some nice piece of ass.”

He reaches to pat Steve’s arm, and Steve shakes him off angrily, face flushing, in embarrassment and rage.

“Wanda is my friend. Not that it matters, because I’d be here even if she wasn’t,” he says. He keeps himself steady as he gives Ty a once-over. “She’s not interested in you, and, frankly, I don’t think she’s missing out on anything.”

There’s no laughter this time, though Steve does hear a solitary chuckle coming from the table. Stone stands up.

“Okay,” he says slowly. He’s a head taller than Steve. Maybe more than that. “This is where you apologize.”

Steve’s stomach twists, but he stands his ground. “No, this is where you apologize and offer to leave and not bother us anymore.”

Stone takes a step forward, towering over Steve. Definitely more than a head. “I think you should reconsider this, lightweight. The only way I’m leaving is to take Wanda to a kickass party that you definitely couldn’t get inside in a million years.”

Steve swallows. Clenches his fists. Inhales deeply before answering.

“Fuck you.”

There’s a moment of stunned silence, and then, almost immediately, Stone is all up on his face. “Listen here, you little—“

“Wow, wow, wow, okay,” a voice interrupts suddenly, and Steve turns to see the lean guy standing up and placing himself in between them. He has wild brown hair and wears a band t-shirt that definitely costs more than Steve’s entire wardrobe. Though he’s the smallest of the group, it’s clear that the energy changes a little at his interference. He lands a hand on Stone’s shoulder, casually, and Steve gets the sense that, while he may not be the leader of the pack, he’s definitely a significant part. “Ty, buddy, I’m pretty sure you won’t be leaving here with anyone since the car is, well, not yours. It’s mine, maybe the last couple of beers made you forget that,” he speaks very fast, gesturing with his other hand, and turns to Steve. He has big brown eyes that seem just as frantic as his rambling. “As for you, Lancelot, don’t worry, ok? He got loose for a while, but we’ll keep an eye on him. He won’t be bothering your friend anymore.”

Steve takes a sharp breath. Despise being shorter than his friends, the guy still has a couple inches on Steve. His expression is conciliatory, as if he’s begging Steve to cooperate. Behind him, though, Stone seems shocked and not at all apologetic, so Steve crosses his arms.

“He shouldn’t be bothering any woman who’s made clear they don’t want to talk to him. It’s not right.”

Ty’s friend seems off-put for a moment, but he recovers immediately, plastering a grin on his face so fast Steve almost thinks it must have been his imagination. “Listen, here, uh, Stan? No, wait, you said that wasn’t your name – what do I call you, not-Stan?”  he lays his hand on Steve’s shoulder now. Before Steve can answer, he continues: “I’m Tony. Tony Stark.”

Steve barely holds back a swear. Everyone’s heard of Tony Stark, the richest kid on a campus filled with already very rich people. Steve can vaguely remember seeing his face on the television a couple times, doing interviews, while he was zapping channels. Back then, he hadn’t paid much attention, just like he never paid any attention to Bill Gates’ kids or something. But he heard of Tony Stark around campus, too – how he gave the best parties, how he was disputed by several fraternities despise never joining one, and how he was apparently the smartest person since his father.

Of course, Steve thinks. Of all the people in the world to get in trouble with, Steve had to do it with Tony Stark’s friend.

Tony Stark, apparently oblivious to his shock, continues to ramble: “Look, Ty is a bit blind to other people’s autonomy sometimes – flaws, who doesn’t have them, am I right – but he doesn’t mean any harm. I assure you, he will leave your friend alone,” his voice grows strangely earnest at the last few words, but he quickly changes back to his light, fast-paced tone: “Is there a way I can make it up to you guys? Maybe buy your table the next round?” He smiles brightly, the smile of someone who’s used to buying his way out of trouble. “I’m all ears.”

Steve frowns. Stark seems weird, but something about him comes off as bizarrely sincere, in the middle of all that useless rambling. The word charisma barely begins to cover it, Steve thinks, a little taken aback – he almost managed to make Steve forget Stark wasn’t defending his friend because he made an innocent mistake, but because said friend was being a total creep.

Almost.

“There is a way,” Steve crosses his arms, staring at Stark’s expectant face. “You guys could leave.”

Stone groans. “Oh, fuck you, you—“

“Again, my car, buddy, it’s your way into Pep’s party,” Stark says, surprisingly firm, before turning towards Steve again. He seems to evaluate the situation with a few rapid blinks.

He eyes Steve up and down, rocking on his feet and thinking. Steve can’t help but shift a little, uncomfortable under the scrutiny, and something flickers on Stark’s eyes. He licks his lips, staying silent for a moment until he suddenly snaps his fingers.

“I know,” he finger-guns at Steve, grinning. “Why don’t we settle this like gentlemen, huh?” He points towards the table with his thumb. “Arm wrestling. You and me, Lancelot. You win, we leave.”

Steve raises an eyebrow. “And if you win?”

Stark’s grin grows playful. “I don’t feel really good about my chances. You’re only missing your stick and stone, David.”

Steve isn’t sure if he should feel insulted or not. It sounds like it should be an ironic comment, but something about it doesn’t sound very mocking.

Stark turns towards the table, taking a seat and placing his elbow on the center. “Come on.”

Steve considers his options. Stark is not as bulky as the other guys at the table. He’s taller than Steve, sure, but then again, so is everyone. And, again, he’s Tony Stark, born with a diamond spoon in his mouth. Steve doubts he has much experience with arm wrestling, and, well, Steve grew up with Bucky. He may not be able to do anything about his size, but he’s picked up a few tricks. He figures he could probably catch Stark off guard and win this one.

Maybe.

Then again, it’s better than getting beat up, Steve guesses. And if it gets Stone’s creepy ass out of the bar, it’s worth risking a sore arm.

He sits down. The other guys on the group are watching attentively with a uncertain smiles, and Steve gets the feeling they don’t really get what Stark is going for, here. To be honest, Steve doesn’t get it either – logically, the guy didn’t have to offer him any compensation, let alone a chance to get them away from the bar entirely.

Then again, Steve thinks harshly, he didn’t have to stand up for his creeper of a friend, either.

Steve clasps Stark’s hand. It’s surprisingly calloused. Stark looks – well, he looks like the kind of guy who would have soft hands. Instead, though, his hand feels like it belongs to a person who works a lot, and Steve must frown, because Stark grins.

“Sorry, forgot to moisturize this morning”, he remarks, and it’s clearly an attempt to distract Steve that doesn’t really work. “Okay, one… Two… Go!”

Steve is prepared for the pressure of Stark’s arm. He’s not prepared for how strong he is – he almost twists Steve’s arm immediately before Steve composes himself, clenches his muscles and manages to hold out against Stark just before his own arm hits the table.

Steve takes a sharp breath and probably grunts as he does his best to keep focus, to throw his body weight to the side to push against Stark’s arm, and he can hear Stark’s friends chuckling but he stays determined, using everything he’s got.

For a moment Steve thinks it’s over, but then Stark’s arm starts losing ground, slowly being pushed back slightly. Still, though, it’s very hard to keep up, and Steve’s other hand grips the table as he struggles to keep himself steady. He can feel his breath getting short, which – oh no, oh no – is not a good thing.

“Hey, are you okay?” Stark asks, seeming alert. “What is happening?”

Steve tries to focus on breathing, but he can’t seem to find any air, and, oh God, that can’t happen, not now.

“I’m fine,” Steve blurts, even though he’s most definitely not fine, and he needs to reach for his inhaler but if he lets the table go he’ll lose his support.

He tightens his grip on Stark’s hand, focusing even more on pushing it. He can feel his face flushing, but he doesn’t care. He takes a sharp, forced breath that catches no air and his head grows dizzy.

“Ok, everyone,” Stark suddenly says, voice serious all of a sudden. “Go meet Happy.” Steve faintly hears some protesting coming from the others, but he barely registers it, focusing on blinking fast to get rid of the white spots in his vision. “Go. Now. Say I sent you. He’ll take you wherever you want to go, whatever; just get out of my sight.”

Steve clings to the table so hard his knuckles go white, and he hardly hears the responses. All he can focus on is the pressure of Stark’s hand, that seems to be… stopping?

Steve blinks as the strength in Stark’s hand clearly fades, allowing Steve to raise their hands back to the initial position. Steve tries to not lose momentum, when he hears something, the sound of the door of the bar slamming shut.

“Okay, that’s the last of them,” Stark says, and his arm just goes flat, easily letting Steve’s hand push it down, landing on the table.

Steve is panting and can barely decipher what just happened. Immediately, Stark is right next to him, hands on his shoulders.

“Okay, Lancelot, breathe,” Stark says, sounding nervous. “Tell me what you need.”

“I—“ Steve stutters. “My inhaler—My pocket,” he reaches for it before Stark can, taking it to his lips and huffing it, feeling the relief of the air reaching his lungs.

“Holy shit,” Stark says. “Were you—Were you seriously not grabbing it just because it would lose you the match?”

Steve huffs it a few more times, blinking as his vision regains focus. He looks at Stark’s face. He’s close now, leaned over Steve.

Steve is a little taken aback by the proximity. Stark is a handsome guy, of course, but right now, he looks very… smooth, with those huge bright eyes and fluffy hair falling slightly on his forehead. His nose is small with a roundish end and he has long eyelashes, giving his already warm eyes a more delicate look. It’s the rare type of face that manages to be interesting and pretty at the same time.

Steve feels his cheeks heating a little. “Yeah.”

Stark huffs out a surprised laugh, then shakes his head. “Holy shit. You’re crazy,” he says, but he sounds slightly impressed.

“You’re crazy,” Steve counters, a bit more composed. “You threw the match,” he states, unsure of how to feel about it.

“Uh, yeah, of course I did. You know, I was gonna tell them to leave anyway,” he shrugs. “Thing is, they wouldn’t have gone if they thought they were doing what you wanted. Trust me, they’d stay here all night just to annoy you. So I thought I could stall the match and then I could tell them to go ahead and that I’d take an Uber or something.” He runs his hand through his hair. It looks very soft. “Also, I thought I was going to win and it didn’t occur to me you’d be willing to kill yourself to stop that from happening.” He shakes his head again, still looking at Steve as if he has done something amazing, instead of making a fool out of himself. “Do you—Do you go here?”

“What?”

“Here. As in, on campus.”

“Oh. Yeah.” Steve shifts a little. “I’m a Political Science major.”

Stark’s grins grows. “Awesome. You know who I am, obviously,” he gestures to himself flippantly. It comes off as strangely self-depreciating. “What about you, though? I refuse to believe your name is actually Lancelot, that’d be just too much.”

“I’m, uh. I’m Steve,” he stutters, then pauses. “Why Lancelot?”

Something flickers in Stark’s eyes. “Ever read the legends? Bravest knight on the King’s court,” he shrugs, giving Steve a sideways glance. “Just seemed to fit.”

Steve’s tongue feels too big to form actual words. “Oh.”

Stark smiles. “Not a lot of people stand up to Ty, you know,” he says, looking away. His voice lowers to an almost whisper. “He doesn’t take it very well. None of them do.”

Looking at him now, Steve is struck by how different he is from the Tony Stark from TV. Tony Stark in the interviews seems a lot more exuberant, arrogantly talking over reporters and feeding the camera with outraging soundbites. Tony Stark in real life is more… believable, Steve thinks, with his nervous eyes and self-depreciating grins. He seems more real.

Steve likes him better this way.

“Why do you hang out with them?” he asks, unable to hold himself back. “You—You know they are…”

“Complete shitheads?” Stark grimaces. “Yeah. Most of them have business with my family, and Ty, his father is one of my father’s long time partners, so, yeah, the friendship was kind of sealed at birth.” He looks away, a little distant. “Reached its expiration date a while ago, though. But I can’t exactly… You know.”

Steve just looks at him. “Why not?”

Stark shrugs, and something about his smile seems a little sad. “I don’t know,” he admits. “Guess it’s just sort of hard to come to terms with not having anyone to sit with during lunch. Or some equally cheesy crap.”

Steve just stares at him wordlessly. Stark’s eyes dart away and he clutches his hands.

“I really am sorry about this whole thing,” he says. “I thought—I don’t know, you just came up to us, and Ty usually handles his problems by punching them, so I thought…” He gestures aimlessly. “I didn’t want you to get punched. And I really wanted to buy your table the next round. You guys deserved it.”

Steve still doesn’t answer, a little taken aback.

“What were you going to ask?” he blurts, interrupting Stark’s ramble. “If you won. You never said.”

Stark gives him a grin. Not the thousand-watt grin he gave him earlier. It’s smaller, charming, but also slightly nervous.

“Full disclosure? Your number.”

Steve’s eyes widen. “You—“ he stutters, feeling his cheeks heating, as he watches Stark blink expectantly at him with those big, pretty eyes. “Why would you—“

Stark frowns a little. “Why wouldn’t I?” he asks, a playful smile on his lips as he eyes Steve up and down. The warmth of Steve’s face travels over his whole body, in the wake of Stark’s gaze. “Like I said, not many people can do what you did, even for a friend. And almost dying to prove a point, hey—“ He shakes his head appreciatively again. “Gotta admire that.”

There’s a smile threatening the corners of Steve’s mouth, and he tries to bite it back, to play it cool, even as he shifts awkwardly, hands on his pockets. “Well,” he watches the way Stark’s eyes blink at him, and, damn, he wouldn’t mind being the target of that look more often. “If an asthma attack gets you in the mood, I’m definitely your guy.”

Stark laughs. He has a nice laugh, Steve notices, unable to fight back his own smile. A really, really nice laugh. “Nobility gets me in the mood, I guess. Like I said – Arthurian geek over here.” His smile makes Steve’s knees feel a little weak. “Plus, it doesn’t hurt that you’re really cute.”

“You’re also—Uh—You’re really—“ Steve stumbles over his words, but Stark doesn’t seem to mind, smile growing fonder. Steve swallows. “Well,” he bites his lower lip, before giving into a huge grin of his own. “Will I have to arm wrestle you again for your number?”

“Not really,” Stark (Tony? Steve should call him Tony, right? The thought gives him pleasant butterflies on his stomach) says, taking his phone off his pocket. “But just so you know, you’d win again.”

[anneapocalypse]

Anne watches MCU: Captain America through Age of Ultron

My trek through the Marvel Cinematic Universe has continued but I really slacked off on making posts about it after the first, uh, three, so here's a catch-up post!

And as a note, I am watching the films in release order, but for simplicity's sake I'm grouping some origins and sequels together here.

Spoilers for everything through Ultron, as well as some mentions of Civil War and Captain Marvel.

Crossposted from dreamwidth.

Captain America: The First Avenger (2011) & The Winter Soldier (2014)

Captain America to me marks a turning point in the MCU, the moment when these films reach a level of sincerity and groundedness that will become a standard in superhero films. And as such, the Captain America series is one of my favorites within the Marvel universe. World War II has also long been an interest of mine, so it's no surprise that I enjoyed the first film so much.

And when Steve reawakens in the modern day and becomes one of the Avengers, carrying on the ideals that made him who he is, I love that too. I would say Winter Soldier is as much an Avengers movie as it is a Captain America movie (the same has been said of Civil War) because once Cap enters the present day, you can't really have Cap without the Avengers.

In the hindsight of having recently seen Civil War, think this is partly because Steve, more than any other Avenger, is defined by his relationships to other people. His friendships, his rivalries, his loyalties—these are what make Steve Rogers who he is, both in the past and in the present. Steve's whole life is shaped by his friendship with Bucky Barnes. His first thought upon waking up in another time is not of the world he has lost but the people he has lost. And his new friendship with Sam Wilson is easily one of the most delightful moments in The Winter Soldier.

I will say that my primary disappointment with The Winter Soldier was that it wasn't really an origin story for Bucky Barnes. There is not a lot of character development for Bucky himself—it is still very much Steve's story. But the focus is again on Steve's relationship with his old friend, and his refusal to give up on Bucky ultimately saves them both.

And I think that focus on relationships is also what makes Captain America a favorite for me.

The Avengers (2012)

I really wish I had written about this movie when I first watched it, because my memory of it is now very much colored by having seen Age of Ultron and Civil War since. Attempting to set that aside, I did enjoy this movie when I watched it, though not quite as much as I enjoyed Captain America.

The Avengers is absolutely not a standalone film. This is definitely the point at which the MCU truly becomes a shared universe, and the origin stories we've had so far are really not optional for understanding these character dynamics.

The tension between Steve and Tony does make sense, both for the characters themselves and as a kind of meta commentary on the evolution of the Marvel universe: Tony Stark's layers of defensive irony set against Steve Rogers' straightforward sincerity.

There are other character beats that work for me in this movie as well. We get the best character development for Natasha, given that she doesn't get her own movie. (CRIMINAL.) That she successfully plays Loki, out-tricks the Trickster, is a truly beautiful moment. Ruffalo's Bruce Banner establishes pretty clearly that he is not Ed Norton's Bruce Banner. And Tony/Pepper manages to grow on me a little bit.

Loki as a villain is... okay. I think it's pretty clear by the end that his plan was never really about dominating Earth, but about causing chaos—which he does, pretty successfully, and in the hindsight of Civil War, said chaos has some far-reaching effects. That part works for me. On the flip side, I really hate mind-control MacGuffins; I think they're a lazy means of getting characters to do whatever the plot requires without having to justify the characterization in any way or deal with the aftereffects, and in my opinion Marvel overuses this trope to death.

Hawkeye as a character is absolutely wasted in this movie, as we have no idea who he is before he is controlled by space magic.

This ties into a larger issue with the Avengers series that, again, feels much more prominent after seeing Civil War: the Avengers aren't a team. Not really. They're a group of solo superheroes attempting to work together. This would be fine for a first Avengers film if the plot were about building them from a group of loners into a real team. But this film isn't about that. It's about dividing them before we've really seen them united. We are told, and not shown, that Natasha and Clint are close friends; beyond that, who on this supposed team actually have a reason to care about one another? And by the end, what has this film really accomplished in terms of building a rapport and making the Avengers feel like a team?

I think the fact that they end the film sitting around a table eating shawarma in stone cold silence says it all.

Iron Man 3 (2013)

The third Iron Man movie begins to bring Tony Stark a little more in line tonally with the other Avengers. Tony loses none of his distinctive character, but his experiences are treated more seriously in this film, with Tony suffering from PTSD. It also explores how the events of Thor and The Avengers have challenged Tony's arrogance as a former lone-wolf superhero driven by technology and his own extreme wealth.

By this movie I'm pretty well over Tony/Pepper. Pepper loves Tony, she cares about him—but she never seems happy with him, only constantly stressed, and as a viewer who loves Pepper, it's honestly not fun to watch. This is something I think Nolan's Batman series better understood; there's a reason Rachel doesn't wait for Bruce. The genius billionaire superhero is a terrible boyfriend. Marvel, unfortunately, doesn't really want to acknowledge that. For Pepper to be happy with Tony, Tony needs to change, and Marvel doesn't really want to change Tony. For Pepper to leave Tony means the hero doesn't get the girl, and Marvel doesn't want that either. So we're left with this tiring, unsatisfying relationship, and I'm super over it.

To add insult to injury, Pepper gets superpowers and doesn't even get to keep them.

The MCU has a Women Problem, and it's really, really obvious in this film. I do like parts of it very much; it's undeniably enjoyable to watch, and I like a lot of what it does with Tony. But it's also representative of some of the cracks in the Marvel fresco as a whole.

Thor: The Dark World (2013)

Darcy is the most fun character in the Thor movies at this point, and to be honest I kinda like her more than Jane.

The Dark World is another fish-out-of-water story, only this time it's Jane that's the fish. I didn't hate this movie, but it didn't make a huge impression on me, as evidenced by the fact that I can't find any notes for it. :P I enjoyed the stinger of Loki being alive at the end (I knew he was going to be, but it was still fun to watch), and I was pissed they killed Frigga (one of my favorite characters in the Odin family).

And once again, we have a female character infused with a force of tremendous power and she isn't even allowed to keep it. Are we noticing a pattern here, whereby with men, superpowers are celebrated no matter what kind of horror they went through to get them or even how much they hate themselves for having them (hello, Bruce Banner), but for women, superpowers are a horrible curse they need to be rescued from?

Yeah, Marvel has a women problem. NEXT!

Guardians of the Galaxy (2014) & Guardians of the Galaxy 2 (2017)

Along with Captain America, Guardians is tied for my favorite series within the MCU. It is unapologetically fun, yet still sincere in its own way, striking a fresh and unique tone for the MCU.

These two movies are excellent and in my opinion, do a much better job of showing a band of loners becoming a team and building a rapport and learning to trust one another than Avengers did.

There is no character among the Guardians I don't love, and the restraint with which Quill and Gamora's relationship is handled (in that they build a friendship, rather than making Gamora Peter's prize for becoming the hero) is damn refreshing. Drax is simultaneously hilarious and sincere—in fact his humor comes from his innate sincerity. Rocket Raccoon exemplifies the kind of insecurities all the characters must overcome to work together. And both Gamora and Peter show self-reflection and growth in the second film, Peter by facing down his own ego, Gamora by acknowledging what her sister Nebula went through without denying her own suffering.

These films, especially 2, are all about relationships, including complicated and troubled relationships, and that's probably why I love them.

Avengers: Age of Ultron (2015)

Age of Ultron was a weird watch for me.

There were things I liked about it a lot, Natasha's relationship with the Hulk and Clint finally getting some long-overdue character development especially. And yet I came away from this movie feeling more tired than anything else. There were some good character moments, but the story did nothing for me.

Most of all, though, I think my exhaustion stems from how deeply formulaic the Marvel films have become at this point. They're just really, really predictable. I'm already tired of AI-centric plots not thinking of anything more creative to do with their premise than "It tries to wipe out humanity/take over the world I guess." This story feels utterly phoned in.

And even in terms of relationships, this film doesn't really hold up. For one thing, the whole setup of the film is the continued tension between the Avengers, most prominently Steve and Tony, which has never really been resolved. Tony going rogue and activating Ultron isn't so much a betrayal of an established trust as it is simply highlighting the fact that there isn't any.

Meanwhile, Natasha and Bruce are bungled... badly. Much has been said about the conversation in which Natasha seems to be saying that being infertile makes her a monster. A generous reading can attribute this to bad dialogue, appearing to frame the "monster" remark around Natasha's infertility when she is meant to be remarking on the fact that her greatest strength is as a highly efficient killer. But in light of Marvel's Women Problem, that reading really isn't any better. In some ways it's just as bad or worse, as it once again frames power in a woman as a curse rather than a gift. Either way, it's not really a valid comparison to Bruce's specific angst, which is unique to him: he is possessed by a power he not only never wanted, but cannot control.

(No wonder people are confused when Carol Danvers doesn't have to be brutalized to become powerful, or hate herself for being so. It breaks the rules. And thank the gods for it.)

One bright spot in this film is the introduction of Wanda Maximoff, the most powerful heroine we've yet seen in the MCU. Vision, by contrast, feels like a fairly pointless character to me. I feel like everything he did could've been done by someone else, and he's only here because he's in the comics.

I’ve also watched both Ant-Man and Civil War this week, and took copious notes this time, so expect posts for those films soon.