#so everything i write with them is very. dialogue action dialogue action dialogue action

[sorikkung]

me when ive tried writing the same chapter 3 times but i hate all of them 😃😃😃

(not you wgoin 6 take 2, ur a queen 😌😌😌)

[definitelynotshouting]

okokok here’s a question I like asking because you writers can be such tricksy hobbitses: in the chapters we’ve seen so far, has there been anything you’ve hinted at that we haven’t picked up on yet? -🌱

I fucking love receiving this question anon and the answer is yes >:] altho tbf to yall, this is bc a lot of the payoff for these seeds arent going to be seen until WAY later into the fic. Every single interaction between Grian and the others is setting the scene for various arcs later down the line-- theyre all jam fucking packed with foreshadowing, and whenever i see you guys speculate i start grinning VERY very evilly to myself over it SKDNSJDNSJDJS

[arklay]

WIP TITLE MEME.

tagged by @prometheas @denerims @faarkas & @aartyom to do this – thank you all so so much ily guys! ♡

tagging: @aelyosos @brujah @cultistbase @florbelles @girlbosselrond @indorilnerevarine @jendoe @lightwardens @liurnia @malefiicarum @morvaris @nocticulas @nuclearstorms @risingsh0t @shellibisshe @solasan @swordcoasts @steelport @voerman & anyone else who is writing right now, i'm sorry i don't really know at the moment! also as always, no pressure to do this! ♡

rules: post the names of all the files in your wip folder regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them, and then post a little snippet of it or tell them something about it

so, i'm going to expose myself right now and show you guys my wips checklist doc. these are all the ewskers, obviously. i'm not really 100% on my writing rn, so i won't share snippets, but i will do summaries and tell you about all of these (and maybe bits from my little plan outlines). y'all get a variety and a half lmao

i may share snippets of last one, but no promises because it's spicy and i might get a bit uncomfy sharing. and with the first one, i showed what i had a bit ago before deleting the posts, and there's only been a bit of progress since, but the whole two fics aren't off limits for little moments or insight

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[amaranthineghost]

hello!!!

can you do a one shot/ fanfic that Lando has been dating Y/N since they were 15/16, so for a long time, and she just found out she’s pregnant. you can come up with how they would react and how lando would react but i’d love if they were unsure of it in the beginning, but it grew on them as time went by.

thanks!!!!

| OUR WORLD IN YOUR HANDS ( lando norris. ) |

ꕥ pairing: lando x reader

ꕥ summary: they hadn't planned for pregnancy, but it changed their life.

ꕥ authors note: enjoyed writing it more than I thought I would honestly. tried to make it so she was more unsure than he was and in the end, I liked it. working on incorporating more dialogue in the future because it is definitely not my strong suit. I'll also alternate between requests and my own ideas so if you requested something, keep it in mind <3

ꕥ warnings: mentions of alcohol, sex, barely mentions thoughts of abortion

TWO RED LINES. her heart had skipped a beat, more like several as she stared at the dark red line and a faded pink one next to it. she couldn't believe her eyes. it couldn't be possible, it repeated in her mind.

but it obviously was. they hadn't been very careful, they're young and dumb and in love. two people so deeply in love that they couldn't care less. at least she thought they did at the time.

staring at the test in front of her shook her whole world, an entirely different branch of her life she'd never expect to take this soon. it was right in front of her.

despite being together for a year or two shy of a decade, it felt too soon. they were still young, had plenty of parties lined up in the near future. plenty of drunken nights running through the streets of monaco barefooted, hands intertwined as the world was focused on them. how they'd escape to the farthest rooftop, drunken makeouts leading to more as they came together under the stars.

they still had time. time to be what they'd missed as teenagers, to make memories. they had time to spend countless nights, wrapped in each other's arms under cold skies on balconies across countries, discussing their future. when they'd get married, where they'd like to live, if they ever left monaco which seemed unlikely, the places they've yet to see, how many kids they'll have and their names.

time for reckless driving through the streets of monaco with the wind crashing against them, hands raised as they cheered. he always drove to the most beautiful sight in the city, but always claimed it would never come close to the beauty she possessed.

time for runs across the beach in tiny bikinis and swim trunks as they raced on the sand. his arms capturing her waist as he tossed her around, feeling the vibrations of her laughter and screams against his skin. a feeling he'd forever cherish.

it all disappeared with a single faded line. everything she knew about their future collapsed with the test barely bigger than the length of her hand. it would affect everything.

it was conflicting. becoming a mother was all she ever dreamed and talked about, when she became older. she'd mention to her curly-haired boyfriend countless times of her dreams of having the mini versions of him running around the house they shared. the longing to see his eyes and curly hair with features of her own on another warm body. their child.

but she wasn't ready. in her mid-twenties, with years of life left to live child-free. tens of grand prix's to attend in support of her mclaren lover, watching 10 feet away from his car. nights to catch up on hours of sleep she lacked from keeping up with lando's lifestyle.

having a kid swept it all off the table. no more late night dalliances, or getting so drunk to the point where lando would have to pull over the car to hold back her hair as she threw up in the bushes.

no more parties at ungodly hours of the night, watching drunk lando stumble his way to the dj booth, giggling over a glass of alcohol at his actions.

no more sleep. she knew she'd be woken up numerous times in the night from the cries of her child, and she wasn't sure if she wanted to give up sleep yet.

and she wasn't sure lando wanted to give up formula one either. obviously, a balance between the two worlds is possible, but she knew he would want to be there with her, and she didn't know if he could.

it scared her. the thought of this changing the dynamic of their relationship on levels she couldn't even begin to think of. she's seen countless videos of how having a child completely changed the way couples worked, good and bad, and she didn't want that fifty-fifty.

she'd sat staring at the test between the tips of her fingers for a solid twenty minutes before she heard a patterned knock she grew familiar with from her beloved boyfriend.

the door muffled his voice just slightly, "darling, you 'right in there?" his hand wrapped around the now cold door handle and twisted it, but it failed to turn as it pressed into his palm.

it was unusual for her to lock the door, she knew he would question it. and she knew she couldn't use the excuse of that she's changing or showering because lando simply didn't care whenever she was. he'd sit and keep her company till she was done with whatever she was doing because it was often what they did. sit in silence, enjoying the presence of one another.

"yeah, I'm fine!" she called out to him in a rushed tone, flinching enough that she nearly dropped the test. she watched as the door knob shook, shoving the stick into the bottom of the trash temporarily. she'd remember to remove it eventually.

she turned on the sink as she hid the box of tests in the depths of the cabinet under the sink. looking at herself in the mirror, she'd wipe away the tears that built in her eyes. she didn't want him to notice, but like always he would.

from the locked door to the second she opened it, he'd watch it. she'd see him leaning on the wall just outside the door, patiently waiting for her to come out to him. he wouldn't question it, he trusted that she would eventually come around to tell him. she always did.

with the frequent trips to the bathroom and the slimmed selection of foods in the fridge, he'd suspect something, but he wouldn't know for sure. not without her word.

because for the time being, it was a secret she kept to herself, as much as she despised secrets. she felt like she was guilty to be hiding something from the person she trusted most in the world.

times when she thought the room was empty, she'd be pacing long ways back and forth with her arms crossed and her face solid. he'd watched her from the doorframe with his arms crossed against his chest, mirroring her position slightly.

times when she'd drop whatever she was doing to rush into the bathroom and spill her guts into the toilet as he held her hair and ran his fingers along the nape of her neck. she claimed it was a stomach bug, but he knew better. he also knew better than to question her words so he said nothing, but made a multitude of soups for her to sip on, taking notice of her now acute taste.

times when she'd cry over the tiniest of things, comforting her in his arms while she sobbed against the fabric of his very worn hoodie that happened to be her favorite.

it wasn't a great shock when she first told him. stuttering over her words as she fumbled with the sleeves of his long-sleeve shirt that went well past her fingertips, he could see tears brimming her eyes with her heightened sensitivity.

so when she muttered the words, "i'm pregnant," his world stopped, restarted, reloaded and stopped again when he finally processed the words. though he knew he could've expected it, hearing the confirmation leave her lips left his world tipped sideways.

but he wanted to hear it again, needed to, words breathlessly escaping his lips, "what, love?" he heard her the first time, but he wanted to hear it again. and again and again.

she choked on her words, sobbing out again, "I'm pregnant, lan," he pulled her into his chest, his hand finding it's way to the side of her head as he cradled her, pressing his lips against her hair.

as they swayed, it finally dawned on him, muttering unsure and excitedly against her head, "I'm going to be a dad?" his breathing deepened, his tongue gliding across his lips, then biting at the sensitive flesh. he felt his heart hammer in his chest, nearly comparing to when he first asked the girl out all those years ago. he reminisced the time when the biggest deal he could think of was rejection. now the girl he had crushed on when he was just a teenager just told him she's pregnant. with his kid.

part of him couldn't be happier, they had spent countless nights in bed, lying on their sides facing one another with stupid grins on their faces as they pondered their future together. whatever they wanted, it always had the other in their thoughts and plans.

this was just their plans manifesting faster than they might've hoped, and sure, he wasn't totally certain that it was the right timing after all. but this was their dream, and maybe they just needed time.

time to accept how greatly their life would be affected. he thought about how he'd have to leave her for days, weeks for his career, the few outlying times when she'd travel with him. he knew that would change, leaving her home with a new life to take care of besides her own. he hated the thought of leaving her.

they needed time to think, whether it was together or just by themselves. they needed to figure out how they'd make it through, if they could. which was a question in itself.

they needed to talk because part of her didn't think he would be so accepting of the change life threw them, permanently altering their course of life and the years to follow.

deep inside, they're scared. they knew they would've been, planned or not. it didn't make it any easier. but when he asked such a simple question, it lifted a massive weight that had been carrying on her shoulders. part of her knew he'd always be so accepting. everything is an experience after all.

with every month passed, every growth of the life within her body, he'd mention. he was the nerdy type to compare the size of the baby with fruit. he'd goggle each week with every new development she'd create. it shook his mind to even comprehend. she could make bones, organs and the tiniest lashes of their soon-to-be kid all within the confines of her body. to him, it was sacred.

and of course, he'd tell just about everyone from every team. all the drivers, mechanics, pit crew, team principals, the list goes on and so does his rants about her.

countless photos of appreciation for her on his social media, after all she was carrying his child and he was ecstatic. he'd spent every waking moment he could with her, his hands always somewhere on her, prodominantly on her growing stomach.

when he felt the first kick, he pulled his hand away sharply, looking at her with a dropped jaw and wide eyes, "it kicked me!" he'd exclaim and she slapped his shoulder, scolding him.

"don't call the baby an 'it!'"

"what else am I supposed to call it?" again, earning another slap to his bicep, and he'd look at her with a growing confused look.

"stop slapping me!" he held up his arms in defense as she scowled at him, her arms crossed over her chest. she pursed her lips before sighing as he'd replace his hand on her stomach.

"babe, I don't think this baby likes me," he looked between his hand and her eyes, feeling the movement under his palm. it was a weird sensation, something he'd never expect to feel so soon, or at all.

all she could do was laugh at the stupid expression across his face as he looked back and forth in bewilderment. the warmth from his hand, and the small calluses sent goosebumps across her skin. it incited a smirk to take place on his face, but she slapped it off. he'd expect to feel more of those as the months went by, especially with all the sly comments she'd hear slip past his lips.

with every ultrasound appointment, he'd be there. he'd make sure of it, no matter where he was or what he was doing. she also scheduled them in accordance to his race and where in the world it took place.

every time, his eyes would be locked on the screen that projected his child, a part of him in another life form. a smile always creeping into his face as he held her cold hand. more often than not, he'd get curious and try to become the technician, stealing the equipment out of the professional's hand. his girlfriend would scold him like he was some sort of dog. in response he'd groan, rolling his eyes at her.

he'd still try though, and the technician laughed it off. he'd make comments to her in reassurance, "babe, i've got this," he'd tell him as his hand with the wand came closer to her stomach.

"where's your degree then?" she snapped back, giggling at his sudden pause before he shrugged, waving it off his other hand.

" 's at home."

when the time finally came to birth their new life into the world, god did lando panic. everything he had prepared himself with went out the window when she'd mutter the words he'd been waiting to hear.

"lando," she mumbled as she sat on their couch, turning to him with wide eyes, "I think it's time." her sleeve-covered hands were at her face as she bit nervously on her nails.

he'd stutter over his words, hands in his hair, "you're joking." he'd say repeatedly as he rushed around the apartment, grabbing things. he was the type to grab everything and forget her still on the couch.

she'd call him on her phone when she sees him in his car from the window, through the pain, she laughed at him, "forget something, norris?"

"no, darling, I've got everything-" she'd see his movement pause, his hand returning to his hair, "fuck!"

when he'd come back to help her, she was nearly collapsed with laughter despite the pain she felt through her body.

"stop laughing at me!" he whined but he was laughing with her. nonetheless, they'd get to the car.

she was in labor for hours, crunching on ice chips that he'd fed her carefully. he'd massage her shoulders, hold her hand when contractions got particularly unbearable. he knew not to mumble bullshit words of encouragement, a word of advice from his mum, advice he'd gladly listen to.

instead he'd show her he was there by doing everything she asked until it was time to actually deliver their child they've been waiting 9 months to finally meet.

with a pale face, lando would comment, "I think one kid is fine after all." she'd roll her eyes at his words as she held their daughter in her arms, already seeing themselves in her. she was exhausted and he knew. he put her hair up, cooing words of appreciation to her now that all was done. he took care of her.

he'd remember call his mum later to tell her thank you.

[miraculouslbcnreactions]

As a follow up to you post about mentors, just to make things fair, what are examples of Tikki being a bad mentor to Marinette?

Post in question for context.

Tikki often acts as the voice of the author. She's there to explain why Marinette is in the wrong. Since Miraculous has some wacky morals, that means we get a mix of good advice and wacky nonsense advice.

Two examples of bad advice that come to mind are Gamer and Strikeback. Gamer is the episode where Marinette stumbles upon an Ultimate Mecha Strike tournament, realizes that Adrien is taking part, and decides to compete so they can be on a team together. Marinette wins a spot through her own hard won skills and then this happens:

Tikki: All you wanted to do is spend time with Adrien, there are other ways to do that! Marinette: What are you getting at? Tikki: You know how much Max wanted to be in that tournament. Kim said he'd been training for it all year. Marinette: You're right. All I could think about was Adrien. 

This is how tournaments work, right? They're not tests of skill, but tests of who put in the most work or who wants to compete the most! That's why we had that scene with Marinette writing out her training schedule and motivations for evaluation, but she lied and that was wrong and...

Okay, I was the one lying here. There was no written evaluation because that's not how tournaments work. All anyone cares about is your skills. They don't care if you're doing this for personal glory or to get closer to a boy or whatever Adrien's motivation was because - notably - his motivation didn't matter in this episode about needing pure motives to be allowed to do things.

What if he didn't care about the competition and only did it to get closer to his classmates? That's not even a random guess. It's a valid read because Adrien ultimately gives his spot to Max while claiming that Max is the better player even though Adrien very clearly beat Max at the start of the episode. Ignoring that weird nonsense dialogue, why was it fine for Adrien to compete when he didn't care but wrong for Marinette to do the same? And Max wanting to compete to show off his skills is also a totally selfish motivation, so why does it matter that he wanted it more? Everything about this episode was nonsense and uncomfortably sexist. If Max wants to compete, then he needs to get better at the game. That's how competitions work.

Strikeback is the second part of the season four final and it starts with Marinette mourning the fact that "Adrien" has left Paris, leading to this:

Marinette: (crestfallen) It's all over, Tikki. Tikki: He'll be back, Marinette. He's just going on a voyage!

Which would be lovely advice if Adrien was a normal boy, but he's Chat Noir and Tikki knows that. She should be freaking out and trying to find a way to get him back to Paris, but then Tikki would have to support Marinette's actions and we can't have that, so instead Tikki gives this nonsense advice because she has to be against whatever "wrong" thing Marinette is doing today.

I could come up with a few more examples, but I think those two paint a pretty good picture of issue one re Tikki. However, when it comes to Tikki, my main issue with her is less a wealth of bad advice - unlike Plagg*, I think she's right more often than not - and more a lack of support. It feels like she's just here to judge Marinette and point out when she's doing something wrong, but a good mentor should be so much more than that.

Kuro Neko is a great example of this. When Chat Noir quits, Tikki just sits back and does nothing while her young charge is freaking out. She doesn't even try to defend Marinette when Plagg is going off about Chat Noir's "ill treatment". For all Plagg's faults in that episode, at least he's doing something about the situation. Meanwhile Tikki literally has two lines in the entire episode! A similar thing happens in Kwami's Choice where Plagg is the one driving them to act while Tikki just wrings her hands in despair.

Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

These are not the actions of a mentor. Mentors aren't supposed to just offer judgement about things that their mentee has already done or is considering doing. They're supposed to be a source of support and guidance in hard times, but we never really see Tikki stepping in to give Marinette that kind of advice. If memory serves, she never offers solutions or acts as a sounding board. That role is mainly filled by Alya and I love Alya! It's good for Marinette to have support from a friend, but Alya is also a teenager while Tikki is an ancient being who has seen many Ladybugs go through the kind of struggles that Marinette is going through. I expect her to use that knowledge to help her charge, but she never does. This exchange from Passion perfectly highlights this problem:

Tikki: Don't worry, Plagg... my holder has decided to run away from her real feelings to pursue an impossible love with Cat Noir instead. Plagg: Uh, just to be sure, sugarcube, you do know that Cat Noir and my holder are one and the same person, right? Tikki: I do, but my holder doesn't. Plagg: If she declares her love to Cat Noir, something tells me she'll find out soon enough. Tikki: You have nothing to fear. When my holder is in love, she never gets anywhere. She'll just knit hats and make very complicated plans that will never come to fruition. Plagg: Hmm... ah, then everything's fine.

Tikki, I love you, but by the gods! With a mentor like you, Marinette doesn't need enemies to be miserable! Do you care about her at all??? What kind of mentor delights at their mentee's suffering? Not a good one, that's for sure.

*Quick note: I think that Plagg and Tikki are probably neck and neck for who has given the most bad advice, Plagg just feels like the bigger problem because we don't see him as much as we see Tikki. Since she's tied to the main character, Tikki gives advice in almost every episode and most episodes have decent morals.

Adrien's need for good advice can also feel more glaring because he's so isolated and passive. That makes Plagg's lack of good advice feel more harmful, but Marinette is just as isolated from real advice. Her mentor figures - Su Han, Fu, and Tikki - mostly give orders and judgement instead of support and guidance. It's just harder to spot that fact because Marinette is actively trying to do the right thing, meaning that she's more likely to make mistakes, and it's easy to see why she comes across as a lot less pathetic and a lot easier to judge.

[barbwritesstuff]

I went to a couple of writing workshops on the weekend and one of the authors speaking had some very prescriptive things to say about writing.

Things such as:

"If you don't use the hero's journey structure your writing is ugly."

"There can only be one protagonist. If someone tells me they have multiple protagonists in their story, they fundamentally don't understand the craft of writing."

"Readers have to empathise with the main character. Being relatable is the most important trait for a main character to have."

"Action comes before dialogue."

"Our bodies mimic the breathing patterns in punctuation."

"Stories have to have a satisfying ending, or they're not good stories. Unsatisfying endings are a modern invention which has harmed book sales."

And. Look. I know I'm not a big, famous flash-bang author or anything.

But some of these things are just outright false. I also really feel like this sort of attitude is (at best) snobby, and (at worse) shitty.

It's also not a very new attitude. Since the dawn of humanity, humans have been saying things like: "Stories are only good if XYZ."

And so, I just wanted to get online and say one thing:

"Aviate. Navigate. Communicate."

Those are the actions pilots are meant to do in an emergency. It's very important that they do them, in that order, because if they don't, there is a higher probability of disaster.

Like... crashing to the ground in a flaming ball of death level of disaster.

Writers (and I cannot stress this enough) are not pilots.

If we break rules, no one dies.

Sometimes, when we break rules, wonderful things happen.

So—while I think it's hugely useful to learn about story structure, craft, etc—coming at an art with absolute rules like this, is silly.

We're not pilots. Lives are not on the line. We can (and should) be creative and have fun. And if it doesn't work out? Oh well. That's fine. That's how we learn and grow as writers.

Also, what works for one writer may not work for another, and that's fine. Commerical success isn't everything... and there are actually plenty of very commercially successful books and stories that break these 'absolute' rules this author talked about.

So...

Yeah.

That's my lukewarm take.

Write and have fun. Don't worry about this sort of snobby silliness.

P.S I did actually enjoy the workshop and I think overall this author had good takes. I think there were just some very silly takes sprinkled in and I've been ruminating on them for a couple of days.

[lonely-cowboy]

beautifully human

pairing: connor (rk800) x f!reader

summary: after noticing the way connor looks at other androids, you worry that you may never have a chance with him. but what you don't know is that he has only ever had eyes for you.

word count: 2.9k

warnings: insecure reader, mentions of death (they literally talk about dying in an elevator) (spoiler alert: it doesn't happen), probably ooc connor, west coast dialect went a little too hard in the dialogue, some very specific physical descriptions that i also tried to keep as general as possible? you'll see what i mean ig

author's note: glad to report that this account is lowkey helping me get over my writer's block, so that's amazing for me. anyway. as usual, feel free to leave any critiques on how i can improve my writing, characterization, etc.! :)

masterlist ⟡ requests

You hated that your investigation brought you to the Eden Club. You didn’t necessarily hate the Eden Club or its workers, but you hated that you had to go with Connor and Hank. It would’ve been embarrassing enough to go with just Hank, but adding Connor to the mix made you want to collapse to the ground and never move again. But you were a professional, so if you had to go with Connor and Hank then you could suck it up for a night. Hopefully.

The moment you stepped inside the club, you were filled with unease. Your stomach churned and your shoulders scrunched up high as if you were trying to hide from the world. To handle your discomfort, you turned cold and distant, observing everything and everyone with an icy glare. You trailed behind Hank and Connor as you scanned your surroundings, doing your very best to look at everything but Connor.

You couldn’t look at Connor in this place without being filled with a displaced sense of anger. You couldn’t help but wonder if he looked at these androids with infatuation or desire. Did he find them beautiful? Did he want them in the same way you wanted him? You knew they were stupid thoughts, but you couldn’t control them. Somehow, Connor had weaseled his way into your heart and refused to leave no matter how hard you tried.

Distracted by your foggy mind, you almost bumped right into Connor when he stopped to admire a Traci, his soft gaze exploring her body through the glass barrier. You watched as the Traci smiled gently at him, her hand reaching forward to touch the glass like she was trying to caress his cheek. Connor didn’t move to reciprocate her action, but he still appeared to be in awe. It only made your scowl deepen.

You hated that you were consumed by jealousy because you knew– deep down– that it stemmed from insecurity. This Traci was made to be beautiful. She was made to be desired and worshipped. In her limited clothing, there wasn’t much left to the imagination. Her body was the epitome of perfect with its soft curves and smooth skin. She was a perfect balance of sweet and charismatic. She was everything that you assumed a man wanted, and androids were no exception. From the way Connor looked at her, you were sure she was everything he wanted too. 

You sighed in frustration before marching away as Hank called to Connor. You refused to let your jealousy– or anything you felt for Connor– get in the way of your investigation. But no matter how hard you tried, your mind was still drawn to him.

Maybe you had been too hopeful, but you really had thought that maybe– just maybe– Connor had felt something for you. Apparently, you were just far more delusional than you thought.

While Hank discussed the crime scene with Officer Miller, you stood to the side looking uncharacteristically cold. With your arms folded over your chest and a hard, almost bored look in your eye, it was clear that you weren’t particularly interested in talking to anyone. You assumed that would be obvious to everyone, androids included. And it seemed that it had been obvious, but that certainly didn’t stop Connor.

From the corner of your eye, you could see Connor watching you with a confused glint. His LED flashed yellow as he analyzed your body language, working to only make your blood boil. You knew there was no reason to be angry with him, so why did your anger persist? Why did you feel so unreasonably jealous? He was just a man, after all, nothing more.

Connor approached you with his hands clasped behind his back, standing beside you and following your cold gaze. He was silent for a moment, pleased to simply be in your presence even when you were acting so stony.

“You’re unusually quiet, Detective,” Connor observed. “This is not within your typical behavioral patterns. Are you feeling alright?”

“I’m fine,” you answered dismissively. “Don’t you have a body to analyze?”

Connor paused again, pursing his lips in a way that was so oddly human. In a gentle tone, he said, “Well… yes. But that’s usually something we do together.”

“Why?” you hissed, feeling suddenly riled now that Connor was talking to you. Why was he giving you this attention? Why was he acting like he cared about you? You knew he didn’t. At least, your clouded mind let you think he didn’t. “It’s not like you need my help. You can do everything on your own, I’m useless to you.”

Connor turned his body towards you fully, a deep crease settling between his brows. His LED continued to circle yellow as he studied you once again. That made you roll your eyes which seemed to be enough of a hint for Connor. With his LED still glowing yellow, he turned away without another word, allowing you to resume your wallowing in misery. 

───── ⋆⋅☆⋅⋆ ─────

You were still fuming as Hank drove you home. With Connor in the front seat, you were stuck in the back, glaring daggers into his back. How had such a clueless android managed to lure you in and make you jealous purely because he wasn’t interested in you?

As Connor jabbered on about something or other, you stared out the car window absentmindedly. You couldn’t help but imagine the Traci on the other side of the window, reaching out and smiling that perfect smile that made you never want to smile again.

You glanced at Connor as he fell silent. He turned to look out the window, making you cringe at the idea that he truly was thinking of the Traci. But you failed to notice his eyes transfixed on you through the side mirror, his gaze gentle and curious as he admired your stubborn look. He stared at you dreamily the rest of the car ride. 

When you finally reached your apartment building, Hank had barely stopped the car before you were clambering out and slamming the door behind you.

“I’ll see you tomorrow,” you grumbled, having enough decency to give Hank a small wave. 

As you trudged towards your apartment building, you froze at the sound of another car door opening and closing. You cursed under your breath, hesitant to turn for fear of whom you might find. As you glanced over your shoulder, you cursed again as your fear came true. Connor approached you with long strides, leaving behind a very confused-looking Hank.

“I’ll walk you to your apartment,” Connor offered innocently. 

You stared at him blankly and muttered, “Connor, my building is right here. I just need to go up a few floors. I know how to use an elevator, I’ll manage just fine on my own.”

You turned and continued towards your building, not surprised when you heard Connor follow.

“The chances of an elevator-related death are one in 10.5 million,” Connor continued in that matter-of-fact tone that you usually found so endearing. 

When Connor didn’t elaborate, you stopped and turned to him again with a raised brow. You waited for more, but it still didn’t come. Connor just stared at you pleasantly, drinking in your charmingly confused face.

“Okay…,” you said. “So like I said, I’ll be fine on my own.”

“But the chance of it happening is still possible, so it’s best if I escort you,” Connor continued. His grin widened as you rolled your eyes in acceptance. As an afterthought, he added, “Just in case.” 

In silence, the two of you made your way up the elevator (where you did not, in fact, die) and to your apartment. You stood outside the door and turned to Connor, ready to send him away in the hopes that if you couldn’t see him then you wouldn’t be overwhelmed by images of him and that Traci. But you knew that wasn’t the case because even when he was long gone you would still think about how you couldn’t be enough for him. You weren’t pretty enough for such an angelic being like him, not when other beautifully crafted androids existed.

“May I come in?” Connor inquired before you could even open your mouth.

No.

You wanted to say no so desperately. You wanted him to leave. You wanted to bury yourself under your bed sheets and never see him again.

But he was still your friend, and you were still a decent enough person. It would be rude to reject him.

“Sure,” you replied softly, opening the door to allow the two of you in.

The moment you closed the door, Connor was already asking questions that you were not at all prepared for.

“You were upset today,” he noted. “Do you want to talk about how you feel?”

“I… what?” you stammered. “Since when are you a therapist android?”

“I’m not a therapist android, but as your companion, I care about your well-being,” Connor answered far too casually for your liking.

Companion? Well-being?

“Yeah, I doubt that,” you mumbled without thinking.

You were stupid to think Connor wouldn’t have heard you. With his sensitive hearing, he heard you loud and clear. Your comment made him tilt his head curiously and narrow his eyes.

“Why would I not care about you?” he asked, the genuine confusion in his voice making your resolve melt. 

“That’s not… it’s just…,” you blabbered, throwing your hands up in exasperation as you struggled to find the right words. “I wouldn’t expect you to care about me the same way–”

You stopped abruptly, eyes wide as your mind finally caught up to your yapping mouth. You could not finish that sentence.

Connor’s eyes narrowed further at your sudden pause. He took a cautious step forward, then another. You knew that he had already noticed the way your heartbeat accelerated, your breath suddenly caught in your throat. “The same way… what?” he repeated, urging you to finish your sentence.

“It’s nothing, it’s stupid,” you dismissed. 

Connor murmured your name as if he were scolding a child, raising a brow as a sign of encouragement to finish.

“Well… I wouldn’t expect you to care about me… the same way… the same way I care about you,” you said, the last part coming out far too hurried. 

Maybe if you had just finished your sentence the first time you wouldn’t be in this situation. That was a perfectly normal thing to say to a friend, wasn’t it? Absolutely. Absolutely… But the way you had paused only made you look more suspicious. You knew Connor was smart enough to understand the suggestion of romantic feelings.

“How is it you feel about me?” Connor questioned.

“It doesn’t matter, you wouldn’t feel the same anyway,” you muttered, pushing past him to be anywhere that wasn’t near him.

Before you could get too far, Connor’s iron grip wrapped around your wrist and held you in place. You looked at him with offense, but he knew you meant nothing by it.

“It does matter, Detective,” he whispered lowly. “It matters to me.”

There was no going back now. Connor already got the hint that you cared for him more than you probably should. You might as well say it outright. That was better than being embarrassed and pretending nothing happened. Right?

“I like you, Connor,” you admitted, the words sounding childish in your mouth. “God, this is so embarrassing…”

Connor was silent for a long moment, making you wonder if he actually had figured it out. If he hadn’t… God, you would be mortified. Did he really not know, and you just willingly outed yourself to him?

You risked a peek at Connor to find him already looking at you with a small smile. His hand was still holding your wrist tightly, his skin comfortingly warm against your burning skin. The glint in his eyes made your brows furrow as heat rose to your cheeks.

“Why would you think I don’t care about you?” Connor asked, the quirk of his lips telling you that he found all of this somewhat amusing.

“I mean… yeah, I would think that you care about me. On some level. I’d assume…,” you prattled. “But as a friend, obviously. Connor, I’m not sure you understand what I mean when I say I like–”

“I understand perfectly well, Detective,” Connor interrupted. “So I’ll pose the question once again: why would you think I don’t care about you?”

The confusion was clear on your face. Tilting your head to the side, you turned your body to face Connor slightly, giving him the opportunity to lightly pull your wrist until you were completely facing him. Even when he had you standing where he wanted, he still didn’t let go of your wrist, though he loosened his grasp and held you lightly. You could feel his thumb rubbing along your inner wrist soothingly. Your knees felt weak, and you were sure you were going to collapse against him at any second. His touch was so loving that you almost believed he could feel the same way.

You nearly forgot Connor had asked you a question until he gave your arm a light squeeze that snapped you back to attention. He arched both eyebrows, watching you with that humorous glint. 

“I just… Well…,” you faltered. You inhaled sharply, gathering your thoughts before you continued. “I just can’t understand how or why someone like you would be interested in someone like me when there are so many better options. Yeah, I guess… I guess that’s it. I don’t know…”

“Better options?” Connor repeated. The obvious confusion in his voice warmed your heart. It was as if he had never even considered that there could be better options.

“Well, yeah,” you shrugged. “I’m no android, Connor. I’m not… I’m not perfect. I’m not beautiful or stunning or gorgeous. I’m not like that girl you were looking at.”

There was another long pause as Connor struggled to process your words. His LED spiraled yellow as he questioned, “What girl?”

“The Traci,” you explained in exasperation, “at the Eden Club. It looked like you were practically in love with her, and I don’t blame you. She’s the definition of perfect. Not a single flaw in sight.”

“You think you’re flawed?” Connor asked immediately. That was his biggest takeaway?

“Yes, obviously, Connor! I am! And I just find it very hard to believe that someone as beautiful as you could be attracted to someone as… average as me,” you snapped, sounding harsher than you intended.

Connor released your wrist, and for a moment you worried that you scared him off. But then his warm hands were holding your cheeks, his thumbs now slowly running along your cheekbones. He stepped forward until his body was pressed against yours, leaning down until his forehead was nearly touching yours. His eyes latched onto yours, and for a moment, he just held your gaze in silence. He was reveling in the sight of you, so close to him that he could feel your sweet breath against his lips.

“It seems you don’t realize how beautiful you are,” he murmured. “Perhaps I’ll have to explain it to you.”

Connor paused again, searching your eyes for any effort to argue. But you were still so stunned by his sudden proximity that you had nothing to give. When he heard no contradiction, Connor smiled and continued on.

“Maybe you don’t think you’re perfect,” he started, “but I do. Everything you see as a flaw, I see as beautiful. It makes you you. It makes you so… human. And maybe you can’t understand because of it, but there’s something so pure about being human. Just being human makes you beautiful. But you… you’re different. You’re above them all.”

There was a strangely desperate look in Connor’s eyes like he was pleading with you to understand. Exhaling slowly, he leaned forward and rested his forehead against your own. He closed his eyes, his LED shifting from yellow to blue and back again as he tried to sift through the swarm of emotions.

“I don’t know why it’s you, but it is,” he whispered, his voice nearly too quiet for you to hear. “I just can’t help but notice everything about you. I love the wrinkles on your forehead when you’re confused to the point of frustration. I love when only one side of your hair is brushed because you’re too lazy to brush the other. I love when your lip bleeds because you’re biting it while you’re thinking and you don’t even notice. I love…”

Connor stopped and pulled back slightly, his hands still resting on your cheeks. His LED circled red once, the worry on his face far too obvious to your keen eyes. When you didn’t say anything, Connor tried to pull away, but you didn’t let him.

Your hands quickly moved to rest over top his, holding him in place. You looked up at him with eyes full of admiration and wonder as if an angel had come and graced the earth. Maybe that’s what he was, an angel. You would believe it. With that pretty face and those sweet words, you could easily be fooled.

As you eyed Connor’s face, the corners of your lips quirked into a smile. Maybe you could be enough for him. He seemed to think so. It was that thought alone that drove you to lean forward and press the faintest of kisses to Connor’s lips. It was barely a peck, and as you pulled away, Connor leaned forward to chase after your warmth. The gesture made you laugh as you whispered against his lips.

“I love how human you are.” 

[tossawary]

The last time that I rewatched "The Fellowship of the Ring" (extended edition, of course), my favorite new detail that I noticed is that the characters, once they set out on their journey, are pretty much always traveling from screen-left to screen-right.

It had been a few years since I'd seen the films and I'd learned more about filmmaking in that time. I'm completely biased regarding the LOTR films; they're not perfect, but I grew up on them, I love them. I was trying to take notes on all of the little details that made the world of the films seem so rich and so enchanting to me. The camerawork, character staging, and editing is one of the many things that just happened to jump out at me at this time.

When Frodo and Sam are leaving the Shire, the camera is set up in such a way that they start on the left side of the screen (<- that side) and travel across it to the right side of the screen (-> that side).

This way to go the farthest you've ever been from home. ->

As the hobbits travel from Bree to Rivendell, as the Fellowship travels from Rivendell to the Misty Mountains, all of those gorgeous scenic shots of the Nine Walkers show them moving from screen-left to screen-right. I haven't rewatched the entire trilogy lately, but in "The Fellowship of the Ring", it is so beautifully consistent.

There are a handful of reasons why this is done. In staging and editing, consistency regarding where the characters are placed on the screen is a storytelling tool. For example: the "180 degrees rule" says to generally keep the camera on one side of the characters within a scene, so that the audience can mentally keep track of the characters within the environment and focus on the action/dialogue. If we're watching two characters talking in a diner, even in the close-ups, one character will usually be kept on screen-left and be shown facing screen-right, and the other will be kept on screen-right and be shown facing screen-left. It feels stable. (People will sometimes choose to break the "180 degrees rule". It can be a tool to create a sense of disorientation and/or instability in the audience.)

In "The Fellowship of the Ring", the maps that the audience is shown of Middle Earth tell us that the Shire is located in the West (left side of the map) and everything else of relevance (Rivendell, Moria, Rohan, Gondor, Mordor) is East (right side of the map). As the characters consistently travel screen-right, the audience builds up a firmer mental map of Middle Earth and can better keep track of the characters' progress on their long journey. With every step that Frodo takes towards screen-right (->), we know that he is traveling East, taking another step towards Mordor.

Left to right may also instinctively feel like the way forward in a culture that writes and reads from left to right. Regardless of which way you write: if your film establishes extremely consistently that one direction is forward, then this visual language can be used to tell the audience that something is wrong if the characters start traveling from right to left. They might be lost! It builds suspense in the visual depiction of the characters going backwards and undoing progress! This all suits the lengthy hero's journey of LOTR very well, in my opinion.

There's an old joke that knowing how anything is made ruins the magic, and another old joke that knowing anything about filmmaking makes you insufferable to watch movies with, but I've never felt that way, especially not here. How does that quote go? It's still magic even if you know how it's done. (GNU Terry Pratchett.)

I find it enchanting, honestly, that so many people can work so hard for an effect that can seem so simple. Actors, directors, camera operators, editors, storyboarders, and so many others on the crew of the films consistently placed characters, sets, and props just so! So that the audience could more easily keep track of where everyone was and lose themselves a little more deeply in the story.

It's such a simple rule! And it works so well! Left -> Right. West -> East. Shire -> Mordor. Home -> Adventure. Known -> Unknown.

I personally recommend trying to keep track of character movement across the screen in films, especially if you have any interest in visual storytelling (films or illustration or something else). It's fun! It's impossible for me to unsee, watching "The Fellowship of the Ring" now, and I think it's a wonderful piece of movie magic.

[mcflymemes]

FIVE TIPS FOR WRITING BETTER ROLEPLAY REPLIES struggling to get interactions? try incorporating these tips into your replies!

use the five senses. sight, smell, touch, hearing, taste. where are your muses currently standing? what does the air smell like? are there birds chirping or people walking by? is there a battle in the distance? does the wooden floor beneath them creak when they walk? is the other muse wearing cologne or perfume? describe the world around them in vivid detail and paint a picture of their environment. this will help your writing partner envision the space.

don't keep everything internal. your muse's internal commentary is important, of course, but when an entire reply is only their inner thoughts, it doesn't give your writing partner anything to go on (unless their character can read minds). make sure you add action, story progression, or character movement in a reply, or provide enough dialogue for the other muse to respond to.

end your reply with a question. at the very end of your reply, have your muse ask the other character a question, or pepper a few questions throughout the reply. this gives the other writer a perfect jumping off point for their response.

incorporate npcs and other things happening nearby. maybe your muses are in a library, and the librarian won't stop shushing them. maybe your muse gets a call from their best friend in the middle of the conversation with horrible news. maybe your muses are in a hotel room, and they hear a noisy party in the room next door. your muses aren't the only two people in the universe - expand upon it with details and breathe further life into this world. it makes things so much more fun.

don't forget the other muse. i think we all struggle with this one the most. we get so caught up describing our own muse and their own thoughts and actions that we forget they're interacting with someone else. try describing the other character's stance or facial expression, the way they cross their arms. maybe their makeup is really beautiful. maybe their hair is nice. maybe they smell really bad. maybe the last time your muses interacted, they had a big fight. don't take up your entire reply talking about your muse only; talk about the other character. give the other writer something to smile about and comment on - "i loved what your muse noticed about mine! i loved their observations! they were so right!" make the other writer feel seen. this is a great way to show them you're reading their replies, loving their writing, and noticing little details about their muse.

[avocado-writing]

Hey there I hope you’re having a wonderful day, could I make a request for bg3? I’d like to request the crew with a noble barbarian tav, kind of like Godfrey from Elden ring. Normally they are very regal, eloquent, and in control, they might even think they are some knight until they finally let loose. Whether it’s their s/o in danger or a challenging battle, they just go to town, very ‘I have give thee courtesy enough!’.

oh anon, you're very kind to think that I'm a competent enough gamer to have played elden ring. writing these scenarios as if they're seeing you go into a rage for the first time!

Astarion

Very much an 'oh. oh! oh...' moment for him.

Doesn't want to confess that he's attracted to the way you go feral, but anyone looking at him during battle will see how he is affected.

He already thought you were charming with your eloquence and courtly mannerisms, but this drives him wild. The idea you had this potential thrumming through your veins this whole time is delicious.

He can smell the blood pumping through your veins as you rage and does something for him. If you're together, expect a visit from him that night.

Gale

Loves to engage you in long, thoughtful conversations over tea every night. Did not expect this side to you.

At first he thinks some untowards magic has been cast on you, but then he sees how in control you are even when you're letting loose.

Is flustered and flattered when you make sure he's safe in battle, using your rage to protect his body with yours.

Afterwards when you check he's okay he has to try and hide how much he's blushing as he stammers out an affirmative. Asks you lots of questions about the nature of your rage. Can't stop staring at you when you're in battle...

Wyll

Lets out a little "oh, my!" when you first rage in front of him.

A bit gobsmacked but jumps back into action, quickly helping you fend off whatever enemies have caused your ire.

Is over it remarkably quickly, and takes it in his stride - in camp the two of you discuss court and your respective times in it, laughing at tales of long gone social faux-pas...

And on the battlefield you are a machine cutting down everything in your wake as he uses finesse to dispatch your foes. He thinks you are night and day... but that you are wonderful.

Karlach

Sees you rage for the first time and she lets out a "FUCK YEAH!"

Drops into a rage by your side and the two of you absolutely decimate the battlefield. The gang of mercenaries who came for you never knew what hit them.

After you wipe your brow with an embroidered handkerchief from your pocket and offer her a spare, which she takes and uses (completely destroying it in the process with soot from her engine)

Geeks out with you every day about raging. The two of you discuss battle tecniques and play-wrestle, which more often than not brings down half the camp. She loves it. She thinks you're perfect.

Lae'zel

Never really gave you the time of day before now. She found your elegant manner irritating. Why use honeyed words when you can cut straight to the point?

But then, oh, she sees you rage, and she is enamoured.

That night demands that you tell her why you never said that you could fight like that. You have an argument saying you never felt the need to... it goes on until the two of you calm down and end up sitting well into the night discussing how you grew up as warriors.

She has a respect for you from then on, confident you can look after yourself on the battlefield. More often than not she watches you fight with an appreciative eye.

Shadowheart

Oh, she's thrilled. We know she likes barbarians anyway (see her thirsty dialogue about Karlach) so when you rage in front of her?

She just stares for a bit. It's all she's able to do.

When that staring leaves her vulnerable to attack and you come and defend her, oh, she's gone. She has such a crush on you. If she had one before, it's doubled.

You're always the first one she comes to check on after battle. She likes to lay her hands on your bicep as she's healing you, perhaps feeling the muscle a bit more than is necessary. Her cheeks are always bright pink.

[slayingfiction]

Weak Words To Cut

Here are some weak words than you can often remove to strengthen your writing. I have made these changes as I edit my own novel, so I included examples from my writing to show you the difference.

When editing and cutting words, we are not talking about dialogue because everyone has a unique way of speaking, and it’s important to keep true to their voice.

Note: these are all general guidelines, and you don’t have to use all or any of them. Creative writing gives you a creative licence to choose how you write. Do what works best for you. Always.

Suddenly: technically speaking, everything happens suddenly, so use the word sparingly or it will lose its effect.

I don’t remember ever seeing a man in such little clothes before, and I suddenly despised the one piece left. I don’t remember ever seeing a man in such little clothes before, and I found myself despising the remaining piece.

Keep: When it disrupts your character’s life, and you want your reader to really take notice.

Cut: if removed and there is no change, then it’s not necessary

Then/Next: this is typically a filler word. All events happen in a sequential state, so it’s not always needed.

Then She was gone, her steps echoing through the halls.

Keep: You want to keep the word typically when something is changing in action, description, etc.

Cut: If removing the word does not change the meaning, then cut it. Typically if this word starts the sentence, it’s unnecessary.

Just: this is a filler word, and can almost always be removed.

I was just a game to him, nothing more.

Keep: if removing it makes your sentence confusing or changes the meaning, then keep it. Usually using the word words well as a limiter word. (Eg. it’s just me and my dogs tonight)

Cut: when it’s unnecessary and changes nothing.

Really/Very: these are weak qualifying/descriptive words, and you can absolutely find a better synonym

Your mother is really nice lovely.

Keep: typically these words are fine to keep when not used to enhance an adjective. (Eg. very next day, really think, very back of…)

Cut: if it’s being used to enhance a weak adjective, cut it and find a better word.

Is/Was: this is usually a passive voice, which isn’t usually the best for fiction novels, active voice is always preferred. Naturally this is a verb that you can’t cut from all places, so here are some tips.

Everyone was too busy focusing on their shopping to notice a human sliding between sales booths. Buyers and sellers occupied themselves with their shopping, too focused to notice a human sliding between sales booths.

Keep: when delivering information quickly its always best to just state the facts, so don’t worry about trying to find flowery words to describe everything.

Cut: If you can show what the person or object is doing instead of simply saying it, then change the sentence.

Started: every action has a start, so don’t write it unless you can tell me why it’s important now to know that’s it’s started.

The boy started to rant in his native tongue. The boy ranted in his native tongue.

Keep: if your scene is being interrupted or is still unfinished, then go ahead. This one is a little harder to see sometimes, so just see how you feel with it in vs removed.

Cut: it’s it’s unnecessary information, and nothing changes to the story or sentence when removed, axe it.

Seemed: again, this is more of a show don’t tell kind of thing

Time seemed to slow slowed as I held Vera tight against me.

Keep: if a character knows something intuitively

Cut: if you can show why the character is perceiving what’s happening

Definitely: this is typically just confirming facts that are already known to be true. Repetition is unnecessary without a purpose.

He definitely saw me, but I wasn’t mad about it. (This instance can for sure be removed, it’s unnecessary. However, I want this emphasis here, so I chose to keep it)

Keep: if it’s your character who is confirming facts as 100% accurate and ridding previous doubt

Cut: remove and nothing changes

Somewhat/Slightly: usually this is used when only trying to use a partial effect of a word, so the easiest fix is to change the word that it’s describing.

I looked away, slightly embarrassed.

Keep: if the words is truly the best way to describe what was happening in the sentence.

Cut: when you can use a better word to describe your action/emotion/whatever to be more accurate or it’s unnecessary.

Possibly/Likely/Probably/May/Might: much like some of the other weak words, these are just filler. Something either is or isn’t, and it’s best to describe here you can.

Probably Not with the way he was speaking to her.

Keep: if your character isn’t sure of something

Cut: if you can describe what’s happening, or it can be removed without changing the meaning

Somehow: this is usually an indicator of missing information

I thought I was an average girl in every way, and now I was somehow the first human to ever survive. (I don’t use somehow often. I am keeping it in this instance because none of the characters know how it happened yet.)

Keep: if your character is missing the information and doesn’t know how something became true or transpired

Cut: if you can explain how something came to be.

Adverbs: this is a great category of words to use in writing, but if used too often, it can distract from the story. A good rule is finding an even balance between adverbs and active verbs.

I squeezed her cold hand tightly in mine and made a promise to save her. Clenching her cold hand between mine, I promised to save her.

Keep: if it improves your writing by making it more clear and efficient.

Cut: if it makes more sense to use active verbs to describe what’s going on.

Totally/Completely/Absolutely: all filler words

He grinned at me, his plate almost completely full while mine was near empty. He grinned at me, his plate still full while mine sat devoid of even a crumb.

Keep: if it’s important to the story to know with 100% certainty, and this word gives the most accurate description

Cut: whenever it’s not needed

Thing/It: missing information/ lack of description

I was just accepting all the things they said as truth. I was just accepting all their fantastic explanations as truth.

Keep: if your character doesn’t know what it is

Cut: whenever you can find an actually description or name the object

Have any more words you think should be added to the list? If something does not make sense or you have questions, let me know down below.

If you’ve found this helpful: comment, like, reblog & follow for more :)

Happy Writing!

[shinobushaori]

I’m literally obsessed w/your work it’s keeping me sane while I try not to think about what’s going to happen to Shinobu in the next movie 💔

I’d like to request just some fluff of Shinobu x a fem reader and they haven’t seen each other for a while. Shinobu is busy being a Hashira and taking care of patients, and reader is busy being slayer taking on mission after mission. Finally, the reader makes it home to the butterfly mansion when it’s already well past dusk, and finds Shinobu slaving away doing late night research. At first Shinobu thinks the reader is some random assistant, but then she quickly realizes it’s the reader, and so Shinobu immediately halts all of her research to dote on the reader. Eventually it leads to the reader gently/lovingly scolding Shinobu for being up late again, which eventually leads to the reader and Shinobu going to bed, and as they catch up, cuddle, and exchange kisses both reader and Shinobu fall asleep. Just very fluffy stuff :D Maybe it even rains too, or it’s cold so Shinobu and the reader have to snuggle up under the covers. All in all just comfort and fluff!

A/N: You're in luck! I actually wrote something really similar but tweaked it a bit to more fit your request. And I'm so happy that my work distracts you as much as it distracts me! Especially from what's going to happen next year LMAO yeah I did find out while writing this tho that I suck at dialogues so that's.. something... hope you enjoy!

LIMITED TIME

- kochou shinobu x f! reader

warning: none

word count: 1.6K

"Finally!"

You squished the demon's remaining ashes under your feet, successfully extinguishing whatever profanities it managed to scream at you. Not bothering to listen to any of them. You're just glad that after a week of overstaying yourself in this village, you've finally gotten rid of the reason you were here in the first place.

It wasn't a strong opponent by any chance but it sure was tricky and cunning. Using ways that even you, who usually just go for the head, think of your actions more deeply. After all, one mistake could lead to a terrifying massacre.

But you waved all of that away. You managed to slay the demon and save people in the process, that's important.

After a while of receiving the countless grateful thank yous, you passed everything else to the Kakushis that had recently arrived with a nod.

"Ame."

Your crow perches on your shoulder and you smile, patting her ruffled feathers as she caws loudly. "Rest! Rest! Rest!"

You chuckle, "Alright, I got it."

Your thoughts wander as you walk towards the direction your crow was guiding you. Warmth settled on your stomach when you realized the familiar pavement and purposely stationed planted flowers as well as the occasional flutter and waves of butterflies.

'Ah.' You fully relax your body, seemingly melting from the warmth on your face alone. You cannot deny that you've longed so much from your family and most of all, from your lover.

It was an unexpected development, you could admit. From close co-workers to friends and then something more. Shinobu captivated you in more ways imaginable and possible. So, imagine the loneliness that clouded you every day that you were away. Being a Hashira as well as her, duties were indeed more important. But sometimes you wish you could be selfish for once and stay one more day with her, free of any worries outside normal, mundane concerns.

Alas, duty calls and you had to be away for two whole months! Countless missions left and right, your recent being the longest you've ever had. It was exhausting and mentally taxing waking up and only having comfort from the frequently exchanged letters sent by the girls and Shinobu before you ready yourself for another night of demon hunting.

Though, you suppose none of those matters now as you stood at the sight of the Butterfly Estate with a tired smile. The sun had already retreated for the day and the bustling mansion was still up and lively, likely nursing after wounded slayers.

You didn't want to possibly distract them so you discreetly went inside and almost immediately bolted towards the work office Shinobu must be working herself on.

You weren't wrong as the clanks and light stomps become audible from behind the thin door.

You widely grinned, you didn't notify any of the girls of your arrival as even you weren't sure when you're free of the duties given towards you. So, you were giddy in your place to surprise Shinobu with your presence.

You raise your arm to knock.

-

Shinobu releases a tired exhale. After the seemingly endless hours stretching on, the beaker she held between her fingers made it entirely worth it. With this specific mixture, she should have a nicely prepared scabbard full of poisonous concoctions of wisteria enough to last a few missions.

'I shouldn't worry for a while.' Shinobu sets the glass aside but momentarily pauses when a knock becomes audible. However, before she could speak, the swish sound of the door harshly sliding enters her ears.

She inwardly sighs, "Aoi-chan, I greatly appreciate your concerns but didn't I-"

"Give the poor girl a break, won't you?"

Shinobu blinks, snapping her head behind. Gaping with widened eyes as your tired state emerged from whatever hell hole you came from.

She eventually snapped out of this quick trance, smirking as you walked closer towards her while she slightly leaned on the table behind. "Oh? Don't tell me you abandoned your missions to visit me? That's sweet but I'm afraid I have to report you to Master~!"

You chuckled, missing her soothing voice yet teasing tone. The two months away truly took so much precious things that you can't help but treasure everything you missed from Shinobu. As you got closer, you immediately pulled her in a tight hug, inhaling the wisteria scent that clung itself onto her and she giggled at your desperate hold.

Feeling you rubbing your head on her neck made Shinobu even giddier, "Now, now. Are you actually coaxing me into not snitching? How cunning of you, my dear."

Already used to this, you didn't mind her teasing behavior. You know just how you could shut Shinobu's mouth and she's well aware of your ability to do so. That in mind, you worked your magic as your hands slowly wandered around her body, while placing small light kisses on her jaw and neck below, grinning at the way she softly sighed as you did so.

Shinobu bit her lip, feeling herself immediately fluster at your touch. She cannot deny she longed so much from you. From your silent touches to the loving gazes. After all, work and research could only do so much to distract her from her aching yearning for you. She's just glad that you're finally free of your duties as much as she is currently too. Tilting her head, she hums at the way your lips last longer on her skin and your palms softly caressing her waist.

"Missed you." You grumbled, leaning away to face her before tilting your head.

"Don't you miss me, too?"

Shinobu chuckles, finding your pleading eyes adorable as she brought a hand to rub your cheek. "Of course I did, my beloved." Her reply easily gets a shy smile from you.

"Good," You sigh, pressing closer towards her again. "..because I missed you so much I could just die."

The Hashira pats your head, loving the way you leaned most of your weight onto her, "Hmmm.. so dramatic."

You completely ignored her words, rather continuing on complaining about your previous missions, grumbling and groaning as if Shinobu was giving attention to everything other than the way you twirled her hair around your finger or the way you lock your jaw the moment you recall something entirely embarrassing or annoying. She could just stare all day and not get tired of doing so.

"..'nobu, Shinobu.. are you listening to me?" She hums, licking her lips and bringing her eyes back and up to your own with a sly grin.

"Something about demons, yes?"

Yep, she wasn't listening. You shook your head. "Well, that's all from me, how about you? I trust that you've been taking care of yourself?"

Shinobu visibly beamed, "Of course, I have-!"

"Don't even lie."

You immediately deadpanned. "You have a futon in here, which you only bring out if you spent a few nights here again. And don't think I didn't notice your cold and untouched dinner set aside either."

Her smile tensed, her head tilting as her purple eyes seemed to glint with a single brow raised. "Well, what's the point of asking something you're already aware of?"

You roll your eyes, "I wanted to test you," You shrug, leaning away from her touch. "I guess you failed."

Shinobu didn't even let a single second pass without her arms tangled around your neck as she immediately pulled you in, her smirk widening.

"Don't think I would let you escape that fast~"

You giggle, easily balancing the two of you as you give her a short kiss. "I'd be saddened if you did." You give her hips a small squeeze, "After all, I wouldn't dream of letting you go."

She huffs in amusement, "My, what a sweet talker you are."

"Says you."

Shinobu laughs, slowly pushing you towards the conventionally placed futon on the side. The two of you immediately cling onto each other, with you burying your head on Shinobu's neck while she lovingly caress your hair, the warm blanket sat above you two.

Pure small moments like these, seemingly ordinary yet profoundly precious, are what Shinobu cherishes the most. Nothing else but love and care radiating from the two of you. How she wishes time could stop and stretch on endlessly just for the two of you to spend time together.

You soon break the long and comfortable silence. "Take care of yourself, will you? Not just for me but for the girls as well."

You take a small peek at her, pouting at the way Shinobu simply smirks with her eyes closed, your words seemingly entering and leaving one ear to another.

"I mean it, Shinobu. Don't push yourself too hard, you deserve a break too."

She sharply exhaled yet the smile plastered on her lips softened hearing your words and you snicker seeing it. You know she secretly likes being taken care well. Although, you doubt she'll agree hearing it.

You return to your supposed location, deep down her nape once again with a satisfied smile. The warmth in your stomach increasingly grows, content being beside your lover like this.

"I love you."

Shinobu feels the heat creep up her face and ears, her heart tug felt painful yet she loved every single beat of it because she knows it's all because of you. You always make her feel like she's floating, always without a single fail. And at that moment, she feels all the strain for the past weeks leave her body as her comfort fully and rightfully embraced her.

Words could never capture the actuality of her feelings and yet it easily left her mouth anyways.

"I love you too."

As she always had and always will.

shinobu secretly liking being taken care of is so so canon to me that i jst had to mention it as a small detail idk why

GRGRGRGG i feel like I could've done better at portraying shinobu but i cant let yall starve any longer so i forced myself to publish this heheheh hopefully i could finish other requests too, have a nice day!

[cosmic-metanoia]

The Ruler of Life and Death

***Spoilers for Final Fantasy XVI***

<Edited to add some missing scenes!> Over time, I have written several FFXVI character analysis posts and Joshua is intertwined throughout most of them.

But I held off on writing his own post because frankly...there is just too much to say. As Johnathan Case (the English VA) once said, Joshua is "full of contradictions."

But the Tumblr world deserves more Joshua so...here we are!

My angle of approach - I will choose one word that encompasses many of his astounding qualities - self-possession.

(You got it! It's a word that Jote uses in her inner voice about a completely different character.)

Self-possession doesn't just mean "control over one's emotions." Afterall - having "control" over something implies that you can lose it.

Self-possession refers to mastery over one's destiny and being a fixed point within the chaotic storm rather than being pulled under the waves.

As a child, Joshua understandably had imposter syndrome. Makes sense considering who stood beside him. His highly admired and beloved older brother who, for reasons unknown, was passed over by the Phoenix. Instead of selecting the heroic teenager, the Eikon of Fire chose the sweet and frail little brother.

Thirteen years later, we witness in awe as a well-travelled Joshua confidently strides into Drake's Head to protect Clive and Jill. Everything about him emanates self-possession - his gestures, his stance, his diction, his facial expressions. HE is the shield now and he knows exactly how this game of chess with Ultima will end. Every move is intentional.

Five years after that, we see his self-possession when he kindly turns away Kihel's offer to heal him of his blood-ridden coughs while travelling on the crystalline road with Jote. He would rather have Kihel save her medicines to help others.

And despite the couple of times he doubts his abilities to keep Ultima sealed, Joshua presses on with grace and determination.

One of the most BEAUTIFUL examples of self-possession was when he emerges uninvited in Dion's tent. The man who was supposedly dead now stands before all with complete composure and authority. Through his subtle yet monumental gestures, it is plain that Joshua holds absolute conviction in his heart that Dion will not harm him or turn him in - despite the fact that Dion's loyalties lie with the very nation that destroyed Joshua's homeland.

The chilling reunion between Joshua and Anabella really tests Joshua's self-possession in the midst of so many emotional barrages from earlier. Instead of dismissing her or ragefully calling her out for destroying so many lives, he does something extraordinary. He reaches his hand out to her in a last act of mercy that no one else was willing to give her.

Another example of self-possession is when Joshua reveals the extent of his dire situation to Clive and Jill in the infirmary after the fall of the Crystalline Dominion. Notice how he revealed it with a soft smile and a gentle voice in contrast to Clive and Jill's horror and outrage. Joshua knows the consequences of his actions and chose that path willingly without a single regret.

Joshua is far from weak. He's the only Dominant able to seal Ultima within and continuously heal himself. Yet he STILL wakes up every day to fight by Clive's side and slay every beast in their path...all with a kind smile and words of wisdom. Always mindful, always demonstrating self-possession in the midst of pain.

A small but notable dialogue exchange between the brothers is when Clive expresses concern for Joshua's ability to take on a huge ambush of beasts in Waloed. Joshua's answer is one of acknowledgement and even humor. He is clearly in command of his situation - the situation is not in command of him.

One of the most noteworthy scenes that rarely gets touched on is the battle with the Behemoth in Waloed. When Clive reaches out with his hand to stop Behemoth's meteor and wanted to prime into Ifrit, Joshua exclaimed, "Why do you turn to him, brother?! When we fight, we fight together." And does Joshua also reach out to prevent the meteor from obliterating them? Nope....he heals Clive's hand continuously - being his support and his fixed point in the sea of chaos.

And there were several emotional scenes throughout the game where Joshua is spiritually and emotionally the steadfast center in Cilve's tumultuous world as symbolized by the phoenix feather he carries.

Of course, Joshua isn't always perfect in maintaining self-possession at all times.

Generally speaking, he is patient and not easily aggravated....but when he does snap, you freaking watch and listen. I'm talking about THE infamous Clive-gets-a-hook-punch-to-the-face-from-lil-bro that was felt around the world. But even in that context, Joshua was still thinking about Jill and standing up for her.

During the VERY dangerous encounter with Barnabas on the Enterprise, symbolically speaking, Joshua dangled on the edge of the self-possession but kept one hand gripping firmly at its edge. He almost lost himself in the fires of frustration and anger that Barnabas attempted to stoke.

We also see a heart-breaking example of his self-possession - Joshua foregoing romantic attachments in order to spare them the inevitable suffering if he doesn't make it in the end.

In the end....

Despite so many fans thinking Ultima would puppet his body and/or mind, Joshua demonstrates his mastery of self-possession - literally until the moment he dies in Clive's arms.

Joshua had every reason and opportunity to be spoiled (former little prince of Rosaria), self-centered (messiah of the Undying), haughty (like Anabella), unforgiving (Phoenix Gate/Night of Flames incident), greedy (being a Dominant), and hateful (a mix of traumas within his lifetime).

But this man OWNS his trauma and processes it to make him strong in the spirit and self-sacrificing for those he loves.

Perhaps that self-possession is something we can all apply to our own lives.

[phantom-sleuth]

Wanted to make a rec post about a bunch of random sci-fi manga i like and hope that others enjoy as well.

Dead Dead Demons Dededede Destruction:

A story about 2 young women in their day to day lives as a giant alien ship looms over Tokyo. A fair bit of the story focuses modern social political issues in Japan and the mystery surrounding the mothership and the aliens and why they are there.

The series will get two movie adaptations later this year.

Dai Dark:

The story mainly revolves zaha sanko and how a legend exist that if one gets ahold of his bones they will have any wish granted to them, and so sanko needs to search through space in order to find whoever put this curse on him and kill them. The manga is made by Q Hayashida and features a very gritty world with very goofy and fun characters.

Battle Angel Alita/Gunnm:

A story mostly about a cyborg with a sense for battle wanting to fin her origins after crashing on earth. The series has 3 entries so far with the third being on hiatus sadly, the 3 series being Alita battle angel, baa last order and baa mars chronicle. However the series has excellent art a very good story and great action.

It currently has a 1993 anime and a live action movie

20th Century Boys

The story revolves around a group of adults who in their youth created a symbol to represent their friendship which is then used by some malevolent character called friend in the future for his own cult and his goal to take over the world. With most of the story being about trying to recall who he may be and how to stop his plot. Its a VERY story and dialogue heavy series, but its all worth it once everything starts clicking.

it has a short sequel series that contains the ending of the actual series called "21st century boys"

Pluto

Made by the same person as 20th century boys Naoki urasawa, its an adaptation of "the greatest robot on earth" story with its own unique spin. Its about the ongoing murders of the seven most powerful robots on earth. It deals in a lot of stuff about the sentience of the robots and their rights.

It currently has a full anime adaptation on netflix.

Planetes

A lot of the story mainly focuses on the struggles and relationships of the main characters with space mainly being a backdrop. Its a very interpersonal story and i can't really do it justice by just describing it so i recommend reding or watching it yourself.

It also has a full anime adaptation.

10,000 light year binoculars

This one is just a oneshot but i enjoyed it so much that i really had to rec it. Its about an alien girl with binoculars that allow her to spy on a boy on earth from her own planet and wanting to meet him someday. The entire oneshot is in color, the art is great AND its short.

Star tripper: Planetarium Ghost Travel

A very comfy manga that only recently stared to get fantranslated. Its about a guy called 303 going to "ghost planets where most of the inhabitants have gone into a deep sleep and turned into trees.

Heavenly Delusion/Tengoku Daimakyou

And finally Heavenly, it has two concurrent plotlines with the first one being about a boy and a girl going through a post apocalyptic Japan looking for "new heaven", while the second is about a group a kids in a sterile facility wanting to go explore outside the walls of said facility.

It has an anime that covers the first 5 volumes.

And those are all my sci-fi recs for the moment!!! Hope someone finds something new to enjoy of these here. apologies if the writing ain't the best i wrote this at like 3 am.

[the-ellia-west]

How to make your Readers Feel Emotions for Dummies

(AWWWWW :]]]] Edition)

So... Do you have any cute animals or children in your story?

No?

Then I can't help you go away

Kidding, kidding, you can make AWW moments in your story no matter who or what your characters are.

First

You have to have at least semi-Likable characters (Pets, adorable animals, or children make this wayyyyyy easier)

Likable characters make your readers want the characters to be happy! You can't really get AWWWW moments if you want the characters to suffer

Most AWWW moments come from Shipping or cute baby moments

Second

Decide what Type

whether you want it to be an AWWWW Romance moment, or an AWWWWW Baby moment

There's also #3 I forgot to mention: AWWWWW comfort/sentimental moment

Third

Decide which character the AWWW moment will happen between

Couple, Father/child, mother/child, friends, siblings, doesn't matter - Well... it obviously matters Which AWWW moment you're going for but... yeah

Fourth

What's Gonna happen?

For romance it's usually cute fluff moments - Want examples? Too bad, look it up on Pinterest! No, no, Joking. Here's a list:

Small cheek/hand kisses

A small, 'I love you so much.'

Wearing other's clothes

Forehead touch

Cuddling

Holding BOTH of each other's hands

FACE TOUCHES - Cheek/jawbone is best

Leaning into touch

Careful dancing

For parental figure and Child it's usually a comforting trust moment, a protecting the child moment, or a 'make me proud' moments

I fucking love these and I'm gonna go on a rant Addict, Tired, bitter mentors are so fucking great. There's so much you can do with them Mostly there's 'make me proud moments' The first 'I approve' moment There's 'you've made me proud' moments There's also 'Fine, you're my kid' moments And comforting trust moments hit so much harder when the mentor rarely shows affection.

It's just so... :D

For Friends, You should do with comforting moments, or a 'you don't know how much I care about you moments

Fifth

Soft Phrasing = soft emotions

Use long, calm sentences. No exclamation points or question marks unless it's dialogue. Keep everything smooth and fluid.

Tears are a powerful tool so use them sparingly

Use short words, and use cuter, softer words, metaphors, and adjectives.

Sixth

Have a visible result

Smiles, cute thoughts, cute dialogue, different feelings or actions towards other characters

Stuff like that

AWWWWW moments can be very powerful to characters as they can for real people, they can change so much with little words.

They can be turning points, displays of affection to the audience, turning points of affection, showcases of change, strengthening of relationships, a final goodbye, they can be so much in just so little.

Good Evening and Good Luck with your Writing My loveable Writing friends! you can do this! <3