#so be careful if you wanna read it

[crimescrimson]

Leon S. Kennedy in Resident Evil 6 (2012)

[kkoct-ik]

character design so good i somehow pulled out a fullbody

[sunnibits]

potentially hot take but this is a pet peeve of mine

[twentyfivemiceinatrenchcoat]

THERE WAS NO PLACE IN NATURE WE COULD MEET ; SUGURU GETO

synopsis; it’s never fun to run into an ex; especially when the ex in question is your unfairly handsome high school sweetheart. and just so happens to also be a wanted mass murderer.

word count; 3.3k

contents; suguru geto/reader, gn!reader, geto-typical angst, exes to [redacted], lots of longing, geto is kind of a cunt but also disgustingly charming, reader is understandably upset, biblical imagery (i just think he’s so serpent coded), curse user geto is his own warning tbh

a/n; i wanted this to be a drabble so bad but it ended up just a little too long for me to get away w it so … :’3 yeah. i hate suguru geto (said w affection)

the moon is out.

in the shadows of the street corner you find yourself in, seated comfortably on the sidewalk, it’s a welcome distraction. something to look at, in the midst of your loneliness; the evanescent glow of the moon, illuminating your solitude.

a solitude soon to be broken. shattered into pieces, battered and bruised beyond recognition, jagged shards littering the asphalt. digging into the soles of your shoes.

”hey.”

for a second, you think you must be dreaming.

the figure obscuring the light of the lamp post in front of you is familiar. too familiar, a little too dear for your liking. as you grasp your shitty cup ramen, seeking the warmth seeping through the polystyrene, all you can do is stare. blinking dumbly, drowsily.

geto looks something like a bad omen.

sharp facial features, even sharper eyes. so dark they almost shift from an amber-tainted cedar into an obsidian black — two abysses, staring into your soul, beckoning you closer. they were always enchanting, but now you think they look almost hypnotizing. not at all in a good way. dark hair frames his face, cascading down his back, longer than you remember it being. and he’s wearing robes.

still has those fucked up bangs, though. of all the things to keep.

the gears of your mind turn, endlessly, untangling the mess of thoughts inside your brain. ensuring you that no, you are not hallucinating, and no, you didn’t fall into a deep slumber somewhere between the moment you exited the convenience store and sat down by one of tokyo’s empty street corners. this is real. a reality you can’t comprehend, can’t even begin to process.

what stands in front of you is a ghost. but ghosts don’t exist, can’t be seen, can’t touch the living.

(so how is he able to haunt you like this?)

what eventually jolts you out of your silent stupor is not the questioning tilt of his head, nor the suffocating sensation of your heart crawling up your throat, but the feeling of soft fur against your leg. the stray cat you met further down the street meows at you, sweetly, trying to get your attention. you think she must be asking for more grilled fish.

so, completely ignoring the apparition in front of you, you turn to reach for the little plastic bag you bought as a midnight snack — digging out a bit of fish for the kitty to enjoy. she seems happy, settling down by your feet. purring softly.

geto watches, eerily silent. 

(maybe he’s upset that you’re ruining his dramatic entrance. you hope so.)

finally, you have no choice but to look at him. a lump forms in the back of your throat, clogging up a little more for every second spent falling into the trap he’s laid out for you, trailing over his moonlit features with your tired gaze.

mouth full of noodles, staring holes into his attire, you narrow your eyes. suddenly disgruntled.

his lips quirk up. ”something the matter?” he asks, and you can’t even begin to describe how much you hate his voice. how devastatingly deep it is, during the late hours of the night, even deeper than it was back in high school. 

slurping up the soggy noodles, you lean back a little, licking some broth off your lips. finally meeting those abyssal eyes. 

”… i was gonna say those robes look like shit on you,” comes an exhale, weary, ”but you actually kinda pull them off. that’s…” 

a beat. you struggle to find the right word. 

”annoying.”

geto’s lips curl up, smoothly, and you find a hint of familiar amusement in the vague crinkle of his eyes. barely visible crows’ feet. then he’s moving — plopping down right beside you, robes fluttering with the breeze.

”well, thank you.” he hums; crossing his legs.

the silence that festers around you is odd. not quite suffocating, nor especially fragile. definitely not comforting. it’s familiar, yet different, and it hurts a bit more than it should. but you choose to look at him, out of the corner of your eye, and he looks right back at you. still smiling that eerie smile.

when your eyes settle on the particular cloth wrapped around his torso, you just barely manage to bite back a taunting chuckle.

”a gojo-kesa, huh?” you grin, and geto doesn’t flinch. he doesn’t miss the meaningful glint in your eyes, either. ”you miss him that much?”

”just a coincidence,” is all he answers. smiling, but you think it looks a little stiff.

your grin widens, for a second, before settling back down. a sad transition. you let it go. 

”whatever you say, geto.”

at that, he visibly reacts. barely noticeable, but it’s there — a twitch of his lithe fingers, an unknown something that flickers through the scope of his iris. when he looks at you, a neutral smile is playing at his lips. 

”ah. i take it we’re not on first name basis anymore, then?” he asks, casually, hiding a tinge of something mildly displeased.

a shrug. you pick at what’s left of your ramen with your chopsticks, a little too nauseous to enjoy it. ”call me what you want. i just don’t see suguru when i look at you, y’know?” leaning forward, you begin to pet the kitty by your feet. ”he was sweeter.”

geto smiles. almost a grin, but not quite there. a chuckle spills out from his lips, and something about it irritates you. ”was he?”

”yeah,” you nod. without hesitation. a summer-stained memory blooms behind your eyelids, but you try not to look at it. all you catch is a glimpse of cherry blossoms. ”you just seem bitter.” 

the grin that finds its way onto your lips is self-deprecating. a shadow falls over your face.

”guess we’re in the same boat, huh?”

a hum buzzes in his throat. he casts a meaningful glance towards your hand, scratching behind the cat’s ear. ”oh, i don’t know about that.” his smile grows with the drawl. ”.. you seem just as sweet as always.”

to your grave annoyance, you can’t control the way your face changes at his words. a twitch of your lips gives away your discontentment, and something sour settles on the tip of your tongue.

(your blood begins to boil, beneath your skin.)

geto sighs, suddenly, filling the tense silence between you — a little theatrical. ”ah, but that’s a shame.” he turns to you, soft pout playing at his lips. ”i was hoping i could hear you call me suguru again…”

”— i was hoping you’d come back.”

a beat.

somewhere outside your vision, a crow takes flight into the night sky. swallowed by darkness, melting into that sea of black. no longer perceivable, by you or the world.

”but you never did,” the polystyrene of the plastic cup crinkles beneath your fingers. your eyes look dull. ”so what the fuck do you want, exactly?”

…

”i heard.” geto rests his jaw on the heel of his palm, gazing at you with those piercing eyes. like he’s trying to see inside your brain. ”… about your decision.”

”ah,” a grin splits across the curve of your lips, showing off the white of your teeth. ”of course. that’s what this is about, huh?”

with groggy movements, you throw away your nearly-empty cup of noodles, haphazardly aiming towards a trash can across the street. it bounces off the steel cover, landing on the ground with a soft thud. leftover broth spilling out across the pavement. geto doesn’t bother to hide his amusement, lips twitching upwards before he sends a curse to eat it from the asphalt.

you furrow your brows in embarrassed annoyance.

a moment passes, and something in you knows that he’s waiting. it’s like you can practically sense it, like it’s etched into your bones. the same way you always knew exactly when he would begin to get impatient during your nightly convenience store runs back in high school — after you had spent about ten solid minutes struggling to decide what kind of chips you wanted. 

”what can i say?” you lean back, palms against rough concrete, breathing in the midnight air. ”you inspired me.”

geto tilts his head. smiling. always, always smiling. he smiled at you the day before he massacred that village, too. ”oh?”

with a deep breath, cool air courses through your body. burning your lungs. ”i realized being a sorcerer is completely fucking meaningless,” you exhale through your nose. ”and that trying to change that fact is even more meaningless.” 

a wicked, rueful grin rests on your lips. ”so i left.”

geto doesn’t say anything. you continue, voice dripping with venom.

”i’m a civilian now,” you purr, mocking, a sardonic coo on your tongue. ”does that bother you? feel like killing me?”

…

his smile looks a little off, now. tilted in a direction you don’t want to recognize. you don’t care to examine it further, don’t care to figure out if it might look just a little bit sad, because that’d only hurt more.

so you look away.

a click of his tongue. then he speaks, with that honeyed voice, raspy and husky. almost a groan. ”well, i can’t say i approve.”

he’s looking at you. sharp eyes digging into your skin, dissecting you, a million words he expects you to grasp from that look alone.

”you’re better than them,” he states, matter-of-factly, and you try not to squirm when his eyes trail over your features. ”worlds better.” his voice sounds almost motherly, a twisted concern that makes you cower a little. like he’s scolding you. a crease between his brows.

”i don’t like the thought of you surrounded by these animals.”

a huff pushes past your lips, but it sounds shakier than you’d like it to. you hope he just chalks it up to the chill of the air. then again, when has he ever made anything easy for you?

”what, you got a problem with cats now?” you reach for the little furball licking grilled fish off the concrete, picking it up. cradling it close. ”gonna go on a cat-killing spree?”

an amused exhale. geto narrows his eyes. ”funny,” he hums, but his eyes say you know what i mean.

it takes you a moment to regain control over your breathing. there’s still something tense in your shoulders, and your heart still feels a little like it might jump out of your throat and crawl into his lap. the stray cat slips from your grasp, moving towards geto, curiously sniffing at his robes. he looks at it with no ill intent, and it puts you at ease.

”well, i appreciate the concern, buddy,” you pat his back, trying not to flinch at the contact. trying to appear relaxed. ”but frankly, i don’t give a shit. i actually like my job, unlike literally every single sorcerer on planet earth.”

geto stills.

”.. buddy?” he echoes, ignoring every other bitter word you just graced him with. for some reason, he actually seems visibly bothered. ”i’m buddy now?”

you click your tongue. muttering, tiredly. a little exasperated. ”.. what else would you be?”

and then he smiles, again. only this time, it looks oddly genuine. the same as you remember, framed by cherry blossoms and the fizzle of youth.

his movements are smooth. like he’s completely unguarded, like this situation doesn’t bother him in the slightest. elegant, in the way he leans back, palms on the concrete to support his weight. keeping eye contact with you, all the while.

when he speaks, his voice has a sweet tinge to it. nostalgic, maybe. wistful. if you hear a touch of longing, you choose to ignore it.

”i seem to recall you calling me baby quite a lot,” he hums, and you stiffen. gritting your teeth. eyes darkening, but he continues. ”what else was there? angel, i think… it was sweet.”

then he’s leaning forward. scratching the cat under its chin, gently. ”ironic, though.”

an inhale. then, an exhale. they’re a little shaky, a little meek, but at least they make the lump in your throat feel less like it’s blocking your windpipe. air fills your lungs, but it tastes like nothing at all. 

something like sorrow simmers in your eyes. or maybe more like fatigue. god, you really want to cry.

(you wonder if he gets some sickening satisfaction out of seeing you like this, out of breaking you. maybe it just makes him feel rotten. you don’t know what you’d prefer.)

”suguru,” you murmur, at last. voice dripping with exhaustion. defeated, the sigh that flows from your lips. ”why did you come here?”

…

”join me.”

the words spill out into the open air, slicing the silence in half. heavy. a request, not a question. against your better judgement, you turn your head to meet his gaze.

”we could use you,” he says, and there’s hope in those keen eyes. he maintains his distance, but for some reason you still feel like prey being sized up by a predator. like he’s weighing your value.

a chuckle slips from your lips, but there’s no humour to it. ”use me…” you echo, a tired murmur under your breath. ”you're just straight up admitting it, huh? kinda refreshing.”

”that’s not what i meant.”

he inches closer. slowly, as if trying not to scare you. reaching out, to brush through your bangs, his fingertips ghosting over your skin. tangling them between your locks, inserting himself into your space. testing the waters. 

you don’t look at him, completely still. barely breathing. like a wounded animal.

”i want you there,” he says, and it comes out almost as a whisper. ”with us.”

unable to resist the temptation, you indulge in a single brief glance his way. his eyes look warm, and his lips look soft as they part.

”with me.” 

there’s a devotion to his voice when he continues, one he’s always had. one you thought you’d always be able to trust. ”i’ll create a world where you can be happy,” he vows. ”i swear it.”

a moment passes.

(you swallow thickly. it takes everything you have not to burst into tears. when you remember how he brushed you off, back then, it gets a little easier. when you remember all the skipped meals.)

”.. like you give a damn.”

geto smiles. you loathe how soft it looks, how similar it is to the one suguru always had. when you used to eat your ramen too quickly and started choking on it, and he brought a palm to your upper back, patting it gently. he’d chuckle, and tell you to slow down, and the softness of his smile would almost be enough to distract you from the amusement in his eyes. 

”my love.”

you flinch. breath drawing back at the base of your throat, heart screeching to a halt, and some part of you emerges; the shy, sweet kid you used to be. hanging on to his every world. like he was your sun, your guiding light. back when that purr of my love had you blushing furiously, not choking back a string of curses.

it’s sudden, and you can’t react the way you want to. you want to kill him for calling you that. for thinking he has any right to call you his, anymore.

but that sweet, naive, innocent little kid still exists. even if you want to pretend otherwise. it’s there, somewhere, that part of you — peeking out from behind the curtain. and it stops you from saying anything that might hurt him.

(it’s so hard to hate him when he calls you that.)

if geto notices your inner turmoil — he must — then he doesn’t mention it. you don’t say anything, but you hope the amused, harsh exhale you partake in is signal enough for him to cut it off. now.

yet he continues. there’s love in his voice when he speaks, barely contained. if he’s trying not to hurt you he’s doing an awful job.

”… i never stopped thinking of you,” he whispers, so low you almost miss it. ”not once. i left for you, not just for myself.”

and, despite every part of your being resisting it, a sweetness settles on your tongue. so sweet it’s sickening; the thought that maybe he’s telling the truth, maybe he really has been thinking of you. maybe you’re more to him than just a means to meet an end, or a memory yet to be buried.

geto looks at the moon. bathed in moonlight, he looks a little like a god. like something reverent. his voice is honeyed. low, like a secret.

”this world doesn't deserve you.”

silence.

a subtle anger trickles through your veins, a kind of fury, subdued, carefully tucked away. sparking to life inside the depths of your eyes when you look at him. bitter, given everything. but your voice still comes out sounding something like a plea.

”and you think you do?”

another smile. this time, it looks a little sad. remorseful, maybe. ”… let me prove myself.”

his touch burns. the pads of his fingers against your cold skin, cupping your cheek. slithering down to grasp your hand. and you’re pliant, unable to react. just sitting with that aching hollow feeling in your chest.

”i wasn’t worthy, back then,” he hums, bringing your hand to his lips. ”but now…”

a kiss to your knuckle. featherlight. reverent. you try not to shiver, but when he says your name, dragging each syllable out, like they belong on his tongue —

a chill runs down your spine.

when he speaks, you feel his warm breath on your skin. it’s dizzying. ”i’m not the same suguru you once knew,” he admits, a forlorn look in his eyes. and devotion, frighteningly sincere. ”unlike him — i’ll never let you go.”

what a twisted desire. he wants to take you with him, drag you down to hell. the suguru you knew wouldn’t put you through that. but maybe you’re even more twisted, for wishing he had; for wishing he had taken you with him, ten years ago, instead of leaving without a single goodbye.

geto’s voice is soft. coaxing, like he's handling a frightened mouse. join me, he whispers, and you think of eve. when you look at his mouth you think you see serpents’ teeth behind his lips.

(you're almost sure he notices it. and you're almost sure his smile widens, lips curling up, as if preparing to open his maw and swallow you whole.)

a sickening sense of resignation roots itself somewhere in your gut. 

you pull your hand away, and he lets you. the loss of warmth hits you like a freight train, but you aren’t sure you could think clearly with his skin on yours. when you part your lips to speak, only air comes out, just barely forming a sentence. like there are no more words to say. like the world stopped spinning around you both a lifetime ago.

”i don't love you.”

…

for just a second, his smile falters. 

”no?” he hums, and you wish it didn’t hurt so bad to see him hurt. his eyes carry a kind of patience, something gentle. ”it’s fine… these things take time.”

a bitter chuckle. ”like you’d know anything about waiting,” you spit, and it comes out sounding venomous. a phantom ache sprouts in the spot where his lips touched your skin.

geto closes his eyes.

”you don't need to love me,” he says, finally. kind. you hate that he still sounds so kind. so understanding, like nothing you do could be wrong in his eyes. ”as long as you're beside me, that's enough.” 

he turns to look at you, and his smile looks very real, for a moment. impossibly fond. ”i have two daughters. i’ve told them about you,” he smiles. ”my family… you’d like them. i know they’d like you.”

dark clouds cover the moon, suddenly, and a shadow falls across you both. illuminated only by the streetlight. in the distance, you hear a car whooshing by.

”don’t stay at the bottom,” he beckons, and your name slips from his lips again. soft, his tongue bending around the vowels. coaxing. stirring your heartstrings like a puppeteer.

then he’s standing up, dusting off his robes, large hands smoothing down the fabric. turning around, towering over you; obscuring everything else. all you see is him, under the glow of the lamp post. a halo of artificial light.

”come. let me show you the world we can create.”

he gives you a sweet smile, two abysses gazing into you. the promise of something twisted, new, forbidden. you think of red skin and yellow flesh; the bite of sin.

and for a second, you see it. the world. a world where laughter comes from the bottom of your gut, and the trees are always ripe for picking, red apples hanging from the branches like glowing rubies. a world where sweetened fruit never give way to rot.

paradise.

geto stretches a hand out towards you. fingers unfurling, one by one, like a blooming camellia. close, right there in front of you, so close that you’re tempted to take his hand in yours, let him carry you away. burn everything else to the ground. 

(you think of the serpent. you think of god.

only one of them banished eve.)

”so,” he smiles. ”what do you say?”

[anomura]

so. i've been thinking probably way much about bucky's attachment/abandonment issues bc they're soooo loud to me like he clings to people so hard!!! he wants to be chosen!!! him asking gale "did you miss me?" after spending objectively not that much time apart half joking but half sincere bc he's used to people getting tired of him and leaving so he has to make sure.

And it makes gale saying no to london even more of a Big Deal. and paulina leaving him the morning after even when he asked her to stay!!! and lil kissing him but getting with dye!! and once again feeling rejected in the stalag when gale won't leave with him, won't even entertain the thought of it !! andddd not having anyone writing him letters, possibly not even his family for reasons we don't get to know but probably are a big part of why he has attachment issues

i've already said this but i'll say it again even though he's confident/cocky at times he doesn't... like himself . or has a lot of regard for his own life which we literally see in the show. he was Capital S Suicidal – bc of the stalag obviously but come on he drinks like crazy and gambles and smokes even before things get Really Bad. and the plane wing sceneeeee you don't goad your friend !! not even a random person but a Friend into hitting you if you're a well adjusted individual. And he was ready to give up fr when gale went down. he did not want to bail out with brady!!! AND him risking his eye to get gale a bike (which while yeah crazy yaoi moment . to me also ties into him needing to be wanted/needed so people won't leave him) so yeah clearly not huge on self preservation which at least in my perception is something that stems from self hatred

all of these rejections (even if justified at times) are probably a series of blows to his perception of himself/sense of self and just reaffirm to him in his head that he's not good enough and he is right to expect to be left by the people he loves. and he tries to stop that by clinging as hard as he can and not being expendable/replaceable. but if they do leave he can rationalize it because if everyone leaves him clearly it's his fault, he's the one lacking – which feeds his recklessness and self destructive coping mechanisms even more

[drawnfamiliarfaces]

i... wrote a smol fic (っ´▽`*)っ

also!!!!! If you haven't seen it - shoutout to first ever published fic in Ninja Showdown/My Immortal Soul tags - Lustrous Red by @missadmyre !!!

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[infiniteorangethethird]

being loveless does suck sometimes but less bc of some "ohnooo I'll never be able to loooove what will I ever doooo" bs but because how the hell do you tell the ppl around you that you view all relationships as business transactions where the currency is care and support and the reward is trust? How do you tell someone "hey so I could not care less about you as a person but also I enjoy every second we spend together and I'd fight the universe for you if you asked and if you ever disappeared I probably wouldn't miss you but I'd still cry for all the things we never got to experience together" without being the asshole?

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[cloudysarts]

this show would be good if literally everything about it was different

[crimescrimson]

Leon S. Kennedy in Resident Evil 6 (2012)

[edenfire]

💗🏥 Shuake Week- Day 6 - Wound Tending 🏥💗

I've always really liked the idea of goro waking up after the engine room with a bullet wound in the chest. he miraculously survives, and akira has to take him in and tend to him, while hiding him from shido's men😳💦

(also yes, goro is wearing akira's pj pants😌💞)

[fumifooms]

Namalin

Namari x Falin

Easy short rarepair spotlight post for prosperity~ This one I didn’t think of on my own for once, I don’t know if it’s just I forgot the decided-on ship name or what but I remember seeing really nice art and a couple posts about it that I can’t find again 💔 Namalin warrior you are out there and not forgotten ty for making me see the light

I like that Namari’s critical of Falin! I have a whole character analysis on Falin if you’re interested, but it’s generally well noticed that people around Falin idealize her a lot. Laios, Marcille and Toshiro all put her on a pedestral of ultimate goodness in the world, a saintess if nothing short of perfection. Sounds like Chilchuck felt sort of creeped out by her vibes, uncomfortable because he couldn’t read her, so unlike Namari it seems he preferred steering clear of her rather than debate opposed ideologies like he usually does. Makes sense if unlike Namari his issue is with her cryptic aura rather than the stances she does show. "… The dungeon is no place for soft hearts" my ultimate namalin scene <333 It’s fun because while this scene is there to show us a lot of things, mostly to establish Falin’s characters better as it’s the first flashback of her we get, the conflict in it is more than anything else Falin vs Namari in how they contrast and clash and approach situations differently. Namari wants security in swift effective violence and thinks Falin too soft for her own good when she prefers a pacifist approach and promotes compassion even for the "undeserving" in Namari’s eyes. Falin steps between the battle ready Namari and the ghost, fearless. Falin effortlessly gently exorcises the ghost without one step back, quickly. Falin proves someone wrong. Falin proves someone wrong.

I love thinking of Namari being surprised when she learns new aspects of Falin. I like Falin having the power to shape people’s views on her. With Falin ships the most fun part for me is usually that point where Falin/the relationship becomes a clean slate: the person realizes they haven’t been seeing all of her, realizes there’s more of her they hadn’t noticed or that she hadn’t shown, that there’s change, a shift in the views on each other and the dynamic a bit.

Namari often feels like an external view looking in to me… I need to make a proper analysis on her but like. I made a lamari post once (analytic more than personally invested rip sorry) and I go with the same Namari take here, I think she’s someone who tends to have an outsider view on people and relationships if that makes sense, she’s a coworker before anything else and she’s content staying at a distance, she’s not objective per se but she tries to keep feelings out of her choices and how she sees people (her lil arc on not staying to save Falin despite the existing camaderie but in the end asking to work for the Flokes more because she wants to stay with them). She’s serious no nonsense on the job but friendly off the job and likes having casual friends, but she’s not… She doesn’t really feel connected to the group. She’s so focused on doing her job, even if she does get impulsive and passionate and too assertive for her bosses’ tastes, so focused on working her reputation and life from the ground up that that professionalism and attitude limits her social life. It doesn’t help that her reputation makes her widely judged, so she probably enters social spaces on the derensive. The closest person she was to pre-canon as far as we knew was Chilchuck and even they have a very "coworker I get along with" dynamic more than friends, with a similar sense of boundaries, humor and world view. Also like canon says a few time, the party didn’t really try to get to know each other well pre-canon, didn’t hang out after work often no one knew where Marcille was from and no one thought that was weird (also how no one had the instinct to ask about Senshi’s past) etc, the notable exception is we’re shown Namari and Chilchuck hitting taverns together and having a grand time. Everyone’s fine with things as they are, they get along decent even if not everyone considers each other friends exactly. Where I’m getting at is that to me, it feels like she tries keeping emotional distance. Emotional distance from people in general being something which in my interpretation of Falin is also present, which would make it a theme and common thread interesting to explore imo. But yes like, Namari looking at Falin, and how everyone treats her, and being more skeptical, seeing her for what she is a little more, maybe even uncharitable. "Why is everyone treating her like she’s all that? She’s gentle sure but seems like a doormat to me" and then one day she comes running up with her mace ready to cave in someone’s face to protect Laios. So yeah… Keeping her distance but one day Falin offering her some gentleness that feels very too personal for someone who’s not used to being genuine and simply showing that they care… Them talking a bit which leaves her stumped and mindblown in a quiet way when Falin defies her expectations. Namari growing on Falin when she stays and decides to open herself up more, or when Falin ends up reading her really well like she’s shown to do with her parents and Marcille’s worries. She’s very attuned to worrying and why and when different people do it especially when it comes to when they worry for others, perhaps because she does a lot of that too, so I think she’d nail down how Namari does care for the rest of the party and it’d make Namari feel seen both in a warm validating way and in a scared naked way.

We see in the tentacles chapter that she’s someone’s who’s very protective and looks out for her peers in a tough love way. She’s overbearing but it’s because she wants everyone to have the best chances. I like that she’s very confrontational and somewhat pushy and rude, but it’s tough love, it’s protective care: asserting herself to better protect and defend. The opposite of Falin’s type of care, quiet and self-sacrificial devotion. They’re barbarian x healer but they’re also bodyguard x bodyguard in their attitude and role. … What I want for them is slow burn slice of life of being coworkers and slowly getting to know each other better, pretty fluffy, but god, put this way they’d have the potential to be such a hot layered mess of insanely mutually devoted codependence… Falin taking a hit for Namari and Namari being scarred by it forever, lots of arguments about it, my god.

I like that she’s the fighter to Falin’s healer. I looove thinking of scenes of Falin healing Namari, necessitating touch and like, a moment of slowing down and sitting together in silence, too intimate, the perfect opportunity to connect that neither truly want to take until one day they do. I love how onesided I imagine the relationship would be at first. Again, as per my interpretation of Falin, I think Namari would have all these little observations and opinions on Falin meanwhile Falin really doesn’t think of Namari much at first. So Namari thinks a lot about Falin and thinks she’s got her pinned down but hasn’t (not that she’s fully wrong, she’d have credit and confront Falin on some of her flaws like the doormat thing), while Falin is very passive about Namari and doesn’t think deeply about her or anything but she read Namari’s insecurities and logic well. Not unlike how Laios was the one who seemed to understand Namari’s way of care the best in the party in the tentacles episode, and how he was very understanding of her choice and reasons. In Falin’s case it’s more like, the objectivity of passivity… She cares about Namari less than Laios who generally seeks to form bonds, so her lack of investment allows her a neutral perspective. In that way another parallel with Namari that I’m drawing, except Namari lets feelings from her opinions seeps in more… Onesided beef my beloved. I’m going insane save me this post was a mistake. I think Falin takes the crumbs of friendship and love where she can without expecting or asking for anything more than what’s offered, and I think her relationship with Namari (or anyone really) would start out the way it did with Marcille: the other takes the initiative and they end up spending time together, Falin is friendly but unattached until the bond gets gradually and wordlessly strenghtened through regularly spending moments together. So! I think Namari would need to take a lot of the first steps, which since again she’s confrontational & argumentative and doesn’t hold herself back on that front that could spark a lot of conversations I think. Ooor since Falin cares about Namari less than Laios and Marcille she allows herself to be bolder herself lol. Or also circumstances force them to spend time together like dungeon party getting separated shenanigans.

I think their personalities match cutely, I think falin would try to protect namari like she does others but also Namari simply doesn’t need protection, just support. And I think they’re complementary in that way that Namari’s friendly but also won’t sugarcoat things, and I think if she takes an interest in Falin it could go from there and she could develop some understanding of her and idk like an intrigued crush….

Namari wants stability & security & to, like, not be judged and rejected and exiled lol, to find her nest her pack the place where she feels good and wanted in. I think having a fitting partner would help in that (similarly to how the found family with the Flokes seemed to. Oh another parallel, Falin’s top priority is protecting Laios her brother and what Namari are a family figure) and I think Falin would fulfill that cozy protection and that warm ‘being seen and not judged’ feeling. But also Namari would run up to her and yell about her trying to sacrifice herself ever.

Another fun thread to explore: post-canon guilt for not having gone to save her. Sure, they weren’t close, but they had some nice memories, didn’t they? Namari cares, and it stings despite herself when it feels like people think she doesn’t. Oh it wasn’t a lost cause after all, oh it’d have worked out, oh I could have stayed loyal and it wouldn’t have compromised myself in the end. Wanting to apologize to Falin, or just ahnging out with her and sharing a moment after she wakes up. And tangent but that’s interesting to think about… Narratively, I think the purpose of Namari and Toshiro in the story, beyond strenghtening the theme of "seek to understand what is different from you and promote unity despite them" and fleshing the cast and worldbuilding, is Toshiro’s purpose was being a foil & tool in Laios’ arc (trouble connecting with people) while Namari’s was being and a foil & tool in Marcille’s arc (standing up for ideals without being out of touch with harsh realities and needs). They are the conflict that push our protagonists to grow— and they explore different ways of dealing with a situation or topic, different ways of growing into themselves on that end: Laios needing to listen to others more and Toshiro needing to focus on voicing himself more to be able to connect, Marcille needing to learn ideals sometimes cost too much and Namari needing to internalize that ideals are sometimes worth risks (not only to be able to find a reasonable but fulfilling life balance, but also to get in touch with their compassion: Namari restricts her own too much and Marcille is too harsh on people she deems to be breaking values, like Namari not risking her life and career for a friend with no promise of success, or even like how Namari is harsh on Falin’s way of doing things : too gentle, too soft, too idealistic) (similarly to Chilchuck’s arc with Marcille too, and he also plays a hand in advancing that arc in the Namari chapters). We are getting far from namalin sorry ummm preview for future analyses like Toshiro’s contrasting approach to grief and accepting loss.

More post-canon namalin! Thinking about a timeline where… Namari is fond of Falin finding herself and going off to do her thing. "Finally!" she thinks. If she’s still for hire, maybe Falin would want her to come along, either as guide or bodyguard <3, she knows Namari has a lot of good avice on a lot of things to give, plus they’ve worked together before. She hires Namari and they travel for a bit. Travel would do Namari good too I think, even if her end goal is to settle and I think Falin’s would be too eventually. Seeing sights that light her wonder for the world and going places where people don’t know her story, don’t recognize her face or her name. Them, feeling free. Finding a companionship that feels uplifting instead of stifling or charged. Namari having been too in her head about reputation and social games and money that they hit the roads and spend time in nature and it’s like, woah. I’ve been living in a small world with made up rules.

Ahh yes romance, Namari and Falin kissing after 3 years of not really knowing each other despite seeing each other every day then 2 months of wanting to spend more and more time together until they’re an inseparable duo! Workwives. I want them to stand next to each other during campire time and Namari cracks little jokes and Namari laughs. I want Namari to gift Falin a bug caught in amber and for it to be their wedding/promised to each other thing.

TLDR

Rowdy but levelheaded barbarian x gentle healer that will also cave your face in with a mace I like it…… They’re an interesting duo of mixed stuff. Protection being your purpose and what you’re worth for, literally being a meat shield (Laios, Tansu), finding your individuality recognized and validated through a growing bond with the other. Sticking around as a love language. Also bug immortalized in amber and it being beautiful.

Nevermind this wasn’t short. Um! Anyways.

[spaciebabie]

you have to stop acting like you are only worthy of hate and malice. you have to. i know how hard it is ta stop the self deprecating jokes or feeling the constant urge ta dunk on yourself i have been there and i have done that and i cant even say that i love myself b/c i dont, but im in a better place now b/c i actually accept that people feel positive feelings about me and i am not unlovable! ive lost count of how many times i have poured out my heart ta my friends and told them i love them or that i love something they create and then i just get slapped in the face by them saying "no thats not true everything i create sucks and i suck" like!!! what is the point of me being here honestly. why am i saying nice things ta you if you're constantly going ta say otherwise. do you even care about the things i hafta say? why are you acting like your friends are constantly lying ta you abt how they feel? you hafta think about how constantly rejecting someones affections for you (in this specific sense) is going to impact them! you dont hafta believe that you're the best thing since sliced bread if someone tells you that you are. but you have to accept that the people who care about you feel that way about you or you're going to drive them away. like im trying to love you asshole! let me!!

[stealingyourbones]

Gotta love when folks write Superman incredibly anti-clone even though he had good reason in the beginning to Not Like Superboy (HES A WINDOW INTO WHAT CLARK WOULD HAVE BEEN WITHOUT THE KENTS) and decide that forever on he’ll be spiteful towards clones even though he literally Does Not Care if you’re a clone unless you’re Superboy.

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane