#so I recommend you look at the source material

[gaycodedvillainy]

This is true! And also probably a lot less of a learning curve before seeing nice looking result than you might be expecting, and also some of the projects you see might take shorter than you expect

I started crochet from the “ok so how does a basic stitch work?” about a month ago, and I’m already making clothes I’m comfortable wearing to work — my hat today was made by me, for me, and looks like something you could buy, and took me maybe 3 hours to make collectively, including finding materials and a pattern to work from

(For the record I make a lot of my own clothes, via sewing (I started sewing like 2 years ago) and now crochet, and the following is all coming from that experience)

A few things I think people could do to avoid that “DIY look”:

1. Finding Good Patterns. With the rise of fast fashion, a lot of cheaper patterns have been less targeted towards, essentially, people who want to learn sewing as an arts and crafts hobby, and less targeted towards people who want to wear the clothes. They often lag stylistically, they don’t readily account for how pattern alterations are no longer a household skill, these are the ones that will “look DIY”, or sometimes a bit too much like that one Christian homeschool family tm. when you get outside of that bracket, to patterns which look good or are more easily adjustable, they tend to more often assume you already know how to do things (leading to very chaotic or incomplete instructions).

YouTube and other clickbait crafting sources can also set you up on the pattern or instruction front — if you are a beginner who is feeling discouraged by your sewing projects looking kinda bad in comparison to an EQ store bought garment, I would recommend against going to something marketed too much as a beginner project (many of these are not actually for people who want to wear the clothes and are more for the “here is something to teach the child how to sew” market — they will look like it), and go to like a medium level project, and plan to fuck it up a few times before you make a nice one. Additionally, Look at the photo shown with the garment and consider whether it will look as good in the fabric you plan to use, how much of any photography is working there lighting, and be ok with dropping a few which are just being packaged prettily.

Alternatively, take a piece of clothing you know fits you well and trace out a pattern from it — my first shirts done 2 years ago were done this way, and held together with staples. I wouldn’t recommend actually wearing the stapled version much, but otherwise? It worked fine

2. Plan to have a fuck up round when you start a new pattern. Tbh this is true in almost any art, but with sewing in particular (because once it’s cut it’s cut) just have some of the cheapest fabric that won’t affect the way it sits too much, and make a first pass to see: a. what the process is like, get the ducking up out of your system. b. How does the pattern actually fit on you? Make your adjustments on the cheap one and transfer that to the end garment—you can then use that pattern for as many clothes as you get the fabric for. Also a good idea to do test swatches.

3. Material selection, know when it matters and how. The hat I’m wearing now partially looks this good because I went ahead and bought the 7$ ball of yarn rather than the $3 red heart value saver. There’s a time and place for the $3 red heart value saver yarn, but if you want to look like something from a store, they aren’t using value saver yarn for most things. This is not to say that you need to spend a fortune on materials, unless you’re wanting to work with fur or to be on a level with formal wear or higher fashion, but if the store made it out of denim and you make it out of felt, it will not look or feel the same. You can still do it! And look amazing! But like, do so consciously rather than by accident.

Overstock suppliers are a good source for more traditional apparel fabrics, and you can look up guides on a lot of patterns to see what fabrics are recommended.

Go ahead and just use thread marked for machine quilting, upholstery, or other heavier use options. That stuff they sell in the emergency stitch kits in the grocery stores or wherever is awful to work with and breaks.

4. Machine crafting will look different. If you’re hand sewing, unless you have ungodly tiny and even stitches, the seams will look different—some machines are needed for some types of stitches, but are expensive (look at the hem of a t shirt at the sort of loopy seam along the hem as an example — that’s from a flatlock sewing machine, which tend to use 8 spools of thread at a time, and which is decidedly outside of my budget — I use a zigzag stitch instead and while it is functional, it looks different) There are certain kinds of fasteners which are affixed via heavy machinery or fastener specific machines you are unlikely to have.

Ultimately, all of this still ends up looking good with the DIY or affordable option

5. Even if you don’t wanna make your own things wholecloth, there are a lot of little useful skills which can save you trouble in the long run, and honestly take almost no time to learn. Sewing buttons on is a wonderfully simple but useful skill — zippers are also a deceptively simple replaceable feature which can rescue a jacket you’d otherwise have to toss. Magnetic snap clasps (like purses use) tend to be sold solo, as are purse handles and their hook ups, and are one of the most often broken parts of a purse. Clothing snaps are stupid easy to apply, and only require you to already have a hammer (no needle, no thread, they come with the guide)

Let go of the idea that diy will inherently look shit. All your clothes are handmade you just don't see the people doing it.

[sseras]

complete beginner's guide to [kpop] giffing, as explained by me!

keep in mind everyone has a different style and process, so there are some things in mine that may not feel intuitive or helpful - if so, don't include it! if you can make the gif, and have fun doing it, that's good enough. this post also assumes interest in specifically kpop giffing, but can for the most part apply to other content as well. i would just recommend different sharpening and coloring for those.

separated by headings (not images, since i need those... for examples) - if you are skipping to a specific section, look for the orange text of what you are looking for!

table of contents: - picking your programs - additional tools and programs (optional) - finding files - importing to photoshop (vapoursynth, screencaps, etc) - photoshop shortcuts and actions - sharpening - coloring - export settings - posting on tumblr

programs:

if you already have photoshop / your giffing program installed and set up, go ahead. if you don't, i would recommend looking here to get photoshop. please make sure you follow instructions carefully and safely! i do know photopea is an alternative people use, and i'm sure there are others. i unfortunately don't know any tutorials to link and probably won't be much help in regards to those programs, but i'm sure there are some floating around on tumblr!

my gif process uses photoshop, so this tutorial assumes that as well. if you use a different one, you might be able to transfer this to what you use, i'm not really sure :(

additional tools and programs: - handbrake: upscaler, found here. i make my own settings and generally only use this on lower quality sources to give vapoursynth a better chance with encoding in higher quality. - davinci resolve: a program i use to make clips appear 60fps when they are choppy or too few frames for the gif to look nice, and occasionally to do pre-photoshop coloring! i use the free version. i do not use this all the time and it is a big program, so definitely don't get it if you think you'd forget to / not want to use it. - yt-dlp: open source, downloads pretty much any file i could want quite well. i use this for most of my downloads and for subtitles as well. does require some knowledge of code, or, at the very least, willingness to troubleshoot set-up. find it here! i can share the command lines i run for: video, audio, vid + sub. - 4k+ downloader: what most people use for youtube-source sets, i believe. you have a limited number of downloads per day on the free version, thus the other downloading programs. - jdownloader2: no limit but sometimes a little slow or will refuse to download because of not being logged into an account, etc. a good download alternative if you plan on downloading a lot and yt-dlp is too much. - vlc: free program, standard on some devices, good for viewing files. - mpv: excellent file viewing, can also deinterlace and screencap (if you do not have / use vapoursynth) - vapoursynth: mac users beware, it's not optimized or set up and is a huge headache. windows users, once you get it set up, it's golden.

finding files, what to look for, and how to use them: how to use is explained here, with a focus on smooth and nice speeds! but finding the file is the first step, so let's head there.

stages: k24hrs (invite only, feel free to private dm or send an ask off anon for a file - i will do my best to get it to you); kpopbuzzhub; sharing korea torrent (requires a torrent app); twitter (shrghkqud (only has recent files) and a few other uploaders, requires much more active searching). there are a few other places you can look, but it is often more trouble than it is worth (or costs $). i am also always willing to help people find materials, so you can ask me to help you look for something or to link a source i used for whatever set.

music videos: also sometimes on k24hrs. i use vimeo a lot (color graders, directors, etc., will upload clearer versions). sharemania.us has some kpop mvs, typically bigger groups (i.e. blackpink). this is a place i check for ggs. and if none of these places or searching for torrents on btdigg, or on google in korean works, i just download the highest quality setting from youtube.

other types: like vlogs and fancams, normally directly downloaded from youtube, instagram, or twitter using yt-dlp or sites specifically for the app (i.e. twittervideodownloader).

what do i look for? 1080i for stages (or 1080p) are often super nice as they're a .ts. 2160p/4k is often ideal, but it also depends on your computer and what you are comfortable working with! generally - not always due to ai upscale - a bigger file size (in the gbs, high mbs like 800) is better and has more detail that will look clear when you work on it. older stages (2nd gen and before, some 3rd gen) and music videos often always are lower quality due to camera quality, and much harder to find. if you have to use the youtube upload for a stage, it is definitely doable, but it may be slightly disappointing in the quality you want to achieve. it depends on what you're comfortable posting and making!

how do i use them? if you use vapoursynth, scenedetect (encode/process whole video) or timestamp (just a small clip) your file - if upscaling, using davinci resolve, or any other pre-processing, do that first. it will pull up a resizer and a program and once you encode, it will give you an output file using the size and settings you put. this will import to photoshop. if using mpv or another screencapping method, take your screencaps (again, all pre-processing first) and prepare to import. there are two ways to do that for screencaps. you can also just watch whatever you downloaded, i'm guilty of downloading concert files just for fun 😅

in the next sections, i will be using four different files of varying quality and sources to explain my steps. hopefully that is helpful!

example file 1 (4k and 60fps, obtained using yt-dlp) example file 2 (1080i, obtained from k24hrs) example file 3 (1080p HD, obtained using yt-dlp) example file 4 (pulled from the gg archive i use, master)

importing to photoshop (vapoursynth and mpv explained): using example file 1, i am processing in vapoursynth - i always do one extra second before and after the clip i actually want so it doesn't cut off any frames i'd like. i adjust my sizes based on what works best for tumblr (540px for wide, 268px for 2 column, and 178 for 3 column). i always use finesharp 1.5 (this setting is up to you! i used to use .7, so totally ok if it changes over time, too!) when you export in vapoursynth, you need the y4m header. i use export to mov preset.

when importing to photoshop using a video (so vapoursynth, video files, not screencaps):

i recommend making your selected range a little bigger than the frames you want so they don't accidentally not get included. delete any extra frames while in the frame animation and then turn it into video timeline. i turn all my layers into a smart object (select them all by clicking the bottom layer and then shift-clicking the top one, or use (on windows) ctrl + alt + a to have it select faster). set timeline framerate (if you want to, i always use 60).

now your smart object is ready to sharpen and color!

using example file 2, i am processing mpv - i hit 'd' until deinterlace is on 'auto'. find the clip you'd like and hit your screencap shortcut (alt+s) for me - your screencaps should be super clear, it depends on how you set up your software (if mpv, what compression you told it). screencaps can take up a ton of storage so i recommend only screencapping what you need and deleting them after. when you hit your shortcut, play the file to the end of the clip you went and hit the screencap shortcut again to stop. your frames should be in the folder you designated as pngs now. delete extra frames now!

you now have two options: import as is, which can be a little slow, or turn them into dicom files. importing as is is done through stack. it will prompt you to select what is being loaded - change Use: to folder, and let it process. it will be slow. hit ok when the file list updates.

when it is done loading: create frame animation -> make frames from layers -> reverse frames. i would crop now using the crop tool for processing speed, and then proceed to do video timeline, smart object, and frame rate. when cropping: on the top, above your document names, the second image should show up on the crop tool - this can set your dimensions. i zoom and crop screencaps using this.

the other option is DICOM files, and what i use. when you have your pngs, do alt + d in the folder (windows) and run this command: ren *.* *.dcm. press enter. it will update the files. on macOs, just rename the file type to .dcm.

then, import as so (it will prompt you to select the folder your .dcm are in, and will not work if the files are not actually DICOM). i find it much faster than the stack import. crop when it is done importing for processing time, like the other screencap import style.

create frame animation -> make frames from layers -> video timeline -> smart object from layers -> 60 fps.

photoshop shortcuts and actions: (windows) - ctrl + alt + a: select all layers - ctrl + shift + alt + w: export as image - ctrl + alt + shift + s: save for web (legacy) - this is the gif one!

actions are imported or created, i've shared my sharpening ones before. there are plenty you can find (or make) for a variety of things, such as aligning objects to a fixed position on all docs, doing the screencap reverse and import for you, etc. they are imported using load actions - select the [downloaded] .atn file and it'll pop up.

sharpening: explained here, and has my actions (feel free to use). very important to the quality and clarity of the gif. the better the file, the clearer a gif looks, sharpening can only do so much. play around during this step!

coloring: very much the most personal taste stage of giffing. i explain my process here. in kpop giffing, we tend to focus on unwhitewashing. other giffing tends to be more aesthetic tastes and fun since the source has better colors to work with.

export settings: these are what i use! you need the 256 colors. i do not recommend lossy or interlaced. i think bicubic sharper is the clearest i have tried.

posting on tumblr: use these dimensions FOR GIFS. edits can be different. height is up to you - i would not go over 800, but i think my quality looks weird past 600 range anyways.

example gifs: yeji, from example file #1, imported using vs. uses no. 1 sharpening (altered) from my pack. colored. zhanghao, from example file #2, imported using mpv and the load via stack. uses no. 4 sharpening (altered) from my pack. colored. taeyeon, from example file #3, imported using mpv and the load via dicom. uses no. 1 sharpening from my pack. colored. eunbi, from example file #4, imported using vs. uses no. 2 sharpening from my pack. colored.

if your gifs don't look how you want right away, that's okay! it takes time. my first ones were not great either. i am always improving on and working on my gifs. good luck and have fun hehe ♡

[jay-birbs-can-draw]

Totally silly not spooky at all (well I created it so I guess I wouldn’t think so) depiction of ‘Optimus’ in @lets-try-some-writing’s silly little Forbidden Sight fic

My promise has been fulfilled

Also I’m finally on summer break!!

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[ryin-silverfish]

So You Want to Read More about Chinese Mythos: a rough list of primary sources

"How/Where can I learn more about Chinese mythology?" is a question I saw a lot on other sites, back when I was venturing outside of Shenmo novel booksphere and into IRL folk religions + general mythos, but had rarely found satisfying answers.

As such, this is my attempt at writing something past me will find useful.

(Built into it is the assumption that you can read Chinese, which I only realized after writing the post. I try to amend for it by adding links to existing translations, as well as links to digitalized Chinese versions when there doesn't seem to be one.)

The thing about all mythologies and legends is that they are 1) complicated, and 2) are products of their times. As such, it is very important to specify the "when" and "wheres" and "what are you looking for" when answering a question as broad as this.

-Do you want one or more "books with an overarching story"?

In that case, Journey to the West and Investiture of the Gods (Fengshen Yanyi) serve as good starting points, made more accessible for general readers by the fact that they both had English translations——Anthony C. Yu's JTTW translation is very good, Gu Zhizhong's FSYY one, not so much.

Crucially, they are both Ming vernacular novels. Though they are fictional works that are not on the same level of "seriousness" as actual religious scriptures, these books still took inspiration from the popular religion of their times, at a point where the blending of the Three Teachings (Buddhism, Daoism, Confucianism) had become truly mainstream.

And for FSYY specifically, the book had a huge influence on subsequent popular worship because of its "pantheon-building" aspect, to the point of some Daoists actually putting characters from the novel into their temples.

(Vernacular novels + operas being a medium for the spread of popular worship and popular fictional characters eventually being worshipped IRL is a thing in Ming-Qing China. Meir Shahar has a paper that goes into detail about the relationship between the two.)

After that, if you want to read other Shenmo novels, works that are much less well-written but may be more reflective of Ming folk religions at the time, check out Journey to the North/South/East (named as such bc of what basically amounted to a Ming print house marketing strategy) too.

-Do you want to know about the priestly Daoist side of things, the "how the deities are organized and worshipped in a somewhat more formal setting" vs "how the stories are told"?

Though I won't recommend diving straight into the entire Daozang or Yunji Qiqian or some other books compiled in the Daoist text collections, I can think of a few "list of gods/immortals" type works, like Liexian Zhuan and Zhenling Weiye Tu.

Also, though it is much closer to the folk religion side than the organized Daoist side, the Yuan-Ming era Grand Compendium of the Three Religions' Deities, aka Sanjiao Soushen Daquan, is invaluable in understanding the origins and evolutions of certain popular deities.

(A quirk of historical Daoist scriptures is that they often come up with giant lists of gods that have never appeared in other prior texts, or enjoy any actual worship in temples.)

(The "organized/folk" divide is itself a dubious one, seeing how both state religion and "priestly" Daoism had channels to incorporate popular deities and practices into their systems. But if you are just looking at written materials, I feel like there is still a noticeable difference.)

Lastly, if you want to know more about Daoist immortal-hood and how to attain it: Ge Hong's Baopuzi (N & S. dynasty) and Zhonglv Chuandao Ji (late Tang/Five Dynasties) are both texts about external and internal alchemy with English translations.

-Do you want something older, more ancient, from Warring States and Qin-Han Era China?

Classics of Mountains and Seas, aka Shanhai Jing, is the way to go. It also reads like a bestiary-slash-fantastical cookbook, full of strange beasts, plants, kingdoms of unusual humanoids, and the occasional half-man, half-beast gods.

A later work, the Han-dynasty Huai Nan Zi, is an even denser read, being a collection of essays, but it's also where a lot of ancient legends like "Nvwa patches the sky" and "Chang'e steals the elixir of immortality" can be first found in bits and pieces.

Shenyi Jing might or might not be a Northern-Southern dynasties work masquerading as a Han one. It was written in a style that emulated the Classics of Mountains and Seas, and had some neat fantastic beasts and additional descriptions of gods/beasts mentioned in the previous 2 works.

-Do you have too much time on your hands, a willingness to get through lot of classical Chinese, and an obsession over yaoguais and ghosts?

Then it's time to flip open the encyclopedic folklore compendiums——Soushen Ji (N/S dynasty), You Yang Za Zu (Tang), Taiping Guangji (early Song), Yijian Zhi (Southern Song)...

Okay, to be honest, you probably can't read all of them from start to finish. I can't either. These aren't purely folklore compendiums, but giant encyclopedias collecting matters ranging from history and biography to medicine and geography, with specific sections on yaoguais, ghosts and "strange things that happened to someone".

As such, I recommend you only check the relevant sections and use the Full Text Search function well.

Pu Songling's Strange Tales from a Chinese Studios, aka Liaozhai Zhiyi, is in a similar vein, but a lot more entertaining and readable. Together with Yuewei Caotang Biji and Zi Buyu, they formed the "Big Three" of Qing dynasty folktale compendiums, all of which featured a lot of stories about fox spirits and ghosts.

Lastly...

The Yuan-Ming Zajus (a sort of folk opera) get an honorable mention. Apart from JTTW Zaju, an early, pre-novel version of the story that has very different characterization of SWK, there are also a few plays centered around Erlang (specifically, Zhao Erlang) and Nezha, such as "Erlang Drunkenly Shot the Demon-locking Mirror". Sadly, none of these had an English translation.

Because of the fragmented nature of Chinese mythos, you can always find some tidbits scattered inside history books like Zuo Zhuan or poetry collections like Qu Yuan's Chuci. Since they aren't really about mythology overall and are too numerous to cite, I do not include them in this post, but if you wanna go down even deeper in this already gigantic rabbit hole, it's a good thing to keep in mind.

[puppiesareperfect]

Book binding 101: Materials

I’ve decided to do a series of posts on how to book-bind since I talk about it a lot, and I think it’s a really fun process. This post will include various inexpensive alternatives to “professional” supplies, many of which you will have at home. Not everyone can afford a cricut and that’s ok! I will also be listing more expensive materials for people who want to invest a bit more into the craft, but they absolutely are not a must.

This first post will focus on a list of supplies you can use to make books, but will not yet get into the instructional part of it. That will come later!

Anyway…

Bookbinding Materials: Essentials

These are items you need to bind, but many you can find around your house!

Sewing thread: Any thread will work for bookbinding, though waxed threads can help reduce tangles. You can also double up thread as another way to prevent tangling if you so choose. Waxed thread is definitely more expensive, so it can be good to use what you have starting out. Here’s a link to the waxed thread I used for those that are interested. You can buy it in a lot of different colors! (White is good if want an “invisible” thread).

Sewing needle: A lot of people say to use a curved needle for binding, but I’ve never found it to be much different from using a regular needle. If you have one, I would recommend a larger needle, however, since it’s better for piercing through signatures (aka the stacks of pages you bind together). In other words: there’s no special needle you need to bind books.

Ruler: I’d recommend any metal ruler since it’s better to use as a straight edge for cutting. There’s a good chance you already have one. It’s just used for measuring and being a straight edge. Nothing fancy.

Paper: Any paper will work. What you wanna use depends on your project really: if you’re binding together a work of text you’ll want to use some kind of printer paper (of course). If you’re making a sketchbook, you can fold up some sketching paper. I like to get sketchbooks with perforated edges so I can tear them out easily if I want to use a blank page for bookbinding. You can also buy large sheets of paper made for any medium. For example, if you want a sheet of water color paper, just search “large watercolor paper sheet”.

Awl (or all alternative): An awl is a tool used to poke sewing holes. It’s nice because it’s sharp and ergonomic, but you can totally also use a pushpin or even a sewing needle.

Bone folder (or a bone folder alternative): A bone folder creates sharp creases when you fold your pages, making them lay flatter. It also helps define the hinge gap on finished books, making it open easier. You can use a ruler if you don’t have one.

PVA glue: PVA glue is what to look out for when it comes to binding glue. There are some designed specifically for bookbinding, which spread out a bit faster than ones that aren’t. You can also use tacky glue which IS a PVA glue.

Book board: Also sometimes called chip board, Davey board, or mat board. This is what you’ll use for hard cover books. It is important to use book board specially, as cardboard will warp. You can buy book board directly, or you can cut the covers off of old textbooks or binders, unwrap the paper/plastic around the board, and use that!

Box cutter or utility knife: for cutting the board

Decorative paper and book cloth: For wrapping around cover boards and for endpapers. Book cloth can also be used to cover boards. You can also draw your own designs on Bristol paper if you want (or any paper with a similar thickness/durability). When it comes to decorative paper I like to either get scrapbook paper or rolls of fancy handmade paper (you can get those on Etsy, through paper source, or through bookbinding websites).

Bookbinding materials: Optional (and not crazy expensive)

These are supplies that you don’t need for binding but that can make the process easier and/or help with the decorative elements of your books. I’d recommend these things for when you’ve been binding for a while and feel these things could be helpful!

Paper trimmer: can cut a few sheets of paper evenly—I find it really helpful for endpapers

Stencils: Super helpful if you want to add text on the covers

Stamps: Good for adding text and also great for adding illustrations if you’re not able to draw them on your own. You can buy ink pads for them or use markers by coloring over the stamp lightly and using the stamp immediately so it doesn’t dry (I’ve tested this with alcohol markers and it works very well)

Paint markers: great for drawing directly on the cover. Since they’re opaque they can imitate the look of vinyl. You can also get them super painterly if you want. The internet usually talks about poscas but there are tons of different brands. Do some research, figure out what you like & can afford.

Hot foil pen & heat transfer foil: Perfect if you want to add foil to your covers but don’t want to spend a ton of money on a cricut. A lot of binders uses the foil quill brand, but there are ones that cost less and work the same (I have both a cheaper one & an actual foil quill because I wanted some nib variation. As long as the pen has good reviews that aren’t from bots you should be good). Also remember: don’t use foil designed for going through laminators (I.e. decofoil) . It doesn’t work the same way.

Bookbinding Materials—Expensive

These are materials I’d recommend for people who have been bookbinding for a while & feel that it’s something they really want to invest in. To be fully transparent, I’m a college student and don’t own these and have little personal experience with them. However, I know a lot of binders who love them!

Cricut machine—Cricuts are cutting machines that can make precise cuts into paper, wood, bookboard, or vinyl. A lot of binders will cut designs out of vinyl and apply them to the covers using a heat press.

Book press—What it sounds like. The pressure helps the pages lay flat and stay even. That being said you can stack heavy books on top of your projects, it just may not have the same even pressure. I also know some people will DIY these, so if you’re skilled with power tools you can give it a go!

Paper guillotine—like a paper trimmer but bigger and can cut more sheets of paper at once. I believe really good ones can also be used to cut bookboard!

Those are all the materials I can think of! Hope this can work as a good starting point for those interested in the craft. I’ll definitely be posting more info about bookbinding for people who are interested :)

-Zoë💗

[dduane]

Okay, now I'm cranky

Not that I even do more than glance at LinkedIn every few weeks or so, as I have friends there. But THIS is beyond the pale. (Or even the Pale, which is another story. Is this actually a real person based in Limerick?? [I have my doubts.) But if so, they should be ashamed.)

(transcription:)

Hi [(theoretical) person whose name I've obscured],

I'm not at all sure why material from your employer is winding up on my feed.

I am a NY Times bestselling novelist and screenwriter with pushing fifty years' experience in traditional publishing and other media created by actual living, breathing beings out of genuine human experience. AI-based prompt "writing" is utterly antithetical to everything I do in my work... especially as it is founded on machine-based excreta derived from routines trained using material illicitly sourced, without our permission, from myself and thousands of my colleagues.

Assuming that you actually exist except as a prompt-based construct yourself (which is by no means certain), please do us both a kindness and remove me immediately from whatever list caused the system to recommend me to you—as if there is a worse possible fit for our two schools of thought anywhere in this solar system, I can't imagine where that might be. (Somewhere in the Oort Cloud, possibly. No other possibilities immediately suggest themselves.)

Meanwhile, I wish you well in your further endeavours (doing you the possibly unwarranted courtesy of assuming that you're real). ANY possible further endeavours that have nothing to do with this horrific and deeply unethical area of employment, which cannot conceivably do anything in even the short term but damage your (theoretically) immortal soul... not to mention the ecology of our (theoretically) shared planet. 

With the best possible regards under the circumstances, and hopes for your eventual (if not swift) rehabilitation,

Diane Duane

PS: Please try to find an avatar that looks less like it was created by AI.

And also: please say to your heartless and conscienceless employers, on my behalf, "FUCK YOU AND THE HORSE YOU RODE IN ON."

[roach-works]

Why did wheat become a widespread staple crop given that it's difficult to harvest/transport/etc? This is not meant to be snarky or combative in any way, it's a genuine question. Are there any books you'd recommend for learning more about this kind of economic and technological history? Thanks.

sorry, i've long since forgotten all the actual books i've read about it, but i will always recommend This Guy:

also as very much a non-expert, my semi-informed opinion on Wheat is that growing complicated and difficult compared to going to the grocery store, and doesn't stack up very well to living in a food forest like north and south americans managed, either.

however, wheat is a grass, and grass grows in a lot of places that people also like to live in, and so wheat farming isn't as crazy a venture as it might otherwise seem.

in a lot of climates, it's possible to plant the grass, harvest the grass seeds, and store the seeds long enough to get you through the part of the year where there's nothing much to eat. if you manage your social and material technology right, you can store a lot of the seeds, and you can even transport them around before they rot, meaning you can now export the seeds from places where grass grows into places where it doesn't. the stalks of the grass that you can't eat provides food for the animals you need to help you grow the grass. and transport the seeds, too.

the social structure required to grow wheat in bulk (a steep and violent hierarchy) does three things: feeds everyone in it with enough extra that the guys on the bottom of the organization can survive to grow more wheat next year, and allows the guys on the top can sequester the rest as profit, consolidating their power. the third thing is that as land is converted to wheat fields, it stops yielding any other food but wheat, which locks people into the system for good. once a people depend on a staple cereal grain for their main source of calories, there isn't an easy way back: forests are chewed away for more wheat fields and those woodlands that remain are shifted towards hardwoods for agricultural tools, rather than food forests with fruit/nuts/shrubs, and even those maintained as game preserves still can't support the needs of entire villages.

in arid and semi-arid conditions, it's even harder to step away from dependence on grain farming because there the agricultural development is along rivers where the land can be irrigated, and the population of people supported by grain production is extremely concentrated into those small areas rather than spread across the entire biome.

in the northern parts of eurasia where grain couldn't be produced at scale because it was too rocky and too cold, people mostly went fishing, and when they grew stuff it was hardy root crops like beets and turnips.

DISCLAIMER: this is all very approximate. but now you know as much as i know.

P.S actually here's the last thing about wheat: it probably all started as a way to reliably source and produce beer, which was invented a long time before bread. bread was invented from wheat when the guys who were producing the beer seeds wanted to start exporting beer seeds to people who wanted beer far away, so they baked the seeds into tablets you could easily transport and then ferment with water once you got to your destination. eventually the traders who were transporting the beer kits started eating them, too, and crackers as a snack food really took off. look up the wikipedia article on beer if you don't believe me.

[neosprites]

Digital Stamp Making Tutorial

Hello, and welcome to the long-awaited(at least on my part) digital stamp-making tutorial from neosprites! I’d like to preface that I learned what I was doing from this tutorial so it may be a bit redundant, but if anything I get a bit more specific. Thank you so much to @graphic--horde for your work, it changed me as a graphic maker. This is gunna be a long post so feel free to bookmark it for later. Now, onto the show!

The frame I will be using for this tutorial (which is the frame I use on 99.9% of my stamps) I found from the above linked post, which I believe is from a creator that OP lost track of. Its inner dimensions are 94x50 pixels and its outer dimensions are 99x56 pixels. Here it is!

Find your material! - I recommend using websites like Tumblr and searching with the “GIF” filter only on, or alternatives such as Giphy or Tenor. Your browser may let you directly save the .gif file; if not and you are noticing it restricts you to save it as a .webp file you can try an extension like “Save webp as PNG or JPEG” (for Firefox but I image other browsers have similar functions, but I really recommend you switch to Firefox). To use this you will right click on your source .gif like normal but instead of clicking on “Save image as…” click “Save webP as…” and then click “GIF”. You should be redirected to the website ezgif.com where we will actually be doing all of our editing! Here’s the .gif we’ll be working with.

Convert to GIF (optional) - if you used the extension from the above step you should already be ready to click the blue “Convert to GIF” button. If not, go ahead and open ezgif.com and click on “webP” and then “WebP to GIF”; then convert to a gif with the blue button.

Resize the GIF - now that we have a gif ready to edit, let’s make it the right size. The easiest method I have found is to change it directly to the frame’s inner dimensions, 94x50 pixels. [EDIT: Make sure in the aspect ratio drop drop menu you select "stretch to fit" and not "center and crop to fit" like I did in the photo example.] Click “resize” and then type [94] in for the width and [50] for the height. Next press the blue “resize image” button.

Add the frame - next click “overlay” then click the thin blue button that says “Extend canvas size(use if overlay exceeds GIF sizes)”. This will give us some extra room to add the frame onto the design. Next click “Browse…” and find the frame you have saved onto your device, then click the blue “Upload image” button.

After that it’s going to be misaligned, that’s normal! It will say you have the option to drag it into place, but don’t bother. That’s one of the reasons my old stamps look wack, it’s just harder to do. Instead type [44] in for the Left box and [22] in for the Right box. It took me a while to figure out these dimensions to be honest, and I’ve only tested it with this frame so I don't know if it works with others. Then click the blue “Generate image” button.

Crop the transparent edges - click on “crop”. You will have the option to check a box that says “trim transparent pixels around the image” however, I don’t recommend this as it tends to crop a few of the frame’s pixels with it sometimes. Next, set the Left position to [44] and the Right position to [22]. For the other dimensions we will use the outer dimensions of the frame which are 99x56 pixels, this will trim everything except the tiny spaces in between the stamp frame’s spikes. Type the width as [99] and the height as [56] and click the tiny blue button that says “set”. After that click the blue “Crop image” button.

Save and use! - all that's left is to click “save” and upload the graphic to your liking. (best seen on dark mode obviously)

If you’d like to tag me in stamps you’ve made using my tutorial I would love to see them, but it’s not required!! Make sure to always give credit for pictures/gifs when you can and try not to make stuff out of personal/fan art. Thank you to the person in my inbox who requested this tutorial, I had been meaning to for a while but it was just the kick I needed. :)

[everfrostknight]

Research Process (for Witches) - A Masterpost

As a beginner witch, I saw so many guides suggesting you conduct research to develop your practice. However, this presented two issues:

What do I research? How do I conduct research?

It's not entirely the same as academic research, but some principles still apply. Here are some resources I used as a baby witch to enhance my craft. Thank you to everyone who is tagged for their posts on here!

What Do I Research as a Witch?

There are people out there who have created more comprehensive guides on this topic compared to what I can create, so here's are the posts I referenced to start finding topics for research!

What Should Beginners Be Researching? - @hagoftheholler Good Things to Research When You Don't Know What to Research - @will-o-the-witch

How Do I Conduct Research?

North Hennepin Community College has a great guide on the basic steps in the research process. This portion of the guide will give more specific tips on each step listed on the guide, as it is catered to the college's available resources that may not be available to you.

Many of the examples will come from my experience in researching deities, mythology, and history.

Step 1: Identify and develop your topic - The previous part should help you find a general topic, but the best research occurs when you have a manageable amount of information. For instance, research on "Aphrodite" yields an excessive amount of information. You are more likely to find success researching historical records of Aphrodite's cults in Cyprus, mentions of Aphrodite in the Iliad or other epics, and more specific subjects related to a large idea.

Step 2: Do a preliminary search for information - You can use Wikipedia, encyclopedias, textbooks and books to get started. Wikipedia is a good place to start a preliminary search, but that should not be where your research ends. When you find a bit of information you find particularly useful or interesting, click on the little reference number, find the original source, and read more about it from there! Textbooks can be incredibly expensive, but there are resources out there for you! First, you can find resources through your local library. @growing-yet-into-magic has a guide on Library Services for Witchcraft Research, which better summarizes library resources compared to what I can say. You can try finding PDFs of textbooks on Anna's Archive, LibGen, Internet Archive, Project Gutenberg, and other sites. When possible, please support authors and libraries! I am only recommending these sites for textbooks, which can cost hundreds of dollars at times. You can purchase books from bookshop.org to support local bookstores.

Step 3: Locate materials - You can use the Wikipedia tip for anything. Find the source to a piece of information you find interesting and work backwards to find more material. If you're searching for academic articles in a database of any kind, you will need to become familiar with search filters and Boolean operators to narrow down your search. MIT Libraries has a guide on the Boolean operators (AND, OR, NOT). This guide also has more information on ways to narrow your search. I find quotation marks to be one of the most useful tools because it allows you to search for keywords together in a phrase ("Aphrodite cults") rather than looking for the keywords separately. Also, don't forget about primary sources! You can find information from the time period through JSTOR Primary Sources (requires library or university login), Here's a list from the National Archive on ways to locate primary sources.

Step 4: Evaluate your sources - It's not enough to simply consume information. You have to think critically about what you found. The article this post is formatted after references their CARS Checklist for Information Quality. This is especially important for primary sources. The University of Florida has a guide on how to read primary sources. Additionally, the University of Nevada, Reno has a list of questions to ask yourself before reading, during reading, and after reading a primary source.

Step 5: Take notes - You can do this in any fashion you deem best. Don't forget to write down the title and author of the source. You can also choose to just write down the whole citation so you know where your information came from.

Posts on Being Critical While Researching Witchcraft

I'll leave you with a list of posts on witchcraft-specific research and red flags that I used as a baby witch. Thank you, again, to all of the people tagged in this post!

"How to" Analyze a Witchcraft Book - @growing-yet-into-magic New Age beliefs that derive from racist pseudoscience - @creature-wizard What is the New Age to Alt Right Pipeline, and how do you stay out of it? - @creature-wizard Eugenicist and bioessentialist beliefs about magic - @creature-wizar Signs that witchy/pagan article is actually bullshit - @will-o-the-witch Your book on Witchcraft is bullshit if - @recreationalwitchcraft & @breelandwalker Sam Wise’s Masterlist of Pagan, Witchcraft, and Occult Authors to Avoid You all need to stop assuming that all pagan and magical spaces online are safe. - @maddiviner Shit to Watch Out For If You’re Interested in Magic - @normal-horoscopes All of the Books About “The Burning Times” Are Full of Shit - @jasper-pagan-witch

[everpresence]

I was wrong.

over the last few weeks, i started heavily questioning my beliefs.

i noticed that some of my desires came in faster than other desires. some of them (as you may see in my recent posts) took years to reflect, but some of them got reflected so fast at the speed of light.

i’ve been told by various people that there’s usually a time delay for desires to materialize in the 3D, and for some reason, it resonated with me. that’s why i mention it in my answers because i was merely basing it off of my own experiences with the law.

but something clicked for me recently. i watched a video by missy renee, about why people haven’t seen their manifestations for years. i’m just going to put it out there that you don’t need to pay for coaching. there are a lot of manifesting coaches that don’t know what they’re talking about, and when you read source, it’s a lot more telling. missy renee is not one of those coaches. she has read source and has even applied those teachings into her life. if i have to recommend a coach for you to watch, though, it would be her.

anyways, there was a line that she said that i immediately wrote down because it caused so much confusion in me. basically, she said that the reason why we have yet to see things come to pass is because we are still identifying with our old beliefs — our old story — and due to this, we become double-minded. this double-mindedness is then perceived as the “time delay.”

in that moment, i slowly leaned back in my chair. it was an “a-ha” moment for me, but it was also a little harrowing.

how long have i held myself back from just accepting that i am the person that i wanted to be? how long have i been limiting myself, telling myself the old story over and over again like a broken record? more importantly, i’ve been telling other people that there is such thing as a “time delay” because i decided that i should experience the delay.

so when i wrote a list and just allowed my higher self to figure it out, some of them came in so fucking fast at the speed of light. it stunned me. that’s when i realized that i was holding a false belief.

i never thought that i’d be writing an apology post, but here i am. i’m holding myself accountable because i was the one that wrote that there is such thing as a “time delay,” but in reality, there isn’t. sure, you don’t have to be pitch perfect with your beliefs, but when this desire has no conflict with your beliefs — when you have no resistance, when you aren’t arguing with yourself about whether you have it or not — then there’s no delay.

i remember some people said that it should not take more than thirty days, and i used to think that it’s bullshit, but now i can clearly see that there is a reason why they believe this. it’s not even about the length of time, but about how frequent you return to the state. it’s all about you accepting that the person you want to be is who you are now.

besides that, i want this post to be a reminder that everyone’s beliefs are constantly changing. there is always going to be expansion, growth, an inevitable withering of the old beliefs and the blossoming of new beliefs the more we learn about how this all works. this is why i want people to go back to reading source, to not always take everyone’s posts as “truth” or “the gospel” because we are all still learning in the end. learning never ends.

edit: i don't mean to say all this for you to start focusing on the physical reality as your primary reality. i still wholeheartedly believe that this is merely a reflection of your beliefs, and ultimately, it is all about who you are choosing to be right now despite what it looks like.

[cripplecharacters]

Do you know any good sources for burn scar care?

I’m writing a character who was burned in a spaceship crash. The story is set several years after the fact, and I want to incorporate that detail into the story. What would a burn scar care routine look like?

Hey!

I generally recommend medical websites for this kind of stuff. There are tons of information readily available online, especially about things as common as a burn injury. Phoenix Society for Burn Survivors or MSKTC can be helpful for you.

While caring for a burn scar will be different for everyone (there's many types, degrees, plus just individual differences between burn survivors themselves) some of the things that you can include;

Burnt skin doesn't produce its own oils, so it gets dry. It needs to be moisturized, oil-based products (think coconut or grape seed oil) are often used. The heavier the lotion, the fewer times a day it needs to be applied.

Massaging a scar, especially when it's relatively new. It can be a massage, but stretching or just putting pressure on it is part of that too. It helps the skin from becoming extremely sensitive. Initially you do it delicately, but after the scars are matured it's fine (or recommended even) to put some force into it. This loosens them up.

Itching is a huge issue. Both massaging and moisturizing help with that, but if it's still causing problems then there are medications that could provide some relief.

Protecting the skin from the sun. All year, including cloudy weather. Sunblock, big hats, sunglasses if needed, all that. This applies to people with darker skin as well because the skin loses its pigment after a burn (it can sometimes come back but it's definitely not a guarantee).

Avoiding the heat. A lot of burn survivors will have problems with temperature regulation because burns damage the sweat glands, so they overheat faster. There's nothing burn-specific here, same protocol as for avoiding a heatstroke - drink water and keep out of the sun.

Wearing softer and looser clothing. Rough and tight clothes can cause blisters, and that is a Problem. Inappropriate materials could also induce more itching.

Taking pain meds. Chronic pain is common, so your character might need medication.

I definitely wouldn't say that this is an exhaustive list, but I think it's a good start. If you need more details, I think the resources linked above should work.

I'm glad to see people interested in burn scars being a disability that requires a lot of care rather than seeing it as a solely visual thing. Makes it much more authentic.

I hope this helps,

mod Sasza

[horrorknife]

because of shit like this i'm so Not Excited for the american psycho 'remake' which isn't really a remake but a reimagining of the book's events. it's in luca guadagnino's hands right now which already portends badly, even worse knowing that he's said he wants to make it "more erotic" which is a very confusing way to describe it!!!! there is a lot of sex and talk of sex in the book, NONE of which i would consider even REMOTELY erotic. patrick describes it like a soulless outsider, sex is an activity, it's not special and it is certainly not EROTIC????? sex is a Bad Omen in american psycho because it always leads to him yanking these girls apart and torturing them in really horrific and foul ways. like i don't think it's a good look! to say you're going to "eroticize" american psycho! that's like saying you're going to turn saw into a family friendly barbie movie for christs sake. mary harron saved us in 2000 but now that this is in a man's hands i am extremely nervous.

how do we feel knowing that one of the terrifier 3 kills is almost certainly inspired by one of the kills in the american psycho novel and it’s still not as bad as what was described in the book

[caffeinec0rpse]

20 day challenge for beginners to witchcraft

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

***this challenge may be valuable to experienced witches who wish to brush up on their basics

there are a few things to understand before we begin:

⛥you will need a journal to record your findings each day. this can be physical or online. i recommend physical because you remember things better when you are writing them down, but either is fine.

⛥it is of utmost importance that you understand the difference between good sources and bad sources, and are able to locate the original source where your information is coming from

⛥ this challenge involves lots of self-guided research as well as applied practice so be prepared to put the work in

⛥this challenge will not teach you everything there is to know as a beginner, but i think it will be a good jumping off point.

⛥don't worry about it if you miss a day or take multiple days to complete one of the prompts. you can take this challenge at your own pace, or do it for 20 days straight. however, i do not recommend that you attempt multiple days activities in a single day. take it slow so you can dedicate the time to fully learning, and aren't overwhelmed.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

okay! let's begin :D

**remember to write everything down in your journal!!!! dont worry about "getting things right" just try your best!!!

Day 1: Find 3 different spells (online, in a book, anywhere). Try to figure out why the creator decided to use the materials they chose. Why are certain colors, tools, or herbs being used in the spell, and what do they represent/mean? What symbolism is being used in the method/steps of the spell to represent attaining the desired effect?

Day 2: Research meditation. What cultures practice forms of meditation? What are some different types, techniques, and purposes of meditation? Why do witches use meditation in their practice? Attempt a basic meditation technique based on your findings. Meditate daily if you can for the strongest benefits.

Day 3: Find a plant or crystal. Try to feel for its energy. Write down what you sense. Research methods if you’re having trouble sensing energy. Once you feel you have everything you’re going to be able to sense from it written down, try to research current spiritual uses + historical folklore/mythology surrounding the plant/crystal. Does it match up to what you sensed? Are historical connotations important to you or do you feel your personal intuitive sense of it/personal experiences are more important to you? Or do you value them equally?

Day 4: Research grounding and centering. How are they performed? What purpose are they used for? Why do people find them important for spellwork? Attempt one or both.

Day 5: Research closed practices, cultural appropriation, and spiritual bypassing. What harm can they cause? Why is it important to avoid these things?

Day 6: Research self-love spells. What are they for? What are some ways people do them? Attempt to perform a self love spell.

Day 7: Research shielding and warding. What do they do? Why are they important? Attempt one or both.

Day 8: Research shadow work. What is it? Why do people find it important for practicing witchcraft? Does it seem like something you would benefit from? Why or why not? Find a shadow work journaling prompt that calls to you and journal freely about it.

Day 9: Research the moon phases. What intentions does each phase assist with? What does each phase represent? Think about the symbolism of waxing and waning. attracting and repelling.

Day 10: Journal freely about the following questions: Why do you feel drawn to practice witchcraft? Have you always felt connection to nature or to the spirit world? What do you think your practice will do for you or help you with?

Day 11: Research item enchantment. What that is, why someone would want to enchant an object and methods of doing so. Attempt to enchant an object.

Day 12: Choose an herb and research its current spiritual uses and historical folklore surrounding it. Look into whether it has any scientifically verified medicinal properties. Be wary of pseudoscience. Find any other information about it that interests you. Try to draw it if you feel inclined to do so.

Day 13: Try a meditation technique or guided meditation you have never attempted before. Write about your experience and how you felt before, during, and after.

Day 14: Research altars. What are they? What are they used for? Do you think you want to use one? If so, what would you put on it? Why? If you have the means to, create an altar inside or outside your house. Be mindful that if your altar is outside, what you place on it may affect the environment. Be responsible.

Day 15: Journal freely about the following questions: Do you believe in human spirits? Do you believe in non-human spirits? Do you believe deities exist? Do you believe in house spirits, land spirits, spirits of bodies of water, and/or elemental spirits? Do you believe in demons? What experiences do you have that you feel impact your answers to any of the above questions?

Day 16: Research divination. What is it for? What are 5 different methods people use to divine? What are the origins of those methods?

Day 17: Choose your own path for today! Choose any topic relating to witchcraft that you're interested in and write down as much as you can about it! Dive as deep as you desire

Day 18: Research folklore about the seasons in your region. What do the seasons represent to you? What sort of symbolism do you attach to them?

Day 19: Choose an intention and perform a spell purely based on your intuition. Don't plan anything. Just do what feels right. Feel the vibe and act.

Day 20: You did it ! Reflect on what you learned, and what you wish to learn next. Which days were challenging for you? Which days were easy? Which day did you enjoy the most? Did your findings meet your expectations?

[flightyalrighty]

kinda a silly ass question, but do you think someone who knows basically nothing about sonic could still read Infested? (I used to play sonic advance 2 on my game boy... that's p much the extent of my knowledge lol). I just happened to stumble across your comic and am really enjoying it!! but if there's some source material you'd recommend I check out to understand anything better I'd love to know :)

I think that a LOT of Infested is definitely a "fanwork created for fans" kinda dealio so you may end up struggling with some of the stuff in there that's specifically using past canon stuff as a building block for other things. That said! I can absolutely give some recommendations for "homework" to help have a better grasp of Infested's whole everything:

Archie Sonic (issues 160-247 since the Pre-Reboot timeline is the one I base Infested's universe on, mostly) which you can read here

The "Shadow Fall" Sonic Universe arc, which you can read here

The Opening of Shadow The Hedgehog, which is awesome but also, more importantly, canon to Infested (FLASHING WARNING)

Probably a good idea to read the plot summary of Sonic Adventure 2 and Shadow The Hedgehog (2005)? Like, definitely SA2, but really the plot summary for ShTH05 would just be so you understand what the Black Arms's deal is. Or you can watch cutscenes! Or both!

All of stuff is awesome, but you don't HAVE to read like ALL of the modern era of Archie if you're good at picking up context clues for stuff. All the stuff with SA2 and ShTH05 tho is probably a good idea to look up, however. Especially that opening cinematic. But if you're sensitive to flashing, DM me. I can describe the reason why it's important.