#so I hope you guys like this or at least think it’s interesting!

[machisneedle]

hii, I just saw that you have open requests ^^Can I ask for a lighter x reader who has the personality or is similar to Clorinde 🙏🙏🙏🙏 I beg you. I hope it goes well for you 🙏🙏🙏Sorry if there are any spelling mistakes because I lost my glasses.

Hellooo, ofc I can !! Also your spelling is perfectly fine <3

Lighter x s/o with a personality similar to clorindes ・₊✧₍ᐢ. ̫.ᐢ₎

✧ content: headcannon format , fluff , confessioning love , pre-relationship and current relationship.

Safe for minors to read !!

✧ I feel like his serious but also unserious mood would be a refresher for you , also helping you become more comfortable around him. For example , if you're dealing with something stressful , he'd be the type to try to keep you out of the house and even if it's just to hang out with Lucy or ceaser knowing your not alone makes him feel better.

✧ he'd definitely fall for you first. your strong and stoic front you put on is so intriguing to him because he's a serious person when he wants to be , but the fact he's NEVER seen you break that serious personality apart from a couple chuckles or when your trying to make Lucy feel better about something silly , it makes him want get closer to you. He also finds you badass as fuck but he'd never say it.

✧ when you finally realise you somehow like this man , you considered a complete and utter idiot. You're in complete denial , like how could I fall for HIM type thing.

✧ he is the one to confess 100% . He was confident , but he never thought you'd actually say yes to him. He was expecting you to stare at him like he was a creature from the hallow , so when you said yes he was actually taken aback by your word's , he totally hit you with a " yeah thats cool... cool " while he's internally screaming , before thinking about telling caesar and the others about it. He is a girl dad at heart ok.

✧ it might not be your cup of tea going out to his fights , but PLEASE do it at least once , this man will be yours for life if you do. Even if you sit there looking uninterested as normal because you finally gave into his begs, he'd be over the moon totally, not because you finally gave into going. He'd try to catch your attention by winking at you when you'd look his way , or if he was feeling extra like a little bitch he'd blow you a kiss being met by ur disappointed eye roll never got boring for him. When you find him afterwards dragging him home, he'd hit you with a " c'mon it wasn't that bad darlin " with that classic smirk on his face... let's just say he got a bonk on the head for that one.

✧ he sometimes found it hard to understand your emotions because of how closed off you could be. He would go to one of the girls about it and ask them what he should do , this man is a dumbass when it comes to love sometimes. He'd always be told to just go to you about it , so after a while , he gave in and went to you. It wasn't easy at first getting you to open up for him , but when you did , it made your relationship a lot better.

✧ at first, if anyone tried to hit on you, he'd be instantly at their throats, but there was one time he was grabbing something to drink while you sat and waited. He came back to a guy walking away uncomfortably looking like he was about to burst into tears , " What's up with him, huh ? " he chuckled , sliding you your drink. " he tried to hit on me, so I told him it straight. I wasn't interested. " You shrugged , " you don't say, " he replied. Ever since then , if someone hit on you he just let you give them that resting bitch face that made men run for the hills. Most men apart from him , personally found any face you pulled stunning .

✧ so , in summary you both have your Flaws mainly with communication , but you both try your best and that's all that matters <3

This is my first time writing lighter so sorry if he's abit out of character !! This request was really fun because I love clorinde

[glitter-stained]

Another day another ask mysteriously disappearing from my inbox when i'm about to hit post on the reply

Anyway the question was basically "what do you think of the "Jason isn't able to get over his death while bruce is capable of forgiving joe chill and sitting by him as he dies" take and doesn't it sound a little like the "everybody died he ain't special " take?"

Why yes. Yes it does sound like that. My thoughts on that idea, in no particular order:

- it's almost 2025 are we still placing moral judgement on characters based on the comparison between how they're enduring their trauma what happened to the universal singularity of human suffering what happened to not comparing apples and bananas weren't we taught not to do that in elementary school

-Is this about the Three Joker comics? It sounds like it is, anyway uh that comics is not mainline (and has pretty shitty writing imo), in mainline even in his least flattering runs (ie Battle for the Cowl) Jason hasn't gone postal because of his death in a while (in BTFC it was Bruce's death and the mention of the "unresolved dark horrors of his childhood" triggering a bad parody of some sort of psychotic break) so like i guess criticizing Jason for something he isn't doing is kinda strange

-if anything Bruce is the one "not over" Jason's death considering the flashback he had right at the beginning of Failsafe arc (though of course demanding he just gets over the trauma of holding his dead son's corpse is just as absurd as demanding Jason gets over the trauma of having died)

-honestly staying by Chill's side as he died was pretty cool and heroic on Bruce's part, totally agreed, that was badass of him to not let him die alone despite his trauma. That being said can we please stop tying morality to the concept of forgiveness? Implying there's a goodness of heart to forgiving/getting over your trauma is weird, it way too puch pressure on the victim, we should stop with the "good victim/bad victim" narrative, martyrdom culture is harmful. If forgiving Chill helped Bruce, cool for him, Jason is in no obligation to forgive Joker, and also Bruce forgiving Chill =/= staying by his side as he died, those are two separate things

-if we're comparing coping we have to compare resources, what does Jason's support system at that time compared to Bruce? Should we make a tally to see who has more friends especially close ones? We both know who will win but also that it's a completely stupid and pointless arrangement, how many apples and oranges must we compare before we conceptualize that it's not the same fruit?

-in terms of personal taste, I find placing moral judgement on characters is about the least interesting analysis angle I can imagine, like, congrats, you've established Angel McPerfect is a better person than Asshole McInteresting! Now multiply me by one and subtract zero.

-kinda hilarious to criticise Jason for not getting over his death and compare that to the coping of a man who dresses as a bat to cope with something that happened thirty years ago. Like if he's so over his trauma why is he wearing pointy ears

-also, obviously, the idea that characters should just "get over their trauma" is insanely dumb. Trauma is like a wound. It can scar, if treated properly, and then the scar will always be there. Imagine telling someone they should get cosmetic surgery because "we get it, you got stabbed, you don't have to shove it in my face every time I look at you." Or telling someone whose wound got infected "why can't you be more like this guy? Look, his stab wound is all healed nice and clean by now. It's like you're not even trying !"

Anyway I hope that answers your question and you have a good day anon, I agree with you that that take is weird, I truly don't understand the reasoning beside "i don't like jason". Idk maybe these people just need to...chill.

[nalyra-dreaming]

Hi, I have some loose thoughts, and I would like your opinion, I know that in the books everything is about Lestat (and that the series will be more about him and Louis) but I really hope that doesn't happen in the series because I always ending up hating the characters where everything is about and for them, and i want to keep liking Lestat! it's simply annoying, I would like the series to explore the history of the four characters, I think it would be much more interesting, I also think that people aren't really analyzing Armand and his relationship with Louis properly, people tend to think that Armand controls Louis 100% of the time and the writers and Jacob himself have said that they wanted Louis to have some agency, for example, when Armand suggested new art for the wall, he suggested colorful art and people insist on saying that Armand keeps him in an prison, controlling everything in the apartment, leaving everything dark, I don't know, when at least for me Louis is doing this, because he is unhappy and in a way, he wants Armand to be unhappy too, they are both not with who they want to be, and I think Louis must have really asked Armand to make him forget the first interview because he was no longer able to deal with the guilt about Claudia and Lestat and he didn't really want to try to commit suicide again, but Armand, in order to keep the lies going, had to keep controlling his mind, so he kept increasing the control until he reached a point where he didn't even wanted (obviously i dont know, just especulating) but he didn't know what to do, because I think Armand loved Louis in some way. I also don't see people talking about the fact that Armand thinks that Marius, who is older and more powerful than him, died at the hands of other vampires (who I think were younger than him, I don't remember) so why not they believe that Armand really thought that the coven could kill him, if they were focused, we know that he could have prevented it but I don't think he knew that...anyway, I think we have to listen to what Armand has to say, because until now we only know about lies and omissions that he told, we don't know what was really happening or what was going on in his head until this moment. Sorry, because it's a lot and english is not my first language!

Hey!

Not everything is about Lestat :), but he is the narrator of a lot of them, and is part of the story in most :) Given the books Rolin said he takes from (already) makes it clear that he focuses on the Loustat/Lestat centric books, which carries obviously repercussions for the show. But that just as a note :)

I do think, and I just said this in another ask again, too, that the show is built on the big four, namely Louis, Lestat, Armand and Daniel. These are the corner stones they chose, and the rest of the relationships and stories will revolve around them I think. But... Lestat will stay, and, well... he will be very prominent in the upcoming seasons, let's put it that way.

I... have an idea for when Louis could have asked for his memories to be erased, but I don't think he would have asked Armand. I mean, this is the guy who keeps the stones in his ankles as a reminder. I don't think he would willingly choose to lose the memories, no way. There might be ways to make that statement true, story-wise, but if it is, there is a LOT more to it.

Armand had to constantly readjust Louis, that is no speculation, that is something Assad has said :), and that is clearly visible in s2, too, especially on rewatch. Louis' behavior shifts, radically, from part to part, depending on what is... needed.

As per Armand and the "coven killing/controlling him"... nonny, that part has been proven a lie. It has been proven by the few pages we got of the trial script as well. Armand was never in any danger from them. He directed the trial. He was their master for centuries.

He killed Claudia and tried to kill Louis.

That said, you are correct, the "current" knowledge of the characters has to be taken into account. And Armand might not know yet that Marius is still alive (though I do think that him hanging art of Marius in the penthouse speaks volumes). I say might, because it depends. In the books he sees someone he thought dead at some point, and ... that must have led to a lot of speculation.

And yes, I would love to "listen" to Armand, as you put it. I would LOVE an adaptation of TVA or maybe a spin-off of him and Daniel in Night Island. I'd love that.

But Armand has been giving a very edited tale, that has already been stated, and he has changed the tale in Louis' head, has implanted and changed memories. Daniel latching onto the fact that Lestat could not have spoken in Louis' mind after turning was supposed to be the clue there.

Next season, Lestat will give his account - and whether this fandom likes it or not, but Lestat is canonically doing so for Louis, to make him understand, and he has no reason to lie and he does not soften much either. And that understanding of Louis being the driving motivation will have the "documentary" result in something quite different than what s1 & 2 were - and Louis will understand.

In the books, that is when they reunite - before other things happen. I... no matter the other stuff they put into s3, but I don't think that will be any different here, since they keep quite close to the books for the big emotional points.

[koalapastries-writes]

What would be paul love Language be i feel it'd be a mix of acts of service be they sexual or platonic and physical touch, what about the other drivers love languages?

Also yes i did mean paul off handedly mentioning something about aron!reader that caught their attention, love the way you wrote it out btw.

–🍑

oh i'm glad i read it the right way! and very glad you liked it <3

there's so many possibilities with this so i'd like everyone to remember that this is just my interpretation / characterisations of the drivers. and also i probably won't stick into one love language and just go broader with how they show affection.

under cut bc, as in the ask, suggestive content

paul aron:

okay so first you're absolutely right abt him

he's showing how much he loves you by doing things he hopes will make your day easier or better

sometimes that means making you breakfast or texting you photos of the animals he sees on his training runs

and sometimes it means letting you use him like a toy

either way he's 100% up for it

charles leclerc:

if he had his way, you'd never be out of arm's reach

i'm convinced he'd try to get ferrari to let him bring you into team meetings, even if you had to wear noise-cancelling headphones

he'd also be giving you little gifts pretty much non-stop

every time he comes back from a race he's gotten you at least one souvenir

you have to build a display case and everything

max verstappen:

okay for starters his dad definitely messed him up so he has trouble with verbally expressing affection

so he shows it in other ways

he makes the bed every morning, makes your favourite drink (coffee, tea, etc), makes sure all of your favourite foods are stocked up before he leaves for race weekends

he's also definitely into being free use for you but you do need to be careful about it because he's still getting used to safe words, so you need to know his body language and cues really, really well

oscar piastri:

i think in public he's more interested in subtle acts of affection

opening doors, opening food, making sure you eat, making sure you don't get overwhelmed in the paddock, that sort of thing

behind closed doors i think he'd be more blatant?

we know oscar likes to keep his private life private

i think he'd be the kind of guy to just randomly blurt out that he loves you or that he's grateful for you out of nowhere

i also think he'd like playing board games or video games with you because it just gives him a chance to be oscar and not oscar piastri, f1 driver

i'm also very inclined to believe that he's a dom-leaning switch and a bottom. he jokes about it too much and he's built too much like an hourglass for me to believe otherwise

would definitely ride you while calling you a good boy.

[devilart2199-aibi]

On my quest of consuming all Transformers media... or most lol. I have binged "Transformers: The Headmasters"! It's a great continuation of the original show. I enjoyed how they focused on a core cast for this one, but still hopped around sometimes.

I had forgotten that Fortress Maximus and Scorponok were rivals/equals! It's so interesting considering how Max is in IDW compared to Scorponok. Gives me lots to think about when doing my design of him 🤔 How will Cerebros mix in? I dunno haha.

Speaking of Cerebros! I really liked him!!! He was actually a good leader and tried to figure things out or stop things and was actually concerned for others. I was so shook when they said "you're the leader of the Autobots now" and Rodimus flew into space never to be seen again 🤣 Classic G1 Rodimus (outside the OG movie)

Also!!! Poor Chromedome 😭 this bot cannot escape his loved ones being killed off by a phase sixer 💀 Sixshot is so capable lmao. Magnus was done dirty OTL

Besides that, Chromedome is great! He gives me Hotrod vibes, kinda brash, has something to prove, young bot. He always wants to protect everyone and it's so cute 🥺

As for the other Headmasters, Hardhead is so fun and so is Highbrow!! He's a little enabler to Daniel haha. Brainstorm was probably my least fav out of them, but i just think I'm just so used to mtmte him. He was the mature one here.

The Trainbots are cool, wish we got to know them more 😔 also love the Decepticon Headmasters, they are so dorky 💜

Anyway, it was a fun watch and after reading quite a bit of the comics it was cool being like "Ah! That's where you're from!" Or "I know that guy!" Haha.

I just started "Transformers Super-God Masterforce" in hopes of seeing Overlord's first appearance 👍 much more anime vibes in this one.

Also! If you have a TF comic or show recommendation or one that's obscure! Pls share! :3

[anonymousboxcar]

I have a fic/au idea that I don’t have the spoons to write in full prose right now, but I’d like to put it out there.

So. Henry arrives on Sodor and an outraged Fat Director demands to know who built him. Henry tries to answer all his questions, but he soon realizes he doesn’t know much about his builders either.

He first came to in a damp shed with boarded-up windows. He never made out any faces, only ever hearing low voices around him. This was done to keep him from identifying anyone involved.

Once this is clear to Henry, it eats away at him. All the other engines on the NWR know their builders, their inherited legacies, and their engine families (siblings, cousins, etc.). Even worse, he’s not the engine the Fat Director wanted. He can’t help any of this.

…but he can figure out who his builders are. And maybe being able to answer those questions would make the Fat Director a little less angry with him. Maybe he could find out what family he might have out there. Maybe he could get an explanation from them.

So Henry asks engines coming in from the Mainland for info, with Edward and Thomas also asking around for him. The crew assigned to Henry sees how much this matters to him, and, growing fond of him, write letters to the place Henry was built.

They don’t make much progress, however, until Gordon arrives.

Gordon and Henry both feel very shaken when they see each other. Their designs are so close that it can’t be coincidental.

Their investigation is impeded somewhat by Gordon not wanting to associate with Henry. For him, it’s uncomfortable to acknowledge an engine so similar to him and yet so wrong. He looks at Henry and sees what could’ve been his fate, as an experimental prototype. And that doesn’t even go into the blow to his Gresley lineage and prestige as which he perceives Henry.

But then it only makes sense, a bitter Henry argues, for Gordon to disprove the idea that Henry’s a real Gresley engine. And so Gordon relents (with some sternness from Edward and some scowling from Thomas as well).

Gordon then admits when they question him that some plans went missing from Doncaster. It was before his time, but he overheard some people still speculating about who could’ve done it.

He says nobody saw the plans as a great loss — that they were rejected for having too small of a firebox for a locomotive of that size.

But as Henry and his crew begin looking into who stole those plans, suspecting a rival of Gresley, things go wrong with his trains. Things like loosened couplings, damaged track that was fine an hour ago, and trucks catching fire.

It’s all sabotage. Henry has become a liability to his builders by trying to expose them. And seeing as they already got the money from his sale, they have no further need of him.

Henry is horrified, make no mistake, but he’s also angry. He’s done with this nonsense. He wants to see his builders face-to-face, to draw them out, to get some kind of explanation from them.

And so he makes the impulsive decision to stop in a tunnel.

He’s miffed that the Fat Director matches his expectations and bricks him up, but not surprised. He does his best to explain himself to his crew once the hullabaloo dies down. But as he lays out his idea, his confidence wavers.

He’s not sure if he can face the people who built and then abandoned him. He’s not sure if he’ll come away from this safely. And even if does, he’s not sure he hasn’t burned every bridge on this railway and any hope of a future here. Can he trust anyone here?

He doesn’t tell them this, though. It’s too late to go back. He can only see this through.

That night, some strangers approach Henry’s tunnel. They’re his builders. They’re here to dispose of him. He finally sees their faces, even if he can’t put names to all of them.

The way they talk to him confirms that they never cared about him. He was always a means to an end. He was always one of a kind, the product of a jealous grudge against another engineer.

And yet it doesn’t hurt the way Henry thought it would. He sees them and feels no connection, no obligation to them. He realizes they’re not and never were his family — that he never had to please or live up to them.

So when they give him one last chance to shut his mouth, to keep quiet about who they are, he laughs in their faces.

He takes great satisfaction in telling them they can’t command any kind of loyalty from him. He knows he could never trust them and he’s fine with that, because he feels nothing for any of them now. He doesn’t need them.

The only thing that scares him is the thought that he won’t get away from this. As the builders advance on him, he thinks that he’s grown fond of Sodor and this ridiculous railway. He wants to roll his eyes at Thomas’ quips, to watch the sunrise with Edward. He might even want to bicker with Gordon. He wants a future here.

And then his crew leaps out of hiding, getting into a scuffle with the builders.

It’s long enough for Thomas to come barreling down the line, followed by Edward and Gordon. They bring the police, having been informed of the “stake-out” plan… and the Fat Director steps off Thomas’ footplate, too.

The builders are summarily subdued and arrested, and all the engines and crews ask Henry is he’s alright. (Well, Gordon does so in a very roundabout, emotionally constipated way, but he still asks.) Henry is overwhelmed. He was right to trust them, it seems. He could more than trust them.

Henry and the Fat Director then hash things out. It’s a tense and messy conversation, especially because Henry is still reeling from the events of the night so far. But the Fat Director says that, regardless of his own opinions, it’s clear the rest of his engines and workmen would riot if he turned Henry away now. And he can’t afford that.

“You are needed here,” he says. It’s not quite an apology, but it’s close — an undoing of the bricks between them. “You are useful.”

Henry doesn’t say thank you, because this is the bare minimum. “Yes, sir,” he says, trying very hard not to cry anyway.

And so Henry is let out of the tunnel and remains on the NWR. It’s not perfect — far from it, sometimes — but it’s home. It gets better over the years. Decades pass before the Thin Clergyman starts asking around for the story of Henry’s tunnel.

By now, not many people know about what really happened. The knowledge of Henry’s leading designer would’ve torpedoed a workshop’s reputation, one which turned out to be uninvolved in what one of its designers did in his free time. Many people would’ve lost their jobs and locomotives would’ve lost the ability to find homes. So in the end, the scandal was hushed up and the builders were charged on the more minor offenses they committed.

For that reason, Henry and the others quickly rule out telling the truth. Nor does Henry want to revisit that time in his life. He doesn’t want to be associated with his builders in any way.

Thomas’ cheeky suggestion about him not wanting the rain to spoil his paint isn’t very flattering, but the others’ suggestions are even worse. (Edward’s idea of Henry being in the tunnel for a heroic reason is outvoted, though Henry appreciates it.) He also has to admit the Fat Director doesn’t look much better in that version of events — he looks arguably worse than Henry.

Is it petty? Yes. Does Henry go along with it anyway? Yes.

The Fat Director, now the first Fat Controller, accepts this without comment. He’s learned and grown quite a bit since the early days of his railway. He’s not the same man who bricked up Henry; he doesn’t think it’s worth getting so worked up over a small dig at him. (And while he’d never admit it, he thinks it’s a way to somewhat atone for his part in it all.)

But even if the Fat Controller did get upset, Henry wouldn’t be afraid in the slightest. He knows the engines here have his back. He knows he’ll always have his family.

[liauditore]

Equally Invalid

[somegrumpynerd]

Time for a new toy!

Cat toy won by a pretty good margin, so tomorrow there will be a little novelty cat toy in the garden!

So that means...

("Nothing" option will still attract a cat)

[every-sanji]

so the most recent post from you reminded me- you're not a zosan fan (neither am I tbh) so what DO you support for sanji (in terms of ships or HCs)

I had to sit on this for a bit since I got home but I do have a few ride or dies so we can start there.

SanUso numero um campeao del mundo!! I love love love sanuso so much.... they have a number of really good scenes together and I'm so tired or I'd try and pull them up but off the top of my head in Water 7 when Sanji worries about if Usopp will come back, and earlier in the arc with Enies Lobby calling Usopp their sniper and getting very excited to see him back...

If Oda wasn't a coward post ts or at least post wci Sanji would be fat. Fatness and weight gain as healing is so important and thematically fits for Sanji as a character especially with all of his backstory but alas.

In terms of gender/sexuality I'm pretty fluid on what I headcanon for him. As long as it makes sense for the scenario I don't care all that much. I know bisexual is really common as a hc for him which is great! I also see him as tentatively genderfluid but I don't think he really knows how to articulate it. Probably with weird food and cooking metaphors.

And the last thing I'm going to say because I'm me and its impossible for me to talk about anything without mentioning Enstars but I think he and Niki share similar worldviews when it comes to food, especially when it comes to feeding the needy, what with Sanji giving Gin the food in Baratie despite being enemies and Niki taking in a strange teenage Rinne he found on the street because he looked hungry and both Gin and Rinne feel indebted to their chefs and saviors. I would love to see a One Piece and Ensemble Stars collab with them specifically someday and not just because they're my favorites from each franchise....

[cuteniaarts]

Hey 🗑️🔥 gang (@katkastrofa @rokurookajima @shadelorde)…

Heard you guys like feral women 😏😏😏

[todayisafridaynight]

Do you mind dumping all of your thoughts on ebina for us?

i dont even know where to begin on ebina he just sucks major horse cock and i cant be swayed on this but ill put it under the cut for everyones sake. this is rambly as hell too idc i refuse to spend any more time thinking about ebina more than i already do

like what is his purpose. like i KNOW his purpose but it sucks- him being a Plot Twist baby is the dumbest shit in the world and they dont even ATTEMPT to do anything meaningful with it i do not care what anyone says

why even HAVE HIM be related to ichiban if he never even interacts with ichi in a meaningful way, esp when ichi's whole theme is family-- WHEN THE GAME IS LITERALLY ABOUT ICHI MEETING HIS MOM (or it was until they decided they didnt care about akane in the plot anymore)

like we mentioned it before here but if you have to have ebina related to a yakuza from the past for his ol Bring Down The Yakuza gig then why not make him an orphan from kazama's orphanage ???? literally nothing wouldve changed except it would've made more sense with how much kiryu deals with him instead of ichi. it wouldve been a great way to round things off with kiryu's saga too, what with having to confront the consequences of kazama's actions directly and finally and officially burst that fanatic bubble of his (i dont wanna HEAR nothing about gaiden that's not enough for me im GREEDY). theres something in here too about kiryu and daigo but i cant articulate it... i just know that wouldve been better too .... something something kiryu brought daigo into this life and now that he sees kazama 'bring' ebina into this life hes projecting ... idk ..

the game def didnt seem to give a fuck that ebina was arakawa's son considering they fucking revealed it in a bland-ass in-game cutscene FROM DAIGO OF ALL PEOPLE daigo respectfully why the fuck do you know this

i dont know how many people watch my streams but i was so obnoxious about ebina's villain monologue before his fight because its just ...... it just SCREAMS Hey You Guys Remember Aoki Right. fucking Masumi Arakawa Had Two Sons: One Who Loved Him And One Who Hated Him LITERALLY SHUT UP AND DIE I HATE YOU MASATO ARAKAWA WAS RIGHT THERE AND HE DID IT BETTER THAN YOU fucking stealing his bleach japan shit too. you might be able to steal bleach japan and piss me off about it the entire time because fucking everyone and their grandmother besides zhao seems to have forgotten fucking bleach japan but you can NOT steal Number One Hater Son from masato arakawa GET AWAY FROM HER 🗣️🗣️🗣️ 'why did masumi arakawa have to get himself killed' BECAUSE HIS NUMBER ONE HATER SON HAD HIM KILLED BECAUSE HE WAS A BETTER HATER THAN YOU SHUT UP

another thing that pissed me off to no end was the sawashiro shit fuckin Oh He Kept Him Alive Because He Wanted Him To Stop Him SHUT UP SHUT UP SHUT UP SHUT UP I HATE YOU . i really wouldve preferred if they just killed sawashiro like old man why are you here- WE DIDNT EVEN GET TO SEE YOUR EYE GET GOUGED but im getting off topic. NOTHING bout what we've seen from ebina could convince me he Wanted To Be Stopped like absolutely nothing i dont want to hear this bullshit excuse. it is MERELY just reminding me of ichi being like 'i wish i couldve been there to stop you' @ aoki and its making me pissed

like im the only person who cares this intensely because im the only person who likes aoki enough like this and im trying NOT to mention him so much and just focus on ebina but its just so annoying... like its impossible NOT to see the parallels, especially when the game is practically bashing it into my brain every three seconds. like if we're talking aoki/masato-adjacent antags then i like eiji so its not the fact that HE IS aoki adjacent that pisses me off its just that he has no agency OUTSIDE of being a ghost of him. like there's nothing interesting about him in the slightest and he's barely even on screen why are you forcing me to give a fuck about this twat. if anything the one aoki thing i wish they did mirror onto him was dying at the end i do not care about this man

[pa-pa-plasma]

genuinely not kidding when I say that Tears of the Kingdom is not only a bad Zelda game, it's just a bad game in general. it's inaccessible to casual gamers who previously could play Zelda games because of their structure. there is virtually no plot, & what little plot there is sucks ass, is predictable in a bad way, & doesn't make any fucking sense, with the absolute lack of emotional reactions from the characters making it all the worse. the references are only there to distract from the absolute nothingness, despite a main timeline Zelda title being the perfect game to have them as a type of storytelling (what happened to Skyloft??). the sky islands are just rocks with nothing on them except fruit, or maybe a chest if you're lucky. the underground is a walking in the dark simulator. the overworld is the exact same shit as in Breath of the Wild & I already explored that twice so why do it again. the caves are pointless. they didn't add much to the game besides that (the shrines & towers are just reskinned, do not fool yourself) & what they did add is just more sidequests to fill the gaps between the bits of non-existent plot. the dungeons suck. the boss battles are okay which is just sad for a Zelda game. it's just a $90 DLC & if that doesn't explain why I'm so mad about this idk what the fuck will. maybe the fact that this "new formula" is a severe step down from the old one, where you had an actual full fucking puzzle game to play with an actual fucking characters & a story that wasn't just more MCU "cameo! reference!!" bullshit

[mad-hunts]

[ TRANSCRIPTION: I don't understand I don't understand I don't understand Why did you leave me, Marcy? We were supposed to be together forever. Is it true that you're an angel now? ]

[deeisace]

..

[themyscirah]

Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)

[imabiscuitinthousandworlds]

so i googled my current favourite play that i'm absolutely obsessed with and ended up on the english wikipedia site bc my browser is set to english and. it's so bad. the fucking plot overview leaves out basically everything that happens ever except for the end result. several key figures aren't even mentioned. "this guy dies for freedom" well, yes, but actually no, plus you're implying his sacrifice is actually worth it. that's not true. in some other section a dude is mentioned who claims this play is basically star wars. that someone familiar with the play but not star wars could look at a star wars poster and tell you which characters are narratively similar/equal to characters of the play. i am baffled. i have never, not once in my life, ever seen someone be so wrong. dude must have read an entirely different play. i'm tempted to dig up the english version and read it just to see how fucking wrong he is. he is *so* incredibly wrong. jesus fuck. how could you possibly say that