#so I don't think it should be too too different

[lunebulous]

Playing with your body in non-sexual ways

A.N: This is my first time writing fanfiction. Any feedback is very much appreciated. I hope you enjoy! I have no idea what tags to put here so, just trust me bro. cw: thigh worshipping (zayne), plus-size reader (rafayel).

Xavier

There wouldn’t be a lot of occasions where his caresses would be in a non sexual way - that's why he's known to be a wolf in sheep's clothing. But don't get me wrong, being sexual does not equal condescending or rough. Not for him. - well, sometimes. - It's just that if he focuses too long on your face when you’re sleeping soundly, or when you're admiring the lantern lights at another festival, he gets this sensation that he should own you once more, just to be sure you're his. 

So when he kisses, it's only to leave you wanting more of him.  So when he caresses your body, it's only to let himself know he's the one making your skin get goosebumps.  So when he embraces all of you in a tight hug, it’s only to feel like you’re finally real this time.  And when all of these inevitably turn into that feeling of ownership again, he frowns internally. Initially, he wishes that he was different and that he wouldn’t feel like this everytime he stops to think about you; But it's just so much love that it overflows from his heart, dripping right into the lowest part of his torso. When he realizes, he’s slowly kissing you against the wall again. He can’t help it, he's naturally drawn to you like a magnet. And that feeling gives place to a necessity, a craving that hurts so deliciously he gives up on being different. So when you gasp for air and tug at his hair to breathe a little, he just can’t understand why. Or how can you do this to him. He wants more. And more. And more. He needs it so bad he can’t help but pin your hands to the wall so he can kiss you longer, raveling in the way you squirm under him. After all, just because he can't help it, doesn't mean he's not enjoying every second of the fruits of his own possessiveness.

So he caresses you all the time - the problem is that it often turns into a primal need to own and to explore each cute face - each little sound - you make for him. He feels like a victim to his own desires. Poooor Xavier… (irony included).

Rafayel

Rafayel is completely enamoured by your hands, making sure to always kiss them whenever he gets the chance. When he doesn’t, he’s more than expected to caress them while you wait for food in a nice restaurant, or when you’re walking on the shore with him. He is the king of intertwining your hands all the time - never letting go even if for brief moments. He says his bodyguard should be aware of where he is at all times, and when you replied that having one of your hands busy would actually get in the way if danger arrives, he puffed his chest, saying something along the lines of “i’m lucky I have the best bodyguard that can fight 10 men with only one hand then!”. You sighed, giggling because of him. “You’re not actually expecting me to fight with 10 men without letting go of your hand, right?” “Well, I'm pretty sure that was on your job description when I hired you.”  “No it wasn’t.” “Now it is.”  --- He also kisses and grabs your stomach and love handles all the time, especially when lying down, like now. There were some times when it made you feel a little bit insecure, but he always buried his face on it with a big smile, hugging your waist. When you voiced your insecurity to him for the first time, he simply said: “Well, I never saw a painting of any muse that didn’t have enough body for me to drown in it. - he stares up at you intently, before looking at your stomach again. - In fact, it is the only scenario where drowning would be possible for me. - Now he’s getting a hold of your love handles. - And actually, i'd love it. Thank you, my muse!” Right before nuzzling his face on your belly again, giggling. You blush furiously, caressing his purple locks, but he’s too busy to see it.

Zayne

Zayne would always need a bit of a push to touch you like he wants to - and you know that. He’s slowly coming out of his shell and being more confident when it comes to being intimate with you, getting over his irrational fear of hurting you again. The ‘push’ he got today was seeing you come home after brunch with your friends, wearing a dark and muted red lipstick, blended on your lips so perfectly it reminded him of a vintage doll. He made a note to himself to compliment you later when you had your attention on him - because you were busy taking off your shoes, your coat and yapping about some BIG gossip you just found out. He listens attentively, putting two and two together with you as you happily stride towards him. 

You sit beside him on the couch and hug his arm, leaning on his shoulder. He places his hand between your thighs, trying not to pay too much attention to it - a task quite hard for him, as you were wearing light brown stockings that made your oh-so-loved thighs look even more bite-deserving; But he tries to shake the thought away. 

It doesn’t take long before you’re well-invested in the documentary he is watching, but the position is getting quite uncomfortable now, so you crawl between his legs and rest your back against his chest, both of you laying down on the chaise part of the couch. First he stares at you, finding adorable how you don’t hesitate before making yourself comfortable with him. He lays a chaste kiss on the crown of your head, making you snuggle against him even more, getting it just right like two puzzle pieces. And he swears to himself he’s a good man. He is not going to turn this into something more just because your ass grinded against him innocently, no, no. Breathe, you touch-starved man! 

But the same man now is fighting for his life to NOT look at your thighs, the stockings making them look so shiny for him, he couldn't help himself but imagine the shadows his fingers pressing onto your skin would look like. He imagined you in not-so-innocent lightings more than he’d ever admit, and as his thoughts stray away, he doesn’t notice how he’s been caressing your chest and collarbones for some time now, lightly using his fingertips to circle around your skin, as if memorizing each part of it. Then he's slowly directing his way to your neck, with four fingers on one side and his thumb on the other, going up and down with featherly touches as his eyes are glued to your legs, completely blank, admiring each curve going from the arch of your feet to your calves, and then to your thighs, stopping at the start of your tight skirt. Now he’s gripping your neck - just lightly pressing on it, your airflow is completely free. (for now). You can’t help but wonder what’s going on inside his mind, lying to yourself that feeling his firm hand around your neck is not making you want to rub your legs together, but you're already doing it a bit, discreetly, not knowing you’re being very thoroughly watched. As he’s breathing deeper to try to not get excited, you feel his hand slowly letting go of your neck and you whine inwardly at it. But then his hands hesitantly go higher, his slender fingers sliding across your chin to play with your lips as he remembered to compliment you. He opens his mouth to do it, but being so lost in thought he just stops. Staring at your legs with an empty gaze, completely out of it. God, they’d look so good around his cock. Fuck.  You look up, a bit surprised with his actions, slowly tilting your head to the side, looking at him. - the movement makes him get out of his trance, suddenly confused as to how his fingers got to your lips - but as if reading his mind, you part them, waiting. And then he gets it. The key to making himself touch you like he wants to is just to - not think. It makes sense, it's a part of him he never let himself explore. He then lets himself do what he wants, sliding his middle and index finger on your tongue, experimenting. As you close your lips around them, looking at him so puppy-eyed, he can't help but smirk as realizing he could get used to this very quickly. You start feeling him growing against your ass now.

He presses down on your tongue, smiling. “You look so beautiful wearing this color, love.”

So, Zayne doesn’t play with any part of your body - because as soon as he does it, he gets a problem under his trousers. And now that he knows how to let go of control, - you got one too.

Sylus

Sylus wouldn’t be the type of man to touch you without being full-on intentional with it. The same amount of hate he has towards ‘quickies’, he has for the idea of touching your most sensitive parts without being completely devoted to them. So when playing with you, it is usually filled with admiration and love, silently appreciating your presence by his side. That’s why you often find him mindlessly braiding your hair as you lay your head on his lap to watch a movie, or how he gently runs his fingernails - once claws - on your calf under the table when he’s discussing his next moves with the twins. Yeah, sometimes his hands wander a little bit higher, a little bit firmer, but always looking at you to watch your reaction; as if to just - test the waters, tease you to see your ears turn red.. or warm you up for what’s coming next.

[genderkoolaid]

in what way, if any, do you think that indulging kinks is different than making jokes as far as emplanting/reinforcing ideas in the mind? do you think that being a sexual sadist makes you more permissive of nonconsensual violence?genuine question, feel free to ignore or answer privately if this is too thorny.

OKAY I have tried to write this 4 times now here we go!!!! This time it will NOT get deleted!!!!!!!!

This is a really good + important question so I am glad you asked! To me, it comes down to context and critical self-reflection.

Kink, done properly, occurs in a very specific and frank context. You discuss what a scene will look like beforehand, and then you discuss what happened and each person's experiences afterward. Proper kink requires blatant discussions of what is wanted and what is to be avoided, and the consent of all parties is what helps create this context.

Humor, on the other hand, tends to live in a hazy grey area between truth and lies. We like to think that because jokes are jokes, this means they are completely detached from our world. But humor has a social function. It helps bring people together, as well as delineate divisions. And it also helps us dip a toe into a certain feeling without having to discuss the feeling itself.

To give an example, let's talk about bees and wasps.

Say there is a person named A. A generally thinks of themself as liking animals and the natural world. They are against climate change and pro-biodiversity, although they don't really know a ton about these topics. They see people making jokes about wasps vs. bees: bees are sweet pollinators just trying to enjoy the summer, while wasps are angry assholes who will fuck your wife. A finds these jokes funny, especially having learned about how important bees are but having always been afraid of wasps. A also begins making jokes about how wasps have no purpose, they just exist to ruin your day, and should be killed. A finds themself joking about how we should really just kill off all wasps, since they are evil and worthless creatures. When A sees a wasp, they feel nothing but fear and the desire to kill it painfully. If they hear about something is causing mass death amongst wasps, they think its probably a net positive for everyone.

A was clearly biased against wasps from the beginning, which isn't really their fault; wasps can be scary and hurtful! The jokes seem to reaffirm their feelings as natural, socially valid, and even funny. But as I'm sure many of my followers know, wasps ARE pollinators and are quite important to the environment, as well as having the inherent worth that all creatures do. It's rather contradictory for A to both say they value biodiversity, while also devaluing an entire group of creatures and being okay with, or even advocating for, their extinction.

It is fully possible for A to dislike wasps, AND value biodiversity. The problem is that A does not really know how to apply their values to the world and their actions. They generally have beliefs, but those beliefs do not form a bedrock they can reference. Their values and their actions are not in conversation.

To take it back to what you were discussing: properly done kink always involves conversation between values and actions. The values are consent, risk-aware safety, and mutual pleasure/satisfaction/positive experiences. Knowing these values and what they mean, the people involved can talk about what they want to do and how those actions will relate to those values. When a sadist is hitting someone in a scene, they know that this is happening because they have created a context in which that action aligns with their values. And if someone does find that they are being shaped negatively by kink experiences, they can recognize that and choose to stop.

I believe there is a problem with people not truly knowing what they believe or value, and/or not truly knowing how their beliefs/values interact with the world and their actions. And when you combine that with the ambiguity of jokes, the way we are encouraged to see jokes as something separated from the "real world," and the way they can encourage people to follow their gut feelings and reaffirm them as socially valid and true, you get. well. bad times! radicalization! Oops All Assholes!

I just made a post that was kind of an example of this. I watched Megan Thee Stallion's documentary and joked about how she should be allowed to kill indiscriminately. When I think about making those kinds of jokes, I am keeping in mind:

Killing individuals doesn't solve systemic issues

I value transformative justice over punitive justice

I generally avoid making these- humourously communicating my anger at injustice into calls for violence- because I am conscious that jokes aren't "just jokes." This doesn't mean I NEVER do it. It's not, like, radioactive. Making a joke won't corrupt me a la the One Ring. But I make a choice to steer myself away from that kind of humor. Because I don't want to create that kind of thought pattern; because I am being conscious of the distinction between feeling and value, of catharsis and justice; because I don't want to connect with others on the basis of a belief I don't actually hold and am just putting on to express frustration; and because, in the case of other jokes, regardless of their impact on ME, they can still hurt other people. Even if you feel like you can make small dick jokes and still genuinely believe body-shaming is bad… if your jokes still have the impact of body-shaming people, then your values aren't really having an impact on your actions, at which point they are meaningless.

[everythingspokenfor]

𝓜𝓻. 𝓑𝓻𝓲𝓬𝓴 𝓦𝓪𝓵𝓵

Pairing: Bakugou x reader. All characters are aged up 18+. MDNI. ﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏Summary: Maybe you should have looked up what your boss looked like...

Thinking about foreign!reader who comes to Japan as a support tech engineer and having an eventful first meeting with Bakugou

Bakugou hates airports, especially around this time of the year, too crowded, too loud, bustling with people. If he had a choice he wouldn't have come, send in a driver and cozied up in his bed but, his mom had different plans, she had called him the night before, specifically told him to pick her up from the airport. So, here he was, waiting for her plane to land, 3:45 am in the morning, a rapidly cooling coffee in his hand.

He was growing agitated at the whispering around him, it's easy for him to get recognised, blond hair and striking red eyes not easily forgettable. He sharply turns to leave the waiting room, not necessarily paying attention when his hand, the one that was holding cold coffee slams into someone and boom now he is staring at the aftermath.

You are staring start ahead, breathing deeply, you turn your head towards the jerk that slipped coffee all over you. Cold seeped through your shirt, the chill almost chilling your bones. You could feel the coffee seeping into your shirt, then inner wear and then your bra.

"Are you going to apologise or what?" You scowl at him, the coffee seeping through your shirt, the wet cloth irritating you further.

Bakugou continues to stare at you, anger evident on your features, he assumes you aren't Japanese from the lack of accent in your english. Before he could apologise you speak again.

"At least have the courtesy to apologise, asshole" you spit out at him, before throwing him the nastiest little glare.

Bakugou is surprised that you don't him, maybe it's his ego but again he is the top hero maybe not his rankings but he is famous and infamous for reasons. Everyone knows him, even people outside of Japan.

"Do you not know who I am?" He finally speaks, not the smartest response but a response nonetheless.

"Am I supposed to know you?" You look at him incredulously, anger subsiding and confusion settling in.

"you know what, don't answer that, i don't care and I am tired, all I know is you are a jerk and I really wish to never run into you again!" You semi-yell at him and leave the waiting room.

He almost chased after you but he phone started ringing, his mother's contact displayed on the screen, informing him of her arrival.

He looked back at the direction you had gone, but you already disappeared. Sighing he left to pick his mother from the arrival gate. And he leaves, slightly bummed that he didn't get to apologise.

-------

"-nd like he walked straight into me and didn't bother apologising." You waved your hands around, trying to emphasize your impromptu collision with Mr. Brick wall, to your new housemate and colleague.

Not necessarily a good think, shit talking on first day of work, but you had to kinda explain why you were doing laundry in the middle of the night.

"That's rude, could've at least apologised.". Mari agreed, both of you walked down the hallway as she was showing you around the agency building.

"Well, hopefully no further mishaps occur." She had stopped in front of a large laboratory, you could already spot your stuff on one of the tables.

"Yeah, hopefully." You mumbled mindlessly, eyes admiring the lab, it was the largest you had seen, with more advanced equipments as well. Mari left you alone at your destination, already going back to her work.

You also got to work, looking into boxes of broken and damaged support equipments, you had already read about them, their functions and materials used to build.

It was an easy job to repair the items, folding your sleeves you got to work, one by one you repaired majority of the items the only thing left where, chunky, hefty, gauntlets.

You knew the belonged to Pro-Hero Dynamight, read about him in passing, already aware of the architecture of the Gauntlets, it didn't take long for you to fix them up, even being generous enough to replace parts with your tech.

Assuming your work was done you called Mari.

"You still need to see if the function alright." She paused before looking at her laptop screen," Pro hero Dynamight is already in the building, you should give him the equipment and see if it works properly."

Even tho, you were slightly peeved, cause of course it works, you just fixed it, you still took the hefty box to 12th floor of the building.

You entered the office without knocking, hands busy holding the box, barely even looking at the people standings there you deposit the box on the table next to the couch.

"Here, it's for Dynamight, fixed it, they should work top notch." You gasp out, breath slightly rapid due to carrying all that weight.

You turn around and spot 2 people in the room, one was Pro-Hero Red Riot, whom you recognised because he has least amount of support equipments listed and the other was Mr. Brick wall.

"You little shit, what are you doing here?" You blurt out without thinking, finger accusingly pointing at him. Not yet aware that the Pro-Hero you were looking for is right there, at the end of your accusatory finger.

Kirishima stared at you in amusement, before speaking," You must be the new tech, Welcome to the agency, I am Kirishima Eijirou." He stood up and extended his hand for a shake, you politely took his hand and uttered your name. Before looking over his shoulder at Bakugou.

"Don't mind me, but what did lil' shit over there do?" Kirishima semi-whispered in your ear, thumb pointing back, at where Bakugou stood.

"I spilled coffee on me, and then stared at me like it was my fault." You stated, arms folded, glaring at him, Bakugou stared back at you, hands shoved in his pocket as he leaned against the table.

"It was an accident, you scurried away before I could apologise." He finally spoke, Kirishima nodded his head, like accepting the explanation.

"NO, I waited and Mr. Brick Wall didn't apologise." You yelled, looking at Kirishima to back you up.

"That's not cool," Kirishima looked at you, shit eating grin on his face, you grinned back, feeling confident that Pro hero Red Riot was on your side, he continued,"You should apologise, Dynamight."

The gratification of getting the apology didn't last long when you registered his last word.

"Dyna-dynamight??" You spluttered," As in Pro Hero?" You looked dumbfounded between the two heros, face flushing in embarrassment, before you turned to Bakugou, who was looking at you bemused.

"I didn't kno- I am sorry, it was my fault." You uttered desperately, the fear of getting fired on your first day making you forget your past grudges. You haphazardness making Kirishima giggle, and Bakugou sigh.

"Oi, it was my fault, should have seen where I was going" Bakugou said calmly, moving to smack the back of Kirishima's head, who promptly shit up.

"You don't have t-." Bakugou shushes you before you could speak," The mistake was mine, me being a hero doesn't change that."

You stared at him, hoping for him to dismiss you soon, so you could sob in the corner of your big, beautiful lab.

"How about this, I get you a coffee, as an apology." He asked, Kirishima let out a snort, before Bakugou glared at him.

"You don't have to, it's not an issue anymore, Mr. Bri-Dynamight." You looked sheepishly at him, hoping he didn't change on the nickname you had given him.

"Let me, I'll get you a coffee, you'll need it after working here for a while."

"Fine then, we can get it sometimes." You accept his proposal (?),before looking at him, awkwardly trying to gesture at the door.

Bakugou furrowed his eyebrows, watching you flare your arms towards the door, before Kirishima spoke," You can leave now, I am sure the gauntlets would work just fine."

At the dismissal you scurried out the door, running zig zag avoiding the few people present in the hallway.

"So, that's the 'fireworks' you were talking about, Mr. Brick wall." Kirishima queried, head resting against his palm, as a smug expression formed on his face.

"Don't fucking push it." Bakugou gritted out, trying to think of how he could fix his image in your eyes.

"Whatever you say, Mr. Brick wall." Kirishima chimed.

[arytra]

I want to start with acknowledging that if you don't like cats, that's okay! This doesn't apply to any of you and you don't have to like everything. :)

I think a lot of this, because I tend to see it with men or 'I'm one of the guys' girls. I think it's all just societal teaching. Think of what is thought as "good": Big dogs. Basically, animal should do things for you (hunting, herding, guarding) or animal is worthless. "But Ary, what about mice?" In their mind, the cat doesn't do enough of that to outweigh the "bad". Girls like cats because girls don't get messy or hunt or any of that so a "worthless" animal suits them better than a hard working man. (Really quick: I don't think people who are in the "I hate cats" camp don't really see it like that, but rather than the societal teaching that has influenced them)

I would think it was just the personality thing (dogs and cats are very different in how they show affection and the like), but how many people are like "small dogs suck" too. They tend to put them in the same categories as above with cats. (Once again, if small dogs aren't your thing/you've had a bad experience but you aren't a jerk about it, not directed at you)

My dad was in this category. "I don't like cats." He married Mom and ended up with a cat. Then more cats as we got older until one day he was standing in the rain calling for one of them in worry because she'd gone missing. (She came back) He was giving fish to another one because he thought she needed more attention. When put in a situation where he was interacting with them, he liked THOSE cats. He might still say he didn't like OTHER cats, but he wasn't near them.

Anyway, I think about this often that men in particular are basically taught NOT to like cats by society and when put in direct contact for a prolonged amount of time, find that they do actually because the best way to eliminate faulty societal teaching is by working through it. (Some people still aren't going to like cats or dogs or birds or etc. And this is fine.)

But what do I know? I want a pet tarantula and millipede so I might not be the best person to listen to on this.

[thesensteawitch]

The High Priestess Wants You To Know This

(Pile 1→ Pile 2→ Pile 3)

Hello beautiful souls!

This is a collective reading so take what resonates and leave what doesn't.

If you wish to book a reading with me then checkout my:

Rate Card • Booking Form

Ps: You can also DM me in case of any queries. 🌈💛

Sending you love and light ✨🕯️

*******

Here is your reading!

Pile 1

Tarot Cards- Temperance, Two of Cups, Six of Wands, King of Swords, Nine of Swords, The Emperor.

The High Priestess wants you to know that people around you see your efforts and are grateful for your generosity. But what you skip to notice is that you do so much mental and physical work that you forget to relax. You are very patient with the results of your work, but your feminine side needs to be activated now. You can activate it by resting and eating well. Try slow dancing or yoga. Sagittarius, Libra, Cancer, and Leo can be significant. If you're a feminine reading this, then the high priestess wants you to know that you've been very patient when it comes to finding the one. You've never had a masculine support, due to which you sometimes overexert yourself by tapping too much into your masculinity. But I do hear that God is your masculine. While shuffling the deck, I saw in my third eye, “Luck is on your side”—New Moon in Sagittarius, and guess what? The exact card flipped out of the deck! What are the odds? You're divinely protected. Balance will be restored in any situation where masculines have hurt you or you couldn't rely on them. You'll receive the love of your life; just avoid falling into the trap of past people/manipulators. Remember your lessons because the high priestess is warning you that someone from the past may show up again or old wounds of masculinity may come up again. It's going to be a test, so make sure you act according to the lessons you've been made to learn. If you doubt yourself or are afraid that maybe you're the one who is wrong, then that's not true. I see stubborn, too-logical, and aggressive masculine energy around you. I do feel that you have even adopted these qualities or have absorbed these energies unknowingly as you were only focused on surviving. You can let that go now. You've come a long way. Please remember your strength. You're stronger and wiser than you give yourself credit for. This is the last battle with your survival self. Thank it for how it has supported you till now, but don't let it win. You don't need to worry about a thing, so just stay calm. You'll win in LOVE. You'll have that one person who gets you like no one. You've been wronged, so stop giving people the benefit of the doubt. You deserve someone who sees your soul, not someone who falls for superficiality. You've been around people who were full of themselves, and that is why their energies kept lingering around you, forcing you to think about THEM! You may have felt guilty or pressured or doubt your own actions. You may even have ended up gaslighting yourself. I really don't like this energy around you. The High Priestess wants you to consciously focus on yourself and bring your energy back to yourself. Your focus should only be on you. That's all. That's it.

Pile 2

Tarot Cards- Death, Two of Wands, Two of Pentacles, King of Cups, Four of Swords

The High Priestess wants you to know that you cannot avoid the change that is meant to happen. You can delay it but cannot deny it. You still think you've another option or another way while you're on the boat to a different reality. You cannot keep asking the questions regarding a closed door. It won't open. Accept where you are. Just let go of the past. You cannot go back for one last look. Wake up and deal with your emotions. For a while you do not need to do so much. Just take care of your inner world. You may be having weird dreams lately. Your dreams are pointing towards the new reality you're meant to enter. It's a way of your brain to help you release the past. You may even be having dreams about someone who has a lot to say to you, but they cannot decide or make a move. This person may also be confused. Someone here needs to step out of their comfort zone, and the comfort zone is avoiding making the necessary decision. You may be moving back and forth wondering what to do and what not to do. Just don't do what you've been doing all along. Maybe you need to take action toward someone or something, but you're so afraid to take it that now that thing/person is appearing in your dream. Some of you may be afraid to follow your purpose, as it may be the first time you're being given a chance to do what you want to do or what you feel called to do. But the wounds are stopping you or making you guess. The cards ask you to focus on healing yourself and prepare yourself for your purpose/calling. What you've left behind may have been good for a while, but for your further journey, it couldn't assist you. Accept the truth; accept the reality. Don't keep reopening the closed doors; don't make the same choices every day wishing your reality to change.

Pile 3

Tarot Cards- 6 of Cups, 10 of Cups, 7 of Swords, 4 of Cups, The High Priestess

Someone's waiting for you and your message. There's an age gap here, and they are manifesting you consciously or unconsciously. The High Priestess is being very clear about what's happening behind the scenes. Someone's sabotaged their friendship/connection with you. Someone may even drunk text you. What? Someone thinks about you a lot and the way they lied to you or behaved as if they didn't care. The truth is you overwhelm someone. They don't know how to behave in front of you. This can be a past life connection. This can be a secret admirer. They have a lot to say to you. This person can have strong earth sign placements. If there's anything missing in their life, then it's you. I also see that money matters to them a lot, and they are also very stubborn. You have multiple admirers! I feel divine is protecting you from someone so that you can meet the person you're meant to be with. Communication will come your way while you're working or doing your own thing. You and your future person are going to be on the same frequency. You'll be a perfect match. Okay, this stubborn person may even think that you're not receiving enough compared to the efforts you put into your work. This person is very materialistic, and they think they are the king, but in reality they are a page (naive). There's something very mysterious about this person. This stubborn person has never shown you their true side and their goals or about their financial situation. I confirmed with the cards who you're meant to be with, so you're not supposed to give this stubborn person a chance because there's manipulation or sabotage here. What you offer isn't enough for them, and they are always going to see you from their distorted lens. It's another person that the universe wants you to meet and be with. You'll meet them soon. If you were drawn to pile 1, then do check it out (I feel a connection). The stubborn person has made you cry oceans! You're about to receive whatever you expected this stubborn person to be for you or give you. You'll be receiving more than you have asked for because of how kind you've been to the old person. I also heard that the stubborn person's kindness was also calculated. I don't know; this person needs to do some healing. They may even be taking tarot readings on your connection. You, on the other hand, can look forward to a new journey in love and life. The cards are sooo clear in the end! They say it's time to release negativity, and nothing will come of this situation (no matter how much you try to make it work with the stubborn one). At the bottom it says, “A new romantic cycle begins!” Yayyy!

[riverintheunderworld]

Bath

↳ A Patient Casper x MC who struggles with accepting good things

"Stop squirming," Casper huffs, tugging at your hair. Its not firm enough to hurt, but it's firm enough to send a message. "You're making this very difficult."

"Agh! I'm not being difficult on purpose," you swiftly reply, turning your head back to look at him.

Droplets fly away from your damp hair, and you swear you weren't aiming for them to drop on his face!

You simply can't help yourself from chuckling as he grimaces, however.

"Sorry, sorry." You're not sorry at all, actually. Judging by the way he looks at you, a brow raised as he does his signature frown, you can tell that he knows. "It's just -- I can do this myself, y'know!"

"I know." He hums, softly guiding your head forward with his fingers pressed against your temple. "I'm not stupid."

Casper starts to take your shampoo, murmuring something about how there's too much silicon on it, or whatever, as he pours it on his hand.

"You really don't have to do this."

"I know. You keep doing that -- stating things that are obvious to me. It's very annoying." You'd probably be more offended if this happened in a different time, but honestly, you're just trying to focus on anything but the way Casper rubs at your scalp.

How does he make it feel so good?

Distantly, you wonder if you could make him do this for you everyday. Mornings would be a little less horrible, and you wouldn't come into work with a frown on your face like usual.

But no, you couldn't ask him of that. It'd be too much work, really.

He probably wouldn't want to, anyways.

"You're quiet," his voice is always nice to hear, but you can't help but tense up once he calls you out. "Nothing good comes out from you being quiet."

"Hey."

"I'm not wrong," he chuckles, voice turning a little softer as his hands continue to work. "You're thinking -- thinking so hard that it's honestly concerning. What's on your mind, sunshine?"

"Why should I tell you?" You sigh, sinking in deeper. The water rises to your chest. It's warm.

"Your thoughts are often too heavy to carry on your own," he presses a kiss to your bare shoulder, and you swear you stop breathing for a second. "Let me carry some of the load."

"Uh.."

"Please?" Another kiss, and this time, it's against the back of your neck."Don't make me beg."

Hm.

Well, that's a thought for later.

But, you're not gonna keep him waiting. It takes you a few seconds to even think about the first word you wanna say, but you manage.

"I was just thinking about how nice this was. Showering is, like, the worst part of my mornings." You tilt your head against the tub, and you see him looking at you intently. For someone who loves their own voice, he seems to like listening to yours a lot. "But now you're here. Cleaning my body -- which I could've done myself."

He snickers at your pointed tone.

"You turned a part of my routine that I absolutely hate into.. something I can look forward to?" You mutter, words slowly growing quite. "Just by your presence."

"I'm just that great." Casper proclaims, clearly proud of himself.

You cup some of the bathwater in your hands, before chucking it backwards.

Casper hisses, like the cat he is.

"Sunshine. Don't be difficult." He grumbles from behind you. That manages to shut you up.

Casper aims the water to your head, before combing out the conditioner with his hands. He's a lot more gentle than you are when it comes to things like these.

"Do you want me to help with-"

"Nope! No. Thank you." You say as fast as you can. Having someone wash your hair for you is embarrassing enough - but your body?

Casper backs off, leaving some space between him and the tub. You turn your head to look at him.

His expression is soft.

"I wouldn't mind doing this for you, by the way." He hums, leaning down for the last time to place a kiss between your brows. "It's really no problem."

Your mouth forms a frown at the idea. It's nice, but... you can't accept that - even if you want to.

"I can't let you do that for me. I mean, you'd have to wake up early in the morning-"

"Which I already do."

"Well... I'm just going to be grouchy the entire time."

"And why would that stop me?" He hums. "It never stopped you, did it?"

You turn your head around, trying to come up with something to say as you look at the water trickling around your body.

"I can't push you to do anything you don't want to - but if this is also something you want, I'm asking you to think about it. As of now, I don't have a job. I spend most of my time here waiting for you and protecting your house from danger. If I could start my mornings taking care of you? I'd do anything."

Casper finally stands up, looming over you. He places a hand on your head, before finally walking out.

"I love you." He says, looking at you before he leaves.

"Me too."

"I'll make you breakfast while you shower." He smiles, closing the door. At least one thing is going right this morning.

A/N: I don't take baths so I'm not exactly sure why I wrote this ??

Anyways !! I thought it would be fun to do, like, a reverse of the bath scene !

[moociaoafterdark]

Right, so, uhm, quick question

Why do people thinks that toxic queer relationships (specifically the lesbian/wlw/yuri ones) are good and are okay to explore in fiction (to a certain degree god forbid we depict actual severe abuse), but the second it's toxic heterosexual relationship suddenly it's very wrong and sickening? Why are so many himefujos love "toxic yuri" and "toxic yaoi" and call it ""better"" and different from toxic het pairs??? As a victim of female-on-female CSA, as I already stated in the screenshots, let me make one thing clear:

ABUSE IS ABUSE, NO MATTER THE GENDER

It's okay to explore and play around with abusive dynamics in fiction! I'm proship and a huge lover of DD:DNE! Hell, I myself am a huge lover of toxic pairings (just take a look at my blog, lmao) and I even read the doujin that the OP commented on (it was very good, I liked it!) However, I find it weird and honestly extremely disrespectful how some people are okay only exploring toxic dynamics only when it's queer? Why is it being male-on-male or female-on-female suddenly makes it "better"? "Safer"?

It's not. Same sex sexual abuse is just as devastating as sexual abuse between two sexes. Something that SHOULD BE obvious, but apparently not?

It's fine if you yourself had an unfortunate experience with a certain type of abuse and therefore are uncomfortable seeing it in fiction. But victims/survivors aren't a monolith. Some victims of SA still like toxic dynamics for, really, any reason. That's perfectly fine too, hell, it may even be therapeutic to them, as proven over and over again by actual psychiatrists.

Everyone has different triggers.

What I'm trying to say is: don't be a hypocrite. Abuse is abuse. You can't call one type of abuse acceptable and progressive to explore in fiction, while all the others should be swept under a rug. That's not how it fucking works.

[the-ace-with-spades]

(sorry this got longer than I thought)

You know what fic I'd love to read?

One where Carole dies but doesn't get anything in order before her death (as is many times the case) and Mav is installed as Bradley's temporary guardian after her death but everything goes wrong very fast

Due to Mav's less than heterosexuals tendencies, Bradley ends up in the foster system. One day a social worker with a police officer just shows up and takes him away from school and he doesn't know what's going on. He ends up in his first not so good foster family the same evening. Mav can't even visit as he is deemed a bad influence and has an ongoing investigation if he is 'fit' to be Bradley's guardian.

He doesn't stop asking about Mav for months. Keeps trying to run away to him (he's about 50 miles away because foster homes are sparse so no dice) and finally his foster 'mom' is fed up with the constant asks to at least try and call Mav so she tells him Mav didn't want him and doesn't want Bradley to contact him.

And because Bradley is twelve, he believes it.

(It's not that Mav didn't try. There was a whole appeal process but Mav had a deployment right after and he couldn't explain to the social workers that no, Bradley would stay with someone trusted while he was gone, because that someone was Ice, the source of his suspected homosexual tendencies. They literally told him he's not allowed to contact Bradley and once he came back from deployment, Bradley was already in a different foster home, a few counties over and lost in the system.)

Bradley spends the rest of his childhood in the system. His first family is dubious and the following ones are a mix of constant hope and disappointment. He has at least two different families foster him every year, until he is sixteen and ends up in a group home. There are only two families that he actually comes close to calling family - a young married couple that stops fostering when the wife is diagnosed with chronic autoimmune disorder, and a couple of teachers that have to drop one of the two kids they foster when the financial requirements to foster raise and decide that Bradley is going to be that kid.

No one ever even thinks about adopting him. He's got good grades and stays on top of school, but that's about what is going well in his life. Some families he's with are average - they let him be and maybe don't care as much for anything that involves him as long it doesn't stir trouble at the fostering agency and Bradley is healthy and safe. Some families are worse - sometimes he is one of the five kids and is expected to stay and be a live-in nanny, sometimes they're only doing it for the money and he has barely anything, barely any food, barely any attention, barely any clothes, barely any school supplies, just so he doesn't cost too much. Sometimes, things get physical - it happens less, the taller he gets and by the time he starts fighting back, he has enough reputation that no one believes it and no one wants to foster him anymore. And group home it is.

By the time he's seventeen, he's enlisted. Just so he leaves the system as fast as he can. It all works out because the Navy fits the bill for his university and NROTC when the time comes - even if he's told he's not a good candidate for the USNA, even if he was told his grades and his achievements should be more than enough, even if despite the circumstances, he managed to meet the same requirements.

Finding out that it was Pete 'Maverick' Mitchell who protested his application and pulled the plug on it is Bradley's second heartbreak.

Bradley bites down any complaints he has about life and enters UVA at 21, with a military scholarship and NROTC bursary. At that point, he doesn't even know if he still wants to go into aviation, it brings so much bitterness in him. But then his grades and his overall achievement are so good, everyone says it'd be a waste if he didn't go to one of the most competitive pipelines. The Navy pays for his private pilot licence when he hesitates, and sure enough, it does feel good.

The pipeline is where he meets Jake Seresin. Jake Seresin, who has two brothers and two sisters and who has jars of homemade jam and chocolate-covered plums sent in a little package from his mom at least once a month. Jake Seresin, who uses all his leave to attend weddings, holiday parties, birthday parties, even a dog's funeral. Jake Seresin, who comes from every Thanksgiving with spare pumpkin pie, who has a new handmade Christmas sweater every year.

Jake Seresin, who, for some reason not known to Bradley, is impressed with how effortless learning to fly is for Bradley, with how much Bradley knows, with how much he leads in the lectures and the flight lessons - most guys find Bradley annoying and cold and Bradley would've agreed with them if any said it to his face. The Navy is the only good thing Bradley's had since his mom died, he has much more time to focus on being good at whatever Navy throws at him and maybe that makes him strange and aloof. But not Jake.

Jake Seresin, who is a competitive asshole that can't shut his mouth for his own good. Who has no idea of personal space, who fills the silence better than a jukebox, who will drill and drill the topic until he gets an answer he can comprehend, who doesn't care what people think of him as long as he knows his worth.

Bradley might have a bit of a crush on him, but it's an annoying crush kind of crush - one he doesn't really want to have, one he doesn't really know what to do with. Jake Seresin, who probably would never look at Bradley twice, especially in that way.

They get separate F-18 training bases and Bradley forgets for a moment Jake Seresin ever existed.

Then, summer of 2011, Jake Seresin gets restationed, right into Bradley's squadron. And he's still his annoying self, inserting himself into Bradley's private space, private time, and doesn't let Bradley have a say in it, at all.

Maybe Bradley doesn't want to have any say in it, deep down.

A few months later, DADT gets repealed. It doesn't change much for Bradley, he's not going to talk to anyone about his personal life. But it seems it changes something for Jake.

Because he asks Bradley out on a date.

Bradley's never really dated. Didn't really have the time to when he was a teenager, moved so many times, and then he enlisted, and then he was in college and NROTC. He slept with people, but he's never dated anyone.

So he gets to know Jake Seresin. Jake Seresin, who despite bringing all that food back with him any time he visits his parents, can't cook at all and who would hang onto Bradley's arm or shoulders whenever Bradley cooked. Who can sew so well that he saves all of Bradley's old shirts. Who can't keep his mouth shut, no matter the circumstances - not in the theatre, not when they eat, not when they just watch a movie at home, not even in bed. Who seems to know every single tune under the sun but can't play a single instrument. Who has elaborate, detailed plans for his life - an admiral by forty, two kids by thirty-five, a nice little house in driving distance to some body of water, a German shepherd or a border collie for a family dog once the house is there, a personal two or maybe four-person plane by the time he's forty-five, maybe co-owning aeroclub by fifty.

Bradley's never before thought about the future.

He never tells Jake even half of the things he's seen and lived through when he was in foster care, never tells him about his pulled application from USNA, never tells him about Mav. He doesn't think Jake would be able to understand, the way his family seems perfect and loving and caring. He doesn't want him to know how many things is wrong with him.

But Jake knows he's got no family, that his dad died in the Navy, his mom when he started middle school, that he's been in foster care for all his teenage years. Knows that Bradley has no one to come back home.

"Don't be a fool, sweetheart," is what Jake tells him. "You've got me."

For the first time in his life at the age of 29, Bradley requests Christmas leave.

Bradley's never had a big family, but there was a time he once had a family - or so he thought, when he was twelve and the illusion shattered - so he thought he'd be okay.

And at first, he is fine. Jake rotates him around like a prize piece, introducing him to his siblings, parents, aunts, uncles, nephews, cousins, grandparents, but it's just two or three people at once. Whenever it seems like too much, Bradley drifts away to the kitchen where he can just stay silent and listen to Jake's mom talk to the various people that come by while he slices homemade ham or he steps out onto the backyard and talks to the kids of all the ages gathered around the makeshift playground.

But then they're right before dinner starts - there are over thirty people in the open space of the house, now that everyone arrived, and Bradley feels hot, suffocating in the crowded space, in the clutter of gifts and food and colorful Christmas sweaters.

And then, before he can take any of it in, he hears Jake, saying in his typical loud and teasing tone, that Bradley can play the piano, and look at that, he could play something Christmas-y before the turkey is done, and next thing he knows, there's over thirty pairs of eyes on him and plenty of people asking questions and making teasing remarks and it all seems so tricky--

He can't imagine himself, in that room, with all those people, feeling comfortable. So he walks out.

Bradley doesn't know how to be a part of a family. There's no reason to try and lie to himself and everyone else.

They don't see each other for years after. The next time they do, it's only the eight weeks at Top Gun. The Jake that Bradley knew isn't there - this Jake is bitter and sarcastic and sharp with his tongue. This Jake wins Top Gun and never looks back at Bradley when he returns to his station base.

The next time they see each other is at the Top Gun recall when Bradley is going through a life roller coaster.

Not only is Jake being the biggest ass not just to him but to everyone, for the first time in twenty years, Bradley sees Mav. Sure, maybe he's not moved on from Jake - he still remains the only person Bradley ever dated - but he's managed to dodge Maverick, and Iceman by association, in all those years he's been in the Navy and now he's forced to pretend all is fine.

And Maverick doesn't make it easier.

He tries to approach Bradley like they're long-lost friends, saying all those things about how he missed him and how Bradley looks so much like his dad. Like he didn't leave him in the foster system when he was a kid and didn't fuck up his application for USNA.

So he pretends he doesn't remember Maverick because that's the easiest given that Maverick is supposed to train him.

On top of that, Jake mixes himself up into Bradley's shit life situation when he overhears Mav trying to get Bradley to 'remember' and 'renew their relationship' and keeps pestering Bradley. Maybe he can tell you more about your childhood, why the hell are you so rude to him, he wouldn't make up knowing you, you know, maybe he's got some of your parents' stuff and can share---

And hearing the love of his life that he let get away because Bradley didn't know how to be part of his family side with the first person that told Bradley he's not enough to be someone's family - well, it's not exactly helping the state of Bradley'e mental being.

So maybe he explodes at Jake, a little bit, in the end. You want to talk to the man who left me behind when I was twelve and the only time he looked back was to tell me he didn't think I was good enough? Then so be fucking it.

Instead of butting into Bradley's life, Jake shuts up and starts avoiding him. Bradley supposes he has what he wanted.

Bradley doesn't care what Maverick thinks or if he changed or if he wants something from Bradley.

He still turns around when he's shot down. It's not like he's got someone to come back to anyway. Not because he cares about Maverick.

"I'm not you," Bradley tells Mav. "I don't leave people behind."

The admittance - that he knows and remembers Mav and wants nothing to do with him, wants to be nothing like him - works. They survive and Bradley doesn't see Maverick again, not when they're in the med bay, not when they're in the hospital in San Diego, not when he gets discharged.

He sees Jake instead, waiting on him at the reception of the unit he had been on, patiently waiting for Bradley to sign his discharge papers without using his broken wrist.

"What, do you have someone else to take your broken ass home?"

In truth, Bradley was just going to take a taxi. Instead, Jake takes the plastic bag with Bradley's clothes and silently leads them to his truck before he asks for Bradley's address.

And in all this mess, the first thing Jake asks him is, "Are you going to stay in San Diego?" because they have the offer to stay there and make their place in Top Gun-adjacent brand new squadron.

"No, I'm going to go back to my base," Bradley tells him. There's nothing for him San Diego, but there's plenty for Jake and he doesn't want to be a barrier.

"I think you should stay in San Diego. With me."

He wishes it was that simple but the truth is, Bradley is still the same.

"I can't be the person you want to have in your life."

"But you already are the person I want in my life."

"I think this is going to end up badly."

"Only if you let it."

Bradley's never really could say no to Jake.

It all seems so easy, when he falls asleep on Jake's shoulder watching Top Gear, but at some point, Bradley knows, they will get to the point when it'll all crush again.

There is also the whole thing with Maverick, their now CO, who appears to be some kind of ashamed now that he finally knows that Bradley remembers what he did - or rather what he didn't do. He avoids Bradley like the plague and it seems to be affecting the squad - because they all love Maverick and Bradley is the weirdo who can't have fun or be friendly. He's just waiting on someone to call him out as the party pooper contrasting to their fun CO and deem the problem, as always, just because he can't pretend to be happy to be around him.

Jake hasn't said anything about the Maverick thing explicitly but he gives Bradley those looks whenever Maverick is nearby and sometimes he makes those quips

[redpill-tfs]

Red Wave

January 1st, 2025

Yo, so I started this Red Wave trial thing today. The docs said it’s supposed to, like, make your brain work better or something. Was told to track my thoughts in this journal thing. Honestly, I’m just here for the cash. I’m not buying into any of their science-y shit. Took the first pill this morning. Feel normal so far. Guess we’ll see if this stuff actually does anything.

Since I was told to describe myself a bit, I guess I might as well if I want that cash they promised. Name's Blake. I'm 26 and work at a local manufacturing company in the finance department. It's a pretty chill gig. Don't gotta wear a suit either which is good. Didn't even wear one to my graduation and I don't plan on starting now.

Anyway bro, I'm also a proud atheist. Never got into politics, but I guess I'm more liberal. I mean, just let people do what they want, right?

February 10th, 2025

Alright, not gonna lie, I’ve been feeling kinda sharp lately. Like, my head’s clearer, and I’m getting more stuff done at work. My boss Emily even said my presentation didn’t totally suck, which is rare. Oh, and I actually ironed my shirt today before work. Don’t know why—just felt like I should look decent. Weird, right? Maybe these pills aren’t total BS. I don't know why, but I've been thinking of wearing a tie to work...

March 12th, 2025

So get this, man: I bought a suit over the weekend. A whole grownup suit and a tie to go with it. I dunno know why, but I just felt like stepping up my game for my presentation at work today. And man did I look good. I got so many compliments on my fit. It honestly felt really good. My bros thought it was weird and so do I, but now that I have it I guess I'll use it at another presentation in the future.

April 15th, 2025

Something weird is going on. I heard some chick at work talking about her church today. Instead of scoffing and rolling my eyes, it made me, like, think a little. Like I got curious about it. I don't know what's going on, but I might have to check it out sometime.

Speaking of work, I've been wearing a tie more and more. It feels... right. People seem to notice too. I get so many compliments about them. I went back to the store and pick out a whole bunch of different colors. I may be the only guy in the department wearing one, but standing out isn't a bad thing I guess.

May 18th, 2025

Alright, so… I went to church today. Yeah, me. Blake, the proud atheist. Walked past St. Mark’s on the way to grab Starbuck's, and something just made me stop and go in. The music was kind of awesome, and the pastor’s talk about purpose hit me harder than I expected. I don’t even know what’s happening to me, but I’m starting to think there’s more to life than what I’ve been living. I might go back next week to see what I've been missing, but I'm not sure yet.

June 30th, 2025

This morning, I prayed. Like, actually prayed to God. I’m still trying to wrap my head around it, but it felt… good. I’ve also started reading bits of the Bible over the past week. There’s some deep stuff in there. Work’s going great, too. I’ve been mentoring one of the new guys, and Emily says she’s impressed with my leadership. Suits are now my everyday thing. Who knew dressing sharp could feel so right?

July 23rd, 2025

I’ve been pulling away from my old friends. Their whole sarcastic, edgy vibe just doesn’t sit right with me anymore. Instead, I’ve been hanging out with people from church who share my interest in self-improvement and faith. I’m even thinking about joining a volunteer group at the church. Life feels more meaningful now. My mind still feels so clear too. I don't know what this pill is doing to me, but it's working.

August 11th, 2025

I’ve been reflecting on some big ideas lately: responsibility, tradition, family values. They make so much sense now. I’ve also started watching a few commentators online who align with these views. Their logic is compelling. Honestly, I don’t know how I didn’t see it before. It’s like a veil has been lifted. Why should abortion be legal? Why should we violate the second amendment with gun control laws? Why do gays think thy can decide how the rest of us live our lives? So many questions I'm learning the answers to. I never paid much attention to politics, but maybe I should.

September 7th, 2025

Sunday service has become the cornerstone of my week. I’ve officially joined St. Mark’s and volunteered for their community outreach. Pastor Williams’s guidance has been invaluable. I’m entirely committed to this new path. My wardrobe, my habits, even my worldview have all transformed. I’m proud of the man I’ve become. I've said this a million times already, but it just feels right.

October 20th, 2025

Today is my birthday, and reflecting on this past year astounds me. My former self seems like a stranger. I’ve embraced faith, order, and purpose, and it just feels right. I got my hair cut to be a lot shorter than I once had it as a special birthday gift to myself. It feels more appropriate for my new image.

I had some friends from bible study over for a small party. I wore my best suit for the occasion. We played games, ate good food, and prayed of course. There was a riveting debate on the role of faith in politics. All in all, it was a good time. I can't believe how much my life has changed just in 10 months.

November 30th, 2025

Today was the final day of the trial. The scientist leading the study asked me all sorts of questions, from my conservative views to my faith in God and my new sense of style. I'm not sure what it all has to do with a mental focus pill, but I didn't feel like asking questions. I'm sure they know what they're doing. Anyways, I better get going. St. Mark's is having an event today to celebrate God and all of His glory. I wouldn't miss it for the world.

December 1st, 2025

The Red Wave trial has concluded with a 100% conversion rate among participants. Subjects exhibited profound and permanent shifts in personality, behavior, and worldview. Pre-trial skepticism and liberal inclinations were entirely replaced with conservative, faith-based identities. This case highlights the pill's efficacy in aligning individuals with structured, traditional conservative values. Further research will examine long-term societal impacts of widespread application. More subjects needed.

[thisweknow]

I very much understand your frustration with the "you! are! valid!" Tumblr culture from the mid-2010s, that was something that honestly made me feel so isolated as a teenager. I hated hearing "it gets better!" and watching my life fall further and further apart with everyone telling me that it would all be fine one day. It felt hypocritical. It WAS hypocritical—to tell me my feelings and my experiences were valid and then to just absolutely steamroll me when I expressed my frustrations and fears.

I started to favor the phrase "everything changes" around the time I turned 16. I liked the idea of neutrality, it was something I'd seen as a suggestion relating to body positivity, which I struggle(d) with greatly. The basic premise was that if you couldn't say anything positive, try saying something neutral. Everything changes is neutral. It's not saying it'll get better necessarily, but not that it would be worse, either. It felt like the closest to a truth I could have. What I was dealing with in any given moment wouldn't last forever. Everything changes, my circumstances today are entirely different than my circumstances tomorrow, even if it doesn't always feel like it.

I've let that phrase carry me for years. In the bad moments I remind myself that everything changes, and the world parts that suck won't suck so immediately forever. In the good moments I remind myself that everything changes, and I should hold on to those and savor them for what they are, even if they're peppered in with the worst moments.

It's not to say that I don't remember the bad moments now—I very much do. I can remember a lot of the trauma of my childhood and if I let myself sit with it for too long I can feel what it was like to sit awake at 3 AM sobbing in my room wishing that I was no longer here. I don't think I will ever truly forget that. I can say that those parts aren't the part on my mind anymore. When I look back at my life I tend to look with rose colored glasses at the parts that were good. The moments I spent with my friends, the nights I'd sneak out to ride my bike in the peace and silence of the small town I lived in, the rehearsals for plays that I dreaded going to but loved being in, the way my dog would curl up at my feet and sleep there all night when I was sad—the list goes on. The bad parts are still very much remembered and acknowledged, but the good parts are the ones I think about and the ones I miss.

I know that I struggled for a long time with feeling guilty about having moments I looked back on that I didn't hate. This was especially true after leaving an abusive relationship. I knew the person I had left had been abusive and had done horrible things to me, that I had sustained damages that I wasn't sure I could recover from. Yet I still had moments I looked back on fondly. Moments where I had genuinely cared for my abuser, moments of sweetness and moments of joy, moments of calm and peace that I hadn't had with anyone else. I felt like looking at those moments somewhat fondly cheapened my experiences, as if it was somehow an admission of fraud to acknowledge that even the worst thing that had ever happened to me had its silver linings. It took years of therapy and dedicated self work to finally understand that abuse doesn't happen in a vacuum and that it's okay to miss those good moments, however many there might be, even when we know the overall situation was awful.

It's okay to savor the good things when they come your way. A journal entry from when I was about 17 sums it up really well: I don't want to be happy all of the time. If I was happy all of the time I wouldn't really feel happy anymore, would I? It would just be my normal, my neutral. I want to feel positive at least 75% of the time, that's my goal. I want to feel sad sometimes, too. I want to feel angry and hurt, I want to feel excited and happy and in love, too. I want to experience every emotion life has to offer, even the sucky ones. I don't think I would appreciate happiness if I didn't experience everything else, yknow?

btw you will miss this in 5 or 10 years. memory will smooth these circumstances down like a river stone, and you will find yourself longing for a shade of light or a moment of this particular innocence. you don't know about what happens next, and one day that will be the most alluring thing of all. don't leave it all for nostalgia. have a nice night now, whatever night it happens to be.

[rozhliena]

mc x mammon

you construct intricate rituals in order to touch the skin of the avatar of greed, ambiguous season but i would venture it's still during s1 of the original game, mostly just palavering about the gaze nothing actually occurs

They say the eyes are the windows to the soul.

"Don't you get eyestrain?" you ask Mammon, tilting your head as you sink back into the pillows on your bed. "With the sunglasses." It isn't bright in your room, the lights set just shy of their dimmest mode as you get ready to go to bed, and neither is his D.D.D.'s brightness set high. But he wears them all the time anyway, even in the evening. "Or are your eyes just sensitive?"

From where he's leaning at the side of your bed, frantically tapping some blinking lights on his D.D.D., Mammon shakes his head. "Nah, my eyes are fine," he says. "I just like the look of 'em."

A fair, if somewhat odd, assessment. You can't say you dislike the look, either, which has grown as familiar as the sight of him in your room — you're actually not sure why he's here today. It just seems like a given, some routine you've fallen into. There are two toothbrushes in the bathroom connecting to the bedroom, and there is a hamper in the corner for clothes that aren't yours, though they never seem to make it into the basket without your help, and the extra hangers in your wardrobe have lately been put into use more often than not. It's not exactly normal, you know that, but it comes so naturally.

"Are you gambling on mobile games again?" you ask, reaching over to pluck the sunglasses off his face, wondering if you should feel amusement or concern at the fact that he hadn't reacted to the motion at all. But maybe that's natural to him, too. You look at the orange-tinted lenses curiously. "You probably shouldn't, you know."

"I'm gonna win this one, serious, y'know, statistically and shit — "

When you put the sunglasses on, they're slightly large on your face, and they really aren't special aside from being from a Devildom designer brand that sounds suspiciously similar to the human world's Gucci. A typical pair of polarized sunglasses. You sigh, pulling them off. You lean over to place them back on Mammon's face, slightly askew. "Still losing?" You know he is; he's already out of in-game currency. Sure enough, the lights on the animated slot machine go red.

"Hey! You jinxed me!" he complains, adjusting the crooked sunglasses as the plaintive whine of a loser's trombone plays from his phone's speakers, but he turns off the game and stretches across your bed. His eyes peek out above the tinted lenses of his sunglasses, toward you. Like he's expecting something. You wonder if he's even aware of the way he looks at you sometimes, so intently it seems to go right through to the back of your neck.

"What's up," you say.

His gaze shifts, lands on the second hamper in the room, half-filled with his clothes by someone who isn't him. He's thanked you for it before, but you wonder what he actually thinks about the entire thing. "I dunno. Just lookin'." At this angle, you can only make out the blue in his eyes.

You sit up. "Are demon eyes different from human eyes? Like, in terms of biology."

Mammon looks at you, a little incredulously, and then laughs. "Man, how the hell would I know that? I ain't a nerd like Satan."

You shrug, moving so you're facing him properly. "I don't know. But can I check?"

He grimaces, but he's already folding up his sunglasses and hooking them into the collar of his shirt. "Like, you're not gonna poke 'em or anything, right? Would you even know the difference between, y'know, human and demon eyes?"

"Maybe. I don't know." When you moved just now, your hand brushed against his, where below the knuckles is the faded smudge of a stamp he'd had to get at one of Beel's games. Identical to one on your own hand. The game itself hadn't been particularly intriguing, and what you remember more than anything else is that it had been cold that day. You and he had to huddle up together beneath a blanket, and Mammon's bony elbows poked into your ribs to such an extent that you wondered if it wasn't less comfortable in the blanket than outside of it. But when he turned to you, smiling sheepishly, looking at you the way he does, warmth bloomed in your chest and you couldn't even feel the ache over it.

Mammon looks at you the way he does and shrugs. "Whatever. All yours."

There's no way to make this seem normal, you know that. When you take his face in your hands you don't think too much about how easily his face fits against your palms as you angle his head toward the light. His cheeks are warm. He doesn't resist at all. "Don't close your eyes so I can look at your pupils."

It's not an order, but Mammon goes along with it anyway, though his eyes tremble a little, avoiding your gaze, when you lean in to inspect.

When the light hits them, the pupils constrict like they would in any other eye. Whenever Mammon looks over his sunglasses, his eyes are like the bright blue sky of the human world above a sea of sand, but up this close, they're entirely normal. The same pupils, irises, sclerae. Tear ducts. The delicate blood vessels along the white of the eye. Eyelashes, to keep out debris. It's almost disappointing. The only distinction anyone could make between his eyes and those of a human's is that his irises are unnaturally vivid and possess two colors, but even then, there are some humans with those same traits.

"I can't tell the difference," you admit. "They look like any other set of eyes."

The set in question flicks to yours, narrowing slightly. "Hey, just 'cause I'm being generous doesn't mean you can go lumpin' me in with everyone else." He reaches up, his hand finding purchase at one of your wrists like he's going to wrench you away from him, but he just keeps it there. "I'm the Great Mammon, y'know?" The warmth bleeds into your skin.

"I know that," you say softly, still not thinking. "Hey, close your eyes." Again, it's not an order, no force behind the words, but again Mammon obliges. His eyelashes are so light they're almost transparent. You brush the pad of your thumb over the thin skin of the eyelid, over the light oily sheen there. His closed eyes quiver beneath your touch.

"Does eyeshadow give you trouble?" you ask. "Because of your eyelids."

"Lil bit," he says. "When I do gigs I gotta prime 'em and carry those blotting things. But hey, I always end up lookin' good, yeah?" His mouth turns up in a contagious grin.

"You do." It comes out of your mouth so easily. His cheeks go warm at the admission, but he doesn't say anything this time. He's letting you feel around his eyes like it's nothing, and you think, maybe there isn't any real difference between demons and humans, after all. Eyes or otherwise. You let your fingers trace along his face to under the chin, angling his head upward. During the game, you had reached down to one of his arms and squeezed, not because it accomplished anything for heat, but because it was instinctual, like scratching an itch, or like blinking.

Your faces are so close. Kissing Mammon would be so simple — twist of the wrist, tilt of the head. You'd land his lips in one try; it would come naturally, and his mouth would be soft and warm. You wonder if he would let you kiss him.

Mammon's eyes flutter open. His grasp on your wrist tightens slightly. You can feel his breath on your face. Your own breath catches in your throat. "What're you doing?" he whispers.

"Just looking," you whisper back. He doesn't let go.

[remyfire]

You know what I'm tender about? This moment of character development for Margaret ultimately hinged on the fact that, A, Hawkeye was gone, and B, BJ was there.

Even though by this point, Margaret and Hawkeye are beginning to become friends, I don't think she would have allowed herself to be so vulnerable as to extend an invitation to spend time together if he had been in camp. Not only do they still have a mountain of past baggage to work through, but she knows Hawk too well. He would've made some kind of teasing, innuendo-laden quip and she would have balked and retreated. However, BJ is a safer bet. He and Margaret don't have that long year of torment and harassment hanging over their heads the way she did with Hawk and Trapper. Even still, if Hawkeye had been there, then BJ would have immediately let him take the lead of the conversation, and again, Margaret would have fled. And if Charles had been alone here, then I believe Margaret would have second guessed her invitation. She's still a married person, after all, and he is not, so in her mind they really should not be spending time together with no one else.

But BJ is different. He's the one who gives her a grin and a wave in parting whereas Charles doesn't give Margaret a second glance. When she calls out to them, he's the one who keeps his tone light and his smile easy. He's the one who speaks for him and Charles rather than letting any kind of awkward silence linger that might cause Margaret to withdraw. He stays so open and amiable and, though visibly confused, is still open to whatever this strange change in Margaret is. With very little effort at all, he makes Margaret feel so at ease. If he hadn't been there and if Hawkeye hadn't been called away, who knows how long it would have taken for Margaret to be brave enough to open herself up for the possibility of rejection? And if she hadn't had this fledgling moment of friendship met with such warmth, who knows how long Margaret might've been satisfied living off the crumbs of affection from a husband who never cherished her like she deserved?

[ranticore]

What are some mythological monsters from Siren? Are any of them actually real? 👀 (some visual references appreciated if you're able...)

i was going to save this to draw something but don't think i'll have the time to work on it

some mythological monsters (really limited list tbh you can imagine that almost every community has their own take)

false phocid/doppelganger/mirror self/etc - this creature can be glimpsed at a distance and appears very similar to you, baby phocid, but you must never swim out to greet them. the mirror self will only swim further and further away, tempting you to follow, until it traps you in unfamiliar territory or even an evil maze, a place that resembles no place you've ever been before. moral of the story: don't trust strangers/teaching basic fear of the unknown

Tel!am - this is more of a godlike being than most mythological monsters, and can be found in the stories of people from the southern hemisphere. Tel!am is the seafloor itself, which is why deadly aerated water, which seeps up from cracks in the seafloor, is known as Tel!am's Blood/Breath/etc. Tel!am is asleep most of the time but wakes during rare high tide events, during which they rage against the moons and smash up any land/infrastructure/people that happen to get in their way. moral of the story: if there's a high tide forecast you need to get the fuck out of there

Odr - kind of an inverse of Tel!am, supposedly Odr was a giant selkie from the northern hemisphere who took on various heroic challenges to prove their might. They shaped much of the ice-caps by fighting monsters and enemies there (every stroke of their fighting spear would carve a new mountain or whatever, that kind of tale) before growing so sleepy that they curled up and fell into a slumber at a point in the icecaps now known as Odr's Sleep, became buried in snow, and is now only exposed during low tide events. the world as we know it will probably end if the tide gets low enough to reveal Odr entirely, causing them to wake. moral of the story: if there's a low tide forecast you need to get the fuck out of there

Kin/Ruler of the High Tide/Ishmael - in the western continent it is believed that there is a common ancestor for all phocids who arose from this region and that's how we got phocids, who were born when this ancestor raised a high tide. which is straightforward enough. but as people spread further and further from the western continent and settled more remote places, the legend grew legs and kind of morphed into 101 different cautionary tales about a morally-neutral trickster character who, again, might end the world if he raises another high tide, or might birth a new generation of sirenians. moral of the story: you guys should be writing your history down better probably

The Endless Kattakati - this one comes from zetas in the eastern continent. In the past it was common for zeta packs of up to twenty individuals to all be in one kattakati (i.e all of them were considered to be One Single Entity, like a culturally eusocial rather than biologically). there are surviving stories of a potential future, like a different fork in the path of history, that resulted in every single zeta being in ONE kattakati. a single person with tens of thousands of bodies. whether or not this idea is a comfort to them varies of course; the more traditionally-minded might think it sounds very peaceful, while those more integrated with outside cultures and people might see it as a frightening tale of assimilation and loss of individuality. some say that it could happen in the future, too, if only they could sum up the will to try. moral of the story: peace and community are within reach if only we set aside our differences more/oh god oh no oh fuck

longwing visors in general - with each one being tied to a specific character, some of them do happen to be monstrous in nature. flying monsters are a common theme - usually based on recreations of the large, winged metal caskets in which many visors were first unearthed. these creatures were said to plague the first generations of longwings, ruling the skies and attacking anything around them, until mysteriously they all died, transferring their powers of long-distance communication and foresight into the visors inside their bodies. moral of the story: sorry you got stuck with a visor with monstrous baggage i guess you're kind of a monster now too

the Night-time Professor - if you join the university at the Spire as a new student you might hear stories of a strange apparition that flies through the hallways and lecture rooms at night. that's actually a ghost of a scholar who got sick and died while working on his thesis, but that's no fucking excuse for not turning your work in on time so he's STILL out there working on it and won't be allowed to pass on until he's finished. moral of the story: we don't accept sick notes and you're not getting that deadline extension

[utilitycaster]

So something you’ve mentioned in a previous ask about how some of the players have decided to play characters that are more go-with-the-flow or designed to specifically take a step back, and I’m curious if you think that the fact that those players (Travis, Marisha, Liam) taking on a sort of sideline role, has also sort of affected the party’s decisiveness and by extension of the campaign because of it? Not to say that they shouldn’t try that different kinds of characters because they should and they have the liberty to try it out for themselves, but with no one else to really step up, it leaves the party in kind of a mess.

From previous campaigns, Travis and Liam have always been hard drivers of decisions and direction, in part of the characters they play having clear goals or strong personalities in knowing what they want (Marisha I think this applies to more for c2 since it was something Keyleth had to grow into as a leader over the course of c1). In contrast, Laura and Ashley tend to be players who tends to be indecisive in the face of a decision because they don’t want to make the wrong one. This has been a through line since Laura as far back as c1 because I distinctly remember a Talks Machina episode where Laura talked about how for a moment she thought she made the “wrong” choice with Saundor, but then later on came to the conclusion that she made the “right” one.

With Laura and Ashley playing characters that are spotlighted so heavily in the plot of this campaign, this indecision weighs as heavily because they play characters are the hard drivers while the others (outside of Ashton) are reactive rather than proactive or for Oyrm’s case, specifically and deliberately by Orym’s own choice, more quiet snd sidelined. I think Travis has had Chetney to try and take center stage to push a couple times throughout the campaign, and I think Travis did it with Grog too in c1 when the party took too long to come to a conclusion and he would decide something to get the party moving, but there’s a lot of empty time and space on that stage in c3 where in previous campaigns someone would pretty consistently take that spotlight.

I think some players are generally more inclined than others to lead or be in the driver’s seat and some players who don’t want that position majority of the time, and that’s perfectly okay. It’s just a matter of experimenting with what works and what doesn’t, and I think for BH, it doesn’t. And I don’t think it should be a requirement from some players to play a specific role all the time, but I think it’s important to at least acknowledge it and comprise, allowing players to play to their stengths and cover others’ weaknesses to make the table and story flow and work

oh definitely. I think you said this well, and I think Keyleth actually did do a lot of pushing the plot in C1 specifically because she was in game terrified of doing the wrong thing and explored that. Keyleth was, even before they officially began dating, someone whose calls Vax trusted, and she in turn supported him, and that led to (for example) Vox Machina choosing not to ally with the Clasp (which a number of party members supported or were neutral towards) and going after Raishan immediately following Thordak, despite the risk. Keyleth was terrified of making the wrong decision, but crucially, she had a very clear idea of what she wanted to do - she just didn't always believe what she wanted was good, and that conflict is what tripped her up. She was extremely willing to go to the mat over such topics as, for example, pragmatic alliances with dubious people (Raishan); it's just that sometimes this resulted in her being overruled and having to put up with said alliance, and struggling with that.

I don't think it's bad to be a player who wants to go with the flow and explore personal relationships without being a major decision maker. I tend towards being a decisive player, but I do not think it's the only way to be. But this does become an issue when the DM assigns you the role of Decider, and it becomes more of an issue when other players, quite reasonably, had chosen to step back. And I will personally admit - I've repeatedly tried to play laid-back/chaotic characters in D&D and it simply fucking fails. I lack the patience to fuck around endlessly. This is also, frankly, why I don't personally dump intelligence: playing as a character who is not curious and constantly trying to learn about the world simply isn't fun for me. If I were at a table that was going through endless debates with zero progress or resolution like Bells Hells, I have to admit I'd have long since said "hey. Is this...fun for anyone? Because I hate it." and I do not presume to know what the CR Cast thinks of it, and I really believe that "it's our game" means "don't make that presumption" but I can say it's been pretty widely panned among viewers, and it is valid to say "you can do what makes you happy in your game but wow this sucks as a story." And so yes the fact that the people who usually cut that kind of discussion short have stepped back, and the people who are reluctant to cut that type of discussion short are the ones who ultimately must make the decisions is, undeniably, a factor here.

Honestly, I and others have called this the third character dip or similar things and I think it's fair to say that a lot of cast members are, or were, in this campaign, either playing to their weak spot or avoiding a party-carrying personal strength. Players like Liam, Travis, or Marisha (or, to give a few other well-known examples, Emily Axford, Aabria Iyengar, and Lou Wilson) are in my experience less common in the same way that DMs are less common than players. It's more work, more responsibility, and people are more likely to blame you if something goes wrong. And I get that it can feel like you are steamrolling quieter players, and I do think talk away from the game table is important to ensure you aren't, but much of the time, when I've talked to people, they've been like "no, I would like to play someone who is a huge dumbass who can go off and goof around [paraphrased, and I mean this affectionately; I am thinking specifically of my brother's sweet summer INT 8 half-orc monk-barbarian] and I appreciate that you are filling a role that I would not pesonally find fun" (I also specifically like playing healers/support and DON'T like playing burst damage).

I do want to note, and I did this elsewhere: this hesitancy is nowhere to be found when I've seen Ashley and Laura (and various other players who are at times less bold - Sam being an obvious example) play in shorter form works. Arlo Black is a standout in Candela; both Tris and Emhira were fantastic. This is part of why I think an extended short-form only break would be good after this campaign ends. I do think it is ultimately a flaw of the campaign for forcing Fearne and Imogen into these positions when I do not think it's what the players really wanted for the characters (again, speculative); but like, they are in those positions, and the time to have said something was a while ago. I mean if that's the theme - that it's unfair and unkind you shouldn't have to be the one who makes the choice - that's fine, but the thematically apt thing to do is to make the choice anyway, with intent.

[illdiealonelyguy]

Apartment Story (Spencer Reid x BAU!reader)

We'll stay inside till somebody finds us, do what ever the tv tells us, stay inside our rosy minded fuzz.

My first time writing something like this, and i'm sure its not very good and there's room for sooooo much improvement, but i hope you enjoy nonetheless!

Summary: You've reached the groggy, grey winter months where nothing much usually happens, but this year is a little different. This year, you have Spencer Reid by your side. To combat the post-christmas blues and make some use of the last remaining weeks before you both head back to your desks at the BAU, Spencer attempts to find solutions for you both to remain as calm and content as you possibly can.

Tags: Spencer Reid x BAU!reader, fluff.

Word Count: roughly 789

You were roused by the sound of shuffling sheets beside you,and a temporary loss of warmth, before an arm reached itself under your side of the bedsheets to the small of your back. Eyes still heavy and closed, you nuzzled back towards the main source of heat - your own personal central heating system: Dr. Spencer Reid. Gently, you opened your eyes, head still resting against his chest, and peered up to be welcomed by his adoring smile.

"Good morning," Spencer whispered as he kissed the top of your head.

"Morning," you croaked, still squashed against his body, your breath against his neck making him giggle.

You open your eyes wider, this time gauging an impression of today's weather: grey and wet. just like everyday since the start of November, it seemed. This specific state of the weather was sure to weigh heavy on your heart until the end of March, when things would start to brighten up and look more alive.

"Hey, what's gotten you looking so somber?" Spencer inquired while turning your head towards him with his hand on your cheek.

"The weather! i just feel so trapped in such a monotone season. Eveything looks like it's been stripped of life," you lament into his caring eyes, a hint of worry working it's way into them. "You make me feel better, though. I remember once telling you that i think i chase the sun. It makes me feel far more alive and productive and full of ideas. Anyway, i came to the conclusion that you are my sun. Just being around you is enough to, for a while, help me forget about how much the winter months tend to weigh on me. So, thank you for that." You smile up at him while a faint flush settles over his cheeks, clearly bashful at such a - as he would put it - poetic metaphor.

"You're thanking me for being myself?" he chuckles.

"I suppose i am," you affirmed, leaning in to kiss him. He replied with a hum as he kissed you back, contentedly.

---------------------------------

You both spent your morning cuddling, reading and drinking tea (well, coffee for Spencer) and after the afternoon hit it's peak, the daylight seemed to be sucked away too fast for your liking.

Returning from the kitchen with two cups of tea occupying both of his hands (Spencer's new year resolution to only drink coffee in the mornings for a better night's sleep seemed to be going well, you thought) Spencer padded towards you in his fuzzy-sock clad feet, sitting beside you on the sofa and turning to you, thoughtfully.

"I think we should buy you a SAD lamp. Oh, and also stock up on puzzles, sudoku books, crosswords and other activities which will stimulate both of our brains. Well, I of course tend to these activities more than you- there's nothing wrong with that by the way! You enjoy more creative hobbies and i logical ones, but we could build puzzles together as i'm very, very bad at creative activities. Oh! I could also run to the pharmacy and get some vitamin c tablets. They'll be good for us to take in the winter," Spencer offers in a breathless frenzy.

You chuckle at his despiration "Are you still thinking about what i said earlier? Spencer, it's common to feel slightly more down in the winter months, i don't want you worrying about me too much!" you reply with a comforting smile, reaching out to take his hand in yours, squeezing it a few times as if to physically transmit your words into him.

"I know, i know. I just care about you so much and i'de hate for you to feel the weight of the shorter days wearing you down. I feel less motivated this time of year, too. But - not to steal your beautiful metaphor here - i think you might me my sun, too. Sunlight increases the production of sterotonin which helps improve mood and promote feelings of happiness, and spending time in the sunlight can reduce levels of cortisol in the body. You have the same affect on me."

"The science in your metaphor made that sound far more romantic," you giggle as you consider his words, Spencer gazing at you lovingly. "I think we will survive, love. We've got eachother, and our books, and yes if you like you can buy a bunch of brain stimulating puzzles," Spencer gazes downward shyly at your words.

"I think we've got an arsenal of things within ourselves to battle the winter blues away. Especially eachother." You end with, softly.

Leaning towards you, Spencer takes you in his arms. "I think you might be right." He mutters into the soft material of your shirt, holding you tightly.

[captain-kit-adventuress]

I haven't read any cozy fantasy, to be fair, but because these posts are mostly talking about the fundamentals of good writing while the fundamentals of cozy fantasy are taking more of a backseat, I feel comfortable throwing in my pov. I agree with all of the above, but I think we should probably add on discussion of why tension works even when stakes are low.

Given all of the GBBO mentions, let's liken writing a story to baking. So what differentiates a cake from bread from a biscuit from [insert thing here]? Mostly ratios. Cakes and breads and biscuits are all made with the same fundamental ingredients, for the most part, but the ratios of each differ greatly between them, as do some of the techniques used. A more traditional fantasy is mostly plot-driven. That's one ingredient. Of course, you still need character and setting and all the rest, but because a traditional fantasy tends to use a big window into its world, you'll need lots of plot and worldbuilding in the mix. There is The Quest or The Prophecy or The Villain's Downfall or The Hero's Redemption or whatever, and these kinds of story tropes require a lot of moving parts to get to the end. Character is still important in a plot-driven book because it will enrich whatever that plot is, but the big window you're opening will swallow up the characters if you're not careful to get the other ratios just right.

But a cozy fantasy isn't like that. The window is much smaller, and so the ratio of ingredients necessarily has to change. Tension vs stakes is a great way to think about that ingredient mix, but when you're shifting your main base, you also have to shift the ratios of the other ingredients or it's going to turn out wonky. With a smaller window generally comes a smaller (though no less important) story. We don't see as much of the world in a cozy setting, so focusing too much on worldbuilding might crowd out the other elements in the story and overpower them. What tends to fit well in a smaller window is character. But if you want to create tension instead of stakes--and it is incredibly important to know the difference between the two, as the above post illustrates well--you can't rely on plot so much. Tension is all about character.

The reason tension works in GBBO is not just because the characters care about the outcome, it's that we bond with them and care about it also. We want it to go well for them. (Or at least, go well for our favourites lol.) So with bland, uninspiring, nothing characters, even introducing tension isn't going to work well if readers have no reason to root for your characters, and wanting to see good in the world just won't cut it. In the case of the fantasy coffee shop idea, why do we care that this coffee shop survives? What makes the character care? What is the thing (or things) that makes the character get out of bed every day to run this shop? It doesn't have to be a big reason, either. It's not like it has to be to honour the memory of their dead mother whose dying wish was to own a shop like this, it needn't be dramatic. But it does have to feel like a real reason this person would be so motivated.

A different cozy genre that does this well is cozy mysteries, and those are all about characters. We always know there's going to be a murder (or at least the appearance of one). So that part of the plot is taken care of. What the author of a cozy mystery must do, then--besides solving the mystery--is tell us why that murder matters. The only question an author needs to answer before writing a cozy mystery after they've answered whodunit is why they did it. And you can only do that through the people that are still alive. The worldbuilding may contribute to it, but the murder doesn't matter except as it relates to the ones who are left in the aftermath.

Something I've noticed in recent years is that some authors are starting to approach independent stories like they do fanfic. To some extent, that's fine because good writing is good writing is good writing. One of the biggest differences between independent stories and fanfiction, however, is that fanfiction doesn't need a reason to exist. You can write that cute scene with no stakes and no tension and people will read it because it's like a deleted scene from the original, and it has all of the canon to support it. The existing canon is the primary reason fanfiction exists.

Independent stories are not like that. They must have a reason to exist outside of "this is cute and I like it." We readers don't have access to the world in your head in any other way than through the published material, and it's an author's responsibility when writing independent stories to give us that access. You have to show us why we should care, and if you're spending too much time worldbuilding and plotting and dialoguing and not enough time making us care about the people in the story, we're not going to be any wiser at the end, and tension vs stakes vs anything else isn't going to matter.

Cozy Fantasy and Why It Doesn't Work

I think I am among many who feel like they should love cozy fantasy and have found it an incredibly lacking genre.

This newly branded "cozy fantasy" genre that has taken readers by storm since 2020 and while it is new that books are now marketed as cozy, the genre itself isn't new. Howl's Moving Castle by Diana Wynne Jones is a great example of the genre before it was labeled and also how to make it work.

Cozy fantasy is defined by many as fantasy with low stakes. Fantasy aesthetic but less sword fights. On paper, it sounds great. But the execution has been less than stellar for readers like me. The lack of physical stakes has also impacted the emotional stakes of these books, creating forgettable characters with boring problems. As a romance reader, I find this frustrating. Romance is known for being a predictable and formulaic genre, the now defunct Romance Writers of America defined romances as needing happy endings, a term romances have continued to follow. Yet these romance texts manage to have low physical stakes (how to date your neighbor, how to confront your toxic friends, etc) while still maintaining high personal stakes that keep readers invested and begging for more. So I was initially confused why cozy fantasy authors struggle to write texts that connect to readers like me.

I think I have found the answer which is the genre is just here for vibes. It is all about aesthetic, not even worldbuilding that fantasy is known for as most cozy fantasy I read have so many problems as soon as you ask one question. It is hard to acknowledge that a genre that is pitched to work for readers like me doesn't work for many of us. Especially because occasionally there is one that works beautifully to my taste.

I often say my favorite cozy fantasies that are more contemporary are short and visual, which I plays into the idea of the genre being an aesthetic. The Bakery Dragon by Devin Elle Kurtz is a good example because it is a simple story that is given the perfect amount of pages and gorgeous visuals without dragging on when the message is very clear and easy to understand. Books like The Phoenix Keeper and Legends and Lattes have absolutely nothing for me, their very clear message hitting the reader over and over so the readers don't miss it and focusing on the aesthetic of worldbuilding rather than the reality of the fantastic elements within the world.

I guess my point is. . . I realize this genre isn't for me since I have realized it is more of an aesthetic than anything. .. .but I want it to be. Should I let it go and put my efforts elsewhere? Or should I keep exploring this new trend and find the hidden gems?