#smk

[cikgunurizann]

Ketua AJK Penyampaian Hadiah & Sijil✅

Alhamdulillah dah settle untuk majlis harini, tahniah kepada semua pelajar yang dah berjaya tungkus lumus tahun ini.

Semoga jadi pembakar semangat untuk jadi yg terbaik

[fleshandregret]

Nothing to see here fr

[antronaut]

Sonja Ferlov Mancoba

Collage (1973)

Collage (1964)

[horses-in-art-history]

Nicolaes Berchem, Two Horses in a Landscape, 1635-1683, Statens Museum for Kunst, open.smk.dk, public domain.

(Picture source for Two Horses in a Landscape)

[artsandculture]

In a Roman Osteria (1866) 🎨 Carl Bloch 🏛️ Statens Museum for Kunst 📍 Copenhagen, Denmark

As is often the case in Bloch’s work, knives and forks are brandished rather freely. Note in particular how the phallic decanter to the left may be close to an inviting mouth with slightly parted lips, but is equally - and unpleasantly - close to a knife and a fork with only two large prongs considerably more pointy than those of the young man’s fork.

In a Roman Osteria is an intensified version of a painting by one of Bloch’s major predecessors, Wilhelm Marstrand (1810-1873); specifically his charming Italian Osteria Scene from 1848 (Ny Carlsberg Glyptotek). It is one of Bloch’s most popular genre pictures and is typical of his seductive ability to depict objects, details, and clothes with striking realism.

Within Bloch’s body of work, the genre pictures constituted a break from the many commissions from the Danish Establishment. Friars with toothache, monks plucking chickens, coarse fishwives, and children hunting innocent ducks were among his favorite subjects. These pictures were usually very amusing, but also often rather strange and very much open to interpretation.

[dvepalki]

Dumbass CRK meme I made

[beardoodles123]

[marimariner]

Listen here you little shit

[arthistoryanimalia]

#MonochromeMonday :

Aage Gitz-Johansen (Denmark, 1897-1977) Bekkasin (Snipe), 1938 Woodcut print H 154 x W 165 mm SMK - Statens Museum for Kunst KKS14028/3

[stupidity-incorperated]

Shadow milk cookie ass image

[theaskew]

André Derain (French 1880-1954) Woman in a Chemise, 1906. Painting, oil on canvas, 100 x 81 cm. (Source: SMK, Statens Museum of Kunst, Denmark) 

[narithe1whoswaiting]

Is it just me, or is Shadow milk cookie the most powerful magic user in fiction? Because hear me out.

Shadow milk cookie was originally the virtue of knowledge, the literal embodiment of all knowledge itself, which means that, on top of any broken abilities he had normally, like being able to manipulate information and create / change laws of nature and physics, he also had knowledge of every single spell or magic type in existence...

Meaning that, shadow milk cookie in his prime had every single magic spell or technique at his disposal, infinite possibilities and combinations at his fingertips or cookie nubs.

We see some of his abilities in the chapters he appears in, such as flight, immortality, shapeshifting and size shifting, dimension manipulation and creation, object conjuring, life creation and manipulation, physics manipulation, reality manipulation, memory manipulation, lie detection, transmogrification and so much more.

With all of this power it honestly makes you wonder how he was ever defeated in the first place.

And people think and say that the elementals, beings made of elements and capable of creating and manipulating those elements, are stronger than the beasts?!

I genuinely do not see how that is possible.

[wildbluesorbit]

the only content I needed today

[gregdotorg]

I began to observe a lack of faith in the future, in the students and in myself. There was a pervasive mood of lethargy and wanting to give up, a sense of: How can we keep going? In this world infused by wars, crises and climate change, how can we even think about our future, let alone make art? It made me think about what the artists before us have done. After all, there have been difficult times before, so how have previous artists managed to continue working even when things looked bleak? So I turned my attention away from difficult beginnings towards being interested in endings. Partly to see if we could learn to think about our futures in different ways through those artists who persisted.

— Artist Henriette Heise discussing how she became interested in artists' late work, by observing a change in her art students. From "How on Earth to keep going?" a Summer 2024 interview in Nordic Art Review about her seminar on late work at SMK in Copenhagen

[horses-in-art-history]

M. Therkildsen, Kåde heste, 1865-1887, Statens Museum for Kunst, open.smk.dk, public domain

(Picture source for Kåde heste)

[captain-price-unofficially]

The only example of the Red Army SMK multi-turreted tank