#smh the spider queen and MK foil must mean nothing to lily orchard

[imminent-danger-came]

While the lily orchard review didn’t do anything like calling the show bad (they actually praised it a lot but for some strange reasons imo) they did miss a lot of the main points of the show and lightheartedly insulted people who were making angsty fanart of it (they also didn’t credit the artist which was odd) I think they had only watched until season 2 at that point but season 2 was still pretty intense even if it wasn’t as bad as 3 and 4 so I don’t understand why they called it a “Saturday morning cartoon” because it clearly has an overarching plot. One of the quotes taken directly from the video is “There’s nothing in the plot that’s going to shock you or make you think about the human condition.” They said that people making the show seem dark were missing the point of the show. That’s pretty much it I think which isn’t too bad but it does not give the show credit for how they handle a lot of stuff imo

Okay so, watching s1 of the show? I totally understand the "saturday morning cartoon" perspective of LMK. That's what it is at the beginning—I have a half written meta in my drafts about LMK and "saturday morning cartoon" type tropes.

However, I also argue that s2 begings to deconstruct those tropes—take for example 2x05 "Minor Scale". That's an episode with what I would consider to be a tropey plot: "Oh no! The main character gets shrunk!". But, unlike a lot of previous episodes (like 1x06 being the "racing episode" or 1x02 being the "Main character is overworked and turns to a sketchy solution to fix their problem" episode), Minor Scale shifts us away from these monster of the week type plots. The whole reason MK shrinks to begin with is because he's belittling himself ("Maybe if someone was here to teach me! 'Oh you'll figure it out bud, just think little!' Ugh, like I could do this on my own."), which in itself is already a unique way to implement this sort of trope. But, not only that, rather than a little tease and a subtle feeling of the heroes continually losing like in the beginning of s2, the Lady Bone Demon reveals herself directly to MK. She manipulates MK, she gets inside his head, she makes him question his worth to Monkey King.

This pattern of "everything starts out normal and then dips into something darker" continues for the rest of s2. 2x07-2x10 all start out like you would expect—monster of the week "saturday morning cartoon" adventure set ups—that then take a turn for the worse during the episode.

Like, don't get me wrong, s2 isn't like s3, and I'd say it takes until s4 for LMK to truly deliver on everything it's set up, but s2 still has plenty. Minor Scale (STRAIGHT fate vs freewill directly into the veins with MK literally running away from the narrative), Macaque's shadow play ("Heroes inevitably bring darkness to those they hold dear" *sobs* THEY WEREN'T LYING ABOUT THAT), Sandy's sincere belief that helping his friends is where his true value lies (yet he breaks his vow to never fight again), MK's desperation in 2x09, LBD's inevitable victory.

Honestly, watching the way in which MK's mental illness manifests in the first 2 seasons makes even s1 of LMK unique. I remember watching Bad Weather (1x01) and being surprised that MK was so down on himself after the "I'm invincible!!!" facade fell.

But, ultimately, LMK starting with "saturday morning cartoon" tropes and then slowly transitioning into the darker and more plot focused episodes is completely on purpose. The start of the show, the "monster of the week adventures", is the home MK wishes, but cannot, return to. That simplicity and innocence turning to complexity and impiety is part of MK's "coming of age" story, and it's why I like the show.