#slaying amongs her books

[wonder-worker]

After the exile and attainder of her husband, Henry Holland, duke of Exeter, [Anne of York] acquired the bulk of his inheritance in 1462 with custody over her daughter and heiress, Anne Holland. The decision to make Anne femme sole was legalised in parliament. It was a testament to Edward’s willingness to bend the law for his family as the family ignored the rightful claim of the Holland family descendants such as Ralph, Lord Neville. Although it was enrolled as a royal grant, the original bill suggests it was in fact made at the duchess’s request as it bears the king’s sign manual, a note of the commons’ consent, and the royal response ‘le roy le voet’.

Alexander R. Brondarbit, Power Brockers and the Yorkist State, 1461-1485

[sailorsoons]

On the Clock | (c.hs)

PAIRING: Vernon x f. reader

SUMMARY: Modern problems call for modern solutions, including naming a random stranger in the book store as your boyfriend to avoid an embarrassing encounter with your ex. The problem? The stranger is Vernon and he’s not supposed to be a stranger at all - he’s your coworker, and now everyone at the office - including your ex - thinks you’re dating. 

WC: 20,296

AU: Faking dating, Coworkers to Lovers, Romcom

GENRE: Smut, some fluff and crack

RATING: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

WARNINGS: Reader has some insecurity about how her working hard is perceived, some ranting about Being A Girlboss, a little bit of inner angst, my bad attempts at humor, reader’s ex boyfriend SUCKS sorry to all the Minho’s of the world I named him after, explicit language, some minor commentary on power dynamics, Star Wars Lore, explicit sexual content including unprotected vaginal sex (never do this), oral (f. receiving), nipple play, vaginal fingering, multiple orgasms, a little bit of a handjob, some cum eating if you squint, Vernon was supposed to be a freak but I made him soft instead, mutual pining.

A/N: Thank you to @camandemstudios for allowing me to be a part of the Lonely Hearts Collab. I’m honored to be among such amazing writers and I cannot wait to see what everyone else wrote. 

A/N 2: Thank you to the (w)hor(e)anghae squad @daechwitatamic @eoieopda and @jihopesjoint for beta reading this and letting me blind pass it over so I wouldn’t have to read it again because I don’t like it :)  

MASTERLIST | PERMANENT TAG LIST | ASK | LONELY HEARTS CAFE COLLAB

WHOSOEVER SLAYETH CAIN SHALL SUFFER TENFOLD... OR WHATEVER IT IS THAT THE BIBLE SAYS. You haven’t slayed Cain and you’re not really sure you believe in anything in the Bible, but you’re certainly suffering sevenfold. Eightfold. Ninefold. 

Sevenfold had been earlier this morning when you dropped your glass of coffee on the ground, shattering your favorite cup and staining your white tile. Several Clorox wipes later, there is still brown stuck to the grout, looking a bit like you had an unseemly accident in the middle of your kitchen. 

Eightfold had been when you decided to fix your weekend by heading to the bookstore. Surely purchasing books that you were going to let sit on your shelf months before reading would fix your day - until someone rear-ended you in the parking lot, leaving a good dent and an apologetic exchanging of numbers and insurance information.

Ninefold comes when you least expect it, standing in the aisle with a stack of books in your hand, eyes flickering over the different titles and ornate covers. You already feel better than you had this morning. The smell of paper, the whisper of turning pages, and the hum of the cafe brewing coffee in the distance immediately puts you at ease. 

You swear nothing can put a damper on a good hour spent between shelves - until ninefold walks around the aisle corner. 

The stack of books in your arm nearly drops to the ground when you see your ex-boyfriend hand-in-hand with his new girlfriend. You wheel around so fast you slam into the person behind you, which does knock all the books from your hands onto the floor. 

A hissed curse leaves your lips followed by a quick apology. You drop to your knees, picking the books up as quickly as you can. The dude you’ve collided with has also dropped his books, the amalgamation of your soon-to-be-purchases making it more difficult for you to pick up your shit and leave the scene before Minho sees you. 

Minho says your name, surprised. 

“Fuck,” you whisper, fingers going rigid on the stack of books in your hand. You shoot to your feet and spin around, breathless as you come face to face with Minho and the new girlfriend that you definitely didn’t look up on social media a few weeks ago. “Hi, Minho.” 

“Wow, it’s nice to see you not in the marketing department for once.” 

“Well, I work there…” You offer a bit sharply, tapering to adjust to a nicer tone. “Hence, you know - finding me there.” 

“I meant you rarely leave there.” He laughs and you feign a grin, eyes flickering over to the rosy-cheeked and very glossy-haired girl on your ex’s arm.

Good for her, you think. I wonder what hair product she uses. 

“This is Mina.”

“Mina?” You ask, sticking your hand out as you shuffle your books awkwardly to the crook over your elbow. She smiles - god she has good teeth - and shakes your hand. “Mina and… Minho. Easy to remember.” 

“It’s nice to meet you. Minho tells me you’re the only ex he’s ever left things on good terms with.” 

Your eye twitches. 

Good terms was a serviceable way to put it, you suppose. Sure, there had been no fighting or infidelity or long distance that put a strain on your relationship. In fact, you hadn’t been aware that there was a strain on your relationship until Minho was sitting you down on his couch and letting you know that it just wasn’t working for him anymore. 

That had been confusing. You hadn’t asked any questions though, opting to sit and stare at him while clenching your teeth, nodding along while he explained that your inability to leave work at work and enjoy home while at home was wearing down on him. 

You’re not saving lives, he’d said. He had been earnest too, which is the crux of it. You’re in marketing. You need to take a breather. 

As if he didn’t come home in a bad mood after shitty sales calls all day, as if he wasn’t stressed when he didn’t hit quota, or didn’t complain about how long the department meeting went - you know. You were there, too. 

So sure, you were on good terms. But only one of you seemed to have been unhappy with where things were going, and only one of you seems to have moved on to someone with really good hair genes and great dental hygiene. 

Your tongue runs over your teeth, suddenly worried that you’d forgotten to brush them this morning. 

“Yeah,” you agree, clearing your throat and choking a bite. “Good terms are always the goodest - best way to end things.” 

“He’s really hopeful you’ll find someone,” she sighs, looking up at him dreamily. “He’s always wanted the best for you.” 

A vein bursts in your head. Well- no. You wish the vein you feel throbbing in your head would burst and knock you out so you’d no longer have to suffer through this ninefold moment of suffering. Perhaps, even, a very attractive medic with glossy hair and good teeth could come save you and fall in love at first sight. 

The genuine way that Minho and Mina look at you tells you that they’re serious, that they see you as something that deserves love too. Said in a cooing voice, said patronizingly, said with a pat on the head and a firm pout. 

You turn with your free hand, grabbing the sleeve of the man who is hovering behind you and pull him over to you, grin growing sevenfold. Eightfold. 

“No need to worry,” you assure them. “My boyfriend is right here! The stars really did align for me, just like you hoped and dreamed.”

Your seconds-old-star-crossed-lover looks entirely startled, looking between you, Minho and Mina. His books are cradled against his chest, his brown eyes wide. He’s actually incredibly cute, his glasses a little askewand his brown hair a little unruly. 

“You’re dating Vernon?” 

You look at Minho, blank. “What?” 

Minho looks at your Very Real Boyfriend. “You’re dating Vernon? From IT?” 

Ninefold, meet Tenfold. 

“Of course,” you answer slowly, looking at your partner of now thirty seconds. “I am dating Vernon… from IT.” 

Vernon (from IT) looks like he would rather be anywhere else than standing in the middle of the fantasy novel aisle with you at a bookstore, your nails digging tighter into his sleeve and your crazy eyes telling him to get with the program. 

Vernon (from IT) clears his throat and nods, looking over at Minho. “Yeah. Hey, Minho.” 

“Wow. This is really unexpected.”

“It sure is.”

Your nails dig in harder and Vernon (from IT) tries to pull away from you but you step closer, leaning toward him while flashing Minho and Mina a smile. “Anyway, no need to worry about me finding a relationship. I am very happy.” 

“Figures you found someone at work again.” He laughs, but the comment lands like a blow. You feel yourself flinch, smile going too tight. “You really don’t leave enough to find anyone else, huh?” 

Vernon (from IT) seems to notice, shifting toward you to slide his arm around your waist. The move startles you, drawing your attention to his face. He really is pretty this up close, his lips the perfect shade of bubblegum pink, his cheekbones high and hidden beneath the rim of his glasses, the tangy scent of citrus on his clothes. 

“I like women who work really hard,” Vernon (from IT) assures Minho. “I’ll never get tired of resetting her password over and over again because she loses all her sticky notes everytime the cleaning crew comes through.” 

If Minho senses the shift, he doesn’t let on. He’s never been great at social cues anyway, which is what makes him a decent salesman. Still, you’re eager to get out of their way and the glare of Mina’s shiny hair. 

“Well,” You state. “We have to get going.”

“For sure. It was nice seeing you outside of work!” 

With a final nod, Vernon (from IT) tugs on your waist. You both navigate awkwardly down the aisle, steps not quite in time and hips bumping. It’s uncomfortable and uncoordinated, but as soon as you’re around the aisle and away from your encounter, the two of you separate. 

Vernon (from IT) looks anywhere but you. His cheeks are tinted pink as he looks up at the ceiling, shifting from foot to foot while you regain all your books in your arm. Embarrassment and gratitude both well up inside of you, one beating the other out.

“I am really sorry,” you blurt, voice a little loud. The people around you startle and you lower your pitch when Vernon (from IT) looks at you, chewing on his lip. “Thank you - I don’t even know how to say thank you for doing that.”

“I didn’t have much of a choice.”

Your cheeks heat. “Right.”

“Happy to help, though. You can thank me by swapping books with me, though.”

“What?”

He gestures to your books. “I was standing behind you because you grabbed my books after you ran into me.” 

Oh. Right. You look down at the pile of books in your hand and see a few titles that you own, but did not plan on buying today. You divest yourself of his selections, taking the ones he’d collected off the ground from there. 

“So you really work in IT?”

He snorts. The sound is… a little off. You glance up at him, but his face gives away nothing. “Yeah.”

“I didn’t know.”

His smile is off, too. “I know.” 

You’re unsure how to reply to that, but you’re also uneager to let him go, suddenly. Vernon (from IT) stands there for a second, lips pressed in a firm line and studying you. He really is beautiful, the light hitting his eyes in a way that turns them molten gold and-

“Alright well,” he interrupts your thoughts. “See you later or something.” 

The urge to stop him strikes you, your mouth opening and closing. No words come out. You don’t know what to say - or why you want to stop him, just that you do. He walks toward the front of the store to purchase his books, leaving you standing in the middle of the store and wishing you’d met Vernon (from IT) under different circumstances. 

-

Routine is important to you, especially during the weekdays. Wake up, snooze your alarm for at least fifteen minutes, get up when the second one goes off. Groan as you feel every single joint in your body pop after sitting up in bed. Wonder if you really need a corporate job to pay your bills (decide the answer is yes), and get up to feed the furious beast yowling from the bed. 

The ferocious beast in question has a routine as well. Perhaps not as important as yours, the cat knows when he’s supposed to be fed and when it’s even a minute past feeding time. Halloween takes his meals very seriously, which you respect. 

Your morning continues with the monotonous rhythm you’ve learned to appreciate: make coffee, shuffle back to your room into the ensuite bathroom for skin care, start your morning proper. The only thing that isn’t the same thing every morning is your playlist and your outfit of choice, leading both items up to fate to decide. 

A hint of spring is in the air when you step outside. It’s that kind of sunny day with a cool breeze that promises longer days of sun ahead, despite still being brisk in the morning and biting when the sun sets. 

Mornings during the days that hang between winter and spring are your favorite. You roll the windows down a little on your drive to work, fingers drumming against the steering wheel as you crawl along with all the other commuters. 

Buildings shoot up toward the sky on either side of you. Dozens of banks, private firms, buildings with multiple different businesses and food courts become your entire world as you navigate to the parking garage. It’s already full of cars, but you get special parking.

Well - special as of your promotion just a few weeks ago. The designated parking spot and title bump was all that had come with the promotion, though, much to your dismay. 

Still. You’d worked for this particular publishing house in the marketing department for close to a decade now. You weren’t quite as far up the ladder as you wanted to be, but you were trying to get there little by little. 

So close. No cigar. 

The elevator of the parking garage opens to reveal other office workers already filling the mirror-walled space. You step in as everyone makes room, clutching their bags and briefcases a little closer. You see Mingyu from creative and flash him a polite grin, which is answered with a bright one of his own and a small wave.

When the people not associated with your company shuffle off on other floors, Mingyu slides over closer to you. He’s one of the many designers in the art department, and definitely several rungs below your position, but you started the company at the same time together.

“How was your weekend?” He asks, wagging his brows up and down. 

You frown. His questions suggests there’s something salacious to your wild weekend spent reading books with Halloween, but you don’t think burning the bagel you ate for girl dinner or staying in the same shirt for forty-eight hours straight is what he’s looking for. 

“It was fine?” It comes out as a question. “How was yours?” 

“Hm. It was good. We went out to catch the big game. Seokmin got so drunk he vomited, and Vernon won all of the bets we placed before.” 

Mingyu leans forward, looking at you like you’re supposed to understand something. You don’t get it, looking him up and down with a pinched brow. 

“That’s nice?” Again, it comes out as a question. “Not for Seokmin, I guess.” 

His eyes narrow. Pin you to your spot against the elevator wall.

Then the elevator dings, signalling that you’re at his floor. Creative is an entire level down from marketing, all dim lights and glowing screens for the designers hard at work. Mingyu gets off, still looking suspicious as the elevator doors close and you shoot up another floor. 

Instead of focusing on it, you shrug it off. Mingyu has a penchant for being weird - a creative thing, in your opinion. As soon as the elevator door opens, his behavior is long forgotten as you slip into work mode. 

Everyone greets you with a polite smile or small wave on the marketing floor. The main office is filled with grey-walled cubicles, employees popping up to peer over walls with mugs of coffee and protein shakes and breakfast items as they ask their neighbors how the weekend was. 

A glass wall in the far back denotes the executive and director offices. You head for the one in the back, right corner. Instead of turning on your lights, you let the natural lighting from the floor-to-ceiling windows filter in, keeping the ambiance muted and relaxing. The only additional lights you flick on are the monitor light at your desk and a small salt lamp wedged between the books on one of the many shelves behind you. 

Your office is still slowly being decorated. You’d only moved in after your recent promotion, and it’s still bare of personalization, save for the salt lamp and a few things you’d moved in from your cubicle. 

And the coffee machine - your own private, blessed coffee machine in the corner on a small bar cart. That might be your favorite thing about your office. You like your coworkers - for the most part, anyway - but being able to bury yourself in your work without having to interact with all of them every time you want coffee is nice. 

Sitting down, you roll your shoulders. When your monitor flashes to life, you see the number of emails in your inbox and try not to groan out loud. You’re thrilled to be the new Senior Director of Marketing, but you’ve gone and made the mistake of becoming too important at work, most things unable to move forward without you playing some part in it.

In theory, that was one of the reasons Minho had broken up with you in the first place. Too buried in work, too many late nights at the office, too many dates or movie nights interrupted by the blue glow of your phone screen on your face while you answer urgent emails. 

The thing is - you don’t mind. It doesn’t bother you to pause and send a quick email, or to stay late and help get something launched. You like the intricacies of being a problem solver, and with as fast as your company is growing and publishing new titles, you’ve got challenge after challenge ahead of you. 

It’s easy to fall into the monotony of answering emails, joining virtual meetings and striking your pen through your to-do list. It fills three pages, but it feels good to cross something off, even if you’ve only completed two things. 

By lunchtime, someone is knocking on your window. You look up, surprised to see Seungkwan sticking his head in. He’s the Manager of Digital Marketing and Social Media and he’s dubbed himself as your assistant. 

Other duties as assigned, he always jokes, but you are thankful for him. 

“You have to eat,” he reminds you in a singsong voice, crossing his arms over his chest. His glasses are pushed up into his blonde hair. “Maybe you can take me to lunch and divulge every detail about your new romance.” 

That makes you sputter. “My what?” 

Looking like the cat that ate the canary, Seungkwan slips into your office, clapping his hands together. He sits on the edge of the couch in front of your desk, bounding with energy. 

“Come on,” he whispers, looking at you earnestly. “Everyone knows - you don’t have to keep it a secret anymore!”

“Keep what a secret?” 

He rolls his eyes. “You’re dating Vernon!”

You stare. “Who?” 

“Vernon! From IT!” 

It comes back in tunnel vision. Ninefold meeting tenfold, Minho and Glossy Hair Mina, Vernon (from IT). Suddenly you’re hot all over, feel it creeping up your neck and blooming across your cheeks. You clear your throat, leaning back in your chair as your fingers reach for your water. 

“I’m - oh!” You escape answering for a second by gulping down copious amounts of water, trying to cool the panic that is licking flames up your skin. “Right. Vernon… from IT.” 

“Honestly, he’s cute.”

“Ha. Ha. Yes. Um. Yeah.”

“You’re so cute when you’re flustered. How long have you been dating?”

“Uhh very new. Yes. Super new. I’m sorry - how did you hear about this?” 

“Mingyu told me, but Soonyoung told him and Joshua in sales told Soonyoung because Minho told the Always Closing group chat.” 

“The what?”

He sighs. “Ugh, do you keep up with anything? The sales floor has a group chat. It’s where Soonyoung gets all his tea because he and Joshua room together.” 

“Who the fuck is Joshua?” 

Seungkwan stares. “It is a wonder you even know who Vernon is. I swear you don’t know people you’ve worked with for years.” A thought seems to strike him and he gasps. “Oh my god is that why you’re always going to him for your fucked up passwords?” 

Something Vernon said comes back to you vaguely. Something about forgotten passwords when the cleaning crew throws out your sticky notes. Of course, no one would throw out your sticky notes if you weren’t dropping them all over the floor, but that’s neither here nor there. 

Bolting from your seat, you startle Seungkwan, whose brows disappear in his hairline as he stares up at you.

“Actually, I can’t do lunch today.”

He sighs. “Boss, you have to eat.”

“I am! I am going to lunch with my…. Vernon from IT.”

“Oooo.” He leans back, shaking his head and grinning at you. “Go on then. Make sure you wrap it before-”

“If you finish that sentence I will revoke your privilege to my coffee cart.” 

Seungkwan’s grin only gets wider. “Enjoy, boss.” 

In a flurry, you leave your office. Eyes follow you as you go and suddenly you’re unsure if people are looking at you because you’re walking so fast that you’re almost running, or if it’s because they think you’re dating Vernon). 

Your finger nearly breaks as you slam the button over and over again to shoot a few floors down. It doesn’t make the elevator go any faster. When the doors finally close and you begin to descend, you turn to the mirror walls and panic, tucking stray pieces of hair back into place and trying to fix the mascara smudges from staring at your screen for four straight hours.

A knot forms in your stomach. You press your damp palms against your dress pants, wiping viciously to try and keep the moisture at bay. When the elevator dings and the doors open to the silent hum of the IT department, you think you might vomit.

Unlike the marketing floor, no heads turn as you go. You try to maintain a normal pace this time, marching down the rows of cubicles before you realize you have no idea where Vernon sits. You pause awkwardly, standing on your tiptoes to try and see over the walls of cubicles to spot him.

“Can I help you?” A man sticks his head out of his cubicle, his headphones around his neck. He looks you up and down critically. “You’ll have to have proof of submitting a ticket before-”

“Vernon,” you interrupt him. “Vernon from IT? Where does he sit?” 

For a second, the guy narrows his eyes. Then a lightbulb seems to go off and he grins, leaning back in his chair. He looks far too pleased with himself, and there’s something oily and slick you don’t like about his gaze. “You’re her.” 

“I’m a senior director, yes.” 

That changes his tune immediately. He sits up, clearing his throat. “To the back on the left.” 

“Thanks.”

Following his lead, you pass by several empty cubicles, everyone seemingly at lunch. You take the corner as instructed and find a handful of men sitting in the same cubicle, one sitting atop a desk and swinging his legs, another leaning against the cubicle wall, and the last one sitting in the seat.

The one sitting in the seat is the quarry you seek, his eyes going wide when he sees you storming toward him. He goes rigid in his seat, clearing his throat and slapping the leg of the man sitting atop his desk. He kicks at Vernon before spotting you and immediately jumping down, straightening his shirt. 

Nervous energy crackles as all three sets of eyes settle on you. You stop right in front of his cubicle, trying to put on your bravest smile. 

“Hi?” Vernon asks, looking at the two men on either side of him. “Did you forget your password again?”

“What? No. I don’t do it that often.” He looks unsure, brows raised behind his glasses. You huff, putting  your hands on your hips. “Okay, I forget it sometimes. But no, that isn’t why I’m here.”

“Does your software need updating?”

“No, I-”

“Oh. I did forget to give Seungkwan that new phone he asked for on behalf of the social team. It came in last week - I’ll finish setting it up and-”

“Lunch!” You all but yell, startling all three men. “I came here for lunch.”

There’s a long pause. Vernon’s coworkers look like they’d rather be anywhere else than trapped by you. You ignore them in favor of a quick study of Vernon. He’s in dress pants and a button down shirt that is untucked and a little wrinkled. It’s a far cry from the casual way he was dressed at the bookstore, but it’s still not totally work appropriate. 

Still he pulls it off. There’s something casual and cool about it, aloof in a way that still looks good. His hair is even styled neatly, though a brown lock falls over his eyebrow as he leans forward and asks, “Lunch? The cafeteria is on the first floor.”

The man who had been sitting on his desk kicks him. “She’s asking you to go to lunch, dude.” 

“She’s not-” Vernon pauses and looks at you. “Are you asking me to go to lunch?”

“Yes.”

“Why?”

Your patience narrows to a tight smile, your words pinched between your teeth, “Because that’s what loving girlfriends do, sweetie.” 

The words land and have an immediate effect. Vernon flushes from the neck up, mouth opening and closing as he presses his palms against his thigh. The man who kicked him snickers and tries to hide it with a thinly veiled cough.

Your gaze narrows and he notices you watching, clearing his throat to stretch his hand toward you. “I’m Chan. It’s nice to meet… Vernon’s girlfriend?” 

You shake his head and say nothing, eyes drifting to the man leaning against the wall. He gives you a small salute. “Seokmin.”

“Oh.” You blink. “The puker?” 

His charming smile drops immediately as he looks at Vernon, smacking him on the shoulder. “You told her about that?”

“I didn’t tell her anything.” Vernon stands, shrugging away from both of his friends’ wandering eyes. “Sure, sweetie,” he answers you, giving you a plastic grin. “It’s your treat this week, right? At that very nice, very expensive steakhouse down the block.”

There’s a glimmer in his eyes that tells you Vernon will only play along if it’s by his rules. You’re at a disadvantage, so you grin and nod, willing to go by his rules for now. “That’s so right, darling. Let’s go.”

“Enjoy lunch!” Chan calls behind you as Vernon shuffles behind you, quickly trying to tuck his shirt. “Don’t do anything I-”

“Don’t finish that sentence,” Vernon warns, quickening his step to match yours. “Sorry about him.” 

“Don’t worry, I’ve got my own version of him sitting in my office.” 

The elevator ride down to the first floor and the walk out onto the busy street is silent. It’s not the comfortable, easy silence you might have with Seungkwan or Mingyu - if Mingyu could wrap his head around silence. It's awkwardly silent, both of you looking anywhere but one another. 

You don’t know where you’re going, but Vernon leads you to a Michelin steakhouse down the block, true to his word. You glare at him when you step into the dark entryway where a host with hair as glossy as Mina’s greets you. 

“Two?” You both nod and she grins. “Right this way.”

Vernon follows her first, shuffling behind her as she leads the two of you into the dining room proper. It’s a beautiful establishment with lacquered floors, rich wooden tables draped with fine tablecloths and the kind of glassware that looks like real crystal. 

When you both sit down with menus in hand, the hostess leaves you and you lean forward, hissing, “How much money do you think I make?”

“More than I do in IT,” Vernon answers breezily, eyes roving the menu. For a second, his gaze flickers to meet yours over the top of the menu. It’s the first time he’s really looked at you since you marched into his office. “Consider it an apology meal for the mess you’ve got us in.”

“Hey! You played along?” 

“You’re right, I guess I could have just super embarrassed you in front of your ex-boyfriend. That would have been very polite of me.” 

That stumps you. You open and close your mouth, feeling a bit like a fish. You suppose that’s fair - what was Vernon supposed to do when you’d grabbed him in the middle of a bookstore and staked your claim? 

Sighing, you lean back as your server gives you a moment of respite, filling your glasses with water and going over the specials. When they leave, you grab your glass and take several gulps of water, trying to cool your head. 

It only works a little.

“I didn’t know Minho was going to tell the entire world.” 

“Really? Minho has the biggest mouth at this company. You should see his Teams messages.”

“You can do that?” 

“On the clock?” He asks. When you shake your head, assuring it stays between you, he nods. “Yeah, we can see everything you do.”  

“Oh.” You think of all the terrible things you’ve searched on your work computer like how to get over a breakup and how to tell if my ex still likes me. “Anyway, I didn’t know he was going to say anything.” 

The server returns to take your orders. You order some sort of steak salad at random while Vernon orders something blessedly modest. As the server parts ways, Vernon leans back in his chair and looks at you again, expression unreadable. 

“Well,” he eventually says. “No harm done once you tell everyone we’re not dating.”

“Once I what?” 

“Well you’ll have to-”

“No way.”

“What?” 

“Do you know how embarrassing that would be?” 

He raises a brow. “More embarrassing than grabbing some dude in the bookstore and claiming he’s your boyfriend.” 

The air leaves your lungs and you melt into the seat, your misery showing. “I already said sorry.” 

“There’s nothing to be embarrassed about. Just tell everyone you broke up with me.” 

You snort. “No one would believe that.” 

“Why?” 

Instead of answering him immediately, you busy yourself unraveling silverware. It’s a hard question to answer, not because you don’t know the answer but because you don’t want to tell him. Vernon is quiet, though. Patient. 

He doesn’t press you for an answer, happy to wait you out until you’ve folded your napkin and placed it on your lap, and once again drained the rest of your water. It does nothing for your nerves as you fixate on a spot atop the table. 

“I don’t… date.” 

“You dated Minho.”

“Yeah. That’s uh… it. It’s kind of a running joke that I am undateable.”

He frowns at that. “Respectfully, I find that incredibly hard to believe.” 

“Thanks. I think.” You pick at a string in the tablecloth. “Anyway, no one would buy that I ended the first relationship I’ve had since Minho. I didn’t even end the last one and sort of clung to it in a way that was sort of embarrassing.” 

“I see.”

You’re unsure if he really does. When Minho had broken up with you, you’d attempt to make arguments to keep him around. Offered less work hours, even said you’d go to therapy to talk about your insane need for success. He hadn’t wanted any of it, and you’d eventually realized that he just… didn’t want you. 

They never did, when people realized what dating you entails. Everyone wants a woman who works hard. They like the illusion of it, the woman who gets up early in the morning and goes to workout before going to her corporate job and girl bossing all day long. They desire the woman who dresses fashionably, who wears designer tags and commands a room all day before coming home to make an effortless dinner followed by a luxurious night routine. 

And you get it. You want to be that too. But the truth is most days you wake up past your alarm and rush to the office wearing shoes that don’t match, and sometimes you come home so late and burned out from your job that you eat a handful of shredded cheese over the sink with a stick of beef jerky, only to do it all again the next day.

That wasn’t what anyone wanted. At least, not in your experience. 

“Anyway,” you clear your throat. “You’re right, or whatever. I should just tell them I lied. I’ve given worse news. Just you know - less personal.” 

For a few minutes, Vernon is quiet. You don’t look up to meet his gaze. Instead you watch the ice cubes in your glass melt, little beads of condensation zigzagging down the curve of your glass. 

A sigh makes you look up at Vernon. “What if we dated for like a month or something?” 

“What?”

“I don’t mean really date,” he offers quickly, sensing your surprise. For some reason, that stings a little. You swallow it down past the knot forming in your throat. “It’ll get people off your back or whatever and we can just mutually end things.” 

“Really? You’d do that.” 

He shrugs a shoulder. “I guess, yeah.”

“You can break up with me,” you promise eagerly, leaning forward with the new promise of a solution to your problem. “Everyone will believe it. Just say I work too much and I’m too obsessed with my career.” 

An uneasy gaze flickers in Vernon’s eyes. “It can be mutual,” he says firmly. “That way it ends nicely.”

“Fine. Everyone will think one thing anyway, you’ll get out without a scratch, trust me. Are you sure you’re willing to do this? I can… suck it up and tell everyone I made it up.”

“Do you really want to?” 

“No,” you admit.

“Then it’s settled.” He shrugs, heaving a heavy sigh. “I’ll give you a month and then we can mutually end things.” 

Sticking your hand over the table, you offer it for Vernon to shake. His mouth twitches a little as he smiles, leaning forward to take your hand. His is warm and softer than you imagined, enveloping yours firmly as he shakes. 

“Deal,” you smile, feeling a glimmer of hope. 

Just like that, Vernon (from IT) becomes Vernon (your boyfriend). 

Sort of.

-

Vernon doesn’t consider himself anxious. He’s never really dealt with anxiety, and there are only a few things that can make him nervous in the world. The few times he remembers being nervous were when he was in a bidding war for a limited edition Millenium Falcon model, in line at a meet-and-greet for his favorite band when he was sixteen, and when he lost his virginity to Carley Waters in his sophomore year of college. 

He’d won the bidding war and managed to not sound like an idiot meeting his idols, but he definitely came immediately after putting his dick inside Carley. Two out of three were pretty good odds, all things considered. 

Vernon is more nervous than all three of those events combined as he checks himself in the mirror for the millionth time. Usually, he doesn’t really think twice about what he wears to the bar on the weekend. He has fifteen of the same shirt in the same colors, and his jeans all look the same, even though he thinks they’re different. 

Now, though, he has the added element of you. He cannot recall a single time that you’ve ever agreed to go out with your work friends - and to your surprise, not his, you do have the same work friends - but tonight is different. 

Tonight, you’re supposed to be dating. 

It’s weird. Chan and Seokmin agree it’s weird. He keeps no secrets from them and had already told them about the encounter at the bookstore. They’ve sworn themselves to secrecy, though Vernon cannot fathom how they just go with it. 

She’s really hot, Chan had said after a few sips of beer. Fuck it, right? 

She’s the third most executive person in marketing, Seokmin warned. Be careful. 

Both are true. Vernon had acknowledged Chan’s point the first time he’d seen you in Information Technology a little over two years ago. You’d been dating Minho then and entirely untouchable - still are, kind of - and Vernon had been the only person at the office early enough to help you out. He’d been new then, and often came in the earliest to get started on the overload of tasks he was always given as the junior employee. 

Even then, Vernon thought you were the most beautiful person he’d ever seen. Sure, you had on mismatched shoes and there was a breathy chaos to you that would probably stress most people out, but he sort of liked it. Thought that it was different in a good way, and spoke to the sort of person who worked really hard and didn’t fake their way through the day. 

Vernon had realized Seokmin's point right after he’d learned Chan’s. As soon as he helped you login to your computer, he’d realized you were a Senior Manager of Marketing. Not a huge title in a company so big, but high enough that Vernon thought twice about his attraction to you. 

Now, both of their points are moot. You’re still attractive but that doesn’t really change the situation - makes it harder, even. Vernon had never really dreamed of an actual relationship with you and now that he’s found himself in a fake one, he’s not really sure what to do with the acknowledgement that he’s attracted to you. 

Worse is that he doesn’t actually know if he’s allowed to date you. Vernon is a senior coordinator in the IT department and you’re a senior director. Perhaps not in his department or directly overseeing him, but it’s a high enough position that Sekomin is right - it could mean trouble if this goes poorly. 

So why the fuck did he offer to fake date you for a month? 

As someone in Information Technology, most people think Vernon is smart. He doesn’t consider himself to be above average intelligence, and as he slides his sneakers on his feet to go pick you up for a night out, he thinks everyone is wrong about him - he’s fucking stupid.

Looking in the mirror one more time, Vernon decides it’s as good as it’s ever going to get. Jeans, a black shirt and a hat facing backward is all he really knows how to style. He shoves his keys in his pocket, a tiny vial of contact solution just in case, and grabs his phone as he heads out the door. 

Your apartment complex isn’t that far from his. He finds it with ease, surprised that you don’t live in one of those high-rise apartments that all the other executives live in. The apartment is pretty modest with only three floors and rows of respectable Toyota Camrys and Honda Civics. 

When he spots you coming down the stairs, his traitorous heart does that same little staccato it had last weekend when he saw you at the bookstore. He hadn’t expected to run into you outside of work and only panicked for a split second before he realized that you didn’t recognize him. 

And then you’d called him your boyfriend. 

Recovering from the memory of it, Vernon stares as you open the door to his car, flashing a tight smile as you slide in. He doesn’t know what he thought you might wear on the weekend, but he’s surprised to see you in jeans, a black form-fitted shirt tucked in, and a simple purse on your arm. 

“What?” You ask, a little breathless. He sees the sticky shine of lipgloss on your mouth and squeezes the wheel, fighting the urge to lean over and taste it. 

Insane, he thinks as he puts the car in gear. He’s gone insane. 

“Nothing. I guess I just thought you’d live somewhere nicer.” 

“Oh.”

Your shift in tone makes him realize how it sounded. “Sorry - not like that. I thought it would be somewhere really fancy. You’re a senior director and all that.” 

“I only got promoted a few weeks ago. And it was not a pay raise, trust me.” 

“Seriously?” You glance sidelong at him, pausing like you’ve said something you shouldn’t. His lips twitch and he says, “Not on the clock.”

That gets you to grin, leaning back into the passenger seat. “Only came with an office and title bump. I was already doing all the work of a senior director so they felt like they needed to bump my title to protect themselves, I think.”

“That’s kind of shitty.”

You hum. “Is it like that in IT?” 

“I think it’s like that anywhere.”

“Good point.” 

A comfortable silence falls over the car. It’s not at all like the awkward, stilted lunch the two of you had at the beginning of the week. He had been sweating through his shirt that time around, though you didn’t seem to notice. He’d been a little angry with you too, for getting the both of you into this mess. 

But… it had been his idea to help you save face. He didn’t have to. He didn’t owe you anything, and he believes you when you say you would come clean and admit you lied through your teeth. Maybe that’s why he offered to help anyway, your willingness to swallow the pain of embarrassment to relieve him of the facade. 

Library is a hole in the wall bar that Vernon and his friends from work like to go to on Saturday nights. It’s sort of a funny joke, a bunch of professionals from the publishing industry getting drunk and eating shitty bar food in a place named for the very buildings they dedicate their life to, in a weird, roundabout, mathematical way. 

Vernon has friends outside of work that come too, but tonight it’s just the usual crowd: Chan, Seokmin and Seokmin’s girlfriend, Mingyu and Soonyoung from creative, and some of the people from the sales team. The sales team is only there by virtue of Joshua, who is the only person from sales Vernon remotely tolerates. 

Vernon isn’t exactly sure what a sales team does at a publishing company anyway. 

When Vernon parks, he sees you take a deep breath. He averts his eyes, feeling like he’s intruding on a moment before you brace yourself and get out of the car suddenly. He makes a noise and panics to follow you. You’re already plunging ahead like you’re storming into battle, and perhaps in your mind you are.

He jogs to catch up. “Wait!” 

You stop, turning to face him with a dubious expression. “What?”

“We should walk in together.”

“Oh.” You blink. It’s a bit cute but Vernon shoves that down. “You’re right. Sorry. I sort of… set my mind to the task and forgot.”

“You can’t approach this like you approach work.”

“I can’t?”

He laughs. “No. Relationships aren’t jobs - so a fake one isn’t either. You have to try and appear like this is natural. If you come in all to-do list and checkmarking the boxes, it’s going to look weird.” 

“Oh.” 

The confidence you had a second before deflates. He feels a little guilty, reaching out to take your hand before he realizes what he’s doing. Your hands are cold in his but he doesn’t mind, wrapping his fingers in yours as you stare at him like he’s grown three heads.

Maybe he has. 

“We should walk in together. Maybe holding hands.” 

“Right.” You lick your lips and he tries to give you a smile more confident than what he’s feeling. His heart is hammering in his chest, both at the way your hand squeezes his nervously and at the preposterousness of it all. “You’re kind of good at this.” 

“I just have a different perspective.”

“The perspective of someone who knows how to date versus… whatever I am.” 

He hears the joke in your tone so he lets himself laugh a little. He starts walking, tugging you next to him. “Not exactly. I just watch a lot of movies, including romances.” 

“Really? What’s your favorite one?” 

“Uhhh.” He thinks about it as you both approach the door. He doesn’t answer for a second while he flashes the security outside his ID. “I really like The Proposal. With Sandra Bullock.” 

Instead the bar is filled with modern music at a reasonable level and small, wooden tables with chipped tops. There is nothing about the bar that actually looks like a library, save the single shelf shoved in the corner with beat up comic books and an insane amount of hentai that Soonyoung put there. 

“You mean the one where the boss fake dates her employee… and they work at a publishing company?” 

As soon as you ask the question, Vernon realizes the irony. He looks at you with a wide gaze, pausing at the entrance to look at you. Your mouth folds on itself, trying not to laugh as you too realize the irony of the movie. 

“Yeah, so that’s weird I guess,” he admits. He tugs on your hand. “Come on, we always sit in the back.”

You follow him wordlessly. The crowd isn’t big inside, but there are enough people that you have to shuffle a little closer to him. He catches the scent of your perfume - it smells like sweet tobacco and vanilla, something that is subtle with a little bit of spice. 

Turning around the corner of the bar, you see a wall entirely taken by booths with pool tables in the open space. Mingyu and Seokmin’s girlfriend are already fighting over the felted green as she points a pool cue at him, threatening. Seokmin is lounging in one of the booths, watching on with a dopey grin that makes Vernon roll his eyes.

Everyone else sits in in a variety of booths, an entire corner dedicated to the dozen or so of them who have made this their home for the last two years. Vernon keeps you close, feeling his hands go clammy when all the eyes turn to the two of you. Despite the rumor having spread far and wide, it’s clear that surprise ripples through the crowd at seeing evidence of your relationship. 

The fake one, that is. Naturally. 

Instead of going directly to the safety - or danger, in this case - of his friends, Vernon heads to the bar. He needs to take the edge off immediately, though he knows he can’t get too crazy. The drive home is short, but even if you weren’t in his car for the evening, he doesn’t like to tempt fate. 

Next to him at the bartop, you drop his hand to press your palms against the sticky wood. You make a face and he laughs before ordering a simple rum and coke. You order the same but with a lime and the bartender flashes you a charming grin.

Vernon glances at you and realizes you don’t even register the bartender. You’re chewing your lip and fidgeting, pulling at the sleeves of your shirt and shifting from foot-to-foot. A pang goes through him. 

“Relax.” You look up at him, eyes wide. “We’re going to do fine.”

“What if I fuck it up?” You ask, voice barely audible as you lean in. “They’re going to see right through me, Vernon from IT. They’re going to have one conversation with us and be like ‘no way is he dating that lunatic.’” 

“For starters, you’re not a lunatic.” You give him a look and he amends, “Not in the way that’s bad, anyway.”

“How do you know? We barely know each other.” 

You’ve got him there. The bartender comes back with your drinks and you take yours, draining half of it before remembering the lime. He watches you squeeze it into the drink while he contemplates his answer. 

“I guess I just have a feeling for these things. You don’t seem very crazy to me.”

“Thanks.” 

“And I guess I’m getting to know you, so there’s that.” 

You sigh. “Right.” 

“You’ll do fine. But maybe don’t call me Vernon from IT.”

“Right.” 

“Come on.” 

With wavering confidence, you follow Vernon over to the crowd from work. Everyone greets you warmly, though a little unsure. He notes the comments about being shocked to see you outside the four walls of your office, a joke you take in stride. 

It’s clear you don’t know how to interact with everyone at first. It’s not to say that you’re stiff or awkward, but Vernon can see the rigid set in your shoulders and the way your eyes follow the conversation but don’t actually contribute. 

You have an effect on others as well. For those who are a little more unfamiliar with you, they can’t seem to puzzle out why one of the higher ups is here guzzling down rum and cokes. And you are guzzling them down, carving a path to and from the bar at a rate that impresses Vernon. 

“How are things going?” Chan slips into the seat you just vacated to march to the bar again. “She seems surprisingly normal.”

“Why is that surprising?” 

Chan gives him a look. “She’s a suit.”

“I don’t think so,” Vernon laughs. “Trust me on that.” 

Chan hums unconvinced, watching you at the bar. “She’s nice, at least.”

“Very.” 

“Don’t fall in love with her or anything.”

“Weird thing to say, man.”

“Yeah, well. She’s attractive, nice, and no offense, a little weird. She’s exactly your type.” 

That makes him frown. “What’s weird about her? Also, would that be so bad?”

“She knew the radius of the sun and the verbatim definition of parsecs. I’m not answering that second question because I shouldn’t have to.” Chan claps him on the shoulder, looking over Vernon’s head. “She’s coming back, but seriously. Be careful.” 

Chan scoots away, flashing Vernon a look that makes the single drink Vernon has had sour in his stomach. Then you’re there, sitting down next to him, swaying a little bit. He smells sweet tobacco and vanilla, his eyelids fluttering for a second as you shift a little too close - or what would be too close, if you weren’t fake dating. 

“What’s that look on your face?” You ask, sipping your drink. He wonders if it’s appropriate to ask if you need water.

“What look on my face?” 

“You know, like-” You try to pinch your brows together and your mouth puckers downward. He feels himself smile and he shakes his head. “Sort of frowny.” 

“Nothing.” You look at him skeptically. “Hey, I have a question.” 

You pause, looking a little panicked. “Okay.”

“What’s the radius of the sun?” 

“Oh!” You visibly brighten and it’s like watching the sun spill over the lip of the horizon, all gold and liquid, warm and bright. “432,690 miles. Surface temperature is about 5,772 Kelvin.” 

Suddenly, Chan’s warning feels very, very real. Vernon tries to hide his smile, looking down at the table. Meanwhile, you start rattling off facts about the sun, not taking a single breath as you explain you memorized them from when you were working on the marketing for a line of textbooks about space early on in your career. 

Vernon lets you talk. Lets you somehow divert back to work, watching as you animatedly walk him through the process of what you do. How you think. It’s fascinating, and he’s not really sure how anyone else could find it tiresome, seeing the way you light up when you tell him about a project that Seungkwan’s team killed it on. 

Your pride is palpable, your energy shifting from unsure to confident. 

Suddenly, you pause, leveling Vernon with a hard stare. He says nothing, watching the way you drink him in, something beneath the surface of your gaze he can’t quite read. “Can I say something?” 

“On the clock?” he asks, grinning. You shake your head and he gestures for you to continue. 

“You have pretty eyes. I still like when you wear glasses, though. They suit you.” 

Yeah. Vernon thinks Chan’s warning is very real. 

-

Running in heels is hard. You don’t know how anyone manages to do it in movies. Not that you think anything that happens in movies is real, but you can’t imagine how they make it work for the scene. You nearly break your ankle three times on your sprint to IT and you’re sure you scare the daylights out of Chan when you come tearing around the corner.

You shout a greeting over your shoulder but don’t stop until you’re hissing Vernon’s name while rushing into his cube. He flinches, turning around to look at you mid-task. You’re heaving, putting a hand on your hip as you straighten, trying to suck down air. 

“Say no!”

He’s visibly confused. “To what?”

“Just say no!”

Before Vernon can ask you another thing, you hear Minho’s voice. Your heart thunders in your ribcage as you try to lean against the wall of Vernon’s cube, nearly missing it. You stumble a few steps and he catches you by the elbow, lightning quick as he helps steady you. 

When he drops his grip, the place where Vernon had held you moments before is warm. You try not to think about it, heart thundering doubletime as you watch Minho approach, a lazy swing to his step and a smirk on his face. 

“Funny I found you here!” 

“Why would that be funny? My Vernon - my boyfriend is down here.” 

From the corner of his eye, you see Vernon wince. You’re not doing a great job at keeping it casual, but you’re also still out of breath from sprinting down the stairs to beat Minho here and warn Vernon. Seungkwan had barely been able to give you the heads up that Minho was going to ask for a double date, and you simply couldn’t have that.

Even as you near the end of your second week dating - fake dating - Vernon, you’re unsure the two of you can get through a date with someone who actually knows you. Vernon might be able to give some details on the surface, but you dated Minho for a year - how could Vernon ever hope to keep up? 

Minho leans against Chan’s cube. Luckily it’s vacant of its usual occupant - Chan hates Mihno, as you’ve recently learned through a lunch with him and Vernon. 

“Glad I caught you together, then,” Minho says, though you think he’s not that glad. But what do you know? “I wanted to see if you were busy on-”

“Yes.” You flash him a too-wide grin with too many teeth. 

“I didn’t even give you the date.”

“We’re always very busy.”

“Ah.” Minho scratches the back of his neck and gives Vernon a look akin to sympathy. “Never has time, does she? Always all work, no play. I wanted to see if you guys wanted to go to dinner with Mina and I tomorrow night, but…” He shrugs. “Same old.”

You try not to let your exterior crack, but Minho’s words cut right through your outer shell to the softness of you. Without fail he manages to highlight this obsession you have with work, making it sound worse every single time. 

Behind you, Vernon shifts closer. You become acutely aware of him suddenly, warmth radiating from him as his chest presses against the back of your arm and his hand slips to the middle of your back, featherlight, like he’s afraid to touch you. He smells like ocean driftwood and salt, something that makes you think of warmer days. Fresh fruit. Cold water. 

Fighting a shiver, you freeze up, hyper aware of him. 

“Oh, I don’t know,” Vernon says gently. “She doesn’t work that much. She makes plenty of time for me.”

Minho’s eye twitches, the only sign he’s annoyed. As a trained salesperson, his tells are always subtle, nearly undetectable. But you know him inside and out, can see the sliver of annoyance there.

Satisfaction rules supreme, a smile tugging at your lips until Vernon adds, “We can make time for them, right?” 

You snap your head to the side, eyes meeting his. Vernon has beautiful eyes. You’d said as much the other night when you had a little too much to drink, staring up at him without his glasses. He looks good without them, but you like the way the frames sit on his nose, the way they reflect light against the liquid brown of his iris. 

Now, those eyes are staring back at you straight on. There’s something fierce in them, and though you barely know him, you have a sneaking suspicion Vernon is annoyed. Not with you but with Minho. 

Still… 

“Are you sure?” 

Your question is gentle. For a moment, you forget Minho is there at all. You’re looking at Vernon, trying to puzzle out why he would say yes to something insane again. It was lucky enough he’d offered to participate in this little charade to save your pride, and now here he is doing it again, unprompted. 

Vernon’s mouth twitches. He nods, hand pressing into your back a little firmer before he drops it away. You turn to Minho, who watches the two of you with a peculiar expression. “Alright,” you tell him. “It’s a date.” 

“Great. I’ll send you the details.” 

When Minho leaves, you turn to Vernon, the question on the tip of your tongue. He doesn’t give you a chance, shooting you a sidelong glance as he says, “Why is he always bringing up your work schedule?” 

You wince. Vernon either doesn’t notice or is nice enough not to say anything. Instead of answering right away, you sit on top of Vernon’s desk, feet dangling a little. He makes room for you, turning his chair to face you and give you his full attention. 

He’s dressed the same as always today, but you notice his shirt is ironed and tucked in neatly. Rubbing his brow, he slides his glasses up on his head, pressing his fingers along his eye sockets like they’re strained. 

“What kind of stuff do you do?” You ask instead of answering his question. You gesture to his multiple computer screens. “Besides help me figure out my passwords.” 

“Lots of stuff. It’s mostly small things like remoting into people’s computers to help them solve their issues. I spend a majority of my day showing people how to unmute themselves on their virtual meeting software.” 

“Do you like it?”

He shrugs. “It’s got a rhythm to it that I like. I like having a to-do list every day and I can pretty much always know what to expect.” 

“That does sound nice. And you can spy on everyone’s messages right?”

He raises his brow. “On the clock?” That makes you smile and you shake your head. “I could, but I don’t. There are a ton of people who forget us and HR can see all their shit, though.” 

“Ooo like what?” 

He sucks in air through his teeth, “Man, I don’t think I can tell you.”

You can tell he’s teasing and you scoff, kicking out with your foot toward his knee. He dodges you easily with a playful grin. “Come on!” 

“I’ll tell you off the clock. Real off the clock.” 

“Fine. Speaking of - are you busy tonight?” He raises his brows in question. “We should probably meet up and try to flesh out some details of our uh… relationship. I know some things about you but not a lot. Like, when is your birthday?”

“February 18.” 

You slap your hand on top of his desk. “Vernon! That’s super soon! Are you doing anything for it?”

“Nah. I don’t ever want to make a fuss and it's close to Valentine’s Day so sometimes people are doing things retroactively.” 

You hum, displeased with the answer, but you file it away for later. “So are you free tonight?”

“Yeah.”

“Cool, you can come over to my place. Do you like pizza? You have to like pizza, right? You’re a boy.”

“A lot of boys like pizza, yes. Specifically me.” 

“Good. Seven?” 

“Seven.” 

-

A knock at the door makes you look up from your computer. It takes a second for your eyes to adjust, the light outside the office windows long fading with the setting sun and the only other source the salt lamp behind you and the burn of the safety lights in the main cubicles.

Vernon leans against the door frame, resting his head against it as he peers at you. For a second, you forget about everything except the way he looks leaned against the frame, his glasses perfectly perched on his nose and hair soft with wear from the day. 

Then, you lurch with realization, gasping and looking at your watch. “It’s seven.”

“It’s seven,” he agrees, laughing gently. 

You bolt from the seat, groaning and grabbing things to shove in your bag. In the process, you knock over a cup and a curse flies out your lips. He pushes off the door, walking over to help you tame the chaos. 

“Easy,” he admonishes. “All good here, don’t panic.”

“I’m really sorry. I got stuck working through this media plan that someone asked for and I completely lost track of time.”

“It’s okay.” 

The panic welling up inside you calms down as you look up at him. Vernon says nothing further, picking up your cup and righting the pens that you’ve knocked over. His movements are casual, straightening the things on your desk until he’s satisfied and steps away. 

You prepare for annoyance, for the same expression you’re used to when you’re late to an event or have missed a thing, when you’ve yet again lost track of time holed up in your office and yet… Vernon just gives you an easy smile and a shrug.

No annoyance. No judgment. Just… Vernon. 

Perhaps tenfold isn’t so bad. 

“It’s not pizza, but there's a tiny little bar a few blocks down that I really like. They serve food.” 

“Yeah?”

He nods and hesitates. “It’s… themed, though.”

“That’s okay. I like a theme.”

The theme in question isn’t so much of a theme as it is an entire franchise. You stand in the doorway of Cantina Far Away, mouth parted as you drink in the sights and sounds of the Star Wars themed bar. 

A circular bar sits in the middle of the small establishment. There isn’t a ton of room to recreate the iconic corner of the world where you were first introduced to Han Solo as a kid, but there’s just enough to make the magic work. 

Kegs and other apparatuses hang from the ceiling of the stone top bar. Lights track underneath the bar top and in the ceiling, giving the dim illusion that it’s permanently dusk inside. Small, round tables fill the main space, with three booths lined against the back wall. An R2-D2 replica stands beside C3-PO in the corner, and a familiar soundtrack plays through the sound system.

“If you want to go somewhere else-”

“Do they have blue milk?” 

Vernon pauses. “What?” 

You look up at him, grinning. “Do they have the blue milk?”

“They have something on their menu like that, yeah. I don’t know what it is.”

“I always wanted to drink the blue milk as a kid.”

“Alright.” He gestures to the bar, which is mostly empty. “Let’s get you blue milk.”

Popping up on a stool, you can’t help but crane your neck upward to look at the bar from this angle. It truly looks like every part of it was taken from the movie set. You run your hand atop the bar’s surface to realize it’s actually wood that looks like stone, marveling at the smoothness. 

Behind the bar, two bartenders move in sync, dressed in Jedi robes. When they approach, you both order the blue milk - you, because you demand to know what it tastes like, Vernon, in solidarity. 

Vibrating with excitement, you turn to look at Vernon. “When I was a kid, watching Star Wars was one of the few things my mom and I got to do together.” 

“One of the few things?”

You nod, clapping your hands excitedly when the bartender brings you whatever concoction the blue milk is. It comes in a tall glass and is clear, baby blue and frothy at the top. Leaning over, you take a whiff. It smells vaguely coconutty and you narrow your eyes, leaning forward to take a tentative sip.

Coconut rum hits your tongue and you cringe. Vernon does too, making a face and sticking his tongue out as he immediately shoves the drink away from him. You laugh, not even caring that you hate it. It tastes nothing like you expected and you don’t really like coconut, but it strikes a nostalgic chord. 

“My mom was a single parent and worked really hard at a law firm,” you eventually answer, taking another sip and cringing. Vernon orders something more generic - a rum and coke for you both. “But she always made time on the weekend if I really wanted to do a Star Wars marathon and she took off work for all the prequel releases to take me.”

“That’s cute. My mom was really into it too. Want to know a secret?”

“Yes.”

“My first name is Hansol. A little inspired by Han Solo. I prefer to go by Vernon with everyone who isn’t my family, though.”

That makes you smile. “I like it, though. Your mom has good taste like mine. Think they’d be friends?”

He blushes. “Maybe.” 

You realize how forward of a question it is. You avert your gaze to your blue drink, sipping it and grimacing. Vernon chuckles and says, “You don’t have to drink it.”

“I don’t have to do a lot of things but I do anyway.” 

“Hmm. Like what?” 

“Ugh. I don’t know? Attend meetings all day?”

“I think you do have to do that.”

You scrunch your nose. “Alright, fair.” 

“Tell me about your job.” 

You glance at him, brows raised. “You want me to talk about work?”

“It’s obvious you like what you do, and by the sounds of it, working hard runs in the family. Tell me what you like about it.” 

That makes you sigh as you push the ice around in your glass. What do you like about your job? Well, you like a lot of things and you hate a lot of things. So you start listing them, telling Vernon that you like the routine and you enjoy having a rhythm to your day. You like feeling proud when you can solve a problem no one else can, or when you lead your team through chaos and they look at you like you’re a god who showed them the way.

You like that you can be an authority in the room but you don’t feel like a dictator, and that now when you talk, people listen. Your team is your favorite, loving the way you and Seungkwan work in tandem, and the way the creative department likes to pick your brain. Mingyu and Soonyoung are always asking for your feedback, even if your opinion doesn’t matter in the hierarchy of their world.

The dislikes though… well, you dislike that you never have enough time in the day. That you’re always in a meeting and feel like you leave your team drowning in work picking up the slack. Hate that you get time blindness and sit in your office for hours past dinner to get something right, to get something perfect.

Hate that because you like what you do, everyone thinks you don’t have a life or don’t want a life. And that leads you to the center of the entire issue with your relationship with Minho. 

You pull away like you’re approaching a particularly purple bruise when you near the topic of Minho. Your blue drink is gone and you order something more normal instead. The coke and rum sizzles on your tongue as Vernon looks at you expectantly. 

“I’m doing all the talking,” you mutter, a little defensive. “What’s your favorite color?” 

“Blue.”

“What kind of blue.” 

“Blue like that very nasty milk you just drank.” You stick your tongue out and Vernon smiles. His smile is like a burning star at the center of a solar system, glowing and bright and warm. It gives life. “What’s yours?”

“Deep red. Like… wine or burgundy. What’s your favorite movie?”

“Ah, not that question. I’m a bit of a cinephile.”

“Too bad. You have to pick one.” 

Vernon thinks about it. The tip of his finger traces the condensation of his glass lazily and you hyperfocus on it, watching the way he catches the bead of liquid every time. He has nice fingers, you realize. The thought makes you clench and suddenly wonder if you need to walk out of the bar down to the church to confess the sin of your mind.

Not that you’re religious, but maybe you should be, with where your mind has wandered. 

“I like The Princess Bride.”

You gasp, grabbing him by the wrist and shaking it excitedly. “My name is Inigo Montoya. You killed my father, prepare to die!” 

Vernon’s laughter is infectious. You both fall into a fit of giggles, quoting your favorite parts of the movie. It’s nice - this is nice. It’s unexpected and you’re a little unsure how you got here, but Vernon makes the pressure of getting to know one another in preparation to fake date in front of your ex fade away.

Until, of course, you remember that’s why you’re at the bar and the thought suddenly sobers you. 

Straightening, you ask, “Why’d you want to go on a double date, anyway? You don’t owe me that.” 

“He seemed kind of smug. I thought it was annoying.” 

You hum, studying him. “It’s a bit risky. I dated him for a year… if there’s anyone who knows anything about me, it’s probably him.” 

“I can always just hack into your data and learn everything about you.” You stare at him, mouth opens. His grin grows. “I’m kidding. I mean I probably could but I’m not a hacker.”

“Are you sure? You’re a bit suspicious, Vernon Chwe.” 

“Hansol.” You frown in confusion. His tone is gentle, eyes soft when he murmurs, “You can call me Hansol. You know… to make it um. Seems legit.”

“Hansol.” You try out the name, liking the way it fits on your tongue. His eyes are dark and you feel like you could fall into them - you kind of want to. “Hansol. I like it.”

Maybe you don’t need to go to that church to beg for forgiveness after all. What you think you need might be divine intervention to stop the butterflies in your stomach when you say his name, or the nervous shake in your hand when you see him smile. 

Not Vernon (from IT) but Hansol. 

-

Hansol (from IT) is late when he picks you up. For once, you’re just glad it’s not you. Your heart beats a little faster when you see him pull up in his nondescript, black RAV4. He waves through the window when he sees you, a shy smile on his face as he reaches to turn down the music. 

Inside the car smells distinctly like Hansol - driftwood, salt, a little bit of the air freshener that has long since dried but still sways under his rearview mirror. He looks good tonight, dressed in ripped jeans, a black shirt and a black leather jacket. He’s sans glasses, and though he looks good, you miss them a little. 

Hansol without the glasses is a little intimidating. Especially this version of him that grins when you settle into the seat next to him, his brows slightly raised as though to ask if you’re good. When you nod, his grin tilts upward again and he puts the car and drive, one hand on the steering wheel, the other on the gear shift tapping to the beat of the music. 

It feels like you’re radiating nervous energy, but you relax as Hansol asks about your day. He’s good at that, eliminating whatever weight is sitting on your shoulders or whatever residual stress you’ve got from work. You don’t feel so… well. On the clock. 

The thought makes you squirm in your seat, pulling the edge of your dress down your thighs a little. You picked it out as a last minute choice, unsure whether you’re trying to dress to impress or dress to show you don’t care what Minho thinks of you.

Hansol notices you fidgeting. “You alright?”

“Kind of nervous.”

“Any reason in particular?”

You blow out air, your head smacking against the headrest. “On the clock?”

“Off,” he says with a grin.

“I feel like I’m going to fucking blow it.”

“How so?”

“What if he asks me to kiss you?”

The words are out before you can stop them. It isn’t until you’re met with silence that you realize what you’ve said. You’ve certainly stuck your foot in your mouth on more than one occasion. You do it often, and quite wonderfully, truthfully. It has taken years of practice to stop flubbing presentations and pitches at work, but that doesn’t mean you don’t say insane shit.

Like right now, when you tell Hansol that of all the things you’re nervous about, the very slim, tiny percent of a chance of being asked to kiss him is at the top of the list. 

And yet, because it’s Hansol, he grins and says, “Damn, Minho’s a freak like that? He likes to ask people to kiss so he can watch?”

Just like that, the tension eases. You laugh, hand flying your mouth to try and suppress it. His eyes are on the road, but they glitter when you catch a glimpse of his face in the headlines, flashing from dark to liquid gold for a split second. 

“Okay,” you admit, laughter dying down. “He’s definitely not going to ask that. It’s just one of those irrational fears, especially with him.”

“Why especially?”

“I feel like he’s always trying to prove that he was right when he broke up with me. Or I guess, in general. He loves being right and sometimes it’s like he’s trying to force a gotcha moment.” 

Hansol is silent as he turns into the parking lot. You say nothing, watching as he navigates to find a parking space. The restaurant is busy and there’s a valet, but Hansol is determined to find his own. He does - very close to the entrance - letting out a happy noise as a car backs out.

Car in park, he turns to look at you. “Can I say something? Not on the clock.”

Your heart skips a little. “Sure.”

“Minho is an asshole.” You smile, looking down at your hands folded in your lap. “And you’re going to get through dinner just fine because he’s an asshole, and you’re not.” 

“Are you sure?”

His laugh is full. “I’m actually pretty confident in this. And if he does ask us to kiss, you have my full consent to lay one on me. Come on.” 

You wish you felt as confident as Hansol seems. He slides out of the car easily, coming around to your side as you get out. He reaches out a hand almost instinctively, waiting for you to grab it. You look at him in surprise to find that he looks equally stunned at his own gesture. 

Grinning, you take his hand. It’s warm in yours and he gives you a squeeze as you drop your linked fingers between you, walking toward the establishment like a real couple.

It feels real. You’re not sure what to do with that. The sudden realization of it churns in your stomach as you approach the dark interior of the steakhouse, immediately hit with a romantic ambiance that feels far too big for this tiny thing brewing inside of you. 

Twelvefold? How many times have you suffered since that first day you ran into Hansol at the bookstore? You think it might continue through the evening, especially when he glances over at you on the way to the table to check on you, hand tightening for a split second. 

As soon as you spot Minho and Mina, you’re glad that Hansol has a steady grip on you. Mina’s glossy hair is nearly blinding under the glow of the soft lighting and her smile is brighter still. You almost want to shield your eyes as they wave you over. 

Neither of them seems to know if they should stand and greet you or what the protocol is. Good, you think, happy to see them as off kilter as you feel by this very weird and very unnecessary dinner date. 

Why had Hansol agreed to do this again? 

“She keep you late?” Minho asks Hansol, immediately reminding you why Hansol had said yes in the first place: he seemed kind of smug. I thought it was annoying. “You’ll get used to it!”

“Actually, it was me,” Hansol answers smoothly. He pulls out your chair for you, startling you again. You try to fein admiration - it’s not hard - and sit, looking up at him with a little bit of awe. Hansol sits, adjusting his seat so that it’s a little closer to yours. “I was working on an infrastructure request and lost track of time.”

That seems to shut Minho up for a moment. Then he laughs his businessman laugh and you wonder if it’s always sounded that way, hollow and fake and… well, annoying. “Damn, so you’re both like that?” 

“Yep.” Hansol leans back in his chair, stretching his arm so that it rests over the back of yours. He doesn’t explicitly touch you, but you feel the warmth of him radiating like a furnace, a shiver snaking through you at how close he is. “Works well for us.” 

You try not to frown. He’s not going to make it easy for your fake breakup. You’d assumed that you’d tell everyone you just didn’t have time for him, but with the way he’s talking to Minho now, you’re worried it’ll make the impending breakup a little less believable. 

“That’s good, then,” Minho says eventually. “Just don’t schedule any vacations or you’ll both miss it.”

“I never did that,” you scowl. 

Before he has time for a rebuttal, the server is there welcoming you to the restaurant. You shift in your seat, feeling irritated. Hansol senses it, the tips of his finger brushing against your bicep as if to tell you it’s okay. You relax, but only a little, still frustrated. 

Again, you can’t help but feel like your faults are being exacerbated, like Minho is drawing them up to be far grander than they really were. You had missed some dinners and cancelled on some things, but you’d never gone as far as to miss a vacation or a birthday - never the big things. Never the milestones. 

If the server can tell the energy at the table has shifted, they don’t let on. They pour glasses of wine that you let Hansol order while you’re spiraling in your head, and leave with the promise of coming back to take orders when the table is ready. 

It’s Mina who restarts the conversation, glancing at Minho who sucks down the entire glass of wine in a single go. “So,” she says. “What is it exactly that you do?”

“Careful with that question,” Minho jokes. “She’ll talk to you about work for hours.” 

“Which is what makes her good at her job.” Hansol’s voice is even. Smooth. Almost severe, a tone you’ve never heard from him before. Tension ripples from him for just a moment before he looks at you and smiles. “Her job is very cool.”

Unlike her blockhead of a boyfriend, Mina seizes the chance for normalcy and asks, “Marketing, right?” 

Mina (with the glossy hair) is really nice. You like her almost immediately and strangely enough, you’re glad she’s there. Minho is like a stormcloud at the edge of the table, a little pocket of pressure that everyone can feel but tries to ignore. 

Hansol makes your fake relationship look effortless. You have to mask your surprise when he recounts a detail about you that you didn’t expect him to know, or makes an observation that has you warming, ducking your face to hide the smile tugging your lips. 

You know little things about him too. It’s almost like you weren’t aware until you’re saying them, all the small things about him bubbling to your lips like an instinct. 

“He’s such an Aquarius!” You laugh, finish the rest of your steak. “The IT department is full of them, even and they’re all so effortlessly cool and have different interests. Hansol has the coolest case full of Star Wars collectibles and-” 

“Hansol?” 

Minho’s question catches you off guard. You blink at him a few times, confused until Hansol interjects, “That’s my legal name.”

“Damn. Should we be calling you Hansol?”

“Nope. Reserved for my mom and my girlfriend.” 

“Wow.”

Minho sits back and observes the two of you. The plates have been cleared away for the evening and the glasses of wine have dwindled. You’re a little sleepy, ready to go home, but the appraising look in Minho’s eyes as they flicker back and forth between you and Hansol has you on edge.

Hansol seems unbothered, finishing his water. His arm rests against your back properly now and you almost melt when his fingers start to trace a pattern on your arm, almost absently. You’re so acutely aware of him that you’re nearly vibrating, telling yourself over and over again that this is just him committing to the bit. This isn’t something to overthink. His touch is for show.

You don’t want it to be for show. God, you don’t want it to be, but you try not to let it unravel right now, instead finishing your water under the heavy and calculating gaze of your ex-boyfriend, who, over the course of dinner, has made you realize you are so grateful is your ex. 

“Huh.”

“What?” you ask, voice coming out a little more challenging than you intend. He has that look on his face like he’s trying to figure something out, like he’s trying to position himself in a way where he’s not wrong. 

“You guys are really together.”

That makes you stiffen. Hansol’s fingers go still on your arm. “What do you mean?”

“You just didn’t really seem like you were dating at the bookstore. It didn’t even seem like you knew who Vernon was.” 

“It was still new,” You lie. “I also wasn’t expecting to run into you both. That’s all.”

“I guess. Just… find it surprising, I guess. Figured you’d never have time for someone.”

It’s Hansol who says, “She has plenty of time for me. Speaking of time, it’s time we head home. I have to finish up some stuff for work tomorrow and she just finished an insane project and deserves some sleep.”

Again, Minho seems thrown for a loop. You could get used to seeing him like a fish out of water, trying not to let an evil smirk take over your face when Hansol beats everyone to the check. 

There is an edge to Hansol’s movements. You observe him quietly, noting the way his mouth is pinched at the corners and the way his eyes darken when he looks at Minho. But when he looks at you, it’s like the world stops. Hansol’s eyes soften and his lips turn up at the corner, a gentle smile for you.

Only you. 

You’re fucked. You’re fucked fucked fucked and it’s nearly all you can think about as dinner wraps up and Minho and Mina thank Hansol for paying. You want to smack him for offering to pay for the insanely expensive bill, but he takes everything in stride.

Outside, it’s a little cold. Hansol shucks his jacket off immediately, wrapping it around your shoulders while giving Mina some sort of computer advice that goes over your head because all you can focus on is the way Hansol smoothes the jacket over your shoulder, his hand dropping to your waist to keep you close.

You’re dizzy with it. Dizzy with him. You can’t recall a single time you ever felt this affected by Minho, much less anyone else. Despite having two glasses of wine, you know it’s Hansol and not the wine that has you buzzing. Hansol who has you warm, Hansol who makes it feel like there’s static in your brain when he glances at you to make sure you’re still okay after you’ve gone silent. 

Hansol gives you a quick smile and turns to say farewell to the other couple. You’re happy to say goodbye - though perhaps you should have asked Mina her haircare routine - and you wave as Hansol leads you into the parking lot, fingers intertwined.

He turns to you, making you look up at him. “I’m going to kiss you,” he murmurs, barely giving you a warning. “Unless you say no.” 

“I - okay.” 

There is the barest of smiles on Hansol’s face before he leans in, pressing his lips against yours. It’s brief and gentle, so quick that you barely register he’s kissed you at all. He’s already pulling away when you blink, nearing his car as he does. 

“He was a dick,” Hansol explains. “And he was staring at us when we left. So. Let him question what’s real now.” 

Minho isn’t the only one questioning what’s real. You’re hung up on the kiss, despite it being nothing more than a peck. Your mouth is warm, thoughts spinning as Hansol helps you into the car. You say nothing, completely consumed by the feel of his mouth, the smell of driftwood and salt, the barest taste of wine. 

The drive home is quiet but not uncomfortable. Hansol’s hand grabs yours instinctually over the center console, fingers tied together loosely as he drives. But there’s no one to perform for her, no one to show off too. No one who needs convincing. 

It’s just you and the burning desire for him bubbling up inside of you.

You’ve lost count of how many folds you have suffered, but somehow, this one is a little less worse than the others.

-

Hansol cannot stop thinking about you. He’s pretty sure the last time he had brain rot this bad about another person, it was Larcy Dodsen in his senior year of college who had blown him to heaven and back. He’s had better (and worse) blowjobs since then, and doesn’t really think of Larcy Dodsen ever anymore.

But you. You. 

You occupy every corner of his mind. He wavers back and forth between thinking about the way you smell or the way you laugh (a little reedy, but cute) and thinking about how bad he fucked up by kissing you that night. 

Things aren’t exactly weird. The very basis of your relationship - or lack thereof - is weird. He’d agreed to be your fake boyfriend for a month, but with zero terms. No contract outline. No do’s and don’ts. No guidelines. No rules. No regulations. Just an agreement and a fucking dream. 

Now, he’s wishing he had something to go off of, because what started out as an agreement to help someone out has turned into something else entirely. 

Chan was right. Hansol is desperately trying to hide that fact from his best friend, but the way Chan side-eyes Hansol at lunch when he stares off into the distance, he thinks that the younger  man might be onto him. 

It doesn’t help that Hansol is buried in Help Desk tickets the weekend following kissing you, and you’re six feet under in a pile of projects. It isn’t until he goes a few days without talking to you multiple times that it’s occurred to him how much he texts you during the day. 

Hansol finds himself checking his phone again at lunch, swearing that he felt it vibrate. This time, Chan catches him, putting down the fork and clearing his throat to gesture at the phone. “So it happened, right?” 

“What?” Even Hansol winces at his own defensiveness. “I can’t check the time?”

“Do you check the time three times every five minutes? I know you can do math.” 

“Just checking to see how her presentation went.”

Chan laughs and crosses his arms over his chest. “Right. So it did happen.”

“You’ll have to be more specific.”

He doesn’t. Chan knows it. Hansol knows it. Chan gets more specific anyway. “You like her. As in, you have feelings for her after… well. This weekend will make it a month. So wouldn’t that be your deal coming to an end?”

Hansol wants to think about anything other than that. “Everything is fine.” 

Chan holds up his hand, a white flag. “You’re an adult. You can do what you want. Just make sure you know what she wants too, is all I’m saying.” 

And that’s the crux of it. Hansol isn’t sure what you want. He assumed that you just wanted to get through this month and your fake breakup, but now he’s not so sure. He thinks of the way you’d look at him during dinner last weekend, the way your expression gets dreamy with a soft smile, eyes glowing. 

Hansol doesn’t think he made it up - his creativity is good but not that good. He had been so sure that you felt something too, swears that you melted into him every time he touched you, every time he turned to check in on you.

And the kiss… it had been brief and born from wanting to rub it in Minho’s face, but Hansol had wanted to do it, too. Wanted it for himself. Wanted to allow himself a single, greedy thing. You’d been surprised but leaned into him, almost instinctual. It had been so short but it haunts his dreams, the phantom press of your mouth keeping him up late at night. 

Even now, Hansol’s fingers trace his mouth, as though he can remember the feeling of your mouth against his. So maybe Chan is right. Hansol likes you - has feelings for you. There is a lingering sense that you might too, but he’s not sure. 

He needs to be sure. 

Finding a window to make sure, is tough, though. He only hears from you once throughout the rest of the day, and it's to shoot him a quick text that the presentation was moved to Monday and that you have to work all weekend on it. 

He feels more disappointed than he lets on. He wonders if you remember his birthday is on Saturday. Not that you owe him that since you’re not actually dating, but in a perfect world Hansol thinks it might have been a good day to tell you how he feels. That he kind of wants to make this thing real. 

On the bright side, you do remember his birthday. On the shitty side, he can’t spend it with you. You’re working on your presentation for the foreseeable future, and Hansol had hesitated to make plans with his friends knowing some of them were celebrating Valentine’s Day late with their partners and because he’d hoped to maybe spend it with you.

It feels stupid, thinking about it now. Of course you weren’t going to spend it with him. He knew what this was when he offered to do it. You were a bright burning star at the top of the company, and Hansol had been someone you barely registered. 

By the afternoon, he’s still sullen. He’s thinking about just spending the evening eating pizza and playing video games online where he’ll get bullied by a bunch of high schoolers when he hears his phone ring and your name flashes across the screen.

Hansol’s heart soars. He all but throws the control across the room, diving to pick up the phone and answer, “Hi!” 

“Please don’t hate me,” you rush out, completely out of breath. “I am panicking right now. My work laptop randomly got the blue screen of death and I’m in the middle of my project and-”

“I’ll come look at it.” He cringes, realizing how down bad he is. It’s his birthday and he shouldn’t have to work, but he’d rather come solve a problem for you than have a bunch of thirteen year old’s tell him that they’re fucking his mom. “I can come over in fifteen.” 

“Oh! Uh… can you make that twenty?” 

Weird. “Sure?” 

“Great! Text me when you’re here and I’ll give you the unit number.” 

Twenty minutes ends up being perfect, because Hansol goes through the mental anguish of what to wear, which is new for him. He showers as quickly and efficiently as he can, hopping with one leg in his jeans and the other missing the hole multiple times. He nearly runs into the wall as he’s pulling on a band tee over his head while also looking for his flannel. 

Hair still damp, he pulls on a hat and twists it around backward, grabbing his glasses because he doesn’t feel like wearing contacts (and because you said you liked them) as he barrels out the house, radiating with nervous energy. 

Hansol wonders if it’s appropriate to tell you how he feels today. It will be face to face but… no. You’d sounded stressed on the phone and he knows how important this presentation is for you, despite not knowing what it’s about. 

He barely remembers the drive to your apartment, blinking and realizing he’s parked and texting you that he’s there. You give him directions to your unit and with shaky hands, Hansol turns off the car. He takes a few steadying breaths before getting out and heading to the stairs, his heart hammering with each step. 

When he finally gets to your door, he double checks that it's the right one. His hands shake when he knocks, and he has to remind himself several times that he’s just here to fix your computer. Sure, he’s thrilled that he gets to see you, but this is on the clock. Not off.

You’re breathless when you open the door. “Hi!” You say a little too loudly. He raises his brows but you open the door and step aside, ushering him in. “Come on in.”

Hansol gives you an amused grin as he walks into your apartment. He’s confused as to why it’s completely dark, a question that he’s about to ask you as you shut the door, but you flick on the lights and he’s met with the world’s loudest shout of surprise he’s ever heard.

He flinches, hand flying to his chest in terror as the lights flood on and Hansol realizes that the reason they were off is to hide the obscene amount of Star Wars decorations covering every part of your apartment. He can’t even picture what your home is supposed to look like, just that it’s covered in streamers and paper Luke Skywalkers and RD-D2s, and filled with familiar faces.

Hansol’s mouth pops open as the crowd screams at him. Chan and Seokmin are at the forefront, phones in hand capturing Hansol as he stands there, dumbfounded. Soongyoung and Mingyu are blowing through noise makers with so much force that the paper on them breaks, and Seungkwan is leading an off-key rendition of happy birthday with Hansol’s friends you’ve never even met.

Slowly, Hansol turns to look at you. You’re standing behind him, hands clasped nervously and tucked under your chin as you watch him, terrified. You’re chewing on your lips, entire frame vibrating with energy. 

He wants nothing more than to walk over to you and kiss you stupid. The flame of desire that licks through him is borderline impossible to tamp down, staring at you like the eighth world wonder as you slip over to him, scanning his face.

“Surprise?” You squeak.

“You did this for me?”

“Well, yeah.” 

You say it like it’s the most obvious thing in the world. He wants to pin you against the island counter behind you, but it’s fill with food and beverages and blue fucking milk. “Is that okay?” you ask, suddenly nervous. 

Hansol softens and starts to laugh. “Yeah,” he shakes his head. “It is more than okay.” 

Before he can say anything else, the crowd of people crashes into him. Seokmin and Chan are screaming in his ear, grabbing him and yelling for shots. Mingyu and Soonyoung are chanting his name and his best friend from college manages to squeeze in and give him a hug and a birthday greeting.

How did you even know Minghao existed? Or how to contact him? Hansol has no idea, but before he can ask you any questions about the how or the why, he’s swept into your kitchen for birthday celebrations he thought would never happen, orchestrated by the single person he wanted to see most. 

Fuck was Chan right more than ever. 

-

The thing about being a bad liar is that you found it nearly impossible to hide what you were doing from Hansol. The thing about everyone thinking you’re always busy, is that it was an easy facade to shield the sheer stress of trying to plan a surprise party for him. 

Your apartment is filled with more people than you’ve ever dared to let inside. It makes you a little nervous for all of these people to see this new part of you, but with a little bit of rum and the released pressure of Hansol looking like he’s enjoying himself, you decide it’s worth it. 

Squished in the corner of your couch, you watch as Chan leads a game of cards that he is losing very badly at. Most of these people in your apartment are casual friends, with the exception of Seungkwan who is playing DJ in the kitchen, but they’re all friends that Hansol would want at a celebration for him.

At least, that’s what Chan and Seokmin said. Recruiting them had been pretty easy, but during the process of them helping you plan this, you’re pretty sure they’ve caught on to the AT-AT Walker-sized elephant in the room: you are very much into their friend. In a very Not-On-The-Clock appropriate way. 

Now, you watch as Hansol makes his way over to you, dodging people who stop to talk to him. He seems pretty determined to reach you, clapping someone on the shoulder and moving them aside to continue his journey to you. 

Your stomach flips when he sits on the arm of your couch, perched perfectly next to you. He looks good today, dressed in jeans, a soft looking tee and a flannel. The backwards hat does wonders for you - which you will not be psychoanalyzing now - and his black frame glasses. 

“How did you do all this?” He asks, shaking his head in wonder. “I just… what?” 

“It wasn’t easy, but it worked, right?”

“Is this the presentation you’ve been working on all week?”

“Yes. Please don’t be mad at me for lying.”

He laughs. “I couldn’t be mad at you if I tried.” 

An argument breaks out over cards, Chan and Mingyu yelling at each other about someone cheating. Hansol winces at the noise and you scoot a little closer to avoid the deck of cards Mingyu throws in Chan’s direction.

“Is there anywhere quiet we can talk?” Hansol asks, though he’s laughing at them. “They’re giving me a bit of a headache.” 

You grin. “For sure.” 

Getting up, you lead Hansol down the hall to your bedroom, which is off limits to the rest of the party. The good thing about adult festivities is that no one is a weirdo about going into rooms they shouldn’t, staying exactly where it’s appropriate to be. 

Shutting the door behind you, the noise of the party dies down immediately. It’s dark in your room, save for the single lamp burning in the corner at a low setting. You realize it’s a bit messy, apologizing to Hansol as you kick clothes out of the way. You hadn’t intended on bringing him in here, and suddenly the implication of Hansol standing in your room tingles down your spine. 

“I, uh-” You stammer, looking at him. “Sorry it’s a mess. I didn’t intend on anyone seeing this.”

Halloween yowls, getting up off your bed. Hansol makes a surprised sound and you apoogize again, “It’s just Halloween. He likes to sleep in here. Out, kitty!”

You open the door and Halloween bolts out, going to find Seungkwan who will give him snacks. 

Hansol grins and wanders over to the bookshelf, looking over the titles. You take a few steps to follow him but keep your distance, suddenly very nervous. He points his finger at a title and looks at you, inviting you to step closer to read it in the dim light. 

You recognize the title - you’d bought it the day you’d crashed into him and got some of your books mixed up. 

“This one one of the books you accidentally swapped with me,” Hansol notes, running his finger along the spine. You zero in on his finger - his hands, in general. They’re pretty. You swallow hard, looking up at the ceiling instead. “Have you read it yet?” 

“Not yet. I started one of the others but I’ve been having trouble breeding - reading lately.”

Hansol presses his lips together in a flat line and you can tell he’s trying not to laugh at you. Warmth floods your face and you want to die on the spot, especially when he turns to face you head on, leaning against your bookcase. 

His eyes are dark, drinking you in. Your pulse skyrockets, thinking about that quick kiss he had given you the other night. It’s all you’ve been able to think about, too afraid to ask him if it was just for show and too busy trying to plan this party to work out what to say about it.

Now, alone in your room, the questions fizzle on your tongue at the nearness of him. 

“Thank you,” Hansol says eventually. “For planning this. I… would never have expected you to do that.”

“I wanted to celebrate you.”

He blushes, ducking his head. “It’s sweet. It did make me nervous, though.” 

“Why?”

“I thought you were avoiding me, kind of.”

You blink. “Why on earth would I be doing that?”

“Thought that maybe I took it too far with the kiss.” 

“No. You didn’t.” 

Hansol’s gaze falls on you. It’s razor sharp and there’s something there, burning just under the surface. You swear it’s something like desire, but you’re too afraid to name it. Too worried that it’s just what you want reflected in his glassy gaze, and not his. 

Then, “Did I not take it far enough?” 

The question hangs in the air. You cannot hear anything but the pounding of  your own heart. It’s just Hansol in this dark room with you, looking at you with exactly the same hunger that’s been churning in your gut. 

You don’t know when this hunger started. All you know is that the last few weeks, it’s been there. Every time you look at him you feel it ignite, the desire so raw that you don’t know what to do with it. 

Now, you know he feels it too - see it, in the way he waits for your answer. Patient. Calm. Steady.

“On the clock?” You ask, voice shaky. He shakes his head no. “You could go further.” 

That’s all Hansol needs. He’s gentle when he reaches for you, cradling your face in his hands. You barely get to suck in a trembling breath before he’s kissing you.

This kiss is entirely different from the peck he gave you in the parking lot last weekend. This kiss steals the breath from your lung, his mouth confident and sure as he slots his mouth against yours. He smells like the sea, all driftwood and salt and his lips taste like the tangy drink he’d been sipping on earlier.

Everything else fades to the background. Your hands twist in his flannel. It’s soft, but nothing compared to the softness of Hansol’s tongue as he licks at the seam of your lips. You let him in and he groans, pulling you in impossibly closer as the kiss turns more desperate.

You melt. He kisses you hungrily now, sucking your tongue into his mouth. It makes your head spin, the party long forgotten as you press further into him. The bookshelf wobbles under the weight of both of you leaning against it, making you break, both of you panting.

Hansol’s mouth shines with your spit in the low lamp light and you have the urge to lean forward and lick it. You resist, only for him to give into his urge. He leans forward, tongue pressing to the corner of your mouth gently. 

“What about now?” he mumbles, voice muffled against your mouth. “Too far?”

“No.”

He makes a sound in the back of his throat, hands dropping to your waist. You let him grip you, backing you up toward your bed. It’s a bit clumsy but you don’t care, hands looping around his neck to keep him close.

“Tell me what you want,” Hansol mumbles. Your knees hit the bed and you let yourself fall backward. He follows you, caging you in with both of his planted on either side of your head. “Tell me how far you want me to go.” 

“On the clock?”

“Fuck no. Nothing I want to do right now is on the clock.”

“Good. I want you to go as far as you want.”

He drops his mouth to your neck. A moan slips between your lips when you feel his tongue scrape across the soft skin of your throat. He sounds strained when he says, “You gotta tell me, baby. I need to know what you want.”

“You.” It’s the most honest thing you’ve said all month. “All of it. Everything. But for real.” 

Hansol nods. He presses messy, wet kisses up your neck, along your jaw, stopping at your mouth. His nose nudges yours and he smiles against your lips, giving you a chaste peck. “You’ve got me. For real.” 

Grinning, you slide your hands underneath his shirt. He moans, throaty and delicious. He twitches under your exploration but he lets you brush your palms up the warmth of his stomach, reaching around until your hands are gripping his lower back. 

His mouth attaches to yours again. The kiss is messy and addictive, Hansol filling your senses as he lowers himself so that his weight is rested on top of you. It’s comforting and wanted, your knees squeezing his hips to hold him in place. 

One of his hands leaves the mattress to drop to your hip, squeezing before he scratches his nails against your thigh. You shiver, feeling the stimulation through your jeans. His hand slips under you, gripping the curve of your ass to lift you a little, pressing you closer to him.

A moan slips through your mouth to his when he rolls your hips against him. The stimulation isn’t remotely enough but you like this version of Hansol. His touch is confident, his lips intentful as they leave a trail from your mouth to your collarbone. 

With one last squeeze to your ass, Hansol traces his fingers over the tops of your thigh to drop between your legs. He presses his fingers to the apex of your thighs, working you through your clothes. You let out a desperate sound and you feel the way he smiles against your skin. 

His touch sparks a flame. You tear at his flannel, peeling it from his shoulders. He helps you get it off of him but he’s just as eager to peel you out of your jeans and shirt. A deep curse leaves his mouth when he sees you in just a bra and underwear, your chest heaving as you pant, staring up at him, mouth swollen and tender. 

Reaching for him, you grab the hat and throw it. “Hat is very hot,” you admit. “But I wanted to do this.” 

You slide your fingers in his hair, curling them through the strands to tug him back to you. He smiles into the kiss, tangling his tongue with yours. His hand skims up your thigh, fingers leaving a trail of goosebumps as he goes until he slides his hand back between your legs.

A gasp leaves you as he presses his fingers back to your cunt, pressing the fabric into your aching clit. He whispers a string of curses when he feels how damp you are, resting his forehead against your shoulder for a moment as he teases you over your panties.

“Please,” you whisper, hips rising off the bed. “Want more.”

“Mhmm.” He lifts his head and gives you a quick kiss to the cheek. “I’ve got you.”

Hansol doesn’t make you beg. You like that about him. Your breath catches when he drops to his knees, reaching his arm up to pull the back of his shirt over his head, tossing it. The sight of him between your knees in just jeans, his hair mussed and mouth swollen is enough to make you dizzy.

You prop yourself up on your elbows, watching with hooded eyes as Hansol grabs you by the calves, spreading you a little more. His hands are gentle and warm, rubbing up and down while he takes his time pressing a myriad of kisses up the right side of your inner thigh. 

It feels so good. Your lashes flutter a little, breath coming in quicker. Everywhere his mouth touches tingles, a little path of buzzing electricity as he makes his way closer and closer to your heat until he switches sides.

You make a sound of protest and Hansol looks up at you through his lashes, grinning. He looks smug, leaning forward to bite your thigh playfully. It stings but it feels good, making your fingers twist in the sheets. 

“Feel good?” he whispers, pressing his tongue to soothe the sting. You nod, mouth parted, unable to speak. He smiles again, dragging his tongue down your thigh. You think you might die right there. 

Hansol makes his way back up. He drags his burning gaze up to meet yours, deliberately making eye contact as he presses the flat of his tongue against your underwear. If it wasn’t soaked before, it is thoroughly drenched now. You suck in a sharp breath, knees closing on instinct to squeeze against his shoulders.

He chuckles, dragging his tongue upward where it presses against your clit momentarily. He brings one of his hands up, pressing his middle finger right against your hole. You feel yourself clench around nothing and you know he knows, his grin wicked. 

"What do you like?"

"I... don't know."

He looks at you, pausing. "You don't know? Like what makes you come?" You shake your head and realization lights his eyes. "That jackass didn't make you come, did it?"

You shake your head and he groans.

“Don’t worry,” Hansol promises with another languid lick to the soaked fabric. “I will make up for all the times you didn’t get to come.” 

“Fuck.”

Vernon (from IT) has been replaced with Hansol (the Menace). He hooks a finger in the crotch of your underwear, pulling them to the side. He drags a knuckle against your pussy on purpose, both of you groaning in unison. 

Eagerly Hansol leans forward, giving you a teasing lick. Your fingers dig into the mattress anyway. You can do nothing but stare at him, watching the way Hansol drags his dark eyes up to watch you as he drags his tongue through your folds again. 

“Shit,” you hiss at him, a shiver wracking your body.

He seems pleased, shooting you a quick smile before he brings his mouth to you again, sucking gently. He avoids your clit at first, working you up slowly. Hansol eats you out like he has all the time in the world, like there’s no where he would rather be than tonguing your pussy. 

It drives you mad, his name slipping from your lips in little gasps. His tongue circles your clit, applying pressure indirectly, working you up and up until finally, he closes his mouth around the throbbing bundle of nerves, suckling. 

“Ohhhh,” you laugh, half delirious. “That. Whatever that is.” 

He hums, parting only to say, “You got it.” 

You see God when he fastens his mouth to you, sucking your clit gently. Dropping back against the bed, you twitch and gasp under Hansol’s ministrations. He sets a rhythm, adding his fingers to the mix as they press against your entrance. He doesn’t push in, but rather traces a pattern, making you squeeze. 

Panting, you drop a hand to his hair. He hums in delight as you tangle your fingers in the strands, bringing him closer to your cunt. You feel like you’re burning up, your sheets sticking to your skin, the room spinning as Hansol eats you out in earnest now. 

No one has ever seemed this dedicated to your pleasure. He doesn’t let up for a second, fingers and mouth working in tandem to bring you to a cliff of insanity. All you have to do is jump and dive head first into an orgasm. 

You do. Hansol works you right to the very edge and you topple over, falling into it hard. You go taught but he holds you down, fighting your spasm as you come hard. He doesn’t miss a beat, the obscene sounds of him slurping at you drowning out the pitiful, high pitched whine that leaves you. 

In a wave of exhaustion, your orgasm subsides. You flop on the bed, still shaking as he removes his mouth in favor of pressing slick, cum-stained kisses to your thighs. You lift your head and his eyes meet yours, flashing wickedly. 

He pauses, looking at your wet, messy cunt back to your face. “Want a taste?”

Hansol (the Menace) is going to kill you.

You nod and he smirks. He runs his tongue generously up your pussy, making sure to dip into your entrance just a little before he stands up and leans over you to press a filthy kiss to your mouth. You suck at his tongue greedily, tasting yourself and him, a combination you’ll never get tired of. 

One of his hands snakes up to your chest, tweaking a nipple gently, testing the waters. You nod, breaking the kiss with a gasp, “Yeah.” 

“Gonna work you open with my fingers,” he slurs. He kisses down your neck again, working his way to your chest. “That okay?”

“More than okay.” 

“God,” he whispers. “You sound so fucking good when you come. Want to hear it again.” 

There is no doubt he will. Hansol rids you of your bra before returning to suck greedily at your chest. Your nails bite into his shoulders, dragging down his sides as he presses a finger into your warmth. 

“God damn,” he laughs. He plucks at a nipple with his teeth and you curse. “You’re so fucking wet.” 

“On the clock?”

“Fuck no. My finger is in your pussy.”

“I am really turned on.”

He gives your other breast a playful bite. “Good. Now I want you to come apart on my fingers.” 

That won’t be an issue. Hansol gets you there embarrassingly fast. He finds the sensitive spot inside of you with ease and doesn’t hold back, pressing another finger in. He works you toward another orgasm like it's easy - and maybe for the both of you, it is. Maybe Hansol was meant to have you like this, gushing around his fingers and babbling nonsense as you come again, his mouth pressed against your hammering heart. 

Maybe he was meant to have you fucked out and light-headed by the time you’re helping him out of his jeans, sliding his briefs down his muscular thighs to free his cock. The tip is dark and sticky, weeping with precum when he pins you to the bed, catching you in a bruising kiss.

Gone is the patient Hansol who had started with gentle kisses to your thighs, replaced by his need to have you. To consume you. You let him, willing to let him do whatever he wants. You want his pleasure just as much as he wants yours, slipping your hand between your bodies to palm his cock, heavy and warm in your hand.

He whispers your name and it sounds like a prayer. His forehead presses against yours, letting you pump him slowly. His hips twitch as though he’s fighting to control himself, letting you have your fun before he growls and grabs your hand, lacing your fingers to pin above your head. 

Hansol scoots you up the bed, putting you where he wants you. Gone is the sweet guy from IT, replaced with whatever this is. You like this side of him equally, listening to him when he asks you to lift your hips so he can slide a pillow under your ass.

With a kiss to your brow that feels sweeter than the moment allows for, Hansol lifts your leg, prying you open for him. His cock is heavy against your cunt and he ruts a little, making you both whine in tandem. 

“You still want this, right?” He asks, voice shaking. “For real?”

“Yes.” You squeeze the hand he has laced with yours, pinned to the mattress near your head. “On the clock. Off the clock. Literally all of the hours.” 

“What if I refuse to change your computer password?”

That makes you laugh. He gives you a glowing smile, kissing the tops of your cheekbones. “Even then,” you promise. 

“Good. Try breathing for me when you come this time.” You give him a look and he smiles. “Did you think you were done? I told you I was making up for lost time.” 

He doesn’t give you a second to retort, his cock pressing in at that exact moment. “Ohhh you fucker,” you moan and he laughs, which makes things worse. You squeeze around him hard, barely breathing as Hansol slides in to the hilt, the pressure and stretch divine. “You did that on purpose.”

“I did,” he admits before trapping you into an uncoordinated kiss. 

With one hand holding yours to the bed and the other sliding under your ass to help lift you with the pillow, Hansol sets a slow pace. You continue to kiss him, just as slow as he fucks you. He is deep, cock brushing against your g-spot on every upstroke. 

Your free hand slides to his lower back, urging him to keep going. His tempo is measured, perfect, the angle of his hips just right. You start to feel insane, mumbling his name, whining between kisses, making a pathetic noise when he increases his pace. 

Hansol fucks like he knows exactly how you like it. Of course he does. Even from the moment in that bookstore, he had you figured out. No one else has been able to adjust to you like he has, no one else has been able to understand - to see you. 

“Fuck,” he hisses when you start squeezing on him for harder and longer. He’s pushing you toward that edge again, so close you’re already seeing stars. “Pussy feels so good.” 

He shuffles up the bed more, folding you a little. You make a wild sound, gasping as the angle pushes his cock in deep. “Holy shit, Hansol.” 

“That the spot?” he asks, and you nod. He starts fucking you in earnest, pace picking up. “God damn I could do this all day.” 

“Keep doing that and I’ll let you.”

He laughs and kisses you again, all tongue and teeth. You start to spasm, feeling the way your muscles clench as you near your third orgasm. This one is tight in your stomach, a pressure that is so compact you feel like you’re going to combust.

“Breathe through it,” he reminds you, out of breath as he chases your high. “You can do that, yeah?”

You nod, saving your breath for when he tells you to use it. 

A few more hard strokes and you’re doing exactly as instructed, taking in a deep breath as your orgasm hits. You see white, shaking underneath Hansol as the warmth of your high blooms in your lower stomach and expands. It’s better than the first two, stretching longer, the feeling reaching to your toes. 

You manage to breathe all the way through it, barely hanging on as he fucks you through the entire length of your high. He presses his mouth to your temple, slowing his pace to let you recover. You feel melted, like your bones and muscles have all gone on vacation, leaving Hansol to do the work for you.

“Good?” he asks, breath fanning your face.

You nod and wrap your arms around his neck, pulling him close. “You,” you mumble. It’s not a complete sentence, but he gets what you mean, kissing you quickly before chasing his own high, gritting his teeth. 

As spent as you are, you do your part to help him get there, squeezing with what strength you have left, whispering his name, pulling him in close with a leg around his hip. It works, sending Hansol over the edge and spilling into you within a few seconds. 

He curses into your shoulder, pace turning sloppy until he finally stops, hips pressed to yours, cock sheathed to the hilt. Both of you stay like that, trying to catch your breath in a sweaty pile of limbs.

Hansol recovers first, shifting so that he can lay next to you. He pulls out, a mess of cum and fluid going with him. You don’t care, rolling to your side to kiss him slowly. Softly. He rests an arm over your hip, keeping you connected. 

“This is a great birthday,” he jokes, voice hoarse. “I uhhh, forgot there was a party. No one will think we’re fake dating now.” 

You grin. “Whatever. We’re not on the clock.” 

He kisses you again. “Thank god. Cause I really want to do this again in fifteen minutes.”

You smile, really glad that Hansol (the Boyfriend) is on the same page as you.

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[wispstalk]

"you can just sell her firewood to make her marriageable" listen. Read too much into an obscure one-note NPC with me for a minute. Of course Gilfre Mixwatermill thinks the dragonborn chopping wood is the hottest thing she's ever seen. All her workers left to go die in a war or whatever. Her only neighbors are giants, whose herds are threatened by goddamn dragons. And she goes on running the mill by herself bc people still need boards and shit. World's ending, but we all gotta make a living.

You happen by and need some travel money, so you put in a day's labor. After all that hard work, you can crash in the old workers' house but it's been empty for a while, it's a wreck, maybe the animals have been at it. You're already tired from slaying the dragon that encroached on her neighbors. You need a good night's rest before you move on, because there's another dragon waiting half a day up the road. Too bad tho. You're not gonna get any sleep, because Gilfre Mixwater Mill has invited you up to her house to get your back blown out.

And of course she has! Maybe because you're the propecied savior come to deliver us all from the end times, but mostly because you did some work to keep her mill going. And you were sweaty and shirtless and grunting like a fucking bear about it. Who among us would deny that, I ask you.

I know we love to joke about bethesdas ~environmental storytelling~ bc of all the skeletons with nearby books on How To Become a Skeleton, but they are good at it sometimes. Her fucking environment!!!!!!! bethesda give me a new game I can't keep living like this

[mokishy]

Diomedes is not so fundamentally different from his father.

I HAVE DELIVERED

After months of dragging my feet, I finally fished it! (in 4 hours holy shit) and I'm kinda proud of it, but this is probably also the product of my excessive overthinking, but with not further ado, let's begin!

Let’s start with the basics: Tydeus was known for being a wild, out-of-control warrior. His rage was legendary. Diomedes? On paper, he’s the golden child: loyal, calm, respectful, chosen by Athena herself.

But that image of diomedes comes crashing down the moment you dig deeper into his character

On the surface, Diomedes is framed as the “better” version of his father, Tydeus: more disciplined, more strategic, favored by Athena instead of punished by her as stated previously. The Achaeans respect him (not so much leave the poor boy alone let him have his moment instead of comparing him to his father), the gods empower him, and Homer seems to elevate him as the model warrior.

But as i said, when you dig into the text, really look at what Diomedes does, how he fights, how he speaks, you start to see something much deeper and darker: he's not all that different from Tydeus at all when you think about it.

Reading the iliad but focusing on diomedes character its as if he’s constantly on the edge, just barely containing something

he’s a machine of destruction. He slaughters Trojans left and right, wounds Aphrodite without hesitation, and goes after Ares, the literal god of war. He only stops when Apollo himself tells him to back off—and even then, he makes a move again before finally being shut down.

That kind of divine defiance? That’s Tydeus-level rage. It’s just masked under a sheen of Athena’s wisdom and a more calculated cool. Diomedes may wear the face of the perfect Homeric hero, but there’s a savage streak that echoes his father’s madness, just barely held in check.

In the iliad book 10 dio and ody sneak in trojan teritory they catch dolon a trojan spie

Odysseus promises to spare him if he gives them info about the trojans and man sure does he spill

After that? Diomedes decapitates him.

He doesn’t just kill Dolon (after promising to spare him,) he slaughters him, strips him, and then goes on a joyride of death through the enemy camp. When they find Rhesus and his Thracians, Diomedes doesn’t blink—he kills twelve men in their sleep. And then he wants to keep going, like it’s not enough. It’s only when Athena, again, steps in and essentially says, “Okay, calm down now,” that he stops. In this book with Rhesus and the Thracians, Diomedes is already done. He’s already got what he came for. But instead of retreating, he chooses to kill—because it’s not about necessity. It’s about the desire to keep going.

And what’s so chilling about this is how pointless it is, tactically. After Dolon gives them all the info, they don’t need to go murder a dozen men. Diomedes chooses to. He gets no kleos, no divine reward. he doesn’t need a prize. The violence is the prize. He just does it. Because he can.

it’s explicit in the language Homer uses. Diomedes is in full battle ecstasy mode. described as moving like a lion among sheep, grinning and glorying in the chaos. he doesn’t just kill efficiently.

He revels in it.

He likes it, he thrives on the battlefield, and he enjoys bloodshed

"And the son of Tydeus, Diomedes, was glad in his heart as he struck down the men." Iliad book 5

"Glad in his heart" That phrase ("χαῖρε δὲ θυμῷ") pops up in a moments of sheer war ecstasy. It’s not just duty or valor—it’s joy. And when you see it describing Diomedes mid-slaying spree? That’s not your clean-cut hero. That’s a man dancing on the edge of madness.

it’s not just duty. It’s pleasure.

This illustrates how Diomedes isn’t just acting out of obligation not out of practicality, not out of necessity he’s relishing in the kill. It’s not just about the heroics or strategy; there’s an almost primal enjoyment in the violence itself.

The fact that he “was glad in his heart” tells you how far this man is from just being a noble warrior. He’s got that bloodlust burning inside him, and there’s an undeniable thrill in the destruction. It's scary how much he enjoys others suffering.

It’s clear that Diomedes, despite his noble status and divine favor, has that same chaotic, destructive edge his father Tydeus had—it’s just barely held in check.

That bloodlust? That JUST SCREAMS tydeus the difference?: Diomedes knows how to leash it. He’s not the monster his father was; he’s the tamer of that monster within himself. That restraint is what elevates him from being another brutal warrior into something greater: a true hero who chooses to remain in control, even when the thrill of violence is right there.

In fact, the only real difference is that Diomedes is simply better at pretending he’s in control. He puts on the face of the noble hero, but underneath, that same wildfire of rage, that same lust for blood, is burning—just like it was in Tydeus.

Diomedes doesn’t just embody the traits of a Homeric hero—he tests their limits. He walks a razor-thin line between earning immortal kleos and crossing into the kind of reckless savagery the gods despise. The same rage that drives his heroism threatens to tip him into hubris at any moment; and he gets away with it every time.

What makes Diomedes so compelling and so chilling is not that he lacks the ferocity of his father but that he’s better at hiding it. Tydeus is obvious in his rage; he makes no effort to conceal the monster he is. Diomedes, on the other hand, knows how to perform the role of the ideal hero: the noble warrior, the obedient champion of Athena

He’s not more virtuous—he’s just more strategic. He doesn’t kill less, or more cleanly, or even more justly. He kills with the same savage delight, but with the awareness to pull back just before he crosses a line that would cost him divine favor or mortal admiration. This ability to pretend, to wear a hero’s mask while feeding the same destructive instincts as Tydeus hiding the underlying madness behind that mask, makes Diomedes the more dangerous figure. Tydeus may have lost control; but Diomedes hides his control so well, it’s easy to forget what he’s controlling in the first place.

What makes this ironic is that Diomedes, despite all his bloodlust and near-madness, still (in some versions), gets the immortality that was denied to his father. Tydeus, who couldn’t contain his violent nature, ended up punished by the gods; he was denied the eternal glory he craved. Diomedes, on the other hand, dances on the edge of divine retribution, right there with him, and yet, he walks away with not just divine favor but immortality itself.

He’s not Tydeus 2.0.

He’s Tydeus 2.0 with better self-control

And honestly,

I think he kinda fooled all of us

[raven-at-the-writing-desk]

So I saw a post on twsttwit that had me wondering. They were talking about what would have happened if Malleus had come along in the Ghost Bride event, would he have passed Eliza’s test (Someone made a valid point how Mal would pass the physical part of the test, but not the singing, dog, etc. based on where he his social knowledge was at the time)? Would he have gotten slapped? What would have happened if he HAD gotten slapped? etc.

I’m mostly interested in that last question, like, we have voice lines & dialogue from Mal how he’s intrigued by people who aren’t afraid of him (Yuu, Ace), but being poked and spoken back to by someone you know (even if vaguely) is completely different than being FULL ON ASSAULTED, by a STRANGER no less,💀 so would he rain down lightning on Eliza (Justifiably so)? Or at least be caught off guard by her boldness? I highly doubt her slap could freeze him, that’s for sure.

What’s your opinion on what would happen?

I've actually written dialogue for a "what if" the remaining NRC boys attempted to propose to Eliza! I'm really proud of how it turned out, so please take a look at it if you're interested ^^ Malleus is, of course, also included.

Let's compare Malleus to Eliza's requirements (assuming that Malleus would be allowed to fake-propose to her):

At least 180 cm tall ✅

An air of nonchalance ✅ (Malleus is generally pretty standoffish and stoic, or at least has those vibes initially.)

Healthy, lustrous skin ✅ (If pale ass Idia meets this criteria, I am assuming Malleus does too.)

Lidded eyes ✅

A charming smile ✅ (If Idia’s “creepy” smile counts, then so does Malleus’s smile attempts that look more murderous than friendly.)

Bright, shimmering hair ⚠️ (Well… his hair isn’t bright per se, but I guess you can argue it must be well-kept since he’s a prince? He has a royal hairdresser and all.)

Lips so arresting that you just have to kiss them ✅ (Malleus is canonically considered pretty, so I’m giving him this pass.)

Sings with her ⚠️ (Malleus might be caught off-guard by the singing, but he might catch on and sing with her. This is because he does appear to be musically inclined, playing string instruments and singing to others in book 7. Some fans even theorize music is a way he expresses his love or something he associates with love, as this was how his mother soothed him when he was still in his shell.)

Owns a dog ❌ (The only way I see Malleus passing this is if he misunderstands and tells Eliza the name of some random NRC gargoyle.)

Combative abilities ⚠️ (Malleus is very strong, yes—but Eliza seems to expect her prince to slay monsters with swords?? Malleus is more familiar with using his magic or raw strength, not tools. She might view this as crass or improper, seeing as she smacked Jack for saying he’d use his fists.)

Plays an instrument ✅ (Strings!)

Understands how to converse with others; does not talk about random people/things she doesn’t know about ⚠️ (Malleus is a prince, so he must know proper etiquette and such. However, he is much more socially awkward and unaware of social faux pas among peers. Additionally, he does get out of control when he fixates on certain topics (gargoyles, the difference between dragons and longs) and can talk for HOURS at a time about them.)

Chases after her when she flees ✅ (This one’s up to personal interpretation, but I can easily see Malleus just teleporting in front of her.)

Is poetic ✅ (I can see it! Especially with how he speaks about gargoyles www)

Does not speak crudely or threaten her ⚠️ (Malleus doesn’t speak crudely, but he’s not exactly unfamiliar with making threats to those that are impolite to him.)

Doesn’t come across as fake ✅ (He’s not an underhanded schemer unlike some of his peers, just a little mischievous.)

Takes things seriously ✅ (See: Endless Halloween Night, which was just a minor issue but he still acted.)

Not cuter than the bride ⚠️ (Debatable, I guess 😂 depending on how you view Eliza versus Malleus)

Doesn’t use her as a test subject for poisonous flowers the absolute bare minimum ✅ (He’s not J word 😭)

As you can see, I don’t believe Malleus meets all of Eliza’s demands. I think that’s supposed to be the point though? She’s meant to be unreasonable and hard to please.

I think Eliza would have still slapped Malleus. I don’t like how… OP he is without any repercussions (it makes any conflict he’s involved in lack stakes because Malleus is expected to easily overcome them). In my own headcanon, Eliza’s grief and lingering regrets overpower Malleus’s magic. I do think he’d be mad in the aftermath of the slap and attempt to rain down lightning as punishment though.

While it’s true that Malleus is intrigued by people who aren’t afraid of him (Yuu, Ace, even arguably Rollo), he doesn’t always react this way. It’s very context dependent. For example, many Magicam Monsters expressed zero fear of Malleus and were very rude toward him when he asked them to respect Ramshackle dorm. Malleus became furious and tried to attack them, only stopping when Lilia and Silver intervened. Malleus similarly becomes angry with Lock, Shock, and Barrel for their unruly behavior and probably would have killed them if not for Leona interrupting and reminding him that this would poorly reflect on Malleus and his nation. Rollo technically also falls into this category, since Malleus was initially mad at being deceived and wanted to get revenge on him. It wasn’t until the final confrontation with Rollo that Malleus admitted he was experiencing fear for the first time + at the post-battle masquerade where he was relatively cordial with Rollo. In all of these cases, Malleus was enraged by people who were not intimidated by him and sought to “deal” with the nuisances in extreme ways.

I definitely see Eliza falling into the same category as Lock, Shock, Barrel, Rollo, and the Magicam Monsters. They all disrespected Malleus in some way, so he’d probably react poorly to that and retaliate.

[muffinsin]

think we could get some headcanons for daniela being a lesbian with comphet? it’s one of my favourite headcanons for her, and i’m interested to see how you’d portray it

Awhh, that’s a cool prompt! I hope I can do it justice👀!

Let’s get into it :)

Masterlists

Growing up with a lesbian mother and around women only, Daniela isn’t clueless about different kinds of sexualities

She’s always been encouraged to be herself, to take what she wants, to embrace who she is

She’s always been supported and always got to explore

That being said, she found out about her attraction to women quickly

Lucky, in a castle full of women, really

And she found love, often, in the many centuries she’s lived in the large castle

Having had countless partners in her life, she sometimes can’t quite shake off a certain feeling, though

Not always, only sometimes

Only when she’s alone, when the feeling can creep up on her

Like, she has to be missing something

She doesn’t fully understand

It’s not quite like in her books, which she loves to read so dearly

Of the Prince and the Princess, the castles and gardens and balls and gowns and flowers, of dances and joy and desire

And love and marriage, children

She yearns for love

It’s been so very long since she’s been with someone…

Despite being rather confident in her sexuality, there are certain- times…

Years- centuries even- of reading and getting lost in her favorite fairytale-like books have her feel…odd

Like something is wrong

Missing

The nasty feeling sometimes creeps up just after reading, her mind full of the scenes in the book, princes and princesses, happy together

She didn’t think she’d be attracted to men. No, no..!

It just, sometimes, feels like something she’s simply supposed to feel

Her fairytale prince, sweeping her off her feet

Romancing her, marrying her

It just feels like something that she has to do

Something she’s supposed to do

She’s so confused, spending restless minutes throughout the day and restless nights alone in her room, contemplating how she feels towards man-things

Sometimes, she almost feels attracted to the fictional men in the books

So loving, so caring, such princes

Only do these feelings not transfer to real men

She doesn’t want to be with them

But- is she not meant to? Is this not her happiness?

But..men? No, she can’t. She doesn’t want to

When looking at them, she doesn’t find them attractive, often even objectively

When one occasionally finds his way into the castle, she doesn’t originally find him attractive, any of them

At least, not from the start

Not until she hears whispers among the staff, features pointed out, attractive traits made apparent

Then, she almost feels like she sees them the same way

Poor Daniela and her delusions, so confused about life

Poor Daniela just doesn’t understand;

She throws herself at each intruder, even the men, imagining a happy life, marriage, kids-

despite being unable to have them

- just like in her books

Yet…she doesn’t want a relationship with one

Almost like she’s in love with the thought of one

The thought of happiness…

She finds herself pulling back when they pay attention to her though, slaying them fast before her own thoughts and insecurities can overwhelm her

She doesn’t like them

And despite her odd occasional fantasies, the reality is utterly undesirable, no matter how often she attempts to force herself into the standards set by the books

Then, suddenly guilt and insecurity washes over her

Times when she’d lay whimpering in one of her older sisters’ beds, her back rubbed and stroked, her hair played with as tears fall from her eyes

They can’t help, but they can hold and comfort her as she cries, they can tell them of their lives and loves

They reassure her, she’s still young. She rolls her eyes

She’s hardly the young woman they make her out to be. Still, the delusional woman will forever be their baby sister, it seems

Somehow, it’s comforting. After all, time could help her

She just doesn’t understand…!

Why is she like this?

What’s wrong?

Is she not into women only? She doesn’t understand, and Bela and Cassandra and Mother just can’t help

She’s a lesbian, she’s so sure

She doesn’t want a relationship with a man. She wants a woman. Her love. Her touch

She shivers uncomfortably when a man-thing attempts to convince her to offer her the same

But those odd occasional thoughts…

Aren’t the books her way to find happiness?

Everyone is so very happy in them

And they lived happily ever after, in each of them

When she’s with her lover, all is good

She loves them, always, so dearly

And the women always make her feel so loved in return

Alas, it never lasts

Somehow, fate always finds a way to take them from Daniela, at times even being particularly cruel and causing poor Daniela to kill them unintentionally, even

She doesn’t understand

Maybe she won’t

Maybe time will cure her strange thoughts, she wonders

Maybe she will find a lover that won’t leave her

A partner

A wife

[cascanora]

Been really into Witcher lately, playing TW3 and reading the books! I love putting Crow and Zenos into AUs I enjoy, so for this one he's a witcher and she's a sorceress.

(Crow) Vorona aep Thordain — Headmistress of Vicovaro's medical academy and famed sorceress, she holds a highly respected seat among the advisors of Nilfgaardian emperor Jan Calveit.

She is a woman of fearsome prowess of both magical and political persuasion, but she is not so stern and stiff as her contemporaries believe. She enjoys many lovers over the course of her current tenure, granting her favor upon eye-pleasing graduates of the academy and professors, a myriad of lords and even the emperor himself. None, however, would remember the time they spent with her, having their memories stripped when she is finished with them. The only exceptions to this stringent habit, apart from emperor Jan Calveit, and a certain Vatt'ghern — 'witcher' in Nilfgaardian.

She holds a great many deal of interest and agents across the continent, even in the far north above the winding channels of the Yaruga river where the barbarous Nordlings live. She's well-versed and a veritable master in the following arts: Herbalism, Alchemy, Curses. Her life's greatest pursuit, however, is the perfection of necromancy. Her most beloved fetish is the polished, rune-carved skull of her once drunken, heavy-handed father, the former Edler of Liddertal, Sierben Thordain.

(Zenos) Zenos of Amell, though mostly known as Vaerminker; meaning mutilator/dismemberer in Nilfgaardian tongue, an itinerant witcher who wanders from village to village in the south within the Nilfgaardian empire in search of monsters to slay and coins to collect. Unlike some of his kind, he minds not whether his blade points at monster or men so long as he is well-compensated for a target slain.

He is feared and reviled by the small folks of the realm, though his handsome and fair visage attracts a lion's share of feminine interest. His salacious conquests includes buxom village maids and highborn courtiers. His lustful inclinations, though rapacious, is still selective, preferring comely, dark-haired women. In spite of his infamy, he experiences no shortage of work owing to his skill and moral flexibility.

[lunastrophe]

Hi there! I just saw that recent ask about reviewing and mentioning drow OCs, and I got intrigued about a subject I included in my OC's backstory that I'd love to hear from you about.

So I actually found your blog through my posts about Kazimir, my drow ranger. And probably one of the most interesting things I was able to include in his story is him being born between 1361DR and 1372DR. During which, according to the Daughter of the Drow book (which I haven't read I stumbled upon this lore on accident), Lolth declared a halt on drow sacrifices.

Kaz was a third born son and his mom was pissed that she had him right after having two elder sons, during a time she couldn't just kill him and be done. So she leaves him in a cave and forgets him. Long story short, he gets picked up by an adventuring party and raised on the surface.

I was curious if you had any thoughts about this weird peaceful period that Lolth instated but is never really talked about? What do you think would happen if it came out that he survived and word of him got out in Lolthite society?

Thank you, and no pressure to answer!!

Hello 😊 I absolutely love your idea for your OC's backstory! Lolth's peace was an interesting period in the history of Menzoberranzan - noble drow houses were forced to refrain from attacking each other and even customary sacrifices were halted, so that the city could recover from recent losses:

"...there is to be no more war in Menzoberranzan. The city must be restored. No priestess shall slay another, and all healthy drow children must be reared, even the males. Until Lloth directs otherwise, the Ruling Council will enforce these new laws." (E. Cunningham, Daughter of the Drow)

Still, all the Menzoberranyr drow knew that Lolth's peace was only temporary - and that it was going to be lifted at some point. Many were likely spending these years on preparations, carefully planning their future moves.

🕷️ Lolth's Peace and Third Sons' Fate - by Lolth's decree, until the end of peace it was forbidden to kill healthy drow children, and even third sons were to be reared.

I can imagine that some drow females were confused or even reluctant to accept this new law, though - and Kaz's mother could be among them.

Third sons were customarily promised to Lolth. This was an important sacrifice, one that was meant to confirm the female's loyalty and devotion to the Way of Lolth and to the goddess. Lolth's peace was temporarily changing the rules, but despite of that, some drow females were probably not exactly eager to keep their third sons.

🕷️ Still, I suppose that abandoning the third son (or any healthy drow child, really) during the Lolth's peace would count as acting against the goddess' wishes. Lolth's message was clear: healthy drow children were to be reared, so that the city could recover from losses.

I would not be surprised, then, if Kaz's mother lost Lolth's favour at some point because of her decision. Somehow, I doubt that Lolth would approve her "I am not killing him, but I am not keeping him either" attitude - not when the ultimate goal is to increase the city's population.

🕷️ The fact that Kaz survived might be perceived in Lolthite society as a sign that Lolth wanted him to survive. It might be also perceived as a proof that his mother was acting against Lolth's wishes when she decided to abandon him.

Should Kaz - for example - play later a role in the fall of his mother's house or in her demise, Lolthite drow would probably be like: "well, seems like abandoning her son during Lolth's peace backfired on her!"

They would not eagerly accept him in their society, for sure, since he was raised by surfacers.

Although I imagine that at least some of them might think that since his mother broke Lolth's law by abandoned him, he should be given an opportunity to prove himself and join Lolthite society (should he wish to go back to the roots, so to speak, for whatever reason).

[mostofthingsmostofthetime]

My thoughts on The Ballad of Songbirds and Snakes movie

I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.

I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.

The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.

The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).

The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.

The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.

Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).

Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.

Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.

Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.

Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.

Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.

Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!

Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.

Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.

PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.

[watchnrant]

Queen of Shadows: When the Past Burns, the Future Rises

There are books that entertain, books that engage, and then there are books that consume you—burning through your consciousness like wildfire until you emerge changed. Queen of Shadows is one of those books. It’s not simply the fourth installment of Sarah J. Maas’s Throne of Glass series; it’s a transformative journey, a fiery declaration of reclamation and rebirth, and the point at which this beloved saga fully comes into its power.

From the first pages, the stakes are higher, the shadows darker, and the heroine—Aelin Galathynius—more powerful and multifaceted than ever before. No longer just Celaena Sardothien, the assassin shaped by loss and vengeance, Aelin strides back into Rifthold as a queen in every sense of the word: strategic, wounded, fierce, and defiantly whole.

A Story Forged in Fire

The plot moves with deadly precision. Aelin’s mission to save her cousin Aedion from execution, reclaim the Amulet of Orynth, and liberate magic from Adarlan’s grasp collides with the threat of the Valg and the ghosts of her past. Alongside her, a cast of complex characters—Rowan, Chaol, Dorian, Lysandra, Manon, Elide, and more—navigate their own harrowing journeys. Maas balances multiple perspectives and plotlines with skill, layering each moment with tension and emotional resonance.

The pacing is relentless yet intimate, shifting from rooftop battles and daring infiltrations to moments of quiet heartbreak and searing vulnerability. The final act, in which Aelin and Dorian unite their magic to destroy the glass castle and kill the possessed king, is both cataclysmic and cathartic—an ending that feels like both a funeral and a promise.

Identity, Power, and the Many Faces of Transformation

At its core, Queen of Shadows is a meditation on identity and the power of reclamation. Aelin’s return to her former city is not just a physical journey—it’s an emotional reckoning. She integrates every part of who she’s been: the assassin, the orphaned girl, the broken captive, and the future queen. Her disguises, her decisions, even the crimson dragon dress she wears are symbols of self-ownership. Each thread of her past becomes part of the tapestry she weaves into her reign.

What makes Aelin’s transformation so profound is that it doesn’t seek to erase her trauma—it honors it. Her power is born not in spite of her scars but because of them.

The Power of Women, the Power of Choice

The women in Queen of Shadows stand tall in every corner of the narrative. Lysandra evolves from a courtesan bound by chains to a shifter bound by loyalty and vengeance. Her final act—slaying Arobynn in cold, quiet retribution—isn’t just satisfying; it’s revolutionary. Manon Blackbeak, raised to be merciless, begins to question the very foundation of her life, her choices cracked open by the fragile, courageous Elide Lochan.

Even Kaltain Rompier, once used and discarded, burns through her chains with shadowfire, reclaiming her story in one unforgettable moment of sacrifice and defiance.

These arcs aren’t just compelling—they’re radical. Each act of resistance and reclamation becomes a battle cry that echoes through the world Maas has built.

Love in All Its Forms

While romantic love takes center stage in Aelin and Rowan’s slow-burning, soul-deep connection, the novel gives just as much weight to friendship and loyalty. Aelin and Lysandra’s growing sisterhood is among the most moving parts of the story—a bond forged in shared survival and chosen trust. Dorian and Chaol, broken in their own ways, also navigate complicated paths toward healing, with Chaol’s moral rigidity forcing him to reckon with a world far grayer than he believed.

And then there’s Aelin and Rowan—whose romance is everything one might hope for: fierce, respectful, full of heat and tenderness. Rowan never tries to tame Aelin; he sees her, entirely, and loves her because of—not despite—her fire.

A Queen Crowned in Complexity

What elevates Queen of Shadows is how unflinchingly it confronts the messiness of healing and leadership. There are no easy redemptions here. Aelin’s victories come at a cost. She makes impossible decisions. She wields her power ruthlessly when needed, mercifully when she chooses. She mourns the love she lost with Chaol even as she steps forward into the bond she’s built with Rowan. Her strength lies in her contradictions.

This installment is where the series pivots from its YA roots into something richer, more mature—blending the emotional stakes of character-driven drama with the world-shaking consequences of epic fantasy. It’s Throne of Glass stepping fully into its Game of Thrones-era gravitas without losing the fierce, beating heart at its center.

Final Verdict

Queen of Shadows is not just a continuation of a beloved series—it’s a reckoning. A triumph of storytelling, character evolution, and thematic depth. It dares to ask what it means to fight for your place in the world, to reclaim what was stolen, and to choose light even when you’ve lived too long in the dark.

I closed the final page feeling breathless, scorched, and somehow healed—singed at the edges, yes, but made stronger at the broken places. This is fantasy at its finest. Aelin’s fire is unforgettable—and in reading her story, you may just find your own.

Rating: ★★★★¾ — For the women who rose. For the names taken back. For the fire that didn’t consume, but cleansed.

A near-flawless installment, held back only slightly by the sheer density of characters and subplots—which, while occasionally disorienting, also speak to the ambition and depth that make this story unforgettable

[simps-every-tuesday]

After much trial and tribulation I finally finished a project I've been working on.

Meet some of my other Zora ocs

Urala [The Fierce Captain]

Age: 121

Race: Nurse Shark Zora

Home: Moontide Isles

Urala lost her mother at a very young age due to sickness. After her mother's passing, it was just her and her father. Her father was a fisherman, so she and him were tasked with fishing for the zora folk of the isles, but her mind was always elsewhere. She always had this longing to protect people, and every time she saw the zora guards that protected the isles and the royal family, Little Urala knew what she wanted her purpose to be. When she came of age, she enrolled to be part of the guard. The old captain was impressed by her ability to think quickly on the spot, so he personally took her under his wing. After many years of hard work, Urala became the new captain after the old captain retired, and her father couldn't be more proud.

Nava [The Wise Advisor]

Age: 122

Race: Common Octopus Zora

Home: Moontide Isles

Nava as a guppy always had a brain filled with solutions and wisdom. Her family are just common folk zoras on the Isles who tend to a library filled with books about many things. Because of that, she spent most of her life in that library reading and rereading books, and one day, as a teen, she managed to solve a conflict among the people with a quick and simple solution before the royal family could handle the matter impressed by this. King Arphin asked her how she would feel about helping and advising the family. Overjoyed by the request, she immediately accepted becoming the royal advisor at a very young age.

Adan [The Descendant]

Age: 120

Race: Lemon Shark Zora

Home: Moontide Isles

Adan is part of a long line of zora guards. His great-grandfather was famous for being the greatest monster slayer the Isles has ever seen since he was a child. Adan always had this spark in him to protect his people, so when he came of age, he enrolled around the same time as Urala for a position as a guard. He never wanted a special rank he just wanted to protect, but when it came to slaying monsters and battle, he was a natural, which caught the attention of the old zora captain, and he ranked him as the next captain's right hand, making Urala and Adan partners, and they became very close friends, and that's the position he's had since.

[blessedarethebinarybreakers]

Wrestling with the Bible's war stories

Spend any solid amount of time with scripture and you'll run into something that perplexes, disturbs, or downright horrifies you. Many of us have walked away from the Bible or from Christianity in general, sometimes temporarily and sometimes permanently, after encountering these stories. So how do we face them, wrestle them, and seek God's presence in (or in spite of) them?

In her book Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again, the late Rachel Held Evans spends a whole chapter on the "war stories" of Joshua, Judges, and the books of Samuel and Kings. She starts with how most teachers in her conservative Christian upbringing shut her down every time she tried to name the horror she felt reading of violence, rape, and ethnic cleansing; I share an excerpt from that part of the chapter over in this post.

That excerpt ends with Evans deciding that she needed to grapple with these stories, or lose her faith entirely.

...But then I ended the excerpt, with the hope that folks would go read all of Inspired for themselves — and I still very much recommend doing so! The whole book is incredibly helpful for relearning how to read scripture in a way that honors its historical context and divine inspiration, and takes seriously how misreadings bring harm to individuals and whole people groups.

But I know not everyone will read the book, for a variety of reasons, and that's okay. So I want to include a long excerpt from the rest of the chapter, where Evans provides cultural context and history that helps us understand why those war stories are in there; and then seeks to find where God's inspiration is among those "human fingerprints."

I know how important it was to Rachel Held Evans that all of us experience healing and liberation, so it is my hope that she'd be okay with me pasting such a huge chunk of the book for reading here. If you find what's in this post meaningful, please do check out the rest of her book! A lot of libraries have it in print, ebook, and/or audiobook form.

[One last comment: the following excerpt focuses on these war stories from the Hebrew scriptures ("Old Testament"), but there are violent and otherwise disturbing stories in the "New Testament" too, from Herod killing babies to all the wild things going on in Revelation. Don't fall for the antisemitic claim that "The Old Testament is violent while the New Testament is all about peace!" All parts of scripture include violent passages, and maintain an overarching theme of justice and love.]

Here's the excerpt showing Rachel's long wrestling with the Bible's war stories, starting with an explanation for why they're in there in the first place:

“By the time many of the Bible’s war stories were written down, several generations had passed, and Israel had evolved from a scrappy band of nomads living in the shadows of Babylon, Egypt, and Assyria to a nation that could hold its own, complete with a monarchy. Scripture embraces that underdog status in order to credit God with Israel’s success and to remind a new generation that “some trust in chariots and some in horses, but we trust in the name of the LORD our God” (Psalm 20:7). The story of David and Goliath, in which a shepherd boy takes down one of those legendary Canaanite giants with just a slingshot and two stones, epitomizes Israel’s self-understanding as a humble people improbably beloved, victorious only by the grace and favor of a God who rescued them from Egypt, walked with them through the desert, brought the walls of Jericho down, and made that shepherd boy a king. To reinforce the miraculous nature of Israel’s victories, the writers of Joshua and Judges describe forces of hundreds defeating armies of thousands with epic totality. These numbers are likely exaggerated and, in keeping literary conventions of the day, rely more on drama and bravado than the straightforward recitation of fact. Those of us troubled by language about the “extermination” of Canaanite populations may find some comfort in the fact that scholars and archaeologists doubt the early skirmishes of Israel’s history actually resulted in genocide.

It was common for warring tribes in ancient Mesopotamia to refer to decisive victories as “complete annihilation” or “total destruction,” even when their enemies lived to fight another day. (The Moabites, for example, claimed in an extrabiblical text that after their victory in a battle against an Israelite army, the nation of Israel “utterly perished for always,” which obviously isn’t the case. And even in Scripture itself, stories of conflicts with Canaanite tribes persist through the book of Judges and into Israel’s monarchy, which would suggest Joshua’s armies did not in fact wipe them from the face of the earth, at least not in a literal sense.)

Theologian Paul Copan called it “the language of conventional warfare rhetoric,” which “the knowing ancient Near Eastern reader recognized as hyperbole.” Pastor and author of The Skeletons in God’s Closet, Joshua Ryan Butler, dubbed it “ancient trash talk.”

Even Jericho, which twenty-first-century readers like to imagine as a colorful, bustling city with walls that reached the sky, was in actuality a small, six-acre military outpost, unlikely to support many civilians but, as was common, included a prostitute and her family. Most of the “cities” described in the book of Joshua were likely the same. So, like every culture before and after, Israel told its war stories with flourish, using the language and literary conventions that best advanced the agendas of storytellers.

As Peter Enns explained, for the biblical writers, “Writing about the past was never simply about understanding the past for its own sake, but about shaping, molding and creating the past to speak to the present.”

“The Bible looks the way it does,” he concluded, “because God lets his children tell the story.”

You see the children’s fingerprints all over the pages of Scripture, from its origin stories to its deliverance narratives to its tales of land, war, and monarchy.

For example, as the Bible moves from conquest to settlement, we encounter two markedly different accounts of the lives of Kings Saul, David, and Solomon and the friends and enemies who shaped their reigns. The first appears in 1 and 2 Samuel and 1 and 2 Kings. These books include all the unflattering details of kingdom politics, including the account of how King David had a man killed so he could take the man’s wife, Bathsheba, for himself.

On the other hand, 1 and 2 Chronicles omit the story of David and Bathsheba altogether, along with much of the unseemly violence and drama around the transition of power between David and Solomon.

This is because Samuel and Kings were likely written during the Babylonian exile, when the people of Israel were struggling to understand what they had done wrong for God to allow their enemies to overtake them, and 1 and 2 Chronicles were composed much later, after the Jews had returned to the land, eager to pick up the pieces.

While the authors of Samuel and Kings viewed the monarchy as a morality tale to help them understand their present circumstances, the authors of the Chronicles recalled the monarchy with nostalgia, a reminder of their connection to God’s anointed as they sought healing and unity. As a result, you get two noticeably different takes on the very same historic events.

In other words, the authors of Scripture, like the authors of any other work (including this one!), wrote with agendas. They wrote for a specific audience from a specific religious, social, and political context, and thus made creative decisions based on that audience and context.

Of course, this raises some important questions, like: Can war stories be inspired? Can political propaganda be God-breathed? To what degree did the Spirit guide the preservation of these narratives, and is there something sacred to be uncovered beneath all these human fingerprints?

I don’t know the answers to all these questions, but I do know a few things.

The first is that not every character in these violent stories stuck with the script. After Jephthah sacrificed his daughter as a burnt offering in exchange for God’s aid in battle, the young women of Israel engaged in a public act of grief marking the injustice. The text reports, “From this comes the Israelite tradition that each year the young women of Israel go out for four days to commemorate the daughter of Jephthah” (Judges 11:39–40).

While the men moved on to fight another battle, the women stopped to acknowledge that something terrible had happened here, and with what little social and political power they had, they protested—every year for four days. They refused to let the nation forget what it had done in God’s name.

In another story, a woman named Rizpah, one of King Saul’s concubines, suffered the full force of the monarchy’s cruelty when King David agreed to hand over two of her sons to be hanged by the Gibeonites in an effort to settle a long, bloody dispute between the factions believed to be the cause of widespread famine across the land. A sort of biblical Antigone, Rizpah guarded her sons’ bodies from birds and wild beasts for weeks, until at last the rain came and they could be buried. Word of her tragic stand spread across the kingdom and inspired David to pause to grieve the violence his house had wrought (2 Samuel 21).” ...

The point is, if you pay attention to the women, a more complex history of Israel’s conquests emerges. Their stories invite the reader to consider the human cost of violence and patriarchy, and in that sense prove instructive to all who wish to work for a better world. ...

It’s not always clear what we are meant to learn from the Bible’s most troubling stories, but if we simply look away, we learn nothing.

In one of the most moving spiritual exercises of my adult faith, an artist friend and I created a liturgy of lament honoring the victims of the texts of terror. On a chilly December evening, we sat around the coffee table in my living room and lit candles in memory of Hagar, Jephthah’s daughter, the concubine from Judges 19, and Tamar, the daughter of King David who was raped by her half brother. We read their stories, along with poetry and reflections composed by modern-day women who have survived gender-based violence. ...

If the Bible’s texts of terror compel us to face with fresh horror and resolve the ongoing oppression and exploitation of women, then perhaps these stories do not trouble us in vain. Perhaps we can use them for some good.

The second thing I know is that we are not as different from the ancient Israelites as we would like to believe.

“It was a violent and tribal culture,” people like to say of ancient Israel to explain away its actions in Canaan. But, as Joshua Ryan Butler astutely observed, when it comes to civilian casualties, “we tend to hold the ancients to a much higher standard than we hold ourselves.” In the time it took me to write this chapter, nearly one thousand civilians were killed in airstrikes in Iraq and Syria, many of them women and children. The atomic bombs dropped on Hiroshima and Nagasaki took hundreds of thousands of lives in World War II, and far more civilians died in the Korean War and Vietnam War than American soldiers. Even though America is one of the wealthiest countries in the world, it takes in less than half of 1 percent of the world’s refugees, and drone warfare has left many thousands of families across the Middle East terrorized.

This is not to excuse Israel’s violence, because modern-day violence is also bad, nor is it to trivialize debates over just war theory and US involvement in various historical conflicts, which are complex issues far beyond the scope of this book. Rather, it ought to challenge us to engage the Bible’s war stories with a bit more humility and introspection, willing to channel some of our horror over atrocities past into questioning elements of the war machines that still roll on today.

Finally, the last thing I know is this: If the God of the Bible is true, and if God became flesh and blood in the person of Jesus Christ, and if Jesus Christ is—as theologian Greg Boyd put it—“the revelation that culminates and supersedes all others,” then God would rather die by violence than commit it.

The cross makes this plain. On the cross, Christ not only bore the brunt of human cruelty and bloodlust and fear, he remained faithful to the nonviolence he taught and modeled throughout his ministry. Boyd called it “the Crucifixion of the Warrior God,” and in a two-volume work by that name asserted that “on the cross, the diabolic violent warrior god we have all-too-frequently pledged allegiance to has been forever repudiated.” On the cross, Jesus chose to align himself with victims of suffering rather than the inflictors of it.

At the heart of the doctrine of the incarnation is the stunning claim that Jesus is what God is like. “No one has ever seen God,” declared John in his gospel, “but the one and only Son, who is himself God and is in closest relationship with the Father, has made him known” (John 1:18, emphasis added). ...So to whatever extent God owes us an explanation for the Bible’s war stories, Jesus is that explanation. And Christ the King won his kingdom without war.

Jesus turned the war story on its head. Instead of being born to nobility, he was born in a manger, to an oppressed people in occupied territory. Instead of charging into Jerusalem on a warhorse, he arrived on a lumbering donkey. Instead of rallying troops for battle, he washed his disciples’ feet. According to the apostle Paul, these are the tales followers of Jesus should be telling—with our words, with our art, and with our lives.

Of course, this still leaves us to grapple with the competing biblical portraits of God as the instigator of violence and God as the repudiator of violence.

Boyd argued that God serves as a sort of “heavenly missionary” who temporarily accommodates the brutal practices and beliefs of various cultures without condoning them in order to gradually influence God’s people toward justice. Insofar as any divine portrait reflects a character at odds with the cross, he said, it must be considered accommodation. It’s an interesting theory, though I confess I’m only halfway through Boyd’s 1,492 pages, so I’ve yet to fully consider it. (I know I can’t read my way out of this dilemma, but that won’t keep me from trying.)

The truth is, I’ve yet to find an explanation for the Bible’s war stories that I find completely satisfying. If we view this through Occam’s razor and choose the simplest solution to the problem, we might conclude that the ancient Israelites invented a deity to justify their conquests and keep their people in line. As such, then, the Bible isn’t a holy book with human fingerprints; it’s an entirely human construction, responsible for more vice than virtue.

There are days when that’s what I believe, days when I mumble through the hymns and creeds at church because I’m not convinced they say anything true. And then there are days when the Bible pulls me back with a numinous force I can only regard as divine, days when Hagar and Deborah and Rahab reach out from the page, grab me by the face, and say, “Pay attention. This is for you.”

I’m in no rush to patch up these questions. God save me from the day when stories of violence, rape, and ethnic cleansing inspire within me anything other than revulsion. I don’t want to become a person who is unbothered by these texts, and if Jesus is who he says he is, then I don’t think he wants me to be either.

There are parts of the Bible that inspire, parts that perplex, and parts that leave you with an open wound. I’m still wrestling, and like Jacob, I will wrestle until I am blessed. God hasn’t let go of me yet.

War is a dreadful and storied part of the human experience, and Scripture captures many shades of it—from the chest-thumping of the victors to the anguished cries of victims. There is ammunition there for those seeking religious justification for violence, and solidarity for all the mothers like Rizpah who just want an end to it.

For those of us who prefer to keep the realities of war at a safe, sanitized distance, and who enjoy the luxury of that choice, the Bible’s war stories force a confrontation with the darkness.

Maybe that’s not such a bad thing.

[badpersonboogie]

🌙- Dragon Jayce and Scholar Viktor yes yes and yes.

Dragons are not inherently evil, but they were often seen that way due to their tendency to steal. They were possessive creatures, wanting to hoard what they found precious and keep it forever. That included their mates. The greatest dragon courting ritual is to take your intended and keep them within the center of your hoard, fighting off family members and potential suitors, all to show your mate that you treasure them more than anything else. This is common among dragons, but gets lost in translation when a dragon occasionally falls in love with a princess, locking her up in a tower until a brave knight slays them for her hand.

Jayce knew very well that it was dangerous to fall for a human because of their cultural differences. Humans could not possibly understand the possessiveness a dragon could feel, nor would they enjoy it. But Viktor was unlike anything Jayce had ever seen. He didn’t have much interaction with humans, but from the moment he saw him, Jayce knew Viktor was the most beautiful person he’d ever meet. Elegant and gentle, with a melodic accent and fiery eyes. Viktor’s ability to take words off a page and transform them into a work of genius on his desk was the most valuable treasure Jayce had ever seen. Jayce spent hours watching him through a telescope in his tower, memorizing the way those delicate hands flipped through books and the way those eyes would crinkle every time he got an equation right. His Mama told him he should never hoard humans- but she also told him he could have the world’s knowledge if he pleased. Surely, someone with a mind like Viktor’s could be an exception. As long as Jayce treated him well, he could have this person for himself. So he takes the young scholar, keeping him in a spare room with plenty of things to busy himself with. Viktor protests at first, but those protests are halted as he sees all the machines that Jayce has hoarded and created over the years, cluttering every inch of his tower. He quickly turns to confusion, then excitement. Apparently Viktor has been trying to create a self sustaining air filtration system for years, and Jayce managed it with just what he had around him and now Viktor needs to know what else they can accomplish. Jayce is delighted, his inner dragon purring at how quickly the centerpiece of his hoard accepts his place.

Viktor is of course, still miffed about getting kidnapped. But this dragon is so nice- and his tower has so many resources!! Viktor is dependent on rich sponsors to get any sort of materials he needs, whether it be textbooks or machine parts. But Jayce offers it all readily to him, going as far as to fly out during the night and bring Viktor back anything he asks for by the next morning. And besides…Viktor isn’t sure if he’ll ever be able to leave unless he gains Jayce’s trust. He doubts anyone will be looking for some scholar from the sumps anyway. He might as well play nice until Jayce slips up and lets him go.

But unlike what Viktor thought, there were knights at the tower within the next week. Viktor, while low in status, was still the Academy’s most promising scholar. Jayce isn’t as surprised as Viktor is, though. He was expecting this. Viktor is very beautiful, as beautiful as a prince. It’s only natural these knights would want such a treasure for themselves. He respects their determination in coming all this way for him, and is thankful that he now has a way to prove his adoration by keeping Viktor safe. Jayce supposes he can offer them a fair fight, in honor of their love for Viktor.

It’s only when the knights proclaim they were sent on a bounty to bring back the Dean’s pupil, does Jayce pause. A bounty??? So they only came here because they were paid to??? But what about Viktor? Why don’t they want him; are they blind? Jayce only spares their lives because Viktor begs him to. But even afterward, he can’t fathom why no one sees how beautiful Viktor is. Sure, people want him for his usefulness, but why does no one want him for just being Viktor??? Jayce has decided he won’t entertain a single one of these knights until someone worthy finally shows up. Viktor doesn’t know how to feel about this. He really doesn’t like being kidnapped, but it feels nice to be wanted just for being himself. Maybe he could get used to this.

(The only suitor that Jayce doesn’t nearly kill is Sky- one because he respects her for genuinely loving Viktor, and two because Viktor would hate him for hurting his friend. She’s also the only one allowed to speak to Viktor as long as she doesn’t enter the hoard.)

...would it be funnier if jayce was oblivious to his own feelings. yeah, i kidnapped this scholar because he's also really pretty but like... i'm admiring him platonically!

viktor gets kidnapped by a dragon-a dragon???!!!!!!!-and when he gets put down in a room filled with so much stuff and when he asks the dragon-the DRAGON???!!!-why he was taken, the dragon excitedly tells him that he's so smart and his hands looks so nice and his hair is such a pretty color and so are his eyes! his eyes are the prettiest eyes he's ever seen. he wants to stare at his face for hours and memorize where his moles are. but this is all like. platonically! platonically! the dragon-THE DRAGON?!!! jayce???!-looks satisfied and while viktor doesn't have experience with relationships or being adored, he's pretty sure this dragon does not like him just platonically

but this is a dragon. a big scaly thing with claws and breathes fire. viktor is not gonna correct a dragon. so he just nods and starts looking at the stuff around the room lkjhlkhlh and i'm cracking up at sky not being allowed to enter the hoard because i'm imagining the room that has the hoard is huge and the hoard is almost a field long so sky has to stand right at the edge of it so she and viktor have to use megaphones to talk to each other!

[hayleysayshay]

Hey! For the character ask meme, Cassandra de Rolo, 4, 21, and 26!

My blorbooooo

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

Anything would be great, honestly.

Okay, so I think a book describing Cassandra's travels post Vecna would be really nice to see. I would love to know more about her inner world, her inner voice, what does she think of her family, and her new family like Vex, and the birth of Vesper? I think book are the most flexible in terms of length so you can make it how you want.

TBH if the 'Whitestone Chronicles' line of comics does continue for TLOVM, I think we might see a Cassandra comic, and that would be good as well since I think comics do lend themselves well to CR as a company.

21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

With Cassandra, I just like her having rich person brain. Compared to Percy in canon, Cassandra didn’t get the chance to really live among the people. She goes travelling after the campaign and sees the world, but I don’t think she’d actually have that real world experience like Percy has. So I think though Cassandra’s down to earth and grounded due to her suffering, I think inherently Percy would ‘get it’ a bit more despite being naturally more insufferable.

I also like writing Cassandra as long-suffering due to Percy’s antics, the girl needs a break from him.

Also I like it when Cassandra gets to be young and plays into her little shit energy.

And things I don’t like… obvs she’s a little seen character compared to Percy so you rely on HC a lot, which means it’s easy to doubt your characterisation of her! I’ve never really settled on a sexuality for her either, my ideas keep changing.

26. What's something the character has done you can't get over? Be it something funny, bad, good, serious, whatever?

Okay so honestly with Cassandra honestly there’s a not a specific moment that sticks out especially. But Cassandra getting the kill on Delilah always slays.

And I enjoy Cassandra explaining the Grey Hunt trials to Vex. Wish we had more Cassandra and Vex moments in general!

[scotianostra]

On November 8th 1752, Seumas a’ Ghlinne / James of the Glen was hung at Cnap Chaolis Mhic Pharaig, near Ballachulish.

Seamus a’ Ghlinne mounted the gallows above the narrows at Ballaculish with the reproach of Psalm 35 for his persecutors:

"False witnesses rose; to my charge things I not knew they laid. They, to the spoiling of my soul, me ill for good repaid."

James of the Glen, or just James Stewart — had come there that day to die for the ambush murder of Colin Roy Campbell.

The victim was stock of Clan Campbell, one of the largest Highland clans and one whose loyalties to the Hanoverian kings were being richly rewarded. The Stewarts, who had backed the recent ill-fated Jacobite rebellion in favour of the exiled pretender Bonnie Prince Charlie, were in the opposite predicament.

Colin Campbell was said on that fatal May 14th to be en route to expel the Stewarts from the village of Duror so that Campbells could move in. But even Campbell’s everyday job of extracting resentful rents from estates repossessed from Jacobite sympathizers would have turned many a murderous eye his way.

Someone that day shot Colin Campbell in the back from wooded cover, then vanished, murderous eye and trigger finger and all, never to be never apprehended. So they got James Stewart to answer for it instead. This wasn’t a tragic case of well-intentioned police developing tunnel vision on the wrong suspect so much as repaying tit for tat in a family feud. The trial was held at the Campbells’ Inverary Castle. Its presiding judge was the Campbell alpha male, the Duke of Argyll. Eleven more Campbells sat on Stewart’s jury. But then, from the Campbells’ side, or London’s for that matter, what was to say that this one murder might not be the germ of a new rebellion if not ruthlessly answered?

Still, there was “not a shred of evidence,” says present-day Glasgow barrister John Macauley, “The whole thing from start to finish was a farce.”

James Stewart was, however, the foster father of a man who actually was suspected of firing the shot, Allan Breck Stewart, a former Jacobite soldier who had returned from exile in France to collect rents for the Stewarts. Known to have threatened the Campbells previously, Allan was also tried and condemned to death — but only in absentia, since he suspiciously fled to France immediately after the so-called Appin Murder.

Many years later, Robert Louis Stevenson would use this dramatic crime, and Al(l)an Breck’s flight to safety, in Kidnapped. “I swear upon the Holy Iron I had neither art nor part, act nor thought in it,” Stevenson’s Alan says to the fictional protagonist in the novel, just after both have witnessed the murder.

And in reality, Alan too is thought by those who know the case to be clear of guilt in the matter. The Stewart family reputedly knew all along which of their number was Campbell’s real killer, but refused to give him up and kept the family secret for generations. It’s even said that that man had to be forcibly held down on execution day to prevent him giving himself up.

To judge by the most recent research, that man was likely Donald Stewart, the son of Stewart of Ballachulish and the best shot among a group of several young hotheads who resolved together to slay the Campbells’ hated Factor. The conspiracy also goes as the reason — or at least excuse — for keeping Donald silent, since in giving himself up he might see all four of them to the gallows. The late Lee Holcombe makes a comprehensive case for Donald Stewart as the gunman in the 2004 book Ancient Animosity: The Appin Murder and the End of Scottish Rebellion; Donald Stewart was also fingered publicly in 2001 by a matriarch of the Stewarts of Appin, though others of her family have not publicly confirmed that that’s the secret name.

James Stewart’s decaying corpse remained gibbeted on the spot of his execution for 18 months as illustrated in the pic by the late Andrew Hillhouse, after, a rotting warning to the Stewarts or any late Jacobites. In 1754, a local man called “Daft Macphee” finally tore down the gallows and threw it into Loch Linnhe … but its former position overlooking the modern Ballachulish Bridge is still marked by a mossy stone monument to James of the Glen, “executed on this spot Nov. 8th 1752 for a crime of which he was not guilty.”

The image was commissioned as a book cover for “Grass Will Not Grow on My Grave” by Mary McGrigor. The image was also used on a descriptive panel at the site of James’ execution at Ballachulish. If you stop before the bridge (travelling north) and climb up the footpath where the bridge begins, you will see it.

For the full story on this infamous story check out the link here http://archaeol.wwwnlls6.a2hosted.com/.../James%20of...

[nastasya--filippovna]

WHO IS CROWLEY AFTER THE FALL (PART2)

Here it is finally.

So what is the Leviathan.

In mythology and theology the Leviathan is a sea-serpent and is mentioned in several books of the Hebrew Bible such as the Book of Job and Book Isaiah and Book of Enoch. The Leviathan of the Book of Job is a reflection of the older Canaanite Lotan, a primeval monster defeated by the god Baal Hadad. Parallels to the role of Mesopotamian Tiamat defeated by Marduk have long been drawn in comparative mythology, as have been wider comparisons to dragon and world serpent narratives such as Indra slaying Vrtra or Thor slaying Jörmungandr.

Once again we see the pattern of Biblical creatures being “inspired” from pagan ones.

Thomas Aquinas described Leviathan as the demon of envy, first in punishing the corresponding sinners. Peter Binsfeld likewise classified Leviathan as the demon of envy, as one of the seven Princes of Hell corresponding to the seven deadly sins. Leviathan became associated with, and may originally have been referred to by, the visual motif of the Hellmouth, a monstrous animal into whose mouth the damned disappear at the Last Judgment, found in Anglo-Saxon art from about 800, and later all over Europe.

In the Book of Enoch, The Leviathan is a female giant chaos serpent that lives deep in the ocean, while her mate, Behemoth, is a male giant chaos beast (based off of a hippopotamus or water-ox) who lives in the mythical desert of Duidain, East of Eden.

Ring any bells. Chaos mongering (fomenting), ox, eastern gate of eden…. 

The Hebrew word that translates to Leviathan (Livyatan) appears six times in the Old Testament. One of them is in Job 41. The word is derived from the root Iwy or ‘ twist, coil’ and means ‘the sinuous one.’ So I think we can establish that this creature is at least indicated to be snake-like. Scholars trace the etymology of whale and crocodile 

In the Book of Isaiah it is mentioned that the beast will rise from the water and will be defeated by God on the Last Day. However, quite interestingly nowhere in the Old Testament is the Leviathan written as evil. Only later scholars have equated it with the devil so that the battle between God and Chaos can be interpreted as the battle between God and the Devil.

Now let’s make this more interesting: The Gnostic sect venerate the biblical serpent of the Garden of Eden as a symbol of wisdom, which the malevolent Demiurge tried to hide from Adam and Eve. They identify the Leviathan as the serpent of Eden and in this belief system the Leviathan appears as an Ouroboros, separating the divine realm from humanity by enveloping or permeating the material world.

I mean I don’t even need to say anything further.  

And he does show up in GO Season 2. The matchbox.

Here 

When did this happen, I wonder……hmmmmmm

Oh YES!

Crowley wearing Aziraphale’s face

     

Here’s the rest of the passage from Job

1 Canst thou draw out leviathan with an hook? or his tongue with a cord which thou lettest down?

2 Canst thou put an hook into his nose? or bore his jaw through with a thorn?

3 Will he make many supplications unto thee? will he speak soft words unto thee?

4 Will he make a covenant with thee? wilt thou take him for a servant for ever?

5 Wilt thou play with him as with a bird? or wilt thou bind him for thy maidens?

6 Shall the companions make a banquet of him? shall they part him among the merchants?

7 Canst thou fill his skin with barbed irons? or his head with fish spears?

8 Lay thine hand upon him, remember the battle, do no more.

9 Behold, the hope of him is in vain: shall not one be cast down even at the sight of him?

10 None is so fierce that dare stir him up: who then is able to stand before me?

11 Who hath prevented me, that I should repay him? whatsoever is under the whole heaven is mine.

12 I will not conceal his parts, nor his power, nor his comely proportion.

13 Who can discover the face of his garment? (penetrate his coat of armor)  or who can come to him with his double bridle?

14 Who can open the doors of his face? his teeth are terrible round about.

15 His scales are his pride, shut up together as with a close seal.

16 One is so near to another, that no air can come between them.

17 They are joined one to another, they stick together, that they cannot be sundered.

18 By his neesings a light doth shine, and his eyes are like the eyelids of the morning.

19 Out of his mouth go burning lamps, and sparks of fire leap out.

20 Out of his nostrils goeth smoke, as out of a seething pot or caldron.

21 His breath kindleth coals, and a flame goeth out of his mouth.

22 In his neck remaineth strength, and sorrow is turned into joy before him.

23 The flakes of his flesh are joined together: they are firm in themselves; they cannot be moved.

24 His heart is as firm as a stone; yea, as hard as a piece of the nether millstone.

25 When he raiseth up himself, the mighty are afraid: by reason of breakings they purify themselves.

26 The sword of him that layeth at him cannot hold: the spear, the dart, nor the habergeon.

27 He esteemeth iron as straw, and brass as rotten wood.

28 The arrow cannot make him flee: slingstones are turned with him into stubble.

29 Darts are counted as stubble: he laugheth at the shaking of a spear.

30 Sharp stones are under him: he spreadeth sharp pointed things upon the mire.

31 He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment.

32 He maketh a path to shine after him; one would think the deep to be hoary.

33 Upon earth there is not his like, who is made without fear.

34 He beholdeth all high things: he is a king over all the children of pride.

The Leviathan is a magnificent creature. And the very fact that God goes to so much trouble to describe the magnanimity of this creature is to show what God has created and hence Her magnanimity must be even greater in comparison for the Creator is always superior to the Creation. And if God can so easily abuse and humiliate this beautiful monster, then God must be worshipped and feared.

Though to the unsuspecting eye these passages may ring no familiar bells, a closer look makes you realize how Crowley-coded they are. And to think that in a story where Neil has never witten or shown anything that wasn’t woven in finely with the characters, I alwsy wondered why he chose the Book of Job for the minisode when he could have included any other one.  

But it reminded me that Crowleys character is truly unrelenting. He’s a nether millstone. He won’t give up that easily. He absolutely won’t submit to anyone, and he’s shown time and time again that his vociferous litanies about running away disappear as soon as someone or something he cares about is in danger (i.e. Aziraphale). And the second coming will also threaten his creation (the universe). His refusal to submit to authority, the refusal to be subjugated is the reason he fell in the first place. And quite interestingly he doesn’t own Hell either. He resists that too. For him it’s not Heaven or Hell that matters but the resistance to Power.  

I also think it’s also fitting that the Leviathan is perceived to be a monster that must be slain or enslaved but in reality is another of God’s creations just like the sun and the stars and the rivers and the mountains.  

And it makes me think of how Crowley has always been labeled as evil because he fell. I think of how, at heart, he is truly gentle and kind, he’s a starmaker. But his fall, his appearance, his desire to be autonomous and his grey moral campus make him feared and a target. And that has made him the embodiment of chaos. His refusal to submit himself to the uniformity of both worlds, to the rules and guidelines that create this illusion of order sets him apart from them. He embraces the chaos that grayness offers, that being ‘human’ brings. And hence the final battle will be between God and chaos with God justifies as being the battle between good and evil because, well, he’s a demon.    

The Leviathan being historically associated with the sin of envy is again I think written into the plot very carefully. He is envious of humanity’s ability to question God, to have choices to not be doomed to heaven or hell for all eternity. He is envious of what Maggie and Nina have. He’s envious of what Beelz and Gabe have.

“I mean if Gabriel and Beelzebub can go off together…..”

And then him rejecting Azirapahle’s offer— he has spent his life (a long, long life) rejecting power and authority. In his relationship with Aziraphale he found his sanctuary, a relation clean of power dynamics. Up till now they were both equal. But this new offer jeopardizes that.

And I love how his ego and pride come to play here. He would never accept being “second in command to anyone”. And his envy of how God’s mercy is free for some but wholly denied to him.