#skyhold garden

[martyrmarked]

i think that, once it's made clear what they are, who they were, she carefully, gently wraps the oculara and takes them back to skyhold to be buried. she doesn't tell anyone this outside of the immediate inner circle because no one really needs to know, that isn't the point, but she wants to ensure they find some rest and the only place she knows will be safe is skyhold.

she asks viv, solas & dorian to help her and buries them in the quietest corner of skyhold's garden.

[shay-does-art-things]

they are insufferable (she loves them both dearly)

[cuerue]

was thinking about varric’s nickname for taerel and i think im going to go with “sprout” bc of his love for gardening/plants

and a lot of people would see varric call him that and go “awww, that’s cute :)” bc they have no idea just how poisonous the plants he is growing are

[came-out-of-the-coffin-desisted]

writing dragon age fanfiction is so so so so hard for me because every time i spot another historical inaccuracy that’s like “i don’t care that it’s fantasy they have the same level of technology this is WRONG” i have to have a moment of like. “kaed NO ONE ELSE will EVER care about this. you watch ‘ranking period dramas on corset accuracy both in construction and writing’ videos on youtube for entertainment normal people simply do not give a FUCK about medieval castle layouts!”

and yet this cycle continues, because the dragon age devs so so so so clearly DID research but they did BAD research and it HAUNTS me. like WHYYYYY is there only one courtyard that isn’t even really a courtyard in castle cousland WHY is the “main hall” huge with no furniture while the great hall “dining room” is tiny as fuck and in a horrible to access spot WHY are there no ovens in the kitchens where the FUCK do they bake the breaaaad!! like ok fine cool servants get beds in thedas i’ll bite. that fucks hard, actually! but WHY are there more servant rooms than rooms for visiting nobles do you honestly think anybody in the middle ages fucking had servant rooms???? they slept on the FLOOR in the GREAT HALL! and WHY is there a fucking library and a ‘treasury’ (which what the fuck is THAT there should be a DON-JON in there you locked your valuables in the TOWER at the TOP, not in ONE room centrally located on the first floor with TWO guards!!) like i KNOW it was for level design i KNOW it was but oh my fucking g-d it’s gonna KILL ME to write out creeping through corridors when there WERE NO CORRIDORS! like look at this. look at this.

castle cousland: stupid, awful design, honestly they kinda asked to be coup’ed with their garbage unsurvivable castle that supposedly nobody sieges regularly even though it’s literally a death trap. there is ONE main exit, no way to trap your enemies, and only one official guard post that i can see. fuck awful.

harlech castle in wales: it took 115 years for someone to successfully take this castle, and it’s withstood COUNTLESS sieges, you can go visit it right the hell now if you go to wales (not at all getting into the evilness of the english building castles in wales, that’s not the point i’m trying to make.) see how the outside makes it so that even if your enemies breach the walls, to actually reach anyone important they have to survive the volleys of arrows from the ramparts? and then presumably kill everyone ON the ramparts, or the minute you go to open a door or try to drag someone out, you’re going to get shot full of arrows. that’s after breaching TWO heavy doors (which would require a battering ram both times) which would wake up the entire castle LONG before they got anywhere NEAR the heir to the castle’s wife and child.

and before somebody says “oh well kaed maybe you just don’t know your castle building periods very well” think again. i know my castle building periods. that style above is concentric (harlech castle’s initial construction was finished in 1289 and was one of the first finished castles in england in this style,) which came after the keep and bailey style, which came after the motte-and-bailey style, which came after the burh (which arguably WASN’T a castle but whatever,) etc. there are no fortified castles in english history that look like castle cousland, because it’s fucking indefensible. now, this does lead to the question of “oh, well, what is the timeline for the game, maybe there’s something you missed!” so let’s examine the time period of origins:

at the very, very latest, origins could be based off of the BEGINNING of the british “wars of the roses” (the civil wars between the various members of the house plantagenet) which began in the 1450s— this is personally what /i/ think origins is based off of, for a couple reasons. 1) trevelyan was a real person— g.m. trevelyan was a british historian who wrote about the wars of the roses, and in one instance there’s a quote of his the devs almost verbatim used for the design of the free marches: “the Wars of the Roses were to a large extent a quarrel between Welsh Marcher Lords, who were also great English nobles, closely related to the English throne…” they ixnayed the part about the marcher lords being ferelden nobles, i imagine because it was too complicated, but trevelyan? marcher lords? a close relationship with this country? (i.e. like somewhere that might take in their refugees after a catastrophe?) cmon. 2) because ferelden is fucking huge and the histories are kinda weird, because they aren’t 1 for 1, i’m gonna say that we have to use the norman conquest of england as our unification date. in other contexts i wouldn’t try to argue this, but in this one, i’m saying 1066 is the unification date of the anglo-saxon kingdoms into england. calenhad gives us a hard unification date for ferelden— the first landsmeet was in 5:42 exalted, ergo origins is 388 years later. the wars of the roses started in 1455, 389 years after the norman conquest ended. 3) the wars of the roses happened because of a succession crisis— admittedly, these two succession crises are very, very different, but there are definitely parallels between loghain and henry vi and alistair and edward iv. henry vi was crowned at a young age (loghain largely ruled for maric at various points in his life, starting when he was very young,) and was very ineffectual— he suffered from an unknown mental illness which made him extremely unstable and unable to rule for large periods of time. loghain, on the other hand, ruled when the /theirins/ weren’t stable, so you argue he had the opposite— meanwhile, his policies WEREN’T sustainable, whatever you might think of him. loghain is too shaped by his own experiences to be a truly good leader, and by the time his rule/anora’s rule is threatened by cailan, he’s sacrificed enough of his principles that he’s willing to commit atrocities (notably, margaret of anjou ruled during the worst parts of her husband’s mental instability, which again could apply to loghain OR anora, as they ruled fairly jointly after a certain point.) edward iv was the son of richard of york, who was eligible for the throne at a very young age (18 to alistair’s 19) because his father was dead. he was coaxed and led into battle by his cousin, the earl of warwick (also known as the kingmaker— sound like a protagonist you might know?) that’s about where the similarities end, but that’s largely because alistair is a grey warden— if he weren’t, he’d probably be able to have kids and end the question of succession. but he can’t, which, assuming the devs eventually remember, WILL lead to another civil war. hence why i say this is at the BEGINNING of the wars of the roses.

another option that could be argued but makes much less sense and i have no evidence for is that alistair has similarities to edward ii (second son who only became king because his brother died, married a more powerful woman to consolidate power, not very good at ruling, no offense to alistair,) but that still puts origins at like 1307-1327. in either case, they would have been using concentric castles— and given what time period castle cousland was originally built in, it would have been built as a motte-and-bailey, which would NOT have lasted four hundred years. so the castle had to have been rebuilt, and bryce cousland would have had to update that rebuilt castle, because no one lived in it during the orlesian occupation. so where the hell does this winding, weird multi-level design come from?

i GUESS— and this is SO charitable— they could have designed castle cousland based off of a country house design from the mid 1500s, but none of them look like that, either. they’re exclusively rectangular, for one thing, and one of the huge bragging rights of owning one was that they weren’t fortified— they came into fashion during a period of relative stability under the tudor rule, when it was considered guache and maybe even treasonous to build a fortified castle. ferelden is NOWHERE NEAR a period of stability, if anything at the end of origins they’re entering their greatest period of INstability, given what happens in inquisition, and that no matter who ends up on the throne, there’s no way for them to have children. so there’s NO way this castle is a country house, or inspired by one.

leaving us with the final conclusion that a) the game devs definitely did do research into the time period because i can fairly directly trace a line between the event i think inspired origins and the plot, but they didn’t do enough research to figure out what the everloving fuck the BUILDINGS looked like. so these castles make no fucking sense and can’t possibly be called historically accurate even with the fantasy defense, and b) i care WAAAY too much about this for somebody who isn’t even a medieval historian. my area of expertise is the paleolithic, i have no clue why this bugs me so bad i spent four fucking hours writing this post.

[vilnan]

i'm having solas thoughts today. i'm thinking about him and sulahna and yevin, especially.

[moss-flesh]

thinking about my special girl addy

[arcane-gold]

escaping da twt for a little bit here’s a wip i might never finish. malloch is wasting inquisition resources (picking flowers from skyhold’s garden)

[felassan]

no one:

-

DA:TV news: "On the narrative themes of the game: “For DA:TV, from the start one of the biggest themes has been regret; how regret shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets.” Each of the characters, the stories as a whole, have elements of this tied throughout. They really wanted to have this thematic cohesiveness to the game’s story."

-

Tevinter Nights, Callback: “I am the heart of what was here. An echo that has breached the Fade. And I can still the bravest blade or magic. I am Regret! There is so much of me that's here. So much Regret behind these deeds. I wonder if you know the dread that's coming? I am the regret of a god!" Sutherland then cries out, echoing the regret that drew Regret to Skyhold: "I regret! I regret acting alone! I regret using my friends! I regret now!" Regret had never been accepted. Never owned. The regret that had drawn it to Skyhold had a very long memory. For a moment, the sunlight illuminated something within - a sliver of the spirit it might have been. Not the opposite of regret. A different flavor, or shade. Contemplation. Introspection. It felt the echo of the actions that had summoned it. There might have been a better choice, said a thought it had not been allowed. It glimpsed the spirit realm beyond the Veil, and a faraway glimmer. Familiar, and somehow far brighter than what had drawn it here. It knew where it would go. Rat hefted her hammer, brought it down on the demon, and a lazy breeze blew in the garden."

Regret saw a faraway bright light in the Fade / Crossroads when it died? The light called to it and that's where it went, it went home. To a Lighthouse, and a lonely god.

[tovi-paruscyanus]

Skyhold Garden

[gamerism]

↪ DRAGON AGE INQUISITION: SKYHOLD - GARDEN

[mythalism]

seeing people compare inquisition to veilguard (in terms that they're both shit etc.) has me going "get my beautiful wife's (inquisition) name out of your mouth!!"

ill be honest… there are A LOT of things I HATE about inquisition…. like truly the gameplay is a fucking nightmare to me i absolutely despise it. the combat makes me wish for the release of death. the game is far too fucking long. there is so much that just wastes my god damn time. i will criticize that game for literal hours and hours and never get tired. but then…. something will remind me of the 4D mind chess solas bull banter…. the way the candles turn on as you walk past in chateau d’onterre…. a quiet, awkward moment between Alistair and Morrigan in the skyhold gardens talking about their son… leliana reciting the chant in her final moments in a distant, dark future as the thunk of her arrows sinking into a demons flesh punctuates each line… the inquisitor stumbling through the snow as wolves howl in the distance…. hearing about cole leaving plums on the windowsill… finding ameridan frozen in time and hearing him tell my inquisitor who shares his vallaslin on her face to take moments of happiness when she can because the world will take the rest…. seeing the inside of a titan for the first time….. hearing the music begin to build in trespasser as you find the first qunari body…. “could one thing in this FUCKING WORLD JUST STAY FIXED!?”… looking upon the mural of fen’harel removing vallaslin and my heart sinking into my stomach as i felt what my inquisitor would be feeling as the realization hit her….. yeah. anyway. i could keep going but ill stop now. i could not make a list this long for veilguard and that’s the key i guess

[thedragonagelesbian]

YeahTM

cyrus gardening..........

[rennybu]

Gisse Lavellan in Skyhold’s gardens, early in the morning :’~)

part of a gift exchange I took part in! Gisse (they/them) belongs to @tzedekart

[rosieofcorona]

In the Blue Morning

Sharing this gentle little fic here again since the Solavellan girlies (genderless) are so back!!! In my mind I am sliding this across the table to you all. Also on Ao3, if you prefer. As always, thank you for reading! 💕

She cajoles him, some mornings, away from his office, from his maps and his books and his paintings and out among the newly-planted gardens, all their tight, unfurling blooms. 

It’s always empty at this hour, when most of Skyhold is still asleep, save for the guards in their high towers, the recruits in the practice yard. The only sound is the clang of their swords through the mist like distant bells, the only light the pink and gold of the nascent sun.

They have been careful, desperately careful not to draw undue attention, not to generate rumors that could harm the Inquisition in the future. It is easier on the road to find a quiet moment alone– to steal a kiss or hold a hand or put words to their love– but the castle, however safe, is full of eyes, forever watching.

It is only in the narrow, muted hours before dawn that Solas weaves his fingers with hers as they orbit the courtyard, side by side.

He names the blossoms as they pass, first in the trade tongue and then in Elvish, the softened syllables like music on his tongue. She repeats them half as gracefully, but he smiles at every attempt, correcting her gently now and again, praising her efforts.

“Gail’lealis,” he says, pointing out an elegant bellflower, its blue-white petals bundled tightly in green sepals.

It sounds off, even to her ear, when she says, “ Ga’lealis,” back.

They pause for a moment, and Solas turns and bends and plucks an early bloom from the same plant, rotating it slowly between his fingers, holding it up for examination. 

“Ga-il,” he repeats softly, separating the sounds. “Meaning ‘bell,’ in the common parlance.” 

“Ga-il,” she says again, correctly this time. 

“Followed by lealis , meaning ‘glass.’”

“Gail’lealis.”

“Beautiful,” he murmurs, tucking the flower behind her ear, the meaning vague yet all-encompassing. It is all beautiful– the morning, the garden, how she catches the light, his ancient language in her mouth, her mouth– 

Solas kisses her in the empty courtyard, parts her lips with a linguist’s tongue, and she kisses him back again and again as if each time might be the last. He wants to stay like this forever, wants the sun to forget to rise, wants the castle to sleep and sleep in an endless dream.

But the light keeps coming, every moment. The castle will wake, and they will see. 

And this will cost them, in the end. 

She is pink as the sky when they finally come apart, and continue their long walk around. 

“I hear you were out here yesterday,” she says, breaking the silence as they turn a corner. “Cullen says you beat him soundly at chess.” 

“It was a closer game than he thinks,” Solas says, but she has learned when he’s just being modest.

“Must not have been that close, because Bull says the same. As do Blackwall, and Varric, and Dorian, though he swears that you cheated.”  “I did no such thing!” 

When they turn again, the chessboard in question comes into full view, set and waiting on its table beneath an awning. 

“He seemed very certain,” she shrugs. “Though I suppose I could find out for myself.”

They stop again before the table, and Solas looks at her intently.  “Is that a challenge, dear Inquisitor?”

“That depends on your level of skill.”

She’s teasing him now, enticing him, a dynamic he’s come to enjoy. There are so few who impress him with thoughtfulness, who make him work at being clever.

“Very well, but you should know that I am merciless,” he warns, a contradiction to the chivalry of pulling out her chair. “Even to one I love.”

He takes the seat opposite her, the board and the pieces adorned in glittering dew. 

“I believe the Lady Inquisitor moves first.”

He sets a dozen little traps for her, a dozen clever gambits, and she evades them every time, to his astonishment. Where he moves to attack, she counters; where he baits her, she defends or retreats. By the end, with the sun fully risen overhead, they reach a deadlock, both depleted, neither victorious.

“Again?” She asks cheerfully, when they’ve finished. Already she is freeing her captives from his end of the table. “Don’t look so stunned, my love. Unless you’re trying to offend me.”

“Forgive me, vhenan,” he says, shaking his head. “You surprise me as always. It is rare to find an opponent so…discerning.” 

His beloved laughs with the morning breeze, a sound like air that surrounds and envelops him. 

“Rare to find one you can’t beat, you mean.” 

She’s right, of course– it is rare that he loses, even rarer that he plays against someone so evenly matched. He still can’t quite puzzle through it, where he went wrong, where she figured him out. 

He had gotten a lead on her early on, or so he thought– he had taken a tower, a mage, and two pawns– and left his queen open for the taking, which she had entirely ignored. She caught onto him quickly, though too late to win, and when she realized she couldn’t beat him, she had blocked him instead. 

Solas leans thoughtfully back in his chair, replaying their game in his mind. No matter how he tries to beat her, he finds no way through. She sees his scheming, sees him coming, cuts him off. 

“Why did you not take my queen, given the chance?”

“Because you gave me the chance,” she reasons. “You wouldn’t do that except to win.” 

“It could have been a tactical error.”  “It wasn’t,” she says assuredly, resetting the pieces along their battle lines. “If I had taken her, it would have left my king undefended from your mages.”  “You could have moved him.”  “For a turn or two. Then your knight would have circled back. Isn’t that right?” She looks up at Solas, her eyes smiling and sharp, affirmed in her answer already. “Or shall we call that a ‘tactical error?’”

“Mm,” Solas nods his approval. “You’ve become quite the strategist. Have you been spending time with our Commander?”

“I’ve been spending time with you,” she counters. “Learning all your little tricks.”

Not all, it occurs to him, but Solas smothers the thought with a laugh. “It seems to me you have a few of your own.” 

“Our Keeper used to call me harellan,” she tells him. “Trickster. Though I needn’t explain that to you.”

He fights to keep the easy expression on his face, feeling suddenly caught in the snare of her gaze, as if she sees directly through him, sees him fully, all he is.

Harellan, his mind echoes. How could she know?

The wait for her judgment feels infinite, inevitable– but it does not come, and does not come, and does not come. She only moves a white pawn toward the board’s center, the leaves rustling softly around them. 

No, he decides. She does not know. She only means he knows the word. 

Solas mirrors her opening move, their pawns face to face on the battlefield. “And still, your Keeper named you her First.” 

“I was more troublesome as a child,” she says, with a grin that implies that the mischief has never left her. “I’ve settled down a great deal since. Can’t you tell?”

This time, when Solas laughs, there is nothing else hiding beneath it. No uneasy feeling, no great fear that she will discover him, cast him out. There is only happiness for a moment, the war reduced to a board between them, as if sorrow and death are nowhere, and the end of the world is far away.

[dragonageconfessions]

CONFESSION:

Crystal Grace was my favorite herb in DAI. I just found it to be pretty and I always wished we could have had one node of it in our garden at Skyhold.

[vilnan]

ok but shapeshifter sulahna.........