#skas

[caitmayart]

Listen

ok LISTEN

Yes I got to draw these characters but SOME OF THEM are hiding tattoos and hot barbarian bods OKAYYYYY

[gnarlyghost]

SKAblins

Get in touch if you’re looking for some artwork opening commissions again soon

[ubiq80]

Chrissie Hynde (The Pretenders), Pauline Black (Selecter), Debbie Harry (Blondie), Poly Styrene (X-Ray Spex), Viv Albertine (The Slits), and Siouxsie Sioux (Siouxsie & the Banshees), London, 1980

[captainfantasticalright]

The patches and pins on Charles Rowland’s coat!

I didn’t do a whole breakdown of his outfit, but know that he wears red because Charles' hero color is very much red, in honor of his comic book counterpart's red sweater.

Also his whole outfit is inspired by mod and ska subcultures. From the chain, to his earring, to his shoes. Everything is reminiscent of the 80s.

And he maintains the red throughout all the season, to a burgundy polo in ep.3 to suddenly a black one to reflect his turbulent emotional state. Finally coming back to red eventually.

[hard-corp-kimberly]

SHRED

[duckchaw]

Day 22 - Downtime

I wonder what song they'd be listening to

@dbdpromptober

[alterego77]

Day 5: Earring/ AU

[hatekawa]

Secret Krang Apocalypse

(I can't think of a good name rn)

some silly sketches and a short comic from ska au

Next

[sallllltywater]

No one is actually listening…

Comm for fella on birb site

[ostolero]

posting this so it will come up in the ska gif selection. from the reel big fish music video for Sell Out

[skykain]

Mors gym doodle 🐭🏋️‍♀️🐭

[talesfromthecrypts]

Every time you get behind the camera on a film you are, consciously or not, putting yourself and your beliefs into the art, which makes it political. This is especially true for horror. How do you treat your women (boobs in the first 30 seconds on poster), your POC characters (black guy dies first), your queer characters? When your characters are in a country that isn't your own how do you portray the people there? If you're making a slasher what is the final girl's relationship with sex: Jess getting an abortion, Laurie nervous and innocent, Alice having an affair with the man running the camp? How you portray violence, who the violence is directed towards, how you use your nudity, how you shoot your sex, how you shoot your gore. How James Whale being gay or Karyn Kusama being a woman, or Ernest Dickersen being black will change their perspective on the world and how that informs their work. The police mistaking the black man at the end of Night of the Living Dead for a zombie; the Sawyers losing their jobs in Texas Chainsaw Massacre; the way the boys treat Ginger as soon as she's sexually available in Ginger Snaps; Glen/Glenda being gender queer in a wide release horror sequel in 2004; Louis as a slave owner in the IWTV novel vs a black business owner in the show; the characters in X and MaXXXine being porn stars and sex workers. Every building block you use to make your movie is inseparable from the life experiences of the people making it, from the lives you create for your characters, which makes any art you make inherently political. Its also what makes it worthwhile.

[ineedhjalp]

you thought Charles was bisexual because he’s, well, Charles. i thought Charles was bisexual because my colorblind ass mistook his ska pin for a bi pin. we are not the same

[marian-1122]

The Clash in a New York taxicab , 1982 . 

©️ Dave Hogan/Hulton Archive/Getty Images

[canmking]

B o b

M a r l e y