#siu-ho chin

[gifharbor]

TAI CHI MASTER (1993) Dir. Woo-Ping Yuen

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Jet Li, Chin Siu-Ho - Fist of Legend (1994)

[fuforthought]

A super rare pic of Yuen Woo Ping choreographing Jet Li and Chin Siu Ho on the set of Fist of Legend (1994)

[linggluu]

霍少爷厉害

[chernobog13]

Mr. Vampire (1985)

Okay, the little vampire in the 5th gif isn't from Mr. Vampire, but instead from one of the many sequels. The interaction between him and Lam Ching-ying's Master Kau (aka One-Eyebrow Priest) is just too cute. Plus, the little guy doesn't speak; he squeaks.

Mr. Vampire didn't invent the jianshi (Chinese hopping vampires) film genre, but it sure as heck popularized it. The series, and its many imitators (most of which starred Lam as well), was hugely successful. Lam was even acting in a television series based on Mr. Vampire when, tragically, he passed away from liver cancer.

Golden Harvest, the Chinese studio behind the Mr. Vampire series, attempted to remake the film for the American market under the title Demon Hunters, but ceased filming not long after production started.

Since then Michelle Yeoh's production company has teased that it wants to make its own American market remake. However, it's been over 20 years since they made that announcement, and now that Madame Yeoh is an Oscar ™ winner she's probably too busy to do it. However, a remake with her in Lam's role as the Taoist exorcist would be fantastic! Especially if she could leverage a reunion of her old Hong Kong buddies - Jackie Chan, Sammy Hung, Yuen Wan, Donnie Yen, et. al. - to appear in it as well.

A guy can dream, can't he?

In the meantime, if you've never seen Mr. Vampire or any of its sequels, you need to remedy that RIGHT NOW! They are loads of fun, and I think you'll really enjoy them.

[neovallense]

[venomsreviews]

I was watching The Dare Devils (1991). Just for clarification, this is from TVB, so it is not the Venom Mob film from 1979, The Daredevils! Lo Mang and Chin Siu-Ho look so good!?!?!??

[iliketigers]

[baddawg94]

[omercifulheaves]

A movie that features all this AND one of the most clearest examples of “Yeah, that stunt killed somebody.”

The Seventh Curse (1986)

[444namesplus]

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[kashilascorner]

Some losely organized favorites from 2022

Part 1. Films

(see my other 2022 favs here)

1. Shoplifters (dir. Hirokazu Kore-eda)

Bittersweet andfull of soul

2. The tale of princess kaguya (dir. Isao Takahata)

Delicate, stunning, a breathing and beating work of art

3. The personal history of David Copperfield (dir. Armando Ianucci)

Witty, whimsical, funny and tearful it breathes new life into a classic

4. Joint security area (dir. Park Chan-wook)

a thriller with many layers, that stays a tale of brotherhood and borders in its core

5. A Chinese ghost story (dir. Chin Siu-tung)

comedy, romance, ghosts, traditional folklore and the Tao rap, what else do you need?

6. The host (dir. Bong Joon-ho)

a family monster blockbuster, and maybe something more

7. Nothing serious (dir. Jeong Ga-young)

love, solitude and sex in the dating-apps era with just the right amount of comedy and great chemistry between the leads

Special mentions: Encanto (2021), The Wailing (2016), The Housemaid (1960), The full monty (1997), The invisible woman (2013), Glass onion (2022), Only yesterday (1991), Cruel intentions (1999), The green knight (2021), The lunchbox (2013), Velvet goldmine (1998), I'm a cyborg but that's ok (2006)

[boardsdonthitback]

Chin Siu-Ho, Billy Chow - Lady Reporter a.k.a Blonde Fury (1989)

[watching-pictures-move]

Movie Review | The Seventh Curse (Lam, 1986)

We open with a standoff between cops and crooks. The cops have the crooks surrounded but the crooks have a sharpshooter. Our hero, proving what great big cojones he has, enacts a scheme to surprise the bad guys by pretending to be a doctor, but it nearly goes awry when the nurse who's supposed to accompany him turns out to be a pesky reported not in on his idea. What erupts is as rollicking as any action scene in mid-'80s Hong Kong cinema, but it's shot in moody blue lighting and wide angles, as if to let us know something is up. Well, it turns out he has some curse that will cause him to die gruesomely if he gets near a woman, which coincidentally is the exact same reason I'm still single.

So naturally he has to go down to Thailand and investigate an evil cult. We know this cult is evil because they're all about human sacrifices, and when one of the cult members isn't down for doing a human sacrifice, the leader sics a fucked up lizard baby monster on him, which is a great way to settle an argument. It turns out the person they plan to sacrifice is this total babe the hero saw earlier in the water in a see through gown, and he ends up pissing off the cult when he saves her. Imagine the scene in Cannibal Holocaust where Robert Kerman watches some of the cannibals rape a woman without intervening so he could follow them back to the village, and imagine if instead he jumped in to put a stop to the rape, only because he wanted to get with the cannibal woman. To repay the favour, she helps save his life by taking off her clothes, cutting her breast in closeup and feeding him a bloody orb. All of these steps are very important, and this isn't the only time someone eats an orb in this movie. Also, it turns out he still has the curse, and more hijinks ensue. I dunno, a lot of things happen, it's hard to explain.

If I had to summarize this movie's influences, it's roughly a combination of A Chinese Ghost Story and Indiana Jones and the Temple of Doom. It pulls from the energetic visual style of the former, and the action-adventure elements and gonzo luridness of the latter, cranking it up a few degrees in explicitness. (I understand gross supernatural horror was a popular genre in Hong Kong cinema, but I think this one pretty blatantly takes cues from the Spielberg movie.) I do think the action-adventure mold presents a bit of a problem, in that the movie isn't terribly interested in making sense of the curse, meting out explanatory details as a total afterthought, so that the stakes aren't entirely clear. That being said, any story here is clearly a clothesline for the set pieces, and the movie is so packed with incident that narrative flimsiness becomes a non-issue. Every few minutes there's a high energy action scene or two-fisted image to hold your attention. Glowing eyeballs, reanimated skeletons, that fucked up lizard baby monster, torn flesh, worms. It's like the Bulk Barn of action-horror movies.

The bigger problem is that Chin Siu-Ho is pretty bland as the protagonist. He's supposed to be some sort of dashing ladies man, but we never see how smooth he actually is. As the centre of the movie and the person upon whom all emotional stakes are placed, this is a bit of an issue, but his flatness means that our attention turns to the supporting players, and this is a star-studded cast. The posters prominently feature Chow Yun-Fat, but he's really in the movie for a few minutes, popping up sporadically to huff on a pipe, although he does get a great moment in the finale. The role carries the aura of someone calling in a favour, but I like to think that Chow just wanted something to do on his day off and showed up to the set. There are also a ton of smaller roles from recognizable faces (Kara Hui and Yasuaki Kurata as police officers, Chor Yuen and Wong Jing at a party, Joyce Godenzi as a woman the hero tries to pick up, to name a few), but really this movie is Maggie Cheung's show. Her role as the pesky reporter could have been annoying in other hands, but she plays it for maximum goofy charm. Cockblocking the hero at every turn, getting herself into all kinds of trouble, but also saving the day multiple times thanks in part to the shitload of guns she brings to the adventure. A character that's very hard to hate, especially in Cheung's tremendously charismatic hands.

[linggluu]

who picks a fight with a kid on the day of his father's funeral lol 活该

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Rigor Mortis - Filmes Online Fácil

Chin Siu-ho (Siu-ho), é um ex-ator caçador de vampiros, que agora encontra-se chegando ao fim da linha como uma estrela decadente, que também está separado de sua esposa e alienado de seu filho. Sem sorte e com apenas um dólar, ele verifica a sala 2442, de um conjunto habitacional, que é supostamente um apartamento mal-assombrado. Seu objetivo é acabar com sua miséria, mas em vez disso Siu-ho é interrompido por alguns dos outros "ocupantes" do edifício, incluindo um mestre taoísta-exorcista (Anthony Chan), uma dona de casa traumatizada com um passado trágico (Kara Hui), assim como uma mulher idosa aparentemente benigna (Paw Hee-ching), que tem um caixão vazio visivelmente pendurado no meio do seu apartamento.