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captain-bubble-wrap · 1 day ago

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I'm curious how do you think Quinn would handle a breakup? Maybe one where he's being broken up with?

Boy, was this one hard to write... 90% of this is based on my last breakup, so... it's pretty... painful. SO ENJOY my misery! (I gave you a better ending than I had IRL, so you're welcome for that at least.)

"I loved you, I really did."

"It doesn't have to be this way," Quinn begged. "I still love you, Y|N."

"But you don't show it, Quinn. I've been so alone for so long and I just can't put myself through this anymore." Tears had been streaming down your face for several minutes now, since this whole spiraling conversation had started, yet you never broke eye contact with him. You wanted him to know how much this was hurting you to say and just how long you had been carrying the weight of it all.

"I tried to tell myself it would pass. It was this excuse, and that excuse, but nothing ever changed. I just don't think you can handle a relationship and your career right now. I'm tired of lying to myself. I'm tired of acting like tomorrow will magically be better. It's never better."

"Y|N I'm sorry--"

"I'm sure you are, and so am I, but I can't do this anymore. I just can't."

Quinn said nothing, his eyes dropped from your face while he stood there looking completely lost.

"You always say I don't deserve to feel the way I do when I'm down, because you've caused me to feel that way, but that's as far as it goes. Nothing ever changes. It's the same stuff over and over."

"I know, that's on me," he choked out, throat tight with anxiety. "I never intended to hurt you. I didn't think things were as bad as they were. I didn't realize I was hurting you."

You just shook your head in disbelief at hearing him say he hadn't noticed what he was doing to you. "You know, maybe I just asked too much from you. Maybe I demanded too much and you had no choice but to push back. I just don't know."

Quinn's eyes flick back to you immediately, "You were never too much, and I meant that every time I told you -- every time I tried to reassure you. You have always been there for me."

"And what about you? Where were you when I needed you the most? Distant, closed off, out with the guys? Even when you were beside me, you weren't really there. I begged you to do stuff with me and you'd say sure, but something would always come up. It was like you wanted an excuse to be away from me. I understood in the beginning, but fuck! I wouldn't hear from you until the next day. 'Sorry, I fell asleep. I left my phone at the hotel.' How could I not be suspicious?"

"I never cheated on you!" Quinn cried out.

"But, Quinn, the goddamn panic attacks you caused me! That hurt me!" Your voice was so much louder now, straining to remain below a yell. He was a blur in your eyes, with the tears obstructing your vision. "I begged you for the smallest of things! Christ, I'd say, 'good night, I love', and it was like you'd just ignore what I said. You never said anything the next morning! You say you love me, but you're horrible at showing it."

Quinn's voice, on the other hand, was growing smaller each time he had to plead his case. "I never fell out of love with you, Y|N, it's just like we drifted apart. I love how you treat me. I just wasn't used to being treated that way. I'm sorry if it came off like I was pushing you away."

"It was months though, Quinn. Months of feeling like I was the third wheel or just another friend. I don't like feeling so alone in a relationship. It's horrible."

"I don't know what else to say, but I'm sorry. Can I do anything to make this better?"

You were biting your bottom lip so hard when you heard his half-assed apology you tasted blood shortly after. "No, I don't think so. Too much has happened. I never thought we'd come to this. I thought you were going to be the last guy I had to open up to; the last guy I'd have to explain my past to. I wanted you to be my last, Quinn."

"I know, and I'm sorry I hurt you like this. I just got too comfortable and never checked in with how you were feeling. It was selfish of me. I'm not proud of any of this."

"I'm sorry it had to be this way, too. Sorry I had to bring this up out of the blue, but I've just reached my breaking point one too many times."

Even through all of your anger and sadness, you wanted to walk over to him and give him one last hug, but you had to stand your ground or all of these revelations would be for nothing. Too many times before you had talked yourself out of telling him how you had felt, but there would be no going backwards now.

"I've got to put myself first for one," you finally brought yourself to say. "I'll get my stuff out of here while you're on the road."

"Y|N--," he mumbled, his eyes so sorrowful hearing you say your goodbyes, so finite and decided.

"I hope everything works out for you, Quinn. I really do. I hope you find the person that's right for you. Someone who can handle your life and schedule. Again, I'm sorry but that doesn't appear to be me."

That was it. You had said everything you had argued with yourself over for months, in a matter of minutes, and now you were leaving his apartment. You'd linger on your decision for a moment once the door closed behind you, but you had to force yourself to go forward though your heart was begging you to go back.

On the other side of the door, you wouldn't hear him finally break down; his cries unheard and his heart shattered.

You'd reach the parking garage and get in your car but you didn't leave immediately -- almost like you were wanting to see if Quinn was just behind you, but the elevator door never opened. It was for the best. What would you have done if he had? Run back over to him? Say you were sorry? It was best not to think about the what-ifs.

It would hit you, as you rolled onto the street, that the next time you returned it would be to get your things, and likely the last time you'd ever be at his apartment. That apartment held so many memories, both good and bad. It felt more like home than your own did.

You'd find yourself in a silent argument the whole drive home until one song, on your shuffled playlist, catches your ear. It was Venice Bitch, by Lana del Rey, a song you loved until, for the first time, you noticed how much it aligned with your emotions.

"Fresh out of fucks forever, trying to be stronger for you. Ice cream, ice queen... oh god, miss you on my lips. It's me, your little Venice bitch...on the stoop with the neighborhood kids, calling out bang-bang kiss-kiss...and as the summer fades away, nothing cold can stay...you're right, I told you we'd make it work, you're beautiful and I'm insane...we're American made...give me Hallmark: one dream, one life, one lover...paint me happy and blue."

The music swells, as your tears run off your jawline. You loved Quinn so much! He had been the prince you had dreamed of, wished for and what had you done?

"Oh god, love him on my lips...touch me with your fingertips...it's me your little Venice bitch."

You'd pull in your driveway, your forehead resting against the steering wheel while you screamed out in agony at your broken heart. Your body hurt from crying for so long, throat sore from such loud emotions, and chest heavy with anxiety. Eventually, you'd exit your car and drag yourself to your front door. You couldn't just crawl into bed after all of that, you would need help in crying yourself to sleep. So, in the kitchen, you'd go through two glasses of wine while you convinced yourself you were such an idiot. Realizing you had thrown away the best thing to ever happen to you, you would being crying to loudly, it was like you were screaming. It was any wonder you hadn't awoken your sleeping neighbors next door. There was no fixing this now. What was done, was done.

All you wanted was some comfort but there would be no one to give you any. Not now. You felt you didn't deserve it anyway.

Leaving the glass and open bottle on the island, you forced yourself to the bathroom to wash your face. Seeing yourself in the mirror --how broken you looked-- had you been any weaker, you would have thrown something at it to erase the image from your mind. If only it would have been that easy to erase Quinn's sad eyes pleading for you not to leave. You wish you would have just left the light off.

In your bedroom, either out of habit or for comfort you grabbed a shirt to sleep in, which had been one of Quinn's. It hadn't taken long for the slight buzz to affect you but you felt no lighter or less phased by your actions. You wondered if you ever would.

As you figured you would, you'd cry into your pillow until flat exhaustion would pull you into sleep. That was until the buzzing of your phone would wake you from the light slumber. On the screen, "Huggy Bear" illuminated the room in bold, white letters. You ended the call, but no sooner had the phone screen gone black, it was flashing again. Like the first one, you swiped the red button and the ringing finally ceased. The next time the phone would buzz would be from a text notification. The words would send butterflies pulling your heart in one hundred different directions.

"I'm outside. Please, may I talk to you?"

Torn between leaving him out there in the cold, and actually giving him a moment to say what he needed to, you laid there for a few minutes before throwing the blankets aside and stumbling down the hall to the living room. Wiping your cheeks, you unlocked the door to find him standing there, his hoodie pulled up around his messy curls and his eyes bloodshot and wet.

You lean against the doorframe for support; arms crossed in an attempt to hide your deeper emotions.

"Y|N, I don't want things to be this way. I don't want things to end like this."

It was so hard, but you stood your ground, no matter how hard you wanted to fall into his body and tell him you were sorry.

"I'll try harder. I shouldn't have taken you for granted like I did."

Finally, you say something to him with a slight shaking of your head," This wasn't all on you. I asked too much. I'm sorry."

Your stifled cries can't be held back for long, and shortly after apologizing, you cover your face with your hands to hide your crying. Your whimpers stab Quinn in the heart all over again, still feeling he's the sole reason you're feeling this way. He steps forward, and wraps his arms around you. He's so warm against the cold night air, which causes your nails to dig into his back, allowing yourself to return his embrace.

"I'm so sorry! I'm so, so sorry!" You cried out, holding on to him like a lifeline.

"So am I," Quinn whispered in to your ear, trying to keep you from a panic attack. "C'mon, let's get you back inside. Is that okay?"

You'd allow him to guide you back into the warmth of the your house. He would be the one to shut and lock the door, and through all of that, he'd still keep you pressed against his chest.

"I never wanted to make you cry," he confessed, never realizing how much he could miss the feeling of you in his arms.

"I can't believe I hurt you like that, Quinn," you replied, hiding your face from his.

"Don't apologize, please." he said, nearly on the brink of tears himself. "I'm sorry I hurt you so much that we even got to this point in the first place."

The fact that he had even wanted to see you, to drive outside of the city to get to you, and above all else, not telling you how much of a horrible person you had been, spoke volumes of Quinn's willingness to be better for you. He wrapped both arms around you tighter than he ever had before. You were shivering, wearing nothing but that oversized t-shirt, but you didn't care; being cold wasn't going to take away whatever this moment was with Quinn.

"Are you okay?" He asked, running a hand up and down your spine. "You're shaking."

"I don't know."

"Come on, pretty girl, let's get you back to bed, hm? If you'll let me."

You nod, but were still reluctant to let go of him. Now you were forced to face him and it felt terrible to still see him looking so heartbroken. His cheeks were still wet with fresh tears, as he had apparently been silently crying while he had been holding you. You touched his face and his eyes closed against your touch.

"I'm sorry."

His eyes would open again, and he would try to smile for you. "I'm sorry, too."

Without another world, Quinn would guide you back down the hall to your bedroom, rather familiar with where everything was in the house. The light was off, your phone lay in the middle of the bed with the screen on. Your wallpaper was a picture of Quinn and yourself at last year's Stanley Cup playoffs, and it was the only light in the room. Quinn would click on one of the bedside lamps before reaching for your phone.

"I always loved that photo," he said, lingering on the photo for a moment before shutting off the screen and laying it next to the lamp.

You'd crawl into the bed and he would move to tuck you in, "I don't want you to hate me, Quinn."

He'd stop moving to return his eyes to your face. "I don't, sweetheart. I don't think I could...ever. It hasn't crossed my mind."

"But--"

"I'm not upset with you, baby. This is on me. What you said was true: I should have paid more attention.

You gasped through the beginnings of another crying fit, "I don't deserve it!"

"Shh, shh," Quinn leaned forward to cradle your face with his hand. "I needed to hear it, baby. The truth hurts sometimes. I'll be okay once you are."

"Will you-- will you stay tonight?" You asked, terrified he could possibly deny your request, trying to stop crying.

"Of course," he managed to actually smile. "I'd love to."

"Quinn, I'm so--"

"It's okay, it's okay. We've both said it enough."

You'd sniffle with an added nod as he pulled back the covers to get in next to you. He'd turn off the lamp before you found your place against his chest.

"I'll be right here when you get up, okay?" He assured.

"Promise?" You mumbled.

"I promise. I also promise not to make you feel like this again."

You didn't know what to say. It was like he had completely forgiven you for everything. "I don't want to lose you."

"You haven't sweetheart. I'm right here," he said, running a hand through your hair. "I love you."

Quinn's admission made you cry again, "I love you, too, baby."

"Shh, shh, you don't need to cry. I'm right here. I'm yours as long as you want me."

#💌maven's love notes #quinn hughes #quinn hughes imagine #quinn hughes x y/n #quinn hughes x reader #quinn hughes one shot #quinn hughes fanfiction #quinn hughes fic #hockey imagine #hockey oneshot #hockey fanfiction #hockey fic

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yuikomorii · 3 days ago

Text

AYAYUI IDOL AU: Chapter 3

// Sorry for the delay; I had some things to take care of, so I couldn’t focus on writing the fanfic. But~, I finally finished the 3rd chapter and even started working on the 4th one… ohoho, that one’s going to be interesting. 👀

Chapter 1, Chapter 2

Place: Rejet Labels building

Ayato: A hotel, huh? Well… whatever they will make us do there, it can’t be that bad, right?

Subaru: Dunno about you, man, but as soon as I know I’m being filmed, I’m pretty much doomed to mess it up.

So yeah, it actually is that bad for me!

Ayato: Haa… relax a little, will you?

At least you’re not going to be stuck on the farm like the Hyung line. If you think working at the hotel sucks, imagine milking cows in the middle of a mud pit!

Subaru: Eww! G-Gross!

Ayato: Yeah, exactly! So, quit whining!

Subaru: Heh, I gotta wonder how they even convinced Reiji to go there. Knowing him, he wouldn’t last five minutes in a place like that!

Ayato: I bet the manager kept the farm thing a secret. If Shu knew, he would have faked being sick in a heartbeat!

— someone spies on them —

???: Hmm…

Kanato: Laito, what on earth are you doing?

— Laito flinches —

Laito: Oh my…— Kanato-kun, didn’t your parents teach you about not interrupting people when they’re in the middle of something~?

Kanato: Well, I’m sure your parents made it very clear that spying on people isn’t appropriate either, but here you are, completely ignoring that little life lesson.

Laito: Nfu, touché.

Kanato: Now tell me, what is this all about?

Laito: Nothing important~. I’m just trying to figure something out.

Kanato-kun, don’t you think Ayato-kun has been acting a bit… different lately?

Kanato: That depends. What exactly do you mean by "different"?

Laito: Isn’t it obvious? It feels like he started ignoring me.

Kanato: That might just be your imagination.

Laito: Hmm… Something still doesn’t sit right with me.

Kanato: If this is causing you so much concern, it would be best to ask Ayato directly what’s going on with him.

— rolls eyes —

Laito: ( You don’t get it. )

Place: Hotel

Co-worker 1: They’re on their way!!

Co-worker 2: Someone, pinch me! I’m about to faint!

Yui’s monologue

Today is the big day!

The hotel staff has been working tirelessly ever since they got wind of the idol announcement.

They’ve been running around, handling everything with meticulous attention to detail, so as to make sure that everything runs smoothly.

I still can’t wrap my head around the fact that I’ve only been in Tokyo for less than a week, and now I’m about to meet two members of one of the biggest groups at the moment.

It somehow feels surreal…!

Although, I really do wish Hana-san could be here as well… She’s the one who deserves to see Ayato-san in person more than I do. But, I suppose there’s nothing that can be done about it.

For this reason, I genuinely hope I’ll be able to get that autograph for her.

Receptionist: This is bad, this is really bad!

Yui: …!

Did something happen?

Receptionist: Unfortunately, yes! Our porter fell down the stairs while getting ready and broke his ankle.

He won’t be able to come in today, and with all positions already filled, it will be impossible to find a replacement!

Yui: Oh no… That’s awful!

( Everyone has put in so much effort to make this day perfect, and it’s just so unfair for something like this to happen out of nowhere! )

But... is there really no one available to pick the luggage and take the boys to their rooms? I don’t think it would take too much time, and the person could easily get back to their usual tasks afterward. Surely someone can step in, right…?

Receptionists: If you’re so confident about that, why don’t you volunteer then?

Wait— That’s it! You could totally do that!

Yui: M-Me!?

( This is not the way I was going for! )

Receptionists: Exactly!

You're a work-exchange girl, right? Your role in these tasks isn’t as crucial as an actual employee’s, therefore your presence isn’t that essential.

That means you could skip whatever task you're doing and step in as the porter today before anyone even notices!

Yui: ( Did I just get called ‘useless’ indirectly? )

I… I would love to help in this situation, but, I’m sorry, I’m not qualified enough for such a job.

( I doubt I would be able to carry the luggage to begin with. Who knows how heavy they are with everything packed inside? )

Receptionists: I beg you, Komori-san!

If you’re worried about whether a girl can handle it, these boys will just stay until tomorrow. They most likely won’t have a lot with them.

Yui: Uuh…

( If it’s just for one day… )

— sighs —

Alright, I accept.

Receptionist: Thank you… Thank you so much!

If there’s any way I can repay you for this, just let me know!

Yui: Ah, there’s no need to. I know you’ve all been working hard for this, so it’s the least I can do.

Receptionist: Well, on a positive note, you'll be the one leading the boys to their rooms, which definitely makes you luckier than the rest of us.

I think this experience alone is rewarding enough, fufu.

Yui: …!

( Wait, I hadn’t really thought about it like that— This will be the closest anyone in the hotel gets to them today, won’t it? )

( I know I should be excited about it, especially since I’ll be able to ask for that autograph for Hana-san, but... ah, I’m feeling so nervous all of a sudden! )

Receptionist: ( The limo arrived! )

Komori-san, go to the hallway!

The driver will soon bring their luggage there, where you’ll have to wait for them. Once they enter, the hallway entrance will automatically close, and then the three of you will head towards their room.

— lends her keys —

I hope the instructions were clear enough. Good luck!

— Yui nods and quickly leaves —

Place: Hotel hallway

Yui: ( Phew, I can’t believe I made it in time. )

( I’m already starting to hear voices, so they must be clo—— )

— entrance opens —

Yui: …!

Ayato: ( Is that… a girl? )

Subaru: ( Hah!? Who even thought it would be a good idea to make a girl a porter? Can she even lift our stuff—? )

Yui: ( No way… they’re even more handsome in real life…! )

( I’d better avoid looking at their faces, otherwise I’ll get too nervous to even concentrate! )

W-Welcome to the “Yume no Mori” hotel. It’s a pleasure to have you here!

— bows and takes luggages —

( Hooh… heavy! )

Please, follow me.

— they start walking —

Subaru: ( Dunno if it’s just me, but I’m low-key starting to get second-hand embarrassment watching her struggle like that. )

Ayato: ( Why would they even hire such a weakling for this type of job? I thought this was supposed to be a 5-star hotel, but maybe they’re just out of budget or something? )

Yui: ( The receptionist told me they’ll be leaving tomorrow, but what on earth did they even pack in these things? My arms feel like they’re about to fall off! )

Subaru: Oi! You… Do you need help?

Yui: Eh?

— looks up —

Ayato: ( Subaru, what are you doing? )

— brushes his hand off —

Can’t you see? This is her responsibility, not yours, so let her do her job.

If she’s not capable of taking it seriously, then she just shouldn’t be working here anymore and risk damaging the hotel's reputation.

Yui: ( Such cold words… )

( While it’s true that I’m not cut out for the porter job, saying something like that to someone is simply uncalled for…! )

A-Anyway, thank you, but there’s no need to. We just arrived to your room.

— opens door and hands them keys —

By the way… I would like to apologize for my poor performance.

The truth is, I am deeply grateful for this opportunity and I——!

*THUD*

( Did they just… slam the door in my face? )

Place: Hotel room

Subaru: Man, the hell’s wrong with you?

Ayato: With me!? You’re the idiot who offered to do her job in the first place!

Subaru: I was just trying to help, okay!? Am I not allowed to do anything without getting chewed out for it now?

Ayato: Tch… you’re so oblivious that it’s giving me a headache. This person works at one of the most prestigious hotels in Tokyo, she should know better!

Imagine putting your trust in someone, only for them to screw up so badly that it could end up destroying everything.

Subaru: But she didn’t even screw up, she was just struggling, that’s all!

Seriously, what’s going on? All this time, you’ve been known as the friendliest person to the fans. You even helped the bodyguard hold the concert fence, for crying out loud!

So what’s with this sudden shift in attitude, huh?

Ayato: That’s…— Well, things have changed! There’s a lot more going on behind the scenes that you don’t even see.

If I keep acting as I once did, the consequences won’t just fall on me—they’ll affect all of us, understood!?

( I just can’t afford to be selfish again… The choices I make now have an impact on others, and I have to be more mindful of that. )

Subaru: I mean… if you put it like that, it makes sense, but you still shouldn’t lose yourself in the process, y’know?

At the end of the day, no matter how much someone screws it up, we... we’re a team, so yeah, we’ll have to find a way to fix it together, I guess.

( Damn, I'm really not good at putting these things into words! )

Ayato’s monologue

"We’re a team."

Those words are supposed to be reassuring, but why do they only make me even more nervous…?

What will truly happen if I put the group in danger, huh? Will they really back me up, or just turn their backs on me?

Shu doesn’t seem like the type to overlook such mistakes—he basically said as much the other days.

As for Reiji and Kanato… Yeah, forget it. They’d make it sound even worse.

And Laito… he’s the one I’ve always been closest to, but even with him… I don’t know. A part of me can’t shake the feeling that if it came down to it, he’d take their side too.

So that only leaves Subaru.

However, knowing him, he’d probably just end up jumping on the bandwagon too. No way that guy would want to be seen as my accomplice or something like that.

Haa… that would indeed be an uncomfortable situation.

After all, no one likes to have shade thrown at them.

…!

( Wait—! )

( Exactly! No one would like that! )

— stands up and heads towards door —

Subaru: Oi, where are you going—?

Ayato: I have to solve something, I’ll be right back.

— leaves —

Subaru: Ok…?

Place: Hallway

Ayato: ( That’s true, I was too harsh on the porter. I didn’t stop to think about what she might have been going through. )

( Maybe she was having a bad day and by letting my own irritation get the better of me… well, I must have surely made it worse. )

( I mean, if I were criticized, I’d feel like crap too. It’s obvious nobody enjoys being judged, especially when they’re already struggling, right? )

( And yet… I did exactly that to her. )

( So yeah, I’ve gotta fix this! I’m going to find her and apologize, even if it’s super awkward. )

Oi, porter!

Author’s note:

*If you forgot what happened in the first chapter and are wondering why Ayato and Yui don’t recognize each other, well that’s because Ayato was wearing a mask and a cap back then, and they were also in the dark, so they couldn’t notice each other’s features well.

#diabolik lovers #yui komori #ayato sakamaki #dialovers #ayato x yui #ayayui #admin #my fanfic

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writing-the-stars · 3 days ago

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Hiii! You’re fics are amazing i’m in awe of your writing & the tension that you build between characters💞

I was wondering whether you could write an Aaron Hotchner fic which maybe follows on from your most recent fic about him, where Aaron and reader have their first kiss. I feel like it would all be in the little moments, like him being so gentle & reader being so nervous 🥹🥹🥹

Unraveled, Unveiled

Pairing: Aaron Hotchner x Reader

Summary: After finally breaking through Aaron Hotchner’s walls, a quiet, undeniable tension begins to build between you— one that can no longer be ignored. What starts as an evening of uncertainty and vulnerability gradually unravels the emotional barriers between you both, leading to a deeper connection neither of you expected.

Warnings: Angst (But it's not that bad. They're just nervous and awkward), Fluff, No Use of Y/N or Physical Descriptors (Hotch does call reader beautiful though), Smooching. Let Me Know If I Forgot Something

Word Count: 4.3k

A/N: Hi Anon! I was so excited to see your message in my inbox!! Thank you for requesting this!! Honestly, so happy you all loved my previous fic so much and I am so appreciative of the support! This is a continuation of the previous fic, but can be read as a stand alone. Thank you all so much for reading! I hope you enjoy!! Have a wonderful day!

Masterlist | Criminal Minds Masterlist

There’s a familiar tension in the air of the bullpen—the kind that comes with working a case. This one, a series of abductions around McLean, Virginia, has a particular edge to it. While a local case makes it easier for the team to collaborate, it still never sits right when the danger is so close to home.

A flurry of activity surrounds you—agents moving in and out, phones ringing intermittently, the steady clicking of keyboards and pens. Yet, despite all the motion, your attention is elsewhere.

You sit at your desk, eyes skimming through the case files in front of you. But you’re not really reading. You’d like to blame it on the exhaustion you’re experiencing from the long hours of work, but it is something else entirely— a subtle pull that keeps tugging at you, an energy that hums quietly beneath your skin.

Across the room, you find the source of your distraction, Aaron Hotchner, standing near the whiteboard. His posture is stiff with concentration as he discusses how the latest victim correlates with the other abductees. His usual commanding presence is softened tonight, more by the weariness of the case than anything else. But his jaw remains tight with that familiar, quiet intensity.

The air between you has shifted ever since that quiet night in his office—a soft electric current that pulses in the spaces between your words. It fuels the quiet moments, sitting in the presence of each other, silent exchanges unnoticed by your unwitting team. The stolen glances, charged with something deeper than the usual camaraderie you used to trade. The brief brush of his hand when he passes you by. It’s consuming, this energy growing between you, undeniable.

As if pulled by the same magnetic undercurrent, his eyes meet yours and your heart stutters caught in that spark. His gaze lingers, longer than it normally would, eyes skimming every part of you before quickly snapping his attention back to the board— your shared moment of connection ending just as quickly as it began.

You lean back in your chair, case files momentarily forgotten as you let the cool air from the ventilation above wash over your face. Everything in the room feels louder now, sharper. Your heart squeezes at the thought of what’s to come. In the week that’s passed, things have been quieter. No grand gestures. No long talks about where things are going. You aren’t trying to rush anything. You know Aaron needs time, but you’d be lying if you said the burgeoning tension wasn’t about to make you snap. You long for a space with him where case files don’t matter, where the professional boundaries of the BAU are nothing more than an illusion. Somewhere far from the constant pressure of work—where you can just be.

Deciding you have spent far too much time ruminating over this, you sit up, ready to return to your case files, and are surprised to find Aaron’s eyes already on you. He doesn’t smile, doesn’t even seem to breathe for a moment, but there is a flicker of understanding there. A soft, unspoken promise.

And then, the text.

“How about I pick you up at 7:30 tonight? I’ll take you to dinner— just us. No cases.”

The words are simple, but the implications hit you all at once. Aaron Hotchner wants to take you on a proper date. The realization makes you feel suddenly vulnerable. Nerves pulse through you, but you can’t help the flutter of excitement that curls in your gut. You’ve been waiting for this.

-*-

As 7:30 draws near, you find yourself standing in front of your hallway mirror, second-guessing every outfit you own. Is it too much? Too little? Will you seem too eager? Or too reserved? You want to look nice, but not like you tried too hard—something that says this didn’t take nearly as much effort as it actually did.

After your fourth change, you finally settle on a simple look: the outfit you wore to your cousin’s wedding a few years back. It’s one of your nicer outfits, but you can’t help the small seed of doubt that lingers. You’ve never worn anything like this in front of Aaron before. Usually, it’s sharp business attire, tailored suits, and the professional look you know best. But tonight? Tonight is special. You want your appearance to match the moment.

There’s a knock at the door, and your stomach flips. It’s time— no more second-guessing. You take one last glance in the mirror, smoothing a hand over your hair, and open the door.

There he is.

Aaron Hotchner stands in front of you, and for a moment, your breath catches. His usual impeccable suit has been swapped for a crisp button-down shirt, the sleeves rolled up just a touch, paired with well-tailored slacks. But it’s not the way he looks that steals your breath; it’s the way he’s looking at you. His gaze trails over you, not overtly calculating, but with something more subtle, more intense. There’s awe in his eyes, and for a moment, it’s as if he forgets how to breathe. His lips part slightly, like he’s about to speak, but the words get stuck in his throat.

The sight of you standing there, bathed in the soft light of your hallway, makes his heart stutter in a way he hadn’t anticipated. Your outfit is simple, but somehow, it accentuates everything that makes you... you. Aaron has always admired your professionalism, your sharp mind, and the way you carry yourself. But now, something else hits him— your grace. It’s as though he’s seeing you for the first time— not just as his colleague or close teammate, but as you. And he can’t help but think how stunning you look.

He swallows, forcing himself to regain his composure.

You feel your pulse begin to thrum, a nervous flutter you can’t quite control. You knew he’d be here, but seeing him now— seeing him look at you like this— is a shock to your system.

You swallow and break the silence. “Hi,” you manage, even though it feels like the most inadequate word you could say in this moment.

“You look…” he falters, his voice deeper than usual, a slight rasp. He clears his throat, but there’s no masking the way his gaze softens as he looks at you. “You look beautiful.”

The compliment is simple, but the way he says it— like everything else between you and him— feels loaded with meaning. The words settle into your chest, warm and comforting. No one’s ever made you feel seen quite like this. No one ever looks at you the way he does now, like you’re the only thing that matters in this space.

An uncontrollable smile stretches across your face, warmth pooling in your chest. You try to calm yourself. This is just Aaron. Just Hotch. You’ve worked together for years. You’re friends. But this? This is something different. And everything about tonight feels new.

“Thank you,” you reply shyly, wishing you could say more— something that could convey how much his words mean to you. But you’re not sure how to verbalize it, how to make sense of the nerves suddenly wreaking havoc on you.

He smiles, a small, genuine smile that makes your chest tighten. It’s a rare crack in his professional exterior. His gaze flickers down to your lips for just a moment, a quiet hesitation before he meets your eyes again. The silence stretches between you—almost too long—before he reaches for you with a gentle, almost hesitant gesture. His hand is steady, but you catch the slight tremble in his fingers.

“Shall we?” he asks, the words hanging in the air like a soft invitation, a gentle nudge into the unknown.

With a nod, you slide your hand into his and allow him to lead you to his car. Like a true gentleman, Hotch opens the car door for you, letting you slide inside before he closes it gently and moves to the driver’s seat.

You buckle your seatbelt, your hands trembling slightly as you adjust it, but it’s hard to focus on anything other than the way Aaron sits beside you. He starts the engine, the soft hum of it filling the car, but it’s as if neither of you knows what to say. The conversation between you, usually easy and casual, feels foreign now.

You glance at him— he’s focused on the road, his jaw set, his hands gripping the steering wheel, but there’s a tightness in his posture that wasn’t there before. You’re used to Aaron’s stoic, controlled demeanor, but now, there’s a slight edge to his movements, a quiet nervousness that surprises you.

For once, Aaron doesn’t feel like he’s in control. He doesn’t feel like the Unit Chief of the BAU or the calculating prosecutor he once was. He feels like a man standing on the precipice of something new— and he doesn’t know how to navigate it.

He didn’t expect this. Didn’t expect to feel so much. But this is just like him, always a step behind when it comes to his own emotions.

He steals a glance at you, only to find you already looking at him with that same wide-eyed gaze he has come to adore. A small smile tugs at the corner of his lips. He thinks back to that fateful day, the moment he feared he would lose you— that you would never look at him that way again. A frown tugs at his lips. His grip on the steering wheel tightens. He had come so close to watching one of his greatest fears come to life.

You feel the drastic shift in Aaron’s demeanor, the subtle change as his tension takes on a darker form, something more than just nerves.

“You okay?” you ask softly, your voice barely above a whisper, but it’s enough to break the quiet bubble between you two.

He glances over at you briefly, his dark eyes catching yours for a moment, and there’s something unspoken in that brief exchange. His expression softens, and his hand— still on the wheel— flexes slightly before he answers.

“I’m fine,” his voice is calm, but there’s an underlying warmth in it now— something unguarded, vulnerable. “Just…” He hesitates, and you can almost see the wheels turning in his head as he tries to find the words. “Just glad to be here with you.”

You blink at the simplicity of his words. It should’ve been obvious, but you hadn’t expected him to be so open— so real— about it. You nod slowly, a smile tugging at your lips.

“I’m glad too,” you reply, and the words feel more truthful than they ever have before.

-*-

The restaurant is quiet, intimate—just the right place for a first date between two people who have spent more time working together than anything else. The low hum of conversation and the clinking of silverware fills the air, but in your small corner booth, it feels like the world has narrowed down to just the two of you. No team, no cases, no distractions. It feels like the first real moment where you can both breathe without the weight of the world on your shoulders.

Aaron is polite, professional, just like usual, but there’s still an edge to him that wasn’t there before. His movements are slightly more careful, his glances lingering just a little too long. It’s subtle, but you can feel it. The air between you feels thick with unspoken words, with things that haven’t yet been said— haven’t even been acknowledged.

An unexpected shyness swells up inside you. The weight of this moment finally settles over you. You had longed for a moment like this. A chance to be with Aaron in a more intimate setting, to step away from the roles you’ve both played for so long, to just be. The chemistry between you, the moments that lingered just a little too long, the small touches that didn’t feel quite so professional anymore— these things have been building to this exact moment. But now that it’s finally here, you’re terrified.

Not of Aaron. Not of the way he looks at you, but of yourself.

What if you ruin it? What if this is just a fleeting moment of warmth and compassion on his end? What if it’s an illusion that will vanish just as quickly as it appeared? And if it does— what will that do to you? To Aaron? To the team?

You realize just how fragile the balance you and Aaron have been maintaining is.

You reach for your napkin, fingers restless as you fiddle with the edges. You haven’t been on a date in years— not since college. Back then, everything seemed so simple. You were so carefree, your heart open and unafraid of the consequences. But now, everything is complicated. With all the history between you and Aaron, the stakes feel higher, the potential for things to go wrong just a little too real.

You shift in your seat feeling the awkwardness of the space between you. The tension between you both builds with every passing minute, the unspoken words sitting between you like a quiet invitation.

Clearing his throat, Aaron breaks the silence.

“Jack really enjoyed that recipe you gave me. Although I’m sure he’d much prefer it if you made it instead of me.”

You laugh, a genuine sound that has Aaron’s chest tightening in a way he isn’t ready to admit. There’s something about it— your laugh that feels more open, more real than the usual quick exchanges you share at work. You seem more... vulnerable tonight. Softer, in a way he wasn’t prepared for.

“Well, you earned Jack’s approval, so it sounds like your version is just as good,” you tease, but the smile you share with him falters for just a second. There’s a certain hesitance in your eyes, an unease that he can see you try to cover up.

But it’s there, unmistakable.

The silence falls again, this time a little heavier, a little more awkward. You take a sip of your wine, the cool liquid offering some comfort as you try to find your footing again. Aaron, ever the profiler, picks up on every shift in your body language. The tightening around your eyes, the slight tension in your shoulders, the way your gaze flits to his face before bouncing anywhere else. This is a reaction he didn’t expect. You’ve always been calm, collected, and self-assured. But tonight, you’re something else— he can sense the uncertainty beneath the surface.

Aaron had been so focused on his own nerves, on maintaining control. He never stopped to consider that you might be feeling just as uncertain as he is. It’s a humbling realization.

“What are you thinking about?” The question comes out softer than he intended, like an invitation to share something more than just surface thoughts. You realize, in that moment, that Aaron is asking for something deeper than just a simple response. It surprises you, though it really shouldn’t.

You meet his gaze, and it pulls you in, making you feel like you can’t hide behind your usual calm demeanor. “Nothing really... just nervous,” you admit, a shy smile spreading across your face as your eyes flicker down to your wine glass before meeting his again. “I’ve never really done... this before.”

Aaron’s brow furrows at the confession, and for a split second, his mind scrambles to find the right response. “A date?” His voice is soft, unsure if he should push or give you space.

You chuckle, a little self-deprecating, like you’re embarrassed by your own admission. “Well, no. Not since college. It’s been a while,” you confess to him, your fingers absently tracing the rim of your glass.

The revelation hits Aaron with an unexpected weight. He hadn’t anticipated this— hadn’t considered that you might be just as vulnerable as he is in this moment. It stirs something protective within him, an instinct to shield you from the unease you’re clearly feeling, though he doesn’t quite know how to do that yet.

“I’m sorry. I didn’t realize I was the one giving you nervous butterflies.”

There’s a playful edge to his voice, but it’s gentle—reassuring in its own way. He’s trying to lighten the mood, trying to ease the tension. He wants you to know it’s okay to be this nervous, that it’s okay for both of you to be feeling your way through this.

You laugh again, the sound more relaxed this time. It feels good to admit it, to share something so personal with him. Something that feels so... human.

“It's not you,” you clarify quickly, shaking your head with a soft smile. “It’s just... been a long time. And this is, well, different.”

Aaron leans in slightly, as if trying to understand the weight of your words. “Different how?” His voice drops, a hint of curiosity threading through the quiet.

You hesitate, searching for the right words. You weren’t expecting this kind of openness from him— this willingness to understand what’s remained unspoken. It makes something in your chest loosen. But you’re not sure how to articulate it. Not entirely. So you start slow, the words coming out haltingly.

“I don’t know,” you say finally, feeling the weight of it as it settles in your chest. “It’s just that... all these years, we’ve always been on the same team, right? Always professional, always focused on the job. And now...” you shrug, a little self-conscious, but there’s a warmth to your smile as your eyes meet his. “There’s a new dynamic here, and I’m not sure how to handle it.”

Aaron watches you for a moment, absorbing what you’ve said. He feels a slight shift inside him, a slow understanding of the weight of what you’re saying. You’ve never hesitated before, never seemed unsure. And now, here you are—open, fragile in a way he’s never seen. It makes something twist inside him, protective and tender in equal measure.

“I get that,” he says quietly, his voice low, steady, “I’ve been feeling it too.”He pauses, then adds with a half-smile, “Though I didn’t think you’d be the one who needed more time to adjust.”

That pulls a soft laugh from you, the tension easing from your shoulders. You shake your head in mock exasperation. “I didn’t realize you were so smooth. But now that I know you’re actually just as nervous as I am...” you raise an eyebrow, teasing him a little, the playful banter easing the air between you.

Aaron chuckles, his eyes warming in response, “Guess we’re both pretending to be less nervous than we really are.”

The way he says it, so openly, makes your heart settle a little. You take a small sip of your wine, considering your next words. “I didn’t think we’d ever get here,” you admit quietly, your voice soft, unsure. “I mean, I had let myself hope, but with everything that’s happened.”

Aaron’s expression softens, and there’s a quiet understanding in his eyes. “Yeah. I’ve thought about that too,” he murmurs, his jaw tightening just a fraction, as if the memories are sharper than he’s willing to admit. “We’ve both been through a lot. And I wasn’t sure what this... us could look like.”

The rawness of his words catches you off guard. There’s an honesty in them that feels almost like a relief. This isn’t just a date. It feels like a kind of truth that has been long overdue— something neither of you has ever fully addressed, but always carried.

“And now that we’re here,” you say softly, your voice tentative but sincere, “What do we do with it?”

Aaron exhales slowly, leaning back just slightly, his gaze flicking to the table before returning to you. There’s something different about the way he looks at you now, as if he’s no longer trying to figure out the next step, just... accepting it.

“I don’t know,” he admits, his voice steady but with a hint of vulnerability. “But maybe... maybe that’s the point. We don’t need to have it all figured out right now.”

The weight of his words lands between you like a small relief, a shared surrender. The uncertainty, the not-knowing, doesn’t feel heavy anymore. It feels like a mutual acceptance, a quiet understanding that, for tonight, it’s enough to just be here. To let whatever happens next unfold without needing answers.

“I think I can live with that,” you murmur, smiling softly, your heart still beating a little faster than usual.

Aaron gives you a small smile, that familiar flicker of warmth in his eyes. The air between you both shifts again, this time more relaxed, less tense. There’s no more pressure, no need to define everything in this moment. Instead, it’s just the quiet promise of now, and maybe, just maybe, that’s all either of you needs.

The rest of dinner passes in a warm blur. The nervousness from earlier dissipating. You begin to feel more at ease, more sure of yourself in his presence. His presence has always had a grounding effect on you, but tonight is different. There’s no longer any distance. No professional separation.

He listens intently when you talk, eyes never straying from your face. There’s something about the way he is so present with you— like he’s hanging on to every word, absorbing everything you give him.

And when he laughs? When he smiles like he truly means it— it’s a rare thing. It makes your heart flutter. It’s the first time you’ve seen him so... unshielded. No armor. No walls. Just Aaron.

As he walks you back to your apartment door, you can’t stop thinking about him. About the way he looked at you all evening, like he was struggling to maintain control. But even through his efforts, you could see the way his gaze kept drifting over you, lingering just a bit longer when he thought you weren’t looking. There was something in it— something that made your heart flutter, a warmth spreading through you.

“I had a really great time tonight, Aaron,” you tell him once you reach your door, your voice soft but sincere.

Aaron smiles at that, his heart inexplicably light. “I did too.”

And then, his hand brushes yours, and suddenly you’re aware of how close you are. The contact is small, but it feels like everything. It sends a jolt through you, and your pulse quickens— nerves, anticipation, excitement all rushing through your veins.

You had wanted this. Wanted him. But now that you’re standing here, so close, it feels different. More real, more tangible than you ever expected. You’re afraid to move forward— afraid of what could come next.

And yet, in the silence, you don’t need to say anything. You feel it— an unspoken invitation in his eyes. The way he steps closer, ever so slightly, until there’s no more space between you. Aaron understands exactly what you want.

“Can I…” he hesitates, his hand lifting slowly, then pausing for just a moment before it gently cups your cheek. His touch is so soft, so tender, like he’s waiting for permission. Like he’s afraid to rush this. You feel the warmth of his breath against your skin, the scent of his cologne— familiar and comforting— encapsulates you, making your pulse race. His chest rises and falls just as erratically as yours.

You lean into his touch, your eyes fluttering closed, the warmth of his hand against your skin a silent promise.

The world seems to pause just before his lips touch yours, and for a breathless moment, you’re not sure if it’s the right decision. But then his lips are there— soft, gentle, asking without words, and you know it’s the only choice that matters.

It’s tentative, careful. He’s holding back, as though afraid you might break. But the tenderness of it only makes the ache inside you deepen. You’ve waited for this. Both of you have, in your own ways. And here, now, it’s finally real.

You kiss him back with all the softness you had been holding inside, feeling the months of longing, of unspoken desire, finally spilling out. It’s nothing like you had imagined. No fireworks. No grand, sweeping declarations. It’s tender. It’s soft. But it’s everything. It’s an unspoken conversation between the two of you. An acknowledgment of everything that’s been left unsaid, of the quiet trust between you. Of how, despite everything— despite his professional walls, despite the stakes of your job— he’s letting you in.

The way he holds you so carefully, like you’re something precious. The way his lips move against yours, as though asking for permission, as though he doesn’t want to take anything from you— just offer it.

His hand moves to your cheek, his thumb brushing the curve of your jaw, a touch so intimate, it feels like a promise. The kiss deepens just slightly, but there’s no rush. It’s everything you’ve wanted without either of you saying a word.

You pull away slowly, forehead resting against his absorbing the intimacy of the moment.

“Wow,” you whisper, the words escaping before you can even think about them.

Aaron chuckles softly, a quiet sound that makes your heart flutter. “Yeah,” he agrees, his voice thick with emotion.

With a final, tender smile, he leans in to kiss your forehead, a gesture so intimate it almost feels like a promise. He steps back slowly, eyes holding yours as if making sure you know he’s leaving, but he’s not really leaving.

“Goodnight,” he says softly, voice hoarse.

“Goodnight, Aaron,” you smile, the dreaminess of the moment filling you up, still feeling the warmth of his kiss lingering on your skin.

As you close the door behind you, you lean back against it, your hand resting for a moment on the handle. Your heart is still racing. You hadn’t expected a kiss like that—gentle, sweet, full of promise. But as you sink back against the door, a soft, satisfied smile tugs at your lips.

It had been worth the wait.

If you want to be a part of my taglist, please submit an ask specifying series, fandom, or all and I will happily add you!

#aaron hotchner #aaron hotch hotchner #aaron hotchner fanfiction #aaron hotchner one shot #aaron hotchner fic #aaron hotchner x reader #aaron hotch x reader #aaron hotch fanfiction #aaron hotch imagine #ssa aaron hotchner #aaron hotch x you #aaron hotchner imagine #aaron hotchner x you #criminal minds imagine #criminal minds #aaron hotchner fluff

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dreaminginthedeepsouth · 3 days ago

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LETTERS FROM AN AMERICAN

January 19, 2025

Heather Cox Richardson

Jan 19, 2025

You hear sometimes, now that we know the sordid details of the lives of some of our leading figures, that America has no heroes left.

When I was writing a book about the Wounded Knee Massacre, where heroism was pretty thin on the ground, I gave that a lot of thought. And I came to believe that heroism is neither being perfect, nor doing something spectacular. In fact, it’s just the opposite: it’s regular, flawed human beings choosing to put others before themselves, even at great cost, even if no one will ever know, even as they realize the walls might be closing in around them.

It means sitting down the night before D-Day and writing a letter praising the troops and taking all the blame for the next day’s failure upon yourself in case things went wrong, as General Dwight D. Eisenhower did.

It means writing in your diary that you “still believe that people are really good at heart,” even while you are hiding in an attic from the men who are soon going to kill you, as Anne Frank did.

It means signing your name to the bottom of the Declaration of Independence in bold print, even though you know you are signing your own death warrant should the British capture you, as John Hancock did.

It means defending your people’s right to practice a religion you don’t share, even though you know you are becoming a dangerously visible target, as Sitting Bull did.

Sometimes it just means sitting down, even when you are told to stand up, as Rosa Parks did.

None of those people woke up one morning and said to themselves that they were about to do something heroic. It’s just that when they had to, they did what was right.

On April 3, 1968, the night before the Reverend Doctor Martin Luther King Jr. was assassinated by a white supremacist, he gave a speech in support of sanitation workers in Memphis, Tennessee. Since 1966, King had tried to broaden the Civil Rights Movement for racial equality into a larger movement for economic justice. He joined the sanitation workers in Memphis, who were on strike after years of bad pay and such dangerous conditions that two men had been crushed to death in garbage compactors.

After his friend Ralph Abernathy introduced him to the crowd, King had something to say about heroes: “As I listened to Ralph Abernathy and his eloquent and generous introduction and then thought about myself, I wondered who he was talking about.”

Dr. King told the audience that if God had let him choose any era in which to live, he would have chosen the one in which he had landed. “Now, that’s a strange statement to make,” King went on, “because the world is all messed up. The nation is sick. Trouble is in the land; confusion all around…. But I know, somehow, that only when it is dark enough, can you see the stars.” Dr. King said that he felt blessed to live in an era when people had finally woken up and were working together for freedom and economic justice.

He knew he was in danger as he worked for a racially and economically just America. “I don’t know what will happen now. We’ve got some difficult days ahead. But it doesn’t matter…because I’ve been to the mountaintop…. Like anybody, I would like to live a long life…. But I’m not concerned about that now. I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the promised land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land!”

People are wrong to say that we have no heroes left.

Just as they have always been, they are all around us, choosing to do the right thing, no matter what.

Wishing you all a day of peace for Martin Luther King Jr. Day 2025.

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

#Heather Cox Richardson #Letters From An American #heroes #history #Martin Luther King Jr. Day #Martin Luther King Jr.#MLK

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corkinavoid · 16 hours ago

Note

Obsessed With You by Cosmicandy

Theater gothic/Phantom of the opera

(For some horrific reason I couldn't think of a trope)

DPxDC Phantom in the Opera

9/2 sat

Went to Gotham City Opera to see Eugene Onegin with B & Dames. The performance sucked ass (as modern takes on classics usually do), but during Tatyana's aria, some tech guy dropped a rubber chicken from catwalks right on stage. I bet it was on purpose since the lead's voice sounded much similar to the sound that chicken made. Wish I could shake the dude's hand, that was truly the crescendo of the whole scene.

15/2 sun

Came by GCO on the way to WE. Had some time to spare, so decided to go in and find the rubber chicken guy to thank him for the laugh last week. Thought he might appreciate the positive feedback since he was defo yelled at for the stunt. Turns out everyone blames it on a 'ghost'. Using 'Phantom of the Opera' as a cover story is poor taste, in my opinion, but on the other hand, it worked, and who am I to judge.

17/2 mon

Got curious and pulled up the records of GCO employees. No one matches the guy I've seen on the catwalks.

18/2 tue

Blackmailed Damian into drawing the guy. No match through the face recognition program. Should have expected that, really; the one cute guy with a sense of humor I meet (or see, actually), and he doesn't exist.

20/2 thur

Can't stop thinking about the rubber chicken guy. Might have to go back to GCO and ask about the whole ghostly rumor. Last time, no one bat an eye at the 'ghost' excuse, now that I think about it. Has it happened before? Is it a go-to explanation for any prank no one wants to take credit for?

26/2 wed

Visited GCO at night. Seen the guy, but the cam footage came back corrupted when checked downstairs. So maybe the fact that his hair was floating and glowing in the dark was not a hallucination.

27/2 thur

Definitely not a hallucination! Good news: got a sample. Bad news: after analysis, the data also came back corrupted. Weird news: the hair keeps glowing even after it's been cut off.

2/3 sun

The guy's name is Danny. Ghost story confirmed. I'm having a crisis.

4/3 tue

I'm not sure if I want to know absolutely everything there is to know about him or I want to forget everything I've already learned. But then, I've already got so far. Might as well commit to the bit?

8/3 sat

Was invited to see La Traviata tomorrow. Can I still call that reconnaissance, or am I in date territory?

10/3 mon

...it was a date. On an entirely unrelated note, Teddy Hyde ruined all my attempts at coming prepared.

18/3 tue

Heard a new rumor among GCO staff members. They suspect the ghost in their opera is having a crush on Red Robin. Not sure where they've got that idea, but it sure took them some time to notice.

19/3 wed

Damian keeps staring at me at dinners. Maybe I should take that portrait of Danny that he did down from the wall over my bed.

22/3 sat

Going on a date today, and this time, it's definitely a date! Feels like I should be having a crisis over dating a ghost, but somehow, I'm only having a crisis over outfit choices.

61/0° gBs

hEy, yoU're keEEpinG a DIary¡ aboUt Me!¡ ThAt"s cuTe FUCK OFF DANNY THIS IS PRIVATE INFORMATION GET OUT heHeheEhe no~

~•~•~•~

The thing is, I loved the song. And I loved the aesthetic. And I had such a goddamn hard time figuring out how to fit them together; I went through at least three different setups before deciding fuck it imma write silly boys being silly and wish for the best.

Dare I say it turned out cute as fuck, even though I still missed the mark on theater gothic aesthetic for the most part. Anyway, have a few pictures for general vibes!

[Just so you know, if you enter 'sex with a ghost' into google, the first few results will be the lyrics to 'Sex with a Ghost' by Terry Hyde, which is why Tim's research has been rather fruitless]

#danny phantom #dpxdc #dc x dp #tim drake #dead tired #brain dead #cork game #theater gothic #phantom in the opera

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lala056 · 2 days ago

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Exhausting

I have no respect for billford shippers that look down on stancest shippers.

Oh what, you’d have me believe a genetic tie to a partner is somehow worse than being with someone that stabs through your hands, forces you to swallow live spiders, and also SA’s you by having yourself forcibly strip down in public and swing your clothes over your head like a helicopter? (sorry but anyone that forcibly removes your clothes and exposes your body, even if you’re a guy/lacking breasts and it’s just your chest, is committing SA against you. They’re exposing your body against your will plain and simple. Try to write that off how you like but that’s the facts)

The logic behind this baffles me honestly.

There’s a reason Alex titled that kissing drawing as "the worst drawing in the world" and then linked to an amazon BIBLE page (yeah I know that was part of a joke well guess what he frequently uses the bible joke for shipping in general so yeah).

Because he knows it’s BAD, TOXIC, PROBLEMATIC AS YOU GUYS LIKE TO LABEL THINGS. What I see people incorrectly accuse PROSHIPPERS to REPRESENT rather than the actual representation of the LIVE AND LET LIVE CREDO OF SHIPPING.

Ever stop to consider that maybe Alex didn’t do stancest or art involving Wendy/Dipper because he simply a) didn’t like those ships, which is valid since everyone has their own tastes, and he did base some of these characters on his own family so it’s close to home for him, or b) knows how toxic and chronically online a lot of haters are? That he wanted to avoid drama for this stream that he’s trying to milk every cent out of for CHARITY? (It's ridiculous how many times he felt obligated to say "REMEMBER IT'S FOR CHARITY" when shipping came up just to try and prevent any meltdowns from uptight fans and viewers. And even then he still didn't do some because he knew the fact of it being for charity still wouldn't fly for some- because a lot of people would rather watch REAL PEOPLE SUFFER to preserve their fictional sensitivities)

Not to mention he still works with Disney (chibiverse hello), any backlash (the form of false pedo accusations or incest apologist accusations being what happens to be thrown around all willy nilly nowadays over fictional bullshit) could get him blocked not only from working with the company ever again, but lose any input he might have over his beloved passion project and baby Gravity Falls itself?

This is a man who has said COUNTLESSLY that he doesn’t care about ships, has even encouraged people to "be weirder" and made omelet hypotheticals for how much HE DOESN’T CARE BECAUSE FICTIONAL SHIPS DON’T MATTER.

Alex Hirsch is a KING.

And it’s sad to see that so many of his loyal subjets are so bigoted and blind to ignore his own feelings in order to justify their own, or to somehow perform the mental gymnastics in order to absolve themselves of "thought crimes" so that they can feel like they aren’t bad people under the imposition of conservative purity culture.

The terms "cest" and "age" are trigger words now. If those show up in any form, pitchforks come out and roofs get burned. Companies overreact and overcompensate. He said Disney people were watching, so of course he’s gonna say and act in what is deemed an appropriate manner because even companies apparently prefer abusive relationships to ones that have a blood tie even if blood ties are wholesomely depicted.

The age old double standards.

And don’t get me started on bringing up Dipper Goes To Taco Bell. Alex and cast know of that story, they’ve made references to it in a video game and such, immortalized it. They engage with all corners of their fandom, also shown by Jason’s "saving the town" reference on stream.

Another thing, anyone notice how they laughed off the Dipper and Wendy suggestion Jason made, rather than exploded? BECAUSE THEY DON'T CARE IT'S NOT THAT SERIOUS - and most likely turned them down because they know there's more drama about characters being aged up and crap so it wouldn't have mattered if they're adults now, there are people who will always see them as "kids".

Point is - If there was such a strong hate on Alex’s part about the darker side of fiction or taboos he’d do all in his power to make sure they were never mentioned again and be active against them.

He’s a kind, caring man that obviously likes to just get along with people, but he does put his foot down when he feels something is awful. He’s made political posts about presidents he feels are corrupt and spoken out against social injustice. You honestly think he wouldn’t speak out about those taboo ships in frank language if he thought that they shouldn’t exist and that the people who create for them are awful?

Newsflash, he would. Yes, he’d isolate a sadly small part of his fanbase, but he’s shown time and again he doesn’t care about being liked. He cares about what’s right.

And abusing others over which made up character kisses who, isn’t.

If you’re someone that mislabels proshippers too, to mean "problematic shippers", then as a billford shipper you’re one by definition. And yes, I'm including you AU billford shippers too because there is always some degree of toxicity.

Knock the hate and abuse off. People that go off about why their ship is justified and another isn't are the reason people leave fandoms and leave amazing works often unfinished, even Gen writers and artists.

#gravity falls #billford #stancest #alex hirsch #shipping #really tired of all ya'll

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the-inkwell-variable · 1 day ago

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author ask tag

thank you so much for the tag, @the-golden-comet! ooh this is gonna be fun!

i'm going to focus on my current wip, Why Should I Be Careful? I'm Going To Die Anyway! because it's still very much in the planning stages (despite how much I'm writing for it) and I have Thoughts

What is the main lesson of your story? Why did you choose it?

I'll be honest, I haven't really thought that far ahead. I suppose, if there is a lesson to take from WSIBC?IGTDA!, it might be that you should always chase your goals and desires, and screw what other people think. Maybe put a little more thought and planning into yours than Aura does hers, though. I mean, she almost dies due to her recklessness. Don't be like Aura.

What did you use as inspiration for your worldbuilding?

Well, it's a zombie book - I love zombies, in case you can't tell - so the world is an amalgamation of zombie stuff I love. The zombies are based off of the Train to Busan zombies. This is a self-insert mess, so I'm using the town and people I know in the town as location and characters. Little tropes here and there that I love in movies and books alike. It's just a big chimera of stuff that I grab from stuff I remember and shove into it. It definitely needs polish when it's done, but I'm having a blast so far, so I'm'a keep doing it :3

What is your MC trying to achieve, and what are you, the writer, trying to achieve with them? Do you want to inspire others, teach forgiveness, or help the reader grow as a person?

Uhhhhhh this is a tough question. Right now, Aura is trying to make it to Roger's Grocery Mart to save her girlfriend, but most of the time, she's just trying to have a good time in the zombie apocalypse and hopefully not die. She does eventually grow into a character that (mostly) thinks things through and takes other people's situations into account, so I suppose the lesson is "the world doesn't revolve around you - be kind and helpful to others"?

As for what I'm trying to achieve... mostly, to be honest, I just want people to pick up my book and have a good time reading it. I want to write a zombie book because it's my passion and because there aren't enough zombie books out there. I guess I'm trying to inspire others? To show them that you can survive an impossible situation if you work hard and think things through?

How many chapters is your story going to have?

The only time I've written a full-length book (sorry, the only two times, forgot about Zero: ALPHA), it had about twenty-odd chapters. Z:A had...uh...thirty? That was a long time ago and I sadly no longer have that draft. This one is going to go until it's done. Hopefully more than thirty though!

Is it fanfiction or original content? Where do you plan to post it?

Original content! I have no idea where I'm going to post it. I'm torn between Draft2Digital (originally Smashwords) or Substack. Thing is, I'm really bad at marketing and keywords and all that technical stuff that goes into publicizing, so I'm really hesitant to share it at all. I'm the type of person that gets absolutely morally devastated if my own self-inflicted goals aren't met, and I'm not sure if I can handle that kind of crushing heartbreak with this one lol

So yeah. Might publish, might not. Unsure right now.

When did you start writing?

My dad set up a Windows 95 computer for me in his office, his old one, and taught me the basics of using it. I was five, about to turn six. I immediately sat down and wrote a story about unicorns. I've been writing ever since.

I didn't start writing fanfiction until I was thirteen and had just binge-watched Lord of the Rings for the first time. We don't talk about those works. They were awful.

Do you have any words of encouragement for fellow writers of writeblr? What other writers do you follow?

Write it. Oh it's cringe? Who cares? Write it. Oh, it's a rare pair? Write it. You're worried people will hate it? Fuck the haters. Write it. Writing is about having fun. Writing is about pouring your soul onto the page. Writing is about getting those ideas out of your head so they don't drive you insane. It's about reaching that one person that finds your work and loves it. Even if no one reads it - you still accomplished something. You still wrote it. And no one can take that from you.

I have so many writers in my follow list. Uhh. I have no idea how many are still active, so I'm just going to tag who I know and hope for the best lol

@idyllicocean, @keeping-writing-frosty, @bloodtiesnovel, @asher-writes, @kitswrite, @theink-stainedfolk, @karkkidoeswriting, @lavender-gloom, @orphanheirs, @aquixoticwrites, @alinacapellabooks, @marlowethelibrarian, @flock-from-the-void, @dyrewrites, @storycraftcafe, @writer-imagination, @toragay-writing, @inseasofgreen, @stephtuckerauthor, @thatndginger, @finickyfelix, @eternalwritingstudent, @drchenquill, @paeliae-occasionally, @the-golden-comet, @talesofsorrowandofruin, @watermeezer, @goldfinchwrites, @winterandwords, @badscientist, @clairelsonao3, @i-can-even-burn-salad, @leahpardo-pa-potato, @mjparkerwriting, @rowanwriting, @oliolioxenfreewrites, @emelkae, @rita-rae-siller, @rebelxwriter, @kaylinalexanderbooks, @stesierra, @francineiswriting, @sunset-a-story, @chauceryfairytales, @hollyannewrites, @jaydenswaywrites, @captain-kraken, @violets-in-her-arms-writes, @romy-thewriter, @pure-solomon, @writingmaidenwarrior, @koiwrites

go, go follow them. they're all so good and make my timeline glow.

#talia answers #writing questions

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hannahssimblr · 2 days ago

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Astrid,

Hope you got my postcard from Phuket, and that the Bangkok one shows up, eventually. Maybe it is actually lost, like maybe I’m doing something wrong at the post office. It’s fine if they all go into the abyss. I am writing just to write, because it feels romantic or whatever. You probably hate the idea of this. I could just text you. I texted you forty-five minutes ago. Still miss you.

We’re in Phi Phi now. Islands, very beautiful. I bet you already know about them, but I’d never heard about this place before I came here. The landscape is kind of mental, like giants made it. Weird to look at. We went out on a little boat yesterday to see the sights. Jonas jumped off and swam, and I did not. My tattoo is still healing. Stupid fucking thing. I waved over a boat of girls and told them Jonas was saying he fancied them, and then he got annoyed with me, because he wasn’t saying that, and he was embarrassed. I think he should learn to talk to women without wanting to die, and he says I think about women too much, that I’m too invested and I should think about something else. History, philosophy, whatever. Why would I when there are women like you on the earth?

At night, instead of going out and drinking, we go to bed early, in our bunks, him on the top, me below like always, and he tells me all this shit about the Suez canal, or what the Falklands war was all about, since I was stupid enough to ask a follow up question once. Then I fall asleep to escape the boredom. We get up at six and do activities, then. Lots of walking. My body hurts.

Jonas finally tried those scorpions he was banging on about, and now he’s sick, btw. Food poisoning. I don’t really know how to take care of him, except coming back to the hostel every few hours, making sure he has water. Until he’s better, I guess I’m just wandering around on my own. Luckily, it’s nice to look at. Maybe today I’ll swim with my arm out of the water. Running out of space. Love and miss you can't wait to see you.

xxx Jude.

I snap open the lid of a bottle of water and carry it into the hostel room. It smells bad there, but I’ve stopped saying it, because it makes Jonas look like he’s about to cry. He’s curled up on his bunk, a complexion like curdled yoghurt, as a chink of morning light spills through the blinds and over his shivering body. Mostly naked. Too hot, then too cold, then sipping water, then throwing it up. I hover in the doorway.

“I’ve water,” I say, and he just stares. Resigned, half-dead, maybe. “Should you go to hospital or something, do you think?”

“No, I feel slightly better.”

“Oh, okay. Do you want the water, or?”

“Yes. Bring it to me.”

I approach him like a leper, not sure why, as I’m fully aware he’s not contagious, but it’s been ten days since I’ve thrown up, and I’d like to maintain my healthy aura. He regards me with bleary eyes as I back away. “It is good you are an artist and not a nurse.”

“Yeah, I don’t know. I’m not so good with illness.”

“Even though you are always ill.” A tentative sip from the bottle. “You went out this morning?”

“To the post office.”

“Another postcard to Astrid.”

“Yes.”

I can tell he wants to laugh but lacks strength, managing only a feeble wheeze. “Is she missing you as much as you are missing her?”

“No, I don’t think so. She’s much better at distance.”

“She’s an independent person.”

“Yeah.”

“Tell me what she is doing today.”

“It’s Wednesday, so probably going to reformer pilates. Then she’s supposed to meet a friend from university for lunch. After that, I don’t know. Something spontaneous and thrilling, probably.”

“And you?”

“What about me?”

He manages a watery smile. “You’ll be doing nothing again today? Missing her?”

“I was thinking I might wade into the sea, actually. Keep walking out until I disappear, wailing after Astrid like the pathetic little freak I am.”

“It’s Wednesday?”

“Yes, Wednesday.”

“I signed up for something today.”

“Well, I don’t think you’ll be going, by the cut of you.”

“No,” giving up on the water for now, he rolls onto his back, watching insects congregate around the plastic light fixture. “You could go in my place. It’s a… meditation thing.”

I pull a face. “Meditation? That thing where you sit cross-legged and go like ‘om’?” I demonstrate, but feel bad for making him laugh. Apparently a bit painful for him.

“Yes,” he says. “Kind of. You might find value in it.”

“Is that the kind of guy you think I am? With like, dirty feet and harem pants?”

“Since I am the one who signed up, is it the kind of person you think I am?”

“Not far off.”

��Well, meditation has many benefits. It’s not just for the dirty-feet-squad. It’s good for people who suffer with various mental health concerns, and people who have racing thoughts they cannot stop and such things. Maybe it will inspire you to stop thinking about women’s breasts.”

I scoff. “Why would I do a thing like that?”

“So you can think of more productive things that will inform you, and grow your mind rather than rotting it away.”

“Like the Falklands war, for instance.”

“Yes, like the Falklands war,” he says, suddenly animated. “Thank you for saying that. Or the targeting of Libyan migrant workers on suspicion of being mercenaries by—”

I take a brisk and decisive step out of the room. “Well! Glad you’re feeling better, Jonas. See you later. Keep drinking that water, et cetera.” I swing the door shut and amble away, down the hostel hallway and back to the beach, rearing for another day of nothing, bored senseless by the edge of a lonely ocean.

Beginning // Prev // Next

#lucky boy 2011 #his COLOUR #i feel a bit sick looking at him actually #feel better soon king

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catboymoments · 7 hours ago

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I feel like you’ve kinda changed a lot recently tbh.

Like I don’t mean any harm. I just mean you went from not being okay with things like Bakudeku, selfcest and other extreme kinks, etc, but now you’re all like, yeah that’s all fine.

Like, what changed your mind on all that? (Genuinely asking)

Also, follow up, what things in fiction do make you feel uneasy?

((Cause I recall you mentioning things like enjoying drawing gore or listening to songs about cannibalism))

This is a bit of a weird ask but since you’re asking genuinely and nicely I’ll expound

Short answer: I got older

Long answer: I grew up, I met a lot of people and realized that there’s a lot of things irl that don’t really… matter that much in fiction? Or matter less? Or they’re really not as bad or world ending as I once thought they were when I was a teenager. When your world gets bigger than the walls of your high school, the things you worried about in fictional worlds become less significant.

for starters let me say that I was never not okay with selfcest I just didn’t really say anything about it until it was brought up, like I really don’t see how it’s a problem. It’s just the age old question of “would you fuck your clone.” and I was a bit of a late bloomer sexuality wise but I’ve always been a bit less vanilla when it comes to kinks- I just keep most if not all of my discussions and art of it in private conversations or under lock and key on priv. I value my privacy and I only want adults to see it.

What changed my view on doing different stuff in fiction was the revelation that I can explore darker topics and complex relationships without it being a moral failing or me endorsing or condoning it and I don’t have to just stick to making fluff. I don’t have to keep my content “”unproblematic”” because it’ll make me problematic somehow, that’s just not how it works. Like I can write about bad stuff in fiction and write stuff as horror and abuse or just explore relationships and how they’d be good or bad and examine tragedy from a well rounded lens. It was like Rock Lee taking off his leg weights for me. I can draw anything .

What makes me uneasy in fiction is when dark topics are romanticized or sexualized. when they’re presented as something “hot” or desirable, or it’s made not with the intention of telling a story or being significant- like for example there’s a difference between someone writing a fic about Hunter being a victim of csa and the horror of that vs someone writing a smutty fic of Hunter x Belos for the purpose of whacking off. There’s a difference between gore and violence on a character for the sake of torture and pain vs angst for a reason. Angst that makes sense. Bad things happen in real life and are okay to be portrayed in fiction, but sometimes I can tell when something is meant to be masturbatory. That’s what makes me uncomfortable!

Also I had a fascination with gore ever since I was a little kid and found warrior cats amvs and I drew a lot of battle scenes with red pen but I think I got all of that out of my system in childhood, I don’t draw gore anymore for the sake of gore LOL like I can’t even play mouthwashing bc I know it’ll make me nauseous

I hope this helps ??

#ask to tag

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aristaspark · 3 days ago

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Notice how Darius didn't look at Brooklynn's arm?

It's not me who's saying this. That's a conversation that's happening in the fandom that I wanted to talk about because I find it truly...idk, kind of icky, and of bad taste.

I decided to speak about it after having stumbled once again upon a post using Darius' lack of "notice" of Brooklynn's arm as an argument for the ship, but it's far from being the first time I've seen people bring it up.

Don't get me wrong, my problem isn't that they're supporting the ship, even though I believe Kenlynn to be endgame, I can admit that there are elements that could point towards dinostar possibly being endgame, my problem is with this argument specifically, because it looks like the ones using it are purposefully being obtuse, and are missing the point. To me it's a really disrespectful outlook on the work of the writers and their handling of Brooklynn's disability.

For context, Brooklynn explains to Soyona that she doesn't like the way people look at her ever since she has lost her arm. I love this scene. We get an insight into Brooklynn and her struggles, into how she is still adapting to the way people perceive her now that she's "different". The loss of her arm isn't brushed aside, it has lasting consequences that the writers don't shy away from. They consulted people with limb differences to make sure that they'd show an authentic representation of their expericences, and you can see the care that they put into telling that aspect of Brooklynn's story.

Now that we established that, yes, Brooklynn is struggling with the way she is perceived, let's talk about why I hate what the fandom makes of it.

There are two characters who react to Brooklynn's arm: Ben and Kenji. And from Brooklynn's reaction, we see that she feels some type of way about it, even though she has very different reactions to the two of them, because the two interactions are VERY different.

During the scene with Ben, we can see that Ben's gaze, despite himself, is drawn to her arm. That's mainly because he had no idea that she'd lost it, but since they were both very stressed and there were millions of other more "pressing" matters he should have focused on, it hurt Brooklynn that his eyes kept ogling at her arm. Neither of them were in the right mindset. He was slightly insensitive in the way he approached the subject, which caused Brooklynn to react negatively. But it's never shown as a black and white thing. Ben apologizes and afterwards, Brooklynn is able to focus on something else because she's an actual intelligent and social being who's aware that simply because Ben looked at her arm didn't mean that he thought of her as less than. It was a human interaction, realistic, and in no way was it implanted to say something about Ben and Brooklynn's relationship, to imply that Ben having a reaction made him a bad friend somehow. This is simply realistic.

Now, Kenji. He first notices her arm when she's talking to Ben, and we can see that he focuses on it for a hot second, before looking up at her face. Needless to say that in that moment there's a million things going through his mind. Brooklynn is alive, she's there, Ben knew Brooklynn was alive, she has lost a limb... We can see he is hit by all these informations which are way too much for him to process. It's NORMAL, EXCPECTED that he'd have a reaction to seeing her missing arm. Any other reaction would have been stupid. It's as if your lover left for a few days, came back with a missing limb and you said nothing. This doesn't happen. Them writing this into the show says nothing about Kenji's status as a love interest, he shouldn't have to ignore it to be considered a suitable partner and I find it kind of disgusting that people imply this. His lover has lost a limb, of course it will have an impact on him.

Now, the second time he looks at her arm is when he's finally reunited with Brooklynn. But simply reducing this interaction to "Kenji looks at Brooklynn arm -> Brooklynn scared -> Bad = Darius better" is a thought process I'd expect from a pre-schooler.

Kenji spends a very long moment staring only at Brooklynn, at HER FACE, expressing his emotions (beautiful scene by the way). Then he WILLINGLY looks at her arm. Kenji's aware that she's looking at him and he has already seen her arm, the only reason he looks down at her arm is because he wants HER to be aware that he has seen it, and one shouldn't have to be a genius to understand this. And he looks incredibly sad because, I know that's crazy, but as someone who love(d)s her, this impacts him. And Brooklynn has a reaction, I know that's crazy. But unlike with Ben, she looks scared, not mad. I won't spend too much time on this because I already did a brief "analysis" of this scene, but I took it as either she was scared that he'd see her differently, either it was the manifestation of all the hurt she's suffered (yk, often when you open up about something, you feel the emotions as you tell the story, and to me this could be Brooklynn allowing herself to show someone she's suffering for the first time, as if a silent conversation had taken place. Kenji asks what happened to her arm with his eyes, and all the hurt comes flooding back as she's reminded of everything she's been through).

Now, some people use the fact that Darius didn't even glance at her arm as, idk, a good thing, patting him on the back for it (which, on its own, is incredibly weird to me). Yasmina and Sammy didn't look at it either, but since they're not shipped with Brooklynn most don't care, it's not about disability but about somehow gaining points in the battle for Brooklynn.

But I'm like, you have to purposely being obtuse to use this as an argument. If I was Brooklynn and I was presumed dead for a long time, and when I came back I had a limb missing (implying an immense amount of suffering) I would absolutely want my partner and my friends to notice it ??? ESPECIALLY the person I love?? Actually, if he didn't notice I would straight up hate him because that would just mean that he DOESN'T CARE.

Implying that strangers looking at Brooklynn's arm and her loved ones reacting to her evident trauma are the same thing is wild, but using it as an argument for shipping is worse and, to me, an insult to all the work the writers have done to tackle the subject of disability. There isn't some checklist of people who looked at her arm and people who didn't, Darius (as well as Yaz and Sammy) don't deserve a cookie (or Brooklynn's love for that matter 🙃) because they didn't look at it. Ben and Kenji reacting to her arm doesn't mean that they somehow care less about the fact that Brooklynn's alive or that they love her less than the others, and Darius isn't "special" for not having looked at her arm, because Sammy and Yaz also didn't. It simply means that they are well written characters who react to things in their own, sometimes clumsy way.

What bothers me is that these scenes clearly weren't implanted for shipping matters, but are part of the characters' journeys with Brooklynn's disability, and her own journey. Them being present doesn't somehow put a definitive stain on Brooklynn's relationships with Kenji and Ben, things don't work like that. If anything I find Kenji's scene with her to be very touching, because you can just see how devastated he is for her, and how frightened she is.

It's not the fact that people look at her that hurts Brooklynn, it's the reason and the manner in which they look at her.

Idk to me it's kind of disrespectful to the work the writers did because it's implying that they tried to say Darius was the one for Brooklynn simply because he didn't care for his friend's severed limb. I think there are better arguments to make for dinostar, and less insensitive, than to reduce this very important topic to shipping.

Anyway, thanks for coming to my ted talk 😭

#camp cretaceous #jwcc #chaos theory #jwct #brooklynn #kenji kon #sammy gutierrez #yasmina fadoula #darius bowman #ben pincus #dreamworks

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k33bsstuff · 10 hours ago

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Blue Lock Zombie Apocalypse Au

Hiyaaaa!!! I've never actually wrote a story before or whatever. But years of reading fanfics has kinda motivated me I guess.

I've notice a severe lack of blue lock zombie apocalypse AUs which is kinda sad cus I love ZA au's and theyre just too freaking cool.

I don't think I'll write a proper story with chapters and stuff but instead with different characters and oneshot type things ya know?

There's not gonna be much of a description but who cares. Sorry that it is short too. Just trying test my writing ability. If you have any tips or opinions or anything in general please comment!

Reader

Reo

Nagi

Hope you enjoy my first story 🫶🏾🫶🏾

Apocalypse Buddies!

Ft Nagi Seishiro, Reo Mikage and Gn Reader!

2 years. It has been 2 years since you last abandoned your own home to venture out into this rotting landscape that you now unfortunately find yourself in. Miles for miles of rotten corpses is all you see staggering around the desolate earth. Despite the feelings of exhaustion of evading death every single day, you push them aside as you focus on what is infront of you, or perhaps the treasuring site of your two best friends nagging at each other over the last chocolate granola bar.

In this so called office building, You, Nagi and Reo are camping for the night after a few tiresome days of scavenging for resources and avoiding becoming zombie food. Sitting in the middle of the depressing once called printer room are you three. Nagi crosses his legs and slouches as he sits on a small miserable pile of blankets, while Reo who is next to him also sits in discomfort due to the hard floor, the light of the makeshft lamp flickers, illuminating Reos dirtied skin. While you, sitting infront of them chewing on an bet before 5 month old oat bar. The expired groans of the undead are faint in the background, the thick walls of the office building filtering out some of the sound. The contents of your backpack scattered out in the middle of you 3.

"Is this all you could get (name)?

Nagi asked, in his regular boring, slightly raspy tone. His grey tired eyes flicked up to meet your (eye colour) coloured ones, his expression as careless as ever. For some reason the way Nagi asked you that question ticked you off. Maybe it's because of his judgmental emphasis on 'all'...or maybe it's due to his overall lackadaisical nature which bugs you from time to time despite it not being very convenient for the survival of the living dead.

Reo, slightly tired by Nagis insensitive antics sighs and give him a little nudge.

"Cmon Nagi, it's not that bad. They did a pretty good raid in my opinion, you just gotta look at it with a better perspective!"

Reo grinned with his signature smirk as his eyes darted from your tired state to Nagis slumped form.

"What are you on Nagi. Nothings wrong with a few granola bars and a magazine"

You spat back at Nagi. Not taking his stupid ignorant comment despite your exhausted state. You stretch your arms, small popping noises from the joints in your arms echo through the rather silent room, the only other noise emitting from the crackle of the flame from the d.i.y lamp that you spent all your time making to look appealing in contrast to the wrecked world you've sadly found yourself in.

Nagi rubbed his nose with his long, slender index finger and lazily reaches to his disgusting state of a backpack. He carelessly shook out the contents, dropping a couple of torches, batteries, hooks an already used hammer and a small bottle of antiseptic.

"Nagi careful with that stuff. We're lucky to see such supplies like this without it already being wrecked."

You and Reo scan over the loot that came from Nagis bag. You pick a torch and fiddle with it, flicking the ON/OFF switch playfully.

"Atleast I got something that we can actually use"

"We can eat the granola bars and use the magazine. I think I was being pretty smart about this actually."

"None of us own a gun"

"Shut the Fuck up"

":x"

Nagi just looks at you, in sort of an inspecting manner. You notice his eye contact and stop what you're doing. You slowly but cautiously move the torch into Nagis face, your calloused fingers gripping onto the flash light tightly. Reo, still getting a sense of the valuable items that Nagi brought , mumbles to himself about the efficiency or some shit. Your eyes flick from the white-haired man's piercing gaze to the cylinder- shaped flash light in your grasp then to him again. You flick the switch but nothing seems to be happening. You open the back of the torch and replace the useless batteries with the new ones that Reo was inspecting, earning a small "Hey!" Of annoyance from him. You slap the back right on and point the torch at Nagis face.

"Don't point it in my face"

"it's not like it's gonna work anyway. We dont know if these batteries are dead or not,

Seeee."

A bright white light blinds Nagi as he winces and covers his eyes with his roughed up hands.

"My bad"

You mutter under your breath as you shamefully put away the flash light. You unravel the tough wrapper of the 5 month expired granola bar and take small bite out of it, trying to savour the taste of the bland but somehow comforting bar.

Half and hour later

You Reo and Nagi are feasting on the not so tasty granola bars but, it will make do. Reo, eyeing the last manky granola bar speaks up with pieces of the expired snack still being chewed up in his mouth

"Last bars mine"

With a look of pure disgust you speak up, only to be cut off by the white-haired slouching giant hastily swallowing his bar, replying in a stern tone.

"No it isn't. It's mine"

"Says who?"

"Says me."

The young purple haired man side eyes Nagi then lunges for the granola bar. Nagi, knowing his companion for far too long also lunges for the last granola bar. As the two young adults tackle each other over the small gold worth bar of nuts and all sorts you can't help but smile and watch them in awe.

Maybe leaving home wasn't so bad after all.

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taniahylian · 2 days ago

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Tristes tropiques: The worst chapter in Reverse 1999

Alright, so I’ve wanted to talk about ch8 of the main story since I’ve finished it because it’s, imo, the worst drop in writing quality we’ve seen in the game so far. It has a lot of inconsistencies, things that aren’t explained or happen off-screen, and the emotional segments are rushed/not impactful enough, and about characters we’ve barely seen (excluding Anjo Nala, who is the best part of the chapter imo). Now, as you can see, this will be quite a negative take, so if you liked this chapter, please don’t let me ruin your fun lol. Also, it’ll have spoilers, so be warned.

Part 1: The representation.

Alright, had to get this out of the way first because it’s what everyone is talking about. The representation.

Is the representation bad? Yes. Really, really bad if we compare it with literally all other stories in the game. To put things in perspective, imagine if in the Notes of Shuori event nothing changed but they clamed this was Japan instead of China, yet characters still spoke in Chinese, had Chinese names, and many of the references were Chinese. That would have been outrageous, wouldn’t it? Well, that’s basically what happened here but with Brazil and other Latin American countries.

What they tried to do, basically, was dump all of Latin America (you, know a region that’s bigger and more diverse than Europe) into one singular “culture” and put this in fictional Sao Paulo. Why do I say that? Because many of the words they use for different things are in Spanish, and many characters speak in Spanish, have Spanish-sounding names, and reference things from other countries in Latin America. Also, one of the npcs, whose name I don’t care to remember, is literally a walking Mexican stereotype. To me what this says is that they didn’t do any research at all about Brazil (for those of you who don’t know, they speak Portuguese and are also far enough away from Mexico that these two cultures aren’t really comparable); enough that they couldn’t get even the language right, or even the geography or the Sao Paulo landscape, judging by what I’ve seen being said by Brazilian players.

Remember when they accurately portrayed the Secession building in Vienna? Or Jantar Mantar in Mor Pank? Or how they usually have characters speak small phrases in their native language, which is appropriate to the region and their character? Well, Bluepoch doesn’t, apparently.

Then there’s the whole “life here is hell, this is hopeless and everything here sucks” aspect of their portrayal of Sao Paulo (and their infamous tweet). This feels especially disrespectful when the story so far has always had quite a good amount of nuance. Vienna for example, having the contrast of being the “city of freedom”, yet having such a strict oppression of arcanists. Or San Francisco, having such a huge poverty and gang problem, yet still portraying the people living in these conditions as actual humans with hopes and dreams that they sometimes were able to accomplish.

And finally, to wrap up this representation thing… it feels disrespectful that the only Brazilian character we get is Mr. Duncan. Mainly because it seems he’s not really Mr. Duncan, but actually Mr. Karson. You know, an English man. I think they should’ve made Lopera Brazilian because so far having her be from Colombia adds nothing to the story, and if she was from Sao Paulo it’d make a lot more sense for her to be Vertin’s guide/translator in the city.

Okay, so that’s what we get from the representation in this chapter, which is pretty bad (haven’t read Anjo’s character story, which I’ve heard is better in this aspect, but that’s not actually part of ch8, so I excluded it). However, honestly I wouldn’t mind that much if the story had at least been good. So… let’s talk about that next, shall we?

Part 2: The story.

The good.

Okay, first let’s get the good things out of the way, because I don’t want to sit here and pretend that everything about this chapter was bad; that would be unfair and disingenuous.

I liked Lopera and Molly. They were interesting characters and have a lot of potential for the future of the story, which I really hope they deliver in future chapters.

I liked White Rum; she’s a funny character, and the concept of an Awakened pirate ship that has the skeletal hand of her former captain (Anne Bonnie, my favorite pirate of all time) is quite an interesting and unique idea, and I wish we got more characters like this. Also, I need to see her interact with Regulus lol.

I absolutely adored Anjo Nala. She’s the highlight of the story for me; an interesting, complex, and adorable character with a lot of potential for stories to tell, both about her past and her future. I really became attached to her over the course of this story, and I think they did a good job making you care for her… in this specific chapter. Don’t look back at versions 2.0 and 2.1 if you don’t want to get your fun ruined, because consistency is something they didn’t care about at all while writing this patch. And that brings us to…

The bad.

Buckle up my friends because what’s bad about this chapter is really, really, REALLY bad. Consistency is something they don’t believe in anymore, retcons are on the market, and setting up characters/settings/relationships is a thing of the past.

Does it sound like I’m being too harsh? Maybe, but it’s deserved, so idc.

Let’s start from the least bad, shall we? Anjo Nala’s hunger. In 2.0 and 2.1, as well as the first of Anjo’s monologues (the things you unlock after getting traces of a specific character), it’s implied that she can’t eat human food. Not that she doesn’t find it satisfactory, or that she doesn’t like it. It’s heavily implied she literally can’t eat it.

But then she steals some bread and Vertin gives her chocolate, and she eats both, so… what’s up with that? Also, they never really explain what her hunger is for. Was it really just normal human food? Or something else? In her trailer (which btw I wouldn’t consider it part of the main story because it’s a freaking trailer, but whatever) she “feeds on someone’s love” by using her tail. Okay, but then that person turns into a “walking corpse”. Does she have to do that every time she’s hungry? What happens if she doesn’t? Is human food substitute enough? The game never answers these questions, which is a mistake because this whole thing is a central part of Anjo’s character, as well as her turning from her bloodthirsty self to the Anjo we meet in this chapter.

And this brings us to my second issue… the inconsistency of Anjo’s character with the two events we had before this patch. Don’t get me wrong; I’m not saying anything she ever did was her fault since she was simply a slave following orders, and one thing that is consistent about her character is that she doesn’t like when people do give her orders. However, what really annoys me is how in 2.0 she was very bloodthirsty. Sure, she didn’t know J and his gang, and she had done these types of jobs before, but imo it would’ve been more consistent with the other patches if she was indifferent about killing them, rather than excited. 2.1 was slightly more consistent with ch8 when it comes to Anjo’s character, but it’s kind of implied it was all an act, and her “real” personality was that of 2.0.

Now, I’ve seen some ppl explain this as “well, in a wilderness interaction she says she acts however her master prefers her to”. Okay, but why put such important information in a freaking wilderness interaction and not in the main story??? You can’t even see those unless you have the character, and seeing as Anjo is limited, not everyone will have her. This is a fact.

Another problem I have with Anjo (this is the last, I promise) is that we’re not introduced to her again in ch8, which surely is a decision. Why? Because 2.0 and 2.1 aren’t part of the main story; they’re side events, which are time-limited and, at the moment, not available in-game. This is a problem because anyone who didn’t play those events for one reason or another will be very confused by Anjo Nala and how Vertin reacts to her. It would’ve been better if we were introduced to her from the pov of Lopera, for example, when she raided the Manus base and captured her. And then we could have Vertin run into her on the ship and explain to Sotheby (with a little more detail than what we got) that she actually met her before.

I’m just saying, this isn’t the first time we got a character in a main chapter that had been previously introduced only in an event (Marta/Bessmert), but in that case, if you missed the event, you could still fully enjoy the main chapter, because you wouldn’t even know that you were missing information. That’s not the case here.

And speaking of Urd… okay, let’s talk about how little sense it makes for the Foundation to want to find her in this chapter. In ch5 Vertin and her team found a suspicious radio that talked about a travel note about Aperion written by someone named “Urd”. In this case it makes sense for them to want to investigate, since the base Ms. Radio was in had things that belonged to the Manus, and they found some Manus followers there as well. Even after ch5 and everything that happened, it still makes sense for Vertin to want to keep looking for Urd because now she has the suspicion, based on what 6 said, that Urd is her mother.

However, although it makes sense for Vertin to want to find Urd, it doesn’t make sense for the freaking Foundation to want to find some random UTTU editor. Because that’s really all Urd is, isn’t she? She’s not the head of UTTU (that’d be Pandora), and the fact that she can traverse the storm, which is the only reason we’re given in ch8, is shared among all UTTU editors, as we learn from Barbara.

But even if we assume the Foundation wants to know how UTTU keeps its editors safe… first of all, why? We already have the equilibrium umbrellas, don’t we? We spent a whole chapter seeing their creation, and even saw ppl die for this cause. Why would they need yet another method for surviving the storm? If they instead suspected UTTU to be involved with the Manus somehow, and that’s how they’re traversing the storm, then at least give us that!

Furthermore, the Foundation already knew where she was! They were the ones who gave her the white marble chair with a button! If they just wanted to speak with her, surely a simply call would’ve sufficed? Why send Vertin?

And that’s another thing! Constantine knows Vertin’s mom, and I'm sure she’s not the only one in the Foundation who does, yet the Foundation tried to cover it up and tell Vertin that she doesn’t have a mother. Clearly they have some motivation for keeping it hidden, right? Then… why send Vertin specifically to search for Urd? Why not send some other random investigator, preferentially one with experience finding ppl? Why Vertin???

If Vertin had gone out of her own will, like in ch5, I’d have no problem with this, but no; the Foundation sent her this time. And I just can’t bring myself to understand why.

Maybe if Urd isn’t Vertin’s mom, that would explain this, but for now this makes no sense at all.

Next I want to talk about Lopera and Molly’s relationship. I said before that I truly liked their characters and their relationship, which is true, but… I wish it had been better stablished. Why? Because we had only had one, one single scene, of them together and the suddenly there was a grand betrayal and we’re supposed to feel bad for Lopera? Lmao.

If I felt slightly bad for Lopera it was because of the voice acting, the music and the art. I can assure you, not one single ounce of those feelings came from the actual story being told. It’s even worse when it comes to Igor because he barely exchanged words with Lopera, and all we know from their relationship comes from Lopera telling us “he’s better than my biological father”. And let’s not talk about Ptoleme. He literally only appeared to be a jerk for like five minutes and neither Molly nor Lopera seem to care much about him. How are we supposed to care about that entire family? They really don’t feel like a family at all (except for Lopera and Molly, but even then, it’s the bare minimum this chapter could do with this concept).

It would’ve been so much better if we had this whole chapter to stablish Lopera’s relationship with her adoptive family, with Zeno, the veterans and the Sao Paulo community, and then in the next chapter we could have the big betrayal be more impactful. But here? We barely spent any time with these characters!

And then we have the actual betrayal scene, which is… nonsensical. At best.

What happened in it? Molly arrived at the Colonel’s manor with her squad of Zeno soldiers and attacked the few Apostles Brotherhood ppl that remained, then says she’s glad that Lopera was able to rescue Dr. Dores and that they should all go back to the base. None of this is suspicious, imo, because Vertin had already told Lopera that she was going to call Zeno for reinforcements, specifically to assist with the rescue of Dr. Dores. It’s true that Molly hesitates a little when Lopera asks “what about the timekeeper?”, and that she dismisses Lopera’s concerns about evacuating Sao Paulo, but imo this shouldn’t be enough for Lopera to be so suspicious of her freaking sister. Also, why ask “who’s waiting for you in Tierra del Fuego”? Why would Lopera every think this was anything other than a mission from Zeno???

Sure, they didn’t tell her about it, but also she’s been gone from the base for a couple of days and she knows there’s been traitors and rebels. A lot could’ve changed in that time. Even if she didn’t want to leave because she got attached to Sao Paulo, I think it’s weird that she immediately was so confrontational about it, especially with her sister, who famously just follows their father’s orders without questions.

This could’ve worked if Lopera was already suspicious of her family beforehand, or maybe even of Zeno’s higher ups, or if Molly and her squad had just waltzed in without attacking the Manus or being attacked by them. But that’s not what happened. Also, if she really was suspicious, why not go back to the base and question Igor about this whole thing like Molly suggested? I don’t see why she immediately would think base=bad when her whole family and the army she’s part of is currently at the base.

Like, I get she already had trauma because of her biological father being a jerk, but that situation doesn’t seem to have anything to do with this one imo. All in all, what I’m saying is that the bad writing of this scene lessens the emotional impact.

And it’s not the only emotional scene that’s affected by the blatant bad writing in this chapter. No, that “honor” goes to the scene the trailer for this patch opens with; Anjo being ordered to kill Vertin by Ptoleme.

Okay, so as a refresher, Igor requests that his son, Ptoleme, is sent to the base because “he can only trust in his children because they always obey him”. Okay, so then what does Ptoleme do when ordered to bring back Kimberly, preferentially without a fuss? Of course, cause the biggest scene imaginable, which leads to Kimberly being freed.

Now, I wouldn’t be so harsh on him if his actions were reasonable but due to circumstances led to an unfavorable outcome for him, but that’s not what happened. Okay, he ordered Anjo to kill Vertin. Whatever, he’s a sadistic asshole, but this at least kinda makes sense. What makes no sense whatsoever is that he not only gave Vertin a gun because “he won’t shoot an unarmed civilian” (why does he care? Also ultimately he orders Anjo to kill her, so he wouldn’t have shot an unarmed civilian anyways), but also that he kept trying to make Vertin shoot Anjo.

Why? Just why? There was no reason for him to want Vertin to kill Anjo. None at all. And if what he wanted was to convince Anjo to kill Vertin… he can’t play both the “I’ll free you if you kill her” and the “Vertin, kill her, she’s a monster” cards at the same time. It makes him look like a pathetic moron with no sense of reality whatsoever, and in retrospective makes Igor look like a bigger idiot who doesn’t know his children at all. I think the reason they did this is because they wanted to replicate the infamous orange scene from ch2, but without all the logic, lore and emotional impact behind it, just hoping players would feel emotions by association.

And finally, we come to my biggest complain about this chapter: the retcon about how the storm works. Because yes, it is a retcon. Why do I say that? Mainly based on ch6.

In ch6 we learn that Heinrich, in 1912, left Vienna to study at Berlin. There, he met the Manus and joined them, surviving that storm, and subsequent ones, until time returned to 1913 and he went back to Vienna, reuniting with his old friends and telling them about the storm.

Now, how is this relevant? Well, from Heinrich’s story we learned two things; 1) you can indeed see again someone who was once reversed by the storm, but only if time ever goes back to that era, and 2) The fact that his friends recognized him and he recognized his friends, and his friends’ existence was consistent even though the storm had once reversed them. You see where I’m going with this, don’t you?

At the end of ch8, Vertin says “the storm doesn’t kill ppl, at least not physically”. Okay Vertin, did you have a lobotomy between chapters? The storm has never killed ppl; it’s just the end of an era, remember? It reverses time! It’s in the freaking name! The scariest part about the storm isn’t the storm itself, but the storm syndrome, which is when most casualties seem to happen. Sure, the storm sucked for Vertin because she kept traversing eras and losing the friends she made in them, but those friends remained anchored in their own time (perhaps with the exception of ppl who had already crossed the storm at least once, like The Ring and Isabella, but I digress).

My point is, that I really don’t like where this retcon is headed, but I do hope they somehow fix it in the future, either by making it clear that not everyone who gets reversed is reincarnated and there’s very strict conditions that should be met (like having knowledge about the storm, for example), or this hypothesis is wrong and the storm isn’t actually making ppl reincarnate.

One reason I especially don’t like this new reincarnation thing is that… Mr. Duncan isn’t Mr. Karson. Let’s not lie to ourselves. He looks nothing like Mr. Karson (and I wish the game would stop gaslighting me), doesn’t act like Mr. Karson, doesn’t speak like Mr. Karson, and doesn’t even have the same nationality as him! The only things that are similar about them is that they’re both old war veterans who once had a dog and now have a soft spot for young ladies. And if this is the approach they’ll use to bring back characters in the future… thanks, but I’d rather they stayed reversed.

Think about it! Will they next say that Anjo is Schneider? They look similar enough (more similar than Duncan and Karson, that’s for sure!), both were antagonists that joined the manus for reasons beyond their control, both had a fight with Vertin in which they almost got killed, and both have a snake bracelet on their left arm. Surely that’s enough to say they’re one and the same, according to this logic!

My point is that using such simple similarities, they can literally invent any new character they want and then say “this is actually this other character, who was once reversed by the storm”, regardless of if they’re actually similar at all, and I don’t think that people who wanted them to bring back Schneider or Marian, or Mr. Karson, or 888, or literally anyone, wanted them to be brought back like this.

But that’s enough of me ranting lol. What do you think? Did you like this chapter? What are your main complains about it?

To be clear I’m not saying we should stop playing the game or anything like that; from what I’ve heard the next event is actually good, and I have faith Bluepoch will listen to the players and make sure ch9 is better than whatever ch8 was, but it’s precisely this why it is important for us, as players, to speak out when we don’t like something so that Bluepoch knows they can’t get away with such blatant drops in quality.

Now, if you somehow made it to the end, thanks for reading!

#reverse 1999 #r1999 #analysis #ch8 #tristes tropiques #2.2 #rant #had to get it off my chest lol

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stiltsthegm · 19 hours ago

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What if you just had fun?

When I'm really bored at work and need something to distract me, but can't get TOO distracted (due to the aforementioned work), I like to watch challenge runs. This inevitably leads to me getting other videos that are tangentially-related to the game that was the subject of the video I just saw, and that's how I stumbled upon this one:

youtube

And it was fascinating to me in a way that made me feel a need to say something about it. Not in, like, a mean way (I'm aiming for a gentle ribbing, at most). There's been thoughts stirring in me for a while now about how disconnected I can sometimes feel between the ways I experience games and how "content creators" play games that are simply fascinating to me.

Although I do recommend watching at least some of the video to get the gist of what's happening, I'll do my best to accurately summarize the main thing that prompted this whole post: the author has played Skyrim a lot, almost always with a bunch of mods, and nearly always played it the same way: stealth archer. However, he recently tried a challenge playthrough that essentially forced him to engage in a bunch of systems he never paid much attention to before: alchemy, blacksmithing, mining, herb gathering, and shouts to name just a few. He even found himself using fast travel less, because it meant he could do gathering and transmutation magic while going to his next destination instead of going out of his way to grind out everything right before he needed it. This ended up giving him a greater appreciation for how an un-modded Skyrim actually works and is deeper than he originally gave it credit for.

My first reaction to this was perhaps a little uncharitable: "Were you even playing Skyrim at all until now?"

In a previous video he made (which I also watched), he talks about why stealth archery is so popular. He posits that it's the only combat method that plays well with Skyrim's other systems, since its damage scales well, it's precise (very little worry about hitting friendly NPCs), it's the easiest way to engage in stealth mechanics, and it's just generally pretty powerful. I'm mostly sympathetic to that opinion, and I'd be lying if I said I didn't find stealth archer to be my favorite way to play.

However, I was completely blindsided by someone saying they didn't engage in so many of these other systems. Like, yes, you can simply buy armor and weapons and potions, so alchemy and blacksmithing isn't mandatory. You can ignore it if you want to. But to not EVER try to engage with it?

I've encountered this sort of disconnect before in a way I found much more frustrating. You see, I really like the Civilization games, but I'm kind of bad at intuiting the systems at play on my own. I often look up videos from much smarter people to help me build a foundation of understanding so I can then I can at least make terrible choices on purpose rather than on accident. I was watching one particular Youtuber's reactions to some Civ 7 gameplay previews and found myself constantly baffled by the statements they were making. There were several little things that irritated me, but the one that finally made me turn off the video was a criticism of Civ 7 trying to implement story events like Paradox games do. They mentioned they hated that kind of mechanic and completely ignored the writing, just picking whichever choice offered the best mechanical advantage at the time. It was then that I realized that this analysis video was going to be completely useless to me. We had very different priorities, and they had no interest in considering that changes from any angle other than the very narrow one they've always used. Like, sure, maybe it will end up being bad, but this is one preview video of one playthrough. Being angry at just the concept of story events seemed absurd.

There are folks out there who like "solving" video games. They find the most efficient, most powerful thing they can do, and they do that. Over and over and over again. I think what hit me most about the Skyrim video was that I wasn't expecting to find that kind of playstyle applied to that game. Skyrim exists so you can play in it. I sometimes make characters that run up to guys and hit them with a big sword not because it's the best way to play the game, but because it's just funny to hit guys with a big sword. I explore the map because Skyrim's world is beautiful, and I like simply being in it. I gather herbs because it gives me something to do while hiking and I like how the plant's graphic changes after I collect it. I do things in Skyrim not because I'm forced to, but because I want to explore what the game has to offer. And lately, I sometimes choose to not do things because I want to play a role.

The more I thought about Thane's Skyrim video, the more I grew fond of it. It starts out as just another challenge run where he's thinking about mechanical efficiency, and ends with him appreciating just how many different things he can do in the base game (Building a house! Marriage! Praying at shrines!) and how these systems interact with each other. That's neat! I genuinely love that someone who plays these games from a completely different mindset than I do can keep an open mind and learn share my love of these mechanics. I wish I saw it happen more often.

#skyrim #sorry for yelling about youtube essays #genuinely no shade to the skyrim guy though he seems chill

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