#since of how recognizable it is
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hinamie · 1 month ago
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mwah
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eisenartworks · 1 month ago
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Starscream
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collophora · 8 months ago
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TBB cadets ideas
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chair002 · 1 month ago
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GET UP GET UP
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dragon-deez-ballz · 4 months ago
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i edited as fast as i could. i want to do the metallic logo also
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canisalbus · 5 months ago
Note
The Hawaiian language doesn't attach gender to pronouns, but it does have a complex set of relational pronouns, so you can use a particular pronoun to note for example "all of us (except for that guy)"
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roseatedramon · 8 months ago
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frostpaw and whistlepaw… perhaps if we believe hard enough sapphic cats will be real (<- coping)
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jojea · 7 months ago
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girl who did nothing wrong ever
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cursezoroark · 2 months ago
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Don’t ask Team Xen for love advice.
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themackenziemachine · 7 days ago
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My brother's girlfriend wanted to have a painting night so I used Dungeon Meshi reference
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puppppppppy · 10 months ago
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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main-bird · 1 year ago
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sometimes i like to try my hand at some scenery :) this one has some tananoya kitties too
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theywontletmebeprincipal · 4 months ago
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there's this Pretentious Music Post I think often about that's like "mcr fans are so BASIC their HEADS would EXPLODE if they heard SKINNY PUPPY" . like oh ok one of the most popular well known industrial bands of all time ???? THAT skinny puppy???????? to be clear I think "my music is more obscure than yours so therefore I'm more cultured" is stupid n disingenuous anyway but was skinny. puppy. really truly the best Obscure Music example you could think of there. really ??
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ducktracy · 1 year ago
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HEY here is my Switch friend code for anyone who wants it! the only games i really play online are Splatoon and Mario Kart, but i’m trying to make an effort to be more accessible and open again so if anyone wants to add then feel free :)
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anghraine · 2 years ago
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I've complained before about the kneejerk "film/TV is a different medium, [literally any change from the original] had to be made in this adaptation's exact way because of the change in medium."
I find this irritating for many reasons—mostly because it seems a defensive and oversimplified attempt to silence criticism while denying that actual artistic choices go into deciding how to interpret and adapt a text.
Something else I was thinking about, though, is that frequently it's just wrong. Like, people will often leap to "but the medium!!" when anyone tries to talk about the lack of subtlety in a lot of the choices wrt characterization and atmosphere in the LOTR movies. But film and television are perfectly capable of nuanced characterization. They certainly can convey subtle menace—arguably more easily than prose alone, given that visuals and music can be used to great effect in crafting quieter tension.
This is apart from the question of whether this should be done, or should have been done in adapting scenes that were originally written as unsettling/uncertain rather than FLYING SKULLS!! or beating up Gollum or whatever. But film as a medium can absolutely be subtler than the LOTR movies, come on.
The idea that it can't seems a weird denial of the artistry of the medium and of the many artistic possibilities in adaptation. To me, this makes about as much sense as saying "the movies had to leave out most of Tolkien's songs because film is a silent medium." Whatever you think about including the songs ... uh, no, it's not?
The closest this comes to a valid response, IMO, is not that everything in an adaptation is reducible to its medium, but that X would be unusual or difficult for a particular genre. It's not that, say, film can't do scenes where an apparently normal or pleasant conversation has another layer of fear or danger and the very civility contributes to the tension. But you could argue that it's unusual or difficult in action-adventure films, yet that that's the most effective genre for LOTR as a story. Whether I agree or not, that wouldn't straight-up deny the capabilities of cinema as a medium.
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thewhizzyhead · 1 month ago
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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