#silver arrow craft award

[thepaisley]

IPC - WeThe15 from Sam Pilling on Vimeo.

A film to launch the #WeThe15 movement – spearheaded by the International Paralympic Committee and International Disability Alliance.⁣⁣

-- 2022 AICP AWARDS - WINNER (Cause) CANNES LIONS - SILVER / Casting (film craft) D&AD AWARDS - Wood Pencil / Casting BRITISH ARROWS - SILVER / casting BRITISH ARROWS - SILVER / Entertainment & Sports Promotions BRITISH ARROWS - BRONZE / Innovation & Immersive Experiences CDA AWARDS - WINNER / Commercial CREATIVE CIRCLE AWARDS - SILVER / Editing SPORTS EMMY - nomination

-- 2021 SHOTS - SILVER / charity CAMPAIGN - #11 / Top 15 Film Ads of the Year 1.4 AWARDS - SILVER (FLYING HIGH) / commercial - planet positive ⁣⁣ The movement, #WeThe15, takes its name from the 15% of the global population who have a disability: the world’s largest marginalised group. With the goal of putting the rights of the 15% at the heart of the global inclusivity agenda. ⁣⁣ ⁣⁣ The Tokyo 2020 Paralympics start today! Our film launches the #wethe15 movement and will be shown as part of the opening ceremony to a global audience of over 250 million people. Made in partnership with Adam & Eve DDB, the International Paralympic Committee and the International Disability Alliance, we hope this film helps to shift the narrative around people with disabilities - away from one in which they are either stereotyped as objects of pity, or put on a pedestal �

Huge thank you to all the Cast & crew across the world who gave up their precious time to help bring this film to life ��

STARRING: Kirin Saeed, Crystal Marshall, Wayne Huggit, Brinston Tchana, Martha Ciana, Chris Coxon, Cindy-Jane Armbruster, Asa Bebbington, Asif Ali, Rajesh Kalhan, Jacob Chambers, Yusef, Bethany Asher, Ekow Otoo, Jessica Margraff, Frank & Cindy Williams, Mukandi Mashamba, Camphill Football Team, Evans Maripa, Nathan Hanekom, Rory Avenstrup, Monica e Lino, Max Ulivieri, Loredana Grandi, Lorenzo Casarini, Carlos Neme

THANKS TO: C-Talent and Dan Edge, Bev and Gatehouse, Pulse Italia and Giorgio Testi, Jenni Haberstock, Ryan Booth, Dav & Hillary, Bird and Indochina Productions

CREW: Agency: Adam & Eve Agency producers: Hannah / Rebecca /Jack CCO: Rik Brim Creative Director: Laura Rogers Creatives: Gen & Selma Production: Pulse Films MD: James Sorton & Davud Karbassioun Executive Producer: Lucy Kelly Producer: Dave French PM: Kishan Patel PA: Ellie Sanders Wright PA: Honey Cairns DP: Alex Barber & Chloë Thomson Focus: Merrit Gold Production Designer: Beck Rainford Set Assistant: Grace Bailey Props: Lloyd Vincent Grip: Johnny Donne Gaffer: Paul Molloy Stylist: Hannah Hopkins Stylist Assistant: Adam Martin H&MU: Gaby Winwood H&MU Assistant: Georgia Ryan 1st A.D: James Sharpe Playback: Alan Muszynski Sound: Stephen Hodge Boom Op: Esther Aside-Ofei Casting: Anna Stark CAPE TOWN Gatehouse Commercials EP: Beverley Wynne Producer: Karin Tanchel PM: Daniel Stoffberg 1st AD: Jaco Nel DP: Shaun Harley Lee Focus: Khalid Manuel Art: Willow Howell Make-Up Stylist: Annette Keet Sound: Henau Marais Location Manager: Bhut Gladstone MILAN Pulse Italia Executive Producer: Giorgio Testi Producer: Giulia Negretto Director: Tobia Passigato DP: Diego Indraccolo BANGKOK Indochina Productions EP: Nicholas Simón Producer: Atrachariya Pinitsanpirom (Bird) DP: Nicolas Axelrod Art Director: Salem Kardeeroj 1st A.D: Napon Limsomwong (Kwan) Casting Director: Sarawanee Yodnoon BOGOTA DP: Mauricio Vidal Editors: Ellie Johnson, Liam Bachler & Elyse Raphael at Tenthree Colour: Simon Bourne at Framestore Colour Producer: Chris Anthony VFX: Untold Studios Track: The Mohawks - The Champ (1968) Sync and Music Composition: Luis Almau at Soundtree Music Sound Design: Sam Ashwell & Mark Hellaby at 750mph Film Stock: Kodak Scans: Cinelab London Print: Dejonghe

[dencharnold-blog]

CONGRATULATIONS:  Michael O’Connor wins British Arrows Silver Craft Award for Best Costume (w. Hannah Robinson) in the Thomas Burberry Campaign!!

Sneak pic at the award itself...

Well done Michael, and of course all of the Black Label team!

[yegarts]

“I Am YEG Arts” Series: Kristi Hansen

Photo credit: Ryan Parker Photography

Kristi Hansen. If the name sounds familiar, it’s for good reason. She’s an actor, creator, and advocate for inclusivity who’s disrupting traditional leadership models to create opportunities for equity-seeking communities. Impressed? So was the Edmonton Artists’ Trust Fund committee, who recently recognized her as one of their 2020 award recipients. But that’s not the only place you might know her from. If you’re lucky, you saw her in The Silver Arrow or Woody—her one-woman show that compares and contrasts her life as an amputee to other amputees (real and imagined) around the world. But as impressive as what she does may be, her greatest accolade is who she is. A person unafraid to look deeper, feel deeper, question deeper, and present truths that aren’t always put forward.

Actor, teacher, co-conspirator, and self-proclaimed brat in the making—this week’s “I Am YEG Arts” story belongs to Kristi Hansen.

Of all the titles used to describe you and what you do, which do you use to describe yourself? Is there one you hope to add?

I have started to refer to myself as a “co-conspirator” when entering an art practice. I am always hungry for a collective process and am constantly looking for how each artistic process can create an ensemble of co-conspirators who develop a language and community agreement for how we want to work. I am drawn to other co-conspirators who are “brats” (artists who are constantly finding ways to gently subvert and find new pathways in the process). It is my greatest aspiration to be a brat. ; )

What was it about the arts that made you feel it could be your community?

I had a sneaky feeling when venturing into my life as an artist that as someone who never really had a community growing up, the arts could be my place where people weren’t afraid to look deeper, feel deeper, question deeper, and present the truths that weren’t always being put forward.

What keeps you choosing Edmonton as your place to live and work?

I came to Edmonton in 1999 to study at the Grant MacEwan Theatre Arts program without any real sense of how special a place Edmonton is. I didn’t imagine myself still being here 22 years later, and yet the more places I work outside of Edmonton, the more I can’t imagine myself calling anywhere else home. After Grant MacEwan, I went to the University of Alberta’s BFA Acting program and continued to meet folks within the Edmonton theatre and arts community who inspired me with their DIY punk attitudes. I’ve always been attracted to folks who make their own paths, and Edmonton artists seemed ripe with that resilience and subversion. I always felt like transformation, curiosity, and FUN were at the center of so much of the work in YEG. I got hitched to a really cool Edmonton artist (Sheldon Elter), I bought a very affordable house in the Alberta Avenue neighbourhood (which I love), I can bike downtown in seven  minutes, I have a great dog, and I get to work with so many different companies in so many different artistic mediums. I am truly #LivingTheDream.

Photo credit: Ryan Parker Photography

More people are wanting to build inclusive communities and spaces that don’t exist—like what you did with The Maggie Tree. Tell us about that experience and the first steps you took to make it happen.

Inspired by the Edmonton “If you are looking for an opportunity, create it yourself!” creation method I’d seen in so many other Edmonton artists and art companies, my friend Vanessa Sabourin and I saw a need for more women theatre artists to work and create together and to be IN CHARGE of their own productions and careers. We started an ad-hoc women’s theatre company, The Maggie Tree, in 2007. We had no money, but we had a community of supporters: Azimuth Theatre had a small space at the time that they rented to us for a cut of our box office. Vanessa’s dad built the set for us. Edmonton art superstars Amber Borotsik and Lori Gawryluik joined us in the process. Lori let us use the Artery (which she was running at the time) for a fundraiser. Then we did a run of a show. People came. And then we were a theatre company. It grew from there.

We learned how to write grants. We learned and continue to learn how feminism is intersectional and how to be inclusive and welcoming to gender diverse humans and other equity-seeking communities in our practice of what we want our inclusive, feminist theatre company to be. I often get to sit down with young artists who want to know “how to do it.” Honestly:

1. Find a thing you want to do.

2. Find a place where you can do it.

3. Commit to dates.

That’s the foundation. Once you have those three things, you’re off to the races. Not to simplify the other producing aspects of getting something together (all that grant writing, contract building, budgeting, policy creation, and marketing stuff is hard), but I honestly find once I have the three basics decided, I am flying.

Is there a particular piece of feedback you lean on when days are tough?

I’ve had the good fortune of working with many amazing artists who have given me GREAT advice/feedback over the years, but I want to offer a mantra that I came up with years ago (Ha! How hilariously self-congratulatory of me, but it’s honestly my go-to) that serves me well any time I enter a new artistic process: We are going to try some things: Some of them will work, some of them will not, and we are going to keep trying. This mantra keeps me going on the tough days, and keeps me brave when I want to retreat into the safety of what is already known and maybe not as interesting.

Tell us about the role funding and awards have played in your career. What doors do they open?

I first started writing grants for The Maggie Tree as an individual artist to fund our productions. I learned the art of grant writing from Vanessa Sabourin, Steve Pirot, Murray Utas, and Vern Thiessen: All brilliant artist and producers who know how to weave an undeniable narrative and craft a beautifully specific budget. The Maggie Tree started being successful in our asks for Edmonton Arts Council, Alberta Foundation for the Arts, and Canada Council for the Arts grants. This enabled us to engage more and more artists in our projects and to start moving into being able to offer equity contracts for artists and to create viable work opportunities for Edmonton artists. These grants allowed me to advance myself as an artist and producer and to be able to PAY myself for the art I was creating and/or producing. I’ve been lucky enough to receive a few awards in my career that have helped to launch my profile as an artist locally, provincially, and nationally, and I am grateful to now be known inside and outside of Edmonton artist circles.

Grants and awards offer artists the opportunity to create their own opportunities and to expand their profile so OTHER folks can offer them opportunities, as well. Before you know it there’s a career in the arts in front of you.

What excites you most about the YEG arts scene right now?

I am constantly inspired by the younger generations of YEG artists coming up. I am here for the push for a kinder, more inclusive, more transparent workplaces (cuz let’s face it: Art is WORK, and as much as we love our art, we are still workers). I am excited for new art spaces: CO*LAB, the new Roxy… I’m also pretty hyped for new performance technologies being created right here in YEG with Moment Discovery.

Photo credit: Ryan Parker Photography

Tell us about your workshops and commitment to being an educator/mentor. What do you hope people will take away?

I am pretty into the idea of educating/mentoring folks by being led by them and the artist they are. I’m not interested in people changing themselves into what they think is marketable or palatable for whoever their “audience” is. I want them to be the best and most authentic THEM they can be in their work. When I work with a group of humans, I am most interested in ensemble training and dismantling hierarchy in groups. I return to the idea of the co-conspirator and the brats: How can we work together? What agreements need to be made in order for us to do our best work together? What are the rules? And when do we know it’s time to break the rules (cue the brat)?

I had the good fortune of many wonderful mentors who taught me so many important lessons and also taught me things that no longer serve me. I hope that for any of the folks I have helped mentor that they take anything that I pass on that is useful and let go of anything that is not or that no longer serves them in their practice. We are all on our own artistic journeys, but it is as a community—or ensemble—that we grow and move forward. Ultimately, we need each other.

You’ve talked about the importance of artists generating opportunities for other artists. Can you speak to that a little more?

I truly believe this is the way it works. When you care for your community, the community cares for you and those you keep bringing into the circle. I also think it’s important to nudge people when you see opportunities that could be good for them. Let them know you’re thinking of them. They may not have the confidence to apply on their own, but that little push can go a long way. There is nothing more encouraging as an artist than to know that someone else believes in you and your work.

Who’s someone inspiring you right now?

I’m pretty inspired by Carly Neis, Cynthia Jimenez-Hicks, and Cameron Kneteman (along with producer Mac Brock) as they continue to workshop and produce their new TYA play focusing on disability, Tune to A. They are being giant brats and being kind all over the place on this one, and I couldn’t be more proud of the accessible practice model they are building in their process.

Describe your perfect day in Edmonton. How do you spend it?

Breakfast on my patio in Alberta Avenue, putzing in my garden, taking the dog on a bike ride through Dawson Park, a piece of cheesecake from Otto, seeing a show (art show, theatre show, music show), then finishing the night off with a beer and burger from the Next Act. I’m a simple creature, really. ; )

Want more YEG Arts Stories? We’ll be sharing them here all year and on social media using the hashtag #IamYegArts. Follow along!

Click here to learn more about Kristi Hansen, her workshops, and upcoming projects.

About Kristi Hansen

Kristi Hansen is a disabled theatre artist who has called Edmonton home for the past 22 years. Kristi trained as an actor at Grant MacEwan’s Theatre Arts Program from 1999-2001, and then at the University of Alberta’s Bachelor of Fine Arts Acting Program from 2001-2004.  Kristi is the co-founder and co-Artistic Director of The Maggie Tree and the former co-Artistic Producer of Azimuth Theatre in Edmonton, AB.

Acting credits include Candide (Edmonton Opera); The Silver Arrow, A Christmas Carol, and Alice Through the Looking Glass (Citadel Theatre); The Invisible: Agents of Ungentlemanly Warfare (Catalyst Theatre); Mr. Burns: a post-electric Play (You are Here Theatre/Blarney Productions); The Bad Seed, The Jazz Mother, Pith!, The Scent of Compulsion, and The Ambassador’s Wives (Teatro la Quindicina); The Hollow (Vertigo Theatre); Small Mouth Sounds, 10 out of 12, and Passion Play (Wild Side Productions); Irma Voth (Theatre Network); Christina/Philippe (Northern Light Theatre); The Sound of Music (National Arts Centre); Comedy of Errors, Hamlet, A Midsummer Night’s Dream, King Lear, Romeo and Juliet and Love’s Labour’s Lost (Freewill Players); The Snow Queen and Apocalypse Prairie (Azimuth Theatre); The Supine Cobbler, Monstrosities, Age of Arousal, Hroses: An Affront to Reason, Folie à Deux, and Hunger Striking (The Maggie Tree). Her one-woman show, Woody, explores the themes of privilege and disability in a reflection of her life as a disabled human living in North America in contrast with other amputees (real and imagined) around the world.

[picorihero]

COME ONE, COME ALL! 

The annual Picori Festival is fast approaching, as is the highly anticipated Picori Festival Tournament! Test your power, wisdom, and courage!

The tournament will be held April 25th through 27th, hosted by none other than the Hero of Hyrule, himself---Link! (With assistance from Minister Potho).

Each contestant will be split up into a bracket and combat against one another until only one remains victorious! Consolation prizes will be given to the runner-up and 3rd place.

The champion shall be awarded: 500,000 Hyrulean Rupees (*currency is exchangeable to participants’ place of origin), the traditional blade hand-crafted by Hyrule’s own Master Smith, and a seat as the guest of honor at the King’s Banquet!

Second Place: 250,000 Hyrulean Rupees, a decorative shield made of silver, and an invitation and honorary mention at the King’s Banquet!

Third Place: 50,000 Hyrulean Rupees, a bronze arrow, and an invitation to the King’s Banquet!

HOW TO ENTER:

You must fill out the appropriate forms prior to the 25th of April. ---That means the deadline is April 24th, 11:59pm (PST). You must send this as an ASK to @picorihero. These will not be published, but an IM will be sent to confirm to the contestant that the ask has gone through.

I, Muse Name (@url), hereby announce my participation in this year’s Picori Festival. My weapon of choice is: (Choose one of the following: Sword, Shield, Bow).

Example: I, Captain Linebeck (@beckonedcall), hereby announce my participation in this year’s Picori Festival. My weapon of choice is: Shield.

HOW IT WORKS:

Contestants will be randomly assigned to a bracket. Based on the chosen “weapon,” a challenger may have a percentage-roll (0-90%) in advantage. Shield > Sword > Bow (>Shield) --- (similar to Rock, Paper, Scissors.)

From there, contestants will roll three times. Once out of 20, and twice out of 6. Each number will be added up (multiplied by advantage if applicable), and a winner will be declared to move on to the next bracket. * You may not change your weapon of choice during the course of the tournament.

PLEASE NOTE:

1) You must be following @picorihero for tournament news and updates.

2) Absolutely MUST be an RP blog. (Sideblogs & Multimuse are welcome, though please only admit ONE muse!)

3) Multiverse applicable; doesn’t matter what universe your muse is from, what timeline, etc.

4) No physical prizes will be offered, but your muse may receive the aforementioned prizes and bragging rights. ;)

5) Your muse does NOT need to know how to fight to win! It's all RNG!

I HIGHLY RECOMMEND THAT YOU FOLLOW THE TAG #FestivalTournament FOR UPDATES AND INTERACTING WITH FELLOW CONTESTANTS!

For any questions, please forward a correspondence (Ask) to Minister Potho @picorihero!

[emzeciorrr]

Guinness | Liquid Tumble (Director's Cut) from in/out on Vimeo.

Winner - Ciclope International Festival of Craft 2018 - Silver Award - Best New Talent Nomination - British Arrows - Craft: Costume Nomination - 1.4 Awards - On The Cusp of Greatness

Agency - AMV BBDO Production - Riff Raff Films Post Production - MPC London

Director - in/out Producer - Tom Knight DOP - Ben Todd Choreographer - Supple Nam Costume Designer - Grace Snell 1st AD - Rawdon de Fresnes Executive Producer - Matthew Fone, Natalie Arnett

Creatives - Nadja Lossgott, Nicholas Hulley Art Director - Nadja Lossgott Copywriter - Nicholas Hulley Agency Producer - Yvonne Chalkley, Nikki Holbrow Creative Director - Martin Loraine, Steve Jones Account Director - James Drummond

Post Production - MPC Post Producer - Amanda Richardson Colourist - Richard Fearon VFX Supervisor - Jack Stone Lead VFX - Jack Stone Editing Company - Final Cut Editor - Amanda James Audio Post Production - Factory, Anthony Moore Music - Soundtree

Service Production Company - Radioaktive Films Executive Producer - Darko Skulsky Line Producer - Ira Nepomenko Production Manager - Kristina Ilyina Production Co-ordinator - Yulia Sotnikova Otnikova Production Assistant - Nastya Garmasheva Production Assistant - Sergey Slevin Chaperone - Natasha Ermak 1st AD - Vasil Belousov 1st AC - Petya Chetveryakov Gaffer: Sasha Shvets Art Director: David Kharaishvil Stylist - Dasha Filshina Choreography Assistant - Kostya Koval

Behind The Scenes - Felix Hernandez

Cast Vlad Litvinenko Axel Nguyen Buu Chau Artem Gordeev Dasha Malikova Bahtiyor Ibragimov Anastacia Oleksyuk Vlastelina Bilous Lena Sharapova Ivan Rodionov Anya Knysh Yulia Chernova Nastya Sergeeva Gordienko Max Nastya Harchenko Simakin Pavel Lena Sigoeva Roma Kharchenko Taya Jonson Hadi Mei Pina Zhenia Doan Vlad Drobinka Tolik Frolov Vladimir Sagin Vanya Yurkiv Anya Khalikova Petr Petrov Andrey Sobotinskiy Yulia Borodai Stepan Misurka

[gbumr]

The Sunday Times - Icons from Us on Vimeo.

Watch the making of - vimeo.com/85527061

- Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase

Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris

DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner

Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett

[wristwatchjournal]

Introducing – Ferdinand Berthoud Chronomètre FB 2RE (Live Pics & Price)

Ferdinand Berthoud might be a relatively “young” brand, but it bears the illustrious name of one of the greatest chronometer makers of the 18th century. Although the brand manufactures just a few dozen of watches every year, the sincerity and the integrity of its approach has won plaudits from collectors and experts alike. Presented in 2015, the FB1 Chronometer, the first modern Ferdinand Berthoud watch, received numerous industry accolades including the Aiguille d’Or at GPHG 2016, the ‘Oscars’ of watchmaking. Five years later, it is time for Ferdinand Berthoud to present its second collection… Meet the Chronomètre FB 2RE, the brand’s first round and no tourbillon watch and its spectacular movement with fusée-and-chain and remontoir d’égalité.

Background

If you have been following the development of Ferdinand Berthoud, the inspiration behind the Chronomètre FB 2 will come as no surprise. Obviously, the watch comes with a new case and a new calibre, but the brand’s focus remains the same: precision watchmaking. Back in the 18th century, Ferdinand Berthoud was one of the most prominent chronometer makers. At the time of the conquest of the oceans, crafting precise timekeepers was a major endeavour as marine chronometers were essential to determine longitude at sea and to provide safe navigation. To establish longitude, you need to know the time aboard ship and at your home port with great precision to convert the hour differences into geographical separation.

In 1770, Ferdinand Berthoud was awarded the title of “Clockmaker and Mechanic by appointment to the French King and Navy”. Two hundred and fifty years later, the eponymous brand unveils a new collection inspired by the Berthoud Marine Clock No.6: the Chronomètre FB 2RE.

FIRST ROUND CASE

The first thing to catch your eye is, of course, the new case. The round design of the Ferdinand Berthoud Chronomètre FB 2RE is surely less polarizing than the octagonal FB 1 but remains distinctive. The watch picks up the shape of Berthoud Marine Clocks and their modular construction. It is based on a cylindrical container fitted with short, tapering lugs secured to the case by stylised bolts. The curved bezel frames a domed sapphire crystal. Just like the FB1, there is a lateral porthole along the case middle at 10 o’clock, in a screw-down frame. It provides an original view of the pillar architecture of the movement. The large knurled crown features a dynamometric system that disengages as soon as the barrel is fully armed. Measuring 44mm in diameter, the Ferdinand Berthoud Chronomètre FB 2RE comes in white or pink ethically sourced gold. Last, it is water-resistant to 30m or 3ATM.

Time is displayed on a traditional Grand Feu enamel dial combining Roman numerals for the hours and Arabic numerals for the minutes. The beautifully crafted two-piece construction is made of a flat slightly recessed central part and a domed disc at the periphery. Because the dial base is made from anti-magnetic metal, there is no need to apply a counter-enamel coat on the back of the dial to protect it from deformation. It is paired with openwork dagger-type hands in 18-carat gold.

A SPECTACULAR MOVEMENT WITH FUSéE-AND-CHAIN AND REMONTOIR

Turning the watch over, the exhibition caseback reveals what is, without a doubt, one of the main attractions of the watch: the breathtaking hand-wound movement powering the Chronomètre FB 2RE. The Calibre FB-RE.FC combines a fusée and chain mechanism with a remontoir d’égalité, two mechanisms to regulate the driving force delivered to the oscillator.

The period of oscillation of a watch’s balance wheel is affected by the variation of the driving force delivered by the barrel. This led watchmakers to design mechanisms to compensate for the variations in torque of the mainspring. A fusée consists of a cone-shaped pulley, linked to a chain coiled around the barrel. The fusée features a spiral thread to receive the chain. Thanks to the increasing circumference of the thread, the diminishing force of the mainspring is compensated (very much like the gearing of a bicycle). As the mainspring unwinds, the chain rolls on the barrel and off the fusée. The increasing leverage of the fusée compensates for the waning torque of the barrel.

The remontoir d’égalité is a system that stores a small amount of energy in a secondary hairspring. It delivers exactly the same amount of energy to the balance every second. The result is a constant amplitude and thus a high degree of rate accuracy. The remontoir of the Chronomètre FB 2RE is fitted concentrically with the escape wheel and thus directly connected to the escapement. Its spring is re-tensioned by means of a triangular ruby cam that releases a stop-lever every second.

According to Berthoud, the remontoir “complements the fusée by acting on another level. The fusée equalises the torque reaching the gear train, yet irregularities are created when the teeth mesh. These variations, of a much smaller magnitude than those generated by the uncoiling of the mainspring, are nevertheless important in light of the precision demanded by Chronométrie Ferdinand Berthoud.”

In conjunction with the remontoir, seconds are displayed with discreet jumps, once per second. Once again, this makes perfect sense in light of the quest for precision. Unlike traditional watches, in which the seconds hand sweeps in increments of a second, dead-beat seconds watches show one-second beats and provide a more legible and precise reading of the time.

The balance wheel is fitted with four inertia blocks and a spiral with a Phillips terminal curve. It runs at 18,000 vibrations per hour and the stop-seconds mechanism allows for precise time setting. Although the barrel stores energy for several more hours, a Maltese cross stopwork limits the power reserve to 50 hours (which is quite nice for a watch with dead-beat seconds), using only the optimal range of its spring. The power reserve is displayed at the back of the watch.

As you have come to expect from Ferdinand Berthoud, the movement looks spectacular. Although the pillar architecture, which it shares with the FB 1, is no longer visible on the reverse side of the watch, the spotlight has clearly been given to all strategic mechanisms to achieve chronometric performance: the balance wheel, the escapement, the remontoir and the fusée-and-chain. These are presented in their full glory standing out over the frosted German silver intermediary plate. The finishing is top-notch: the arrow-shaped steel balance bridge is mirror polished, as is the upper part of the stepped escape-wheel bridge. The barrel and the fusée are satin-brushed… horological art in its purest form.

AVAILABILITY AND PRICE

The Ferdinand Berthoud Chronomètre FB 2RE is worn on a hand-sewn alligator leather strap fitted with a pin buckle matching the material of the case. The watch is released in two limited editions – 10 pieces in white gold and 10 pieces in pink gold. Price is set at CHF 210,000.

More details at www.ferdinandberthoud.ch.

The post Introducing – Ferdinand Berthoud Chronomètre FB 2RE (Live Pics & Price) appeared first on Wristwatch Journal.

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[thepaisley]

IPC - WeThe15 from Sam Pilling on Vimeo.

A film to launch the #WeThe15 movement – spearheaded by the International Paralympic Committee and International Disability Alliance.⁣⁣

-- 2022 AICP AWARDS - WINNER (Cause) CANNES LIONS - SILVER / Casting (film craft) D&AD AWARDS - Wood Pencil / Casting BRITISH ARROWS - SILVER / casting BRITISH ARROWS - SILVER / Entertainment & Sports Promotions BRITISH ARROWS - BRONZE / Innovation & Immersive Experiences CDA AWARDS - WINNER / Commercial CREATIVE CIRCLE AWARDS - SILVER / Editing SPORTS EMMY - nomination

-- 2021 SHOTS - SILVER / charity CAMPAIGN - #11 / Top 15 Film Ads of the Year 1.4 AWARDS - SILVER (FLYING HIGH) / commercial - planet positive ⁣⁣ The movement, #WeThe15, takes its name from the 15% of the global population who have a disability: the world’s largest marginalised group. With the goal of putting the rights of the 15% at the heart of the global inclusivity agenda. ⁣⁣ ⁣⁣ The Tokyo 2020 Paralympics start today! Our film launches the #wethe15 movement and will be shown as part of the opening ceremony to a global audience of over 250 million people. Made in partnership with Adam & Eve DDB, the International Paralympic Committee and the International Disability Alliance, we hope this film helps to shift the narrative around people with disabilities - away from one in which they are either stereotyped as objects of pity, or put on a pedestal �

Huge thank you to all the Cast & crew across the world who gave up their precious time to help bring this film to life ��

STARRING: Kirin Saeed, Crystal Marshall, Wayne Huggit, Brinston Tchana, Martha Ciana, Chris Coxon, Cindy-Jane Armbruster, Asa Bebbington, Asif Ali, Rajesh Kalhan, Jacob Chambers, Yusef, Bethany Asher, Ekow Otoo, Jessica Margraff, Frank & Cindy Williams, Mukandi Mashamba, Camphill Football Team, Evans Maripa, Nathan Hanekom, Rory Avenstrup, Monica e Lino, Max Ulivieri, Loredana Grandi, Lorenzo Casarini, Carlos Neme

THANKS TO: C-Talent and Dan Edge, Bev and Gatehouse, Pulse Italia and Giorgio Testi, Jenni Haberstock, Ryan Booth, Dav & Hillary, Bird and Indochina Productions

CREW: Agency: Adam & Eve Agency producers: Hannah / Rebecca /Jack CCO: Rik Brim Creative Director: Laura Rogers Creatives: Gen & Selma Production: Pulse Films MD: James Sorton & Davud Karbassioun Executive Producer: Lucy Kelly Producer: Dave French PM: Kishan Patel PA: Ellie Sanders Wright PA: Honey Cairns DP: Alex Barber & Chloë Thomson Focus: Merrit Gold Production Designer: Beck Rainford Set Assistant: Grace Bailey Props: Lloyd Vincent Grip: Johnny Donne Gaffer: Paul Molloy Stylist: Hannah Hopkins Stylist Assistant: Adam Martin H&MU: Gaby Winwood H&MU Assistant: Georgia Ryan 1st A.D: James Sharpe Playback: Alan Muszynski Sound: Stephen Hodge Boom Op: Esther Aside-Ofei Casting: Anna Stark CAPE TOWN Gatehouse Commercials EP: Beverley Wynne Producer: Karin Tanchel PM: Daniel Stoffberg 1st AD: Jaco Nel DP: Shaun Harley Lee Focus: Khalid Manuel Art: Willow Howell Make-Up Stylist: Annette Keet Sound: Henau Marais Location Manager: Bhut Gladstone MILAN Pulse Italia Executive Producer: Giorgio Testi Producer: Giulia Negretto Director: Tobia Passigato DP: Diego Indraccolo BANGKOK Indochina Productions EP: Nicholas Simón Producer: Atrachariya Pinitsanpirom (Bird) DP: Nicolas Axelrod Art Director: Salem Kardeeroj 1st A.D: Napon Limsomwong (Kwan) Casting Director: Sarawanee Yodnoon BOGOTA DP: Mauricio Vidal Editors: Ellie Johnson, Liam Bachler & Elyse Raphael at Tenthree Colour: Simon Bourne at Framestore Colour Producer: Chris Anthony VFX: Untold Studios Track: The Mohawks - The Champ (1968) Sync and Music Composition: Luis Almau at Soundtree Music Sound Design: Sam Ashwell & Mark Hellaby at 750mph Film Stock: Kodak Scans: Cinelab London Print: Dejonghe

[carcop]

The Sunday Times - Icons from Us on Vimeo.

Watch the making of - vimeo.com/85527061

- Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase

Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris

DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner

Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett

[josiptaylor]

The Sunday Times - Icons from Us on Vimeo.

Watch the making of - vimeo.com/85527061

- Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase

Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris

DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner

Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett

[ba3tor]

Lycra - Moves you - Philippe André from philippe andré on Vimeo.

a commercial directed by philippe andré

Awards:

Silver in Media at Creativity International Awards 2015 Best Advertising production at the Animago Awards 2015 Gold for 3D Animation at the Ciclope International Festival of Craft . Berlin 2014 Silver for Best CGI at the British Arrows Craft Awards 2014 Gold at the Creative Circle Awards London 2015 Pencil at D&AD Awards London 2015 Finalist in fashion category at the British Arrows Awards 2015 Third Price Awards at the New York Festivals World’s Best Advertising 2015 Bronze for best Visual Effect and best Animation at the Clio Awards 2015 Winner VOTD. oct 2014

[reportingfromthefield]

The Sunday Times - Icons from Us on Vimeo.

Watch the making of - vimeo.com/85527061

- Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase

Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris

DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner

Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett

[jimblanceusa]

Every celebrity scheduled to be at Denver Comic Con this weekend from “Game of Thrones,” Star Wars and much more

You’ve got wizards next to 1980s icons wedged between superheros with a pinch of teen heartthrobs and heck, even a splash of aliens and Power Rangers.

It must be Denver Comic Con.

It happens only one weekend a year: Some the biggest names in the world of movies and television flock to Denver to fill the Colorado Convention Center — and you get to meet them.

Stars of “Game of Thrones,” “The Walking Dead,” “Harry Potter,” “Guardians of the Galaxy” and many more will be in town this weekend, pens in hand and smiles ready for selfies — but it won’t come cheap. You may even have to dip into your savings: Some selfies could cost you up to $500.

There are several ways to catch a glimpse of your crush or icon:

Main event panels and Q&As are part of the Comic Con experience and are not extra. However, lines for the popular events can get long, so plan ahead.

You can stand in line at their booth in the Celebrity Summit. This option could mean you are waiting in line for hours and you need to show proof of purchase before getting up close and personal. Photos can be purchased and scheduled online ahead of time at denvercomiccon.com/guests.

You can also pre-pay to schedule a photo op with your favorite celebrities. Rather than stand in line, your individual photo session is scheduled in 10-minute window with other fans waiting for their own chance to rub elbows with a pop culture star. For scheduling, go to denvercomiccon.com/ programming and navigate to “Celebrity Summit Photo Ops.”

Here are the celebrities attending the Denver Comic Con as of June 6, along with the days they will be on-site and the price of an autograph or photo.

The lineup is subject to change at any time. And these names are just the highlights: The complete list, including other actors, plus artists and authors, can be found at denvercomiccon.com/guests. Denver Comic Con runs June 15-17. The hours: Friday 10 a.m.-7 p.m.; Saturday 10 a.m.-7 p.m.; Sunday 10 a.m.-6 p.m.

Comic Con passes available by day or for the weekend. Friday passes are $44, Saturday $60.50 and Sunday $49.50. Three-day adult weekend passes are $93.50 and children 3-12 are $8.25 for the weekend. All tickets available at denvercomiccon.com/tickets.

Arrow

John Barrowman Spotlight: June 16, 5 p.m., Captain Colorado Stage

John Barrowman June 16 and 17 Autograph: $40 Photo: $60

Aquaman

Jason Momoa Only June 16 Autograph: $80 Photo: $100

Doctor Who

David Tennant Q&A: June 17, noon to 12:45 p.m., Captain Colorado Stage

Billie Piper Q&A: June 17, 1 p.m. to 1:45 p.m., Captain Colorado Stage

Billie Piper (also seen on Showtime’s “Penny Dreadful”) June 16 and 17 Autograph: $60 Photo: $60

David Tennant (also seen on “Jessica Jones”) June 16 and 17 Autograph: $100 Photo: $100

Game of Thrones

Main Event: Isaac Hempstead-Wright and Kristian Nairn, June 16, 1 p.m., Captain Colorado Stage

Isaac Hempstead-Wright June 16 and 17 Autograph: $50 Photo: $55

Kristian Nairn June 16 and 17 Autograph: $40 Photo: $50

Jason Momoa Only June 16 Autograph: $80 Photo: $100

Guardians of the Galaxy

Q&A with Pom Klementieff and Sean Gunn: June 16, 11-11:45 a.m., Captain Colorado Stage

Pom Klementieff  June 16 and 17 Autograph: $45 Photo: $50

Sean Gunn (best known as Kirk on “Gilmore Girls”) June 15-17 Autograph: $30 Photo: $50

Harry Potter

Bonnie Wright June 16 and 17 Autograph: $50 Photo: $60

The Hobbit

Graham McTavish (also seen on “Outlander”) June 15-17 Autograph: $40 Photo: $40

Hellboy/ Sons of Anarchy

Ron Perlman Q&A: June 17, 2 p.m., Captain Colorado Stage

Ron Perlman June 16 and 17 Autograph: $60 Photo: $60

Mighty Morphin Power Rangers

Amy Jo Johnson June 15-17 Autograph: $50 Photo: $50

Jason David Frank June 16 and 17 Photo: $45

Pretty in Pink

Andrew McCarthy (also seen in “Orange is the New Black,” “The Blacklist”) June 15-17 Autograph: $40 Photo: $60

Molly Ringwald June 16 and 17 Autograph: $60 Photo: $60

Riverdale

Main Event: KJ Apa, Skeet Ulrich and Molly Ringwald, June 16, 4 p.m., Captain Colorado Stage

Main Event: KJ Apa, June 17, 3 p.m., Captain Colorado Stage

KJ Apa June 16 and 17 Autograph: $60 Photo: $75

Molly Ringwald June 16 and 17 Autograph: $60 Photo: $60

Skeet Ulrich (also seen in “Scream,” “The Craft”) June 15-17 Autograph: $50 Photo: $60

Sex and the City

Jason Lewis (also seen on “Midnight, Texas”) June 16 and 17 Autograph: $60 Photo: $60

Star Wars

Alan Tudyk Q&A: Saturday June 16 at 2 p.m., Captain Colorado Stage

Alan Tudyk (voice acting: “Frozen,” “Moana,” “Wreck it Ralph”) June 16 and 17 Autograph: $50 Photo: $70

Joonas Suotamo (Chewbacca) June 15-17 Autograph: $50 Photo: $40

Ray Park (Darth Maul) (also seen as Toad in “X-Men”) June 16 and 17 Autograph: $50 Photo: $50

Stranger Things

David Harbour Q&A: June 16, 3 p.m., Captain Colorado Stage

David Harbour Only June 16 Autograph: $50 Photo: 70

Matty Cardarople June 16 and 17 Autograph: $40 Photo: $50

Supernatural

Mark Sheppard Q&A: June 17, 11 a.m. Captain Colorado Stage

Mark Sheppard June 15-17 Autograph: $50 Photo: $60

The Walking Dead

Alanna Masterson June 16 and 17 Autograph: $40 Photo: $50

Ross Marquand Colorado native, CU Boulder grad June 15-17 Autograph: $40 Photo: $50

JUST ADDED:

Val Kilmer June 15-17 Autograph: $75 Photo: $80

Most expensive photo-op award goes to

Frank Miller Storyteller: “Sin City,” “Batman,” “300” Only June 17, appearance limited to packages purchased online Platinum with print, autographs, 1 selfie and a meet and greet for $500 Gold: 4 autographs for $300 Silver: 1 autograph for $100

Democracy depends on journalism, and journalists need your help. Support The Denver Post and get unlimited digital access — the first month is just 99 cents.

from Latest Information https://www.denverpost.com/2018/06/12/every-celebrity-scheduled-to-be-at-denver-comic-con-this-weekend-from-game-of-thrones-star-wars-and-much-more/

[janetoconnerfl]

Every celebrity scheduled to be at Denver Comic Con this weekend from “Game of Thrones,” Star Wars and much more

You’ve got wizards next to 1980s icons wedged between superheros with a pinch of teen heartthrobs and heck, even a splash of aliens and Power Rangers.

It must be Denver Comic Con.

It happens only one weekend a year: Some the biggest names in the world of movies and television flock to Denver to fill the Colorado Convention Center — and you get to meet them.

Stars of “Game of Thrones,” “The Walking Dead,” “Harry Potter,” “Guardians of the Galaxy” and many more will be in town this weekend, pens in hand and smiles ready for selfies — but it won’t come cheap. You may even have to dip into your savings: Some selfies could cost you up to $500.

There are several ways to catch a glimpse of your crush or icon:

Main event panels and Q&As are part of the Comic Con experience and are not extra. However, lines for the popular events can get long, so plan ahead.

You can stand in line at their booth in the Celebrity Summit. This option could mean you are waiting in line for hours and you need to show proof of purchase before getting up close and personal. Photos can be purchased and scheduled online ahead of time at denvercomiccon.com/guests.

You can also pre-pay to schedule a photo op with your favorite celebrities. Rather than stand in line, your individual photo session is scheduled in 10-minute window with other fans waiting for their own chance to rub elbows with a pop culture star. For scheduling, go to denvercomiccon.com/ programming and navigate to “Celebrity Summit Photo Ops.”

Here are the celebrities attending the Denver Comic Con as of June 6, along with the days they will be on-site and the price of an autograph or photo.

The lineup is subject to change at any time. And these names are just the highlights: The complete list, including other actors, plus artists and authors, can be found at denvercomiccon.com/guests. Denver Comic Con runs June 15-17. The hours: Friday 10 a.m.-7 p.m.; Saturday 10 a.m.-7 p.m.; Sunday 10 a.m.-6 p.m.

Comic Con passes available by day or for the weekend. Friday passes are $44, Saturday $60.50 and Sunday $49.50. Three-day adult weekend passes are $93.50 and children 3-12 are $8.25 for the weekend. All tickets available at denvercomiccon.com/tickets.

Arrow

John Barrowman Spotlight: June 16, 5 p.m., Captain Colorado Stage

John Barrowman June 16 and 17 Autograph: $40 Photo: $60

Aquaman

Jason Momoa Only June 16 Autograph: $80 Photo: $100

Doctor Who

David Tennant Q&A: June 17, noon to 12:45 p.m., Captain Colorado Stage

Billie Piper Q&A: June 17, 1 p.m. to 1:45 p.m., Captain Colorado Stage

Billie Piper (also seen on Showtime’s “Penny Dreadful”) June 16 and 17 Autograph: $60 Photo: $60

David Tennant (also seen on “Jessica Jones”) June 16 and 17 Autograph: $100 Photo: $100

Game of Thrones

Main Event: Isaac Hempstead-Wright and Kristian Nairn, June 16, 1 p.m., Captain Colorado Stage

Isaac Hempstead-Wright June 16 and 17 Autograph: $50 Photo: $55

Kristian Nairn June 16 and 17 Autograph: $40 Photo: $50

Jason Momoa Only June 16 Autograph: $80 Photo: $100

Guardians of the Galaxy

Q&A with Pom Klementieff and Sean Gunn: June 16, 11-11:45 a.m., Captain Colorado Stage

Pom Klementieff  June 16 and 17 Autograph: $45 Photo: $50

Sean Gunn (best known as Kirk on “Gilmore Girls”) June 15-17 Autograph: $30 Photo: $50

Harry Potter

Bonnie Wright June 16 and 17 Autograph: $50 Photo: $60

The Hobbit

Graham McTavish (also seen on “Outlander”) June 15-17 Autograph: $40 Photo: $40

Hellboy/ Sons of Anarchy

Ron Perlman Q&A: June 17, 2 p.m., Captain Colorado Stage

Ron Perlman June 16 and 17 Autograph: $60 Photo: $60

Mighty Morphin Power Rangers

Amy Jo Johnson June 15-17 Autograph: $50 Photo: $50

Jason David Frank June 16 and 17 Photo: $45

Pretty in Pink

Andrew McCarthy (also seen in “Orange is the New Black,” “The Blacklist”) June 15-17 Autograph: $40 Photo: $60

Molly Ringwald June 16 and 17 Autograph: $60 Photo: $60

Riverdale

Main Event: KJ Apa, Skeet Ulrich and Molly Ringwald, June 16, 4 p.m., Captain Colorado Stage

Main Event: KJ Apa, June 17, 3 p.m., Captain Colorado Stage

KJ Apa June 16 and 17 Autograph: $60 Photo: $75

Molly Ringwald June 16 and 17 Autograph: $60 Photo: $60

Skeet Ulrich (also seen in “Scream,” “The Craft”) June 15-17 Autograph: $50 Photo: $60

Sex and the City

Jason Lewis (also seen on “Midnight, Texas”) June 16 and 17 Autograph: $60 Photo: $60

Star Wars

Alan Tudyk Q&A: Saturday June 16 at 2 p.m., Captain Colorado Stage

Alan Tudyk (voice acting: “Frozen,” “Moana,” “Wreck it Ralph”) June 16 and 17 Autograph: $50 Photo: $70

Joonas Suotamo (Chewbacca) June 15-17 Autograph: $50 Photo: $40

Ray Park (Darth Maul) (also seen as Toad in “X-Men”) June 16 and 17 Autograph: $50 Photo: $50

Stranger Things

David Harbour Q&A: June 16, 3 p.m., Captain Colorado Stage

David Harbour Only June 16 Autograph: $50 Photo: 70

Matty Cardarople June 16 and 17 Autograph: $40 Photo: $50

Supernatural

Mark Sheppard Q&A: June 17, 11 a.m. Captain Colorado Stage

Mark Sheppard June 15-17 Autograph: $50 Photo: $60

The Walking Dead

Alanna Masterson June 16 and 17 Autograph: $40 Photo: $50

Ross Marquand Colorado native, CU Boulder grad June 15-17 Autograph: $40 Photo: $50

JUST ADDED:

Val Kilmer June 15-17 Autograph: $75 Photo: $80

Most expensive photo-op award goes to

Frank Miller Storyteller: “Sin City,” “Batman,” “300” Only June 17, appearance limited to packages purchased online Platinum with print, autographs, 1 selfie and a meet and greet for $500 Gold: 4 autographs for $300 Silver: 1 autograph for $100

Democracy depends on journalism, and journalists need your help. Support The Denver Post and get unlimited digital access — the first month is just 99 cents.

from Latest Information https://www.denverpost.com/2018/06/12/every-celebrity-scheduled-to-be-at-denver-comic-con-this-weekend-from-game-of-thrones-star-wars-and-much-more/

[tarikkavaz]

Watch the making of - https://vimeo.com/85527061 - Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett

[blakefarberdirector]

The Sunday Times - Icons from Us on Vimeo.

Watch the making of - vimeo.com/85527061

- Creative Circle - Best Direction (Gold) - Creative Circle - Best Cinematography (Gold) - Creative Circle - Best Production Design (Gold) - Creative Circle - Best Use Of Music (Gold) - Creative Circle - Best Over 30-60' TV Commercial (Silver) - D&AD - Best Art Direction (Silver) - D&AD - Best Production Design (Bronze) - D&AD - Best Use Of Music (Bronze) - The One Show - Best 60' TV Commercial (Pending) - British Arrows - Newspapers, Magazines and Music (Gold) - British Arrows - Best Over 30-60' TV Commercial (Silver) - Cannes Lions - Best Publication/Media Film (Bronze) - Cannes Lions - Best Direction (Shortlist) - Cannes Lions - Best Cinematography (Shortlist) - Cannes Lions - Best Social Video - Making of (Shortlist) - Ciclope Festival - Best Production Design - (Gold) - British Arrows Craft - Best Achievement in Production (Shortlist) - British Arrows Craft - Best New Director (Gold) - British Arrows Craft - Best Costume & Wardrobe - (Shortlist) - British Arrows Craft - Best Production Design - (Shortlist) - Campaign Big Awards (Gold) - YDA - Best European Broadcast Commercial (Winner) - APA Collection - Best 50 Commercials Of The Year - Saatchi & Saatchi New Directors' Showcase

Directors - Us Production Company - Academy Films Executive Producer - Lizie Gower Producer - Juliette Harris

DOP - Ben Fordesman A&R Operator - Simon Wood Art Director - Alison Dominitz Hair & MakeUp - Lu Hinton Stylist - Rebecca Hale Casting - Hammond & Cox Editor - Dave Stevens @ Assembly Rooms Post - Electric Theatre Collective Grade - Aubrey Woodiwiss Audio post production - String & Tins Musical Composition - Tom Player Lead Actor - Gary Milner

Agency - Grey Executive Creative Director - Nils Leonard Creative Director - Dave Monk Creatives - Jonathan Rands & Johan Leandersson Agency Producer - Debbie Impett