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silmarillionwritersguild · 3 months ago

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Tolkien Meta Week is a week-long event to encourage fans to create nonfiction works related to Tolkien's world. Tolkien Meta Week will run from December 8-14, 2024 on Tumblr and here on the Silmarillion Writers' Guild archive.

How to Participate

Tolkien Meta Week is hosted by the Silmarillion Writers' Guild, but we welcome meta about any and all of Tolkien's works. On our archive, the usual rules about "Silmworks" apply, but we will gladly reblog all Tolkien-related content on our tumblr.

You can use one of our prompts or go rogue and do your own thing! As long as it is a nonfiction work related to Tolkien, it is welcome for this event. Note that "meta" doesn't have to be lengthy, finished, or polished. A paragraph describing a wild theory you had suddenly while brushing your teeth is just as welcome as a lengthy, detailed, essay. There are four prompts available for each day of the week. If you want to use the prompts, you can use one, a few, or all of them—your choice! You can also combine prompts from different days.

On the archive, choose Tolkien Meta Week from the Challenge dropdown when you post your work. On Tumblr, tag #tolkien meta week so that we can reblog your work!

The SWG also has a weekly newsletter, and we will include a roundup of Tolkien Meta Week submissions at the end of the event. If you do not wish to be included in the round-up, let the mods know before December 13.

We will not reblog or include meta that violates our Site Etiquette. This includes meta that promotes the idea that some people have more value than others or that insults or belittles other fans.

Make sure to give credit for ideas not your own and ask permission before using or discussing another fan's fanworks as part of your meta.

Prompts

Each day of the event will feature four prompts centered on genre, format, source text, and approaches that range beyond Middle-earth. However, these prompts are entirely optional, and any Tolkien-related meta is welcome for the event!

December 8: theory | infographic | The Silmarillion | the Tolkien fandom

December 9: open letter | podcast/audio | The Lord of the Rings | Tolkien's non-Middle-earth writings

December 10: literary analysis | wiki article | The Hobbit | adaptations

December 11: character study | video | Unfinished Tales, The History of Middle-earth, The Nature of Middle-earth, and The Fall of Númenor | books, articles, and meta about Tolkien

December 12: headcanon | meme | The Three Great Tales: The Children of Húrin, Beren and Lúthien, and The Fall of Gondolin | compare Tolkien to another text

December 13: ship manifesto | personal essay | Tolkien's art | apply real-world disciplines to Middle-earth

December 14: research | list (including link collections) | The Letters of J.R.R. Tolkien | Tolkien fanworks (with permission!)

Prompt Definitions

Prompt definitions are provided for informational purposes only. We do not police how creators use our prompts for challenges and take creators at their word if they share a fanwork as part of one of our challenges. In other words, we are not going to be coming behind anyone, arguing that something should be posted because it doesn't fit our particular understanding of a prompt. All that being said, if you read the definitions below and still aren't sure what a prompt means, our mods are here to help!

Genre Prompts

Theory: Share your theories about one of the many mysteries or open questions about Tolkien's work. Unlike headcanons, theory meta uses details from the text rather than original concepts to formulate ideas about the legendarium.

Open Letter: Write a letter to someone, expressing your views on the canon as it relates to them. For example, you could write to a character, the creator of an adaptation, or Tolkien himself!

Literary Analysis: Literary analysis considers what makes Tolkien's work effective as art or literature, considering such elements as imagery, word choice, characterization, structure, and theme. Literary analysis can also consider influences on Tolkien's work, such as mythology, folklore, and other works of literature.

Character Study: Character studies take a deeper look at a character, considering what the texts say and imply about the character's backstory, motives, emotions, personality, and other elements.

Headcanon: Headcanons are your personal interpretations of the texts. They can be grounded in details from the texts but don't have to be. This is the meta where you elaborate on the original elements that you imagine for Middle-earth.

Ship Manifesto: Present the reasons why a particular ship is appealing to you and should be embraced by others.

Research: Share your research on a topic, large or small, in any format, whether your rough notes or a perfectly polished essay or anything in between—or a format totally novel and new!

Format Prompts

Infographic: Present your meta in visual form, using graphics alongside text. Note that while traditional infographics are of course welcome, other formats that combine information + visuals are welcome too.

Podcast/Audio: Record a discussion of a topic or a reading of a work of meta.

Wiki Article: Create or add to a Tolkien-related article on a wiki. (Fanlore is a fandom-specific wiki that is still missing articles on many Tolkien characters, ships, and other topics!)

Video: Share a work of meta in video form.

Meme: When we created this prompt, we had in mind visuals with catchy text that comment on Tolkien. However, the word meme has many meanings and permutations. Any are welcome here.

Personal Essay: Reflect on how Tolkien, Tolkien fandom, or aspects of Tolkien's world have influenced you personally. Note that while this prompt includes the word "essay," any format of personal reflection—video, audio, visual, something else?—is welcome.

List: Make a list of things related to a topic related to Tolkien.

Beyond Middle-earth

The Tolkien Fandom: Create meta about the Tolkien fandom, which is many decades old, vast, diverse, and complex. Note that exploring all aspects of Tolkien fandom—not just the fanworks fandom—is welcome for this prompt.

Tolkien's Non-Middle-earth Writings: Tolkien wrote original stories (like Leaf by Niggle), adaptations (like The Legend of Sigurd and Gudrun), translations (like Sir Gawain and the Green Knight), and academic works (like "Beowulf: The Monsters and the Critics"). This prompt welcomes meta that engages with these texts.

Adaptations: There have been dozens of films, radio plays, television shows, and games inspired by Tolkien's works. Use one or more of these adaptations to inspire your meta.

Books, Articles, and Meta about Tolkien: People love writing and ruminating about Tolkien. You're considering doing it now or you wouldn't be here! Discuss what fans and scholars have to say about Tolkien for this prompt.

Compare Tolkien to Another Text: Discuss Tolkien alongside another text or texts. Specific texts (like a specific book or movie) are welcome, as are groups or genres of text (such as the fantasy genre or stories that include dragons). Note that when we say "text," we mean that loosely, and you can engage with works in any format, not just books and stories.

Apply Real-World Disciplines to Middle-earth: Take your expertise in a real-world subject and apply it to the people, places, and situations of Middle-earth. This could be an academic or professional discipline (such as volcanology, astronomy, or psychology—all of which have been applied to Tolkien!) or a hobby or more casual pursuit (such as gardening, mushroom foraging, or horses) or anything in between.

Tolkien Fanworks: Write or make a work of meta that engages with Tolkien fanworks—roughly defined as amateur not-for-profit adaptations of Tolkien's works—either specific works or in the general sense. If you are going to discuss specific fanworks, please reach out to the creators first.

#tolkien meta week #silmarillion writer's guild #tolkien fanworks #tolkien fandoms #tolkien meta

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nyxshadowhawk · 3 months ago

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I Read The Silmarillion So You Don't Have To, Part Nine

Previous part.

Chapter 20: Of the Fifth Battle: Nirnaeth Arnoediad In which Maedhros tries and fails to get the Elves to play nice, and then a battle goes very badly.

This chapter begins with a quick account of what happened to Beren and Lúthien. They are restored to life, and briefly check in on Lúthien’s parents in Menegroth. It had been eternal winter in the forest of Doriath since Lúthien died, but Lúthien brings spring with her. When Melian sees her daughter, it’s like seeing a ghost. Melian feels the most horrible grief that anyone has ever felt in the history of the world, because Lúthien is mortal now. The Elves call Beren and Lúthien “The Dead that Live,” because there’s something deeply unnatural about coming back from the Halls of Mandos. All the Elves are unsettled by them, so Beren and Lúthien go off on their own, into the east of Beleriand. They have a son, Dior Aranel, but beyond that, the Elves never hear of them again. Presumably they live out their natural lives, but no one knows when they died or where they’re buried

That’s the end of that story! Now, let’s return to the Main Plot. Maedhros, the oldest of Fëanor’s sons (the one who lost a hand) has been thinking up new ways to fight Morgoth. Fingolfin proved that Morgoth is not invincible — he can be hurt, so maybe he can be killed, or at least incapacitated enough to stop causing trouble. However, the Noldor don’t stand a chance unless they can band together and fight Morgoth as a unified front. Maedhros tries to call all the Elves together in a council.

Maedhros by @kazz-art

(Fun fact: According to a YouTube video called “Types of Lord of the Rings Fans” by Generic Entertainment, “Maedhros” is composed of Sindarin words meaning “shapely” and “red-haired,” so it basically means “hot ginger.”)

Of course, the problem is that the Elves have never been unified, and they’re not about to start now. Fëanor’s sons (save Maedhros himself) hate basically everybody, and their shenanigans have burned too many bridges:

Orodreth is now king of Nargothrond after Finrod died, and he says that he’s never going to trust a son of Fëanor ever again. After Celegorm and Curufin’s attempted coup, who can blame him? A small group from Nargothrond, led by an Elf named Gwindor, come to aid Maedhros — but they go behind the king’s back.

Doriath is even more of a lost cause. King Thingol now has a Silmaril, and you know what that means — all of Fëanor’s sons (including Maedhros) are his enemies by default. Melian advises Thingol to surrender the Silmaril, just… y’know… to take that problem off their hands. But Thingol is offended by the Fëanorians’ arrogance, and he’s still very mad at Celegorm and Curufin for trying to steal his daughter. The Silmarils are also kind of like the One Ring, in that anyone who looks at them becomes obsessive and wants to keep them. So, instead of actually listening to his wife for once, Thingol sends the Fëanorians a note that says the Elvish equivalent of “come at me, bro.”

Maedhros carefully ignores Thingol’s threat, because he’s really trying to get everyone to work together. But those two assholes Celegorm and Curufin send Thingol a declaration of war. Thingol fortifies his kingdom and then just stays there, because his solution to everything is to isolate himself behind a magic wall and hope the danger doesn’t touch him. (That worked when Morgoth was a general threat to everybody, but not so much when other Elves want to kill Thingol specifically.) Thingol’s right-hand men, Mablung and Beleg, want no part in whatever shit is inevitably going to go down between Thingol and Fëanor’s sons. So, they’re given permission to leave Doriath (provided they don’t go to serve any of Fëanor’s sons). They go to Hithlum to serve Fingon, and then after that, no one enters or leaves Doriath.

(I know, I know, I already used it!)

But Maedhros has a few unexpected sources of help. He manages to enlist the Dwarves, who have lots of weapons and the means to make them, and he also has the Men on his side. All of them want Morgoth gone as much as anybody (and they haven’t been given any reason to hate Fëanor’s sons yet). Maedhros also has Fingon’s support, because Fingon still loves Maedhros as much as he did back when he rescued Maedhros from the cliff face.

The Night before Nirnaeth Arnoediad, by @pansen1802

The only faction that remains unaccounted for is Gondolin, because it’s the only kingdom that’s even more isolated than Doriath. News of Maedhros’ attempt at unity reaches Gondolin, but King Turgon still refuses to do anything.

Maedhros’ force is smaller than he’d hoped, but better than nothing. It’s enough to get rid of most of the Orcs in northern Beleriand, and it might be enough to try assaulting Angband yet again. Maybe this time it’ll work! Unfortunately, Morgoth knew they were coming. Before the battle even starts, Maedhros’ and co.’s chances are looking bleak. But at the last minute, the cavalry comes! Turgon finally decided to actually do something, and sent a host of ten thousand Elves from Gondolin to help. Fingon is overjoyed to have seen the first sign of his brother’s existence for centuries. He sends up a battle cry in Quenya. Morale is good! There’s a nice moment in which Fingon and Turgon briefly reunite on the battlefield.

The Battle of Unnumbered Tears, by Mysilvergreen

Unfortunately, it’s all downhill from there. This battle is called Nirnaeth Arnoediad, “the Battle of Unnumbered Tears,” so that should tell you everything you need to know. Fingon’s host retreats, the Men from the Forest of Brethil are nearly wiped out, and then there’s betrayal. This whole time, Morgoth had been trying to wage a psychological battle amongst the Elves and Men, sewing distrust amongst them and making it even harder for Maedhros to get them to come together. “Divide and conquer” has worked well in the past, and it works again here. A man named Ulfang and his sons suddenly turn against Maedhros. Maedhros’ host is cornered, and they’re forced to retreat.

The most steadfast fighting force in the battle turns out to be the Dwarves. If it weren’t for them, the Elves and Men would have been annihilated by Glaurung and the other dragons. A Dwarven lord named Azaghâl manages to stab Glaurung in the underbelly, which wounds him, but doesn’t kill him.

Finally, Gothmog, the Lord of Balrogs, comes out of Angband. He corners Fingon with another Balrog. Fingon fights valiantly, but no one can hold out against the Lord of Balrogs for long. Gothmog cuts Fingon in half with a greataxe. The Elves say that a white flame burst from Fingon’s helmet as it was cloven.

The Final Battle in Unnumbered Tears by breath-art

The battle’s basically over after that. Turgon holds out with the brothers Húrin and Huor to ensure that Morgoth doesn’t win the Pass of Sirion and take control of the river. Húrin tells Turgon to flee, because he’s the last hope for the Elves’ survival. But Turgon recognizes that by sending help, he revealed to Morgoth that Gondolin exists. It won’t take him long to find Gondolin and destroy it. Húrin tells Turgon that Gondolin will still be a beacon of hope for however long it continues to last, and says goodbye, knowing that they won’t see each other again.

Maeglin, Turgon’s nephew (the edgy Elf) is fighting nearby. He hears Húrin say that Gondolin is a beacon of hope, tucks it away in his mind, and says nothing. Ominous.

Turgon retreats, but the Men remain to hold the pass. Tolkien writes that, of all the deeds of Men that were performed for the sake of Elves, this is the most renowned. Some Men betray the Elves, but most of the Men continue to fight for them. Huor and all of the other Men die; Húrin is the last man standing. Húrin yells “Day shall come again!” every time he kills a monster, but the Orcs just keep coming, and they continue to fight him even after he cuts off their arms.

Exactly like this.

Eventually, Húrin is captured alive.

Morgoth is very pleased with himself for having engineered a betrayal. The Elves no longer completely trust the Men, except for the Three Houses that became their friends. Now that Fingon is dead, his realm of Hithlum is completely destroyed. The remaining Noldor of Hithlum (and there aren’t many) scatter, and join the Wood Elves of the East. Living in forests and using guerilla tactics are way less noble than having cities and fighting in armies. The Haladin, the Men of the Forest of Brethil, are also greatly reduced. They never see any member of their host again, or learn what happened to them. Morgoth shuts the treacherous Men in what’s left of Hithlum, forbidding them to leave it, which pisses them off because they wanted to rule Beleriand. Welp, that’s what you get for being a traitor.

One of the only safe places left in Beleriand is the Havens at the mouth of the River Sirion, but Morgoth is eventually able to ransack the Havens using machines with engines (remember, Tolkien thinks industrialization is evil). A handful of Elves, led by Círdan and Gil-galad, manage to escape by sea. They keep a foothold at the mouths of Sirion, but for the most part, Morgoth controls the river.

The situation is so dire that Turgon reaches out to Círdan from Gondolin. He wants to again try to send messengers across the sea to Valinor. Círdan builds ships and sends them west, but again, none of them return… except one. That ship turned back, and sank in a storm within sight of Middle-earth’s coast. One Elf from that ship survives, and he’s ferried to shore by Ulmo, the Vala of Water himself

Although Morgoth won decisively, he’s still not happy -- he wants to capture Turgon, and has no idea where he is. Turgon is the last remaining son of Fingolfin, and therefore the rightful High King of the Noldor. Morgoth’s hatred of the House of Fingolfin is personal, because Fingolfin wounded him, and because they’re friends with Ulmo the Vala. Morgoth also got bad vibes from Turgon all the way back in Valinor. He intuited that Turgon was destined to help destroy him.

Morgoth knows that Húrin is friends with Turgon, and Húrin is his prisoner. He demands that Húrin tell him where Turgon is, but Húrin tells him where he can stick it. In response, Morgoth binds Húrin to a chair on top of Thangorodrim, and curses him and all of his offspring. Morgoth tells Húrin that despair and sorrow will come to everyone he loves. To stick the knife in and twist it, Morgoth gives Húrin a taste of his own power to see the future, and forces him to remain sitting in that chair until all of his family have met their doom. Húrin does not beg for mercy for himself or any of his kin. He won’t give Morgoth the satisfaction.

Morgoth punishes Húrin by Ted Nasmith

As a final insult, Morgoth has the Orcs build a giant mount of bodies in the middle of the battlefield. The Elves call it the Hill of the Slain and the Hill of Tears. But after a while, grass and flowers grow on the bodies of the dead.

The Hill of the Slain by Ted Nasmith

Chapter 21: Of Túrin Turambar, Part 1. In which our angsty tragic hero tries to outrun his curse, kills people he shouldn’t, sleeps with people he shouldn’t, and fights a dragon.

This is the second of the Great Tales, also called “The Children of Húrin.” I’ve heard that this is one of the most tragic stories in the entire Tolkien Legendarium (which is saying a lot), so brace yourselves! This is going to be another two-parter, because I ran out of space.

Instead of jumping right into the story, Tolkien gives us an account of what happened to Húrin and Huor’s wives, Morwen and Rían. Rían is dead. Huor and Rían’s son is Tuor, and Húrin and Morwen’s son is Túrin. Húrin and Morwen also had a daughter, Lalaith, but she died of disease when she was three. After the battle, the Easterlings (evil Men working for Morgoth, they’re already called that) ransack Hithlum. They enslave everybody except Morwen, because she’s just so beautiful. They assume that she’s a witch, “in league with the Elves.” Despite their fear of her, Morwen decides that her son is not safe, and sends Túrin to Thingol. Morwen is Beren’s distant cousin, so she hopes that Thingol will take Túrin in. After Túrin is sent away, Morwen gives birth to a third child, a daughter named Nienor (which means “mourning.” That’s not ominous at all). Thingol accepts Túrin into his household, because he doesn’t hate Men as much as he used to, and raises him as his own son.

Germanic Fun Fact #1: It was actually a common practice in the early Middle Ages that noble children would be fostered by other families, and it shows up in fiction. For example, Beowulf was fostered by King Hrethel of the Geats, making him a de facto prince.

Túrin lives in Thingol’s court for nine years, and messengers occasionally bring him news of his mother and sister. One day, the messengers stop coming. Túrin puts on his ancestral family helmet, “the Dragon-helm of Dor-lómin,” and goes to battle alongside the king’s captains and the other Elves.

Túrin Turambar by Alan Lee

Túrin stays in the field for three more years, then returns to Menegroth. He looks dirty and unkempt because he’s been living in the wilderness for three years. One of the Elves of Thingol’s court, named Saeros, mocks Túrin for his wild appearance: “If this is what the Men look like, then do their women run like deer, wearing nothing but their hair?” In response, Túrin throws a goblet at Saeros, injuring him. The next day, they confront each other in the forest. Túrin defeats Saeros, and sends him running naked back to Menegroth, wearing nothing but his hair. Irony! As he flees, Saeros falls into a gorge and dies. Now Túrin is responsible for the death of one of Thingol’s courtiers. Oops.

Mablung, one of the king’s captains, advises Túrin to go back to Menegroth and beg Thingol for his pardon. Túrin decides to leave Doriath as an exile, but Thingol pardons him anyway.

He loved Túrin like a son, and would welcome him back if he decided to return. The king’s other captain, Beleg Cúthalion, loved Túrin just as much, and decides to go after him.

In the meantime, Túrin becomes the leader of a group of outlaws. And not the Robin Hood kind. He starts calling himself Neithan, which means “the Wronged.” (Thingol pardoned him, so he hasn’t been “wronged” at all. This is entirely his own fault.) After a year, Beleg finally finds Túrin’s outlaw lair. Túrin didn’t happen to be there at that moment, so the other thugs seized and bound Beleg, assuming that he was a spy from Thingol. When Túrin gets back, the sight of Beleg bound in his lair makes him suddenly repent of all his evil deeds, yada yada, and he swears to never again harm anyone besides Morgoth’s minions. Let's see if that promise lasts more than five minutes.

Beleg tries to convince Túrin to return to Doriath. He’s been pardoned, so he has no reason to hide out in the wilderness. Túrin is too proud to come crawling back, though. He tries to get Beleg to stay with him, but Beleg is tired of his nonsense and tells Túrin to find him on the front lines if he really wants to be with him. They go their separate ways. Túrin heads out towards Amon Rûdh (“Bald Hill”), a large hill overlooking the Forest of Brethil

Beleg returns to Menegroth and tells Thingol everything that happened (except for the part where he was tied up by Túrin’s thugs). Thingol just sighs and says, “What more would Túrin have me do?” Túrin is a hotheaded teenager who ran away from home, leaving his adoptive parents exasperated. Beleg offers to follow Túrin and protect him from a distance. Thingol gives him leave to go, and as a reward for his service, offers him anything he wants. Beleg asks for a fine sword. The king offers him any sword in his armory, save his own. Beleg chooses a sword called Anglachel, made from a meteorite. (Space Sword!) That means that its blade is ominously jet-black. It’s one of two swords made from the same meteorite by Ëol, the Elf of the Dark Forest. (Remember him? He was Aradhel’s abusive husband, and followed her to Gondolin, where he was killed by being thrown from its walls.) Thingol got one of the meteorite swords as payment for letting Ëol live on his land. Ëol’s son Maeglin has the other one.

Anglachel by Elena Kukanova (Thingol is portrayed with blonde hair here.)

As Thingol presents Beleg with the sword, Queen Melian stops to say that the sword “has malice in it.” If you haven’t noticed by now, any work of craftsmanship in Tolkien’s world is imbued, to at least some extent, with the personality of its creator — the One Ring, the Silmarils, the swan ships, and the Two Trees themselves. This sword is no exception. It absorbed all the bad vibes from Ëol. Melian says that it will serve Beleg begrudgingly, and he’ll end up losing it.

In light of that, Melian decides to give Beleg another gift: lembas bread. In the First Age, Melian was the only person with the authority to give out lembas. The leaves it’s wrapped in are marked with her seal, a white flower of Telperion (the Silver Tree). Melian gives Beleg the lembas with the expectation that he will share it with Túrin, which is a big deal — it’s the first of the very few times that Elves have ever shared their waybread with Men. Beleg leaves with the gifts, and spends the winter keeping the Orc population in check. Once spring comes, and the Orcs are no longer an immediate threat, he goes off to find Túrin.

Germanic fun fact #2: Waybread (wegbræde) is actually the Old English name of a broadleaf plantain, a type of edible plant. Tolkien decided to make it into literal bread.

Meanwhile, Túrin and his gang come across three Dwarves. They capture one of them, and one of the Men, Andróg, shoots after the other two. The arrow goes into the dark, and the Men can’t see if it hit or not. The captured Dwarf’s name is Mîm, and he offers to show Túrin his secret cave in exchange for his life. Túrin pities him, and spares him. (Túrin kind of swings back and forth between doing evil things and then regretting it.) Mîm leads the Men up the slope of Amon Rûdh to his secret cave, which “will be” called the House of Ransom. There are red flowers all over the hill, and one of the Men remarks that it looks like there’s blood on the hilltop. That may as well be a massive ‘FORESHADOWING’ sign.

Mîm the Dwarf by Anke Eißmann

Inside the House of Ransom, Mîm shows the Men the body of his son Khîm (Dwarves really like rhyming names), who was shot and killed a few minutes ago. The arrow that Andróg shot into the dark killed Mîm’s son. Oops. What a way to guilt-trip the Men. Túrin feels horrible (you’d think after Saeros he’d learn not to be so reckless). He takes responsibility for Andróg’s arrow, and offers to pay Mîm a ransom of gold for his son. That validates the name of the House.

Germanic fun fact #3: A ransom paid as compensation for someone’s life is called weregild. This was a normal part of life in Germanic cultures. It was a way of preventing endless back-and-forth feuding between families. The gold guarded by the dragon Fafnir in Germanic mythology is weregild that the Norse gods themselves paid to a Dwarf for the murder of his son. (That story shows up in the Prose Edda and the Volsung Saga, parts of it are also in the Poetic Edda, and it’s referenced elsewhere.) Tolkien is definitely referencing that story here.

Mîm is impressed by Túrin’s speech, remarking that he sounds like an ancient dwarf lord, and forgives him to a point, saying that he doesn’t need to pay a ransom after all. He lets Túrin and co. stay in his house for as long as they need.

Now for a little bit of Dwarf history (we’ve had a lot of Elf history, so we need some Dwarf history): The Dwarves that live in the House of Ransom are called “Petty-Dwarves,” which means they’re less cool than other Dwarves. They were banished from the old Dwarf kingdoms in the Misty Mountains, and made their way west to Beleriand. They’ve slowly become shorter and less talented smiths, and they live in secrecy, which Tolkien thinks is ignoble. The Elves used to hunt them for sport, until the other groups of Dwarves showed up. So, the Petty-Dwarves hate Elves even more than they hate Orcs, and they especially hate the Noldor. The Petty-Dwarves originally discovered the caves of Nargothrond before Finrod took it over and forced them out. By now, the Petty-Dwarves have dwindled and basically lost all relevance. Mîm is one of the last and one of the oldest ones left.

In the harsh cold of winter, a hulking man arrives at Amon Rûdh. The Men all spring up to fight, but the man turns out to be Beleg Cúthalion. He only appeared to be a hulking brute because he was wearing a big backpack under his cloak. Beleg and Túrin have a heartwarming reunion, and Beleg gives Túrin his old ancestral treasure, the Dragon-helm of Dor-lómion. Beleg hopes that the helm will remind Túrin that he’s better than this, that he could be something more than an outlaw living in a hole. But it doesn’t sway Túrin at all.

The Dragon-helm of Dor-lómin by Elena Kukanova (This artist’s design of the helm is based on a real Anglo-Saxon helm found at Sutton Hoo.)

Against his better judgement, Beleg stays with Túrin, purely out of love for him. He becomes the team medic, and uses the lembas that Melian gave him to heal sick and injured members of Túrin’s company. (Lembas apparently has healing powers at this point in Elven history.) Mîm the Dwarf is not happy about having an Elf living in his House. Men are one thing, but as I said before, the Petty-Dwarves have every reason to hate Elves.

Meanwhile, Morgoth is still a problem. Túrin and Beleg go out hunting Orcs, and they’re so good at it that they become living legends. Their land becomes known as “The Land of the Bow and Helm,” referring to Beleg’s archery skills and Túrin’s fancy Dragon-helm. Túrin starts calling himself Gorthol (“Dread Helm”), which is a little pretentious. Even the isolated Gondolin has heard of them! Of course, Morgoth eventually hears of them too, and he immediately knows who the fearsome “Dread Helm” is — it’s that upstart kid from the cursed bloodline! He starts laughing, and presumably sits back with his popcorn to watch the shitshow.

Mîm and his son Ibun are promptly captured by Orcs when they go out to forage for the winter. Mîm uses the exact same tactic that he pulled when Túrin and co. captured him — he promises to lead the Orcs to his secret cave, selling out Túrin to the Orcs. To his credit, Mîm does make the Orcs promise not to kill Túrin, but that doesn’t make much of a difference.

The Orcs kill most of Túrin’s company in their sleep. The rest flee to the top of the hill, but most of them are run down and slain, so that their blood covers the top of the hill like the flowers did. The Orcs actually keep their promise not to kill Túrin, and drag him away. Mîm returns to his House to find a massacre, which he’s not too torn up about, because he’s finally rid of the squatters. Everyone’s dead except for Beleg, who is badly wounded on top of the hill. Mîm takes Beleg’s cursed sword and tries to kill him, but Beleg has enough strength left to catch the sword and push it back. Mîm runs like a coward, and Beleg calls after him that Túrin will one day have his vengeance.

Beleg is a strong Elf who knows healing magic, so he slowly recovers. He searches among the corpses for Túrin’s body, hoping to bury him. When he doesn’t find it, Beleg realizes that Túrin is alive, and goes out to look for him a third time. You’ve gotta admire his devotion to this kid who’s a magnet for trouble.

Beleg by kimberly80

Beleg follows the Orcs’ trail all the way to Taur-nu-Fuin, the Forest under Nightshade in the north near Angband. It’s a dark and scary place, but Beleg is such a badass that he can survive it. In the forest, he finds an Elf sleeping under a tree. After Beleg heals him and gives him some lembas, the Elf says that his name is Gwindor, one of the Elves from Nargothrond who went to fight with Maedhros in the Battle of Unnumbered Tears. Captured Noldor are put to work in Morgoth’s mines, since they’re skilled with metals and gemstones. (The Noldor yearn for the mines!!!) Gwindor managed to escape through a secret tunnel, and got lost in the evil forest.

Gwindor gives Beleg some intel about the Orc party he’s chasing, and tries to dissuade Beleg from following them. After all, he knows what awaits them in Angband if they get captured. But Beleg refuses to abandon Túrin, and Gwindor, having finally gotten a smidge of hope, decides to go with him.

Beleg and Gwindor sneak into the Orc camp at the base of the Thangorodrim and carry Túrin out without a hitch. But when Beleg goes to cut Túrin’s bonds with his cursed sword, he slips and snicks Túrin’s foot with the blade. Túrin wakes up to see someone bending over him with a sword, and freaks out, not realizing who it is. He grabs the sword and kills Beleg, his loyal friend who loved him so much that he repeatedly put himself in harm’s way for Túrin’s sake. A storm rages overhead, and a flash of lightning illuminates Beleg’s face. Túrin is completely distraught to see that he killed his friend, and collapses beside Beleg’s body.

Death of Beleg by Elena Kukanova

In the morning, when the storm passes, Gwindor suggests that they bury Beleg. Túrin is still distraught, but helps bury him right in that spot. They bury Beleg’s bow with him, but take the lembas, and the meteorite sword. Gwindor thinks it’s a shame that such a fine sword should go to waste, and thinks it would be better used to kill the Orcs, and that’ll definitely come back to bite them later.

They go off together, but Túrin is so traumatized that he doesn’t speak. Gwindor looks after him until they reach a magic spring called Eithel Ivrin, which is blessed by Ulmo (the Vala of Water). Túrin drinks from the spring and finally speaks again. He composes a lay to honor Beleg’s life, and sings it at the top of his voice.

Túrin and Gwindor at the Pools of Ivrin, by Ted Nasmith

Gwindor gives Túrin the meteorite sword, and offers to take him back to Nargothrond. Since he can finally speak, Túrin asks Gwindor who he is, and Gwindor tells him that he’s a thrall who was “once” Gwindor son of Guilin. I think it’s interesting that Gwindor introduces himself this way — he no longer feels worthy of his former identity, and though he escaped Morgoth, he still identifies himself as a “thrall.”

Túrin also asks after his father Húrin. Gwindor doesn’t know any details, but he tells Túrin the rumors that Húrin is imprisoned by Morgoth and that his line is cursed. After everything that just happened, Túrin finds that completely believable.

As they continue to travel, Túrin and Gwindor are captured by Gwindor’s own people, the Elves of Nargothrond. They don’t recognize Gwindor at all — being a slave in Angband aged him prematurely, which doesn’t normally happen to Elves — so they assume that Gwindor and Túrin are spies. The first person to recognize Gwindor is the king’s beautiful daughter, Finduilas, because she was in love with him before he left. Gwindor is welcomed back into the fold. Túrin is allowed to stay, but he doesn’t give the Elves his real name.

Something about Túrin must be really appealing to Elves, because the Nargothrond Elves like him as much as Thingol’s Elves did. Also, Túrin has been a teenager this whole time, and only now does he reach manhood. (Actually, like Aragorn, he’s probably significantly longer-lived than the humans of today are. But still.)

Also, he’s really attractive, like his mother Morwen— he has pale skin and dark hair, gray eyes, and the prettiest face of any Man who’s ever lived. At first glance, you’d easily mistake him for one of the Noldor. (After all the pictures of him looking kind of like Aragorn or Boromir, that came as quite a shock.) I guess he cleans up nicely; he has been living in the wilderness for years.

Túrin Turambar by @tolrone

The meteorite sword is reforged, and Túrin renames it Gurthang, “Iron of Death.” He’s so skilled with it that the Elves nickname him Mormegil, “The Black Sword,” which is pretty badass.

Finduilas unwittingly falls in love with Túrin, and out of love with Gwindor. Gwindor catches on, and doesn’t take it personally, but he warns Finduilas about what happened the last time an Elf and a Man fell in love. Túrin may look and act like an Elf, but he’s not one — he’ll die and leave Finduilas alone, and it’s vanishingly unlikely that Mandos will be willing to break the rules a second time. Also, Túrin is clearly cursed, and Beren didn’t have that problem. Gwindor also reveals Túrin’s real name, and tells Finduilas that if she gets mixed up with him, she’s guaranteed to feel the effects of the curse on his bloodline.

Nargothrond. Finduilas and Túrin by Elena Kukanova

Túrin is very mad that Gwindor revealed his true identity. Gwindor tells him that he’ll attract trouble no matter what he calls himself, so, there’s not much point in using aliases.

When Orodreth, the king, hears who Túrin really is, he’s perfectly happy to have a son of Húrin in his ranks. Túrin becomes more and more important in his court — so important, that he can completely overhaul their method of warfare. Remember, ever since Celegorm and Curufin’s attempted coup, the Nargothrond Elves have practiced mainly guerilla warfare, which is sneaky and dishonorable and all that. So now, because of Túrin, the Nargothrond Elves practice open warfare like civilized people. The disadvantage to this is that, now that the Nargothrond Elves are fighting out in the open, Morgoth knows where they are.

Gwindor is worried by how much influence Túrin has, and sounds the alarm, but no one listens to him anymore and he falls out of favor. Poor guy. He survives Angband, is nice to Túrin, gives him a place to live, and is repaid by Túrin stealing his honors and his girlfriend.

In the meantime Morwen, Túrin’s mother, takes advantage of the unexpected peace caused by her son’s decimation of all the Orcs in the area. She flees to Doriath with her daughter, expecting to find Túrin there. She grieves when she learns that Thingol’s court hasn’t heard from Túrin in years. (They actually have heard of “The Black Sword of Nargothrond,” but they have no way to know that it’s Túrin.) Thingol allows Morwen and her daughter to live in his court, and treats them like family.

Okay, I’m gonna stop there! More coming!

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buffyfan145 · 6 months ago

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Just wanted to say something about the very spoilery Haladriel picture we got today of the season 2 "Rings of Power" from Bear McCreay's video of the music from the s2 finale as I've already seen some of those "fans" saying about how inaccurate it is to the books which I will say yes it never happened in the books, however there is likely a way why this happens and it still doesn't change that much especially when you take the movies into account. Posting behind a cut as again it's major spoilers from the season 2 finale.

So we see in the picture that Galadriel reveals she's Nenya's ringbearer to Sauron/Annatar. It's after their fight scene that was revealed in the final trailer last week. We still don't know for sure what is going on but I will point out in the books Sauron never knew who the elven ringbearers were. It's likely he figured it out over the years but the books never said that.

Other fans did point out though that the reveal that he didn't know who got the elven rings is from "The Silmarillion", which the show doesn't have the rights too. They can ask for special permissions, which they did for s1 and 2 including using the name Annatar, but they only really have access to the appendices from the LOTR trilogy books. In those it's not said if Sauron knew or not so there's the loophole they've used now so he not only knows Galadriel has Nenya but he also sees it. It's also possible he helped design it as the show also changed to where he helped the elves as Halbrand and they were going to make 2 rings, which Galadriel was going to get.

So in the context of the show this works that he finds out she did accept Nenya and the ring he likely designed for her ended up with her. I don't think he'll know who has the other 2 rings, except maybe Elrond years later in the 3rd Age. It also weirdly synchs up with "The Hobbit" movies and that confrontation with Galadriel and Sauron in it as she used Nenya in front of him. It also adds to their mental bond that lasts till the end of the 3rd Age too and him always trying to contact her and see her.

This also brings me to the song "The Last Temptation" on the s2 soundtrack and if it really is going to be a Haladriel song and possibly this scene we see in the photo. The soundtrack is out on August 23rd so we might get more clues from it. Also this is going to be a long wait for this scene as it'll air October 3rd, but we already saw a preview of this scene in that poster of Galadriel, and I'm sure we'll get more hints as the season goes on and what exactly is happening.

#the lord of the rings #the rings of power #spoilers #haladriel #galadriel x halbrand #galadriel #halbrand #sauron

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sparkliest-bard-bracket · 6 months ago

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Congratulations to ✨FREDDIE MERCURY✨ for being crowned the ✨SPARKLIEST BARD✨ in all the land!!!!

🎶HE. IS. THE CHAMPION. 🎶

Over the course of this bracket, he has faced off against many worthy bards, including an inter-dimensional storyteller, multiple irl musical artists, an immortal musically talented war criminal, and a muppet, and he proved himself to be the most sparkliest of them all.

Excellent singing, excellent piano playing, excellent songwriting, excellent fashion sense, and overall ~glamour~, Freddie Mercury has it all. Here are some of my favorite of Freddie's bardly moments, and feel free to reblog and add your own to celebrate our Bardly Champion!:

youtube

And to honor Freddie Mercury's wonderful legacy, I present my favorite Bohemian Rhapsody video ever -- he didn't even need to be alive to have a concert!:

youtube

And while we celebrate and throw a Queen-themed party for our Champion of Bards, do not forget to give a round of applause to all of the incredible bards who participated in this bardly showdown!! You can find all of their names and fandoms, along with the full completed bracket under the cut :D

That's all from me for now, folks!! I may make a poll for 3rd place if people are interested, and if people are very enthusiastic, I might make a round 2: fictional characters only! Lemme know if you'd be interested in either of those things, and thank you oh so much for your support through this whole bracket, and have a wonderful day all you fantastic bards and bard fans!!!

Complete Bracket in image format:

And the names and fandoms of all of our bards from the whole bracket!:

Jareth the Goblin King (Labyrinth)

David Bowie (Real Life)

Thom Merrilin (Wheel of Time)

Gurney Halleck (Dune)

The Bard/Kiwi (Wandersong)

Daeron (The Silmarillion)

Callie Cuttlefish (Splatoon)

Finrod (The Silmarillion)

Apollo/Lester Papadopoulos (The Trials of Apollo)

Apollo (Greek Mythology)

Bill Cypher (Gravity Falls)

Chong (Avatar: The Last Airbender)

Max Rebo (Star Wars)

Edgin Darvis (Dungeons & Dragons: Honor Among Thieves)

Dimentio (Super Paper Mario)

Will Scarlet (Robin Hood)

Dr. Teeth and the Electric Mayhem (The Muppets)

Link (The Legend of Zelda)

Katalina (Tabletop Time)

Starling Birdsong (Realm of the Elderlings)

Orpheus (Greek Mythology)

“Weird Al” Yankovic (Real Life)

Dave BruBot/The Major Player (Toontown: Corporate Clash)

Carrie Wilson (Julie and the Phantoms)

Kvothe (The Kingkiller Chronicle)

Elan (Order of the Stick)

Raz'ul, Son of Daz'ul (BomBARDed)

Edward Chris von Muir (Final Fantasy IV)

Binary Bard (Poptropica)

Christian (Moulin Rouge)

The Bard (Shovel Knight)

Fflewddur Fflam (The Chronicles of Prydain)

Man with the Harmonica (Once Upon a Time in the West)

Kyoami/The Fool (Ran/King Lear)

Diedrich Knickerbocker (Headless: A Sleepy Hollow Story)

Hannah Montana (Hannah Montana)

Bard the Bowman (The Hobbit)

Leliana (Dragon Age)

Sprig Plantar (Amphibia)

Lucifer Morningstar (Lucifer)

Neil Banging Out the Tunes (Tumblr)

The Muses (Disney Hercules)

Robinton (Pern)

Thistle/Sissel (Delicious in Dungeon)

Loquatius Seelie (Critical Role)

Cicero (Skyrim)

Michael Jackson (Real Life)

Oli/TheOrionSound (Empires SMP)

Megamind (Megamind)

The Onceler (The Lorax)

Mettaton (Undertale)

Gamzee Makara (Homestuck)

William Shakespeare (Real Life)

William Shakespeare (Something Rotten)

Wolfgang Amadeus Mozart (Classicaloid)

William Shamspeare (Ace Attorney)

Marceline the Vampire Queen (Adventure Time)

Brook (One Piece)

Gerard Way (Real Life)

Sea Hawk (She-Ra and the Princess of Power)

Snufkin (Moomin)

Frank Sinatra (Real Life)

Lias "Cliff" Bluestone (Discworld)

Rick Astley (Real Life)

Alan-a-Dale (Robin Hood)

Essi Daven (The Witcher)

Lúthien Tinúviel (The Silmarillion)

Stefen (The Heralds of Valdemar)

Roman Sanders (Sanders Sides)

Remus Sanders (Sanders Sides)

Bard (Crypt of the Necrodancer)

Kass (Legend of Zelda/Breath of the Wild)

Steven Universe (Steven Universe)

Glenn Close (Dungeons & Daddies)

Miss Piggy (The Muppets)

Nydas Okiro (Critical Role)

Charlie Pace (Lost)

Dob the Half-Orc Bard (Oxventure)

Kitagra (Kings of the Wyld)

Kaylie Shorthalt (Critical Role)

Father Gabriel (The Mission)

Gabrielle the Battling Bard (Xena: The Warrior Princess)

Haer'Dalis (Baldur's Gate)

Tsukasa Tenma (Project Sekai: Colorful Stage!)

Tom Bombadil (The Lord of the Rings)

Sylvando (Dragon Quest 11)

Steve McKenzie/Jester (Galavant)

Gieve (The Heroic Legend of Arslan)

Jaskier/Dandelion (The Witcher)

Kubo (Kubo and the Two Strings)

Guiliastes/Gui (1/2 Prince)

Rocky (Lackadaisy)

Asmodean (Wheel of Time)

Neil Cicierega/Lemon Demon (Real Life)

Kermit the Bard (Tales of Tinkerdee)

The Pied Piper (The Pied Piper of Hamelin)

Venti (Genshin Impact)

Sir Robin's Minstrels (Monty Python and the Holy Grail)

Oscar Wilde (Rusty Quill Gaming)

Franz Liszt (Classicaloid)

Eddie Munson (Stranger Things)

Puss in Boots (Shrek)

Freddie Mercury (Real Life)

Hoid/Wit (Cosmere)

Noise (Roleslaying with Roman)

The Amazing Devil (Real Life)

Klavier Gavin (Ace Attorney)

Rickety Stitch (Rickety Stitch and the Gelatinous Goo)

Ron Stampler (Dungeons & Daddies)

Thancred Waters (Final Fantasy XIV)

Raine Whispers (The Owl House)

Jack Black (Real Life)

Scanlan Shorthalt (Critical Role)

Éile (The Witcher: Blood Origin)

Hap Gladheart (Realm of the Elderlings)

Alastair Nobledrifter (Saving Throw - DnD Podcast)

Maglor (The Silmarillion)

Bill & Ted (Bill & Ted)

DJ Cadence (Club Penguin)

Imp Y Celyn (Discworld)

Bard Otter (The Last Dragonlord)

Yara of Nowhere, the Wandering Bard (A Practical Guide to Evil)

Dorian Storm (Critical Role)

Maria von Trapp (The Sound of Music)

Demyx (Kingdom Hearts)

Hisirdoux "Douxie" Casperan (Tales of Arcadia: Wizards)

Bilbo Baggins (The Hobbit)

BMO (Adventure Time)

#sparkliest bard bracket #announcements #not a poll #freddie mercury #tumblr tournaments #queen #queen band #tumblr bracket #tumblr bracket winner #winner #tysm for all of your support guys!!!#i love y'all so much <3<3<3 #bard fans forever!!!

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kazz-brekker · 4 months ago

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i spent slightly too long trying to explain this to my mom at dinner tonight but i find the shifting public perception of sauron as a classic fantasy villain due to the rings of power to be EXTREMELY entertaining. i never actually read lord of the rings as a kid, but i did watch all the movies, so my perception of sauron was very much the flaming eyeball on a tower/faceless figure in armor concept that's the common pop culture image of him. and i do remember pretty clearly that when i was a freshman in college, the gm of my first dnd game was someone who was really into lotr and all the tolkien lore, which is how i found out about the whole "sauron is the middle-earth equivalent of a fallen angel and used to be really beautiful" bit of lore. at the time i definitely got the sense that this was a more obscure bit of tolkien's mythos (and having read the books i can confirm it's not really something that's mentioned in it). but now, because of the rings of power, anyone who's watched the show, or even seen promo images and video clips, now knows that not only sauron used to have a human form, but he was really hot and would go around using his hotness to seduce people into evil. everyone knows this! it's not an obscure bit of lore only silmarillion fans know anyone! this just an extremely entertaining development to me, and also makes me very curious if in fifteen years charlie vickers is going to be as strongly associated with sauron as viggo mortensen is with aragorn and elijah wood is with frodo baggins.

#don't worry us tolkien lore nerds are still the only ones who know the deep cut fact that the very og idea of sauron was an evil cat #(i also learned this thanks to my old college gm)#anyway. just some entertaining food for though i had while eating potato leek soup this evening #pie says stuff #lotr #rings of power #trop #sauron #charlie vickers

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dolfinsatdawn · 2 months ago

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Questions 2, 6 and 26 for the RoP Ask Game. :-)

Omg thank you for the ask!!! This took so long I'm sorry. I love talking about Tolkien. Thank you!!!!

2. Who is your favourite character and why?

CELEBRIMBOR.

Okay, so I went into this show knowing I was going to love Sauron. I was kicking and screaming over Annatar. I knew this about myself. It was a foregone conclusion. Celebrimbor surprised me. I knew of him from reading the Silmarillion but he wasn't one of my favorites at the time (forgive me I only read the Silm once and it was ages ago). When I say I love this elf. (He lives rent free in my head 24/7) I love all fan interpretations of Celebrimbor, but Charles Edward's is insanely talented and I feel like his characterization brought such depth. The fact that he is not a warrior but primarily a craftsman. The fact that he brought the context of Fëanor without being allowed to really dive into the other resources. The fact that when he smiles you can feel the Tolkien Peace ™ oozing out of him. Watching him fall apart was heartbreaking and I am a SUCKER for a character doomed by the narrative. I love that you can see that he's flawed. That he’s intelligent and good despite those flaws. That he can do good with his ambition even with his flawed desires. I adore him.

Also I think one hug from this elf would solve many of my current problems. He also needs a hug. It's a win win.

6. Where would you most like to live in RoP and why?

I answered this one already (and I said Eregion before), so this time I would like to live in the Grey Havens. I love sailing and I think building ships would appeal to me. Cirdan would be such an interesting person to talk to for thousands of years. 10/10 Ocean views.

26. If you could ask the creative team behind RoP one question, what would it be?

I need to know why Gil-Galad’s sideburns are missing. I desperately need to know. They don't just look small they look shaved off. Is it elven fashion? Is it a choice for makeup application? Every time I see that beautiful man I see the missing sideburns and I need to know why they were sacrificed. (P.S. They did it to Adar too.)

On a more serious note: who is their sound designer because the music mix (Bear Mccreary is extremely talented omg Khazad-dum theme and The Stranger are beautiful pieces of music) and the soundscape is so gorgeous. Also the lightning crew is insane. I want to know who came up with that scene where Sauron drops the illusion and the sunny day changes to battle -- if you haven't seen the video on how they filmed that it's insane. I want to be a fly on the wall for all the very talented people behind this show.

#rop ask game #rings of power #celebrimbor #Adar #Gil-Galad #lotr #the rings of power #trop season 2 #cirdan

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lonesomedreamer · 5 months ago

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The Rings of Power Liveblog: “Shadow of the Past” (Episode 1)

Two years late, curiosity got the better of me, and I decided I had to see this thing for myself ahead of the second season premiere…spoiler: I didn’t hate it.

I’m not going to gripe about these children looking decidedly human (or at least not Elvish), because I understand the limitations of using, you know—actual human children as actors. But I will question the notion of Elvish children being smug bullies.

But baby Galadriel definitely looks the part.

“It’s not going to float, it’s going to sail.” Not off to a strong start with the dialogue…

Oh, the Elf children are…throwing rocks at her paper boat? All of them? Why?? I know the behavior of Elves in the First and Second Ages tended to be less detached/noble and whatnot, but little Galadriel is literally about to punch this Elf boy…

I have so many questions about this hairstyle choice.

“We have no word for death.” Somehow, I doubt that. This is the Second Age, right? Elves had definitely already experienced death.

Why does this seem like a slightly retooled Minas Tirith design? Is this supposed to be VALINOR??? (Actually, this would be a decent Amber design…)

A very underwhelming depiction of the destruction of the Two Trees…this is what Amazon spent amlost a billion dollars on? I know they can’t accurately depict what happened because, you know, no rights to The Silmarillion, but it still underwhelmed me.

This sequence is just all so obviously CGI. While I’m no fan of the original Jackson films (sorry, I know—boo, hiss), a lot of it looks real.

“See, it’s just like that Game of Thrones spinoff you like, but with terrible CG!”

It would be so helpful if Galadriel’s voiceover told viewers that Orcs were created as a mockery of the Elves, or hinted at why Morgoth created them/why he hated the Elves. Unfortunately, this is what happens when you try to adapt a work to which you don’t have all the rights.

She is very, very pretty.

“What devilry is this?” Is that a word in Middle-earth?

Lots of Galadriel confidently assuming she knows things she can’t possibly know (for the sake of hurrying the story/journey along, I guess)…if only the streaming services didn’t limit themselves to eight or ten episodes and gave their stories room to breathe!

Anyone watching who’s never read The Silmarillion (or even the trilogy): who the fuck is Morgoth? What are the Trees?? What year is it??? What’s going on here??!? Again, the huge problem of adapting a larger story/universe when you only have partial rights…

Insert obligatory video game-esque troll battle that’s also a callback to the Moria scenes of the FOTR film. You can use the bathroom here and miss nothing.

Some proto-Hobbits, because why not? I did like the “hidden village” reveal thing, though!

I kind of love them?

There’s a lot to be said for the charm and appeal of the Shire from an audience perspective, the comfort of it (which is why the Scourging of the Shire is so thematically important and excising it was an irredeemable sin…but I digress), so I actually 100% understand why they included these guys. TTT is by far the bleakest book of the trilogy, my least-favorite, and the lack of the Shire is a huge reason why.

23 years later and I’m still not over the utter miscasting of Hugo Weaving. Visually, this Elrond isn’t really better. Why is Elrond so damn hard to get right??? And his hair is described as black!

The best costumes a billion-dollar budget could buy?

“Elf-lords only.” Such a dignified, Elvish thing to say…

Yes, Elves could be haughty and unkind; just ask Bilbo! But Elrond is an Elf-lord. Hmm.

Also…Elrond and Galadriel appear to be approximately the same age. It doesn’t matter that Galadriel is actually much older (and his eventual mother-in-law!), because TV is such a visual medium.

This is actually a larger overall problem. Because most of The Lord of the Rings takes place over the course of one year, an adaptation doesn’t need to hold the audience’s hand regarding the passage of time. But in this case, as Galadriel’s narration too-briefly mentions, events are taking place across hundreds and even thousands of years. Elves like Galadriel are significantly older than others, like Elrond, but unless you tell the audience that, they won’t know, and the story loses something as a result.

Even though this design is clearly based on Rivendell in the Jackson films, it is quite lovely.

Pretty!!!

How do Galadriel and Elrond know each other? They seem close. Inquiring minds want to know!

The content and context of this scene is meaningless, but I don’t care—it’s just so pretty!

Even though I know they get worse, for now I don’t really mind the proto-Hobbits. They’re obviously not Tolkien, but they’re an homage, and they’re fun/visually appealing.

The casting director gets a D+ for the male Elves. (Then again, they were poorly-cast in the Jackson films too.)

“And as a reward, you will all be exiled!” lmfao. Being shipped off to Valinor doesn’t seem like much of a punishment, though. Where do I volunteer?

Still, it makes sense that Galadriel, who (correctly!) believes Sauron to still be alive and a threat and who wishes to avenge her brother, would be upset about this. They’ve changed her backstory/motivations—which I hate—but her attitude does track with those changes.

Nuns??

This set design is magical, no notes.

Luthien??

She really is perfectly cast.

Elrond, one of the wisest and kindest of all the Elves, is being written as some smug royal enforcer. Just like the Jackson films wrote him as a grumpy, condescending overprotective dad. Sigh.

“[Evil] waits. And at the moment of our complacency, it blinds us.” I mean…yeah, that’s basically how it goes down in Middle-earth. Repeatedly.

Not Elrond mansplaining about Valinor to someone who was literally born there…

None of these people look like Elves.

“I’m going with you!” But why?!? This lady is a healer with a youngish son still dependent on her at home!!!

I really hate them saying “mum” instead of “ma” or “mama” or something similar. (I’d also hate it if they were saying “mom,” to be clear. It’s just so modern-sounding and breaks any immersion they’ve built so far.)

Wow, the hilt of a broken sword with Sauron’s symbol on it… Generic “halfling” characters I can enjoy as a homage. This is lazy writing. And see? I knew her son needed adult supervision. (It’s also a ripoff of Pippin and the Palantir.)

(muttering) None of these people look—oh, forget it.

Elves don’t age as Men do (or age extremely slowly/imperceptibly), so what’s going on with this dude?

Gorgeous, all.

Ents???

Galadriel jumping off of the ship and just…floating there in the middle of the sea is as silly as the naysayers said it would be. However, I thought the scene leading up to it was fairly well-executed, though I wish they’d done a better job animating the rain of silver glass that leads into Valinor…that image has always resonated with me.

The Good:

Many absolutely stunning visuals thanks to great set design (with Valinor of all places somehow being the least-impressive!) and, apart from some cheap/underwhelming looks, costume design that varies from good to great

A solid score that seems to be trying a little bit too hard to mimic Howard Shore’s from the films

Morfydd Clark, in her entirety; the writing for Galadriel might be awful in upcoming episodes, but her casting was inspired

I find the Harfoots whimsically charming, at least so far, especially Nori.

The use of Tolkienesque maps to indicate location changes

An attempt was clearly made, in this episode if nowhere else, to pay homage to the source material, even the source material they don’t have the rights to use outright (the Two Trees, Morgoth, perhaps Luthien)…it’s better than nothing.

The Bad

Every single male Elf is miscast; yes, I said every single one, from Galadriel’s brother to Elrond to the OC Arondir. Gil-galad and Celebrimbor look like they’re in their late 40s/50s, at best, and idk…there’s nothing “Elvish” or “ageless” about any of the male actors playing Elves. (Full disclosure: I don’t remember being impressed by the male Elves in the Jackson films, either.) I also saw someone say that Gil-galad looks like Liam Neeson in a mullet, and now I can’t unsee that.

Some really clunky dialogue

Lack of adequate backstory/exposition…but exposition in an adaptation like this is hard, because most of it is contained in The Silmarillion, for which they don’t own the rights.

Building on that theme, I appreciate the idea of “showing not telling,” however…did they ever tell us Galadriel’s brother name (Finrod)? Or that “the king” is Gil-galad? Or even suggest that there are a variety of different Elves in Middle-earth? A lot of people know these things, because we know Tolkien. But I’ve got to assume that a lot of others don’t. Heck, it took them until almost the end of the episode to name one of their OCs (Bronwyn).

Some worthless scenes, like Galadriel’s company fighting the “ice troll” in the mountains. Actually, the entire sequence in the mountain lair was badly-written.

I don’t care about the “forbidden romance” subplot between the OCs Arondir and Bronwyn…if they’d spent longer than a few minutes in the first episode establishing their relationship/characters, maybe I’d be more invested. (See my earlier complaint about unnecessarily short seasons—some stories need room to grow!)

Even though my criticism outweighs my praise, even though I’m a self-identified Tolkien purist, I thought this was…fine. It’s an absolute feast for the eyes, truly gorgeous to watch (even with all those woefully miscast male Elves)—visually, apart from a few moments of obvious CGI, it’s what I would expect/want from a Tolkien adaptation! My expectations aren’t high for the rest of the series. There are upcoming plot points that I know will disappoint, infuriate, and disgust me. But considering that I went into this episode expecting to loathe it, I was pleasantly surprised.

Besides, I’m going to keep watching no matter what to see more of Nori and Morfydd’s face. This also makes me want to finish The Silmarillion, which I have been starting and then “saving for later” since I was a small child.

#rings of power #the rings of power #trop #tentatively tagging because this is somewhat critical but it's not hateful! promise ♥#and I am up for discussion #luth liveblogs trop

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mask131 · 7 months ago

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If Middle-earth is Earth in the past, is there any possibility for the magic to return? The magical creatures are probably all dead, but I assume the more spiritual beings like the Maiar and the Valar should still be around, right?

Asked this to a couple of friends that are Tolkien fans and they couldn't answer me.

Now I am NOT at all a Tolkien expert. I will try my best to answer you but I can't recommend you enough to go check actual lore-wise people for Tolkien... I know there are a handful of Youtube channels dedicated to explaining little tidbits of lore and answering specific questions about Tolkien's works. "In Deep Geek" or "Nerd of the Rings" are good starting places for casual Youtube videos about Tolkien lore, to listen in some spare time or just as background.

Now it depends what you mean by "magic" but, taking into account the whole "Middle-Earth is just prehistoric Earth/England's mythology" angle, in this sense, yes you are right about the point.

Most of the fabulous and fantastical creatures of legends and myth are dead or gone, and it is the whole point of Tolkien's work. The Lord of the Ring is literaly the tale of how an entire Age ended. It is something that begins quite early in The Hobbit, with the death of what was the last great dragon, but one doesn't get the full scope until we reach The Lord of the Rings, and by the end of it we are hit with everything. The Elves are fading away, the Wizards have all broken off in various ways, Sauron and his underlings are no more, the rings of power have no power anymore, the Ents are doomed to extinction, even some of the last descendants of the eldritch horrors like the Balrog or Shelob are dead. The great wonders of Middle-Earth are gone, beautiful or horrible, and it is sad and an end - but also a new beginning for a new age. And in this sense, yes, magic is technically gone or going away by the end of the Lord of the Rings.

But, as you pointed out, it doesn't mean "magic" is still disappeared forever, because in the Tolkien universe, magic IS the world. As you said, indeed, the Valar/Maiar are still around, and will always be there until the end of time. They are just out of reach and out of sight: this is one of the big themes of the Silmarillion, since it is the book where we go from "The gods walk the same earth we walk today" to "The gods are nowhere to be seen and work in mysterious ways". The whole point is that the Valar slowly retracted themselves from the universe, isolating themselves in the West, acting less and less in mortals affairs, imposing indirect means of interacting with fate and events rather than direct action... And it is part of the entire aesthetic of Tolkien's Legendarium: the regression of magic is constant, and while the world described in The Lord of the Rings seems like the "magical world" we today lost, when one reads the Silmarillion you realize LotR's Middle-Earth was actually a pretty drab and mundane world compared to the earlier Ages of the World. It is just that the very passing of Ages means that less and less magic and wonders happen - it is the Tolkien's way.

But they are not gone. There is still of this "magic" left around, it is just out of reach, hard to spot, not usually seen - and you have to know what you are looking for. Just like the Valar, who will always be there, but mortals cannot reach them, nobody remembers them, and they don't interact with us anymore. I think it was in The Hobbit that Tolkien literaly began by saying that some Hobbits still lived around England, though they hide away from humans and thus one would need tough chance to ever find them. It was just a "child's story" narrative device, but it still set the tone for the idea that there are remnants of LotR's Middle-Earth in our day and age (well more like in the 19th/early 20th century England), the same way Middle-Earth had by the time of LotR remnants of the first ages of the world (Shelob reminding of the distant threat of Ungoliant, or Galadriel's vial containing a last piece of primordial light).

Plus, you have to remember Tom Bombadil. The guy is definitively still around. And that's his role. When did he get there, we will never know, because he was never born - but he was there at some point, and he was there long before everybody else, and he will be there long after everybody else, and he'll still be around probably until the end of the world. As I said in my previous post, many people dismiss Tom Bombadil in LotR because yes, he provides nothing to the plot - but they miss his importance, that he is here as a symbolic and almost metaphysical character, as a tool not just to worldbuild but also to show the whole idea of this world. Yes the elves and dwarves and orcs are gone, and there are no more great wizards or terrible dark lords... but there will always be somewhere this weird singing guy who is definitively not human and nobody knows where he comes from, with his nature-spirit of a wife, and his grumpy murderous neighbor Old Willow. And I think it is quite important to understand Tolkien's whole approach to the "fading of magic". Tolkien's world is one of constant "degradation" (to the point he even stopped writing his story about a Fourth Age because he realized it would be much too bleak and dark even for him), but it is also one that is tied to his production for children and an interest in fairytale and children stories, and as such it also teaches to go search the real magic today not in immense dragons, or powerful elf-queens, or cursed antique jewels, but rather in a few Hobbits living their life hidden in some shire, or in an excentric Tom Bombadil deep within beautiful old woods.

#ask #lord of the rings #tolkien #middle-earth #but remember i am not an expert and this is just the opinion of a casual enjoyer/kind of fan but still not an expert

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90shaladriel · 5 months ago

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Writing Interview Tag Game

Thanks for tagging me @klynnvakarian !

About Me:

When did you start writing?

In my 30s I definitely made an attempt to write a "novel" and did some world building and a few pages of writing and it didn't go anywhere. Then Late 2022 after Rings of Power season 1 just joining the Haladriel fandom I read so much fic that I thought maybe I could do some as well. Got some encouragement from other haladriel writers (crucial for me)

Are there different genres or themes you enjoy reading other than the ones you write?

I love history and science non-fiction. I mostly am writing in the fantasy fan-fiction space, but I do like sci-fi as my first love.

Is there an author you want to emulate, or are compared to often?

I either consciously or unconsciously imagine I am writing in the voice that Frank Herbert used in the Dune series. Maybe mixed with some George RR Martin and a tinge of Tolkien.

Can you tell me a bit about your writing space?

Vast majority of my writing was on an iPad lying in my bed before sleep when no one needs my attention.

What’s your most effective way to muster up a muse?

I usually write a chapter per month so it's just random thoughts or reminders while reading other fics which inspire me to write a snippet here or there when I have the energy.

The other big muse I've found in recent months was actually listening to or reading Tolkien books: "The Silmarillion", "Beren and Luthien" and "Fall of Gondolin" the beautiful prose and the rich lore just sparks new ideas I want to try to play off of or emulate in my own fics.

Are there any reoccurring themes in your writing? If so do they surprise you?

I always like stories of characters that are beaten down, up against the world, maybe a little unappreciated, but not giving up. Even if they cannot win they try their best and work hard. A lot of sadness too. I don't express much of that sadness IRL so that is a bit surprising.

Characters:

Would you please tell me about your current favorite character?

Tough call - probably the Lady of Light, Galadriel based on the ROP - characterization

Which of your characters would you be friends with in real life?

Hmm, I'm not sure if I would be best friends but I think I would get along with Ereddâz, my Orc OC from A Lord and his Builder.

I think Galadriel would ignore me and Sauron would send me to his dungeons to be a thrall.

Which characters would you dislike the most if you met them?

Melkor from my First Fire in the Void fic

Do you notice any reoccurring themes/traits in your characters?

I touched on it above, I think I like writing characters that believe they are doing the right thing. I do not like writing characters that are specifically and intentionally bad. Even my villains have plausible motivations or perspectives to justify their actions.

How do you picture your characters?

Most of my writing is currently around the Rings of Power cast and that style.

I am dabbling with non-ROP fics, like First Fire in the Void and there I pictured Mairon based on a lot of fanart that basically draws him like a pretty woman with long red hair lol.

My Writing:

What’s your reason for writing?

A creative outlet. For years and years I would day dream my own stories, going back to when I was a kid, I was also a pretty decent DnD DM making up my own campaigns. I've often had dreams of telling stories by creating video games (I am a software dev professionally) but I usually get stuck on the actual technology side of creating a game and can never get to the creative side. By writing fic, I was able to just get my ideas out there without being held back by the lack of skills in other areas (game dev, art, making a story interactive and still make sense)

Is there any specific comment or type of comment from readers that you find particularly motivating?

Ive gotten a few amazing comments that say this is their favorite fic and I can't believe it since I just write one of many thousands of fics so I feel honored, and for my WIPs a little pressured, to produce more at that level.

How do you want to be thought about by your readers?

I want to write stories other people like, I do think about how can I make a story original in a way no one else does? What's a premise no one else has or could be done differently?

But really I am mostly writing stories that I like?

What do you feel is your greatest strength as a writer?

I think putting my characters through emotionally charged or traumatic events where they have realistic responses or reactions that I or I think readers might relate to emotionally.

How do you feel about your own writing?

I read other writing and it feels so polished and natural. I often feel like I am "emulating good writing" rather than being a good writer myself. I like my stories and plots but I am not always impressed by the words on the page after writing them. Sometimes I just give up during editing and just post and people seem to like it enough.

When you write are you influenced by what others might enjoy reading, do you write purely for yourself, or is it a mix of both?

AS I was saying I do think about the readers and I'm surely influenced by what I see in the community and what people respond to but every single idea is a kind of "wouldn't this be cool" idea I have myself first and then I judge how much I think other people would also find it to be cool or enjoyable. That part I sometimes guess at or things resonate with others that I didn't expect

No pressure tags!

@eowyn7023 @demonscantgothere @cliffdivingsblog @pursuitseternal @theriverwild

#haladriel #fanfic #writing #writing tag game

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sewn-with-lilies-fair · 2 months ago

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Lay of Leithian: The Rock Opera

Subtitled Livestream- 28 November, 2024

Two different fates are woven together when Lúthien, an elven princess, falls in love with Beren, a hero of mortal men. To win her hand, Beren is sent on an impossible quest- to cut a legendary gem from the crown of the Dark Lord. So begins this battle between light and darkness, love and duty, in the most enduring tale of Tolkien’s Middle Earth.

Want to experience a new Tolkien adaptation? Our little Leithian fandom would like to invite you to one of our livestreams! Come join myself and some other fun Silmarillion fans as we watch this Tolkien rock opera together.

Where: Cytube (video stream) / Discord (live chat) Links will be reblogged here, 1 hour before the stream. Discord is not required to watch, but it is highly recommended for the livechat community. When: Thursday, 28th November, 10am PST / 1pm EST / 19:00 CET Run Time: 1hr 35m, with a 15 minute intermission Performance Details: June 2024 recording in 4K Language: Russian / Subtitles: English* *Subtitles are an uncorrected draft; they may contain slight performance/script inconsistencies that should not detract from the stream. Note: This recording contains flashing lights. Additional Material: • Lay of Leithian translation • Links and resources

See you soon! 🤘

#shameless promo for the upcoming broadcast #also i'm alone on thanksgiving #it's nice to have some programming for others who might be alone or want to be somewhere else #everyone is welcome!#tolkien #jrr tolkien #silmarillion #lay of leithian #beren and luthien #beren #luthien #lay of leithian rock opera #lol the rock opera

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4amode · 2 months ago

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Hi, if you don't mind, can I ask, what are your top 7 (or top 10) favorite media ever (can be book, anime/manga, tv series, movies, games, etc)? Why do you love them?

Also, can I ask your top 10 favorite characters ever (from any media)? Are the characters that you can relate the most, in your pinned post included in your top 10 fav characters? Sorry if I ask too much, thanks if you want to answer....

Of course I don't!! Thank you for the ask ♡

First and foremost, I am a huge consumer of fictional media: I read, watch, and am (more or less actively) involved in a ton of fandoms. That said, I'll mention the ones I return to most often, even without being prompted by fandom content like edits, fics, fanart, and so on.

Here's my top media [the order is random] :

Harry Potter with a special mention to the Marauders era, because I've completely lost mind and soul to that fandom [I’ve even cosplayed Remus a couple of times]. I’ve also read most of Rick Riordan's sagas, although I grew up with Harry Potter, so I suppose that's the one I’m most emotionally attached to [despite my deep-rooted disagreement with and disgust for J.K. Rowling's opinions]. To this day, I think it’s the fandom I’ve read the most fanfiction of

Tolkien: anything that wonderful human being wrote. The Lord of the Rings, The Hobbit, The Silmarillion, other Middle-earth tales. I’ve watched the movies an infinite number of times [yes, I am that nerd]. I may or may not also own a replica of Aragorn's sword.

Anything Sherlock Holmes. I’ve watched the BBC series, old movies, read the books—basically anything I could get my hands on.

MXTX novels. I started with The Untamed and completely lost it (specifically my dignity, given this endless list of fandoms). I’ve read the novels, manhua, and watched the donghua of MDZS, SVSSS, and TGCF—with MDZS undoubtedly being my favorite. I’m currently planning a Lan Wangji cosplay. Other honorable mentions along these lines: 2ha and Word of Honor.

Genshin. I play video games often, but Genshin is one of the few I’ve played consistently over the years. I also love the characters and the story. That said, I don’t agree with some of the company’s policies, but the fandom-generated content is often of amazing quality and is what keeps me attached to it.

Marvel and DC universes. I know some people might kill me for grouping them together, but I’ve followed both, especially back in high school. I’ve seen almost every Marvel movie, while with DC, it’s mostly been Batman and animation. Gotham is one of my absolute favorite shows [don't get me started on Batman villains]. For Marvel, Loki and Spider-Man are def my top picks.

Studio Ghibli. I watch a lot of anime [of course, duh], and I’ve cosplayed a few characters [not as many as I’d like, I admit]. But I’ve always had a strong emotional attachment to Ghibli movies. They’re still one of the few things that help me calm down when I’m anxious or stressed [which, sadly, happens often]. I’ve lost count of how many times I’ve rewatched them.

Japanese BL dramas—I’ve watched a lot, as well as some Korean and Thai ones, but the ones I’ve rewatched the most have always been Japanese (not sure why that is), but I’ve enjoyed and would rewatch many of them. If I had to name the ones I’m most fond of, they’d be Cherry Magic, Kieta Hatsukoi, Utsukushii Kare, Absolute BL, and Bokura no Shokutaku.

TMA. I got into The Magnus Archives fairly recently compared to everything else. That’s mainly because I wasn’t used to listening to podcasts before TMA, I only stumbled upon it because of a TikTok audio. Also, I love anything horror. I fell in love with the story, how carefully it was constructed, and the characters.

Cinema [yes, I know it’s a very broad category]. I’m a cinematophile. I’ve watched a ton of movies—old ones, really old ones, every type and genre. Photography is one of my passions, so that made me a fan of cinema as well. I love the technical side, the history [I chose cinema history as an elective], and everything that comes with it. There are so many movies I love and consider masterpieces, but if I had to name a few I'm particularly attached to, it would be Call Me By Your Name, the Indiana Jones saga, and any Wes Anderson film.

I know you told me 10, but I'm sorry and hopeless. Anything Dark Academia coded: The Secret History, If We Were Villains, Dead Poets Society, The Goldfinch, Maurice, Dorian Gray, The Dreamers and so on

I picked the ones I’m most emotionally attached to, either because I’ve followed them since I was a kid or they helped me through tough times. There are so many more I didn’t mention, like Good Omens or The Witcher, and many webtoons, and anime which I’m just as into, but they didn’t make it to the list.

My top 10 characters:

Remus Lupin and Regulus Black [I have no words to express how much I love and relate to these two]

Snufkin [I am him, he is me, we are]

Wei Wuxian [I would let the world burn for this man, tough, as you might have guessed, my character is more aligned with Lan Wangji's, so it comes with the personality ig]

Thranduil Oropherion [he's the elven king of wood and stone, and he's very loud and daddy about it]

Milo Thatch [he's (excitedly) into history, archaeology, and linguistics, and we both give the you-really-do-not-want-to-get-them-started nerd vibe.]

Jonathan Sims [if on a good day I'm Milo Thatch, on a bad one I'm Jon], also I love how in some fics he wears long skirts, paranormal fear avatars can't be bothered with gender norms.

Newt Scamander [I find him very relatable. His stress in social situations and preference for animals or plants got to me. Also, he's so passionate and caring, love a good example of healthy masculinity.]

Suguru Geto [nothing to say on this, I love this man]

Loki [look, I have an issue with dramatic, gender-defying villains AND mythology, it was inevitable]

Sun Jing from Tamen de Gushi [I wish I was as cool as her, I love her so much]

Generally speaking, I tend to like morally grey characters, villains with redemption arcs or byronic heroes with a complex history who, in the end, try to do the right thing, even at the expense of self-sacrifice. Not in a selfless "it's the right thing to do" hero-complex kind of way, but more in a "I think I'm worthless and expendable, at least I'll try to do something good," angst, hurt/comfort kinda way.

I hope I answered all your questions, but if you have others, or you just wanna chat about it, just dm me!

#ask #answered #long post

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