#silberling

[trainwritingfreiburg]

Nie in Südbaden gefahren, aber viel zu heiß, um in der Fotokiste zu versauern.

[classichorrorblog]

Casper (1995)

[titanomancy]

"I'm in."

[haveyouseenthismovie-poll]

[buffysummers]

Dear reader, there are people in the world who know no misery and woe. And they take comfort in cheerful films about twittering birds and giggling elves. There are people who know that there’s always a mystery to be solved. And they take comfort in researching and writing down any important evidence. But this story is not about such people. This story is about the Baudelaires. And they are the sort of people who know that there’s always something. Something to invent, something to read, something to bite, and something to do, to make a sanctuary, no matter how small. And for this reason, I am happy to say, the Baudelaires were very fortunate indeed. Lemony Snicket's A Series of Unfortunate Events (2004) dir. Brad Silberling

[90smovies]

[brokehorrorfan]

Halftone Horror has a Casper design available on T-shirts ($25), tie-dye tees ($30), long sleeves ($40), zip-up hoodies ($60), and 11x17 posters ($20). Pre-orders run through Sunday, November 26, and will ship 4-8 weeks later.

[in-love-with-movies]

City of Angels (1998)

[notchainedtotrauma]

Mullenweg took the debate off platform to X, where he commented on a post from the user who was banned on Tumblr. Then, on one of his Tumblr posts, Mullenweg shared numerous of her side blog names, which is not public information (Tumblr users often make empty side blogs with no content in order to squat on URLs).

“On the adult content mistagging, I added context to say it has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can’t post them here without a mature tag,” Mullenweg wrote, then listing some of the accounts by name.

Aside from Elon Musk since he took over Twitter (now X), it’s uncommon to see the CEOs of social platforms commenting directly on individual content moderation decisions. It’s even more uncommon for those CEOs to share private information about that user’s account.

Bluesky faced a similar situation last year, but it played out in an opposite manner. One user said that they hoped a prominent Black user would get pushed off of “somewhere real high.” In that case, Bluesky’s team decided it wasn’t a legitimate death threat, which strained the burgeoning platform’s relationship with its Black users.

[margaretroserogers]

[moldygreenblue]

Shout out to past me having the urge to dig ASOUE Fandom spaces had me bookmarking a few things on the 667 Dark Avenue Forums, and rereading them has me deciding to share some of things, for it’s all about the ASOUE Movie and the behind-the-scene mess.

https://asoue.proboards.com/thread/36351/667-rewatch-2004-movie?page=4

Page 4 is when the ball of all the cut content of the film gets going, so I linked from that page there. My favorite part is what got cut in the opening scene at Briny Beach and the Baudelaires’ introductions.

https://asoue.proboards.com/thread/36605/lemony-snicket-deleted-alternate-scenes

All the deleted stuff! It has me thinking the ASOUE Movie could have been it’s own unique thing if it wasn’t for the executive meddling.

https://asoue.proboards.com/thread/37162/brad-silberling-interview-answers

It’s posted on Tumblr (I even reblogged it onto my blog), but the source came from the forum itself, so I figure, “eh let’s keep up the pattern.”

This one is very interesting to read, because it goes more (like, a lot more) into the details of the movie production and filming. My personal favorites that Brad Silberling answered are Question Two, Four, Five, Ten, Eleven (it answers the old-age question on why Movie!Klaus doesn’t wear glasses), Fourteen, Sixteen (makes me so angry about the meddling), and Twenty-Six (it makes me so, so angrier about the cut Aunt Josephine’s demise scene even more!)

[trainwritingfreiburg]

[nnuulll]

“Les fils d’Elohim virent que les filles des hommes étaient belles, et ils en prirent pour femmes.” (Genèse 6, 2)

Les Ailes du Désir et l'Ange confesseur

Les Ailes du Désir : où Wim Wenders révèle comment un esprit pur (Damiel - Bruno Ganz) surplombant le ciel au-dessus de Berlin (Der Himmel über Berlin) se concrétise en devenant chair par le désir d'une femme (Marion - Solveig Dommartin).

Inspiré par Les Ailes du Désir, La Cité des Anges de Brad Silberling n'est pas une adaptation ou un remake (plus ou moins raté), mais un autre film, ouvrant sur la rencontre de la chair comme sortie de son enfer d'un ange caché (Seth - Nicolas Cage), éternel accompagnateur spirituel hospitalier des mourants... Une sortie de l'enfer angélique au prix de la douleur de la mort de la mortelle femme désirée (Maggie - Meg Ryan).

Hypothèse d'un troisième film, L'Ange confesseur, où la femme désirée (Lilith) refuserait à l'ange de devenir chair, le préférant comme esprit pur veillant sur elle et accueillant ses confessions. Et à l'ange (sans nom) regrettant de ne lui offrir qu'un fantasme partagé, jamais concrétisé : "ce qui me lie à vous, cher ange, répondrait-elle, est d'une nature autre que du désir physique… Pour moi, ce lien est plus profond que juste fantasmer à deux… je me suis confiée à vous." Parole rédhibitoire, relent d'insulte, condamnation sans appel. L'esprit pur resterait à son enfer désincarné d'éternel confesseur, veilleur spirituel, accompagnateur d’humains vivant dans la chair, voués à une mort qu'il ne connaîtrait pas.

[sigurism]

LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (2004) — dir. Brad Silberling

[vintagewarhol]

[featherzen]

its been a long time so here's some Kenosha art I've done this year!!!

I've been doing a lot of traditional art lately and there's been a lot of changes in my life where I've kinda strayed away from Tumblr but I'm more active on my insta @/miareallydrewthat! sorry it's been so long, I'll scrounge up some traditional doodles of trap characters too because I love our small little fandom so much :)