#sign manufacturers uk

[onetooneengravers]

Northampton’s Premier Sign Manufacturer: Custom Solutions for Every Business

Successful visual communication is crucial in today's cutthroat corporate environment. As the top sign manufacturer in Northampton, OTOEL is known for providing personalized solutions that fit each company's particular requirements. Our products, which range from complex engravings to magnetic signs, increase brand awareness and encourage consumer interaction.

Recognizing a Sign Manufacturer's Function

The sign manufacturer is an essential factor in defining a company's identity. Signs serve as a company's initial point of contact with prospective clients. They can significantly affect consumers' buying decisions, spread brand recognition, and provide crucial information.

Design consultation: Working with customers to comprehend their branding and vision needs.

Custom Production: Making custom signage solutions with cutting-edge technology.

Installation Services: Ensure signs are positioned correctly for optimal impact and visibility.

Maintenance and Support: Providing continuous assistance to maintain signage in optimal condition.

OTOEL: Northampton's Reliable Sign Manufacturer

At OTOEL, we are satisfied with being one of Northampton's top sign manufacturers. Our dedication to quality, innovation, and client happiness makes us unique. Here's why companies pick us:

Wide-ranging expertise: We have years of expertise in the field and know the subtleties of well-designed signs.

Diverse Product Selection: We offer a wide range of items, from contemporary digital displays to classic signs.

Customization Options: We offer specialized solutions that capture the essence of your company.

Advantages of Personalized Signs:

Brand Recognition: Distinctive designs make your company stand out from rivals.

Targeted Messaging: Custom signs can convey meaningful messages to your target demographic.

Increased Interaction: Designs that grab the eye, draw in viewers and promote conversation.

Examining Magnetic Symbols

OTOEL is a well-known maker of magnetic signs and provides adjustable options ideal for companies seeking adaptable advertising solutions. Magnetic signs are portable, simple to install, and flexible for various uses.

Benefits of Magnetic Signage

A simple application procedure makes it easy for anyone to install quickly.

without leaving any residue, it is easily removed and repositionable.

Constructed from premium materials that resist a range of weather circumstances.

Printing that resists fading guarantees durability.

Reasonably priced choice for companies with limited marketing funds.

gives a great return on investment by raising awareness.

Fit for cars, retail spaces, and brief advertising campaigns.

Adaptable to specific requirements in terms of size, shape, and design.

The Method for Making Personalized Signs

Creating custom signage requires a few crucial processes to ensure that the finished result lives up to the client's expectations.

Procedure Step-by-Step:

First Consultation:

Talk about the project's objectives and collect data regarding the intended result.

Design Development: 

Our design team produces mock-ups in response to client feedback.

Until the design reflects the client's vision, revisions are made.

Production: 

We use top-notch materials and cutting-edge machinery to create the signage.

Installation: 

Our staff offers expert installation services to ensure ideal placement and visibility.

Assurance: 

Every sign passes stringent quality inspections to satisfy our standards.

Follow-Up Support: 

We provide maintenance services to keep your signage looking current and functional.

Why Opt for OTOEL?

Selecting OTOEL as your sign manufacturer entails working with a group committed to quality in all facets of sign creation.

Among Our Commitments Are:

Customer-Centric Approach: Our top priorities are fully comprehending your demands and providing solutions that go above and beyond.

Cutting-edge Technology: We use the newest printing technologies to achieve brilliant colors and crisp designs.

Sustainable Methods: Because we care about the environment, we utilize sustainable products whenever possible.

Conclusion

To sum up, OTOEL distinguishes itself as the leading provider of signs in Northampton by providing customized solutions that address a range of corporate requirements. Whether you need creative magnetic solutions or more conventional signage, our dedication to excellence guarantees that your business is successfully represented. Join us for personalized solutions that can boost your company's exposure and propel it forward!

[najia-cooks]

[ID: A decorative orange ceramic plate with a pyramid of green herbs and sesame seeds, topped with deep red sumac and more sesame seeds. End ID]

زعتر فلسطيني / Za'tar falastinia (Palestinian spice blend)

Za'tar (زَعْتَر; also transliterated "za'atar," "zaatar" and "zatar") is the name of a family of culinary herbs; it is also the name of a group of spice blends made by mixing these herbs with varying amounts of olive oil, sumac, salt, roasted sesame seeds, and other spices. Palestinian versions of za'tar often include caraway, aniseed, and roasted wheat alongside generous portions of sumac and sesame seeds. The resulting blend is bold, zesty, and aromatic, with a hint of floral sourness from the sumac, and notes of licorice and anise.

Za'tar is considered by Palestinians to have particular national, political, and personal importance, and exists as a symbol of both Israeli oppression and Palestinian home-making and resistance. Its major components, olive oil and wild thyme, are targeted by the settler state in large part due to their importance to ecology, identity, and trade in Palestine—settlers burn and raze Palestinian farmers' olive trees by the thousands each year. A 1977 Israeli law forbade the harvesting of wild herbs within its claimed borders, with violators of the law risking fines and confiscation, injury, and even death from shootings or land mines; in 2006, za'tar was further restricted, such that even its possession in the West Bank was met with confiscation and fines.

Despite the blanket ban on harvesting wild herbs (none of which are endangered), Arabs are the only ones to be charged and fined for the crime. Samir Naamnih calls the ban an attempt to "starve us out," given that foraging is a major source of food for many Palestinians, and that picking and selling herbs is often the sole form of income for impoverished families. Meanwhile, Israeli farmers have domesticated and farmed za'tar on expropriated Palestinian land, selling it (both the herb and the spice mixture) back to Palestinians, and later marketing it abroad as an "Israeli" blend; they thus profit from the ban on wild harvesting of the herb. This farming model, as well as the double standard regarding harvesting, refer back to an idea that Arabs are a primitive people unfit to own the land, because they did not cultivate or develop it as the settlers did (i.e., did not attempt to recreate a European landscape or European models of agriculture); colonizing and settling the land are cast as justified, and even righteous.

The importance of the ban on foraging goes beyond the economic. Raya Ziada, founder of an acroecology nonprofit based in Ramallah, noted in 2019 that "taking away access to [wild herbs] doesn't just debilitate our economy and compromise what we eat. It's symbolic." Za'tar serves variously as a symbol of Palestinians' connection to the land and to nature; of Israeli colonial dispossession and theft; of the Palestinian home ("It’s a sign of a Palestinian home that has za’tar in it"); and of resistance to the colonial regime, as many Palestinians have continued to forage herbs such as za'tar and akkoub in the decades since the 1977 ban. Resistance to oppression will continue as long as there is oppression.

Palestine Action has called for bail fund donations to aid in their storming, occupying, shutting down, and dismantling of factories and offices owned by Israeli arms manufacturer Elbit Systems. Also contact your representatives in the USA, UK, and Canada.

Ingredients:

Za'tar (Origanum syriacum), 250g once dried (about 4 cups packed)

250g (1 2/3 cup) sesame seeds

170g (3/4 cup) Levantine sumac berries, or ground sumac (Rhus coriaria)

100g (1/2 cup) wheat berries (optional)

2 Tbsp olive oil

1 Tbsp aniseed (optional)

1/2 Tbsp caraway seeds (optional)

Levantine wild thyme (also known as Bible hyssop, Syrian oregano, and Lebanese oregano) may be purchased dried online. You may also be able to find some dried at a halal grocery store, where it will be labelled "زعتر" (za'tar) and "thym," "thyme," or "oregano." Check to make sure that what you're buying is just the herb and not the prepared mixture, which is also called "زعتر." Also ensure that what you're buying is not a product of Israel.

If you don't have access to Levantine thyme, Greek or Turkish oregano are good substitutes.

Wheat berries are the wheat kernel that is ground to produce flour. They may be available sold as "wheat berries" at a speciality health foods store. They may be omitted, or replaced with pre-ground whole wheat flour.

Instructions:

1. Harvest wild thyme and remove the stems from the leaves. Wash the leaves in a large bowl of water and pat dry; leave in a single layer in the sun for four days or so, until brittle. Skip this step if using pre-dried herbs.

2. Crumble leaves by rubbing them between the palms of your hands until they are very fine. Pass through a sieve or flour sifter into a large bowl, re-crumbling any leaves that are too coarse to get through.

Crumbling between the hands is an older method. You may also use a blender or food processor to grind the leaves.

3. Mix the sifted thyme with a drizzle of olive oil and work it between your hands until incorporated.

4. Briefly toast sumac berries, caraway seeds, and aniseed in a dry skillet over medium heat, then grind them to a fine powder in a mortar and pestle or a spice mill.

5. Toast sesame seeds in a dry skillet over medium heat, stirring constantly, until deeply golden brown.

6. (Optional) In a dry skillet on medium-low, toast wheat berries, stirring constantly, until they are deeply golden brown. Grind to a fine powder in a spice mill. If using ground flour, toast on low, stirring constantly, until browned.

Some people in the Levant bring their wheat to a local mill to be ground after toasting, as it produces a finer and more consistent texture.

7. Mix all ingredients together and work between your hands to incorporate.

Store za'tar in an airtight jar at room temperature. Mix with olive oil and use as a dipping sauce with bread.

[mxactivist]

UK petition: Sandyford Clinic [Scotland] to immediately continue to prescribe trans kids hormone blockers

[ Sign here ]

Following the Cass Review, trans kids are no longer able to receive puberty blocker prescriptions from Sandyford, Scotland's only gender identity clinic for under 18s. This is devastating news for trans kids who will now see their bodies change in ways that will trigger dysphoria. It will ultimately cost lives as trans kids are driven to suicide. All this will happen because of some despicable, manufactured "trans debate", where trans kids, and adults, are being used as a scapegoat for society's problems. Trans charities and advocate groups are condemning the awful Cass Review all over the country. The only groups celebrating this dreadful document are anti-trans ones. Hormone blockers have been used for decades safely, and the vast majority of trans kids that go on to transition are happy. A common argument against blockers is that trans kids are not old enough to make such decisions. This is exactly what puberty blockers are for; to hit the pause button on any irreversible changes; to give trans kids time to make these decisions. We urge Sandyford clinic to immediately resume providing trans kids with their life-saving puberty blockers.

[ Sign here ]

[dev-solovey]

Reading up on the history of American Idiot (album) and realizing exactly how revolutionary it was and I just have to yell about it for a hot second

So, before they started working on American Idiot, the band was having problems and they were thinking they were going to break up. But for a couple of reasons, they switched directions, most notably because they all felt strongly about the Iraq War and how it was manufactured by greed and warmongering from the Bush administration, which was amplified by the news media. I read a quote from Billie Joe Armstrong where he talked about how the news media was becoming "more of a reality show" than it was news, and he couldn't have been more right. In fact, that problem got worse, and now we're living in an era of rampant misinformation where everything is politicized to a point where just supporting human rights for marginalized people is considered controversial. The song American Idiot came out in 2004, and when Donald Trump first visited the UK at the beginning of his presidency, it was the top played song on every UK radio station, 12 years after it was released. Most things would be culturally irrelevant at that point.

When creating the album American Idiot, a lot of thought went into it - they had a very specific message in mind, and their goal was to send that message to youth. This is because they realized at some point that their fanbase was a bunch of teenagers, and even though they hadn't necessarily intended it that way, they suddenly had a platform with the youth of America and they decided they ought to do something good with it. The drummer, Tré Cool, said something along the lines of "I've never really liked the idea of preaching to kids, but I realized we don't really have a choice at this point." And I love that so much because like, so many people who get rich and famous just become completely out of touch, and when they get a platform, it's very easy to exploit that platform, influence them with terrible ideas, or encourage them to act in terrible ways for self-serving reasons (ex: JK Rowling, Andrew Tate, Dream, Logan Paul, Onision, etc etc). Green Day refused to allow themselves to get to that point. They know the platform they had gave them power and they made an active choice early on to be responsible with it. And a lot of that moral code comes from the fact that they came up in the DIY punk scene in Oakland, which held its members to a very high standard of ethics, a code that they still follow even after they were disowned by that scene when they signed on with a major record label in 1994.

The song American Idiot has a message of "this mass media hysteria is manufactured bullshit, don't fall for it," and it is not subtle about that message. It punches you right in the face. I remember being 12 years old and listening to it and thinking, "yeah, I don't want to be an American idiot." And now, at the age of 28, I am a staunch leftist who is firmly against the atrocities the US government commits, and I feel strongly about stopping misinformation. So I can say with absolute certainty that they succeeded.

I also get like, really upset when people say that American Idiot is the album where they sold out, because that's objectively not true, both for the reasons I've provided above, and also because of the song Wake Me Up When September Ends. Not a lot of people know the story behind this song, but it's actually a song that Billie Joe wrote about the experience of his dad dying of cancer when he was 10 years old. The story, as he tells it, is that when he came home from school, his mom gave him the news, and being (understandably!) upset, started crying, ran to his room and slammed the door. When she knocked on the door to try and talk to him, he shouted "wake me up when September ends!!" in response. It took him decades to be able to write this song, and it shows because it's the perfect grief song, having been played at benefits for 9/11, hurricane Katrina, and so on. The first time I heard that song it reduced me to tears, because you can hear the intense sadness in it. A "sellout" would never write a song like that!! (Side note: maybe stop tweeting at Green Day to wake up every October 1st, it's super tone deaf given the subject matter,,,)

Anyway, I think I'm done being autistic about Green Day (that's a lie, they'll forever be my special interest), so TL;DR:

Thank you, Green Day, for creating a generation of leftists who aren't about the bullshit

[shiningbean]

Yennefer & Tissaia cookie cutter pre-order

Hello folks. New sideblog, but it's me, Bean, your resident supplier of silly Yen and Tissaia things (what silly Yen and Tissaia things you might ask? Well then, head to my etsy shop, there you will find stickers and acrylic charms of them). This time we have: cookie cutters.

1. The items:

Plastic cookie cutters with imprint/stamp, each measures about 5 cm (2 inches) wide. The designs I have planned for Yen and Tissaia:

Samples of cookies made with this type of cookie cutters (photo courtesy of the manufacturer on facebook):

2. Costs & shipping:

Pre-order: 7€ for one cookie cutter or 12€ for the pair, in case of product defects you will get a full refund.

Shipping: the production + shipping to an address of your choosing will take 1-2 months. Exact shipping fees (2€-12€) under the cut*.

3. Sign up:

Write me a chat on tumblr (@shiningbean/@mercisnm) or discord (anhsdo)

Have questions? Read more under the cut:

Why pre-order? Since cookie cutters are much more niche than stickers and keychains, I cannot be certain how many of these I will sell, if at all. Previous interest checks didn't always mean buyer, with pre-order I can be certain interested people would commit to paying for the goods.

How long will this take from pre-order to finished product? The whole process might take up to 2 months (manufacturing: ~1 month, goods' shipment to me: ~2 weeks, goods' shipment to your address: ~2 weeks)

Oh that's a long waiting time, why? Because I don't have these in stock, they are already designed but production hasn't started yet. Also I need them shipped to me first to check for quality before shipping them out to you.

Why do I have to send you money twice? The first fee is the pre-order fee, to make sure you will buy the finished products, and also to finance the whole production of the cookie cutters. The second fee is the shipping fee, you'll pay this so I can ship the cutters to you. For anywhere but Germany the shipping itself costs almost as much as the cutters themselves, so unfortunately I cannot cover this fee for you.

What if the cookie cutters are defective? Once I receive the cutters from the manufacturer and they are defective (don't cut well, don't leave deep enough imprint etc.) then I will not ship them out, you won't need to pay me anything, I will give you a full refund of the pre-order fee.

What if the goods are in order, I just want to opt out? Or I just change my mind? As previously explained, these are quite niche knick-knacks that I don't plan on selling long term, so if you want to opt out once production has started I could only offer a 30% refund (2.5€ for one cutter and 4€ for the pair).

* The goods will be shipped with Deutsche Post/DHL services for: Germany: 2.25€, EU countries: 6.49€, UK and Austria: 8.99€, rest of the world: 11.99€ (tracking for 2.50€ - 4€)

[sgiandubh]

The telling hashtag

So S is willfully disclosing his LHR location, with a story and a post to boot, as expected:

📌at Bourne Offices, 11 Richmond Buildings, in Soho:

Literally round the corner from Soho House, on Dean Street. Of course:

Also, this - very telling:

#gifted. Before *urv starts her demented Fitness at Dawn - The London Hyrox Edition fanfic, let's unpack:

S chose to wear, in this post, one of the sunglasses models from David Beckham's eyewear collection. Price tag is a bit steep (twice my Ray-Ban Wayfarers), but still democratic:

But why the #gifted hashtag? Before you think C or Scottish Xena lovingly picked those up the shelf for his birthday, you might like to check a bit around for context. You see, all dbeyewear collections are manufactured by a single Italian producer based in Padua, Safilo Group. Hashtagged accordingly in his post, by the way.

A couple of days ago, Safilo Group and dbeyewear's commercial partnership reached a new, very important milestone:

[Source: Safilo Group press release, https://assets.ctfassets.net/cmstik7jzbvm/2lwJmoKJR7x3ydijfpi7c6/9870e11fbb2c040a89a6d8acb4ed25ea/20240502_Safilo_firma_un_accordo_di_licenza_perpetua_per_l-eyewear_di_David_Beckham.pdf]

On May 2nd, Safilo Group and Authentic Brands Group (ABG), the corporate side of Eyewear by David Beckham signed a 'perpetual licensing agreement, replacing the current one that would have ended in 2030'. Authentic Brands Group and Safilo Group have been working together since 2019, when Beckham started to design his own eyewear collection. Now, they are taking their collaboration one step further, with ABG (or the licensor) granting Safilo Group (the licensee) perpetual (unlikely to be retired, unless something goes really, awfully wrong along the way: breach of contract, etc.) exclusive right to produce, use, advertise, sell its merchandise.

Something like this needs proper promotion, so Safilo Group and/or ABG graciously sent S those sunglasses, in the hope he will sport them in one of his posts with a potential 3+ million subscriber views.

A word on the UK pretty obscure regulations on promoter advertising and the use of the #gifted hashtag. There is not one, but two competent national regulatory authorities: the Advertising Standards Authority (ASA) and the Competition and Markets Authority (CMA). The ASA is a bit more lenient in its approach and they clearly say that if the promoted product has been sent to the influencer on a no strings attached basis, then it is ok to use that #gifted hashtag. They will not pursue, based on the lack of #ad, however they will name and shame you - not a pretty picture, after all:

[Source, heh: ASA's Influencer Guide to making clear that ads are ads, https://www.asa.org.uk/static/uploaded/3af39c72-76e1-4a59-b2b47e81a034cd1d.pdf]

But the CMA is way more vigilant. They consider that any freebie can and must be monetized, based on its retail value and as such, must be clearly labeled as an #ad, when promoted on socials by an influencer. And yes, they can and might pursue, at any given moment: that must be proportional with the offence and in S's case, it might simply mean being served with a cease and desist notice or a removal and prohibition order. I'd rather not be in those shoes, mind you:

[Source: CMA's guide Hidden ads: Being clear with your audience, 2022; https://www.gov.uk/government/publications/social-media-endorsements-guide-for-influencers/social-media-endorsements-being-transparent-with-your-followers]

If he wants no further headaches, he should simply edit that post and add the right hashtag. It will be interesting to see if and when he will do it.

As for Fitness at Dawn, well... not even sorry.

Gracias a ti, ❤️. Siempre.

[mariacallous]

Earlier this month I complimented a friend on her new Bottega Jodie bag. She had recently got a promotion at work, and is now a senior manager at a respectable record label earning six figures. The bag was a celebratory gift, she told me, only it wasn’t Bottega—it was a dupe.

As someone who has a closet full of designer labels—and who could certainly afford to buy the real thing—her admission surprised me. My face must have given that away. “It’s real Italian leather,” she quickly followed up, “and their website says they manufacture in the same factories as some luxury brands. You couldn’t tell the difference, so why would I spend thousands more for basically the same thing?”

It’s a question many have been asking since dupe culture went supernova over the last few years. A shorthand for duplicate, dupes are cheaper alternatives that are basically the same as the real thing. Think of it as a cousin to counterfeit culture, but instead of being a cheap knock-off that infringes on a brand’s trademark, they’re uncannily similar imitations—promising the same qualities of the product at a fraction of the cost.

It’s not just my friend who loves them either. Roughly one-third of all US adults have intentionally bought a dupe, according to Morning Consult, with that figure rising to almost half for Gen Z shoppers and 44% for millennials. In the UK, research by Mintel shows 47% of consumers are now open to buying luxury lookalikes in 2024, compared to just 12% in 2016.

“The shame of buying these things has gone,” says Alice Sherwood, author of Authenticity: Reclaiming Reality in a Counterfeit Culture. “Luxury prices have skyrocketed while the trend cycle has rapidly accelerated. People no longer want to spend upwards of £4000 on the latest ‘It’ bag that might be out of vogue within a year.”

Add their proliferation on social media into that mix, and the dupe culture has been normalised in ways that “knock-offs” from Canal Street never were, she says.

Just one scroll on TikTok would affirm this. At the time of writing over 260,000 posts have been made under the #dupes hashtag, with the majority featuring creators sharing their best dupe finds across fashion, beauty, lifestyle and homeware. Most of the time they’re from fast fashion retailers like Shein, Amazon and Temu, but more recently, a new crop of companies have been dominating dupe culture by offering quite a different proposition.

Low-Price Luxury

Take my friend’s new favourite brand, Quince. According to their website their mission is “to create products of equal or greater quality than the leading luxury brands at a much lower price”. To do so they’ve sourced factories used by “well-known luxury brands” to manufacture their goods, but by cutting out the middlemen and hefty markup, they can sell them at far more affordable prices.

They’re not the only ones. Leather goods manufacturer Sitoy Group Holdings regularly uploads videos on social media showcasing how the quality of its $100 handbags is almost identical to those sold for upwards of $1000, all the while advertising that they use the same production lines used by Prada, Tumi and Michael Kors. Then there's Chicjoc, one of the largest Chinese fashion apparel brands on Taobao and Tmall, claiming it uses the same fabric manufacturers as those used by the likes of Chanel, Valentino and Louis Vuitton.

This shift towards high-quality dupes puts luxury brands in a difficult position. For decades, they’ve justified their high prices with the promise of superior craftsmanship and materials. They've even poked fun at these imitations. But when brands are offering near-identical goods allegedly manufactured in the same factory as luxury brands for much, much less, that justification starts to crumble.

Another brand that has gained significant traction online this year is Los Angeles-based premium basics brand, Italic, with many consumers on Reddit expressing their satisfaction with the quality of the products. “Most of our products take 5–10 sample runs and 6–18 months, sometimes even longer,” says Italic CEO Jeremy Cai. “Our sourcing process involves rigorous vetting and ongoing quality controls, including factory certifications, samples, and production quality.”

This meticulous approach stands in stark contrast to what many might expect. Italic contacts 20-30 potential suppliers, evaluates 5-7 factories, and ultimately works with just 1-2 of them for any given product category, visiting each factory on-site.

The key difference between Italic and the high-profile brands using the same factories, Cai explains, is in the pricing: “Most of our factories' clients sell for 2-4x more than our SRPs (Suggested Retail Prices), often much higher.” By cutting out the markup typically associated with luxury goods, Italic offers high-quality products at a more accessible price point.

Cai is quick to point out that Italic does not market itself as a “dupe” brand. However, that hasn’t stopped consumers from drawing comparisons to more expensive luxury labels. In contrast, competitor Quince leans into dupe culture, positioning itself more overtly as a challenger to high-end brands. On Quince's website, woven intrecciato handbags, which resemble Bottega Veneta's iconic designs, are showcased alongside price comparisons to their luxury counterparts.

Quince also frequently analyses luxury competitors’ best-selling items to identify opportunities for replication. “Data collection is crucial in our product development process,” says a Quince spokesperson. “Our team uses a variety of sources, including Google Trends, social media, and customer feedback, to understand the market and ensure we’re delivering what people want.”

Quince’s strategy is built on the belief that luxury can—and should—be more accessible. “Our founding team, with years of experience in luxury and DTC (direct-to-consumer) retail, knew that competitors add a 40–60% markup on similar products,” continues the spokesperson. “As costs in the luxury market become more transparent, consumers are less willing to accept these inflated prices.”

To that end, Quince works globally to source manufacturing partners that share their commitment to transparency, while innovating to keep costs down. Every product page on their site includes detailed information about materials, country of origin, and certifications for working conditions along the supply chain.

Luxury brands, on the other hand, have traditionally kept their manufacturing processes shrouded in secrecy. William Lasry, founder of Glass Factory, is working to change that.

Lasry travels the globe, visiting and spotlighting factories with superior craftsmanship and ethical practices across his social media platforms. While not all brands are doing their very best, he is sceptical about some companies' supposed connections to luxury factories, pointing out that these dupe brands frequently exploit this ambiguity for marketing purposes.

“There are many instances where a factory will produce a sample for a luxury brand,” Lasry explains. “Luxury brands often request samples from hundreds of factories, but in many cases, nothing materialises beyond the sample stage. The factory might then turn around and claim, ‘We’ve made samples for Gucci,’ even though no production deal was ever finalised.”

Petros Analytis, head of research at Glass Factory, agrees that it’s hard to draw the line. “Unless they let us come into the factories and see for ourselves, it’s hard to ascertain.”

Premium Tax

While transparency might be slowly improving, one thing the luxury market has always clung onto is its appeal. Conglomerates like LVMH and Kering built empires on the foundation of an alluring narrative—one that combines centuries of heritage with modern-day prestige. By blending Old World craftsmanship with the new-age glamour of celebrity culture, they made handbags, shoes, and clothing a gateway to an elite, exclusive world.

For a long time consumers were happy to pay big bucks to belong in this world. Perhaps unknowingly, they were buying not just a product but an experience. The true value of a designer label wasn't simply measured by the stitching or material, but by the feeling it evoked—the confidence boost, the social status, the feeling of exclusivity. “It’s a real skill to make a handbag into an object desired by millions of women, one that has so much meaning and can do so much for your self-confidence,” notes Sherwood.

Yet, behind the curtain of glamour, the reality of some products was very different. While consumers believed they were buying the pinnacle of luxury, what they were often getting was a product only marginally superior to midrange alternatives—and occasionally no better at all. The excessively high margins were less a reflection of quality and more a tax on the brands' appeal.

“They are the architects of their own problems,” continues Sherwood. “By making so much of their products not about the tangible product, but about the intangible aspects of the brands - those sexy ads, the celebs who carry your products, the stores, the glossy ads, the slogans, the heritage backstory, all that stuff that isn’t actually the product itself.”

In turn they’ve created an enormous gap between what consumers are actually paying for and the real value of the product. As these companies have increasingly pursued the ultra-wealthy, they’ve left a gap in the market that other brands, eager to capitalise, are starting to fill. “They know that the prices at the very top of luxury are too high to reflect the actual value,” Sherwood says. “But have turned these notable silhouettes and styles into desirable items that a dupe brand can free ride off of.”

Then, recently, the veneer began to crack even further. In March, Italian luxury brand Loro Piana became embroiled in scandal after an investigation revealed the material behind their $9,000 sweaters was sourced by low-paid workers in Peru. Just a few months later, in July, Italian prosecutors alleged sweatshop-like conditions in factories supplying certain products for high-end labels such as Dior and Armani. The revelations triggered outrage among consumers, many of whom had long trusted these brands to uphold the highest standards of craftsmanship and ethics.

Across online forums like the r/handbag subreddit, once-loyal customers voiced their disillusionment. For many, these scandals revealed that the luxury brands they idolised were not living up to their promises. Both Loro Piana and Dior have denied the allegations. However, The Business of Fashion revealed that Milan's public prosecutor said in a court document that they had found “an illegal practice so entrenched and proven [that it could] be considered part of a broader business policy exclusively aimed at increasing profit.” Neither company has been charged in relation to the probe.

Such reputational damage couldn’t have come at a worse time for luxury brands. Coupled with the rise of dupe culture, these scandals are forcing consumers to rethink their relationship with high-end goods. If craftsmanship is no longer exceptional, and ethical practices are called into question, what exactly are people paying for when they buy luxury?

Rebuilding the Dream

Recent sales figures underline just how far demand for luxury mega-brands has fallen from its post-pandemic highs. In July, some of the industry’s biggest players reported disappointing revenues for the second consecutive quarter. LVMH, the world’s leading luxury conglomerate, missed sales estimates, while Gucci’s parent company Kering, experienced a decline of 11%. Other major brands like Richemont and Burberry also reported disappointing figures, with first-quarter sales plummeting by a staggering 20%.

At the heart of luxury’s current struggles is the erosion of the very dream that once propelled the industry. The disconnect between the marketing mythology and the reality of production has left consumers feeling disillusioned, meaning the days of blindly paying a premium for a logo may be at risk.

The democratisation of information and consumer power through social media has played a huge part in this. Platforms like TikTok and Reddit are filled with conversations that challenge the industry's value proposition, which has made it so much harder for luxury brands to control their narrative.

To regain their position, Brittany Steiger, principal analyst of retail & eCommerce at Mintel says they will need to focus on what once made them so desirable—authenticity, superior craftsmanship, and a narrative of prestige that feels both aspirational and attainable. Some experts suggest that embracing more transparent practices and truly living up to their ethical and quality promises could also be the way forward. Brands that fail to do so, may find themselves increasingly irrelevant in a world where high-quality dupes continue to gain ground.

It’s clear that the old model of luxury has been disrupted, and it’s no longer just about price anymore. In the battle between heritage and value, consumers are asking more questions—and luxury brands must have better answers. And if they don’t, there’s a whole industry on the sidelines who do.

[jonnylovers-in-neverland]

Moon Music: a new Coldplay album is out on October 4th!!!!

The cover art contains a gorgeous photo by Matias Alonso Revelli!

The album gets its physical release available for pre-order now with the new physical release eco initiatives! [Link]

1. The CD editions (both standard and notebook) of Moon Music will be the world’s first to be released on EcoCD, created from 90% recycled polycarbonate, sourced from post-consumer waste streams. This will provide at least a 78% CO2/kg emission reduction, and avoid the manufacture of more than five metric tonnes of virgin plastic.

Rn the standard edition is available with a signed card!! [link]

2. The Notebook Edition (EcoCD and EcoRecord LP) comes as a casebound hardback book. The book is a faithful replica of Chris Martin’s original studio notebook, featuring 28 pages of unseen notes, lyrics and illustrations from the album’s writing and recording process. The Notebook Edition also includes additional voice notes and demos from the album’s recording sessions, providing a special insight into the music’s development.

The rPET for this edition comprises 70% river plastic, intercepted by The Ocean Cleanup from the Rio Las Vacas, Guatemala, and prevented from reaching the Gulf of Honduras and the Atlantic Ocean. Check out The Ocean Cleanup’s video about the process here.

[link]

3. Moon Music on vinyl will be the world's first album released as a 140g EcoRecord LP, with each copy made from 9 recycled PET-plastic bottles recovered from post-consumer waste. This will prevent the manufacture of more than 25 metric tonnes of virgin plastic, and provide an 85% reduction in manufacturing process CO2 emissions/kg compared to traditional 140g vinyl.

The Coldplay's official store edition comes in translucent pink colour with a limited signed card [link]

You can also find vinyl in yellow in some UK record stores [link] and red.

4. Vinyl edition of Moon Music also got a Notebook edition that comes with a CD that incorporates additional voice notes and demos from the album’s recording sessions, providing a special insight into the music’s development.

[link]

[milfstalin]

There is much concern that Elon Musk’s Starlink intends to provide satellite internet coverage to the United States following the failure of its Red Sea “Operation Prosperity Guardian” alliance to curb Yemen’s pro-Palestinian front.

This conversation has gained traction since the company’s announcement on 18 September that it would launch services in Yemen after months of informal contracts with the Saudi-backed government in Aden. The timing of this announcement raised eyebrows, especially as it coincided with Israel’s terrorist attacks in Lebanon, involving exploding pagers and walkie-talkies.

[...]

The announcement that Yemen would be the first country in West Asia to have full access to its services surprised many – particularly because the US embassy in Yemen was quick to praise the move as an “achievement” that could unlock new opportunities.

[...]

The rival Sanaa government, under which most of Yemen’s population lives, was quick to warn that the Starlink project may threaten Yemen and its national security. Mohammed al-Bukhaiti, a member of Ansarallah’s political bureau, criticized the US embassy’s stance, which he says:

"Confirms the relationship between the launch of Starlink and the war launched by America on Yemen, which threatens to expand the conflict to the orbits of outer space for the first time in history."

[...]

In March, the Financial Times reported that the US and UK faced intelligence shortfalls in their Red Sea campaign, particularly around the capabilities of the Ansarallah-aligned forces’ arsenal. This intelligence gap underlined the west’s need for a reliable spy network, and Starlink’s role in this context raises serious questions.

A Reuters report revealed that SpaceX had signed secret contracts with the US Department of Defense aimed at developing a spy satellite system capable of detecting global threats in real-time.

[...]

Another concerning aspect is the involvement of Israel. Israel’s spy satellites, OFEK-13 and OFEK-14, are reportedly linked to Starlink’s satellite network. SpaceX, as a third party, may provide critical guidance and intelligence to these satellites, further enhancing Tel Aviv’s surveillance capabilities in the region. This connection between Starlink and Israeli intelligence efforts has heightened fears in Yemen that the satellite network will be used to undermine the country’s security and sovereignty.

Currently, Starlink services are available primarily in Yemeni areas controlled by the Saudi and UAE-led coalition, although roaming packages allow temporary access in other regions. This has prompted concerns about data security, privacy, and the spread of misinformation, as unrestricted satellite internet bypasses local government control.

[...]

Moreover, cybersecurity risks are particularly troubling, as the network might be exploited for dangerous purposes, including facilitating terrorist activities like bombings. The presence of a global satellite internet service that bypasses local regulations raises concerns about its potential to disrupt local internet infrastructure.

Starlink could also introduce unfair competition to local provider Yemen Net, further marginalizing the national telecom provider and hindering local development efforts.

[...]

Dr Youssef al-Hadri, a right-wing political affairs researcher, shared his views with The Cradle on the recent events in Lebanon and the ongoing electronic warfare involving the US and its allies. According to Hadri, intelligence agencies operating in areas under the control of the Sanaa government face challenges in detecting the locations of missiles, drones, and military manufacturing sites.

This shortfall became even more apparent after a major intelligence operation exposed a long-running spy cell in Yemen, with activities spanning across multiple sectors.

From the risk of espionage to the undermining of local telecom providers, the implications of Starlink’s operations extend far beyond providing internet access – they could become a vehicle for foreign influence and control.

[...]

3 Oct 2024

[babacontainsmultitudes]

So you wanna sell your art on Redbubble but you don't know how?

(Or, I meant to write this months ago but better late than never lol)

OKAY okay. I have a bunch of friends as well as mutuals who have lovely lovely art and have considered selling it online (specifically on Redbubble lol that's what's being covered today anyways) but don't really have any clue how RB works, if it's right for them, or what to expect. SO I'M HERE TO GUIDE Y'ALL THROUGH ALL THE BASICS and hopefully, if I've done my job right, this tutorial will help you set up your RB shop and start selling your art online (or help you decide that RB isn't for you lol).

Table of Contents:

What the heck is RedBubble and should I use it?

How to make your account and set up payment

How to add a new work

Pricing? Markup?

Extra: Checking sales and payment history

Extra: Taxes and copyright, in case that scares you.

Extra: The Partner Program (or how to make "officially licensed" fanart)

What the heck is RedBubble and should I use it?

>> RedBubble is a site that allows you to upload your artwork and sell it on quite a variety of different products.

>> The main benefit of using RedBubble, aside from reach and visibility, is that RB handles *everything* when it comes to the manufacturing and shipment of your product. You are literally not responsible for anything other than making the art, uploading it, and deciding how you want it to look on different products. If there is any kind of problem with material quality or delivery (though in my experience they're pretty good with both of those things), it's not your responsibility to correct!

>> RedBubble does not charge you to sell on their site, but they do set a base price for all products to cover manufacturing and to ensure that they make some level of profit for each sale. We'll look into the specifics of this in a later section when discussing pricing and markup, but it would be considered pretty standard, for example, for an item to cost $20 and you to make $4-$5 upon making a sale.

>> At the end of the day, whether or not RB is right for you largely depends on whether or not you feel their pricing and payment is fair, and whether their available products correspond to what you wish to sell.

Okay, so how do I get started?

Well first you're gonna need an account!

>> Head over to the RedBubble main page and click "Sign Up"

>> Select "Artist Signup"

>> Fill in your email, shop name (this is your username also), and password

>> Click "Sign Up"

>> You will be brought to this dashboard page:

>> We will discuss creating products in the next section. Everything under "Set Up Shop" is optional and I'll let you explore that on your own so we can focus on the essentials. That just leaves... Getting paid!

>> First, check the email you used to confirm your email address. If you didn't receive an email to confirm your email address, don't worry, we can resend the form- keep going with the steps for now.

>> Then, under "Get Paid", click "Add your name & address". Note that all of the options in the "Get Paid" section actually lead to the same form, but selecting this option starts us near the top.

>> Fill out all the fields on this page. If you didn't receive the email to confirm your email address, click on this button:

Then check your email again.

>> Note when choosing your payment method: if you are from Canada, like me, then paypal is your only option. Same for parts of Europe that aren't in the UK. Otherwise, you also have bank transfer options:

>> Once you've finished filling in everything on this page, click "Save Changes" at the bottom and... That's it! Now you can get paid :)

**Note: I believe RB still requires you to make a minimum amount of money before they do a transfer (for me in Canada I believe it's $20 CAD?), so do keep that in mind!

>> Payments are made to your account monthly, generally on the same day every month (assuming you've made profits!).

How to add a new work

So you've made your account, fantastic. Now you're ready to actually add your works to RB and make them available for purchase to the wider public! To demonstrate the process, we're gonna use our pal Nicky here (who was a gift from my lovely friend @llumimoon) and pretend that we want to upload him:

Ain't he a doll? Anyways, let's begin.

>> Hover your mouse over your pfp in the top right corner to make this drop down menu appear:

>> Click on "Add New Work"

**On a new account with nothing uploaded, this will look a bit different. instead choose "Sell Your Art" from this dropdown menu, then "Add New Work" from the top right corner of the same dashboard page from earlier.

>> Click on "Upload New Work" (and note the file type and resolution requirements at the bottom. I always stick with PNGs, but in theory JPEG or GIF works as well.)

>> Select the file of the image you want to upload. In our case, that's Nicky.

>> Now write a title for your work, tags, and a description if you want. The tagging system is how people will actually find your work, it works a lot like Tumblr's! Try to choose things that are relevant to whatever your piece is. If you're uploading fandom-related art and aren't sure what tags are used for your fandom on RB, try looking some up and seeing what generates the most relevant results!

>> You may have noticed the "background color" section right below Nicky. This sets the default background color for your piece on different products. We're gonna keep this as the default white here, and I'll show you how to adjust this for individual products very soon.

>> Scroll down. This is where we decide what products we want this design to be available on and how we want Nicky to look on each thing we've enabled.

For example, if I were actually selling Nicky here (if that wasn't clear obviously I'm not actually selling my friend's art lol don't do that ofc) I would definitely want people to be able to buy him as a little sticker :]

>> In this case, "Stickers & Magnets" have been enabled by default. If you wanted to disable them, you would simply click that little "Enabled" button. Similarly, if we want to enable a product type that is disabled, just click that same button (which will be grey rather than green and say "disabled").

>> If a product is disabled and you are being prevented from enabling it, that's because the dimensions of your image are too small for the product in question! You'll wanna resize your image (preferably in a manner that retains its resolution of course) and come back.

>> Hm. Let's use the hats here as an example of how we might make edits to the layout of a specific product.

He's kind of cut off, as you can see actually that's pretty in-character, and I think I want this hat to be pink rather than this default beige-looking color.

>> Click on "Edit"

So, the first thing I'm gonna do here is use that "Scale Image" slider to scale him down a bit. I'm also gonna click the image and drag him up a bit to re-center him.

Next, I'm gonna pick from one of the default colors and choose the pink one.

>> Notice the two arrows beside the words "Bucket Hat"? This lets me go through the different types of hats available and change the background/base color for each of those, like the dad hat:

>> Before we apply our changes, click that little gear icon right under the pencil icon

>> This lets us adjust the markup price for each individual hat. It is 20% by default. Changing the markup percentage affects how much you will make off of a sale, as well as how much your product will cost. More on that in the next section!

>> Click "Apply Changes"

The "dad hat" was the last hat I had selected (when setting its color), so the display has changed to show that one in the preview. Here's our bucket hat from before:

Nice!

>> The specifics of how you can adjust your design will vary depending on the product. With pillows & totes, for example, the editing menu looks like this:

Using the "Choose pattern" option, I can make the Nicky image repeat as a pattern like so:

(note that I also scaled the image down a bit here too).

>> One last thing. See that "Replace Image" button near the top?

You can use this when you want to use a different version of your image altogether for a specific product.

>> That's the gist! Play around with the settings for each item as you see fit. You can always edit them again later.

>> Scroll down. Select up to 2 relevant media types.

I'm pretty sure this affects search results when users choose specific filters, but tbh otherwise I don't think it's all too important.

>> Let's look at what remains.

>> I have the "Who can view this work?" section set to "Only You"- THIS IS SO I CAN FINISH THE STEPS HERE AND SAVE THE WORK WITHOUT ACTUALLY MAKING IT AVAILABLE TO THE PUBLIC. In practice, you'd only use this option if you wanted to buy your own work on something but didn't want other people to be able to see or buy it. Otherwise, you're always gonna choose "Anybody (public)".

>> Collections can be created to organize the pieces in your shop (for example, by fandom), but we won't cover the specifics of how to do that here.

>> Set whether or not your work contains "mature content".

>> If you want, you can set which product shows up in the preview for your work when people view your shop. If you think your piece looks especially nice on a mug, for example, you can make sure that's what people see first.

>> Finally, agree to RedBubble's User Agreement (read that little blurble, since that's basically all you generally need to care about when it comes to what you can and can't sell on RB, but more on that later).

>> Click "Save Work" and voila! Your piece is now available in your shop, and can be found in the search results of whatever tags you left on it (this may take a few minutes to take effect).

>> If you want to check out your design in your shop, navigate to your pfp and click "View shop"

>> Don't fret if the design doesn't appear in your shop right away! Again, this can take several minutes.

>> To edit your design again (and to view/purchase privately uploaded designs like Nicky here), click the "Manage Portfolio" option instead:

>> Here is Nicky as he appears in my portfolio (again, your portfolio and your shop are different things- Nicky will not appear in my shop at all because he is set to "private")

>> You can click that little gear icon to do a variety of things, like return to the editing menu from earlier. The three icons below Nicky refer to the amount of comments, sales, and likes your design has received in total.

>> Click on your design either from your shop page or your portfolio page. Wow! Your cool art is now available on all the products you enabled. Be sure to look through them and make sure that everything is to your liking!

Pricing? Markup? What's that about?

Well good tumblr user, RB handles everything regarding the production (and shipping) of your product, which means that they set a base (minimum) price for every kind of product to account for materials and production, and of course make some amount of profit themselves. The *markup* is a percentage that you the artist set (see the previous section on how to do so), and will determine how much you actually make off of a sale. Note that increasing the markup price means that your product will increase in price as well!

>> An Example (using hypothetical but more or less realistic numbers):

Let's say that the base price (0% markup, i.e. no profit for you) of a phone case on RB is $15. You set the markup to 30%. 30% of 15 is 4.5, so the public price is increased to $19.5, and if anyone purchases this phone case with your design on it, you will make $4.5.

And that's really the gist! Ultimately the markup price is up to you and what you feel is reasonable, though RB sets it to 20% by default.

Extra: Checking sales and payment history

Eheh, unfortunately I've reached the image limit for this post but:

To check your sales:

>> Click on your pfp

>> Click "Account Settings"

>> Under "Artist Tools" (on the left side), click "Sales History"

To check your payment history:

>> From the same "Artist Tools" menu (see above), click "Payment History"

Extra: Taxes and copyright, in case that scares you.

>> Do I need to report the income I make on RB when I do my taxes?

Yup! But dw, it isn't anything special. I mean, I'm not here to do your taxes for you, but money you make on Redbubble counts as "Self-Employment Income", same as if you sold your art just about anywhere else really!

>> So what am I actually allowed to sell on Redbubble? Is fanart okay?

Generally speaking... Yes! Obviously work should be your own, and it should not contain any company logos or names that you don't have the right to, nor photos of actual people unless you have their explicit permission.

>> Hm, okay, but what if I *do* accidentally sell something that isn't allowed?

In most cases, it'll just get taken down 👍. And no, you won't be asked to pay back any profits you made off the work in the meantime.

**A more extreme case: Story time. So, years ago a friend of mine uploaded some official Rick and Morty art that he forgot to set to "private". Overnight he made... Let's just say he made quite a bit of money. RB responded by taking down the work and banning his IP address, effectively preventing him from ever selling on the site again. But they still let him keep the money he made, and he didn't get into any actual trouble outside of that. What I'm saying is, even if you really fuck up, it'll be alright. And again, this was a pretty extreme scenario.

***Note: if your work falls under one of the brands in Redbubble's "Partner Program" (see the next section), it will be temporarily removed from the search results and your shop while it undergoes review. So don't panic if you see your fanart suddenly disappear from your shop!

Extra: The Partner Program (or how to make "officially licensed" fanart)

Very briefly, Redbubble has their partner program, which I won't explain in full detail here, but basically it means that if you upload a work and tag it as one of these brands, it will be inspected for review and, upon passing that brand's guidelines, will be considered "officially licensed" merch for that brand. Just felt worth mentioning!

So that's really the gist folks! There's certainly much more to play around with when it comes to RB, but that's all you need to know to get started! Hopefully this was useful? Hopefully lol. In any case, good luck out there!

[magz]

Palestine summary for April 24 to April 26, 2024 from LetsTalkPalestine.

[Lets Talk Palestin Link Tree, with ways to help and sources.]

April 24, 2024.

Day 201:

• 79 Palestinians killed, 86 injured in Gaza in last 24 hours

• IOF bombed home in Gaza City, killing a mother & her child and injured 6

🇪🇬 Egypt detained 10+ women, among them lawyers, journalists & civil society leaders, protesting in solidarity w/ Gaza & Sudan

• Beit Lahia, Beit Hanoon & Jabalia in north Gaza under continuous Israeli strikes since ordering evacuation in Beit Lahia, giving them minutes to flee

🇯🇲🇧🇧 Jamaica & Barbados officially recognize a Palestinian State

• Israel built 6 new military outposts since Jan, totaling 9 outposts each within 3 miles of Gaza + plan to transfer 2 combat brigades (4-10 thousand soldiers) from Lebanon’s border down to Gaza — fueling fears of a looming Rafah invasion

🇩🇪 Germany to soon resume coordination w/ UNWRA after Israel failed to provide evidence on its allegations against the agency’s employees

🇺🇸 Biden signed to law aid bill giving $26bn to Israel

• IOF abducts 15 Palestinians including former detainees overnight in West Bank

April 25, 2024.

Day 202:

• 43 Palestinians killed, 64 injured in the last 24 hours

🇺🇳 UN to investigate Nasser Hospital mass graves as Israel denies reports of 392 bodies showing severe signs of torture and mutilation

• Hundreds of Israeli settlers storm Al-Aqsa Compound under IOF protection as raids across West Bank cities intensify

🇧🇪 Belgian aid worker & his 7-year-old son killed among 7 others in targeted bombings on Rafah despite disclosing his location to Israeli forces; 6 aid groups affected by recent attacks

🚢 Freedom Flotilla Coalition delays from departing Turkey due to Israeli pressure on Guinea Bissau in an effort to prevent aid delivery to Gaza

• Israeli forces abduct three 13-year-olds from Ramallah, West Bank as 200 children remain captives in Israeli jails

🇫🇷 France to expand sanctions on Israeli settlers involved in violence against Palestinians, with recent EU sanctions imposed on settlers and organisations for similar reasons

April 26, 2024.

University encampments going global 🌍🔥

🎓 Encampments for Palestine which started in US universities have now spread to France, Australia, and the UK, advocating for divestment from companies & arms manufacturers complicit in the Israeli occupation.

The 42 encampments are mostly in the US, but include 2 in Australia, 1 in France, and 1 in the UK, with more expected.

🤐 Arrests at Columbia (100+), Yale (50), Emerson (100+), NYU (dozens), USC (93), Uni of Texas in Austin (55) & more as US political & corporate elites fear the surging power & popularity of the Palestine solidarity movement.

Columbia canceled in-person classes, NYU built a wall around the encampment.

👩‍🏫 Many faculty have joined in protest of their administrations’ Zionist stances.

Biden admin. & Netanyahu, a foreign leader, released statements condemning the students.

🔥 In 1985, students forced University of California to divest $3.1bn from South African apartheid

Inspired? @ pal_actionus posts advice on starting one 🫡

Day 203:

•⁠ 51 Palestinians killed, 75 injured in the last 24 hours

•⁠ ⁠Rising temperatures in Gaza worsens condition of displaced Palestinians in tents, UNRWA added 2 kids so far killed by the heat

•⁠ Former head of HRW accuses Israel of obstructing investigation into Nasser Hospital mass graves

🇳🇱 Netherlands to consider resuming UNWRA funding after Israel failed to provide evidence on its allegations against the agency’s staff’s complicity in Oct 7

•⁠ Eastern Rafah under continuous Israeli shelling, targeting homes, injuring at least 2 Palestinians

🇺🇸 US puts halt on potential sanctions against 1 Israeli military unit, despite allegations since before Oct 7 of severe human rights abuses in West Bank

🇱🇧 2 killed in Israeli strike on a car in south Lebanon

🇪🇺 EU announces $73m in essential aid to Gaza despite refusing to sanction Israel

⚖️ ICJ to soon announce ruling on Nicaragua’s case against Germany, seeking emergency measures to halt German military assistance to Israel

[onetooneengravers]

Why Northampton Businesses Prefer Magnetic Sign Manufacturers for Custom Signage

Being a top engraving company in Northampton, OTOEL has seen firsthand how local businesses are beginning to use magnetic sign manufacturers more and more. We'll go over the main arguments in this post as to why Northampton companies choose magnetic sign manufacturers for their custom signage requirements.

An Affordable Advertising Option

When it comes to advertising, magnetic signs are a cheap option for companies with limited funds. They offer efficient advertising without breaking the bank because they are inexpensive, lightweight, and versatile. Through a prudent selection of a magnetic sign manufacturer in Northampton, companies can affordably produce personalized, premium signage that draws in clients and advances their brand.

Simple Removal and Installation

Magnetic signage's simplicity of installation and removal is one of its main benefits. Magnetic signs are a convenient alternative to traditional signage, which needs to be permanently fixed to cars or other metal surfaces. Because of its adaptability, businesses may easily update or alter their signs as needed, which attracts customers who often attend events or relocate.

Design Flexibility

With so many design options available, Northampton's magnetic sign manufacturers enable businesses to develop signage that perfectly captures their distinct corporate identity. A talented sign builder can realize your vision with anything from striking colours and graphics to modern, minimalist styles. Businesses can make sure that their magnetic signage stands out and effectively delivers their message by customizing the signs' size, shape, and content.

Strength and Lifespan

Reputable Northampton manufacturers create high-quality magnetic signs that are built to survive for a long time and withstand the weather. Because they are composed of sturdy materials, they won't fade, break, or peel even under the most extreme weather. Businesses can benefit from long-lasting advertising solutions that keep their polished appearance over time by investing in well-made magnetic signage.

Enhanced Awareness of the Brand

Magnetic signage is an effective way to draw in potential clients and raise brand awareness. They can reach a large audience and leave a lasting impact when placed strategically on cars or in busy places. Businesses can make sure that their signage is striking, readable, and effectively conveys their brand message by working with an experienced magnetic sign manufacturer in Northampton.

Easy Access and Adaptability

Magnetic signs provide Northampton businesses with an adaptable and easy-to-use advertising option. They're perfect for companies who attend events, trade exhibitions, or relocate regularly because they're simple to move, store, and reuse. Businesses may optimize their advertising efforts thanks to this flexibility without having to deal with the inconvenience of large or permanent billboards.

Expert Appearance

Purchasing premium magnetic signs from a reliable Northampton manufacturer can help companies present a polished and professional image. Well-designed signage exudes trustworthiness and knowledge, which is especially valuable for companies operating in cutthroat sectors. Businesses can make sure that their magnetic signage displays their dedication to quality and attention to detail by working with an experienced sign manufacturer.

Tailored Support

Businesses can gain from individualized care and support when selecting a magnetic sign manufacturer in Northampton. A knowledgeable maker will collaborate extensively with customers to fully grasp their distinct needs, objectives, and brand identity before crafting personalized signage that satisfies their demands. Businesses are certain to obtain signage that is customized to meet their demands and makes them stand out in their different marketplaces thanks to this individualized approach.

Observance of Regional Guidelines

Businesses in Northampton are required to abide by municipal laws and signage ordinances. Reputable Northampton magnetic sign manufacturers are aware of these rules and can assist companies in making sure that their signage conforms with all applicable laws and ordinances. Businesses can avoid future legal problems, save money, and avoid wasting time by using this expertise.

Working Together with Skilled Experts

Businesses in the Northampton area can gain from the knowledge and experience of seasoned experts in the realm of visual communication by collaborating with a talented, magnetic sign manufacturer. Because of their extensive knowledge of design concepts, material choices, and production methods, these manufacturers are able to produce signage that is not only aesthetically pleasing but also very functional. Businesses can improve the effectiveness of their marketing campaigns and get greater results by utilizing this expertise.

In conclusion, magnetic sign manufacturers are the go-to choice for Northampton businesses when it comes to personalized signage because of their affordability, ease of use, durability, design variety, enhanced brand visibility, convenience, and polished appearance. Through collaboration with a trustworthy Northampton magnetic sign manufacturer, companies can produce superior, personalized signage that enhances their brand recognition and aids in reaching their advertising objectives.

[uss-edsall]

Why did the British and Americans followed the Washington treaty for so long despite the fact the Japanese gave up on it and Germans or Italians barely adhered to it in the first place?

It’s a combination of the Great Depression, the treaty having given them the largest ratio of allowed forces, in some cases the treaties actually allowing more than they actually had, and a truly desperate desire to believe WWI really had been the war to end all wars.

With reduced budgets from the Great Depression laying waste to swathes of naval plans, adhering to the treaty was seen as a good compromise with the bean counters. The London Naval Treaties that followed added additional stipulations or raised the capacity allowed - the 1930 treaty, for example, had a higher capacity than the US actually had for cruisers, and the US immediately started building some to make up the difference (and add some jobs to offset the depression).

There are additional factors like the American Nye Committee, which investigated whether or not war profiteering from arms manufacturers helped the US enter World War I - Congress finding little evidence didn’t assuage American public fears. The idea of the US expanding its military in the 1930s had very little domestic support. This being said, the US didn’t entirely stay with it either, in 1938, seeing as how everyone had ditched the conference, Congress agreed to building another Yorktown-class carrier - USS Hornet - and the Navy began designing the Essex-class. In the 1935 London treaty the US pushed for an ‘escalator clause’ on the limitation to 14-inch guns on battleships, allowing 16-inch guns if a Washington Treaty signatory refused to sign by 1937, which happened, and is why the Iowa-class was built with 16-inch guns instead of the 14-inch guns originally envisioned.

So, long story short: both the UK and the US saw the treaty to their benefit. It assuaged fears of warmongering at home, kept the budget down, gave them the highest allocation of forces, and then they gamed the system anyway. Adhering to the treaty was better for the domestic view and re-election then abandoning it, a sort of ‘we’re honourable, we don’t abandon treaties we sign’ deal. But by the late 30s both nations were aware it wasn’t going to last, both started to breach the 1935 conference years before its expiration date of 1942 - and Germany’s invasion of Poland in 1939 effectively made the treaties and their limitations cease to exist.

[umseb]

Vettel says F1 return could be 'appealing and interesting' as he reveals talks with Mercedes boss Wolff

Four-time world champion Sebastian Vettel says he doesn't feel too old to compete in Formula 1 and would potentially be interested in a return to the sport if the package was right.

Vettel hung up his gloves and helmet at the end of the 2022 campaign, following two challenging seasons with Aston Martin, but with thirteen seats available on next year's grid and drivers like Fernando Alonso racing into their 40s, 36-year-old Vettel admitted to considering a return to the championship. "The better the car, the better the team, the more exciting it is in terms of having the prospect of being successful," said Vettel when speaking to Radio X in the UK. "I'm following the sport, I see what's going on. And it might be appealing and interesting, but it really depends on the full package because it is a big commitment, as well, with all the other stuff going on outside the driving activity. To seriously consider, it would very much depend on the package. From an age point of view, I feel bloody young with all the guys that are still hanging around and signing big contracts, being around for longer. It looks like I could have another ten years in the sport! So I'm definitely ahead of them, in terms of keeping fit." With Lewis Hamilton departing Mercedes for Ferrari next season, a seat at the Silver Arrows is among the most sought-after on the grid When asked by Sky Sports how he would feel about an offer to drive for Mercedes, Vettel responded: "I've had conversations with him [Mercedes boss Toto Wolff], not really about the seat. We did speak about the whole situation, in short, as well. But I did speak to others, as well, because I'm still keeping in touch every now and then. I have some projects and ideas together with F1. We'll see if they will turn out or not. So I am staying in touch. I don't know. It has to be a couple more phone calls and conversations, I guess, to really find out a little bit more. But for sure it is one of the best seats on the grid." One of the reasons for Vettel choosing to leave the sport was so that he could spend more time with his children. A racing return would pull him back on the road and away from his family for large chunks of the year, with the four-time champion admitting that that would be a factor to consider. "It is a decision that I take for myself, but I take for the family as well," added Vettel. "The kids have already said that they love it the way it is now. They wouldn't really support big-time to go back, but they said that without [me] asking, to be honest. Depending on the car, it will be something that we discuss together, obviously." Meanwhile, having tested a Porsche 963 hypercar at Motorland Aragón last week, there had been talk that a Le Mans outing this year with the German manufacturer might be on the cards for Vettel. But Vettel said he didn't think the prospect was "realistic," adding: "It was very exciting, very different to have a roof over your head, but yeah, it was it was a cool experience."

[yetitakinginventory]

Big thankyou to @stormingfrost for the detailed photos of the Monogram Insternational kechains, as most of mine are still in storage.

Monogram International Inc. manufactured several items that sold at BlockBuster in America. The first is a series of rubber pvc character keyrings.

The complete set includes all 5 Guardians and Pitch Black. This is one of the few merch offered of Pitch Black.

They typically sell for $10 each new, with North and Pitch being the most commonly available, Tooth, Jack, Sandy, and Bunnymund can increase in price as they sell quickly when they are listed regardless of being new or used, however since the North and Pitch keychains are readily available in online searches sellers tend to keep to a similar price range when listing the others.

The logo, copyright, and manufacture information is printed on the back of the keychain. All of the rotg merch made by Monogram International will include their information on the product, not just the outer packaging.

The ROTG manufacture number for Monogram International is UN21-12J15.

The Pin set made by Monogram International are 4 small metal pins with Jack, Sandy, North, and Bunny printed on the front and the copyright mark on the back.

Although Toothiana and the elves are pictured on the back of the packaging they are NOT sold in a separate pin set.

The complete pin set, unopened, sells for between $10-$20, while the individual buttons tend to go for $2 each.

Not to be confused with the UK keychains manufactured by RDP creative. Photo's of which can be found on Lulu Berlu

These incredibly small keychains are under an inch in height and have the copyright mark on their back with the manufacture number SD 101512.

This is the only set of merch that I have seen where Jack does not have his staff, there is no sign of it having broken off, the pvc and paint is perfectly intact.

These appear to be collectibles from the release of the 3D DVD

I paid less than $2 for each keyhain but I would value them at more as I paid $10 in shipping and would have pain more for the complete set in the packaging.

[recreationaldivorce]

Actionists are being detained under the Terrorism Act, allowing the police to hold them for up to 7 days, with possible extension to 14 days, without charge. This comes after six were arrested on Tuesday 6th August for entering Elbit Systems’ Filton, Bristol site, to prevent its manufacture of weapons for genocide. The Filton premises are the brand new £35m R&D hub of Israel’s biggest weapons firm. Its June 2023 opening was attended by the UK-Israeli Ambassador Hotevely, and Elbit’s CEO Bezhalel Machlis – who has frequently boasted of the company’s central role in Israel’s military, during the ongoing Gaza genocide. Direct action against Elbit aims to disrupt this: targeting the source of colonial violence and genocide against the Palestinian people, undermining Elbit’s profiteering from Israel’s daily massacres. As well as detaining them under unprecedented powers, police have launched a smear campaign against the detained actionists, alleging violence against police and security guards. The activists are unable to respond to these claims, and unable to describe for public record the force used against them by police and private security. Palestine Action contends that these statements are designed to prejudice opinion and legal proceedings against activists, and to lay the groundwork for the police’s unjust use of authoritarian powers. Now, more than ever, Palestine Action and the #Filton6 need the support of the public, to push back against these authoritarian attempts to protect Israel’s weapons industry. Show the British state and Israeli arms companies that we refuse to be intimidated into allowing a genocide to happen. Here are three things you can do to support:  - Mobilise from 4PM on Sunday 11th August outside Hammersmith police station, W6 7NX or Newbury police station, RG14 5QU - Share this statement or publish your own - Visualise your support for the #Filton6 and Palestine Action either at protests or by sharing a picture with a sign saying ‘I stand with the #Filton6’ on social media

Palestine Action co-founders, Richard Barnard and Huda Ammori, also talked here about being detained under Section 7 of the Terrorism Act at the Welsh border. Huda says they were:

stopped and separated and then straight away they just asked for all of our passwords. Basically under Schedule 7 you don’t have the right to no comment and they remind you that if you say no comment to anything you will get charged under the Terrorism Act. You don’t have the right to a lawyer, so it’s completely different to being arrested outside of a port where you actually have lots of rights and the right to not reply. They basically interrogated us for three or four hours. As soon as we got there they split us up. I refused to give it [the password] for my laptop because I had other people’s details and I wasn’t comfortable. I was barely asked about what we were doing in Wales; they didn’t seem to care about that. What they seemed to care about was Palestine Action. They cared about what my family background was, what religion I was. My family’s name is because I’m Iraqi and Palestinian and I’ve been to Iraq and it was in my passport. They were asking me a lot about the Middle East and then my whole history of activism. After two hours I asked for a cigarette even though I don’t smoke and they said “oh you can smoke it inside” and I was like what do you mean? We can smoke it inside, isn’t that illegal? They said “Oh, the law didn’t apply here” and so it kind of felt very very serious to say the least.

Richard also says he was told:

‘It’s nice to have someone like you here’, and I was like what do you mean by that? And then he was rather sheepishly going ‘well you know, not a Muslim and [a] white person because normally we just take Muslims’.