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kinichval · 17 days ago

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haiiii ;3 can i request kinich and a reader who’s like half siren? like in h20 where when they’re dry they have legs and mualani finds her injured and keeps her in the springs and one night when he goes to see her she’s singer and he like falls in love? i’m not the best with ideas but ignore if you don’t want to lol

hi !! ty for requesting :3 i love the idea so i gave it a shot. i'm not deep into the siren mythology so i switched the lore and tried my best writing this one < 3

"you can't just take in a random stranger in your house just because they're injured, mualani."

"but they were suffering and needed urgent help!"

"then, you should've taken them to the clinic. who knows how severe their injuries are or if they have good intentions."

the conversation of your savior and a stranger stirs you awake from your slumber, eyes fluttering open as your mind gradually processes that it is time to get up. well, maybe if your legs weren't a bit impaired then standing up would've been useful.

except you're not in the best shape as you found yourself tangled in washed-ashore seaweed causing you to trample over rocks and bruising your legs; this means that you can not transform back to your siren appearance (and vice versa if your tail was injured). thank archons, your ridiculous situation ended soon when a kindhearted mualani decided to tend your injuries.

you were honest with your true self with mualani, believing in your instincts that she is as kind as she shows herself to be. like you, she was one with the waters, a soul that's tied to the flow of the oceans and destined to live freely just as the waters liberty to just be.

in the silence of mualani's shelter where you rest and heal, there's the envy creeping up in your heart that you desperately want to repress. but no, it makes itself known for you are not like mualani.

mualani is a free-spirited surfer, an adventurer of the seas; while you were a siren shunned out by society, viewed as a menace and a threat to the land's safety. kill a siren on sight before they destroy your life is what the people would say.

but you do not have the heart to decline her kindness, rather you want to see her heart as a chance to be seen by humans in a different light. because if mualani can, then why can't they?

still, you uphold the value that your mother had instilled in you; there's no point in proving your kindness when they do not believe in your existence. so you remain hidden within the confines of mualani's home, waiting for your injury to subdue until you're able to become siren again.

"kinich, this is yn. yn, this is 'malipo' kinich." mualani introduced you to a trusted friend of hers with enthusiasm high enough to reach the heavens. simply, you give the dendro user a nod and a gentle smile, he returns the gesture with a civil nod of acknowledgement. kinich's reserved attitude is intimidating, given that mualani is the only human you had ever interacted with, you're confused how human relations work and whether the land culture is different from those who reside under the waters.

you trust that mualani hasn't let a word out about your identity, yet it doesn't assure you when you feel the man's skepticism clawing at your skin as if he's ready to capture you the moment he confirms your true nature.

or maybe you're just overthinking.

kinich never intended for his lingering stare to feel like a dagger pointed at your neck, on the contrary, he harbors the curiosity to learn about you. he often finds how his mind wanders off to mualani's newfound friend whenever the usually occupied space in his head is vacant. who is she? why is he so subconsciously adamant on knowing her? only he fails to grasp a clear picture of reason as to why the voices inside his head are telling him to seek at least a fragment of her soul.

"mualani, thank you for taking care of me."

as a parting token, you granted mualani to experience your siren form. the two of you are within the privacy of the springs that only a few ever come to visit under the moonlit night sky.

your heart sinks at the thought of returning back to the deep, uncertain if you shall ever come up to the surface once your clan learns about your predicament knowing that despite you were well taken care of, they will only emphasize the what-ifs and assert the dangers of a siren caught on land.

natlan's springs are peaceful. you requested to have time in the waters for yourself the next night; promising that when morning comes, you are off to return to the ocean where you belong. but right now, you are neither your ascribed identity or whom you want be, you are just part of the waters.

cold air hits your skin, you lightly splash the water with your luminescent tail and softly smile at the quietness. sometimes, the water doesn't have to be constantly flowing, staying still is alright.

in the midst of your solitude, you hum a tune that your mother used to lull you to sleep when you were a young siren. your voice mimics the gentleness of a mother's love, a cradling feeling of tenderness and comfort. slowly, it shifts to a song, your voice becoming louder and alluring.

and just like a serenade, your song had captivated a certain saurian hunter's attention, he stands on the opposite edge of the spring right across where you were situated in. your eyes still closed and immersed in your enchanting euphony.

"i believe i'm not under a spell, but allow me to compliment your melody. may i stay here and listen?"

kinich fixes his composure, hiding the nervousness inside his pocket. but oh, the moonlight acts like a spotlight on your figure, your true nature completely open for him to realize that you are not human at all.

but kinich isn't fazed, neither does he yield the urge to capture you in exchange for the prestige that comes with catching a siren alive.

"are you not afraid?"

instead, you were the one afraid, wrapping your arms around your torso as if it's any help in shield your true form from his green and amber eyes.

"i'm fascinated. you are a beauty."

at this point, kinich does not intend to supress his longing need for you. he's conscious and sober, implying that a siren's song is not all about luring prey into the waters.

sometimes, just like yn, a siren's song is an open book to her innermost thoughts and heartbeat's poems. it doesn't need to hold words for kinich to depict the sentiments carried into the wind as she sings; to be known, to be understood.

"may i stay with you for tonight?"

this time, you wish for the moon to stay in its place, for time to pause, and for kinich to stay in the springs with you.

#kval — unrated.#genshin impact #genshin impact imagines #genshin x reader #genshin impact drabbles #genshin x you #genshin impact fanfics #genshin impact oneshot #genshin impact kinich #kinich x reader #kinich #kinich drabbles #kinich x you #kinich imagines #kinich oneshot

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ckret2 · 11 months ago

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Chapter 32 of human Bill is convinced he's the best prisoner ever and does not deserve this abuse from the Pines:

Bill gets his fingernails painted! 💅🌈✨ Look at his fingernails, I drew this week's picture just to show them off. They're fun.

Bill also gets bound to a magic poppet that can control his every move.

It's hilarious for Dipper and Mabel, but not for Bill.

The early morning still was broken by Stan's wails of despair.

At some point during the night, the egg-and-toilet-papering kids had come back to Stan's car.

And they'd brought rocks.

####

Bill woke up with a sheet tossed over him and a cupcake sitting on the window seat. The cupcake was pink with green frosting and decorated like a happy jack-o'-melon. It was sitting on top of a note:

"Sorry I didn't mention I had plans tonight! Robbie's mom made cupcakes for everyone so I grabbed you one. The music video's gonna be AMAZING! I'll show you when Robbie posts it!" Mabel had signed with a shooting star.

Bill decided he hadn't been mad at Mabel last night at all.

He battled gravity to heave himself vertical, trudged downstairs to the bathroom, stuck his face under the faucet until his mouth tasted less like sour sandpaper, agonizingly dragged himself back upstairs to his makeshift bed, and collapsed under the sheet to wait until his head stopped hammering.

####

Sprawled on the living room floor, Mabel said, "What should I draw?"

"Draw me." Bill was sitting cross-legged on the sofa, watching the news and nursing a glass of Mabel juice. In an effort to counteract the lingering queasiness from overdosing on sugar and chocolate, he'd spiked the juice with two ground-up Elderly 60+ Vitaman™ brand Man Vitamins (khaki flavor) stolen from a bottle that Ford had bought for Stan and that Stan forgot to take.

"Okay!" Mabel turned around and squinted up at Bill. "Strike a pose!"

"Not like this!" Bill shoved a hand in Mabel's face to force her to stop looking. "Draw me how I really look."

"Bill, that's illegal. Remember?" Mabel pointed at the TV. Bodacious T was reporting on a child who'd dressed up for Summerween as "that weird out-of-towner who bothered us last year, you know the one," and who, under the Never Mind All That Act, had been fined fifty pieces of candy. The child's mugshot showed his crying face, but blurred out his yellow costume.

"He'd be the coolest kid in town," Bill said, "if he wasn't such a crybaby in front of the cops. Draw me anyway."

"I don't wanna get arrested!"

"Do you see any cops?" Bill grinned. "Just don't sign your name, nobody will know it was you."

Mabel considered that. "I can sign it someone else's name." She pulled out a few crayons.

"That's what I'm talking about! Do anything you want forever and frame the innocent!"

"What do you want me to draw you doing?"

"The coolest thing you can think of."

Mabel considered that, and got to work.

The news was boring now. They were talking about the weather, and it wasn't even interesting weather. "So hey, you were gonna tell me about filming last night?"

"Oh yeah!" Mabel said. "Did I mention the part where the dead rose from their graves?"

Bill muted the TV. "And I missed it?"

Robbie had decided the cemetery at his place would be more atmospheric than the trick-or-treater-filled streets (and less likely to have their shots ruined by passersby that didn't appreciate the depth of Robbie's lyrics). It went great, until the vibrations of angsty rock-and-roll stirred the slumbering corpses and they clawed their way from their graves. It turned out Gravity Falls had been having off-and-on invasions of the undead for the past year, ever since somebody decided to reanimate every corpse in town for fun, Bill.

"You can't prove it was me, I'm not the only one who knows how to raise the dead!" Bill laughed. "Hey—you're not drawing this body, are you? You said you wouldn't."

"I'm not, I promise!"

"Then why do you keep staring at me?"

"Um."

"Let me see!"

"No! Don't ruin the surprise!" Mabel picked up a glitter pen with feathers glued to the end and waved them in Bill's face. "And no cheating with your eye-bleeding psychic magic!"

Bill smacked the pen away. "Fine! So what did you do with the zombies? Feed one of the teens to them?"

"No! I chewed like four packs of gum me and Dipper got from the weird homeless dentist and made a fake baby brain. We used it as bait to lead them into an open grave," Mabel said. "And then we realized we could use the brain to train them to do tricks! So now we have dancing zombies in the music video. They actually learned the choreography pretty easily."

"Makes sense," Bill said. "I did fill the space where their souls should be with an insatiable hunger to party."

Mabel grinned. "I thought you said they weren't your fault."

"If they're good at dancing, I'm taking credit!"

"They were pretty good—especially considering how many limbs they were missing," Mabel said. "I'll show you when Robbie's finished editing the video."

"And I'll get to see you playing a creepy ghost kid, right?"

"Yeah! We were the greatest ghosts ever! Check it out, we were like—" Mabel fixed Bill with a dead-eyed slack-jawed stare and whisper-sang, "'We're the things that you have lost. Childhood joy, dead as a ghost.'"

"Chills."

"Dipper tried so hard to get in character as a ghost that he completely zoned out for a minute! When we shook him out of it, he said he felt like he had an out-of-body experience!"

####

At his computer, Robbie clicked play on a clip of the twins standing side-by-side in front of the cemetery gate. As they sang the chorus, Dipper's face went still; and then a spectral gray form rose out of his head, still singing in sync with Mabel.

"Whoa," Robbie said. "Sick. I'm keeping that in."

####

"So, it turns out my bro is an expert method actor," Mabel boasted.

Bill thought back to Dipper drifting up and down the stairs in the middle of the night. "Yep. Sounds like he's got quite a talent."

Mabel set down her crayons and held out a paper. "Okay—what do you think?"

Bill accepted the drawing. "Am I riding on the back of a rocket ship?"

"Like a bucking bronco! See the rocket flames doing a loop?"

"Sure do. Why am I holding a fish bowl?"

"It's like a cowboy waving his hat, but, you're in space. So that's your astronaut helmet."

"It's beautiful," Bill said intensely. "It's the best thing I've ever seen."

"Aw, really? Thanks!"

"When I take over the universe, I'm rearranging the constellations to look like this."

"Don't do that, though."

"Fine, but I'm hanging it up in my throne room." Bill set down his empty glass so he could hold the picture with both hands, beaming at it as proudly as though he'd made it himself. Big change from his lukewarm reception of her house drawing yesterday. She should draw Bill more often. Being a good artist meant understanding what your audience wanted.

Unfortunately, now that she'd finished her drawing, she didn't have anything to distract her from staring at Bill. And she'd taken about as much of seeing him as she could stand. "Bill. I say this with non-judgmental love. But you look sooo terrible."

"Yeah, I know. I think I'm shaped about as nicely as a human could ask for," he pantomimed drawing a triangle in front of his torso, "but let's be real, there's only so much you can do when you're working with a human bone structure. And there's way too much neck—"

"No! Bill, your body is beautiful just the way it is, and don't let anyone tell you otherwise. I meant your hair looks awful."

Bill had taken a shower yesterday morning, emerged with his hair all wet and tangled, and done absolutely nothing to detangle it. And then, with it still half damp and totally disheveled, he'd shoved it under a cheap acrylic wig for the rest of the night. And then he'd fallen asleep on the floor still wearing the wig.

And now, with the wig removed, his hair looked like a bird had plucked out half a scarecrow's straw brains and made a nest out of it.

"It sure does," Bill said, with the slightly forlorn air of someone complaining about a war in a far-off country over which one had no power.

"So brush it!"

"No. Never. You can't make me."

"Why not? I thought you wanted to keep your hair all triangly!"

"Not enough to touch it. Either it'll figure out how to straighten out on its own or it won't, I'm not messing with it. I've got enough going on in my life today." By which he meant he had the last lingering traces of a hangover, which was a valid excuse to get out of all social, moral, and aesthetic obligations.

Mabel groaned in frustration. "I can't take looking at it anymore! If you won't brush it, can I?"

Bill gave her a skeptical look; but then he flung his hands out dismissively. "Sure, why not? If it bothers you so much. Have at it."

"I'll be right back!"

She got her brush from upstairs and a spray bottle from the kitchen, and directed Bill to sit on the floor so she could get on the couch behind him. After making such a fuss about brushing his hair, Bill was surprisingly well-behaved with somebody else brushing it for him. He didn't even complain when Mabel accidentally yanked on some nasty snarls a little harder than she meant to.

"I feel like a corpse getting prettied up for my funeral," Bill said. "Grooming each other is how humans bond, isn't it? This is one of your little social rituals? If all you wanted was to make sure we're still friends after you ditched me last night, you could have just asked."

Mabel shoved her foot between Bill's shoulder blades. Wise guy. She joked, "Yeah! We're bonding now! After this we're gonna paint each other's fingernails and talk about what kind of boys we like."

"I want rainbow spiral fingernails."

Mabel really should be used to this—but she still kept getting surprised that Bill was interested in the stuff she liked. And not even in a patronizing sure-I'll-play-along way. He'd turned to look at her. There was a gleam in his eyes. He really wanted rainbow spiral fingernails.

And now she wanted rainbow spiral fingernails, too. "Fine! But look forward until I finish your hair." One way or another, Mabel vowed, she would reform Bill into a proper good guy—even if she had to drag him there kicking and screaming. Fun dress-up partners were hard to find, and she couldn't afford to lose Bill.

####

Soos wandered to the living room to find somewhere to hang up his and Melody's "Best Couple Cosplay" award, but stopped in the doorway.

Bill, Mabel, and Waddles were sitting on the floor, watching some kind of cartoon psychedelic fairy princess lecture a spider on the importance of colors, with a bowl of popcorn between them. Bill and Mabel both had bright multicolor fingernails and were eating the popcorn with chopsticks to avoid touching their nails. There was more popcorn on the floor than in the bowl. Waddles had taken no such cares to avoid dragging his freshly painted hooves through the carpet.

"Truth or dare," Bill said.

"Dare!"

"Dare you to assassinate the..." Bill trailed off. "I can't have the mayor assassinated, he runs Rainbow Club. And the sheriff and deputy invited me... There aren't a lot of public officials in this dumb town, are there?"

"I'm not killing anybody, Bill. Truth."

"Fine, coward. What's your favorite toxic fume fragrance?"

"That's easy! Gasoline!"

"Hey, mine too! At least on this planet. It smells like—you know that smell that heralds the coming of rain? Gasoline is the smell that heralds a really fun time."

"Yeah! Like going on a road trip!"

Bill paused. "Right! I was... I was definitely thinking about road trips. That's exactly what I meant."

Mabel added, "And it looks so cool when there's a little bit spilled in a parking spot—"

"The rainbow puddles! Yes! Big fan of the rainbow puddles—"

"I love parking lot rainbow puddles! It's like surprise happiness in the most boring place on the planet!"

Soos mumbled, "Girl talk," decided to hang his award up later, and left.

####

Dipper heard the bedroom door open and Mabel call, "Hey Dipper!"

"Hey." He didn't look up from his journal, where he was documenting last night's zombie adventures. "Oh, hey, bad news—Wendy said she got a text from Robbie, it sounds like all the footage from the cemetery last night is ruined?"

"Aww! What? But we worked so hard to train those zombies!"

"Yeah, it's just static. But everything we shot outside the gates is fine. I wonder if it's something supernatural that interferes with electronics?"

"Something supernatural? In the cemetery? Full of zombies? What are the odds of that!" Mabel laughed. "But heyyy, I've got some good news!"

"What?"

Mabel stuck a hairbrush full of gold hair between Dipper's face and his journal. "I got a replacement for the Bill hair sample we gave Pacifica!" She grinned and whispered, "Wanna make a poppet?"

####

It would have been really cool if the first full moon of summer vacation had come on Summerween. But the calendar gods were unkind that year, and instead, it came the next day, on June 23.

Which worked out, in the end, since it meant they didn't have any scheduling conflicts on the one night they could make a poppet.

They had the ritual space set up in their bedroom—a chalk star drawn on the floor with a black candle at each point—and the doll representing Bill—which Mabel had upgraded with button eyes and a miniature version of his favorite knit hoodie. They collected all the shed blonde strands off Mabel's hairbrush, wrapped them around the doll's neck, and tied them on. They set the doll in the center of the star; Bartholomew talked them through the ritual; the flames on the candles leaped a foot in the air, turned a pale blue, and then went out; and the binding ritual was complete. The doll was now connected to Bill Cipher.

"Weird," Bartholomew said. "Usually the flames turn black. I've never seen them turn blue before."

Dipper said, "That's not a problem, is it?"

"No, no. I've just never used the binding ritual on an alien before! I guess it works a little different!"

Dipper picked up the doll and eyed it skeptically. "Mabel, I know we said we're saving this for emergencies only, but—maybe we should test it out just to make sure it actually works?"

"I guess we should," Mabel said, grimacing. "Just—don't do anything that'd hurt him. Okay?"

Yeah, Dipper should've expected that. Whether he liked it or not, Mabel didn't just see Bill as her weird experiment in criminal rehabilitation—she saw him as her friend. He sighed. "Okay. But is it fine if we do something that would embarrass him?"

Mabel shrugged. "I don't see why not!"

####

As they crept from their room, Mabel whispered, "What if we stick him in a box and shake it up? And then tell him there was an earthquake!"

"I thought you were the one who didn't want to hurt him."

"Oh right."

Bill wasn't on his cushions under the window, so they crept downstairs. Halfway down, Dipper stopped, putting a hand on Mabel's arm. Bill was sitting at the kitchen table, chin in his hand, staring out the window.

"This is perfect," he whispered. "He's completely vulnerable. He's got his back to us, he's looking at the moonlight—even if he turns around, he won't see us because his eyes will have to readjust to the dark."

"I don't know if his eyes need to adjust," Mabel said. "Have you ever noticed he never turns the lights on when he goes into a room?"

Dipper considered that. He hadn't noticed—but now that Mabel mentioned it, Bill did have a tendency to lurk in the dark. "Well—okay, but he's still not looking at us. Let's see how this works..." He studied the doll; then turned it around and gently brushed a finger through its yarn hair.

For a moment, nothing happened; and then Bill swatted at the back of his head and looked around, as if he was trying to find what had touched him.

"I think it's working," Dipper hissed.

"Are you sure? What if there's actually a fly in the kitchen?"

Could be. "Let me see if it can control him."

"Careful—"

Dipper grabbed one of the doll's arms and tentatively lifted it.

Bill's arm shot up. He stared at it in bafflement. "Wh...?"

Mabel bit her lip. Dipper waved the doll's arm.

Bill's arm waved. After a pause, he tentatively asked, "Hello?" As if he thought maybe his arm was waving at someone and he should play along with it.

Mabel and Dipper clapped their hands over their mouths, fighting to keep their giggles quiet. Mabel elbowed Dipper, "Hey Dipper Dipper Dipper, get him to stand up, let me control his legs, I have the best idea—"

Bill knocked over his chair and had to flail his arms for balance as he abruptly jerked to his feet. He looked around, eyes wide and wild, an edge of panic to his voice as he hollered, "WHAT'S GOING ON!"

Dipper held the doll out to Mabel. "Okay hurry!" Mabel took it by the legs—

—and Bill started doing the cancan. He shrieked. "WHAT?!"

Dipper shoved his shirt over his mouth to muffle his hysterics. Mabel was letting little wheezy squeaks out through her nose. Bill's voice was almost an octave higher as he screamed, "WHEN I FIND OUT WHO'S BEHIND THIS, I'M GONNA SHRED YOU—" and they both got so close to bursting laughing out loud that they had to pause to punch each other's shoulders for self control.

Still holding one of the doll's legs up, Mabel hissed, "Dipper do you remember the bottle dance. Where they crouch down with bottles on their heads. Can we—can we get a tiny bottle for the doll—"

Bill was failing both arms to avoid falling with one foot held in the air. He grabbed the counter for balance. And then, with a grunt of effort, he wrenched his foot down and stomped it to the ground.

The doll's leg yanked out of Mabel's hand.

Dipper and Mabel fell silent, staring at the doll. They looked at each other. Mabel whispered, "It shouldn't be able to do that, right?"

They looked at Bill.

Bill's face was burning red, and he was so far past fury that his expression was perfectly blank. His eyes were huge, and round, and pointed straight at them.

They bolted up the stairs.

Bill charged after them.

They screamed in terror. They weren't loud enough to drown out Bill: "WHEN I GET MY HANDS ON YOU BRATS—"

Mabel grabbed Dipper's arm. "Dipper, do something!"

"Uhh—!" He tossed the doll in the air and caught it.

They heard an alarmed yelp as Bill was launched in the air and then a crash as he landed on the stairs again.

They scrambled into their room and slammed the door. "Safe!" Mabel said.

"Yeah," Dipper said, panting for breath. "Can't get us here."

The doll's head twisted 180 degrees to stare up at them.

They yelped. Dipper tossed the doll to Mabel. Mabel held it out at arm's length, threw it in her nightstand's drawer, and slammed it. It tried to open again and she leaned against it with her full body weight. "Dipper, the duct tape! In my craft supplies!"

"Which craft supplies?!"

The tiny knocking inside the drawer was echoed by the pounding at the door, accompanied by a string of creative death threats: "—and when I'm finished the coroner won't know which corpse was which! I'll make a belt out of your spinal columns—!"

"We didn't do anything," Mabel shouted, "it wasn't our fault!" She took the duct tape from Dipper and frantically wrapped it around the night stand. Dipper added, "It was someone else! And we'll never do it again—"

Sleepy and muffled, Soos's voice drifted through the door, "Dudes? What's all the hubbub?"

Dipper and Mabel gasped, "Soos!" "Save us!"

His voice the perfect tone of righteous indignation, Bill declared, "I'm being assaulted, that's what!"

Stan's voice joined in from downstairs: "BILL! If you don't leave those kids alone I'll cave your nose in!"

"THEY'RE THE AGGRESSORS," Bill screamed, half hysterical. "They are! I'm the victim here! I'm being victimized!"

Stan shouted, "Kids, good work! Bill, you can go to—" He grumbled as he self-censored, "—sleep! Shut up and go to sleep!"

"You can go jump in the bottomless pit, Stanley Pines! I'll tear you all apart with my teeth if I have to! NOBODY in this stupid junk heap of a shack is getting any sleep until I get my—"

From just outside the attic door, Stan roared, "BILL!"

There was a dull thud as Bill leaned against their door; a lot less shouty, he quickly said, "I'm going to bed, I'm going to bed, I'm going to bed."

"That's what I thought," Stan snapped. The kids heard his footsteps retreating downstairs. Soos said, "Um... night," and his door shut. After a moment, there was the creak of footsteps retreating from the attic door.

Dipper and Mabel slowly, softly snuck across the room to the door, and pressed their ears to the crack. No sound.

They stayed there for several minutes, barely breathing, listening to the silence.

Finally, Mabel pulled away and looked at Dipper. They both nodded, and Dipper opened the door a crack to check if the coast was clear.

Bill's eye stared in. "Hey, kids!"

They yelled. Dipper tried to slam the door; but Bill had already shoved his hand through. Fingernails painted with neon colors and black spirals clawed at the doorframe. He shouldered through the gap in the door, and then he was in the room, smiling much too wide and eyes fixed on them like helicopter spotlights on two wanted criminals. There was blood on his teeth. "Wow! Playing with poppets?"

Dipper upturned his suitcase and held it up like a shield. Mabel pointed a can of spray paint at Bill's face. Bill took a step closer and they took a step back.

"Pretty advanced trick for a couple of children your age," Bill said conversationally. "Not bad, not bad at all. Heck, I'm impressed you pulled it off! Although you didn't make a very smart choice of test subject." He stomped a foot twice.

Something in the nightstand thudded twice. The twins jumped. Bill laughed at them.

Mentally cursing himself for having flinched, Dipper straightened his back and glared at Bill. "You're just mad you got jerked around like a puppet! What's the matter, Bill—you can dish it but you can't take it?" Mabel looked at Dipper like he was crazy.

Bill's indulgent smile cracked, dropping into a snarl of rage. He shifted his weight toward them. Mabel dropped into a judo stance and Dipper sucked in a breath to shout for Stan.

Before anyone could launch a full attack, Mabel took a shaky breath in, forced a nervous smile, and said, "Bill, hey..." (His eyes snapped to her face like a predator that just heard a twig snap.) "This was—just a funny prank, and we're all cool? Right?"

"Mabel," Dipper muttered. "Shhh!"

But Mabel kept looking at Bill. "Right? Buddies?" She held up her arm, showing Bill her friendship bracelet.

Bill stopped and rocked back on his heels. He gave Mabel a long, hard look—like he was seriously considering whether to accept the reality she was inventing. "Yeah. Real funny." Smiling through grit teeth, he said, "You know—it's been a while since I've had my energy strung between two vessels. I didn't even know what that experience felt like for a human! Very interesting. Educational. And it was nice to feel weightless again for a second. Even if the landing was a little rough." He licked the blood off his teeth. One of the teeth shifted. "So—thanks so much for spicing up a boring night. It's been a real blast. Hasn't it." He stared at them like he expected an answer—and possibly like he planned to strangle whoever answered first.

Dipper and Mabel exchanged a look. Dipper shook his head slightly. Mabel looked Bill in the eyes again. "Yeah! Big blast. So, you're not... mad. Right? Nobody's mad!"

Bill stared her down for a moment longer; and then said, "Sure, kid! It's all fun and games!" He forced a laugh—and then another, longer one, hahhh, like he was exhaling all his rage. And just like that, he was back to normal. "I'll admit it—for a second there, you almost got me good! Not bad at all." He held out his hand insistently. "And now the game's over, so you're gonna give me that toy so I can neutralize it. Aren't you?"

Dipper bit his lip, looking past Bill toward the stairs. He could yell for Stan; there was no way Bill could kill them before reinforcements got here—

Mabel elbowed Dipper's side and whispered, "We can't keep it."

And she was right. Now that Bill knew about the doll, he'd be spending all his time plotting how to get past them to take it, and they wouldn't have a second's peace. Either he got it now, or he got it later. Bill wouldn't rest until the doll was out of their hands.

Because he was terrified of it. Why wouldn't he be?

"Yeah," Dipper sighed. "Game over."

"I'll get it." Mabel peeled just enough duct tape off the night stand to wiggle it open a crack and try to squeeze her fingers in. Bill stretched his hand toward Mabel, and the doll stretched an arm out of the drawer. Mabel flinched in surprise, but grabbed the arm and yanked the doll free.

"Ow." Bill grabbed his shoulder and rolled it gingerly. "Careful, kid, are you trying to dislocate my arm? I don't mind popping it back in, but eventually that socket's gonna wear out."

"Sorry! It was a tight squeeze." She held the doll over Dipper's suitcase shield. "Here."

Bill snatched it from her hand. "Thanks a million, star girl." He favored them both with his most nearly-charming, far-too-wide smile. "Good night, kiddos. Have sweet dreams."

"You too," Mabel said weakly.

Bill left. Dipper shut the door. He and Mabel both heaved a sigh of relief.

From the loft over the attic, Bartholomew called, "Is he gone?"

"What are you doing up there?" Mabel asked. "Barty-mew-mew the scaredy-cat."

"I'm not fighting that guy, I'm porcelain and he's crazy."

Dipper flopped on his bed and stared at the ceiling. "Welp. I'm gonna have nightmares about Bill chasing me up the stairs."

Mabel sat on her own bed. "He just wanted to terrify us. And to keep us from seeing we'd terrified him." She fingered the star beads on her friendship bracelet. "He wouldn't have hurt us, I'm sure of it."

"Wh—seriously? You don't think Bill—"

"I know! But he's changed a tiny bit! He'd hurt anyone else, but he won't hurt us," Mabel said. "Or—well, me, at least. But I think he'll leave you alone too if I'm with you!"

Dipper pushed himself up on his elbows to look at her. "If he'd caught us on the stairs, do you really think he wouldn't have tried to tear us apart?"

Mabel considered that; and then reluctantly admitted, "He wouldn't hurt me as long as he remembers he doesn't want to hurt me."

"Yeah, well. I wouldn't count on him remembering when he's mad." Dipper slid under his covers and rolled over. "Barty, can you get the lights?"

"Sure, one second." All the lights and lamps in the room flickered ominously; and then, with a sinister pop, snapped off without being touched.

"Thanks, man."

Mabel didn't climb into bed. She was staring at her fingernails. She'd painted them the same colors as Bill's; but she'd used a black marker to draw spirals on his, and he'd drawn stars and sloppy tiger stripes on hers. In the dark, the colors were all faded.

This time, just once, maybe she and Dipper were the bad guys. He might disagree—he'd actually been puppeted, maybe he saw this differently from Mabel—but that probably didn't make it okay to do it back to Bill just for fun. They should've saved the poppet for an emergency. And the cancan, she decided, was definitely too much.

She smoothed out her covers; then she pulled up her knees to her chest, hugged them, and stared thoughtfully down at Bill's face in the middle of her zodiac blanket.

####

In the dark and quiet of the downstairs bathroom, Bill sat cross-legged on the toilet lid. He held the doll in his cupped hands. Soon, he'd disassemble it—but not yet. Tonight, it was his tool. He shut his eyes and focused on it.

There was the thinnest thread of energy, channeled through his shed hair, connecting this doll to him. He studied the thread, feeling it in his mind, exploring it, strengthening it—until he could almost feel it tugging on him.

And then he started psychically groping for similar connections.

He set the doll on the floor, on top of the drawing Mabel had given him.

His other eyes—the billions of depictions of his face scattered across this planet—weren't meant to be used in this dimension. They were designed like windows he could peer through from the Nightmare Realm; here on Earth, he was on the wrong side of the windows to see through them. And he wouldn't be surprised if the Axolotl had somehow found a way to blindfold them on top of that—after all, he seemed to have done the same to most of Bill's other abilities.

But Bill was resourceful, he was stubborn, and he didn't have anything better to do.

He focused all his energy on trying to feel the drawing the same way he felt the doll, searching for a connection between this body and that face—and he searched, and searched, and searched.

He wasn't sure how long he tried. At least a couple of hours. Straining, straining—for nothing. His head hurt.

What was the difference? The doll was shaped like him, the drawing was shaped like him. What did the doll have that the drawing didn't?

The hair. A bit of his flesh.

Bill knelt over the picture, studying it in the dark. He opened an eye wide, wiped a fingertip across the surface of his eyeball to collect his tears, and pressed it to the drawing's eye.

He could feel a thread of energy stringing from his eye to the paper.

He climbed back on the toilet lid, shut his eyes, and focused on that thread. With an effort that threatened to split his head in two, he pried open his inner eye. And then he was staring up at his own human form from the drawing on the floor.

His body was shaking. His head was throbbing. He wobbled dizzily on the toilet; and as he saw himself topple off, his trance broke, the vision disappeared, and he blacked out. White spots burst behind his eyes.

When he next opened an eye, the room was spinning. He shut his eye. It was several minutes before he could sit up without being sick. He leaned against the wall and let the sweat on his forehead and cheek soak the old wallpaper.

The white spots he'd seen as he passed out were his distant all-seeing eyes.

He'd done something tonight. That was good. But there was no way he was seeing through any other pictures like that. He needed something he could focus his power through, like an antenna.

He needed gold.

####

(Last chapter of the year!! If you enjoyed, I'd love to hear y'all's thoughts & comments! Thanks!)

#bill cipher #human bill cipher #gravity falls #gravity falls fanart #gravity falls fic #fanart #my art #my writing #bill goldilocks cipher

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shieldofiron · 8 months ago

Text

Pretty Boy Live in Santa Fe, 1977

Part 1/3 Also on Ao3 here

For @harringrove-relay-race. Very happy with how part 1 turned out, and there will be more to come. Thanks to @foxxtastic for the intro and next up will be something stunning from our fearless Relay Race leader @half-oz-eddie

Rated M / 5k words / Part 1/3

Part 1: Into Hades

Rolling Stone Magazine - May 2002

Billy Hargrove arrived after I did, in his lovingly maintained blue Camaro, the subject of his song, “Lady Blue.” “Lady Blue” was recently named #93 on Rolling Stone’s Top Love Songs of the Century.

“I wrote, ‘She’s the wind in my hair, the rumble in my soul.’ I thought it was so obvious,” He laughed, his blue eyes still boyish. “My niece made it her wedding song, I said ‘Really? It’s about a fuckin’ car!’”

He showed me several pictures of his niece, the supermodel Tyler Sinclair. It seems good looks run in the family. He suggested the diner and he ordered waffles, winking when I mentioned that we’ll be here a long time.

The decades have been kind to him, maybe a few more lines. It’s not hard to imagine him stepping right back onto the stage, as if no time has passed at all.

“A little extra glitter on the eyes,” He said with a smile, “to hide my crows feet. That’s all I need.”

I ask what he’s going to wear to the Rock and Roll Hall of Fame ceremony for Kaleidoscope's induction and his smile dims only for a moment.

“I think I should pull out some old costumes. You know, the butterfly still fits.”

He was referring, of course, to the sheer butterfly cape costume that nearly had him thrown off the stage in Houston Texas in December 1976. He caved to putting on a pair of silvery shorts rather than the nude underwear it was designed with. He later wore it with the nude underwear on the inside cover of Kaleidoscope, the album that will be inducted into the Rock and Roll Hall of Fame in just a few short weeks. Kaleidoscope was his last album with the iconic Glam Rock band Pretty Boy, which famously broke up at the height of their career while touring for the album, onstage.

It’s not often that a band is inducted into the Rock and Roll Hall of Fame and there’s a question if all of them will even show up.

“I’ll be there,” Hargrove said, fiddling with the silver band on his middle finger. “I have no problem with seeing him.”

The him is, of course, the lead guitarist and other lead singer of Pretty Boy, Steve Harrington.

Steve Harrington invites me to his oceanfront house in Malibu later that afternoon.

“I haven’t decided if I’m going to go,” He said thoughtfully, his brown eyes darting around the room.

When I mention that Billy is going to go, he seems surprised.

“He didn’t say he was going to punch me, did he?” Harrington smiled, but it doesn’t seem like much of a joke.

For one of the most famous rock stars of the 70s, Harrington is shockingly low key. He wears a t-shirt and slouchy linen pants, and he jokes that he ought to have shaved when I take out my camera. The house is stunning but empty, with miles of blank white walls and overstuffed white furniture.

“I’m looking for a little peace,” He shrugs, “I used to have all these pictures up, all this furniture… It was too much.”

It was hard not to see him as an artist without a muse. He drifted listlessly, picking things up and putting them down as we talked. So it was a surprise to me to hear that he’s been recording.

“I may never release it but… Yeah,” He laughed, “Music. After all this time. Bet you didn’t know.”

He picks up a rare photo from the piano. It’s from the early days of Pretty Boy, before Billy Hargrove. Harrington has his arm around his bandmate, Eddie Munson. Their drummer Chrissy Cunningham is balanced precariously across their shoulders, laughing and cringing at the same time. Bassist Robin Buckley smirks from the corner of the frame, messy bangs in her eyes.

“Who knew, right?” He asked no one, shaking the frame a little.

There are no pictures of Billy Hargrove.

“That’s a… a long story,” He said, when I asked.

But I have time. I tell him Rolling Stone will pay for it. At least that makes him laugh.

It was just by chance that Pretty Boy’s last concert was filmed.

“We were meant to just film in Vegas,” The director, Argyle Molina-Zapata, sat down with me after a private screening of Pretty Boy Live in Santa Fe, 1977, “But there was a freak rainstorm, and I couldn’t get my camera’s out of the back. The crowd was digging it, refused to leave. I remember when Billy hit the high note for ‘Mother Make Me,’ there was this lightning crack… brilliant.”

Molina-Zapata shook his head, “But the footage, what I got of it, was awful. Awful! So I begged Murray to let me come with them to Santa Fe.”

Murray was Murray Bauman, famed tour manager, who handled the Boys, later Pretty Boy from their first album Starfire, all the way to Kaleidoscope.

“And I was lucky,” Argyle nodded, “They had that extra tour bus.”

The tour busses are featured in the first few minutes of the film. They roll around the corner, one reading Billy Blue (Billy’s original stage name was Billy Blue before he dropped the Blue), and the other, Steve’s Six (Named after Steve’s best friends from his hometown.)

“They were nightmares,” Murray Bauman’s voice crackled over the phone, “Nightmares on tour. Separate buses. Separate hotels. Fuck me, I swear to god at one point they wanted separate stages. And the label caved on almost all of it. Fucking nightmare.”

It’s almost impossible to imagine it when you see them on stage together. There’s something electric that passed between Billy Hargrove and Steve Harrington, something that drove crowds wild. They gravitate towards each other on the stage, orbiting like planets until they can share the same mic. They can’t seem to stay apart.

It’s hard to see exactly what happened that night.

“I’ve watched it a million times,” Argyle laughed, “But the only two people who can really say what happened are Billy and Steve.”

What you can see is this: Steve tearing into “Pride & Prejudice”, the lead off Kaleidoscope and the last song of the night.

Billy was trembling, visibly shaking as he sang and Steve harmonized along.

What can I say, if you ask me to walk away?

Baby, there’s no words for you.

Baby. I don’t know what to do.

Billy danced closer, joining Steve, his handheld mic loose at his side.

Can you ever put away your pride?

Is it worth it to not have me at your side?

I guess it must be, because I’m yours,

Regretfully,

Baby.

Billy leans in, sharing Steve’s mic for the bridge.

Is it really a mystery?

What I mean to you, and you mean to me?

Is it really, baby?

Billy shook his head, curls bouncing. He looked into Steve's eyes. He smiled. Steve looks at Billy, and Billy looks at him. It almost looks like Billy mouths something, but bootleg footage also has appeared where it looks like Billy just nodded. Steve goes a little shell shocked, hand freezing on his guitar, falling out of sync.

And then Steve turned away and left the stage, handing his guitar to a stagehand. Billy turned to the crowd, his expression strangely triumphant. He was always magnetic on stage, but this moment transcends that. It somehow feels like he’s getting everything he wants.

So I guess I’m losing you,

You promised me you would and it’s true.

Baby, there’s no words for you.

Baby. I don’t know what to do.

Steve Harrington hasn’t performed in public since 1977.

“None of us knew what was going to happen that night,” Chrissy Cunningham curled up next to her husband, Eddie Munson, on the large white couch of their Seattle home.

They’re a handsome couple still, draped in rock and roll finery. He toyed with the edge of her scarf, and she curled his long hair around her long fingers.

“We had some of our own shit going on at the time so…” Munson shrugged, “Maybe we were distracted.”

Their living room was crowded and verdant, every spare flat surface covered in plants. Their partner, former record executive Jason Carver, puttered in the kitchen in an apron that read Plant Papa.

“Yeah,” Chrissy smiled, “We had some stuff going on at the same time. But still… It seemed like they were getting better. Didn’t it seem like they were getting better?”

Munson shrugged, “The thing about Billy and Steve… they were soulmates. You don’t write music like that and not… it was like they had a second language, just for them. They were soulmates, I really believe that. Everything they did, everything that happened… they could only hurt each other that badly if… yeah.”

When I ask what they did to each other, Eddie and Chrissy just scooted closer together, like teenagers in a slasher, hiding from the killer. She laid a hand over his leg, her two stone diamond ring catching the sunlight.

“Steve never wanted Billy to be in the band,” Eddie shook his head, “but Jim had a soft spot for Billy. And Steve had… I mean Jim was…”

“Jim was like a father. To all of us.” Chrissy’s knee jiggled.

“We were this little tiny band from Nowhere, Indiana,” Eddie nodded, “And Jim believed in us.”

“I was just a junior exec at the time. I was put on the Kaleidoscope tour in case of catastrophic failure, which by the way it was,” Jason Carver is making risotto while we speak, the steam curling the lock of hair that falls over his face. “But it wasn’t my fault although I was high as hell on coke half the time. I guess I deserved to get fired. But Jim was the real deal. Gold records out the ass, best wife in the world, and his daughter, I mean… she was something else.”

They’re referring, of course, to Jim Hopper, producer on Kaleidoscope as well as Billy Blue and The Boys’ records, and the father of pop superstar Eleven aka Jane Hopper.

“Jim was…” Steve Harrington’s eyes always got a little misty talking about Jim, staring out over the ocean. “Yeah, I guess he was a little like my dad. My own parents were always gone. Which is like… I grew up so privileged so like I’m not saying… I just mean I grew up mostly by myself. And we were just so lucky he even agreed to listen to us when we got to LA.”

“I remember that night,” Joyce Hopper’s voice was raspy, cigarette-y in the way only old movie stars are. She’s a gorgeous woman in jeans and a gardening hat, speaking to me while she tends to her garden at her home in Castellammare. “He came home and said, ‘I have the next ones, the next big ones. Fuck, Joyce, they’re brilliant. Unpolished, but brilliant.’”

When I ask about when Jim discovered Billy Hargrove she just laughed.

“If Steve and the rest of The Boys were unpolished, Billy Hargrove was a fucking ten carat diamond,” She said. “But Steve’s band was Jim’s, and he could polish them up how he wanted. And then when he thought they were just right for it… he set the diamond.”

Jim Hopper was a big man, larger than life both in appearance and in personality. His fingerprints are all over some of the best hits of the decade.

Watching him on old interviews, there’s an immediacy to his presence that leaps off the screen.

“My daughter is the one who really found him. She snuck out with her sister and wandered God knows where. And she just… found him. Called me the next morning, saying ‘Dad, you have to hear this guy.’ He was playing in this… terrible club,” Jim said, tapping his cigar on the table of Merv Griffin’s set. “Absolute shithole, pardon my french. And he’s got a great voice, you’ve heard his voice, right?”

“I have,” Merv said.

“I had to get him out of there. He was a star.”

Billy Hargrove was a teenage runaway from San Diego when he came to LA in 1971.

“I had a girl’s backpack from my stepsister, eight dollars, and an extra pair of underwear. By the end of the next week? I had two more dollars,” Billy laughed. “But I got lucky. I met Heather.”

Heather Holloway was a showgirl at Wildwoods, a nightly revue. She found Billy at the backdoor, and took him to her apartment.

“She saved me,” He frowned. “Whenever I needed her most.”

Heather Holloway, Billy Hargrove’s first and only wife, died in 1979.

“I got a job singing at Sugar, this great gay club downtown. It was in the late afternoons, so I had a crowd of about… two. But those two brought two more,” Billy smiled, “Heather would talk me up to all the promoters. He’s a singer, he’s great, you’ll love him, he’s so cute.”

“He was an instant hit,” Sugar’s manager, Bob Newby, tells me by phone as well. “I did have to keep a couple of creeps off him, when he just started he was only nineteen. But even if you closed your eyes… he was a hit.”

“Guys used to think that because I was a part of the entertainment, I was fair game. And let me tell you, the novelty of that wears off mighty quick,” Billy shakes his head.

He shares a diary entry from his late wife of a night in April 1972. He came to her home with blood all over his face.

“Some guy thought because I was a fag…” Billy’s mouth twisted, but he went on, cradling the little marble notebook in his hand. “He could do whatever he wanted to me. When I fought back… he cracked a bottle over my head.”

He’s not just a piece of meat. He’s a person. I don’t understand these people. I just don’t understand, Heather Holloway wrote. I cleaned him up and he’s sleeping now.

The next diary entry is from a day later. April 12. Billy and I drove to Vegas and got married. When we spoke in the morning he said he was afraid for me too, even though I’m careful with the girls. He’s afraid of the cops trying to bust up the Wildwoods and picking me up. At least this way, he says. He and I can come home to each other. Look out for each other. Always. The groom wore band aids and his great velvet pants. The bride wore lavender. It was perfect.

“And lucky too. Because within a month… I met Jim,” Billy smiled. “And my whole life changed.”

Upside Down Records signed Billy Blue, unagented, in1972 and he spent the next year working on his debut album with Jim Hopper.

“I didn’t even realize, when it happened,” Billy shook his head. “A couple of girls came by after a show, wanting to talk to me, wanting to meet me. That wasn’t that unusual. But they were young, far too young to get into the club. And the little one, she was asking all these weird questions. Did I have an agent? Did I know if I had enough songs for an album? Weird fuckin’ questions. And then she said I have to meet someone. To be honest, I thought she was coked out of her mind when she said, ‘You have to meet my dad.’”

“I was not,” Eleven promised me, “coked out of my mind. But that’s just Billy.”

Eleven aka Jane Hopper, meets me backstage at one of her shows. She’s dressed in slouchy leather pants, to match her sister and drummer Kali Hopper.

“I knew he was something special. My dad was always talking about the IT factor. That thing that made a person something special. But I didn’t get it until I saw Billy Blue singing on that tiny stage,” She smiled. “He didn’t just have the IT factor. He was IT.”

It’s odd then, that Billy Blue’s first album had a surprisingly tepid response. His first single, in 1973, “Let Alone,” came in at only 26th for the month of April on the pop charts.

“People liked it,” Billy shrugs, “But I don’t think they knew what to do with it. You have my songs, these like… little pop love songs and ballads. I wasn’t that strong of a writer at the time. It was like half my songs, half covers. And so they’d book me, expecting fucking… Peter Frampton. And here comes this big queer with glitter on his nipples.”

But the lyrics of “Let Alone” would hint at his later songs, a hallmark simplicity that shone off his raw voice and poetry that hinted at a troubled past.

And if you were meant to care for me

You would, and that’s how it has to be

You said I couldn’t go on without you

Ha, look at me, looking brand new

At the same time, The Boys’ song “Paper Girl,” penned by Harrington, was number one.

She’s my paper girl

Wakes me up every morning, right on time

She got me smiling, got my head in a whirl

Picture perfect, paper girl

“Billy didn’t have much commercial appeal. Sex appeal, yes,” Jason laughed, toying with Chrissy’s hair. “But for sales? That’s where The Boys came in.”

“I hated that name,” Eddie said, “To start with we were half girls.”

The Boys had already had a somewhat successful tour under their belt by the time Jim suggested a collaboration with Billy Hargrove.

“It was a nice, short tour,” Steve Harrington glances away when I ask about the first tour.

“It was a nightmare. Balls to the wall nightmare,” Robin Buckley’s voice is a warm crackle over the phone. “Steve went on like thirty overlapping benders at once.”

Her partner, soap actress Vickie Carmichael cackles behind her, at their home in Salt Lake City.

“The thing about Steve is… well… he’s never found a good way of coping with himself,” Robin huffs. “Music was about as close as he ever got. But in those early days, he just kept looking for more and more.”

“You don’t think it was about-” Vickie asked, just barely into the phone.

“No.”

“It was about Nancy,” Eddie said confidently when I mentioned their first tour. “Nancy, Nancy, Nancy.”

The Boys got their start in the late sixties, beginning with Eddie and Steve. Eddie gave Steve guitar lessons, which turned into some talent show performances. They used to practice at Eddie’s Uncle’s trailer.

“That’s where we got the name,” Eddie nodded, “My uncle used to just call us that, and it stuck.”

“I don’t even remember,” Chrissy said.

“That’s not how we got the name,” Steve shook his head, when I mention Eddie. “It was our first gig, after we got Chrissy and Robin. Robin put it down after the headliner kept asking when ‘you boys’ would go on, and kept addressing it to Chrissy’s chest. She blew him out of the fucking water.”

Nancy Wheeler was there that night, writing about local bands for a tiny column in the school paper.

“She was beautiful. Smart. So smart. Could hear her talk forever,” Steve said, eyes falling.

Steve Harrington and Nancy Wheeler were married in 1972 after they graduated high school.

“Steve made his own choices,” Chrissy shook her head.

That summer, the Boys plus one drove to LA and Nancy Wheeler took a job at Women’s Day Magazine and later, Rolling Stone. Steve Harrington and The Boys got a “steady gig” at La Bonita Rosa on the strip, playing for drunks every night from seven to eight.

“I really liked playing at La Bonita,” Steve said. “The audience, right there. You could smell the sweat. You could see on their faces if you were bombing. And we used to bomb. A lot. But it was a great place to try things. Experiment. We played there for about a year but… it felt too short.”

Within the year they had met Jim Hopper, who got them into the recording studio and sold their demo nearly on the spot to Upside Down Records.

“They had a great sound. They had got this way of playing. Smooth like a polished stone. Everything sounds good sitting in a frame like that,” Jim said in an interview with Rolling Stone in 1981. “Their songs were… catchy, but basic. But they had the sound.”

Upside Down records set the Boys on a US tour after “Paper Girl,” and “Joy to Love You,” both charted.

“It was like… overnight. One day we’re in a studio, messing around. Kid stuff. I was nineteen,” Steve Harrington shookhis head. “But…”

“That tour,” Chrissy trails off, playing with her ring again.

“I…” Steve Harrington scratched his nose. “I was losing it. Majorly losing it. It felt like we had just moved to LA and we were already neck deep. I mean, I had a number one fucking song. And for some reason I got it in my head to call my mom. She told the maid she wasn’t home. And I could hear her over the phone. My mom. So yeah. I lost it. Lost about half my damn mind on that tour. And people will say it was because of Nancy, because we got married just out of high school, and she wasn’t supportive… but that wasn’t true. Nancy saved me.”

“Nancy never wanted him to be in the band. But… she also didn’t seem to care that much either,” Eddie shook his head, “It’s… complicated. Love is supposed to be. Simple. Like the chords of a song. 1-3-5.”

Jason Carver rolled his eyes at that, “Then what are we?”

Eddie grinned, “We’re a band.”

Nancy Wheeler met me on a Thursday in New York City, slim sunglasses dominating her small porcelain face. We get lunch at her favorite deli shop, and she perches at the counter, loafers dangling. She’s an editor at The New Yorker now, but she still has a soft spot for rock and roll, as evidenced by the Grateful Dead t-shirt under her blazer.

“That tour. I didn’t even know anything was wrong. He just came home with a funny look on his face, saying, ‘We’re headlining.’ So I said, ‘That’s great, Steve.’ He just kept… saying it. It was starting to piss me off, if I’m being honest,” She shook her head. “I should have known something was wrong.”

“I wish she had stopped me. But how could you know right? Hindsight is always 2020,” Steve Harrington said. “I mean, she was my wife. How could she not want me home? But that’s just… sorry. That’s not fair to put on her. I chose to go.”

“I flew out to meet them when they were in Indianapolis, visited my family, and I came a day early to see him,” She smiled warmly, and then it fell. “He was… Well, first, Eddie Munson tried to intercept me at the hotel, so I wouldn’t see him. I told him, ‘I’m here to see my fucking husband.’”

Steve Harrington didn’t add any more details about the tour, just shrugged when I asked.

“He was coked up like you wouldn’t believe,” Robin scoffed. “She walked in on him with two girls and coke all over his… well.”

“I just asked him. Do you want to come home? Do you want to get help? Or not?” She purses her lips. “And so he came home and we found a rehab place near Hawkins.”

“The tour kind of… fell apart. Obviously. We had lost our lead singer and guitarist to fucking… Hawkins, Indiana,”

Everything stopped for the Boys. Upside Down offered to let them out of their two album contract, but Steve couldn’t afford to pay it down.

“Rehab,” He shrugged. “Is expensive.”

Right as it seemed that everything would be over for the Boys, things were looking up for Billy Blue.

“Jim was always saying, ‘the record is selling alright, the songs are getting there but he needs a… push,’” Joyce said. “‘He’s so close. So close. He’s a star.’”

“He always believed in me,” Billy smiled, toying with his ring again. “Always. Even when I threw a jug of milk at his head.”

Joyce laughed when I asked about that moment, “He came home saying, ‘He milked me, Joyce. But he’ll fix the song tonight.’”

“And I did,” Billy said. “And the album was going alright. I did a little tour, socal and the southwest. And then one night, Jim brings me this song. He said, ‘I want you to tell me what’s missing from this.’”

The song was, of course, the Boys’ biggest hit, “Hades.” Steve Harrington’s first version was called, “To Orpheus” and the chorus goes:

Don’t turn back don’t look behind you baby

I’m close, I’m right behind

The future's so bright, and I want you to take me

Wanna be holding your hand when I make it across the line.

“It was fine, but just kind of… nothing. It was supposed to be about Eurydice, but it was so… nothing. She just loved Orpheus and that was it. There were no insides to her. She was going to follow him to her doom,” Billy shook his head. “That’s not right.”

This was not the version that made it to the recording booth, of course. The Boys’ single, “Hades featuring Billy Blue,” came out in 1975. The actual chorus goes:

Turn back on me and I won’t forgive you baby

Don’t want you to see me like this

Up ahead is bright, and I want you to take me

If you’re strong enough to cross that finish line

“‘Hades,’ was a real step forward for the Boys. Gone were the teenybopper tunes,” Steve Harrington’s biographer and personal friend Dustin Henderson wrote in his book The Pretty Boy. “Their first album got the kids dancing. But the second proved that they actually had something to say.”

“Still hate it,” Steve Harrington said. “I wrote that song in rehab. It was deeply, deeply personal to me.”

“He came out, all ready. He wanted to start recording right away,” Robin sighed. “Like I mean the next day. All these songs, just pouring out of him. But the label had lost faith in us. And they certainly weren’t going to let us start recording with a guy who had only just earned his thirty day sober chip.”

“The song wasn’t ready,” Billy shook his head. “But I guess he was. Jim said he needed this. So Jim asked if I would come and like… pitch some stuff as a personal favor. Songwriting credit, that’s all it was supposed to be. Get the songs moving, get them going.”

Steve Harrington takes a long time to continue speaking about it.

“I felt it, writing for that album. I felt proud of those songs. They didn’t belong to anyone else but me,” He toyed with some piano keys while we talked, and then finally sat down and began to play something tuneless and half formed.

“That album was all about Nancy,” Chrissy said. “I mean. I know it. You know it. Nancy knew it. And she kind of hated it. But-”

“You can’t leave your husband right as he gets out of rehab,” Nancy said to me, toying with her wedding ring. “When he writes all these songs about how you’re the only thing… Steve was always like that. Heart wide open. That’s why when he met Billy. I almost thought… it would all be okay. That sounds fucked up but. I thought they could save each other. That the music could save him.”

“It was just a songwriting credit,” Billy raised his hands. “Jim swore up and down. I was just gonna come in there and sit down with this guy Steve. But when I walk into the studio, there’s two mics set up.”

“I was the Boys’ only singer,” Steve Harrington shook his head. “And to be absolutely honest, I was kind of a jackass about it. So to have some guy come in and say he’s gonna sing me my song… well…”

“Steve was the only one who would ever argue with Jim, And he let him have it that day,” Eddie laughed. “He called him the most low down, dirty, rat bitten bastard in California, and that he would die rather than give up his band to someone else.”

“I did not want his band. I did not know his band. And I did not care. And his song sucked. And I told him so. And then I sang it. Better.” Billy smiled.

“Billy was…” Chrissy shook her head. “Incredible.”

I ask Steve what Billy was like that first day in the studio.

“He was,” Something passed over his face. “Alright. He has a great voice, alright.”

“I was good. Better. Best.” Billy smiled.

“But he didn’t understand the song. He wanted Eurydice to… doubt. To think she wasn’t going to get out,” Steve slammed his hands on the keys. “It’s been… almost twenty years. I still don’t understand it.”

I asked why he let Billy stay. But Steve doesn’t have an answer.

“They were like oil and water, right away,” Chrissy said.

“Yeah, but oil on the water can catch fire,” Eddie shrugged.

“Jim asked me to stay,” Billy looked away from me, down at his waffles. “It was a favor to the label.”

“If Billy said louder, Steve said mute,” Robin snickered. “It was kind of great, actually. Finally someone called King Steve on his shit. One day I came in and they were arguing over how close the microphone should be to your throat. Almost got in a physical fight over a fucking microphone. I mean, I love Steve. But he always thinks he’s like… the babysitter. It’s his job to do everything for everybody.”

“Like who was this guy? Really? He came into my studio with no shirt on, most of the time still half smashed from the night before, and he thinks he can make all these changes. But Jim keeps telling me it’s just business, the label thinks it’s good business.” Steve frowned, and then smiled, and then frowned again.

“Yeah, I never wore shirts back then. Or underwear,” Billy said with a grin. “I was a rockstar!”

“Steve fought for every song on that album,” Nancy Wheeler patted her lips primly with a napkin. “He only lost on one.”

“Billy Hargove has songwriting credit and lead vocals on “Hades.” Dustin Henderson wrote.

“Billy was all over that album. He’d make some minor suggestion, maybe this chord instead of that, this word is better. And Steve would flip out, yell at him, yell at Jim, threaten to storm out… and then two days later quietly tell me to change the chord, he’d start singing the new words. Billy was there with us about every single day,” Eddie said.

“Of course, it was our biggest hit,” Chrissy laughed. “Everything but that song, Steve did what he wanted. Oh we had Billy in the studio, making suggestions. But Steve did what he wanted except for ‘Hades.’ Jim said that song is the album, and he wouldn’t cut it.”

“Jim was always right,” Steve closed the piano. “The bastard.”

Hades exploded onto the radio in late 1975. They didn’t have the same distribution as their first record, but the Boys had another hit.

“Billy had this way of singing it. Still does. He broke four mics when we recorded it. Singing so loud I had to keep an eye on the cymbals to stop them from shaking. You can feel him, right in your chest.” Chrissy giggled. “Like he was trying to wake all the dead from Hades. If anyone could, he could.”

“It’s a really, really great song,” Robin said.

This song belongs to Billy Blue, Rolling Stone wrote in 1976. The only question now is, what will The Boys do next?

“I remember that article. Fucking… Harrington said that he basically wrote the whole song. But he said, ‘the label thought bringing Billy in was a good idea,’” Billy gets tense for the first time. “I’m not saying I was like… I just mean. It would have been nice. To treat me like an equal. I’m more than just a singer. I’m not just… a piece of meat.”

“Billy was really pissed about that article. I remember, the day after the article came out, we were getting breakfast at this tiny place off La Cienega. Steve had this car back then, a big maroon BMW, and Eddie had got him a vanity plate when he bought it. Stupid thing it said, ‘BIGBOY.’ Anyway, We’re having breakfast, and we hear this screech outside, like an accident,” Robin Buckley gets uncharacteristically quiet as she goes on through this story. “Billy’s car is parked halfway out of the parking lot, and he comes in like a bull in a charge. Billy… he wasn’t some wimpy guy. He was small, but he was strong as hell… He came right over and grabbed Steve by his collar and lifted him right off the counter. And he said, I’ll never forget it because Steve used to recite it from memory, yell it at me, ‘Tell me I’m not dreaming. Is that Steve fucking Harrington? The lead singer of the Boys. Hey man, I love your song ‘Hades.’ How’d you get your voice to sound halfway decent for once?’”

“I don’t remember that,” Steve Harrington said flatly when I asked.

“And Steve used to be a fucking dick in high school. So he starts getting real bitchy, shoving Billy off him, asking what his problem is, why he’s such a dick all the fucking time, when it’s not even his band. And Billy said something like, ‘No one wants your shit band. Not with you in it,’” Robin paused for a moment. “And they just. Stare at each other. Like… daring each other to do something.”

Billy just shrugs when I ask, “I was pissed. I gave this guy a number one hit, and he still wanted to treat me like some… airhead singer the label brought in as a stunt. I’m not just a singer. I’m not a piece of meat. I’m a person.”

When I ask Steve about that day he’s pretty quiet, deflated at his piano. He only wants to talk about the song. The music. Can’t seem to talk about Billy any other way.

“He sang it like he not only knows Orpheus can’t save him, but that he won’t. It was supposed to be hopeful. A happy ending.” Steve said.

“So you still hate the song?” I asked.

“No, I don’t. It’s brilliant. And that’s the whole problem.”

To be continued...

Next up is Half-Oz-Eddie's piece at 7:00 pm. GET HYPE!

#harringrove relay race #harringrove #billy x steve #billy hargrove #steve harrington #harringrove fic #steve x billy #harringrovefic #harringrovefanfic #harringrove fanfiction #harringrove fanfic #stranger things #my writing #DJATS au #Daisy jones and the six au #tw drugs

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pink-amethyst-tarot · 5 months ago

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Have you given up on love? This is for you - Pick A Pile

take a deep breath and choose which pile you think is the best for you

I know I channeled these songs but I'm pro-boycott

If you would like to help out those in need in Palestine, you can click here.

P I L E 1 ~ P I L E 2 ~ P I L E 3

P I L E 1 - Go Through Something To Get Somewhere

Three of Wands, Page of Cups, Four of Wands, The Lovers

Signs this reading is for you: 111, 11:11, classic books, jewelry (especially rings), money/coins, coffee, tea

You about to be mad at me.... Thing is, this big love you're looking for can't come in right now. It's being blocked because you still need to work on yourself. I feel like some of y'all already knew I was gon say that anyway! Fall in love with yourself and not for the sake of getting closer to falling in love because then your effort is meaningless. Do it for you and if you don't want to do it for you, figure out why. Do the shadow work. You need you more than you know. Figuring out what is so lovable about you will show you what you really deserve in a relationship, not what you have always thought that you deserve.

Once you do, it's going to happen when you least expect it and when it does you will be swept away in this amazing love. The kind of love that changes you for the better. The kind of love that you grow old with. The kind of love that you have always wanted but never believed that you were good enough to have. This person is your soulmate and they want to be with you just as much you want to be with them. Don't let something good pass you by and then you have to wait another entire lifetime to get it again. The first step starts with you.

Also, you cannot be afraid of change if you want this to work. You can't expect thing to change while everything stays the same. Accept that change can be uncomfortable, challenging, and sometimes, downright hellish. You have to go through something to get somewhere.

Channeled Song: End Game by Taylor Swift ft. Future and Ed Sheeran

I wanna be your end game // I wanna be your first string

Thank you for participating in this reading; if you would like a more personal one, you can click here.

If you would like to help out those in need in Palestine, you can click here.

P I L E 2 - It's Gotta Get Bad Before It Gets Good

Wheel of Fortune, Six of Pentacles, The Emperor, King of Cups, Eight of Swords

Signs this reading is for you: Heart Chakra, 222, frogs, owls, hearts, butterflies

You're heart is still broken from your last relationship and you're convinced that there isn't anyone who will give you the love that you want or deserve. There is someone for you who want to take care of you and be your rock. This love that wants to come in is very mature and long-lasting but it can't come in if you don't try to move on. I know it's easier said than done but at some point you have to choose yourself; at some point you have to choose your happiness.

You could also be someone that is trying to ignore how you feel about the end of a relationship so that you can get to the good part. I hate to be the one to tell you this, but, it doesn't work like that. You have to go through to get through it.

All in all, you may feel stuck or trapped by your emotions but the way out is more obvious than you think. Maybe not easy but definitely obvious. Once you get through the bad part, there is good ahead for you.

Channeled Song - Better In Time by Leona Lewis

thought I couldn't live without you // it's gonna hurt when it heals, too // it'll all get better in time // and even though I really love you // I'm gonna smile 'cause I deserve to // It'll all get better in time

P I L E 3 - You're not looking for love but love is looking for you

Ten of Wands, Three of Pentacles, Knight of Wands, Nine of Cups

Signs this reading may be for you: pink, boy bands, joking and laughter, pickles, oranges, Vaseline weird dreams

So, off the bat, this reading feels different from the other two because it feels like it doesn't matter what your reason for giving up on love is because love is coming your way, whether you like it or not! You have probably been through a lot in love and in life but you never gave up. You have always keep going despite what you have been through but that may have led you to feel that some things just can't have your attention right now because shit needs to get done. Great news! The shit is done! You're ready! This person is coming in quickly and is someone that supports you and wants to be the person that you come to when life is hard. This person is a dream come true. You may have not be actively focusing on what you want in a person, but sometimes our hearts speak louder to the universe than we do. I can see your guides kind of seeing you get this and you being surprised but your guides are looking all smug like "hah! bet you didn't see that comin did ya!?" Even though you're reading this, you may still be surprised when it happens because you may not 100% believe this reading. But it's true and it's yours! Love is on the way, baybee!

Channeled Song - Case 143 by Stray Kids

why do I keep getting attracted? // 자석 같이 끌려가 // I cannot explain this reaction // 이것밖에 one-four-three // Why do I keep getting attracted? // 네 모습만 떠올라 // I cannot explain this emotion // one-four-three I love you! //

translated lyrics:

why do I keep getting attracted? // I'm drawn to you like a magnet // Why do I keep getting attracted? // you're the only one on my mind // I cannot explain this emotion // one-four-three, I love you! //

Thank you for participating in this reading; if you would like a more personal one, you can click here.

If you would like to help out those in need in Palestine, you can click here

LEGAL DISCLAIMER: FOR ENTERTAINMENT PURPOSES ONLY. THESE READINGS ARE FOR ENTERTAINMENT PURPOSES ONLY. no guarantees are implied. These readings are not a substitute or replacement for any professional help or services. My readings are not a substitute for any form of professional legal, medical/psychiatric, relationship, religious/spiritual or financial/ business advice nor consultations. You should always see a professional legal/trained adviser for help in any matter. I am not responsible for any decisions/ actions you take.

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hannahbarberra162 · 4 months ago

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hOrnithology for Beginners, Chapter 4

on Ao3 Previous chapter

Unfortunately the real Imperial Woodpecker is thought to be extinct.

ALSO were none of you going to tell me that the beetle would be poisonous not venomous?! I made this mistake in front of Marco, smh.

Marco POV

You had to be fucking with him, right? Either that or he was being severely punished for a heinous crime in another life. Because the sight of you stripping down in front of him while he couldn’t respond was almost too much. He’d seen some of your figure before, but nothing like this. You were absolutely perfect, legs toned from all the hiking you did but also thick in all the right places. He did feel guilty - he knew you wouldn’t want him seeing you naked if you knew he was also Marco the pirate - but he couldn’t stop himself from watching. You were like a little water nymph, jumping and splashing happily in the waterfall. This was one of the times he missed swimming but he contented himself by watching you.

“I went on a date today,” you said, breaking the silence. “It was OK, but it was with a pirate.” Interesting, he would get to hear your perspective. It was a little strange that you would tell this to a mythical bird you befriended, but you were a unique woman. Marco decided to help himself to some of your dried pineapple, flying down from his perch.

“I hate pirates,” you said, floating on your back. Marco watched mesmerized as your breasts and hair floated freely in the water, the pertness of your nipples distracting him from your words. “They’re always trying to kill or take living creatures to sell. Always selfish. Bad tippers too.” You pulled yourself to standing, still half submerged in the water. The water cascaded off you in rivulets down your chest, and he was suddenly thirsty.

“Is that what happened to you? Did you escape from Whitebeard’s ship?” Marco shook his head as he finally registered your question. It was endearing you wanted to help but he didn’t want his captain vilified for something he didn’t do. At least now he knew the reasons behind your passionate hatred of pirates.

“I have so many questions for you. Would you want to answer any?” you looked at him imploringly. He shook his head again. He didn’t want to get himself into any more trouble than he was already in by answering questions. Besides, he would rather hear you talk about your impressions of him.

“Of course, I’m sorry,” you said abashedly. You pushed yourself to sit on a rock jutting out over the edge of the pool, dangling your legs in the water and your torso exposed. You started kicking your legs gently, which jiggled your breasts with every kick. It was hypnotic.

“This pirate was alright. I think he actually listened when I talked, which is different from most pirates. Well, most guys really. Most of ‘em just listen when they think it’ll get me to sleep with ‘em. But I wasn’t going to either way so he didn’t need to impress me.” Marco trilled softly to show he was paying attention. He had listened to everything you’d said today - your knowledge was fascinating and he enjoyed hearing you speak about your interests.

You smiled warmly. “Not like you, right? You’d never do that.” Marco cooed to confirm. If his brothers ever found out he spoke to you like a bird he’d never hear the end of it. You stared off at the waterfall.

“He is very good looking though. I don’t like pirates, I didn’t say I wasn’t attracted to ‘em…” You trailed off in thought. Marco ate more of the pineapple and you looked over at him happily. You were so beautiful when you smiled at him, it felt like a warm summer breeze under a cerulean sky. At least you found him attractive, he could work with that. It would be better if you liked his personality, but at least he had a foothold. Er, talonhold.

“Ha! I’m justifying my feelings to a phoenix. How sad is that? I hope you didn’t mind.” In response Marco came closer to you. You stopped moving and watched his slow approach. Marco stopped a few feet away from you and raised his wing. His primary feathers stopped a few inches from you. You looked at him wildly when Marco trilled.

“Are you sure?” you brought your fingertips up. Marco trilled again, quieter this time. You reached out slowly and extended your index finger to his primary feathers. You ever so gently stroked down one feather and Marco swore you shivered. You trailed your fingers down his feathers with such a light touch he could barely feel it. It felt like a whisper of a kiss on his skin and it was hard to concentrate. You were teasing him with complete innocence and it was increasing his desire to an unbearable degree.

“You have no idea how much this means to me,” you said with tears in your eyes. Marco suddenly felt guilty - he didn’t know you’d have such an emotional reaction to touching him. He could guess that you didn’t like to show your softer emotions to strangers, and definitely not while naked. He fluttered his wing and a feather trailed down in the air. He picked it up with his beak and handed it to you. You took the feather with shaking hands, clutching it tightly.

“I’ve been looking for a feather since I saw you on the island. I will never sell it. Thank you.” You bowed your head to him. Marco got the distinct feeling you’d be more upset about bowing to him than being naked in front of him. He was in trouble.

Your POV

Aside from the date stuff, which really wasn’t that bad, today was the best day of your life. You got to touch a phoenix, confirm your suspicions that it could communicate, it gave you a feather, and you’d gotten to touch a phoenix . You were walking on clouds, you couldn’t contain your happiness. After bowing to your phoenix (when had it become your phoenix?) it had flown back to the perch, peering down at you every so often. You finished up your swim and put your now dry clothes back on. It was now evening and your stomach growled loudly.

“I’m going to make dinner. Would you like some?” you asked your phoenix. The phoenix shook its head regally, like the monarch it was. It took a little time to make dinner - you first had to gather wood and start a fire. Gathering the wood didn’t take long as you were in a forest and you assembled the kindling into a cone so it would catch fire quickly. You sorted through your pack, looking for your flintstone when you heard the sound of fire catching. Confused, you glanced back at the now blazing fire and the pleased face of your phoenix.

“Is there anything you can’t do? You really are the perfect creature,” you told the phoenix dreamily. The phoenix preened at your words, looking pleased with itself. It gently cooed at you one last time and sailed off into the night with a flap of its gorgeous blue wings. You sighed and ran the feather it had given you over your face, enjoying the sensation under the darkening evening sky.

~~~

Marco POV

Unfortunately, Marco had to leave. He had other duties to attend to and also wanted to check in on Ace. He assumed Ace would be busy until morning but the doctor in him just wanted to make sure he was at least on the mend. He flew away from you reluctantly as you watched him glide through the sky. Their days on the island were dwindling and he’d have to leave you soon. Selfishly, he’d been enjoying your worship of his phoenix form. The phoenix, though part of him, had a personality of its own. It absolutely thrived on praise and adoration. Marco didn’t think he needed it, but having you dote on him scratched an itch he hadn’t realized he had. Flying himself back to the inhabited part of the island, he soared over Etta’s house and heard Ace…doing well. He was glad Ace was no longer in pain but didn’t stick around to hear the details.

Landing on the ship’s deck, Marco braced himself for the inevitable onslaught of questions from his brothers. Thatch was the first to spot him and wandered over with a shit eating grin.

“So, how was the double date?”

“Good yoi.” Ace was so far the only one who knew the full story and Marco wanted to keep it that way.

“Where’s Ace? Had a better ending than you?”

“Kind of, he touched that poisonous beetle. The aphrodisiac one. He’s…working it off right now.” Thatch laughed heartily and Marco smiled. Ace got into all kinds of trouble, he was young and reckless and it made for good stories. Well, for the others at least.

“ Jozu, I owe you 50 Beri, he did touch it!” Thatch yelled across the deck, still laughing. This wasn’t their first time to the island, the rest of them knew not to touch the Peel Rhino Beetle.

“But your date was a sour grape? It was that …friendly waitress, right?” Marco had hoped Thatch would drop it, but no such luck.

“She was nice, actually. I spent a long time with her. She’s quite knowledgeable about birds - wants to be an Ornithologist. Made for good conversation yoi.” Marco took the opportunity to leave - he had spent a few hours away and was sure there was work waiting for him back in his office. Besides, he’d be catching up with you again, and soon.

~~~

Early the next morning, Marco flew to Etta’s house, making sure to shift completely into his human form before getting close to the town. Marco wasn’t used to how long walking took - flying was so much faster. But he didn’t want to risk you seeing him in a partial transformation. His plan today was to charm you into liking him as a man, not as a bird. After all, he’d been on the Grand Line a long time, he was no stranger to attracting women. And he knew that you at least found him attractive. True, he didn’t usually have to try, but it was the thrill of the challenge. He had a few tricks he was willing to use if it endeared him to you.

After listening for a minute to see if anyone was busy , Marco knocked on the door to Etta’s house loudly. No one answered so he knocked again, louder. He finally heard someone scurrying around and the door cracked open. He saw a tired but happy looking Etta behind the door. Marco smiled at the young woman.

“Good morning yoi. How’re you and Ace doing?” Marco asked cordially.

“Ace’s sleeping now but doing better. The, uh, poison is mostly gone.” Etta finished her sentence with a blush on her cheeks.

“Glad to hear it. I’ll leave you two be, I’m sure you need some rest.” Marco turned to go with a smile, but Etta stopped him.

“Wait, how was the rest of your date?” Marco pursed his lips. He wasn’t sure what Etta did and didn’t know.

“It ended after I brought Ace here yoi.” Etta put her hands on her hips, arms akimbo with an incredulous look on her face.

“Don’t lie. I know you’re the Phoenix she’s been seeing around the island. I’m not going to say anything, I think this might be good for her. She’s a really sweet person, just a little… guarded.” Etta explained. Marco heard Ace moaning for Etta from within the house. Etta and Marco locked eyes.

“I’ve gotta go,” Etta said, her blush returning.

“Enjoy,” Marco said simply. Etta turned bright red and shut the door. Ah, to be young and poisoned.

~~~

Already knowing where you were likely to be, Marco picked his way over to the waterfall. He wanted to “surprise” you and see if he could sway your opinion of him. He made his way over carefully, making sure to make enough noise to alert you to his presence. Though it wouldn’t affect him, being shot with a dart gun wouldn’t feel great either. He entered the clearing, pretending to take in the scene for the first time. He sat down on a rock near the waterfall and enjoyed the peace and quiet.

“Marco?!” he heard you call from the other side of the pool. You didn’t look happy to see him.

“How did you find this place? Did you follow me?” you stalked up to him with a finger pointed in his direction.

“So suspicious yoi,” Marco said without heat. He had anticipated such a reaction from you. “I checked Ace and Etta this morning to make sure they’re OK. After I thought I’d hike around the island, see what’s here.” Marco threw in the bit about your friend to hook you into conversation with him. You dropped your scowl.

“How are they doing?” you said, biting your lip.

“Ace is better, Etta took care of him.” He saw your face heat slightly, which he found cute.

“Anyway, I thought I would enjoy bird watching while I’m still on the island, which brought me here.”

Your POV

Your eyes narrowed, you weren’t sure if you believed him. But you couldn’t prove he had done anything wrong. Besides, it’s not like you owned the waterfall, he could go where he wanted. You considered it your special place, but it wasn’t actually yours. You had been drawing the phoenix feather in great detail when he’d come up to your camping area. You’d moved the feather for safety but your sketches were still out and you wanted to go hide them from his prying eyes. You turned to move back to your belongings when you spotted an Imperial woodpecker in a nearby tree.

“Marco,” you whispered, not moving “look over there.” If he liked birds, he might enjoy this rare treat. If he didn’t ask you to sell it, that is.

“Nice, yoi. Imperial woodpecker.” Marco whistled an incredibly accurate bird call to it, causing it to chirp back. You listened to the two of them singing back and forth until the woodpecker decided to fly off. Two points to the pirate - he correctly identified the bird at first glance and you’d never heard such a good birdcall before.

“That’s a good skill to have,” you remarked casually. He didn’t need to know how impressed you were. Marco shrugged.

“Birds like me yoi. I’m hoping we’ll see some uncommon species today.”

“What do you mean, we? ” He wasn’t planning on tagging along with you again, was he? Just as you were about to tell him off, the Imperial woodpecker returned with a mate and chick. Your mouth dropped - you just had to draw this. You’d never seen a family unit of Imperials together before - they were said to mate for life. It almost looked like the male and female were showing off their young, but why? You slowly grabbed your notebook and pencils, sketching on the clean opposite page. You drew the family unit from various angles until they flew away once more. As you were putting the finishing touches on your sketches, you felt Marco peering over your shoulder.

“Hey!” you exclaimed, crushing the notebook to your chest. “I told you, they’re private!”

“You really are very good,” Marco complimented you. “What was that bird on the opposite page? It looked interesting.”

“None of your business.” He was a nosy guy, for a pirate. You hoped he hadn’t seen too many of your phoenix drawings. You’d expanded on the real life sketches you’d had and were now drawing the phoenix in different positions, some of which were kind of funny. You had drawn the phoenix next to you under the waterfall, annoyed about being drenched with water, steam rising from its non-fiery head. It was childish but made you laugh.

You assessed the situation - Marco was tolerable enough, had a talent for bird calling, and wasn’t terrible looking. Maybe it would be OK if you spent another few hours with him. You didn’t need to become mates for life, after all.

“We can go bird watching together, I’ll show you some hot spots. But don’t look at my drawings again.” You’d never extended an invitation like this to a man before, you hoped he felt special.

“It’s a date yoi,” Marco said, smiling.

~~~

You’d had an unbelievably successful day bird watching with Marco. They almost seemed drawn to him, warbling and chirping to his astounding calls. Bird songs filled the air no matter where you went on the island. You wished there was some way for you to record the sounds, but the closest you could get was Marco’s ability to mimic them. You were elated - you were thankful for whatever weather was bringing all these birds to the island and to your sight. You were so happy that you were actually being friendly with Marco. He was surprisingly knowledgeable about birding, despite his protests that he wasn’t a professional. He had a dry sense of humor, matching your own, and had even made you laugh a few times. It might have been your favorite date you’d ever been on. You even showed him some of your sketches of birds, not the phoenix of course, but some of the birds you’d seen together. He asked to keep one, and you wavered.

“I don’t give these out, they’re-”

“Private, I know yoi. It's OK, I’m not offended.”

You were feeling generous and Marco was looking gorgeous. “Hold still for a moment,” you ordered, taking out your pencils. You did a rough sketch of Marco as a bird, complete with fluff on his head and glasses. Just something silly as a thanks for such a good day together. You ripped off the page and handed it to him. Marco looked at it, then at you.

“Are you sure …never mind.” Marco started to say something but stopped midway.

“You don’t like it? I’m sorry, it was just for fun.” You were feeling self conscious, you didn’t show your drawings often.

“No, I like it a lot yoi. But isn’t it missing something?” Marco said, looking down at the paper.

“Hm, I don’t think so, let me see.” You crossed over to him, standing shoulder to shoulder. You glanced down at the drawing.

“Nope, got your glasses, your hair, your half open eyes and even the tassel on your leg. Got everything,” you teased. You were close together, examining the paper. If you turned your head, you’d be face to face. You were breathing quickly from the close proximity.

“It’s missing your signature, so when you become a famous scientist I have your autograph.” You smiled, what a charmer. You turned to face Marco.

“I can give you something other than my signature.” You leaned forward and kissed him softly on the lips.

#reader x marco #op marco #marco the phoenix #marco x you #marco x reader #mentioned whitebeard pirates #op x y/n #bird watching with a bird #suspension of disbelief

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