#shorts knowledge

[earthleave]

দক্ষিণবঙ্গের চুই ঝাল স্বাদ-ই অন্যরকম | Chui Jhal in Beef | #viral #short...

[theempressofthenile]

Astro Notes : Short N Sweet - The power lilith holds <3

Lilith in the 1st - Very strong personalities. Gifted in using the eyes to seduce others. Magnetic. Can fight the demons off of you so please be weary of getting to close if you don't want them to see what hides beneath the surface. There angelic, believe it or not. They're not here to see the world as you see it, they have a taboo personality, yes, but its also because they must learn how to live for themselves and not for anyone else.

Lilith in the 2nd - Cash cow. Can basically get any man to give them what they want. They have to be comfortable in getting under peoples skin, because they can trigger people with how they talk. Insensitive? Not exactly. Just doesn't budge and cares to be 'nice'.

Lilith in the 3rd - Creative freaks. Can use the mind in a million ways, but they still seek out one thing that works for them as they are very passionate people and whatever keeps their attention the most they'll go at it forever. They are use to the attention from people since primary school. So they like to hide a lot. They have a weird mind and they don't care to share it with too many people. If they ever considered writing, they could make some pretty interesting stuff. Sibling rivalries are a thing here.

Lilith in the 4th - Tumulous relationships with family & friends. It's because they're the outcast of the group. I mean, they know a lot and they can't stand for nothing but the truth. But sometimes the truth kills, even when they don't mean for it to be. Can be a hard knock life but they make it worth something. They're no angel, just the universe in the flesh. <3

Lilith in the 5th - Captivating presence. Lovely auras, and amazing bodies. Could be good at dancing. Could be a lil promiscuous. Could be a little dangerous. You never know. Secretive/private about their affairs.. But the stories they have I promise you its like reading a novel. Naturally sensual & can't get enough of them, even if you tried ;)

Lilith in the 6th - Goes hard for groups that aren't seen enough. Can have jealous coworkers or people who want to annoy them and get them out of character. Could also have sensual experiences with co workers. Demands compensation. Could be extremely well liked or hated no in between.

Lilith in the 7th - Spicy individuals. People love to hate them. Could have bisexual allegations from time to time. Most people like to be around them but despise them after a while. Sweet as a pie though, most people allow the rumors to get to them but usually these people are naturally sweet and empathetic. Popular loners.

Lilith in the 8th - Strong personalities. Capable of seeing beyond the veil. Has issues with society due to their daring nature but they do come out ready and swinging. Hypnotic presence. Can heal as much as they can poison, so be careful wit em ;)

Lilith in the 9th - Very beautiful spirits who are the epitome of being carefree. The universe takes them wherever their hearts want to go, and the journey is always something that last a life time. Being connected to someone with this placement could give you the feelings of something amazing. Always hold their hand tight because once their gone its over.

Lilith in the 10th - Dreamy auras. Have a knack for the public and the audience can feel their raw energy. Have haters from all area codes, this just makes them more confident. They know how to appease society well, and they can take on roles that others are too afraid to. This is great placement for lilith to be in.

Lilith in the 11th - Could had to fight to keep their self esteem in check. Due to being outcasted alot, they could of been the scapegoat for a lot of reasons that didn't pertain to them much. With time, they learn to accept that their energy isn't for anyone, and that their value is more than what you can define it. Helpful sweethearts who just wants to be around community that gets them.

Lilith in the 12th - The dream world is a nightmare. My apologies to y'all cause I'm suppose to start it off a little sweet. But this is placement of a witch/warlock. You guys have many gifts that go past the ordinary. And you more than likely come up with some ish down the line. There is a time where you will undergo a lot of spiritual refinement to keep your head going. Don't be afraid of what shows up, it might teach you something!

[fishofthewoods]

while i'm imperialposting. imperial dragon lore that makes me want to tear my hair out. web weave

[egophiliac]

BIRD SSR????????????

NOOOO I wasted all my keys on Platinum Malleus, HOW CAN THEY DO THIS TO ME

(I do kinda love that this is officially "Raven Jacket" Crowley though) (does this open up the possibility of a selection of future Crowley fashion cards)

[spinningchipfreak]

out of these 3 cookies who's the BIGGEST liar??

please guys tell me there are crk fans in casino cups fandom.. also mugman being blue twink was @fropish's idea 😔😔

[lazylittledragon]

ok so this is Extremely specific but it's the middle of the night and i can't stop thinking about it: anyone who was/is involved in the les mis fandom, did i hallucinate the enjolras cosplayer who made a fan novel and also a fan film and then later was exposed for cheating on his partner, divorcing them and abandoning his child with cancer to go and become a jewish lawyer or was that something that actually happened

[lushthemagicdragon]

I am absolutely obsessed with how Sammie is shot in this scene in comparison to his father. It's directly tied into a tl;dr I have about both how Christianity is treated in this film and how the magic system works in this story and so, while at some point I might write a whole ass blog post (or even an academic paper) in the future, here's the cliffnote word vomit version of why I think this is so fucking cool:

So basically, this film frames Christianity as one of the villains of the story (along with the white-liberalism-culture-vampires and the Klan), and heavily implies that what Sammie's dad wants from him is the same as what Remmick wants from him: to be used for the power of his music and subsumed into a soulless, cultureless whole. Where Sammie is lit in warm tones and dressed in warm colors, backdropped by green nature, his dad is lit in very stark cool tones with minimal contrast so he's almost in monochrome, surrounded only by the empty whiteness of the chapel. This film very clearly delivers a thesis that Christianity is a real-world culture-vampire that white people inflicted on the Black community, from the way Sammie's dad is shot and lit to look like the vampires do in this film, from Delta Slim's clear delineation that the blues isn't like that "religion they forced on us", to the way that Sammie's return to the chapel at the start and finish is intercut with scenes of Remmick. These flashes of Remmick and the horrors of that night that are cut into Sammie's dad telling him to repent and drop the guitar are the catalyst for Sammie leaving, because he figures it out. And in part he figured it out BECAUSE of the second thing that is fascinating, and that is basically the consistency of the magic system.

Basically, the magic system in this movie is antithetical to Christianity as a whole.

I'm going to preface this by saying that when I talk about Annie's hoodoo I'm NOT talking about real world hoodoo, which I know nothing about. I'm just talking about how the film presents hoodoo, and how the film presents the fae, and how these things all function within the same cohesive magic system.

Annie's Hoodoo, Sammie's music, and the Vampires are all diametrically opposed to Christianity, and are all within the realm of Faërie magic.

So when I say Faerie I don't mean specifically the sidhe, though the sidhe are part of Faerie. By Faerie magic I mean specifically the magic of the natural world, which is often ancestral, and often associated with an Otherworld that is still part of the World itself but is greater than humans. This is as opposed to sorcery (man-made magic) or heavenly/satanic (abrahamic/usually christian magic). When I say the entire magic system is Faërie it is because the Vampires are very CLEARLY laid out as Faërie, while Sammie's magic and Annie's Hoodoo are all part of the same consistent system of magic, laid out right at the start.

So basically right from the very first scene the film puts West African magic, Choctaw magic and ancient Irish magic as existing within the same frame of reality. All three have a concept of the magical singer, and all three (we later find out) know about vampires. It establishes that these all function in the same magic system, which is the Reality of this Secondary World. What is real for one group in this magic system is real for all of them. They may use different language to talk about the same thing, but the concepts are the same across the board in this universe. We're just talking about fictional secondary world magic system building here, and consistent storytelling, not real world understandings of these things.

the vampires are the most clearly Fae creatures (and by this I don't mean Fairies, but creatures associated with Faërie--imo they're like Changelings in that they were once human and then become Fae). Remmick is ancient Irish, out here singing Irish folk songs and handing gold coins to people at a crossroads, saying that the gold comes from an ancient place but it's no use to Mary while she's "alive" (human and not of the fae). It's super on-the-nose almost to the point of being irish stereotype caricature. I'll come back to him.

Annie's Hoodoo is never outright put in opposition to Christianity, but it's significant that she is not a mixed practitioner. There are no clear icons or crosses in her home. The grave marker for their dead child is not a cross but a carved African figure, which is very significant in 1930s Mississippi. She is solely a hoodoo practitioner, who lives in a ramshackle cottage in the words selling magical/natural cures. She's very witch-in-the-wood coded, but is never ever presented as wicked or evil. She's also the only spiritual figure in the film that can be trusted, and she is trusted implicitly. She is also the one who understands the consistency of the magic systems, as the teller of the intro tale and as the one who knows how to fight the vampires. This includes throwing NOT holy water on them, but garlic pickling juice. Crosses are also never used in her instructions on how to push them away (a very common vampire trope), just garlic, silver, fire, and stakes. I would also argue that Smoke's death scene with her and the baby is NOT heavenly, it's just afterlife coded (because white is generally the afterlife color code for visual media). Again, no angels, no heavenly coding, just afterlife coding. You COULD argue that she's virgin mary coded in this scene because she's breastfeeding, but we did see her actively have sex on screen earlier so that's tenuous at best. It's also shot with that same warped camera affect that happens whenever the mojo bag is in-use.

Then there is the Music. Music in general is a very common magical device in Faërie magic, and Tolkien is like the king of this: music holds power than the spoken word does not, music is the truest art of creating enchantment, this secondary world that the fae can produce, a fully realized enchanted art form. tl;dr there's a lot here but that's the cliffnotes version. Delta Slim outright says that the music is brought with them from home, rather than being forced upon them like Christianity. Sammie's music is what Sammie's dad wants to stamp out of him, or at least use to his limited means. It's Sammie's connection to the music that makes him a sinner in his father's eyes. But this is really hammered home in the final scene between Remmick and Sammie and then Sammie and his dad.

So I don't actually think Remmick's final monologue is supposed to be a final villain monologue so much as a final exposition monologue. I think the final villain monologue is Sammie's dad trying to compel him with the power of Christ, based on story structure. Generally speaking, a final villain monologue is supposed to be the peak of their evil plan, which is then foiled and shown to be wrong by the actions of the heroes. That's not exactly what Remmick's final speech does. In the final speech, Remmick explains that Christianity is the reason his culture is dead (and so the reason for the culture vampire void that needs to be filled), but he also says the following:

"They told stories of a heaven above and a devil below, and lies about the dominion of man over heaven and earth. We are earth and beast and God. We are woman and man. We are connected, you and I, to everything."

*if* this was a classic villain finale monologue, the response to this would have been "oh look this weird anti-christian pagan creature is monologuing, so he's evil, and the church is good and correct and the Truth", but that isn't how the film ends. Instead, the Remmick looks into the sunrise and hears the call of the Otherworld and his people (rather than say, heaven, because it's given that same Faerie irish lilt) but instead the music turns and he goes up in horrible flames for his crimes. UP in flames, up into the sky, which is NOT Christian for a "demon" to do in death (because he's not a demon, he's fae, Sammie calls him the devil repeatedly because he hasn't figured this out yet). The film "ends" (prior to the epilogue) with Sammie remembering the torment he went through from these vampires, after hearing this monologue, while at the church with his father trying to compel him to join *his* coven/clan/flock, and Sammie realizing that what his father is doing to him is this same repeated cycle of violence that happened to Remmick and that Remmick was trying to repeat onto him, and LEAVES.

Because of this, I think those lines above are not the typical final villain monologue, but the final bit of exposition that tells the audience the truth: that Sammie's magic and Remmick's magic (and Annie's magic as the one spiritual figure of the bunch) are all connected, you and I, to everything, with no dominion of man over heaven and earth. It establishes the magic system as consistent, and diametrically opposed to Christianlity

Faerie is morally neutral, it is the magic-of-the-World rather than of a moral dichotomy. It can be revelatory and healing, and it can be seductive and destructive. Annie and Sammie's magic is Good, and the Vampires are Evil, but they are all together diametrically opposed to the Church.

This is why the framing of Sammie and his dad in that opening scene is so fascinating, because behind Sammie is the natural world, warm and vibrant and welcoming, and behind his dad is man-made emptiness and shadow. Title of the film says it all, this film is ABOUT the so-called Sinners, the un-Christians. And that's not presented as a bad thing to be at all, but a truly magical thing, and that being a Sinner is joyous activity.

[rahiwatching]

Decided to show you all my take on the whole Matoran numerals debate.

A lot of people have pointed out in the past that the 1-9 symbols we have for Matoran numbers appear to show an incomplete pattern, with a repeat on a new inner ring happening on the number 6, which could theoretically be extrapolated out to show the numbers all the way to 11, and then continued on with further inner rings for higher numbers.

This has always been pretty cool, both for the implication that Matoran count in base 6 rather than base 10 (always neat to see different counting systems in sci-fi/fantasy stories) and because it implies that a single symbol can be used for any number, unlike our system which requires multiple for numbers above 9.

The only problem with this though is that it gets really unwieldy, really fast. Getting up to 11-12 is fine. You can just about get up to 17-18 and still have it easily readable, but after that it gets increasingly more difficult to fit everything in and still have the symbol recognisable at a glance. There are number systems that allow for one symbol per number even for much larger ones (I think Cistercian numerals are pretty neat and worth a google) but the inherent design of the Matoran symbols just doesn’t allow for easily readable higher numbers.

That’s why I’m proposing instead of a base 6 system with only one symbol per number, the Matoran might use a base 12 system with increasing digits per multiple of 12. I think this gives us the best of both worlds: we can extrapolate out the repeating symbols hinted at in the canon version, but not to such a degree that the symbols for higher numbers become functionally useless. Plus, as counting systems go, base 12 is actually really useful. It’s highly divisible, whilst still being small enough to have an easy number of individual symbols to memorise (unlike the even more highly divisible base 60).

What do you think?

[nataliesscatorccio]

YELLOWJACKETS

[theempressofthenile]

astro thoughts - short n sweet <3 pluto in the house

Pluto in the 1st house - Very strong auras. Could deliberately see through bs a mile away. Not gifted in being friendly, lol just kidding. Their not 'nice' though. And they don't have to be. They don't like faking the funk so this pretty much gives them an interesting outlook on people and they way they see themselves. Can shift the whole room with just their magic. Can be very intimidating to some, but very inspiring to others.

Pluto in the 2nd house - Could have financial issues from time to time. Not likely to say the same thing twice, if they said it once they meant it. Dont bother them again about it. These individuals can use their psychic senses to make money if that is what they wish, they could be very therapeutic to say the least. Give em a chance, they really wouldn't hurt a fly.

Pluto in the 3rd house - There speech is very compelling. They could hold a room with just their words and it could open the minds of a few listening to them. They have a gift in impacting you with just the way that they think, making you beg for more each day at a time.

Pluto in the 4th house - Could of had a transformative experience at home and I don't mean that nicely. There are somethings that should be left unsaid but sometimes things need a reawakening. They don't seem to let things go here.. but why would they? There past is like a haunting story awaiting to be unraveled just so you can piece together the puzzles that we're left unfinished. They are quiet when it comes to their personal life and hide themselves from the world so that you won't get an inkling of what truly is masked behind the bushes.

Pluto in the 5th house - Very deep bonds with their art work and can do a performance like no other. They will have you feeling every bit of emotion in their vibration just to help you feel what the character is feeling. I noticed there are a lot of good actors with this placement. Anywho, they have a powerful presence and when it comes to dating them or even just experiencing them for a little while it can be a transformative, healing experience for people involved with them.

Pluto in the 6th house - Like their martians mates in the 6th house, these people can have a pretty interesting experience here. They have a tendency to be obsessive over what they want so they work as much as they can until the wheels falls off. This could become a problem if they don't think to chill out on working and sacrificing their well being for something out side of themself.

Pluto in the 7th house - Deep, penetrating raw auras. Could be self-reflective on the way they see things, themselves , others and just the world at large. They have a gift of discernment but most of them never use the gift and can get caught up into the wrong things sometimes. There is more than what meets the eye with these individuals. They never let others in so easily, sometimes they're worth the wait. ;)

Pluto in the 8th house - Really good at seeing through things that others just can't seem to pick up on. Really gifted in occult sciences. Have issues with commitment and could have trouble with individuals because of traumatic experiences in past lives or current one. Could have people who want to be around them just to unravel them, but not really want to be with them. Have a very mysterious presence, hard to read.

Pluto in the 9th house - Very interesting and their thoughts can penetrate the mind in so many ways. They will leave you speechless when its all over. They travel to different places all the time but they are pretty good at finding places that match their flow, and love ot bring anyone along for the ride. There just a different layer to them that no one really knows how to explain, but its a gift that keeps giving.

Pluto in the 10th house - Woah. Thats the word to describe em. Its their touch and raw auras that keep you on your knees. VERY strong personas and do not like being talked down on. Could use their experiences/circumstances to their advantage. Gifted and seeing beyond what no one wants to believe is true. They can have the world if they know they got it in them already. Hard headed but gets to the bag with just their two feet. No one else can beat them at their own game.

Pluto in the 11th house - Whew. These people have a spell on the people that no other pluto house placement can compete with. The issue is these people don't know how to use that power but thats not all that bad. They can have people do things for them because something about them just makes people want to do things for them.

Pluto in the 12th house - very odd things comes out of the mind with these individuals. The subconscious/dream world is the most important part of their day to day because it rules the present in a way that cant be controlled but must be felt. How are you doing living a life that no one seems to live? It seems like they are all alone, but the world is calling for them to give them all the answers.

Talk to me in the comments, let me know how yall feelin! <3

[darkfluffydragon]

Decided to make a quick height chart for the Phantasmagoria Beasts, though I only drew SM, ES and BS since they were the only ones with designs I'd decided on XD. Knowledge is the only pre-corruption one since he actually goes through a height change after being sealed in the silver tree.

They're really tall, tall enough that they don't...exactly feel like 'cookies'. Except for Knowledge, he's an exception. The others tease him about it lol.

[triglycercule]

imagining this very funny totally amusing bit where dust (despite having a lot of pockets) makes horror carry a lighter for him (only because he can't be bothered to remember to bring one on him all the time) and horror keeps it in his head

but horror's a dick so everytime dust wants to smoke and he needs a light horror's always like "whats the password :3" (he actually said the emoticon i was the quotation marks) and dust has to guess. because horror changes it every time. and its never something predictable. and then he either just totally gives up on that cig or he has to forcefully dig into horror's head to get the lighter because horror's being a PRICK

now dust is shoulder deep into horror's eyesocket while horror is clawing and screaming and killer's just standing there behind them watching this unfold with that fuckass smile on his face (he can't get this type of entertainment anywhere else)

[dark-elf-writes]

While I’m Scum Villain posting:

Shen Yuan’s little sister also gets transmigrated (Ning Yingying maybe?) but neither he nor she know the other is there for a hot minute and she is in an endless shipwar to the death with Liu Mingyan over who Shen Qingqiu will end up with. (She is a diehard Liushen stan which Liu Mingyan has several objections to)

The ship war doesn’t end when she finds out Shen Qingqiu is actually her San-ge and if anything she leans harder into the Liushen beliefs because she has seen with her own two eyes he will treat Yuan-ge right in his time of need (mourning his student). She does however have to deal with her brother’s constant teasing about there being something more than a rivalry between her and Mingyan and honestly what is he even thinking he doesn’t know anything.

[reality-detective]

Storytime 😂

[dr-rato]

Just started watching Once upon a Witchlight after the clown convinced me

[cognitivejustice]

Urbánika is an international collective of tech commoners that calls itself an “immersive activism school.”

Led by Humberto Besso-Oberto Huerta of Mexico, the group wants to help build peer-governed, climate-resilient smart cities and communities, especially in Latin America.

For this ambitious goal, Urbánika has nearly finished kitting out a climate-positive “SolarPunk Bus.” The amazing vehicle will serve as a mobile learning center as it tours Latin American cities.

Another innovative Urbánika initiative: an educational video series, “PostCapitalism and the Commons.” This course consists of fifteen short videos. You can find the entire series online here.

The course aims to “provide knowledge and modern examples about commons to show that there are plenty of alternatives to our current extractivist and transactional way of living.”

The course is free to access. The course is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license, so that it can be reproduced, remixed, and shared at no cost.

A lighter series of educational videos produced by Urbánika two years ago. This series, “Commoning 101 – Learning Pills,” (with Spanish subtitles), is a series of amusing virtual-reality animations that introduce the commons to viewers in short gulps.