#shop this room

[myshunko]

⋆𐙚₊˚⊹♡ shop this room 2 - chic maximalism

for that girl in san myshuno who has done so many tiktok D.I.Y. renovations in her apartment that you know she's not getting her security deposit back.

1 | 2 | 3 | 4 | 5 6 | 7 | 8 | 9 | 10 11 | 12 | 13 | 14 | 15 16* | 17 | 18 | 19 | 20 21 | 22 | 23 | 24 | 25 * - from the sims 4 pastel pop kit

[its-where-the-wild-things-are]

[salamispots]

speedrunning a bday gift for bb nephew hjdfgjh

[yuuchama]

Sometime during the VDC training camp, when everyone on team Night Raven is sleeping over at Ramshackle Dorm:

Ramshackle Dorm has no shortage of spare rooms, but their condition is another story. You've managed to get enough of them decently clean. They're not as nice as your room, which has had far more time invested in it and is well lived in, but your groupmates should be able to spend a few days at the dorm without issue and are more than free to tidy up rooms as they please.

Yet on one of the first nights, you hear the door of your room creak open. It's dark and you can't see the intruder, though you know it's not one of the ghosts. The approaching footsteps aren't as heavy as Grim's, even after he's cleared out the entire fridge in one sitting. You're also pretty confident Grim is fast asleep beside you.

"Hello?" You groggily lift your head and call out to the intruder. If it's anything malicious, you hope the ensuing scuffle will cause enough noise to wake everyone else up.

A weight pushes the edge of your mattress down and there's a gentle touch at your shoulder. "Prefect, do you mind if I spend the rest of the night here?"

"Jamil?"

You almost don't recognize him in the dark with his hair down. You feel around for a bedside light. Grim groans in his sleep when it clicks on and turns over, shielding his eyes with tiny arms.

Jamil looks exhausted. "Please, I'd really appreciate if you could let me sleep here tonight."

"Yeah, sure. Of course." Maybe it's the sleep addling your brain or your trust in Jamil. You see no reason to turn down his request and didn't question why he was coming to you instead of Kalim. You nudge Grim over to make room for one more on the bed.

The vice housewarden does his best to fit in the cramped sleeping conditions, assuring "I'll pay you back for this. Thank you."

He's turned towards the wall, back touching your side so that he doesn't fall. You wait to make sure he's fully secure in bed before turning off the light. In the calm that follows, you notice he's almost imperceptibly shaking. Sure, the dorm is cold, but not that cold. Especially with three in one bed.

"Jamil, are you okay?" The longer you spend awake, the more concerning this whole situation feels.

"I'm fine. Goodnight, Prefect." Jamil already has his eyes shut and seems adamant about not discussing things further.

"Okay... Goodnight."

You lay down and silence settles over the room once more. It's really warm between your two friends. Sleep is quick to catch up to you, you find yourself nodding off within minutes of your head touching the pillow.

Before you fully drift off, Jamil turns to face you. His hair drapes over the side of the bed and he places a hand on your pillow, lightly grazing your cheek.

"Thanks again," he whispers. "I feel a lot better with you here. Your room doesn't have bugs on the wall."

[paperbackribs]

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[the-one-and-only-vic-lociraptor]

MY FELLOW EXPENDABLES:

Thank you for your time.

[webdiggerxxx]

*ೃ༄*ੈ✩‧₊˚

[s0fter-sin]

everyone makes fun of soap when they find out how many hair and skin products he keeps on hand. the cabinet in his bathroom is filled to bursting and he always keeps travel sized bottles on him on missions

when soldiers outside the 141 find out, they call him precious and self-obsessed, a vain pretty boy too preoccupied with his reflection to focus on the enemy. no wonder how he got his callsign. price has given up telling him to leave them on base and just teaches him to individually wrap them so they don’t rattle against each other and give himself away

what they don’t know is that each product contains an ingredient that when mixed with any number of the others, creates potent chemical bombs. he was caught unarmed once, he won’t let it happen again

[myshunko]

⋆𐙚₊˚⊹♡ shop this room 1

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32

[wombywoo]

🧔🏻🧔🏾 beard.

[lazylittledragon]

The sapphic’s love for silvanian families is so real, it makes so much sense for Shadowheart to be instantly drawn to them! i feel represented lol

rIGHT her favourite would be the midnight black cat family

also she definitely has a thousand squishmallows/jellycats/other stuffed animals on her bed bc now nobody can stop her

[felixandresims]

Happy New Year Everyone !!!

I like to begin the Year with one of your faves .... Shop the Look of course I never do that alone, Harrie and I have joined forces to create a set together from the Athena Calderone Crate & Barrel Collection. I worked on the Dining Room part while Harrie worked on the Living Room Items :).

My Set Contains 17 Items:

- Dining Table Long, Short

- Round Dining Table

- Dining Chair

- Armchair

- Cabinet

- Pedestal Wood, Pedestal Column

- Hanging Light, all three Wall heights

- 5 Clutter Pieces, 1 Plant

This Set is on early access and you will find it here

Don't Worry, The SOHO Set is not over yet I will continue with it for the coming month :)

Let me show you what @harrie-cc was working on:

Thank you again for the Love and Support, I'm quite excited for this coming year of cc creation! I wish you lots of happiness for 2024 !!!

Lots of Luv,

Felix xxx

[digitalmemoriez]

✫･ﾟ*.2008･ﾟ✫*.

[obsob]

new prints!!! and greeting cards!! and sm stuff restocked also hehe available here :3

[fuckyeahgoodomens]

(Mickey Ralph, the graphic designer of Good Omens, talks about showing the Bathgate Soho set to fans who won a visit to it :) <3)