#shogo makishima

[lisutarid-a]

[faefaye]

[ppdaily]

PSYCHO-PASS ×アプリゲーム  『スタンドマイヒーローズ』

[dollwrites]

𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 ∣ smut ( minors dni ), fem!reader, noncon to dubcon and back again lol, choking, fingering ( r!receiving ), all characters featured are aged 18+

𝗶𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 ∣ please reblog && leave feedback. not proofread so there’s probably mistakes. thanks for reading < 3

𝗸𝗶𝗻𝗸𝘁𝗼𝗯𝗲𝗿 𝟮𝟬𝟮𝟯 ∣ day twenty-three [ shogo makishima + choking ]

“Look at me when I’m speaking to you.” his voice is low, and unnervingly soft, but damned if it isn’t effective. when he croons to you, his baritone like a siren song, you’re certain to do whatever he wishes. “You’re being very rude.” like now, when your hues flicker upwards. you wished you could find a spot on his forehead, or right between his eyes, to focus on so you wouldn’t be locked into those deadly, golden gems. it’s a hopeless feat, however, because you’re drawn to them, almost if his eyes are magnetized.

and he’s smug once you’re locked in, the heat of his breath on your bottom lip as his couplet hovers just an inch or so from yours, parted etched into a victorious grin. “There she is, the soft and obedient little lamb that I expected you to be.”

and his first two fingers push deeper into you, your thighs clamping around his wrist when they curl, as if beckoning the sensation out of you. you whimper, biting on your lip to repress the sound, loathing how completely unlike you it sounds. so weak. so needy. but his fingers fit so deliciously inside of you. your hips are shameless as they jut forwards, pushing your lower half off the wall to grind against his pumping digits.

“You love this, don’t you?” he whispers, pressing his forehead to yours, “How snug my fingers are in that cunt? You feel so euphoric, I can tell by the twinkle in your eyes, and you can’t possibly imagine how this feeling could get better.”

you hated that he was right, but his wrist flicked, as graceful as a cat, and his fingers massage your interior nerves until you’re all but melting butter in his palm. you didn’t have to answer, he can read you like an open book.

“But, I can give that to you.” he murmurs, his soft, addictive couplet ghosting over yours. it takes everything in your power not to angle your face upwards and capture the tiers in a fierce kiss that you know wouldn’t satiate your hunger for him. “I can show you a nirvana your minimal daydreams have never even breached.”

because your want for Shogo was not an ember that could be snuffed out— your desire for him was a raging wildfire that left naught but chaos and torment in its wake within you.

of course, you would never tell him that, but he already knew.

“Do you want me to make you come undone?”

you shake your head, but keep your tiers tightly sealed— fearful that your mouth would betray you and favor the skillful fingers delving inside you, and you would beg him for a release. your hue was already tainted— you knew it was wrong to want a man so carnally, especially a killer like Shogo Makishima, but you couldn’t stop the depravity before it sank deep within you. it also didn’t help that he enjoyed tempting you so.

his eyes are nearly blinding, coruscating as he searches yours, and you know he can see right through the lie, but he’s still smiling. his free hand flees to grip your face, the pad of his thumb dragging along your lower lip. “I was asking as a courtesy, not because I need your permission. You know that, don’t you?” when he squeezes his fingers into your face, hollowing your cheeks, the act forces your lips to purse outwards, and they’re met with his pair crashing into them, devouring them. Shogo’s kiss is so overwhelming that you’re almost swept away, lost at sea within the embrace, and you nearly don’t feel a third finger join the other two, until he twists them, stretching you, and you whine against his lips.

he only chuckles, his hand holding your face steady, “Mm, I know. I know it must be a lot for you to take, but it feels good, doesn’t it? Stretching around my fingers like you’re made of elastic?”

“No—“ but it’s a sultry moan and your eyes flutter. your hips stutter as your body defies your mouth and rubs into his palm, wanting— no, needing more.

he chortles, shaking his head. “Your mouth says one thing, but your body tells me another. You’re giving yourself away, darling.” whilst he speaks, he smears the remnants of his sloppy, forceful kiss over your quivering lips and you can feel his fingers tight on your jaw.

then, only for what had to be a fraction of a second, a thought overtakes your mind. it’s quick, the visage of his hand dropping to grasp your throat instead of your face, and how much you’d enjoy that, and then you force it away from the forefront. but it’s much too late. an expression all too telling paints itself against his flawless countenance— the visage of a god possessed by power and victorious in his conquest of your fragile mentality.

“You are quite the demented, little thing, aren’t you? How badly you yearn to feel my hand on your throat— you know I would crush it, no problem whatsoever, don’t you? And that only has you wetter.”

humiliated with your face on fire, you attempt to turn away, but his fingers dig too fiercely into the vulnerable flesh of your cheeks, and you whine. you want to say no, to shake your head until your neck is sore, but you knew that your body was the traitor. no matter how much you lied to him, told him you weren’t enjoying it, he could feel your desire from the inside.

“I could make you tell me the truth if I wanted, I could finger fuck the pleases and thank yous right out of you.” he chuckles, before the hand upon your face careens downwards to clench a fist around your throat— your breath catches just beneath his palm, and your pulse pounds like a drum under the pad of his thumb, “and it’s not hard to see through your pathetic excuse for a facade, but it is exhilarating to watch you try and fool yourself into thinking this isn’t what you want.” his lips ghost over yours when he whispers, soft and daunting, and you’re hyper aware of the subtle flick of a devious tongue at the seam of your tiers; they part obediently and you exhale a shaky breath on to his face, much to your own dismay. “So, you keep telling me that you don’t love this—“ the pressure on your neck increases, constricting the air flow, and the rhythm between your thighs follows the trend; deep, slow thrusts picking up speed, yet sparing no intensity, until your eyes are rolling back, “and I’ll keep fucking your soft, warm cunt until you’ve nothing left in your fragile, little body to lie. Not an inkling of power, only submission for me.”

[smokingasters]

PP Novels Resources (for my fellow deranged fans)

As a deranged PP fan, who was starving for dopamine I discovered some novel sources for the characters we all love! All novels/summary is in Russian (can be easily translated to English through Google Translation of the website. Use a VPN if the sites do not load)

If ya'll love the OG cast (Season 1), this is for you! I'm merely linking to the websites for your reading pleasure. I will try to link the ones that are complete, more under the cut.

*All due thanks to the dedicated translators who keep the fandom going* Psycho-Pass Zero

(Tumblr: Novel Translation *pending but I recommend reading this before the radio drama for plot coherence*) (Live Journal: Radio Drama Translation *complete*)

Content warning: Plastination case + Makishima is enough warning Timeline: Prequel to the Psycho-Pass S1 Kogami and Sasayama's bromance/outlines the gruesome murders in the Specimen case/follows the story of Touma Kozaburo and his obsession with Touko. Baby Kogami is so precious. Mitsuru Sasayama is the man, the legend. *sobs* Masaoka's whiskey persists + Ginoza the worrier.

Psycho-Pass Asylum: About A Girl (Live Journal: Detailed Summary *complete*) (Suggested Supplement: Yayoi/Shion Tidbits from PP Novel + Aoyanagi and Kozuki disaster)

Content warning: brutality against women, !pregnancy, !cultism, !infanticide. I'm not kidding when I mean it's brutal. Timeline: Post S1 with some flashbacks. Yayoi and Shion's relationship is the main focus. They investigate a case where pregnant minors are being sacrificed by a cult. Entirely from Yayoi's perspective, has many details about her past and how she and Shion feel about Division 1. I would encourage you to read this if you want a feminine/female perspective of the PP verse. Underlying themes of creativity, sex, romance, and hope + vital issues with the Sybil System. I added the supplement because it covers a bit more about Yayoi and Shion + explores the canon romantic relationships, I believe it is a good study of how PP handles canon relationships.

Psycho-Pass Asylum: Restaurant de Campagne Kagari Shuusei

(Live Journal: Detailed Summary *complete*)

Content warning: None, really. This one is quite wholesome as PP can be except for Sybil's shenanigans. Timeline: Prequel to S1 (Flashback) Kagari and Div 1 + 2 investigate a series of gastronomic malfunctions in Sybil's food preparation system caused by a criminal called 'Harlequin'. It involves a "natural food" supply company called Gusto and a restaurant owner. The novel explores Kagari's interest in cuisines and the impact of food in the PP world. Kagari's perspective is quite refreshing and light, compared to the complexity in other novels.

Psycho-Pass Asylum: Separation Ginoza Nobuchika (Live Journal: Detailed Summary *complete*)

Content warning: animal!cruelty, child!abuse, dogs. This one is a tearjerker. Timeline: Prequel to S1 + post S1 Inspector Ginoza, Kogami, and Sasayama investigate a case of rehabilitated animals/pets that are increasing the stress levels of Okutama, a remote place in the mountains. These pets were reintroduced and have gone feral. A doctor named Miyake was responsible for the reintroduction. Ginoza's calm yet poetic and wistful perspective is quite grounding. There's a sense of loss through this story, the theme of separation, and dogs being man's best friends. Any puns that made you think of Kogami are valid.

Psycho-Pass Asylum: Mungungwha Choe-Gu-Sung

(Live Journal: Detailed Summary *partial translation*)

Content warning: !torture, !mutilation, !castration, graphic, mentions of NK-orea. It's quite disturbing and angsty. MAJOR tearjerker. Timeline: Pre-S1 + follows the plot of S1. This follows the story of Choe-Gu Sung, Makishma's accomplice, and his entry and activities in Japan. Explores family life with his younger sister Suseon and his friend Guynthae. It covers a major portion of his backstory in N-K and his eventual friendship with Makishima. If you felt nothing for this guy in S1, believe me, you will be sobbing through this one. He deserved a better ending ftw.

That's all. If I find anything else, I'll add it in another post. Enjoy delving into the world of Psycho-Pass in-depth, and don't forget the words said by a certain Enforcer:

When it's all over, you can cry as much as you like.

[thewritetofreespeech]

What about how they kiss and how they like to be kissed for the Psycho-Pass guys (you can choose which ones) Have you seen the movieWhat about how they kiss and how they like to be kissed for the Psycho-Pass guys (you can choose which ones)? Have you seen the movie??? :O Thanx!!

Psycho Pass Guys + kissing style

Shinya Kogami

Firm and direct.

Kogami isn’t really shy, or pussy foots around.

When he wants a kiss, he wants a kiss. Of course, if they are willing.

He pulls their whole body towards him and holds them close. It’s sort of a grounding thing when he can feel them against him when they kiss.

Nobuchika Ginoza

Shy and gentle.

His ‘kissing experience’ is basically non-existent before he became an Enforcer; not wanting to have to explain his father to anyone he got close to. And there isn’t much opportunity for kisses now that he’s on the other side of the fence.

Gino is meticulous. So, he wants to get it right. Unfortunately learning to kiss someone the right way is all trial & error.

He doesn’t want to hurt or scare them, and usually just lets them take the lead to teach him.

Shusei Kagari

Playful and persistent.

No one would disagree that Kagari’s love language is physical touch. He loves to hug, cuddle, be close to, and of course kiss his s/o all the time.

He’s constantly giving them little pecks on the cheek, head, or really anywhere he can get to. Sometimes multiple pecks in one go.

Like he’s storing up kisses for winter like a chipmunk or something.

Teppei Sugo

Passionate and unyielding.

Given Teppei’s usually calm, focused nature, it’s a surprise how powerful he is when he kisses, but it’s true. Perhaps his past in knowing things can slip away so easily that he wants to make sure that he takes full advantage of their moments when he kisses them.

He holds their face in his hands. Maps out their mouth with his tongue. Keeps kissing them until his lungs burn and physically must let them go.

Kisses them like every kiss might be their last, so he has to make the most of it.

Shogo Makishima

Sweet but deceptive

Shogo isn't a big kisser, in into physical touch.

He usually only kisses his s/o when he wants something or is trying to distract them from something he's done.

Like the rest of his personality he is able to manipulate them into thinking he loves them. He's good at it, and kissing. Using bits and pieces of affection to continue weaving his web of deceit and go about his plans with ease. Like a true psychopath.

[mariagalleriax]

I'd love a Psycho Pass OVA where it's just the couples being domestic. I want to see Irie and Mao go on a lil enforcer date. Karanamori and Yayoi enjoying life. Ignatov being a simp for Maiko. Akane and Kogami figuring what the hell they got going on.

Maybe a little something for the singles too. Ginoza possibly going on a date. Sugo going out with me. Shimotsuki suffering alone in her office. Tenma and Hinakawa playing scrabble.

Maybe a crack episode with the antagonists too. I'd kill for more Azusawa and Obata moments too. Togane repelling women for an episode. Makishima going on a mildly insufferable rant.

Arata just does parkour for 25 minutes.

[immloveanime]

Psycho-Pass - 01

[chaos-of-the-abyss]

i recently finished rewatching psycho pass season 1 and, as always, the thoughts about makishima shogo are flowing. i think, on my first watch of the show, i didn't quite understand makishima's character or the messages that it was presenting, but i think i've got a better grasp on it now, so. here are my two cents that no one asked for.

there are two words i predominantly associate with makishima: isolation and boredom, though my main focus is on the former as i feel the latter is not true apathy but rather a byproduct of isolation. makishima is isolated because of his criminally asymptomatic nature, meaning that sibyl, the system presiding over all of japan's society in the setting of psycho pass, has no power over him. no matter what he does, no matter what kind of person he is or how many heinous deeds he commits, makishima will always be an upstanding citizen in the eyes of sibyl. in a manner of speaking, sibyl, the ultimate authority of the world he lives in, cannot "see" him, and he himself is unable to change this fact. and because makishima is isolated, cut off from the rest of the world and the people around him, in such an extreme manner, he's bored.

the rest is under the cut for length. and fair warning, this entire post is pretty much me going:

so. in kogami's assessment of makishima, he basically likens makishima and all his actions - his manipulations of the people around him, his murders, both direct and indirect, his attempted bioterrorism - to a kid throwing a tantrum about being left out. kogami here, i believe, is in some ways projecting a part of himself onto makishima, but that's not a topic for this post. suffice to say that despite his projecting, kogami isn't entirely inaccurate. makishima is a lonely person who wants to destroy a society and a system that rejects and denies his existence and personhood. once again, in sibyl's eyes, no matter who makishima really is, it doesn't matter. all that sibyl cares about is that his crime coefficient has never exceeded regulation level, and therefore he's a model citizen. ironically, makishima is subjected to sibyl's dehumanization just as much as any other individual in psycho pass' setting. people don't matter to sibyl, who they are inside and who they are to other people don't matter to sibyl. only their crime coefficient and their psycho pass do. while, in the enforcers like kogami, the issue of sibyl's dehumanization is highlighted through the fact that many of them are not bad people at all and yet they're treated like disposable assets, in makishima's case, it's the opposite. he's a murderer and a terrorist who can kill people without blinking an eye, but sibyl doesn't care about that. sibyl doesn't care that he's not a good person, his numbers are perfect and that's all that matters. who he is doesn't matter. (though i will note that i think makishima's status as a villain is muddled by the dystopian nature of sibyl and psycho pass' setting, but we can all at least agree that he's not a good person.) it's dehumanization; it's just that for makishima, it's the opposite of the typical trajectory with which that dehumanization is applied. arguably, and as kogami states, this could be taken by some people to be a blessing - after all, yippee, i can do whatever i want since my numbers will never exceed the accepted norm - but makishima takes it as an indication of how alienated he is.

makishima tells akane that he believes the only time people's actions have worth is when they commit them of their own free will, and that he wants to see the splendor of the human soul and judge for himself whether that's a good or bad thing. i think makishima feels that he has never truly been able to interact with others due to the overarching, restricting influence of sibyl. people can't let their true desires and wishes out because it would stigmatize them in sibyl's eyes. therefore, they are not acting of their own free will, and what they do does not represent the human soul that makishima claims he wants to see. therefore he wants people to break out of those restraints and be more "honest" about who they are. however, it's also that sense of isolation that makishima feels that hinders him from truly interacting with others on the same level. this is significant because, as shown by the series, interaction between people is one of the major factors that help individuals solidify and develop their own sense of self. kogami rediscovers his idealism and his sense of right and wrong by working under akane, which is something he tells her in the second(?) episode: that he feels that, under her, he might be able to be a detective, not just a hunting dog. akane, too, in interacting with kogami and to a lesser extent, ginoza, and the other enforcers, develops a strong grasp on what she believes to be just. by the end of season 1, she has a firm understanding of her own ideals which she lacked at the beginning, in part thanks to her experiences with those around that have helped her flourish.

as i said, though, makishima is unable to really, meaningfully interact with others - at least outside of a handful of people - and so his introspection and self-understanding have been considerably hampered. makishima is a very outwardly-knowledgable person and makes no secret of it, but i don't think he knows himself very well. he receives mixed messages from the dissonance between his own actions and sibyl's assessment of him, and the confusion, for lack of a better word, is only exacerbated because he feels that he can't have relationships with others that are actually worth anything. not only does he feel alienated by the world because he's criminally asymptomatic, but he also feels alientated by everyone around him. therefore, he seeks companionship (and utility, of course, but that's not the focus of this post) in seemingly like-minded people, who also appear to, in one way or another, reject and be rejected by the society that they live in. it's to foster meaningful connection that can actually teach him something - though i don't think he's consciously aware that this is part of his motivations - because he wants to know himself. essentially, he looks for himself in other people. But these other people, his accomplices - like masatake and rikako - disappoint him and fail to give him that companionship he seeks because they are ultimately also lacking their own sense of self.

in masatake's case, he is able to flawlessly play the role of multiple avatars because he relies on them - made-up, virtual constructs - to give him his identity. it's precisely because he has no well-defined "self" to speak of that he can, not only emulate the original owner of the avatar, but surpass them in his ability to embody and become their avatar. due to lacking his own unique identity, he serves no purpose to makishima, so makishima kills him. when it comes to rikako, while makishima is initially interested in her because of her resentment towards sibyl, said resentment and her resulting murders are very directly tied to her father, his beliefs, and his works. as kogami puts it, she lacks originality, because what she's doing is ultimately lashing out at the world for what was done to her father, not because she has some dissatisfaction with sibyl on her own independent principles. though, an aside: i actually think rikako does have some genuine frustrations with society less related to her father's situation, but they don't hold particularly significant sway over her. maybe if they had, makishima might have at least kept her alive longer.

as for senguji, i have less of an understanding of what makishima thought of him in comparison to masatake and rikako, probably because it's a little more ambiguous about whether makishima truly and totally cut him off like he did those other two, or if he was just going for a coin toss to see of senguji could survive his games. but i digress. my approximation is that senguji, despite his platitudes about the wonders of his near-complete cyborgification(? is that a word?), is actually deeply bored and dissatisfied, in part because so much of him is mechanical. being a cyborg means that most of the prey he hunts essentially poses little threat to him, and this gap is further widened by the fact that the "hunts" take place in senguji's own territory, so to speak. they aren't actual challenges. they don't truly stimulate him, but much like makishima who knows so little about his own self, senguji doesn't realize that. makishima, of course, who is ever-attuned to the people around him, picks up on this, which is why he tampers senguji's "game" with kogami to introduce unexpected variables that enable kogami to pose a legitimate threat to senguji. and, as senguji notes, only then does it sink in that he hasn't felt truly alive in a long time. the last time he did was when he was in a war zone, in mortal danger with his friend shot dead right next to him. in the present game with kogami - someone skilled and dangerous and as much of a threat to senguji as senguji is to him, unlike all of senguji's other hunts - senguji is once again in extreme peril, and for the first time in so long, he experiences that sensation of being alive. also, note the obvious parallel of makishima, at the top of the NONA tower, thanking kogami for doing away with his boredom for a little while. i'm pretty sure this is intentional; senguji's whole deal with boredom and dissatisfaction is, just like with all of makishima's accomplices, meant as a narrative reflection of makishima.

i would also feel remiss if i didn't talk about choe gu-sung. (who i'm pretty sure is korean btw. i don't believe his nationality is ever stated, other than that he is a foreigner, but the way his name is pronounced by the other characters - "chwae goo-seong" - lends itself perfectly to korean syllables. anyway.) gu-sung is interesting because, aside from kogami, he is the only person to pretty much sustain and live through the, shall we say, conundrum of makishima's interest. makishima does not kill gu-sung; they're in league until the very end, and in fact it's during their shared plan which they conducted together that gu-sung is killed by sibyl, and makishima actually has a faint but noticeable reaction to this. it's easy to see that gu-sung is more up his alley than masatake, rikako, and senguji. notably their dynamic is also different from that of makishima and his other accomplices, because they actually have normal (semi-normal...) discussions and makishima discusses and debates literature with him in the same way that he does with kogami. makishima is maybe not totally honest or open with gu-sung, but he is genuine with him. i think this is because, from what i can tell, gu-sung is someone who does have a true, defined sense of identify, and legitimate awareness about his own self. he doesn't get much expansion and we never know anything significant about him other than that he is a foreigner, a latent criminal, and a genius hacker, but what sticks out to me is that he's open about and aware of the fact that makishima has a certain engaging effect on him. in gu-sung's words, when "i'm with him, i feel like i've gone back to my childhood". additionally, during his conversation with kagari as the latter is trying to find and arrest him, gu-sung explains his dislike for the sibyl system and the fact that it forced him to live like a hunted rat, running from corner to corner. this antipathy comes from a sincere place, and doesn't seem to be tied to anyone's opinion other than gu-sung's own. i think makishima liked that about him: his self-awareness, his understanding of his own personal resentment and dissatisfactions, and his willingness to acknowledge those things as a part of himself. gu-sung is the opposite of makishima in some ways, imo. they're both geniuses, but while makishima is more oriented toward planning and widespread manipulation, gu-sung is a specialist who is unparalleled in his particular niche. their inverse duality is even partially highlighted by their dialogue, right before they commence with their plan to plunge the town into chaos using the cymatic scan-fooling helmets. gu-sung says he is a foreigner, and i believe he also says he's grateful just to be able to live in this country, while makishima states that he was born and raised in this town. despite their differences, they share a grievance with the system, and they have united to address that grievance. it definitely says something that makishima has someone like gu-sung in his life; someone who you could look at and call his friend, regardless of what those two considered themselves to be.

...all that word vomit to say that the people makishima abandoned and killed - masatake, rikako, and probably senguji - are mirrors to his own lack of self-understanding and lack of a fixed sense of identity. meanwhile his one lasting relationship aside from kogami is with gu-sung, who stands in narrative opposition to him in the ways i described. what i'm trying to get at is that masatake and rikako definitely, and senguji maybe, don't give makishima a true look at the human soul he wants to witness - at least in his view they don't. therefore makishima, still isolated and without companionship even while in their presence, grows bored and ultimately kills them. that's where kogami comes in. kogami, i believe, satisfies makishima's desire for companionship, or at least makishima grows less isolated in his presence. unlike masatake and rikako, kogami knows himself, and i'd argue has a better grasp of himself than ever by the time he meets makishima face-to-face thanks to coming to know akane. i'm reminded especially of his conversation with masaoka right before he (kogami) leaves the public safety bureau to hunt down makishima, when he explains that his actions aren't out a sense of ideals or an intolerance for evil, but rather that this is what he wants to do, and if he doesn't end things with makishima now, he will grow to resent himself. his self-awareness and defined identity means that with kogami, makishima is not left feeling bored and dissatisfied.

but it goes further! kogami, like makishima, is someone who both rejects and is rejected by the sibyl system, the dominant power governing the society they live in. sibyl rejects kogami as a latent criminal, but kogami also proves that he denounces it right back when he chooses to go off and try to kill makishima on his own, even though sibyl wants makishima alive. in other words, makishima's solitude as a pariah is understood on a fundamental level by kogami. not only that, but kogami, like makishima, is in some ways like a kid lashing out at being excluded, which makishima comments on at the end of episode 21 in response to kogami calling him out as such. according to makishima, kogami is angry that his own suspicions regarding sasayama's death were rejected by sibyl, that his own anger about letting sasayama die was simply ignored and swept under the rug, and he was left to process it by himself. and it was an outburst of that anger that provoked him to leave everything he had at the bureau behind and truly put a target on his back, perhaps for the rest of his life, in order to confront and put an end to makishima. this mirrors kogami's judgement that makishima's actions are essentially a temper tantrum that his feelings of solitude are not even seen, much less acknowledged, by the world around him. and just like how i stated at the beginning of this now-obscenely long post that kogami was projecting a bit in his assessment of makishima, i also believe makishima is projecting a bit right back. but, again, like kogami's assessment, makishima's assessment isn't necessarily invalid or incorrect just because he has personal biases mixed up in it. his words to kogami have a degree of truth to them. in this way - both of them acting a little like kids, both of them projecting in their evaluation of the other as someone acting like a kid - they are also similar.

one more thing that i'd like to say regarding kogami and makishima is that it is stressed many times throughout the season how well kogami can put himself in makishima's shoes and replicate his thinking. while akane gains some understanding of makishima's thought processes over time and interaction, by her own admission, kogami is even better than her at gauging makishima, and this is because the two of them think alike naturally. it's why kogami has such a good nose for what's really going on behind the scenes throughout the season; because his thought processes are similar to makishima's, he can easily parse out what's up. i don't think this requires much further explanation since it's very cut and dry as another way that the two men are alike.

the final point about kogami's significance to makishima, specifically how he relates to makishima's solitude and boredom, is that makishima at his core is someone who wishes to be seen and judged. the sibyl system, and by extension society, has refused to give this to him. the person he is is not seen, much less judged, because, once again, all that matters to sibyl are his numbers. it's precisely because of this that he feels isolated and wishes to be acknowledged and judged as everyone else is; but in a vicious cycle, makishima's inability to receive that acknowledgement and judgement feeds right back into his deep sense of isolation. it's like a positive feedback loop, wherein the cause contributes to the effect and the effect contributes to the cause. however - kogami does see makishima. kogami does judge him, and he judges makishima just the same as sibyl would other murderers in the series: as someone who deserves to die. in other words, makishima is finally getting equal treatment from someone. the isolation that he experiences as a result of his perpetually clear psycho pass and his stable crime coefficient is stripped away when it comes to kogami, because kogami doesn't care about those things - he cares about who makishima is. and to him makishima is a murderer and a criminal who painfully killed one of his friends, and just like any other murderer and criminal under sibyl, is to be killed. plus, notice how makishima is typically very calm and serene when interacting with others, but grows markedly more animated and excited when interacting with kogami, be that through talking or fighting. that's the isolation and boredom that he's stewed in his entire life, evaporating in kogami's presence. ultimately, makishima's solitude is alleviated, and his desire to be seen and judged is fulfilled... because of kogami.

it's just as akane says.

[luna-nuko]

Y'all wake up VISTY phantom illustrations dropped

They're actually so silly I love them 🌟

[psychopasss4]

PPP Novel is out❣️

...just in time for the Lunar New Year Eve, Feb. 9th. 🎉

Noitamina Shop will hold Arata Shindo-kun's bday campaign and at the same time promotes the PPP novel sale 🥂🥳.

Have you already prepared dried persimmons? 🤗 You know, in ancient times people used to wind-hang outside Hoshigaki, thus the Japanese lantern shape we know about today were taken from. 📸 Google Images.

Quick Review:

During the premier of PPP movie before the Global launch, fans kept asking Dir. Shiotani about

The meaning of empty liquor bottle in Kogami's desk.

Why Kogami removed his jacket during his balcony scene

And his answer were simple. Kogami didn't know the difference of wearing it inside or outside. At first, I thought it was some kind of a funny little joke, or I didn't understand the words full well (I'm not a full-bred Japanese though I studied Nihonggo way back in grade school).

But if you read the PPP novel, you will realize Kogami isn't fully adjusted from his traumatic experiences as a mercenary overseas 🤧. So he doesn't feel how to act just as he used to when he's back.

And ofcourse, we all know he and Saiga only emptied the liquor after long hours of chatting and Tonami profiling.

2. It's interesting that the writing team have taken the pulse of the fans during the Q&A session, thus some points in PPP novel is what we might've expect after all 🤭.

3. Some may say it's nothing new. As it seems the writing team pretty much remain loyal to the movie summary. But if you read between the lines, you realize how it is a bit forgiving & fan-serving, compare to the movie itself 👍🏻.

4. The locations...last minute alterations... 😆😂.

5. And ofcourse the last time Akane spent with Saiga on his detention cell 😭. She literally blame herself for asking him to come to them on Dejima in MoFA's HQ to retrieve the Stronskaya Papers a day after. Which we all know ended tragically.

6. She pulls the trigger. She question the justice. Which quotes the same kind of line from PP3 novel when she's writing her thoughts down in an analogue typewriter. From that scene she thought of Kogami's action and how Sybil judged him for that.

But in PPP novel, no doubt she puts into consideration the life of Atsushi Shindo and how he was used as a pawn, only to be a master pawn who puppets the life of another pawn like what happened to Akira Ignatov.

Aswell as Akira Ignatov's sacrifice. He volunteered to be a puppet for the sake of the future generation. For the sake of his brother in particular 😢😓😓😢.

7. Frede-chan's holding back and being indecisive to keep the truth about the mission to Kogami. Is like keeping her phone number to her crush 😹🤭. Sure, she's just conscious how would Kou-chan would react since she knows Saiga and him are pretty close 😮‍💨.

8. The writing team did a pretty good job by staying true to their plot work. They know what they're doing. As if taken up some piece of advice from Gege Akutami 😅😂.

9. The last scene is pretty much heart-aching but well executed 😘🤌🏻❤️

10. The General was a medical AI but I wonder if the creator of Sybil also created that?... how about BiFrost? Oh hello, Season 4! We're waving at you ☺️😀!

11. Many hate Akane for trying to control Kogami, again?! Let me get this straight, SHE ISN'T CONTROLLING ANYONE!

There's a MASSIVE difference when he a.) first pulled the trigger against Makishima (out of revenge) and when he b.) pulls that against Tonami.

Akane knows it best.

a) She doesn't want him to be a person swallowed by revenge like Sasuke (Naruto).

b) She hopes Kogami is back for the better but instead he acted again with his animal instinct which indicates he can still be easily outplayed by emotions instead of not letting it get the human out of him.

Akane still looks up to Kogami. She knows he was labeled as a latent criminal by Sybil. But the way Kou acted is like proving to Sybil that their labeling of him as latent criminal was right. And if there's one thing Akane isn't fond of, that is proving Sybil right.

So it's not about Kogami. It's about her campaign against Sybil's false and unfair judgement! So don't mock her! 😖

Lastly, PPP novel is enjoyable because a lot of fans are exerting efforts to translate it to English for fans abroad. Kudos to you all❣️

Not everyone have the time, capacity and dedication you've spent. Including me, I'm not good in translation. So thank you. You are the heart of PSYCHO-PASS franchise global expansion ❤️🥰.

End of Review.

Okay, so that wasn't a quick one 😋 sorry about that. I just hope you guys have a wonderful day. Have fun and enjoy everything that you do!

🥰🤗

Meanwhile, the original crew of PP1 are in their podcast discussing how the series have been progressing so far 😋😂

Nah! It's just a trace sketch of CD Discussion Vol. 1

🤣🤣🤣

[lisutarid-a]

"I want to bear witness to the splendor of man's soul. I want to find out once and for all whether it is truly something worth admiring."

[cloctor-doodles]

Screenshot redraw of Makishima Shogo from Psycho Pass~

[ppdaily]

Psycho-Pass 10th Anniversary

[cc265-8]

fellas. is it gay.

[songsofwaterandnight]

Akane Tsunemori was the first fujoshi for describing Shinya Kogami and Shogo Makishima as "not just ships passing in the night. They understood each other better than anyone else and each was focused solely on the other."