#shizuku is obvious

[silver-the-second]

the shinonomes and the hinomoris set you up for "oh wow both siblings in the sibling pair are gorgeous" but no, here comes the tenmas, and tsukasa heroically took all the ugly genes possible so his sister would be an absolutely showstopping spectacular beauty

[zondearts]

More More doves

[77ngiez-archive]

project sekai is crazy because literally every character is queer trans neurodivergent physically disabled or some combination of the above

[frillu]

꒰ꦼ⠀⠀◌⠀⠀WONDERHORROR 〜 ?! TEST OF COURAGE !⠀⠀𓈒𓈒𓈒

Transparents credits. Reblog if using.

[taperwolf]

xkcd #2501, kinda.

[nebulanewts]

We’re going in “official” order,so now it’s Shizuku next!

My pick: January - Shizuku is one of the only like…somewhat athletic members of Nijigaku so it just felt right,plus I think she’d just fit a sort of wintery song yknow?? Also maybe she WOULD think of finding her crush there who knows 👀

But what do you guys think and why? Let me know in the tags / reblogs c:

[thrill-addict]

do you guys see what i mean

[quettasecond]

now no one will ever know what apps i have installed

[spu10d]

watching When Marnie was There with my sister and of course i go

[citrus-writing]

yandere phantom troupe - make you mine

nsfw, warnings for dub-con and non-con

-------------

Thinking about yanderes you can avoid having sex with for a considerable amount of time. the ones who, despite wanting you so badly, have the patience not to force you into anything. Why would they, when you're already so perfect?  

Includes: chrollo, machi, feitan 

Chrollo sees you as so cute and innocent, sweet and shy, almost. And that plays into your favor when he's so cautious in his approach. He’s so patient with you. Because to him you're made of glass, and he won't risk breaking something so precious. A part of him wants you to come to him- Maybe after so long in isolation, you could. But if you don't, he's not too bothered, because of course you can't approach him with something like this- you must be so nervous. But as time drags on, and Stockholm syndrome starts to set in, you find yourself less and less opposed to the idea, and worse still, is that he notices the change in you.  

Machi is too nervous to talk to you, and she nearly punches you in a fit of nerves when you reach out to tug at her sleeve to get her attention- so it's safe to say she can't bear to touch you. When you touch her she feels electric, and it both excites and scares her. If you ever get to the point of wanting to be close with her, inviting her into your space is better than trying to invade hers. Don't hug her, ask her to hold you. Don't try to crawl into her bed, beg her to stay with you in yours. If you want her to touch you, it's best to tell her. It’s not hard to warm up the idea of being intimate with her, but she’s unlikely to notice your change of heart, too afraid to ruin everything she’s built with you. 

Feitan is once again, really messed up about this. Because he wants you, almost more than any of the others, but he can't seem to get close to you. It's almost a blessing that you shake and cry whenever he comes near. The sight makes him almost happy under normal circumstances. Except now; when he's sitting on the edge of your bed, and you're curled up as far away from him as possible. Of course, he's done nothing to make you warm up to him. In fact, being kidnapped by him is worse than you imagined. He's equal parts endeared and repulsed by the sight of you, and touching you is so much worse. He won't force intimacy for a long time, mostly based on his own anxiety at being close to you. 

Thinking about yanderes who try to make you give in to their advances. Yanderes who know they could take you by force, of course, but they’re far more charmed with the idea of wearing you down, making you come to them. 

includes: shizuku, pakunoda, shalnark 

Shizuku is almost pestering you about it- isn't she pretty? Isn't she sexy? Don't you ever wonder? You must be lonely. Wouldn't it be nice? To have someone touch you and love you and take care of you? She’ll say or do anything to try to wear you down, and sometimes you wonder if it’d be better to just let her win. But then you remember she kidnapped you, took you from everything you loved. Still, when she comes around and touches you just so, the temptation is ever present. 

Pakunoda isn't nearly as obvious, in fact, you can almost convince yourself that maybe your misunderstanding, maybe she just craves the closeness of holding you. But something about the offer to come to bed with her is laced with some kind of warning- the point of no return. And she’s been the perfect captor, caring and kind and gentle- you know that this would be the same, that she’d take care of you and that she’d make it good for you- but you cant let yourself give in, no matter what she does to sway you. 

Shalnark is someone who wears you down with time- sure, he could force you, but there's no fun in that. Not when it's you. He wants you to come around, wants you to break under the pressure. Every touch and kind word and every little gift has been leading you here, and you've fallen for it everytime. You've been grateful- and you can't pretend you didn't know the cost. So when he places his hands on your skin and feels you try to pull away, he frowns, because you’ve accepted everything else so willingly. Still, it’s cute to see you try to win this. 

Thinking about yanderes who force you into their bed, afterall, you belong to them. There’s no sense in denying themselves when you're already here, already locked in their home, already trapped with them forever. 

Includes: llumi, hisoka, uvogin 

Illumi goes forever without touching you- you almost believe he doesn't want to. You lull yourself into a sense of security that someone like him is above desire. That was your mistake. And now, pinned down to his bed, you feel like a fool for not having seen it coming. He’s wanted you, and his perceived hesitance was never for your sake; always just him taking things at whatever pace he preferred. And now that he wants more from you, he won't hesitate to take it. 

Hisoka doesn't wait long, to be honest. And with him, you see it coming from a mile away. As soon as he takes you away, locks you up in his home with him, you know that a part of it is this; that he desires you. You’ve known that from the start, and he’s never tried to hide it. It’s pointless to try to fight him on it, and if you give in to him, he makes a point to let you enjoy it. 

Uvogin also doesn't wait long, maybe he wanted to wait- because he’d love for his feelings to be returned, and the idea of you wanting him is enticing, but he lacks the patience and in the end, it doesn't matter. In the end, he’s already got you here and it’s only a matter of time before he has you in his bed. And waiting for you to come around to his advances is such agony. No, he’s decided. It’s better to take what he wants. 

[comfied-chriterature]

I CAN ALSO SEE THIS WITH MORE MORE JUMP

SOMEONE SHOULD MAKE A JELLYFISH CAN'T SWIM IN THE NIGHT AU FOR NIGHTCORD AT 25:00

[novannon]

I have always imagined that when a (commissioned) 2d mv comes out, it's the commissioned characters fantasy

for the machi mv an singlehandedly imagined Akitoya being in a bl at a train station, bake no hana is obvious, no one is gonna question why saki has imagined them in space and way more

This can also apply to non commission 2d mvs so Haruka and Shizuku have imagined themselves on train tracks.. IFFUDOUDOU... king... Sweats

also alot of questionable songs have 2d mvs so you make your thoughts

OH AND CELLPHONE LOVE STORY LMAOO

You also have the mvs for April fools

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[mimikyuno]

🎨🎀 cozy mizuena headcanons to cope with mizu5 🎀🎨

ena and mizuki sometimes post dancing videos on tiktok! ena is Terrible at learning the dances and mizuki teases her the whole time so when they eventually have the videos ready for upload ena is always frowning in them

for ena’s birthday, mizuki once made a 2dmv using ena’s selfies (which she animated) as a silly present… ena pretended to be annoyed but she was in full lesbian panic thinking of mizuki spending hours animating and editing her selfies alsgslsgsk disaster lesbian

mizuki’s real present that birthday was to pay for ena’s desserts at a cute cafe! ena loved taking cute pics of the place for her account but by the end of the day she ended up with more pictures of mizuki and of the two of them together than of herself or the place

this is not rly a headcanon bc it’s been established in game but they go shopping together at the mall at least once a week! they both get butterflies in their stomach and blush when the other recommends some clothes or makeup that would suit them

they love lending clothes and make up to each other!! they both act rly gay in private when they try on the other’s lipstick/lipgloss (their hearts hammering in their chests bc “this is an indirect kiss…”) and they breathe a bit deeper when wearing the other’s clothes, the scent making their chests feel tight with longing

for their first official date, they took the train and went to the place where they went on a picnic with airi and shizuku all that time ago. this is because they didn’t wanna run into anyone they knew and wanted a quiet place to be alone. they have a nice picnic and both are too nervous to talk but then mizuki breaks the silence by teasing ena about her bento looking all funny (she tried her best okay!). after that it’s all like usual!! the share bentos, talk about nothing, and on the walk back to the bus stop their hands brush together and they are both so red in the face they laugh at each other. they hold hand properly as they wait for the bus, looking at a beautiful sunset

after they get together, they don’t immediately tell mafuyu and kanade bc they’re scared they’ll think something in their group dynamic would change. they tell them in a very officious manner at the usual family diner, and kanade frowns while mafuyu deadpans “you talked about dates in the main channel. also kanade and i are in also involved, we thought you knew, we don’t hide it.” it’s all a bit chaotic after that but then they all laugh (and mafuyu smiles ever so slightly). mizuki already knew that knmf had mutual feelings for each other but she thought they’d say smth if they started dating. ena had no idea.

this is more of a kanamafu headcanon but they think they’re obvious bc they stand very close together and fix each other’s clothes and hold hands etc. but mizuena thought nothing of it bc you know. kanamafu are both quite autistic so norms don’t really apply to their behaviours.

mizuki wants a prize figure for a magical girl anime she likes so they schedule a date at the arcade. mizuki tries her best to get the prize figure but cant. ena decides to be a good girlfriend and says “leave it to me.” she sucks so bad that mizuki cries from laughing as ena yells abuse at the machine and everyone stares at them. ena punches the machine and the figure (which mizuki had moved near the edge) falls in the hole. they both look stare at each other in silence for a second and then laugh so much their bellies hurt. seeing ena laugh so much makes mizuki impulsively kiss her for the first time. they both stare at each other in shock before giggling and hugging

akitoya were at the arcade too, and when akito heard ena yell at the machine he grabbed toya and ran out the arcade without looking back.

akito and ena accidentally plan their coming out on the same evening and it’s chaos at the dinner table (bc they start accusing the other of copying them and “why didn’t you tell me first” and “akiyama? of course… you two are really made for each other” “what is That supposed to mean?!” etc) . their dad doesnt have much to say, but their mom demands they invite mizuki and toya there for dinner some time.

dinner with the shinonome’s is a lot of fun for mizuki! she gets to see ena and akito being silly and keeps teasing them when their mom is out of earshot (she wants to make a good impression). ena’s mom smiles very fondly when she sees ena sneakily putting her carrots on mizuki’s plate and mizuki pretending not to notice. ena’s dad comes back late from the atelier and shakes mizuki’s hand and asks her to take care of ena. it’s a very short meeting but it makes mizuki realize she really IS dating ena and it’s official and she can barely fall asleep that night even though they have been dating for a month.

once ena tried to sketch mizuki but she’s so nervous her hands keep shaking and mizuki’s teasing her but she’s also feeling very self-conscious and her heart wont stop beating fast! ena eventually manages to make a nice portrait, and mizuki grins all the way back home, and hangs the portrait over her bed. she think she looks cuter in the drawing, and keeps grinning thinking that’s how ena sees her.

ena meets yuuki one time when she is back from france and they hit it off rly well!! mizuki is so so happy to see the two most important people to her talk about fashion and french pastries! yuuki was told about ena’s sweet tooth so she brought her some macarons from france, and ena is so happy she is a bit over enthusiastic in thanking yuuki, and mizuki teases her quite a bit about it.

when mizuki goes to get them some drinks, yuuki takes ena aside and thanks her for all she did for mizuki since middle school (with niigo) and asks her to take good care of her little sister while she’s away. she gets a bit teary as she says this, remembering how lonely and miserable mizuki was and how happy she is now. ena also gets teary and when mizuki comes back with drinks, she finds them crying on the sofa lmao

while yuuki is still in town, the three of them go shopping together and yuuki helps both ena and mizuki coordinate their outfits. when it’s time for her to go back to france, she promises ena she’ll sew her some clothes and ship them her way

now that they are dating, mizuki starts going to school more often and actually stays till the end of the day so that she can wait for ena to come take her evening classes. and ena starts going to school a bit early so they can hang out on the roof for a while before mizuki goes home and ena’s classes starts. on the roof, they chill and share snacks and do each other’s make up and read fashion magazines and browse social media together and discuss the music video they’re working on for niigo… sometimes ena draws and mizuki watches editing tutorials on her phone. they always sit very close, hip to shoulder, and sometimes one of them rests their head on their other’s shoulder and they just close their eyes and enjoy each other’s comforting presence

[meguchi512]

the new l/n world link cards show clpl's improvement at depicting different body types, especially regarding honami's.

in her "what comes after courage" 4* card, released over a year prior, honami's body is drawn to be thinner than it is in her newest card. in general, the proseka girls seem to have always been shown as thin, the only varying factor in their body types mostly being their heights (the shortest girl, emu, is 152cm/4"11' — while the tallest one, shizuku, is 168cm/5"6') and the size of their chest.*

similarly, mafuyu's body type seems to have endured the same fluctuations (while still varying from current honami's).**

2dmv artists have also previously incorporated interpretations of the characters' body types that haven't perfectly aligned with their in-game models and cards. particularly, in heartbeat#0822 and bug, their bodies are more akin to recent depictions.

*this is of course not accounting for their different faces (particularly in their eyes) and other notable design variations (like hair).

**note that mafuyu is wearing a corset in the imprisoned marionette set. however, her proportions have still varied, which becomes obvious particularly when looking at her arms.

[taperwolf]

I'm debating whether to wait for Foone to write the XKCD #2501 generator or to take the time to make my own image manipulation, because I've decided I need the Love Live version of it. You know the comic, it's the one that's all about experts wildly overestimating how much people know about their subjects:

"N girls are second nature to us Love Livers, so it's easy to forget that the average person probably only knows the Kurobane sisters and one or two girls from Touou."

"And Haruka Konoe, of course."

"Of course."