#shiro miyata

[sluttywizardcowboy]

i dreamt of drowning but it never was as good as when you took me down and under

[ihateandie]

look at my doctor dawg im gonna die ?!

[ shiro miyata from siren/forbidden siren ]

i hate him but i think he looks cool n worthy of drawing

[strangersyndrome]

finally drawing again after burying my head in metaphor for 2 weeks and posting 3 smut fic in a row on ao3. makino-san🫶

[hanakihan]

I am still thinking about fates of poor Yoshimura twins.

Imagine being newborn twins that survived a landslide that killed your parents and that also was a result of a failed ritual to summon an alien god

Imagine being separated by being adopted in two different important families who carry out different duties in said ritual

One is adopted by a priest of local religion, a child whose life was dictated all his life and who found his own adoptive father hanging on rope in their church

Other is adopted by a family of local doctors who manage darkness of the village, a child whose mother was a psychologically unstable and abusive, a child who was forced to study and commit unethical things form early age

Them both figuring out they’re twins, only to be cruelly separated by their family and positions to the point one of them develops fear towards other and other becomes jealous of other’s position in their small community

Imagine it’s being so bad jealous one kills and takes other’s identity

Their lives is a one big fuck up that they couldn’t even control

Imagine they could’ve been happy and had healthy brotherly bond

I think about it every day and fucking die inside

[gojoumitsue]

異界入り

[renmorris]

also my favorite location is definitely the Miyata Clinic, it’s so eerie. the resurrected buildings in Hanuda from before the earthquake are fun because it takes the player awhile to get confirmation that they’re not supposed to be there. at first glance you assume the clinic is where Shiro works but it’s not, and it’s just as alien to him as anyone else

the jail cells, the military history and the inexplicable restrained undead (even after helpful commenters have explained who they are- and who they are is very sad!) the secret passage in the courtyard and the odd decay and rust that covers the whole place, the presence of Shibito Mina and Risa. the size of the level and it’s floors and tight hallways. love it love it love it

[vesselreborn]

Some fun little tidbits as I try to understand exactly the butterfly effect of this game. Read More bc Long Post, spoiler ramblings and me being a little bit silly.

Harumi ends up being the sole survivor outta this hell, simply because she didn't take in any of the red water. I'm assuming this is mostly because she's inside buildings whenever it rains, and she never ends up fatally wounded.

Meanwhile, a good 90% of the characters ends up shot, stabbed, drowned or murdered.

Give it up for Shiro Miyata for doing most of the killing of human characters, while Not being a Shibito. He's not really an antagonist either, so...thanks for that.

The Homuranagi (The Kajiro family sword. ), needs the 4 seals containing Kiruden (Holy Beast that Guards 'Paradise') to be broken in order its full effect to be active to kill the shibito and Datatsushi. If not, it'll just be a normal sword and won't have any effect on them.

The Uryen (2 statuettes made of earth) can also kill shibito and Datatsushi, and requires no special prep up. However, only one person knows about the artifact, while only another one can actually gain access to it.

The Uryen are thought to look like two figures (Possibly an old God?), one wields a sword, while the other holds a shield. Nobody knows who created them, nor what their true purpose is.

Both weapons surround themselves with a blue flame once activated. The Homuranagi focusing on close combat, while the Uryen can cast blue cleansing fire. Either concentrated on one person/area or used to cast down raining fireballs.

Using any of them without sharing the Kajiro family blood will lead to the weapons burning you alive. (It's much better than all the other deaths in this game, and you get to pass on, tbh so...win?)

It's been 10 years and I still want to brutally murder Jun.

There's a bunch of other God bullfuckry happening in this world. Datatsushi isn't the only one, it is heavily implied that Data is a fucking BABY. GOD. and he hasn't really started doing their God Chores or whatever.

Please, stop eating unknown creatures. The sea is not your friend, and I'm sorry, but your gf breaking up with you is Not a valid reason to throw the world into darkness.

So much shit can happen in 3 days.

[sketcherbrows]

this is from a year ago when i was trying to convey how siren cutscenes with shiro feels

[al-lore]

SIREN 双子

[mocheree]

A siren doodle ft. Marina and the Diamonds Lyrics :’4)

[kavonnovak]

@icqsiq

[sightjacked]

just fuckin, slaughter your brother

[davidosu87]

[byneddiedingo]

Shigeru Amachi in Jigoku (Nobuo Nakagawa, 1960)

Cast: Shigeru Amachi, Utako Mitsuya, Yoichi Numata, Hiroshi Hayashi, Jun Otomo, Akiko Yamashita, Kiyoko Tsuji, Fumiko Miyata, Akira Nakamura, Kimie Tokudaiji, Akiko Ono, Hiroshi Izumida. Screenplay: Nobuo Nakagawa, Ichiro Miyagawa. Cinematography: Mamoru Morita. Production design: Shosuke Sasane, Haruyasu Kurosawa. Film editing: Toshio Goto. Music: Michiaki Watanabe.

I know what hell is: listening to elevator music interrupted by assurances that "your call is important to us" while on infinite hold. Which is not the idea that director Nobuo Nakagawa and co-screenwriter Ichiro Miyagawa present. It's pretty much the traditional one of fire and torture. Jigoku is a cult film, as many of the better (or at least more arty) horror films become, and while I'm not a member of the cult I can appreciate the skill with which Nakagawa presents his vision. It's a movie that ranges from deeply somber to extraordinarily lurid. The protagonist, Shiro (Shigeru Amachi), is a student who, after celebrating his engagement to Yukiko (Utako Mitsuya), gets into a car driven by his sardonic friend Tamura (Yoichi Numata). On a dark road, Tamura runs down and kills a gangster, Kyoichi (Hiroshi Izumida), whose mother (Kiyoko Tsuji) witnesses the accident. Shiro wants to stop, but Tamura keeps driving. Since her son was a gangster, she doesn't report the hit-and-run to the police but, along with Kyoichi's girlfriend, Yoko (Akiko Ono), vows to hunt down Tamura and Shiro and kill them. After pleading with Tamura, Shiro decides to go to the police himself, but on the way the taxi driver -- whom Shiro briefly hallucinates as Tamura -- runs into a tree and Yukiko, who has reluctantly accompanied Shiro, is killed. Shiro's road to hell is certainly paved with good intentions, and after his death he winds up there. He has received a telegram that his mother is critically ill, so he goes to see her at the home for the elderly that his father runs in the country. She's not as ill as he feared -- the telegram was actually sent by Kyoichi's mother and girlfriend to lure him into their trap. He discovers that the old folks' home his father owns is actually run on the cheap, with a doctor who skimps on medicine and food. He also encounters Sachiko, a young woman who looks exactly like his fiancée, Yukiko, down to the pink parasol she carries. She turns out to be the sister Shiro didn't know he had, but by this time revelations are coming hard and fast: Tamura -- who appears more and more demonic -- turns up too, as do the potential assassins, and in an elaborate concoction of circumstances, everybody dies, including Shiro. And everybody goes to hell, which is a fantasia crafted out of depictions from old Buddhist paintings and traditional cinematic imaginings of the underworld. Shiro learns there that the taxi accident killed not only Yukiko but also their unborn child, and he spends much of his time trying to rescue the infant from the torments of the afterlife. The film ends, after much exploration of the more gruesome torments of hell, with Shiro's vision of the twinned Yukiko and Sachiko, both with pink parasols, but although it suggests Faust being redeemed by Gretchen, there's nothing to indicate that this is any kind of redemption for Shiro. In short, Jigoku is complicated, contrived, confusing, sometimes a little cheesy and more than a little morally questionable -- does Shiro really deserve to go through all this? -- but also thoroughly fascinating.

[hanakihan]

Anyways, happy 20th anniversary to Siren 1

I’m deeply in love with first game and these two dumbasses will forever be my favorites

I really wanted to sketch them being happy at least once but then my hand slipped into their canon interaction lmao

Thank you Toyama Keichiiro for such beautiful game series and for these disaster twins, may we see Siren 3 one day

[harvestmoonconfessionsv2]

I absolutely fell in love with the doctor's redesign for SoS: FoMT because he looks a bit like Shiro Miyata from Forbidden Siren. Probably a weird connection to make, but Shiro has always been one of my favourite fictional characters and the thought of dating "him" - especially if the doctor's name remains ambiguous and he keeps a more serious personality - is a nice fantasy to have.