#shibaura house

[palsuke]

建築会館

森永エンゼルプラザ

SHIBAURA HOUSE

愛育病院

[sablegear0]

Technoroid’s Nobel - Part 2: Timeskip/Benefactor?

Having a Big Theory Think about Nobel from Technoroid so here I go. Spoilers for both the Overmind anime and Unison Heart game story. This got long so it’s the second of 2 Parts.

SO. What did Nobel get up to during the timeskip? But wait, before that... What was he doing out on his own? Before the events of Overmind, androids are treated as property. They aren’t individuals, they must be registered to an owner, and presumably can’t hold property of their own. So where is Nobel staying all this time? Let’s consider:

Expanding on Part 1: Nobel was probably around during the time Esora was growing up, but it seems unlikely that he was ever introduced to Esora. It’s also possible the poor kid has some brain damage from the car crash and his memory was affected. But either way, he does not seem to show any recognition towards Nobel the first time they bump into one another, so they've effectively never met.

If that is the case, then Nobel didn't hang around Hakushu and Esora's actual apartment, so be probably lived somewhere else. But given the time period, it's unlikely he lived alone. Unless being a "support" android includes acceptable provisions for being a dedicated housekeeper, in which case the Shibaura estate might have a third dwelling somewhere he was "house-sitting" during this time.

If Nobel was unable to hold property pre-timeskip, then we can guess that he's been living with some other benefactor for at least a decade (pre-Overmind flashback time-period to events of OM), or perhaps more (OM to Unison Heart timeskip). This benefactor is probably one of the Professor's associates or other students, and is necessarily a human. How much this person knows about Nobel is debatable, but it's unlikely they're totally uninformed. If they're an associate of Hakushu's, they're probably well-versed in robotics and AI studies at the very least. Consider also that following Hakashu’s death, Nobel would still need someone to help maintain him. Despite being very capable, I can imagine performing maintenance on oneself would be very difficult, so a benefactor of some sort would be critical for his continued function.

So what’s the significance of this? Well, during the timeskip between Overmind and Unison Heart, Nobel constructs (at least) two androids of his own: GE-0530RN “Ruma” his assistant, and ES-0406RN “Einsatz” his housekeeper (/bodyguard). Note the manufacturer initials at the end of their serial numbers.

While it has been confirmed that Nobel and Ruma worked together on Einsatz, we have to wonder if Nobel constructed Ruma all on his own. If so, then the work was probably slow-going, but not impossible. If not, we can guess this theoretical benefactor lent him a hand.

If true, this raises some interesting implications. This person has been, likely knowingly (if they are familiar at all with Nobel, which they probably are if they’ve been around one another since or before the timeskip), harboring and aiding a Dark Master android. ((As an aside, illegal manufacturers  known as Dark Masters are a known phenomenon, but are presumably predominantly humans looking to exploit their creations, rather than an android creating other androids. Interesting stuff.))

If this benefactor is aware of Nobel’s activities, and even helped him, this means they either:

a) have enough clout, be it financial or political, they can make that not a problem if discovered (World Government personnel? Rich philanthropist? Respected academic?); or

b) are so underground they'd never be suspected or found out to begin with.

All above considered, if we're going ham on the theories (which I am) and this person helped build Ruma, then the R in "RN" might be this person's name or alias. Rather than Ruma and Ein being tagged as "Registered [to] Nobel" the initials in their serial numbers might mean "R-name [&] Nobel"

We still don’t know who this person may be, however, if they exist at all. This is just me bandying some theories around. If Nobel does have some benefactor/Hakushu has a surviving associate, it would be interesting to see who they are and how they fit into the world of Technoroid.

[konradnews]

The redevelopment area to replace the Hamamatsucho Building will be called "Blue Front Shibaura"; construction is scheduled to be completed in February 2025, and we have seen the interior of Building S.

BLUE FRONT SHIBAURA is a large-scale mixed-use development project consisting of twin towers (Building S and Building N), each approximately 230 meters high, covering an area of 4.7 hectares, by rebuilding the existing Hamamatsucho Building. Building N, which is scheduled for completion in 2030, will house residences and offices. On May 30, Nomura Real Estate Development and East Japan Railway…

[kimura-masabumi]

Adriaan Luteijn NEW CREATION in Tokyo

Iungo - Encounter Tokyo

振付・演出：エイドリアン・ルテイン 出演：泉 葉子、片山夏波、川合ロン、小磯松美、小暮香帆、坂田尚也、野村雅弘、森田かずよ

VOYAGER

演出・振付：松岡 大 ドラマトゥルク：エイドリアン・ルテイン 出演：天方真帆、アラン・シナンジャ

主催：NPO法人LAND FES 助成： (公財)港区スポーツふれあい文化健康財団〔Kissポート財団〕、オランダ王国大使館、 公益財団法人東京都歴史文化財団 アーツカウンシル東京【東京ライブ・ステージ応援助成】 協力：Introdans、株式会社SHIBAURA HOUSE

撮影：木村雅章

https://landfes.com/introdans-landfes_en/

[kentackeyyy]

2023.12.30

2023下半期みたライブ。

7/22 内田万里 @両国門天ホール

7/31 CAT ATE HOTDOGS/とうめい天国/あるくとーーふ @下北沢club que

8/6 ONE PARK FESTIVAL @福井市中央公園

8/21 アスノポラリス @下北沢daisy bar

10/21 YEN TOWN BAND/Lily Chou-Chou/Kyrie @KURKKU FIELDS

10/23 Hammer Head Shark @新宿LOFT

10/28 内田万里 @SHIBAURA HOUSE

11/3 モーニング娘。'23 @パシフィコ横浜

11/25 内田万里 @新宿Marble

11/28 モーニング娘。'23&OG @横浜アリーナ

12/2 チリヌルヲワカ @東京キネマ倶楽部

12/9 内田万里 @錦鱗館

12/10 内田万里 @旧グッゲンハイム邸

12/18 amanojac/エゾシカグルメクラブ @下北沢daisy bar

12/24 内田万里 @curry草枕

[esgdatainrate]

Plastic Injection Molding Machine Outlook, Geographical Segmentation, Industry Size & Share, Comprehensive Analysis to 2031

The global plastic injection molding machines market size was valued at $8,374.8 million in 2020, and is projected to reach $12,723.9 million in 2030, growing at a CAGR of 4.9%. Plastic injection molding machine is a mechanical equipment, which performs injection molding process. This process is used for mass production of injection molded plastic parts. In this report, various types of plastic injection molding machines have been considered. Plastic injection molding machines are used to manufacture items such as power tool housing, telephone handsets, electrical switches, car bumpers, disposable razors, closures, and dashboards. Injection molding machine is used in various end-user industries such as medical, automotive, home appliances, and consumer electronics industry.

Major players, such as Hillenbrand Inc, Husky Injection Molding Systems Ltd, Milacron Holding Corp, and others, offer injection molding machines with less than 200 tons clamping force. For instance, STM Inc based in Georgia, U.S. offers standard D700/I 5800 injection molding machines. It has clamping force of 7,000 KN and injection pressure capacity of 217 Mpa. In addition, these machines are equipped with five-point toggle mechanism, high-speed clamp options, either rigid platens, or others. They are widely used in automotive and packaging industries. Thus, all such factors are projected to fuel the plastic injection molding machines market growth.

The global plastic injection molding machines market is segmented based on material, application, clamping force, type, mode of operation, and region. Based on material, the market is divided into polypropylene, polyethylene, thermoplastic elastomer, cyclic olefin copolymer, acrylonitrile butadiene styrene, and others. The polyethylene segment is anticipated to dominate the global plastic injection molding machines market during the study period. Based on application, the market is classified into packaging, closures, medical, PET reforms, automotive, and others. The others segment is anticipated to dominate the global plastic injection molding machines market during the study period. The packaging segment is sub-segmented into personal care, thinwall containers, and others. The medical segment is sub-segmented into surgery, pharma, diagnostics, medical equipment, healthcare devices, and others. Based on clamping force, the market is divided into less than 200 tons force, 200 tons to 500 tons force, and more than 500 tons force. The more than 500 ton segment is anticipated to dominate the global plastic injection molding machines market. Based on type, the market is divided into standard injection molding machine, multi-component injection molding machine, and LSR injection molding machine. The standard injection molding machine segment is anticipated to dominate the global plastic injection molding machines market. Based on mode of operation, the market is fragmented into electric, hydraulic, and hybrid. The hydraulic segment is anticipated to dominate the global plastic injection molding machine market.

Competition Analysis

The key players profiled in this report include ARBURG GmbH + Co KG, ENGEL Austria GmbH, Haitian International Holding Ltd, Husky Injection Molding Systems, Krauss Maffei Group, Milacron Holdings Corp., Shibaura Machine Co Ltd., Sumitomo Heavy Industries, The Japan Steel Works, and Ube Industries, Ltd.

The major players operating in the global plastic injection molding machines market have adopted product launch and acquisition as key developmental strategies to improve the product portfolio of plastic injection molding machine products. For instance, in January 2021, Arburg GmbH + Co KG acquired AMK Arnold Muller GmbH & Co. KG with its automation division, and formed a new company AMKmotion GmbH + Co KG. The acquisition aimed to improve the product portfolio of its injection molding machines.

Full Report With TOC:-https://www.alliedmarketresearch.com/plastic-injection-molding-machines-market-A13698

[team-tangent-blog]

[mia-japanese-korean]

Shibaura, Ishii Hakutei, c. 1914-1916, Minneapolis Institute of Art: Japanese and Korean Art

small inset landscape; standing woman wearing a blue striped kimono, fastening a grey, black and white striped obi behind her waist; rectangular inset image in URC of night sky; power poles and houses with light windows Medium: Woodblock print; ink and color on paper

https://collections.artsmia.org/art/62485/

[pukanavis]

Elapsing Years and Inherited Hearts - “Encounter at the Old Town” 1

Alto: Let’s see, the daily essentials, parts for everyone…is that everything?

Chrom: We’ve purchased everything on our shopping list so there shouldn’t be any issues.

Neon: …Let’s go home already.

???: —Ahh, if it isn’t the kids from Dr. Shibaura’s place. Perfect timing!

Cobalt: Oh, you’re from the neighbourhood association! Hey!

Neon: …Hi.

Head of Neighbourhood Association: Sorry for stopping you so suddenly. You weren’t busy with anything, were you?

Kei: No, we were just on our way home. Was there something you needed from us?

Head of Neighbourhood Association: There's a favour I’d like to ask of you. You kids are jack-of-all-trades, right?

I have a request for you…would you be interested?

Cobalt: A job!?

Chrom: Could you tell us more?

♡　♡　♡

Head of Neighbourhood Association: In a few days, the neighbourhood association is planning to open up a flea market.

Kei: Flea? You mean those little bugs? I’ve heard of them but what’s with the market part?

Chrom: The name “flea market” originates from the French language.

In Japan, it is generally regarded as an antique market where you can buy wares such as old books and utensils among a variety of other things.

Neon: Antiques…

Head of Neighbourhood Association: This neighbourhood hasn’t changed for a dreadfully long time. Some even refer to this town as “ancient”.

Because of that, youngsters never stop by so this place is practically a ghost town. You can see what I mean, right?

Alto: Well…it does seem like a nice and quiet area to live…

Head of Neighbourhood Association: Think of it like this, there’s no liveliness in this old town so we’re trying to bring a little more excitement to the area.

We want to give everyone a taste of the culture this town had back in the good old days.

Kei: So I’m guessing your request is for us to help you with it?

Head of Neighbourhood Association: That’s right. We’ll need assistance with setting everything up and moving stuff around. I’m sure you’ve noticed how many eldery people there are here.

You’ll be rewarded, of course. What do you say?

Cobalt: It sounds like fun! Let’s do it, guys!

Neon: …It seems alright. I’m curious to see what it’ll be like.

Chrom: The neighbourhood association is always lending a helping hand so I’d love to return the favour.

Kei: …Hey, wait a second. When exactly are you guys planning on doing this?

Head of Neighbourhood Association: Ah, forgive me, I should have mentioned that in the first place. I’ll send you all the data you need now.

You should be able to see the schedule…what do you think?

Cobalt: Let’s see, let’s see…ah! …Oh...

Neon: …Ugh…

Kei: Dammit...I knew it, I’m already scheduled to help unload things for a shipping company on that day.

Cobalt: I have to help assist with a dance class~...

Neon: I’ve gotta do salesperson stuff…

Head of Neighbourhood Association: Huh!? Just my luck...

Alto: Ah…it seems the three of them are going to be busy with other work…

Chrom: I, for one, am still free. Would Doctor and I’s help suffice?

Head of Neighbourhood Association: Ahh…well, I was hoping for five hands on deck. What am I going to do about this…?

???: —Oh? Is that KNoCC and Doctor-kun I see?

Alto: Huh? That voice…

Ruma: Why hello there. How are you all doing today? This weather is lovely, isn’t it?

Chrom: Ruma-san!

♡　♡　♡

Ruma: —I see, so that is your dilemma…

Cobalt: Yeah…I wish I could go see the flea market too~

Head of Neighbourhood Association: Oh well, this is beyond my control. I’ll just get these two to help and then start looking for three other people.

Ruma: If that’s all you need then I have the perfect solution. We'll lend you our assistance as well.

Neon: Huh…?

Ruma: With me, Nobel and Ein, there’s three people. It’s perfect, isn’t it?

Kei: That sure would be helpful but…are you sure the other two will agree?

Ruma: Nobel is a bit of a shut-in so he needs to get out of the house on occasion too.

Ein won’t be a problem either. All I need to do is explain the situation to him and he’ll offer up his undying support.

Alto: Are you sure about this?

Ruma: Come on now, it’s such a wonderful coincidence that I happened to pass by. I’m more than happy to help.

Next

[red-ferrari-pa]

SHIBAURA HOUSE

KASUYO SEJIMA, SANAA - 2011

TOKIO, JAPÓN

USOS MIXTOS

[procnomore]

Kazuyo Sejima, Shibaura House Source

[takabo77]

Today, our ship was berthed at the port of Kawasaki and I returned home. In Kentucky Fried Chicken near the house was Christmas and there was a row of people buying chicken. 近所のケンタでは、クリスマスなのでチキンを求めて行列が出来てました。 #kentuckyfriedchicken #christmas #shoppingqueen #shibaura #minatoku #tokyo #ケンタッキーフライドチキン #クリスマス #買い物行列 #芝浦 (大丸ピーコック) https://www.instagram.com/p/B6guplRhmt4/?igshid=kla9pfq0n0fa

[musicmapglobal]

L.A.'s Anenon tells us how he found his 'Tongue' in Tuscany

Los Angeles native Anenon first came to our attention after the release of his 2014 album Sagrada, a spell-binding record that defined, as much as it is possible to define, his musical approach. Exploring various shades of free jazz, electronica, ambient and classical music, the stated inspiration of ‘visual art’ seemed to manifest itself in music confidently yet delicately painted with highly creative and spontaneous strokes.

2016’s Petrol, a record that captured (sometimes literally) the sound and feel of Los Angeles’ freeways, added more fuel to the critical fire starting to smoulder around him. Now Anenon is ready to release Tongue, a fascinating album largely recorded on piano, saxophone and synthesizer in a remote Tuscan villa far from the LA smog. We asked him about the experience…

Tongue by Anenon

Hi Brian. Firstly, can you tell us what the name Anenon means?

Anenon: Bri (an) All (en) Sim (on).

Ha, can’t believe it’s that simple… You made Tongue in Tuscany – how did that come about and how did it compare to previous recording experiences?

I was invited to an artist residency called Villa Lena which is located near the small town of Palaia in Tuscany, Italy. It’s about an hour from both Pisa and Florence, tucked into the hilly countryside. A serene, green, and quiet landscape. The place felt like a dream then and still does. I had a month to work on a project there and decided that I would try and make an LP. I’ve never completed an album in this short of time so I had to work quickly and confidently.

I had recorded some initial piano and saxophone stems at my friend Adam Gunther’s studio in Los Angeles a couple of months prior, but the bulk of the record was performed, recorded and arranged at Villa Lena with a very makeshift setup. The residency had a pair of Yamaha NS-10 monitors that they let me use and I had a Zoom Handy recorder, an SM57, an OP-1 synth, and my soprano saxophone as well. My studio was a tiny attic room on the third floor of the 16th century villa where all of the residents slept. Just outside of the studio was a hall with beautiful natural reverb in which I recorded a lot of the soprano.

The music of Tongue became part of the villa. Residents on walks told me they could hear my sounds miles away being amplified into the countryside. There was a beautiful and tuned upright Yamaha piano located in a building next to where my studio was that I used every day, and a couple of other residents there who were also working on music recorded some soprano takes of mine on their nice microphones. Basically, the entire setup was improvised and very in the moment and not having the luxury of months and months to work and edit an album became a very welcoming and fruitful new challenge for me.

Your previous album Petrol was inspired by the traffic in Los Angeles – how did your environment in Italy influence this one?

Tongue feels like the country to Petrol’s city. I knew I wanted to make something in contrast to the dense audio fog and smog of Petrol. Working in solitary in the Tuscan countryside really made this album open up and come alive. You can really feel the room in these recordings. Tongue is an abstract audio diary of April, 2017 in Palaia, Italy.

Tongue by Anenon

The album alternates between tranquil, sax-based ambience and more hyper, piano-centric minimalism. Does that juxtaposition say anything about your state of mind when creating it? Or do the different instruments just tend to lead you down different paths?

I choose a palette before approaching any project and I chose soprano sax, piano, synthesizer, and field recordings for this one. The piano picks up a lot of the rhythmic weight and the saxophone floats on top. Juxtaposition is always necessary to make music interesting for me. The tension that arises between the saxophone and piano throughout Tongue really took this album into a new place sonically for me, letting the instruments dictate where they wanted to go in the physical space that I was working. There’s too much motion from all of the instruments for this to be considered 100% ambient music. I’m always trying to find sonic spaces in between.

It seems like you often manage to. What sort of music were you exposed to when you were growing up?

My dad is an audiophile with a large record collection but isn’t exactly a deep digger. Growing up, he played a lot of Elvis and more popular jazz, soul and classical music like Miles Davis, Stevie Wonder and Stravinsky. One jazz record that I do remember him frequently playing was Sonny Rollins’ Way Out West. The catchy tenor melody of ‘I’m an Old Cowhand’ is still burned into my brain. Oddly enough, I learned a lot about music through skateboarding videos. Girl Skateboards’ Mouse was hugely formative to me. I actually listened to Cymande’s ‘Brothers On The Slide’, which is in a section of Mouse, while driving through the Tuscan countryside every day when taking recording breaks during the creation of Tongue.

When did you start making your own music and what was it like?

I started DJing and making really simple hip-hop beats sampled from records around the year 2000. I hadn’t paid that much attention to making music prior. I was working entirely in Acid Pro on a desktop PC but taught myself the rudiments of sample chopping and audio editing which still remain a major part of my process when using Ableton now. Besides the basic early productions I was also heavily into turntablism and scratching which laid down a very personal rhythmic sensibility that I still draw from when playing the saxophone today. I didn’t pick up the saxophone until around 2006 when I was 23, but have dedicated most of my instrumental practice to it since, originally starting on the alto saxophone, and now playing tenor and soprano, as well as currently learning how to play the bass clarinet.

Can you send us some photos of the villa where you recorded Tongue?

What a beautiful place to compose and record. What about playing live? You tend to play art spaces as well as more traditional venues – what draws you to do this and how do those experiences differ from your typical gig?

There really is no typical gig for me. I never play just to play. I only want to play in interesting spaces with alive sound, whether they are art spaces or more traditional venues. My favorite places that I’ve played are The Black Mountain College room at MOCA and The Broad museum in Los Angeles, on a cliffside after party in Madeira, Portugal, Kantine am Berghain (I’ve never had such a professional sound tech before) in Berlin, Shibaura House in Tokyo, and the minimalist designed Proyectos Monclova gallery in Mexico City.

Are there any Italian artists/musicians who’ve inspired your music?

Lucio Fontana, Pierro Manzoni, the Arte Povera movement, the food stylings of Massimo Bottura, Italo Calvino, Ettore Sottsass and Memphis.

What one new artist should we be listening to right now?

Not new but Sam Gendel is finally starting to peak out of the underground. Can’t speak highly enough of him.

4444 by Sam Gendel

Where in the world would you most like to perform?

Tasmania / anywhere where people with open minds, ears, and hearts want to hear me.

Tongue by Anenon will be released by Friends of Friends on February 9th. Pre-orders, including limited edition translucent vinyl, are available via Bandcamp.

Interview by Kier Wiater Carnihan

[hamidshahi]

View this post on Instagram

A post shared by Hamid Shahi (@hamidshahi)

We are enormously proud of what we created and we are delighted to screen this film #MOR for the first time to the public in Kamaishi and Tokyo this month. For more details please visit the links below: . Saturday February 16 2019 18: 30 - 20: 30 @ Sanriku Komaki, Kamaishi. momentofrealization-kamaishi.peatix.com . Friday February 22 2019 19: 00 - 21: 00 @ SHIBAURA HOUSE, Tokyo. momentofrealization.peatix.com . #film #inspiration #art #design #architecture #integrity #community #kengokuma #rikenyamamoto #manabuchiba #yokotakaike #rikakotakahashi #markdytham #hamidshahi #kamaishi #tokyo #japan #canada #iran #architecturefilm #archittecturephotography #filmoftheday #photooftheday #sketch #theimaged #instagood #moodygram #documentary #motivation (at Tokyo, Japan) https://www.instagram.com/p/Bt1Hhqdlu_5/?utm_source=ig_tumblr_share&igshid=1beichekkyn8z

[more-records]

#taylordeupree #minamo #asuna #moskitoo #12k #来日 #shibaurahouse #ambient #minimal #アンビエント (SHIBAURA HOUSE) https://www.instagram.com/p/CjUtogjrR9p/?igshid=NGJjMDIxMWI=

[esgdatainrate]

Plastic Injection Molding Machine Forecast to 2031 with Key Companies Profile, Supply, Demand and SWOT Analysis

The global plastic injection molding machines market size was valued at $8,374.8 million in 2020, and is projected to reach $12,723.9 million in 2030, growing at a CAGR of 4.9%. Plastic injection molding machine is a mechanical equipment, which performs injection molding process. This process is used for mass production of injection molded plastic parts. In this report, various types of plastic injection molding machines have been considered. Plastic injection molding machines are used to manufacture items such as power tool housing, telephone handsets, electrical switches, car bumpers, disposable razors, closures, and dashboards. Injection molding machine is used in various end-user industries such as medical, automotive, home appliances, and consumer electronics industry.

Major players, such as Hillenbrand Inc, Husky Injection Molding Systems Ltd, Milacron Holding Corp, and others, offer injection molding machines with less than 200 tons clamping force. For instance, STM Inc based in Georgia, U.S. offers standard D700/I 5800 injection molding machines. It has clamping force of 7,000 KN and injection pressure capacity of 217 Mpa. In addition, these machines are equipped with five-point toggle mechanism, high-speed clamp options, either rigid platens, or others. They are widely used in automotive and packaging industries. Thus, all such factors are projected to fuel the plastic injection molding machines market growth.

Increase in demand for injection molding machines in various end users, such as packaging, automotive and others, drives the growth of the plastic injection molding machines. For instance, the packaging industry in Japan grew by 2.1% from 2017 to 2019.

However, the high cost required for machinery is expected to restrain the growth of the market. For instance, price of a large and complex mold machine is around $80,000 or more. Moreover, it requires high maintenance and installation cost. In addition, presence of substitute products, such as urethane casting, thermoforming, and 3D printing, is projected to restraint the market growth.

Moreover, technological advancements, such as IoT enabled and software, in plastic injection molding machine are expected to provide lucrative opportunities for the market.

Competition Analysis

The key players profiled in this report include ARBURG GmbH + Co KG, ENGEL Austria GmbH, Haitian International Holding Ltd, Husky Injection Molding Systems, Krauss Maffei Group, Milacron Holdings Corp., Shibaura Machine Co Ltd., Sumitomo Heavy Industries, The Japan Steel Works, and Ube Industries, Ltd.

The major players operating in the global plastic injection molding machines market have adopted product launch and acquisition as key developmental strategies to improve the product portfolio of plastic injection molding machine products. For instance, in January 2021, Arburg GmbH + Co KG acquired AMK Arnold Muller GmbH & Co. KG with its automation division, and formed a new company AMKmotion GmbH + Co KG. The acquisition aimed to improve the product portfolio of its injection molding machines.

Full Report With TOC:-https://www.alliedmarketresearch.com/plastic-injection-molding-machines-market-A13698