#shes a lesbian bc fu i say so

[creepyhomie]

The more people reblog this years after, the more i hate Karezi.

I really hate Karezi that’s all.

[henry-fox-biggest-stan]

Some more obscure and / or underrated lesbian literature : An incomplete list made by a lesbian in hopes of making other sapphics happy

(I haven’t read all of them)

Sorted by years (this rapidly became a history lesson of lesbian literature sorry I’m a nerd)

Ancient times

(A good article about lesbians in ancient greece / rome)

Queen Zhuang Jiang 庄姜 (???- BC 690) / We know about Sappho and Enheduanna, but what about her? She wrote poems some of which were, uh, pretty gay. I learnt about her here. It is said than her poems are in The Book of Songs (which is a collection of ancient Chinese poetry). I couldn’t find a lot about her but I found enough to believe than (hopefully) she was a real person and the internet isn't lying to me.

Dialogues of the courtesans - Lucian of Samosata (somewhere in the second century BC) / Basically Dialogues of the courtesans is a collection of dialogues between well, courtesans (prostitutes). Either between themselves or between clients. One of the dialogues is called “The Lesbians”. Link to read (somehow finding a pdf of Dialogues of the courtesans is pretty hard but reading it chapter by chapter online it’s not??)

The Babyloniaka - Iamblichus (somewhere in the second century AC) / Lost novel, so all you need to know is here

Of course we can’t forget this Pompeii poem

1200s

Bieiris de Romans (somewhere in the first half of the 1200s) / Bieiris was a French poet, and we only have one of her poems with us because the others have been lost. We don’t know much (anything) about her, except that she was a woman, French, and who wrote about a woman called Maria. Some say that this mysterious Maria referred to the Virgin Mary, others than Maria was her gf, and others than she was writing in the perspective of a man (because obviously a woman writing about other women in a not so platonic way is unthinkable). Anyway, feel free to get your own conclusions, here’s the poem (translated)

1500s

The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena - Konrad Eisenbichler / So while this is a modern book, it is the only one I’ve been able to find than includes Laudomia Forteguerri’s poems (1515-1555). Some historians considered her to be the earliest Italian lesbian writer. “Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to Margaret of Austria.”

The Maitland Quarto / Manuscript (1586) / So, this is a collection of 95 scot poems, and poem 49 is pretty sapphic. It’s technically anonymous, but it has been attributed to Marie Maitland (who transcripted the manuscript and is thought to have added her own poems there). The last lines mean “'There is more constancy in our sex / Than ever among men has been”, I haven’t been able to translate the rest of it. The poem.

1600s

The Flower's Shadow Behind the Curtain - Ko Lien Hua Ying (somewhere in the 1600s) / It is said this book was written towards the end of the Ming dynasty (1368 to 1644). It’s a erotic book, and chapter 22 includes an erotic story between two 16 year old girls. I found it in Sex in China: Studies in Sexology in Chinese Culture by Fang Fu Ruan (believe it or not, I don’t just randomly know all this books, I did research)

Aphra Behn (1640-1689) / English writer, one of the first female writers to live through her writing. She was also a spy. She wrote a lot about women. “Homoeroticism is standard in Behn's verse, either in descriptions such as these of male to male relationships or in depictions of her own attractions to women. Behn was married and widowed early, and as a mature woman her primary publicly acknowledged relationship was with a gay male, John Hoyle, himself the subject of much scandal.” (here). She wrote a lesbian love poem (in the link before, it also makes an analysis of it). The poem: To The Fair Clarinda

Poems, Protest, and a Dream: Selected Writings - Juana Inés De la Cruz (1648-1695) / So the thing about Juana is than every single spanish-speaking lesbian knows her (and loves her), but hardly anyone who doesn’t speak spanish has ever heard of her, which is a shame, because she’s an absolute icon. She was a Mexican nun who was also incredibly gay. You know how Sappho is called the tenth muse? Juana is also called the (mexican) tenth muse. She’s also called the phoenix of America, which is incredibly badass. She learnt how to read at 3 years old, at 8, she asked her mother to send her to college dressed as a man (her mother refused). She learnt and studied by her own, because she wanted to learn. She studied by cutting her hair (if she got something wrong or forgot something, she cut a strand of her hair as a punishment) because she said that “a head adorned with hair is worthless if it’s a head naked of ideas”. When she was sixteen (important to note than she already spoke Latin fluently at 12, having mastered it in just a few lessons) the archbishop Payo Enríquez de Rivera heard of her, and decided to ask her to be the company lady of his wife (his wife and her eventually would have a relationship) and decided to test her intelligence. He got 40 (!!!) university profesor of all subjects, and they all asked her questions related to maths, literature, philosophy, etc. She answered all of them right. At around 21, she decided to become a nun (not out of faith, but because it was either becoming a nun and being able to continue her education, or marrying a man and stop studying. To her, the choice was clear). Also it is said she owned around 4000 books in her personal library. So yeah, an educated, extremely intelligent gal, who wrote lesbian love poems to her gf, and who was definitely not afraid to stand up for herself.

1700s

The Game of Flats - Nicholas Rowe? (1715) / Poem, “game of flats” was an 18th century slang for lesbian sex. Link to read <- that website includes lots of 18th century queer history and poems like this one

The Sappho-an - Anonymous (1735 or 1749) / When I first heard of this I couldn’t believe it. It sounds like an AO3 fanfic, or some modern erotic book (one of those than have a real person in the cover), or maybe a forgotten 1970s lesbian book. It’s none of that. It’s an anonymous poem written in the 1700s. The plot? The goddesses of Olympus are sexually unsatisfied because the gods keep on going after mortals (except Ares, he’s just too busy with war) instead of paying attention to them. The gods keep going after woman and male mortals, so Hera just says yknow what if they can sleep with men then we can sleep with each other. Sappho also appears. Link to read.

Fanny Hill, Memoirs of a Woman of Pleasure - John Cleland (1742) / Ok fine, this one is not sapphic but the main character (female) does have sex with a woman at one point. This is basically an erotic novel. Very dirty (specially for the time period) and very banned in lots of places. The main character is Fanny, a prostitute. It includes lots of straight sex, some gay (mlm) sex, and two pages where Fanny describes in detail having sex with Phoebe, bisexual prostitute. Not sapphic, but thought it was worth mentioning.

1810s

Christabel - Samuel Taylor Coleridge (1816) / So, have you heard of Carmilla (1872)? If you’re reading this post, you probably have, if you haven’t, it’s a classic (vampire) book than is said to have inspired Bram Stoker to write Dracula. It’s also incredibly gay. Well, some say it was Christabel than was the inspiration for Carmilla. Of course we don’t know this for sure, but the similarities definitely are there. Review from a reader: “what if we were the protagonist and villain of a never-completed sensual gothic poem (and we were both girls) / alternately: when you meet a wickedhot girl only she's SPOOKY but that's SEXY and turns out your dad and her dad were also gay back in the day before having a sexy gay falling-out and she's like 'babe let's get naked and hold each other close' and you're like '—wait fuck I mean uhhhh I PRETEND I DO NOT SEE IT!'” I haven’t read this one, however for what it seems Christabel is not explicitly a vampire. Since the poem is unfinished we don’t know the end, and we just think she’s a vampire because so many things used in here were also reused for vampires characterization (like not being able to enter a house unless invited)

1830s

Mademoiselle de Maupin - Théophile Gautier (1835) / “A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.”

1870s

Mademoiselle Giraud, My Wife - Adolphe Belot (1870) / “The sensational Mademoiselle Giraud, My Wife tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers.” In reviews it says than this is a homophobic novel (who’s surprised) but “Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men”

1880s

Jill - Amy Dillwyn (1884) / “Jill is the story of an unconventional heroine—a gentlewoman who disguises herself as a maid and runs away to London in search of adventure after her mother dies and her father is pursued by a Victorian gold-digger. Once in London she uses her position as lady's maid to become close to her mistress. Her life above and below stairs is portrayed with irreverent wit in this fast-paced story, but at the centre of the novel is Jill's unfolding love for the woman she works for. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. A new introduction tells the autobiographical story on which the novel is based —the author's own passionate attachment to a woman she called her wife, but who she couldn't have.”

Mephistophela - Catulle Mendès (1889) / “Telling the story of Baronne Sophor d'Hermelinge, a woman as thoroughly martyrized by her creator as any other heroine in the history of fiction, in spite of the enormous competition for that title established by countless writers, male and female, it is one of the archetypal novels of the Decadent Movement, and one of the most striking, precisely because is it such a discomfiting piece of writing, the deliberately controversial nature of which has been further enhanced as its surrounding social context has changed over time. Highly influential, especially on the works of such writers as Jean Lorrain and Renée Vivien, Mephistophela, in placing lesbian amour in the foreground of the story, deals forthrightly and intensively with a literary theme that had previously only been treated with delicacy and indecision, mostly in poetry. It is essentially a horror story about demonic possession, about contrived and cruel damnation, devoid even of a Faustian pact, which merely employs obsessive lesbian desire as an instrument of damnation.” Goodreads review: “As a story it is quite straightforward. Girl has same-sex desires and the novel follows her various affairs up to about the age of thirty. […] More controversially, Stableford (and the books blurb) suggests that it is a novel of demonic possession. Now Brian has probably forgotten more than I will ever learn about the period but a few of the episodes show distinct Charcotian traits (an early childhood 'illness', two doctors in conversation etc) and a (really great) fantasy/visionary episode in the book seems to show, to me, the influence of Michelets book on witchcraft. If anything, the book seems even more subversive that Stableford suggests, as Sophie seems largely 'out and proud' and the author often says that she is 'is as she is' suggesting to me that it is 'natural' rather than demonic. I wonder whether the publisher asked Mendes to add some suggestion of the demonic to 'tone down' the idea that people were actually like 'that'.”

1890s

Avant la nuit / Before the dark - Marcel Proust (1893) / Short story (seriously, less than 10 pages). I read it the other day before bed and it’s pretty good. Talks about Françoise, a woman, revealing her homosexuality to her friend Leslie.

A Sunless Heart - Edith Johnstone (1894) / “Its first third focuses on Gasparine O'Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies' College. Sexually exploited from the age of twelve by her sister's fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late- Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.”

The Songs of Bilitis - Pierre Louÿs (1894) / Poetry. However, believe it or not, these were not written by a woman but by a man. Why add it then, well, the story is quite original. The author (Pierre Louÿs) published this verses as written in Ancient Greece by a “disciple of sappho” named Bilitis. He created this whole character, she was a woman, she was a poet, she was a sappho disciple, her work has been lost until now, and she was a huge lesbian. Of course, this is not true, but still, it’s an interesting read. “Between their open celebration of lesbian love and the eventual revelation of their true authorship—the verses actually were written by French novelist and poet Pierre Louÿs—they became a succès de scandale. Although debunked as a work of antiquity, The Songs of Bilitis remains a classic of erotic literature.”

1900s

A Woman's Affair - Liane de Pougy (1901) / "Despite her beauty and her riches, Annhine de Lys, one of the most notorious courtesans of 1890s Paris, is bored and restless. Into her life bursts Flossie, a young American woman, and everything changes. The love she offers Annhine is dangerous, perverse and hard to resist. Ignoring the warnings of her best friend, Annhine encourages the affair."

I Await the Devil's Coming - Mary MacLane (1902) / “Mary MacLane's I Await the Devil's Coming is a shocking, brave and intelectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten. In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confesional style. In its first month of publication, the book sold 100,000 copies--a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.” She’s pretty sapphic and claims her (female) lit teacher is her true love. Also an excerpt from a Goodreads review: “She awaits the Devil to come and marry her and bring happiness if only for three days, meanwhile rehearsing suicide. She prays to the Devil to deliver her from “unripe bananas; from bathless people; from a waist-line that slopes up in the front" but offers sensuous instructions on how to eat an olive, and enjoys porterhouse steaks and fudge she makes with brown sugar. It's quite a ride. Many recent reviewers pigeonhole her as an ahead-of-her-time Goth or emo, simply transcribing an eternal and universal teen angst.”

Q.E.D. - Gertrude Stein (1903) - Autobiographical short story about a love triangle between three women; Adele (Stein), Mabel, manipulative and wealthy, and Helen, who seduces Adele.

A Woman Appeared To Me - Renée Vivien (1904) / I have no idea how to explain this book other than it's all I ever wanted and it has an absolutely breathtaking prose. Think of The Picture of Dorian Gray, Oscar Wilde’s writing style and descriptions, the character's philosophy, and the queer toxic relationships in the book. Now make it lesbian and even more explicitly queer. Also I'm pretty sure the main characters want to fuck Sappho. On the second chapter the main characters + some side characters (all women + one guy) are having a discussion (a symposium of sorts) about how much they love sappho and how believing she married a man is stupid and how they don’t hate men, just really dislike them, and the guy says: "Mademoiselle, you are trying to hide from the irresistible seduction of the male. You will certainly finish your love-life in the arms of a man." And our main character being an icon finished the chapter answering him this: "That would be a crime against nature, sir. I have too much respect for our friend to believe her capable of an abnormal passion!". It’s so good. I have seen mixed opinions on this one, but I’m just gonna say: the girls than get it, get it. Everything by Renée Vivien is so good, but this is her only full novel I think (she also wrote poems and short stories). If you have to read only one book out of all the books in this post, let it be this one.

Zezé - Ángeles Vicente (1909) / Not translated (I think) but it’s the first lesbian novel written in Spanish which is pretty cool (even cooler than it was written by a woman who, in 1909 (or around it) divorced her husband and lived through her writing). The plot is basically, the narrator (the author) is on a ship and shares the cabin where she’s staying with another woman, Zezé, a cuplé singer, who tells her about her life (her childhood in a religious school, where she discovered her sexuality with had a relationship with another (female) student, her life in Madrid as an adult and living life as a woman, etc)

1910s

Despised & Rejected - Rose Allatini (1918) / A gay man and a lesbian are friends during WWI, which they are against (an anti-war novel). I think the book is in the perspective of the gay man, but his friend is also a main character.

The Scorpion - Anna Elisabet Weirauch (1919) / A review by a reader: “This book felt more like historical fiction than a novel actually written in 1919-1932, considering the explicitly lesbian relationships and coming of age and coming out style narrative. The story follows the life of Metta, a lesbian who grew up with a controlling family in Berlin. The narrative follows her from her first crush on her manipulative governess, to her first love the older and intelectual Olga, and her foray into the gay scene in Munich and beyond. The story isn't without suffering and it isn't just a love story despite how much you might want it to be. Definite trigger warnings for suicide (not Metta), poor mental health, homophobia and general cringe comments due to the time of writing. But the point of the book is for Metta to find a way to be, a way to live her life comfortably and happily, essentially to find herself.”

1920s

The Bacheloress - Victor Marqueritte (1922) / “Monique is an emancipated French woman who leaves home to escape a marriage of convenience to a man whom her parents have forced on her. She then succumbs to all sorts of carnal temptations including a lesbian love affair with a singer. The scandal provoked by Victor Margueritte's La Garçonne, here translated as The Bacheloress, led to its author having his legion d'honneur revoked, which only propelled this novel about a brazenly independent "new woman" to best-seller status. What was shocking then was not so much the reckless behavior of its heroine, who is depicted as the victim of psychological torment, but the portrait of the corrupt post-WWI society in which she lives. Authentic as Monique is, the types of love she encounters, set against the hostile and contemptuous portrayal of her peers, only amplifies her struggle.”

Yellow Rose - Nobuko Yoshiva (1923) / This is the only book than has been translated by this author, she was a lesbian who wrote Class-S romance (a Japanese book genre of the time, which focused on lesbian / homoerotic relationships between women [so-called romantic friendships], than usually take place in an all-girls boarding school). This specific story talks about a teacher-student relationship. She has other books, one called Yaneura no nishojo (two virgins in the attic) (1919) which isn’t translated, but sounds good, the story “is thought to be semi-autobiographical, and describes a female-female love experience with her dormmate. In the last scene, the two girls decide to live together as a couple. This work, in attacking male-oriented society, and showing two women as a couple after they have finished secondary education presents a strong feminist attitude, and also reveals Yoshiya's own lesbian sexual orientation”.

Freundinnen: ein Roman unter Frauen / Girlfriends: a Novel among Women - Maximiliane Ackers (1923) / Only in German, not translated. Review from an English reader: “This novel—which went through several editions in the 20s before being banned by the Nazis—is uncompromisingly, heartbreakingly queer. The novel tells the story of the love between two actresses in Wiemar Germany, Ruth and Erika. Both women struggle to support themselves on the stage, to live independently, and to come to terms with their love for each other and how they might live and express themselves and their desire.”

Surplus - Sylvia Stevenson (1924) / Review from a reader: “This book should be included in lists of seminal lesbian fiction. Published in 1924, Surplus is the story of Sally Wraith's young adult adventures after the end of WWI, during which period she served as an ambulance driver. The novel is not explicit and dos not detail a physical relationship between Sally and her romantic friend Averil but Sally refers to Averil as her "dream girl" with whom she wants to spend the rest of her life. This novel was published before Radclyffe Hall's Well of Loneliness , which is often hailed for its early negative portrayal of homophobia. But I find it compelling that Sally's love for Averil is not treated as deviant. It's just tragic for any babydyke to fall in love with a straight girl!”

The Captive - Eduard Bourdet (1926) / Theatre, “Irène is a lesbian tortured by her love for Madame d'Aiguines, but pretending engagement to Jacques (man). Though Irène attempts to leave Madame d'Aiguines and marry Jacques, she returns to the relationship, saying that it is "a prison to which I must return captive, despite myself". Madame d'Aiguines is not seen in the play, but leaves behind nosegays of violets for Irène, as a symbol of her love.” Read here

Women Lovers, or The Third Woman - Natalie Clifford Barney (1926) / “This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman."

HERmione - H.D (1927) / “This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a find, “a posthumous treasure”. In writing HERmione, H.D. returned to a year in her life that was peculiarly blighted. She was in her early twenties—a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... “I am Hermione Gart, a failure” —she cried in her dementia, “I am Her, Her, Her.” She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as Her"

Lucia Sánchez Saornil (1895 - 1970) / Spanish poet, putting her here because she’s part of generation ‘27. Read her Wikipedia page because she’s literally iconic (I can’t put the link here for some reason). I love her so much. She was an anarchist and very revolutionary. She wrote under a pen name to be able to explicitly write about women and lived with her partner (América Barroso) until she died. I haven’t been able to find an English translation of her writing, but I do have found a French one, so better than nothing

Dusty Answer - Rosamond Lehmann (1927) / Coming of age story of Judith Earle, sensitive, lonely, who grew up as an only child, but with 4 neighbors (all cousins) to make her company (and eventually harbor romantic feelings for). Then she moves to college, where she meets Jennifer and enters a relationship with her. Although the relationship is not explicitly romantic.

Ladies Almanack - Djuna Barnes (1928) / “Written as a medieval calendar, Ladies Almanack is a clever parody of the crazy sapphic circle of Natalie Barney and her Académie des Femmes. Sharp, biting, witty and transgressive, it is also a modern and pioneer in his vision of lesbianism and the issues surrounding relationships between women. The emotional endogamy, transvestism, motherhood, marriage or differences between sex and gender are already presented in the book with a charge of irony and acidity that is rare in the treatment of the topic. And it is also a breath of fresh air, an essential reference to know the world of lesbian women in all its breadth and diversity.”

1930s

The Angel and the Perverts - Lucie Delarue-Mardrus (around 1930) / "Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette." Technically not lesbian, but it’s “set in the lesbian cercles of Paris”

Broderie Anglaise - Violet Trefusis (1935) / Technically not a lesbian novel, but by a sapphic author. Do you know about Virginia Woolf and Vita Sackville-West? Of course you do, everyone does. However, do you know than Violet Trefusis used to be Vita’s lover? They dated as teens and again as adults. There’s this whole gay toxic romantic circle between Violet, Vita, and Virginia. Violet wrote this book where she’s basically adding Vita, Virginia, and herself into the characters and dissing them. The plot centers on an encounter between Alexa, a celebrated English writer (Virginia), and her rival, Anne (Violet), and their discussion about their mutual lover, Lord Shorne (Vita).

Summer Will Show - Sylvia Townsend Warner (1936) / Sophia Willoughby's husband has a mistress who he cheats on her with. So she grabs him and packs him up to Paris with his mistress. She'll raise their children and he can have his mistress all day long if he wants, what she wants is to not see him. Sadly, her children die, and she goes to Paris, where she'll find her husband's mistress, and the two of them start an affair with eachother.

Diana: A Strange Autobiography - Diana Frederics (1939) / “«This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted». This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intelectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.”

1940s

Hidden Path - Elena Fortún (somewhere around the 1940s) / Maria Luisa grows up on 1910s/1920s Spain. She is a peculiar girl, one who despises wearing dresses and wants to dress as a sailor, who could spend all day reading, who loves painting, and who swears she will never marry. Oh, and she's also a lesbian. Based on the author's life Maria Luisa is kind of the author's alter ego, and it follows her from childhood to adulthood while dealing with a world not created with people like her in mind. (Not published until 2016)

El Pensionado de Santa Casilda / The Boarding School of Saint Casilda - Elena Fortún (somewhere around the 1940s) / This book is not translated, but if you know spanish I recommend to pick it up. A group of 14/15 year old girls who go to the same spanish all-girls boarding school, and they are all in love with each other. It follows them into adulthood and how they navigate their lives being women and lesbians in the past (Not published until 2022). Messy lesbians at its finest. Like, seriously. Lesbians still in love with their ex and not over their first love, dating their friends and their ex friend, and the ex of their friend, and having sugar mommies, etc etc

1960s

Winter Love - Han Suyin (1962) / “As a college student in London during the bitterly cold winter of 1944, Red falls in love with her married classmate Mara. Their affair unleashes a physical passion, a jealousy, and a sense of self-doubt that sweep all her previous experiences aside and will leave her changed forever. Set against the rubble of the bombed city, in a time of gray austerity and deprivation, Winter Love recalls a life at its most vivid.”

The Chinese Garden - Rosemary Manning (1962) / “A "very intelligent, sensitive, and compelling" novel of adolescent rebellion and sexual awakening at a girls' boarding school (Anthony Burgess). Set in a repressive British girls' boarding school in the late 1920s—where not only sexuality but femininity is squashed—the novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student. Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an imposible choice that drives her to desperate measures.”

The Microcosm - Maureen Duffy (1966) / “At the House of Shades, Matt, a bar-room philosopher, tries to make sense of the disparate lives which cross here -- of Judy who saves herself and her finery for a Saturday night lover, of Steve the gym teacher who dreads a chance encounter with a pupil in this twilight environment, and of Matt herself, who needs these vicarious exchanges despite the security of her relationship with Rae and her sense that this lesbian sanctuary is a prison too, enforcing the guilt and estrangement of the city streets beyond. Elsewhere there are women such as Marie, trapped within an unwanted marriage and unable to admit her sexuality, and Cathy, for whom the discovery that she is not 'the only one in the world' is an affirmation of her existence. With its innovative structure and style, perfectly mirroring the voices and experiences of women forced by society to live on the margins, The Microcosm remains as powerful today as when originally published in 1966.”

1970s

Beginning with O - Olga Broumas (1977) / A poetry collection by a lesbian, greek writer.

The Same Sea as Every Summer - Esther Tusquets (1978) / A stream-of-consciousness type book, by an author who has been compared to Virginia Woolf. “Poetic and erotic, El mismo mar de todos los veranos ( The Same Sea As Every Summer ) was originally published in Spain in 1978, three years after the death of Franco and in the same year that government censorship was abolished. But even in a new era that fostered more liberal attitudes toward divorce, homosexuality, and women's rights, this novel by Esther Tusquets was controversial. Its feminine view of sexuality (in particular, its depiction of a lesbian relationship) was unprecedented in Spanish fiction. The disillusioned narrator of The Same Sea As Every Summer is a middle-aged woman whose unhappy life prompts a journey into she past to rediscover a more authentic self. However, events force her to realize that love or trust will inevitably be repaid by betrayal. This pattern assumes various forms in a story that moves forward as well as backward, playing out in Barcelona among the haute bourgeoisie. Richly textured with allusion, The Same Sea As Every Summer is also a commentary on post-Civil War Spanish society by an author who grew up during the repressive Franco regime.”

Así es: Mi vida 3 - Victorina Durán (somewhere in the late 1970s) / So, not translated but has great historical value. Basically, this is the third book out of Victorina’s memories that she wrote in the 70s. Victorina (1899 - 1993) was so cool. She was an icon. She was a sceneographer, a painter, a costume designer, writer (aside from her memories, she has some theatre plays), etc. She actually wanted to be an actress. She was part of the Círculo Sáfico de Madrid (the sapphic club of Madrid, a club made out of her and her friends, who were sapphic) among others. She never hid her sexuality. She was friends with almost all the importante well known people in 1920s / 1930s Spain. This book is the third one out of her memories, and it’s focused explicitly on her relationships (all with women). She said she wanted to focus on them and give them a book of their own, so this is of great historical value, giving insights into the queer spaces, lesbian scene, wlw relationships and being gay at that time. I need to read it so bad if someone has a pdf please tell me I’ll send them my fanfic wips

1980s

On Strike against God - Joanna Russ (1980) / “A lost feminist masterwork by feminist and speculative fiction icon, Joanna Russ, about a young lesbian's coming-to-consciousness during the social upheaval of the 1970s. When Esther, a recently divorced professor, has her first lesbian love affair, the fallout brings her everyday miseries into focus and precipitates a personal crisis. She flees her small, upstate New York college town, grapples with gender confusion and the ghosts of therapists past, and fumbles her way through comedic sexual self-discovery, oscillating all the while between visionary confidence and debilitating self-doubt. Confronted with the homophobia of straight feminists and the misogyny of gay men, Esther is left to forge a language for her feminism and her burgeoning lesbian desire. On Strike Against God is quintessentially experimental but accesible, alternately wry and earnest, poignantly didactic, playful, and emotionally charged.” From a review: “For anyone like me who's unfamiliar with the quote which inspired the title: A judge was sentencing a picketer from the early twentieth century shirtwaist-makers strike (the first large scale strike by women), and he told her, "You are striking against God and Nature, whose law is that man shall earn his bread by the sweat of his brow. You are on strike against God!"

Faultline - Sheila Ortiz Taylor (1982) / “An outrageous, zesty, funny Lesbian novel; the adventures of a Lesbian mother with six children, three hundred rabbits, and very relaxed attitude."

The Swashbuckler - Lee Lynch (1985) / "Frenchy Tonneau leaves her closeted home in the Bronx for the bars of New York City, the freedom of Provincetown, and the liberation of Greenwich Village in the 1960s and 1970s. Her hangouts, her women, her small yet universal world tell the stories of the times - and the stories of lesbians today. A timeless journey and a riveting read, The Swashbuckler is heart-wrenching, heartwarming, and unforgettable." Butch main character, lesbian life in the 60s/70s, lesbian-feminism, butchfemme, etc.

Fried Green Tomatoes at the Whistle Stop Café - Fannie Flagg (1987) / listen, LISTEN, I know this book is not obscure, absolutely not given it even has a movie adaptation, but people do not give this book the love it deserves. I'm constantly thinking about Idgie and Ruth, they are one of my favorite fictional couples ever, and also my favorite lesbian fictional couple. They are such interesting characters with such an interesting dynamic and I just love them so so much. A femmebutch couple in 1920s Alabama, who go through many hardships but still find eachother, still end together, and even have a restaurant, live together, and raise a kid. And not only them, but the book is made out of 4 main characters (or 3 depends on if you see Ninny as a main character or not), Idgie, Ruth, and Ninny and Evelyn. Evelyn, an 80s depressed housewife in her 40s finds solace and a true friend in Ninny, a 90 year old woman staying at a nursing home (not ‘cause she needs it, but to keep a friend company). Ninny tells her the story of Idgie (her, kind of, sister) and Ruth, her best friend and lover. Evelyn finds feminism and hope through the memories, getting inspired by Idgie and Ruth's story and becoming happier in her life. It has several points of views and it jumps between years (first 1980s, then 1920s, then 1940s, then 1980s again, etc) and it also talks a lot about racism in 1920s Alabama, and i'll just stop because I love this book so much and i could go on forever. Oh, and also they murder a man and feed him to a police officer.

Lovers' choice - Becky Birtha (1987) / A collection of eleven short stories about lesbian women.

1990s

Out Of Time - Paula Martinac (1990) / Susan finds an old photograph album with pictures from the 1920s, all pictures being of a group of women (four in total). She's told it's not for sale, but she steals it anyway. After some digging, she finds out than two of the girls from the photos were lovers! And not only is Susan trying to navigate the details of her life and of her relationship with her own girlfriend, but she obsesses over the women in the picture, and eventually, the spirits of the girls start to haunt her.

The Gilda Stories - Jewele Gomez (1991) / Gilda escaped from slavery in the 1850s, until she's taken by a vampire who (consensually) turns her into a vampire too. Gilda moves through the decades finding community and connections and helping people, and slowly builds a place for herself in time. (Fine, not actually obscure since I’ve seen it all around the internet, but it just sounds so good)

Annabel and I - Chris Anne Wolfe (1996) / Plot summed up by a reader: “Half-orphaned Jenny-Wren spends her summers at her uncle Jake's fishing lodge on Lake Chautauqua. One summer day when she's twelve years old while boating with her uncle, she finds a girl on the end of a dock reaching futilely for her escaped model boat. Jenny swims over and rescues the boat, meeting the orphaned Annabel, spending her summers at her grandmother's summer estate. This begins a friendship that endures and grows for years as the two girls spent each summer together, only to be separated at the end of summer. As the two grow older, they realize a magic is at work that keeps bringing them together, despite the near century between them. As the summers come and go, the two young women discover their love for each other, and the realization that their love is imposible. Can their love persist beyond those fleeting summers and flourish, in the face of time?”. Review from a reader: “The foreword says this book is for all wlw, and that, "Because there are as many different ways to love a woman as there are women who love women; it's the loving, not the label, that really matters." That really captured the core of what this book does, it treasures the love we create with our bare hands for and with another woman.” A time travel romance (Jenny is from the 1980s, Annabel from 1890s)

Ain't Gonna Be the Same Fool Twice - April Sinclair (1996) / Bisexual mc. “Jean "Stevie" Stevenson, the indomitable heroine of "Coffee Will Make You Black," is back—somewhat older and wiser, with some experience and a college degree -- diving headfirst into the hot tub, free love, yoga, and vegetarian lifestyle of 1970s San Francisco. In this liberating new world of raised consciousness, mind-expanding, and disco-dancing, a soul sister with passion and daring has room to experiment with life and love to find out who she "really" is.”

Beyond the Pale - Elana Dykewomon (1997) / “The story of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists." While it is a romance, it's also more than that, it's about the life of Jewish women in the 20th century.

Crystal Diary - Frankie Hucklenbroich (1997) / “Frankie Hucklenbroich's razor-edged, compelling, often wryly humorous story hustles us from the blood-and-beer-drenched corners of her St. Louis meat-packing district '50s youth, through the sex-soaked Hollywood alleys of her '60s baby butch years, into the druggy metropolis of '70s San Francisco. Moving relentlessly from one woman to another until faces and bodies blur, scamming her existence, learning what the street has to how to make a buck, how to make it with a woman, how to court the dangers of crystal meth, how to survive.”

Hers 3 - Terry Wolverton (1999) / Short stories

2000s

Valencia - Michelle Tea (2000) / "Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart."

Naked in the Promised Land: A Memoir - Lillian Faderman (2003) / “Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia to seek a better life in America. Lillian grew up in poverty, but fantasised about becoming an actress. When her dreams led to the dangerous, seductive world of the sex trade and sham-marriages in Hollywood of the fifties, she realised she was attracted to women, and that show-biz is as cruel as they say. Desperately seeking to make her life meaningful, she studied at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she became a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power, Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.”

Her Naked Skin - Rebecca Lenkiewicz (2008) / Theatre. “Militancy in the Suffragette Movement is at its height. Thousands of women of all classes serve time in Holloway Prison in their fight to gain the vote. Amongst them is Lady Celia Cain who feels trapped by both the policies of the day and the shackles of a frustrating marriage. Inside, she meets a young seamstress, Eve Douglas, and her life spirals into an erotic but dangerous chaos. London 1913. A crucial moment when, with emancipation almost in sight, women refuse to let the establishment stand in their way.”

The Rain Before it Falls - Jonathan Coe (2008) / “A story of three generations of women whose destinies reach from the English countryside in World War Il to London, Toronto, and southern France at the turn of the new century. Evacuated to Shropshire during the Blitz, eight-year-old Rosamond forged a bond with her cousin Beatrix that augured the most treasured and devastating moments of her life. She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy—its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her-- are linked to generations of women she never knew. A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific.”

2010s

When We Were Outlaws - Jeanne Cordova (2011) / "A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Cordova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution".—to change the world and end discrimination against gays and lesbians."

Call Me Esteban - Leila Kalamuié (2015) / “With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.”

Jigsaw Youth - Tiffany Scandal (2015) / “Lose your best friend because you finally Came Out. Spend days driving aimlessly because there's nothing to do. Serve your rapist breakfast because you need your job. Fall asleep to gunshots and sirens because that's the only sense of home you've ever known. Hold hands with ghosts. Your life is in pieces, but you can't be broken. Wipe off the blood. Tired of being told who to be, what to wear, how to act and who to fuck. Break the rules and learn fast how to never get caught. All you need is nothing, but you're happy with your car, guitar and camera. Throwing around polaroids of tits like they're money, you swap stories about adventures and realize that we're all running away from something.”

Creatures of Will & Temper - Molly Tanzer (2017) / Recommended as a sapphic picture of dorian gray retelling, it tells the story of Dorina (hedonistic, art lover, and woman-kisser), her older sister Evadne (fencer and responsable), Lady Henrietta (suit-wearing, cigar-smoking lesbian who is a horrible influence), and Basil, Dorina and Evadne's uncle, and who's character has not changed much. They also summon demons.

The Adventures of China Iron - Gabriela Cabezón Cámara (2017) / “1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

2020s

Thirst - Marina Yuszczuk (2020) / “Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. It is the twilight of Europe's bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women-and they cross a threshold from which there's no turning back. With echoes of Mary Shelley's Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.” Lesbian vampires!

The Lives We Left Behind - Olivia Bratherton-Wilson (2021) / I read this one so long ago and I don’t remember everything with detail, just than I really liked it. “1943. Seventeen-year-old Dorotea Miller is given the responsibility of managing the family farm when her father and brother are conscripted, leaving her with only her distant mother and the unfamiliar Land Girls for company. Angeline Carter and her four younger brothers are evacuated to the Welsh countryside to escape the bombings; the Miller farm is nothing like they've seen before and certainly more than Angeline bargained for when she meets the surly, unwelcoming farmer's daughter. Despite their rocky start, misunderstandings and tragedies, Dorothea and Angeline realise that their friendship may run deeper than either of them had prepared for.” There is also a sequel! That one I haven’t read tho.

Agatha of Little Neon - Claire Luchette (2021) / "Agatha has lived every day of the last nine years with her sisters (the other nuns) : they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a formermill town now dotted with wind turbines. […] Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? […] It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves." Lesbian nuns

Burning Butch - R/B Mertz (2022) / A butch lesbian memoir of their life growing up catholic and surviving in the world, while dealing with faith and what it shape it takes to them.

London on My Mind - Clara Alves (2022) / So, the English translation just came out! Funny thing is, I started this in 2022 even tho I don’t know Portuguese (translating paragraph by paragraph with google translate) and it was pretty good. I haven’t finished it (translating a whole book with google translate is definitely work) but I’m so ready to read it now that it’s translated. Dayana (seventeen, black, plus size, and Brazilian) is forced to move to London with her father (who abandoned her mother and her) and his new family after her mother died. She’s having a pretty horrible time, until, on a walk, finds a redhead girl… escaping Buckingham Palace?? So of course, she helps her escape. Who exactly is this girl? Why was she escaping?? The answer, her name is Diana and she’s sort of (super) the princess of Wales. Huh.

Helen House - Kayla Kumari Upadhyaya (2022) / “Right before meeting her girlfriend Amber's parents for the first time, the unnamed narrator of Helen House learns that she and her partner share a similar both of their sisters are dead. As the narrator wonders what else Amber has been hiding, she struggles with her own secret--using sex as a coping mechanism--as well as confusion and guilt over whether she really cares about Amber, or if she's only using her for sex. When they arrive at the parents' rural upstate home, a quaint but awkward first meeting unravels into a nightmare in which the narrator finds herself stranded in a family's decades-long mourning ritual. At turns terrifying and erotic, Helen House is a queer ghost story about trauma and grief.”

Promises in Pompeii - Violet Morley (2022) / Set in Ancient Rome, it tells the story of two girls, Octavia and Helvia, childhood friends, and their journey through life as women and through their feelings. In the author ig, she said it includes: adventure/survival, against the odds, brothels, butch/femme, coming of age, disguised as a man, first love, friends to lovers, opposites attract, etc. I’m currently reading it, and I really like it so far.

Nettleblack - Nat Reeve (2022) / “Subversive and playful, Nettleblack is a neo-Victorian queer farce that follows a runaway heir/ess and an organisation of crime-fighting misfits as they struggle with the misdeeds besieging a rural English town. The year is 1893. Having run away from her family home to escape an arranged marriage, Welsh heiress Henrietta “Henry” Nettleblack finds herself ambushed, robbed, and then saved by the mysterious Dallyangle Division - part detective agency, part neighbourhood watch. Desperate to hide from her older sisters, Henry disguises herself and enlists. But the Division soon finds itself under siege from a spate of crimes and must fight for its very survival. Assailed by strange feelings for her new colleague - the tomboyish, moody Septimus - Henry quickly sees that she's lost in a small rural town with surprisingly big problems. And to make things worse, sinister forces threaten to expose her as the missing Nettleblack sister. As the net starts to close around Henry, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a picaresque ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.”

Sunburn - Chloe Michelle (2023) / In Ireland, the early 1990s, Lucy feels out of place in her small town. She falls in love with her best friend and she has to find a way to find herself, make a meaning out of her feelings, and hide the truth from her conservative small town and religious peers.

Lucky Red - Claudia Cravens (2023) / "A vibrant and cinematic debut set in the American West about a scrappy orphan who finds friendship, romance, and her true calling as a revenge-seeking gunslinger." Lesbian cowboys

Neon Roses - Rachel Dawson (2023) / “Eluned Hughes is stuck. It's 1984 in a valley in south Wales: the miners' strike is ravaging her community; her sister's swanned off with a Thatcherite policeman; and her boyfriend Lloyd keeps bringing up marriage. And if they play '99 Red Balloons' on the radio one more time, she might just lose her mind. Then the fundraising group Lesbians and Gays Support the Miners comes down from London, and she meets June, a snaggle-toothed blonde in a too-big leather jacket. Suddenly, Eluned isn't stuck any more - she's in freefall. June's an artist and an activist, living in a squat in Camden. With June, Eluned can imagine a completely different - and exciting - life for herself. But as her family struggles with the strike, and her relationship with her sister deteriorates, should she really leave it all behind? From the Valleys to the nightclubs of Cardiff, London and Manchester, NEON ROSES is a heartwarming, funny and a little bit filthy queer coming-of-age story with a cracking '80s soundtrack.”

Tale of Three Ships - Darcia G. Laucerica (2023) / “In a world under the thumb of an empire, pirates sail away searching for a breath of freedom. But even the ocean is tainted by the powerful nation that has spread lies about women being bad luck at sea. Glenlivet has never cared about the fear-mongering. Her ship welcomes those who are rejected and need a home. For all the sailor' s superstitions and "codes" of piracy the captain mocks every day, not leaving the docks when it's dark is a personal boundary she swears by ever since acquiring The Outsider about eight years ago. She just might have to break her own rules to protect her crew, escape the claws of a king who wants her dead, and murder the man who raised her.” I’ve heard so many good things about this. Lesbian main character, with mlm and trans side characters. Author in social media said it includes: Chosen pirate family, sirens, indigenous and latine inspired characters, anti-colonialism, and people fighting injustice and abuse.

How to Breathe Ash - Alex Nonymous (2023) / “Eleanor Perrault doesn't know if there's a right way to handle being suddenly orphaned at sixteen, but it's definitely not the way that she's been coping with it. It's been two months since her parents died and despite her autism normally causing her to be even more emotionally volatile than most of her peers, she still hasn't even managed to cry over them yet. On top of trying to learn how to grieve properly, Eleanor's juggling starting a new semester in a new town with an aunt who seems eternally disappointed in her and a cousin who's randomly decided to start hating her. And a crush on the incredibly pretty president of her new school's QSA. How to Breathe Ash is a contemporary YA Cinderella retelling following Eleanor through elaborate dances, anonymous chat rooms, and learning the right way to not be alright.” Autistic mc! While I haven’t read anything from this author (yet) they have lots of wlw/nblw/nblnb books with autistic main characters.

War and Solace: A Tale from Norvegr - Edale Lane (2023) / “A battle-hardened shieldmaiden. A pacifist healer. Can the two find love amid the chaos of war? From Edale Lane, the award-winning, best-selling author of Sigrid & Elyn, comes a new Tale from Norgevr! Tyrdis is a stalwart warrior raised to value honor, courage, and military prowess. When a traumatic injury renders the powerful protector helpless, she depends on the lovely, tender-hearted Adelle to restore her from the brink of death. Is it merely gratitude or true love that draws Tyrdis to the healer? Defying cultural norms, Adelle despises violence and those who propagate it, but when her shieldmaiden patient saves the life of her beloved little girl, she must reexamine her values. Could Tyrdis be more than a stiff, efficient killer with an amazing body? In a kingdom steeped in conflict with their neighbors and internal strife, shocking secrets are revealed, and both women strive to ensure justice prevails. Can they overcome their differences to safeguard their friends, end the war, and fall in love, or will fate prove to be a cruel sovereign?” Historical fiction set during 643. The author also has another two sapphic books set in the same time period.

Maddalena and the Dark - Julia Fine (2023) / “A novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous wager Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls' orchestra and become a protég�� of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family's reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn't hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà's walls, they must decide what it is they truly want—and what they will do to pay for it. Lush and heady, swirling with music and magic, Maddalena and the Dark is a Venetian fairytale about the friendship between two girls and the boundless desire that will set them free, if it doesn't consume them first.”

Greasepaint - Hannah Levene (2024) / “Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie's childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there's always dinner at Marg's. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics- the currents of community embodied and held inside the bar.”

Perfume & Pain - Anna Dorn (2024) / “A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes-and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet—and celebrity-obsessed world”

How It Works Out - Myriam Lacroix (2024) / “Surreal, darkly comic and achingly tender, Myriam Lacroix's debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? After Myriam and Allison fall in love at a show in run-down punk house, their relationship starts to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker-or sexier-would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.”

All the Painted Stars - Emma Denny (@a-kind-of-merry-war) (2024) / “Oxfordshire 1362. When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past caches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love…” The cover of the edition coming out in November is SO pretty and lately I’ve been looking for medieval sapphic books like crazy.

Gentlest of Wild Things - Sarah Underwood (2024 - out august 15th) / So this book is by the same author as Lies We Sing to the Sea, and I’m in no rush to read that book (a so-called odyssey retelling even tho the author has admitted to never actually reading the odyssey??) but this one looks compelling. “On the island of Zakynthos, nothing is more powerful than Desire-love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire's thrall. Until Leandros' wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly-something hungry- stalking the night, that price must be paid in blood…” The author said that “Gentlest of Wild Things is a sapphic vampiric twist on the story of Eros and Psyche”

The End Crowns All - Bea Fitzgerald (2024 - out on July 18th) / “Princess. Priestess. The most beautiful girl in Troy. Casandra is used to being adored - and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl - and the war she's going to bring to Troy's shores. Helen fled Sparta in pursuit of love, but it's soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it's more than the army at their walls they must contend with. Casandra and Helen might hold the key to reweaving fate itself - especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?” Sapphic retelling of the iliad where Helen and Kassandra end up together

If asked, I’ll also do one with gay books

(No 1950s lesbians because I don’t like pulp fiction :( )

[wastingawayinmyroom]

What cartoon showes do u think the Mauraders and Co would watch-?

oohhhh interesting question

james - octonauts or cupheads, they're literally both my childhood i love them so much but if u hc indian james then CHHOTA BHEEMMMMM

sirius - bluey and whatever that one show with the children of monsters was it SLAPPED

remus - says he only reads books bit HILDAAAAA

peter - alvin and the chipmunks i'm sorry i die laughing every time i watch that and i die inside every time i think of peter's betrayal so seemed fitting

regulus - also says he only reads books but hilda and CARRRRRMMENNNNN SANDIAGOOOOOOOO

marlene - SHERAAAAAAA bc lesbians

mary - miraculous. shes one of those people that hate the show but NEED ladybug and cat noir to get together (its me im one of those ppl)

dorcas - the hollow, and, much to her disappointment, molang. marlene has walked in on her watching molang multiple times and finds it adorable. dorcas wants to kill herself bc the embarrassment like she's the dark mysterious psychopath not the MOLANG GIRL- (shes an adorable molang girly FIGHT ME)

barty - KUNG FU PANDAAAAAAAA

evan and pandora - evan doesn't watch tv much so he likes whatever panda likes, and she has an unhealthy obsession with powerpuff girls, so that's that.

lily - magic school bus and the show where the "i can't read so this sign won't stop me!" meme comes from (i used to love it forgot the name tho)

bonus:

andromeda - THE AMAZING WORLD OF GUMBALLLL

snape - ninjago and yes he gets bullied for it

bellatrix - monster high

narcissa - EVER AFTER HIGHHHHH SHE SHIPS APPLE AND RAVEN AND SO DO IIIIIIIIII

[chromaticaaa-blr]

My sister never loved me. The one I thought was closest to me was using me always. It was always like she needed me to talk about her problems. She needed us to help her. She talked to us about la Vibora and all her high school friends. Then my sister left to college a Hella states away and she was free from our hell family and she made like two friends and she (this should have Been a clue) made a romance with someone and during that period spent the less time in communication with me. To the point I said if you don't say you are alive during this summer I will call the cops. Then I was in college and she was an adult. Graduate from Stanford. And she lived at home again because she was sick. She had surgery. And I was so attention at that time bc my sister returned to me and also she was sick. I spent the night on a bus and then a night in the hospital bc my sister my family is my all. As I grew older Ely introduced me to Guinness and to alcohol. I became alcoholic when my roommate gave me like two 24 packs to finish off. But it was Ely who introduced me to alcohol. If my roommate had said have at this beer I would have been like um idk if I hadn't already been introduced by my sister

When I had my drunk driving crash and I was sobbing telling mom and she asked me amongst other things who introduced you to that I lied. I said it was a friend as t college. But it was Ely.

Going through my own thing is hard bc idk if I'm a person like mom or Ely or anyone else I struggle in a way I never had to find identity bc I'm always being a fu kkg weird sjw wondering and asking if you are OK with gay ppl, what do you think about Trans ppl?. Meanwhile I endure racism. Bc my sister never brought it up. When it happens almost at every interaction I don't know how to react. I don't know how to find my way out. I'll never forgive myself once being asked/found out as mexican laughing at racist mexican jokes. I grow older and never make a connection to college friends. Of my high-school friends I got calls from Margaret sporadically bur then she burned her home, tried to kill her male relative (I understand) and went to jail. From jail she contacted me and was born again Christian and it killed me so much I deleted Facebook. I later found videos of her mom taking her to Nigeria to testify and say she was not a lesbian anymore. My best friend from High school was so hurt she was unrecognizable it hurt to speak to her so I stopped . Today I have no friends. It felt like when I tried I gave and got nothing. I thought ok focus on family. But that was wrong bc I focus on Ely. And that bitch only used me to find anyone a friend a girlfriend any one who is a stranger to be around her. Bc to her anyone who is a stranger is more valuable to her and more normal to her than anyone in her family. She sought outward and is fulfilled by out ward persons.

[rubiesintherough]

.

[angelhummel]

AND HE TELLS HER SHE MEANS SOMETHING TO HIM BC SHE WAS HIS FIRST. Absolutely NO other reason comes to mind, just that his penis was in her vagina in sophomore year.

and WHY would she want to be reminded of that?? She’s a lesbian yet knowing this Finn’s dumbass decides to go and talk about how she had sex with a guy like it would be some positive memory for her even tho she was so visibly uncomfortable afterwards judging by her expression and body language (props to Naya for the subtle acting before Santana was even written as a lesbian)

Right?? Like first of all, it's a blatant LIE bc you straight up said immediately after that you "felt nothing, bc it meant nothing" so like... Ok. And then he's literally like, "hmm, I just outed a girl to the entire state of Ohio when she hasn't even so much as told her family yet. How can I make this about me and my feelings and my penis??"

Honestly, as far as worst Finn relationships go for me, I think F*nntana is number one. Then Fla*ne (as explained before), then F*nchel, then F*rt. Oh and obviously Fu*nn is up there too. There's a lot of stiff competition

Also like. Hoo boy this may be a bit of a reach but we all know how Glee likes to handle dubious sexual situations (ie, they don't handle them) so. Knowing that Santana has slept with basically every guy in school. And knowing she uses sex like currency to gain social status. And knowing that she's a lesbian and doesn't actually want to be having sex with these guys. And even before she knew she was a lesbian, it's highly doubtful she was actually getting any kind of satisfaction out of sleeping with said guys. Aaand knowing that she literally never said no to any guy who wanted to have sex with her... It doesn't paint a pretty picture when you put it all together

And like you said, even if it wasn't written in that Santana was a lesbian yet, Naya acted it in such a way that Santana was about as detached as could be, and obviously didn't get any pleasure out of it. And even if, in the best case scenario, it was a plain old boring time for her, IT'S NOT SOMETHING YOU BRING UP AS THE ONLY REASON WHY YOU CARE ABOUT SOMEONE YOU JUST OUTED. That is literally so cuckoo bananas to me, I'm still in complete shock

I've talked about it before and other people have said it, but the fact that the outing doesn't even seem like a stupid impulse thing makes it so much worse. The fact that Finn looks like he'd been waiting to turn around and throw this in Santana's face. That he's totally chill while saying it, and he draws it out as long as possible. Not even just calling her a coward for staying in the closet, but attacking her relationship and telling her that her literal girlfriend might not feel the same way. If it was a stupid impulsive thought, that's one thing. But he dug that knife in with a purpose and made sure it cut deep. You can't blame that on stupidity or impulsivity. He knew what he was doing

"Oh you called me fat? Well you're a fucking coward for not coming out of the closet :) You're in love with Brittany and she might not feel the same way :) You're tearing everyone else down bc you're constantly tearing yourself down inside bc you can't deal with these feelings :) See you at the mash off bestie!"

later that week...

"I fully recognize that suicide is a huge problem amongst lgbt teens and I fully think that is something you are capable of doing to yourself. I know you have a lot of 'anxiety' surrounding this 'stuff' and that's a super bummer for me. You should just accept yourself bc everyone in glee club loves you for who you are. Especially me, because I fucked you in tenth grade, and that's why you're so special to me <3"

[effervescentdragon]

okay so i gotta talk abt castlevania s4 and how it was relevant for me, and if you haven't seen it, this is gonna be spoilers all around, and if you dont want to read an overshare of a rant of mine, just skip this post, i love you still

i've been having the worst year out of all years of my life, including the year i was in a coma for like a month and a half. my mom was hospitalised and operated on bcs shit got seriously fu*ked up in her head, and me and my sister rushed to her from countries A and B to country C to take care of stuff. she got better, but, some 20 days after that, i went back to country A, and my sister to country B, when only my sisters intuition that sth was wrong made it possible to discover that our dad had a serious brain stroke in B. mom was in physical therapy in C, and i was stuck in country A bcs i wasnt yet vaccinated and i have 2 of the high risk diagnoses for covid and country B is like, the worst abt everything, especially healthcare. so i couldn't get to him, and my sis was left alone to deal w/ stuff before mom also came, and i lowkey fell apart a bit, bcs anyone who knows me, knows how attached i am to my dad.

so while waiting for news abt whats gonna happen, i stayed w my bff for some days. and i went and lit candles in a church bcs i knew it means a lot to my dad, and eid came and we all spent it together, and then i sat down one morning when i woke up at 6 and couldnt sleep so i was like. huh. i rmbr being excited abt castlevania s4. lets watch it, how much worse can it get?

and the thing is, they set up s3 in a way that made it pretty obvious how it could go. Alucard slaughtering the twins was a very cliched setup for him to turn Evil Like His Dad, and i was rly worried thats what was gonna happen, and Trevor and Sypha just had a huge disappointment happen and I was worried they would have relationship issues and i was just like "fuck. They're gonna make everything awful, aren't they?", but i was v numb and v tired and v commited to watch it. So i did.

And guess what. Guess fucking what. They didnt. They fucking didnt make everything awful, in fact, they made nothing awful. They made everything fucking happy. Alucard talked about his issues with, or more like at Greta, who is amazing and i will love her to death. He doesnt turn bad or evil, he just kinda. Grows up. And Sypha and Trevor talk, communicate, healthily, and there is no cheap thrills in their relationship. And Hector and Lenore are as fucked up as they can be, but he lets her die, which was the only fitting fate. And Carmilla gets to go out as a badass she is, knowing she would lose, but still giving it her all. And my favorite vampire lesbians survive and are still together (and holy fuck how awesome is Striga in that day-armour holy fuck). And you know what the best part is?

They all get a fucking happy ending. They all get a fucking happy ending, omfg, i haven't seen that in such a long time! A proper fucking happy ending, where the story arcs arent fucking tragic just because of a drama element, nope, no sir, if someone died, it was the best thing for them when alternative is taken into account.

And they could have gone the other way. They couldve made it realistic, and tragic, and just plain fuvking stupid. They fucking set tge scene for that kinda ending. But they didnt. They made them all happy, and together, and laughing, and just.. fucking wholesome, as much as sth gory as castlevania can be.

And i was just. So happy? Like, i cried af, and my bff was like "no spoilers" and i didnt say anything i just cried and felt kinda optimistic abt the future. So yeah. I just wanted to say that i'll never forget how in the worst period of my lifw so far, i went in expecting to be hurt af, and i wasnt, bcs someone said "fuck all this shit, thwres enough sadness and meaningless death in the world, lets have everyone happy and hale and awesome and alive and give them a happy ending". And its a bit ironic how that phrase has been synonymous w d**ney, and yet i havent seen one thing from that shitshow give even half a thought to the notions of "character development" and "happy ending" as much as Castlevania, an r-rated gory fucking cartoon did.

So. I just. I love castlevania s4 so much, im smiling even as i write this. And its a good memory from a v bad time, and i just. Appreciate the decisions the writers and creators and producers made about it more than i xan ever say.

And yeah, this is biased, and personal af, but honestly idgaf, we can talk abt colonialism and feminism and all that sometime else. Bcs this post exist for two reasons only. No. 1, for me to get some things off my chest in my usual way of identifying w a piece of media up to an unhealthy amount, and 2., for me to say that we all deserve a happy ending here and there.

[spooky-z]

Yo, about the longfic.

Hi, guys! I came to make a quick post about the longfic that I mentioned in a previous post.

Many of you came to my inbox asking what this longfic would be, if it would be childhood friends or pack au and I have to say: no, it is not.

About the childhood fanfic: I still have a huge block, since all the ideas I had, I ended up losing when my notebook disappeared (I think I may have dropped it on the bus)

The pack au, I STILL have no intention of making a big fanfic about. I've been having ideas for one shots (I even have one already written and revised that I'll post on Friday), but nothing I can take and say: well this is going to be a plot for something bigger. Sorry!

That said, let's go to the question itself: what is this longfic about then?

Well, as I said earlier, it's an au totally separate. It's something I'm... Experiencing. So, I'll give you information about this fanfic.

The name of the story will be K-12

It will have 13 chapters (there may be +2 with the prologue and the epilogue, I haven't decided yet.)

And if you're a fan of Melanie Martinez, yes, that's exactly what you're thinking. The story will be based on the songs on the album.

It will not be a songfic! I just based the chapters on parts of the songs and will use the song titles.

K-12 will focus on Marinette's personal life, but we will have a little bit of miraculous.

As I want to make a mess with ships, I will be making a not too big change:

- Luka, Marinette and Damian are in a polyamorous relationship. Which means, yes, Damian dates Luka too.

- Adrien is demisexual and is developing feelings for Jon.

- Kagami and Chloe will be our proud lesbians bC YEah CHLOGAMI 4EVA

- Max and Alix are ace and together.

- Kim is the bisexual who is still in the closet and is dating Ondine.

Hawkmoth was already defeated before the first chapter of the story, as the miraculous team received help from batfamily to track down the villain. In other words: Gabtrash is in prison and Natalie too.

Emilie is alive and kicking since ladybug was *SURPRISE* able to reverse the damage in the peacock's miraculous.

Now Adrien lives in the mansion with Emilie, Amelie and Felix, finally having a family.

Damian, Jason and Cassandra have been living in Paris for a while, going to gotham when necessary in the fight against crime.

We will have hypertension with Lila, Alya, Bustier and Damocles.

Nino is shaken, not knowing what to do.

Marinette is badass

The permanent miraculous team:

Marinette - Ladybug (ladybug)

Adrien - Chat Noir (cat)

Luka - Viperion (snake)

Chloe - Queen Bee (bee)

Max - Pegase (horse)

Kim - Roi Singe (monkey)

Alix - Bunnyx (rabbit)

Kagami - Ryuko (dragon)

Damian - Taurus (ox)

Temporary:

Nino - Carapace (turtle)

Jason - Vulpes (fox)

Cassandra - Panthera (tiger)

Heroes are still active because there are still villains around the world and Paris is not exempt about that.

Mestre Fu is still the guardian and is guiding Mari to be next.

Well, I believe that answers most of the questions asked!

[EDIT]  I forgot some other information about K-12.

About their appearance (w/ links):

- Marinette's hair is much bigger than in the canon. Reaching the middle of the back and she uses the ribbons on a feather braid. (she keeps loose) 

- Adrien have Chat Noir's hair, as now he doesn't have to show a perfect image outside the photoshots (bc Gabriel bitc is ded)

- Kagami continues with the same style, but has an undercut now.

- Luka's hair is purple and he has a sidecut.

- Max has cornrows braids.

- Kim is the same as always, only slightly bigger than in the canon.

- Chloe has changed the most, hair and clothes. She looks like the prototype.

- Alix has Alix's adult hair style, just the color that changes. Is pastel pink.

About the ages:

Marinette, Kim, Alix, Chloe, Max, Adrien - 15/16 (some have already had birthdays and others have not)

Kagami, Luka, Damian - 17

Cassandra - 14

Jason - 22

Other info:

Luka and Damian are on a gap year before entering college.

Kagami continues to attend school for rich kids.

Bug out!

[ai-higurashi]

consider: au where beakley and heron was swapped and webby has feral grandmother heron

RANDY

RANDY

RANDY

YOUR MIND-

I??? LOVE THIS AU SO MUCH??? I CAN'T STOP THINKING ABOUT IT AAAAAHHHHH

This is gonna be a bit long, just saying

Just

Webby and Heron being tiny feral badasses, dramatic and over the top together. Heron trying to tone down the aggressivity around Webby bc she's sweet and pure and she will NOT scar her granddaughter with her short temper (probably bonds with Donald over this). ALSO, SOFT HERON.

At first people are never intimidated by her bc she's a small grandma with her tiny apron and her angery expression, what's she going to do lmao, give them a stern talk? Cue swift kick in the face.

Webby's probably the only reason the Beagle Boys, Glomgold, etc. are still alive. Heron is actually out to see the world burn, but noo, she's supposed to be the good guy and set an example for Webby smh.

(Webby finds out they're not blood-related way after HDL move in, and it's just like that one scene in Kung Fu Panda.

"Guys, I just found out my granny isn't really my granny QwQ"

"Your granny, the black heron?"

"yeah :'("

But it doesn't really matter bc at the end granny is still granny and they both love each other with their whole heart)

Also the McDuck-Heron adventures would be something else lmao. They both just. Yeet the braincell out of the window. Heron's convinced that she's the responsible one, I mean have you seen Scrooge?? but they're actually just two idiots that end up winning with a mix of chance, the craziest plans and creating so much chaos the enemies end up not knowing what the hell is going on anymore. Spend half the time bickering and trying to outsmart each other and the other half trying not to die. Somehow end up being best friends.

Duckworth probably has the time of his life messing with her since it's surprisingly easy. Also, she tiny. Also, Heron and Quackfaster are feral lesbian solidarity and you can quote me on that.

I fear for this AU's Heron tho

Like

Imagine unhinged FOWL Beakley

She's already a one woman army in canon, now add an extense knowledge about robotics and chemistry, a robotic arm with countless weapons, an hyperfixation on revenge and zero fucks to give. We all know Webby is her weakness in canon, but she has no Webby in here. I'm just gonna go ahead and assume she doesn't actually want to kill Black Heron bc otherwise I'm pretty sure she would have done so a looong time ago.

(side note but Beakley threatening Webby to get the formula. My heart-)

[i-am-just-a-kiddo]

ok so I tried to come up with three characters like you did for me but this was very difficult. so feel free to ignore some if you don't like it or feel like talking about someone else :'D but the beauty ghost/liu qianqiao (word of honor), yu tangchun (killer and healer, bc i know you like our opera boy) and seo moonjo (strangers from hell, bc i am always curious about you and this dentist lol)

Aaaah thanks for these! 💗 It’s been a joy to answer them, so I hope you can get through my ramblings about them. 

Referring to Give Me A Character

and I’ll break their ass down:

How I feel about this character

All the people I ship romantically with this character

My non-romantic OTP for this character

My unpopular opinion about this character

One thing I wish would happen / had happened with this character in canon.

My answers under the cut: 

Liu Qian Qiao/ Beauty Ghost (Word of Honor) 

How I feel about her: I love her and she deserves better. I’ve not finished the drama yet and I know surprisingly little spoilers about her. I just love to see her acting on her own accord, standing up for the person she loves. Being protective and so caring of Luo Fu Meng, it breaks my heart. From what I’ve seen, she’s gotten on my radar only recently - after they saved Luo Fu Meng from the prison, I got really excited to see more of her and them in general. 

I think she deserves better than that pathetic man whose name I don’t bother to remember. I’m scared of what the show will do to her but I’m so excited to see more, especially now that Scorpion got them in his clutches? She’s on par with him and I’m curious which direction this will go. However, as with many C-dramas unfortunately, she does not really feel tangible to me? There is always something missing, just a small piece that will make her feel more true to me. Maybe the drama will deliver on that? I’m not sure what to expect. 

All the people I ship romantically with her: Luo Fu Meng!!! Lesbian ghosts rights!!! Their recent scenes have been breaking me and I just want to see more of them. I want to know more about their past together, about their dynamic. Luo Fu Meng is her master but right now, Liu Qian Qiao is the one guiding and caring for her. It shows how equal they actually are, even if not in their title. Liu Qian Qiao’s devotion to her feels so burning and determined - whatever she has going on with that man just pales in contrast. She was ready to risk it all for her and she would never abandon her. She’s willing to do anything and I’m just praying for their lives - please don’t fuck it up, @ show writers. 

In short, I just need more of them. Please. 

My non-romantic OTP for her: I loved her interaction with A-Xiang a lot - she truly seems like an older sibling to her and it’s precious to see. I can see them being easily annoyed with each other but also fiercely protective of the other. I can see A-xiang being an unstoppable whirlwind and Qian Qiao trying to ground her, while being incredibly fond. I can also see A-xiang pulling her older sister out of her own head, grounding her and validating her? Tell her that she is more than she thinks of herself, and that she deserves a lot more than she allows for herself. I need more of their interaction because I’m weak for found family tropes and I need more of the ladies doing their own thing outside of Wen Kexing’s or someone else’s periphery. 

Also I want more interaction with her and the Evil Bodhisattva???? The potential that friendship has? Please gimme. 

My unpopular opinion: I don’t know any opinions? I’ve not yet dived deeply into the WOH fandom because I’m not done with the drama yet. I’ve generally seen little content about her and the other ghost ladies, which is a pity. Once I get there, I’m excited to dive into all the fandom has to offer. 

One thing I wish would happen / had happened with this character in canon: I’m on episode 24, so I can’t really judge what the show is gonna do to her, but so far I wish for more depth. Less of that horrible man being affiliated with her. Less of her being subjected to violence. More agency. More of her and Fu Meng interacting, caring for each other, being in each other’s space. I hope her to survive and not be killed, so I’m crossing fingers. 

Yu Tangchun (Killer and Healer)

How I feel about this character: OH BOY. I have freshly baked feelings about him, get ready. Warning for spoilers:

First of all, I always felt the drama did not dive into him as deeply as I had wished. Something was always missing there, but I can’t really name what. Maybe more depth, other than just being sick and out for revenge? He had more potential and I will get to it later. But from all I’ve gotten from him, I love how strong he is, and how much bravery there is in such a small body. He has his own mind and own agenda and doesn’t allow people pushing him around - I also love how deceiving he can be, even to his friends (namely Chen Yuzhi when he asked for that drug). He is a clever fox and I love that for him. Which also made him incredibly unpredictable to me in the beginning - I just couldn’t quite place him? 

In the end, am just incredibly fond and he deserved so so much better than the show ever gave him. 

All the people I ship romantically with him: Zhan Junbai, with all its flaws. From the first moment on, their tension just made me go ???????? the whole time. It was amazing and unsettling to watch, see its development and knowing this could not end well. A very delicious dynamic that always treaded the line of will they or won’t they (whether that refers to killing each other or otherwise). At some point I felt a little more invested into their plotline simply because it was so interesting and unpredictable. The mutual attraction is undeniable, which made what happened later even more heartbreaking and fucked up.

It could have never worked, even if Zhan Zhunbai had been less of a dick. They deserved a different ending - at least Yu Tangchun should have been the one to kill him, or at least they should have had a proper showdown together. After all - they were more than friends at this point. 

My non-romantic OTP: I loved his friendship with Chen Yuzhi, but I must say I would have loved to see him more with Chu Ran! If we imagine a different ending, they could have bonded together so much over what Zhan Junbai did to the both of them. They are both so gentle and headstrong, I wish we had gotten more of them together. It could be relaxing and freeing for the both of them. 

Also I’ve always wondered how exactly Yu Tangchun’s friendship with Jiang Yuelou worked? I think this got way too little spotlight. 

My unpopular opinion about him: I have no idea what is popular and what isn’t? Maybe that I sort of enjoyed the idea of Yu Tangchun joining Zhan Junbai, even though I knew it wouldn’t happen. Let me dream, that could have been a different level of conflict. 

One thing I wish would happen / had happened with this character in canon: Oh boy. Oh boy. SO MUCH. Spoilers ahead if you haven’t finished the show: 

First of all, his ending?? It felt way too rushed and while not out of character, he deserved so much more than his death being an afterthought to the plot and a few sad gay flashbacks. The entire ending felt rushed and oh boy, could I rant about it here, but I will try and focus on Yu Tangchun. So yes, give him the respect he deserves. 

Another thing which I have mentioned above is that I wished they had given him more depth? Just a little bit more other than the trauma and agony he went through. I also wish I had seen more of his opera and his story with it - how he got there, how he thinks about it. We only ever got glimpses and I get that a show can only focus on so much, but still. 

I also wish his ending with Zhan Junbai had been different - in a sense that I wanted him to break Zhan Junbai, lure some genuine emotions on his face other than anger. I wish they had gotten more….closure? I don’t even know. It didn’t feel satisfactory at all. Zhan Junbai went through so much trouble to keep him and then suddenly he let’s him go and then he dies? It just went too quickly. If at least Yu Tangchun had been there to kill him in the end, or at least get some sort of closure. I’m rambling now because I don’t know what I wanted for them but it was certainly more than what the show gave me. I am so frustrated about the ending of the show, help me. 

Seo Moonjo (Strangers from Hell)

How I feel about this character: Conflicted. That is the short answer to that, but of course I’m not here to give a short answer. Do I have to clarify that I do not condone the actions of a cannibalistic serial killer in real life? I hope not. Okay, let’s get to it then. 

Seo Moonjo (or Mr. Dentist, as I lovingly call him) to me is incredibly intimidating. Part of it is that Lee Dong Wook does an incredible job at depicting him as charming and terribly unsettling at the same time. From the first second he shows up on screen, you feel this presence - and you feel intrigue and fear. Which is what Seo Moonjo wants, it’s what he preys on. 

So when I think about how I feel about him, I think he is one of the best villains I’ve encountered recently, simply because he makes me feel the same way he makes Jongwoo feel. I’m very fascinated? I feel Seo Moonjo is a very lonely person, lost in his own ideals and morals. He has absolutely no sense of social propriety and does not intend to learn them. He’s so caught up in his own art and his desire for a certain life, it’s almost pitiful how much he desires it. But of course, once I feel a sliver of pity, he reminds me that he is - indeed - hell personified. I am still lowkey mad that he charmed me (why is being a villain so sexy smh).

Summing up, I love and hate him. What a creepy bastard.

All the people I ship romantically with him: Yoon Jongwoo, despite all the cruelty of it. I think comparing this show to NBC’s Hannibal is very valid, even though these two never got a proper development of their relationship like Will and Hannibal did. I absolutely think that Seo Moonjo is in love with Jongwoo and wants him to be his, wants to wrap him up in his life and make him the ‘perfect art-piece’ he had always wanted in his collection. No matter how sick it is, this obsession is probably the closest Seo Moonjo can get to feeling love - he does not know how else to love. 

So what do I want for them? I want Jongwoo to get his revenge, to make Seo Moonjo suffer as much as he did. I want Jongwoo to see eye to eye with him so they can walk with equal footing. I want Seo Moonjo to realise that Jongwoo has as much power over him as he thinks he has over the other. After this, they can be murder husbands for all I care, in true Hannibal-esque fashion. The emancipation of Jongwoo needs to happen first, and Seo Moonjo needs to realise that he is not the invincible one in this relationship. After that, they can have a good time together, no matter how fucked up that time may look like. 

Also, I am convinced that he ‘dated’ Yoo Gihyeok in a twisted way, before he went and fucked up his plans; and before Jongwoo came to cath his eye.

My non-romantic OTP: As mentioned above - Seo Moonjo is a lone wolf. Yes he had his pack and someone that guided him on this path, but none of them ever come close to him to see his heart. The show itself doesn’t give him much space to see a potential friendship except the one he has with Jongwoo. Jongwoo would be the answer for this as well. (also to be fair, I don’t wish anyone to be friends with him damn)

However, if I could explore more dynamics he has with other people, I would love to see it with Officer So. I think she is an incredibly interesting and strong character and the few scenes they had together were fascinating - she came as his patient and ended up being his enemy. In another installment of this show, I would’ve loved to see more interaction like that and see the development of them being pleasant acquaintances (and maybe Seo Moonjo realising that she too is worth his attention) to enemies. I want Seo Moonjo to find respect for her.

My unpopular opinion: I’m not into depicting him as fancy rich, as many do in fics. Yes he’s a dentist and surely has a ton of money, but I like the idea that despite this wealth, he would always be a shabby sort of person. Not decked out with a luxurious rooftop apartment and wearing dress-shirts every day and expensive watches; but rather using his wealth to make himself safe from detection, finding remote areas, buying utensils and appliances for his ‘art’. So no, I reject the vision of him lounging on the highest building in Seoul with a minimalist empty apartment. I see him in a ratty rundown but expensive old mansion/house that has many corners for his artistic endeavours. I’ve already picked the perfect house for him in Busan, on the top of a hill overseeing the city and the harbour. 

One thing I wish would happen / had happened with this character in canon: I’ve mentioned it above, but I wish Seo Moonjo had gotten to feel more pain. We got Jongwoo’s liberation and Moonjo being proud of his ‘artwork’ while Jongwoo kills him, but that was not the revenge Jongwoo needed. In the end, Moonjo still lingers with him, as a constant presence, and he never got a taste of his own medicine. While watching this show, all I wanted was Jongwoo to break Moonjo’s heart. This would not make up the suffering Moonjo put him through but at least they would be equal. So I have my own revenge fantasy with this character that is more than ‘merely’ killing him. Being killed by Jongwoo just felt like an honour to Seo Moonjo and I’m not satisfied with that. 

Phew okay I’m done! Thank you for giving me something to ramble about, it was a joy!! 

[sombrz]

Please imagine me just delivering these on a platter to ur sickbed: akira, minako, ochako, iida, (tries to think of a marvel comic person) uhh flash

thank you, thank you. who needs cough medicine when you have shipping.

(edit: i’m 99% healthy. it took me that long to finish this mess.)

AKIRA: okay, i think i remember telling you how i was pretty chill with akira ships. like, if done right, i don’t mind any of them, except for futaba (because they’re siblings, fu). besides our collective issues with atlus and their inability to not be weird when it comes to the girls. also, i feel like what makes the p5 kids feel the most like actual friends is also what makes it harder for me to fully invest in any individual dynamic - they all meet throughout the course of the game (even ann and ryuji aren’t close friends beforehand, and there’s definitely no drama between them) and they help each other heal and get past their abusers so that they can have a fresh start and feel free to be normal teenagers. so there’s little to actually grab onto when searching for….anything layered? like, compared to the p3 kids who have so much inner turmoil that they take out on each other - or the p4 kids, who can’t be completely truthful to themselves or each other. the p5 kids do have baggage, but not with each other. which makes for healthier bonds but also more boring ship dynamics lmao. all very cute and fluffy, but not a lot of substance. 

point is, i don’t really have much to say? like akira/yusuke is fun and silly. akira is eccentric and cool enough to go along with yusuke’s antics, and even though p5 always gives us an option to be mean, i can’t imagine akira ACTUALLY thinking that kind of stuff? like, he’s a weirdo too so he just. gets it. yusuke basically takes akira out on dates during his social link. they lend themselves well to model/artist headcanons and aus. they don’t realize they’re dating until a few months into their relationship - one of the others had to point it out and yusuke’s like ‘oh? is that what this is??’ and akira’s like ‘thank god’ bc he was too awkward to bring it up himself. futaba makes fun of them a lot.

akira and ryuji are cute too. i’ve gotten a bit fond of the boner squad (br)ot3 too. just ann/ryuji/akira being dumbasses. or ann/shiho+ryuji/akira being dumbasses while going on double dates. there’s also not really much to it - just the usual persona teen boy ‘no-homo-bromo-but-it’s-actually-homo’ fare. ryuji’s less possessive and repressed about it than yosuke is, though. which is good (ie more healthy) bc it’s more like akira found himself a human puppy jock boyfriend, and it’s cute! ryuji instantly decided he liked akira and started planning their secret handshake and selecting their cool delinquent hangout spot. and akira just smiles through it all bc he’s charmed. morgana gives akira the most judgemental stare ever when he finds out though. 

i like akira/haru bc she’s who i dated in my playthrough. they’re soft and sweet and i think a slow relationship built on patience is good for both of them. and they have the most obvious phantom thief couple aesthetic, tbh. they also have the ‘demure wallflower by day, trigger-happy hellion by night’ thing going on. i love the idea of them opening up a coffee place together (their futures align! this is the SO that sojiro approves the fastest lbr!) and akira being haru’s trophy husband (let this man be someone’s trophy husband).

akira/goro’s the one with the most depth lmao as our boy akechi gets the short end of the stick re: what everyone else got - to defeat their abuser and come out the other side a new and improved person. INSTEAD, it’s all about deep-rooted envy and what-ifs. when i replayed p5 for my friend’s benefit, she kept being like ‘wow ok akechi’s got….the most obvious crush on mc. why is he always here? why does he talk like that? omg?’ and my sentiments exactly. AKIRA’S thoughts exactly, tbh, bc what else is he supposed to get out of some of the things that come out of goro’s mouth. but it’s like….he DOES like akira, but he also resents his existence because akira gets to have real bonds and happiness despite the crappy hand dealt to him. and their own bond is based on careful lies and observing each other for any cracks in their armour. but there’s that undertone of wishing that they’d met in other circumstances, where they COULD have a normal relationship and get to know each other in a way that’s not ‘we levelled up our relationship when you shot me in the face with the intent of murdering me and framing me for my own death but really, i tricked you and you didn’t actually kill me & now we can defeat you and your dad! ha! checkmate!!’ but i love that that’s actually part of the dynamic so lmao.

MINAKO: you know, despite minako and minato being considerably different (both their external personality/appearances > emo boy/preppy girl  - and the changes in their dialogue choices > again, minako is a lot more confrontational and energetic), i pretty much just ship them with the same people?

the only exceptions of this being i ship minako with shinjiro and yukari but can’t really fathom either of them with minato. (it’s bc yukari is a lesbian and shinji does not deal well with sullen people. like, what’s he supposed to do? pat minato on the back?) 

i will also warn that it’s been….forever since p3 so i’m kinda fuzzy on details. 

anywhoooooo, AIGIS. main protag ship is aigis. idc which protag, but i must give atlus my once-in-a-blue-moon compliment because they kept aigis’ social link and her blatantly romantic feelings for the protag the exact same in portable. so minako/aigis is just as canon as minato/aigis, buahaha. anyway. robot girlfriend who starts off being somehow programmed to feel protective/indebted to minako but then starts developing real genuine feelings as she explores her humanity, minako wanting to show aigis how to enjoy herself while putting the emphasis on aigis’ feelings and opinions but also being so amazed and grateful for aigis’ love and attention. also, the difference between protags here being that while minato is silently intimate, minako is loudly loving. the utter tragedy that is aigis not being able to save the person she cares about, the imagery of minako’s head in her lap while they wait for the end is….A Lot. i think in a lot of tragic robot/human romance fiction, the robot gives up its life for their human partner so i like the reverse here - with aigis having to experience the emotions of loss and depression and overcoming that because she truly loved mina(k/t)o and now they’re gone. it’s heavy! it’s a lot! i just remembered i never finished the p3 movies! i should do that!

there’s ryouji. again, don’t care which protag - just like the idea of our mc flirting with death. literally flirting with the avatar of death. the double sides of the ship: goofy teenage flirting vs warning of impending doom. ryouji just being like ‘yeah just kill me it’s for the best i’m actually here to destroy the world or w/e’ to his gf (or bf) out of nowhere on christmas eve lmao. it’s fun, idk.

yukari! honestly, taking out all the forced hetero ship teasing made me ship her with minako more lmao their social link was just better! no offense! and their personalities mesh better too - i feel like yukari would get way too frustrated with a closed-off partner and i love concept of: the huffy takes-no-shits girl being soft for her cheerful outgoing gf. also, i spent way too long imagining the answer with minako - the aigis/minako/yukari would be heartwrenching and we deserve it. 

shinjiro! can i start off by saying it’s a good thing shinji was in p3, which did the best job of showing the characters apart from the protagonist and main plot (prob bc on the other hand, it did the worst job with social links seeing as none of the guys had them) - i feel like in p4 or p5, we wouldn’t have gotten to know him nearly as well before he died. anyway, his social link with minako is really sweet and a romance between them hits my ‘tsundere/flustered boy not knowing how to deal with affection from pretty girl he respects a lot’ checkpoints. and i need to talk about this: i feel like the decision to make him comatose instead of dead if you romance him was a double edged sword disguised as a blessing lol. because he was still DYING before he got shot, and also he wakes up just in time to find out his girlfriend died! fhdhfgdjd! 

                      —————————————————————– 

uraraka……okay: i ship her with tsuyu, bakugou, iida, mina and toga. 

oh, here’s a story. before i got into bnha, i stumbled on a bunch of deku/uraraka amvs and they were so precious. like, really, deku and ochako are the cutest goddamn things in this series. seeing them side by side makes me want to channel my inner grandmother and pinch their cheeks. it was, like, the only thing i knew about bnha at first, so i just figured i’d end up shipping it whenever i eventually got to watching it bc i’m easy to please like that. but ha. nah. it’s sad bc i love their dynamic when it’s focusing on their actual friendship but then the actual romantic hints made me want to roll my eyes so hard. it’s so BORING if you take it at face-value, and i’m so boggled by it if you look deeper bc i don’t understand what hori’s planning here. it’s irritating bc even uraraka admits that her borderline obsession (and that’s what it is, since it’s compared to TOGA’S CRUSHES…y’know, our resident yandere serial killer?) is detrimental to her growth as a hero. and i know it’s partially bc she’s a teenager but its blown so out of proportion. it’s a crush!! relax!!! like, compare to deku’s crush on uraraka where after he got over his initial anxiety of talking to girls, he - at most - just blushes a little when she stands too close or dresses extra-cute. every other time, he treats her no differently than any of his other friends. but then uraraka’s crush is treated like. this weirdly twisted admiration she doesn’t even WANT. she relates to a villain’s desire to imitate and become the person they like, she gets ridiculously jealous every time he looks at another girl, she keeps fucking up because she focuses too much on him and how to be like him. it’s weird. idk. typical fiction tropes lead me to believe i’m supposed to root for them to get together (and bnha will end with an epilogue where they have a child named after a food) but the story i’m being told makes me want to root for uraraka to succeed at getting over those feelings! idfk!!!

also, i have to laugh at the way horikoshi decided to tell us and uraraka herself that these feelings were romantic. by having aoyama just be like ‘oh you were thinking what would izuku midoriya do? could it be you love him?’ when we see multiple male friends of deku’s (iida and todo, in particular - hell, even aoyama himself) have similar WWMD thoughts and he, in turn, instantly imitates bakugou whenever he hits a roadblock (taking inspiration from to downright copying bakugou’s moves, trash talking his opponents, etc). am i supposed to see only uraraka’s feelings as romantic? why? because she’s a girl and deku’s a guy?

i like it better when iida’s involved. both iida and uraraka are so sweet and enthusiastic to counter deku’s more nervous personality, and they’re a very good trio! i tend to prefer them as a brot3 but as i said, i do ship iida/uraraka seperately! i don’t have any big reasons for it except i enjoy how contagiously energetic and silly they are around each other? dramatic too - remember the ‘REACH FOR MY HAND’ scene when all the UA students were freaking out? it’s just a simple best friend dynamic like what they have with deku but there’s no weird one-sided jealousy/competitiveness involved (luckily, iida got over it after the stain arc haha). they don’t end up feeling bad or unworthy of the praise they get from the other - which is great, because they’re very complimentary towards each other! iida is so understanding (his immediate reaction to uraraka being self-conscious about her reason for pursuing heroism) & uraraka is usually the one who vocalizes how cool and talented iida is (while also giggling her ass off whenever he gets all extra-dramatic)! tbh, curse their aborted moment after iida’s match with mei! let them praise each other!!! i like that their seats are so close to each other too - i wonder how horikoshi decided on the seating plan. but uraraka’s tendency to shake iida by the shoulders is precious & i bet you he breaks his staunch ‘follow-every-rule’ mentality when it comes to uraraka writing him little notes in class. also, maybe uraraka just deserves a sweet+rich boyfriend. it’s that easy. lmao.

i already talked about bakugou/uraraka. it’s great, dripping with potential, needs more canon interaction. i only trust a portion of its fanbase to do them properly. but this is the case for almost every big ship. (where’s that one fandom meme where one of the questions was like ‘what do you hate seeing in fanfic/content for them’ bc NOW THAT I’M ACTUALLY READING FANFIC AGAIN, LEMME TELL YOU. BEING A MULTISHIPPER IS HARD.)

tsuyu and uraraka are just genuinely a good match? i like the contrast between uraraka - who is emotional and upbeat - and tsuyu - who is calm and rational. but they’re both very perceptive? their first night at the dorms is a good indicator of how their dynamic works. the others are quick to accept that tsuyu doesn’t want to play along with the room competition, but uraraka both provides the excuse and lingers behind with worry. she probably had to convince tsuyu that it was okay for her to vocalize her feelings to the bakugou rescue squad, and volunteered to be with her during said confrontation. compare to the forest where tsuyu sweetly and calmly offers uraraka her hand because she sees her friend is scared, without actually needing to say anything else. they’re sweethearts. i absolutely adore them. oh, and i dig their earth/sky + pink/green aesthetic clash.

uraraka and mina are based on two things: 1) they’re always hugging and hanging out in official art/sketches (mina even has a selfie of them hanging on her wall of pics in her room) so i can only assume they’re super-close gal pals that should kiss, 2) i love shipping silly idiots together and it’s hard to find ships like this that are f/f but these two fit that specific chaotic mold!!! and 3) AESTHETIC DREAM!!! PINK SPACE GIRLS!!!! DO I NEED ANY OTHER REASONS? NO. NO, I DO NOT.

HOLY SHIT, CAN YOU BELIEVE IT’S OFFICIALLY CANON THAT TOGA HAS A ROMANTIC CRUSH ON URARAKA? again, i could write an essay on coding and how frustrating it is for characters like toga to usually be bi/pan. but no one’s claiming this a win for rep. and i’m FASCINATED by this dynamic. toga loves stain-sama for his ideals and how that enables her nature to kill. she loves deku-kun out of curiousity for his ideals and the fact they met when he was beaten to a pulp lmao. and she loves ochako-chan because she sees herself in her - she thinks that they share ideals. again, i have no idea what the long-term meaning for this development is but it’s clearly pitting them against each other? and adding a romantic element to that is hmmmmmmmmm. we’ll see, we’ll see. and like i mentioned above, it’s shocking and worrying and makes me ship uraraka and toga more that uraraka ALSO sees the similarity between her and toga. she’s horrified by the implications of it but she hears toga’s spiel and tries to fruitlessly deny that ‘yeah, she’s right. that’s how i am. we’re the same.’ if i were to ever write a traitor!uraraka fanfic (which i would if i could ever FINISH a writing project), it’d be uraraka/toga and uraraka trying to convince herself she’s better than toga, that she still has a moral code and her reasons for joining the league have more weight to it, and she doesn’t!!! care!!! what toga thinks of her!!! and expecting a rivalry but toga doesn’t meet that head-on because instead, toga wants to be close and connected to uraraka. toga has this kind of mature soft side we’ve seen before (with twice) that shows how she can see you at your core (her fight w/ uraraka also showed that) and i want to see uraraka to be on the end when she thinks she doesn’t deserve it and doesn’t trust toga and just being frustrated and confused over it all.

                        —————————————————————– 

iida…….i think deku, todoroki, uraraka and aoyama are my biggest ships for him. also, i don’t ship it myself but momo/iida/todoroki’s rich kid squad is A REALLY FUN DYNAMIC AND OT3.

LET’S BE REAL: IIDA/DEKU IS SO UNDERAPPRECIATED IN THIS FANDOM. ALL IIDA SHIPS ARE BUT….IIDA/DEKU. iida’s goddamn….tucked deku into bed. threw his hat in the ring of rivals. there’s official art of iida giving deku a shoulder ride. he punched him to make him see how his actions are affecting him - “haven’t you thought about how *I* feel [about you putting yourself in peril]?!” like. bro. okaaaay. i still laugh that they got on the wrong foot initially - deku was so scared of iida sjfhhf like he was equally worried he’d be stuck in the same class as iida as he was about kacchan. thankfully, iida’s a sweetheart who cares with all his heart, and he sees all that there is to admire about deku, so they became instant friends after that. and iida means SO MUCH to deku. i pay a lot of attention to how future!deku talks in his narration, because he normally interrupts the narrative to move the story along - by talking about minor time skips, the movement of the villains, etc. but he also tends to wax a bit poetic about his friends. like when he interrupted everything to give us a side-story about how and aoyama became bffs. so we can assume that aoyama’s friendship means a lot to adult izuku. or how comforting and important it is to me that even as an adult, he refuses to stop calling bakugou ‘kacchan’. it’s sweet. in that same vein, it strikes me that deku still holds an amount of guilt for not supporting iida better during the whole ingenium-stain debacle. it ended….much better than it could have, and that experience was what strengthened iida/deku/todo’s relationship. yet as an adult, deku still wishes he could have done more. offered iida the help he needed before he went rushing in. hoo. but anyway, yeah, they’re cute! wholesome nerd boys! cute height difference! also yeah, i’m glad that iida got over his sports-festival-era feelings of inferiority towards deku. deku loves competition, but you can tell that he didn’t want that out of his relationship with iida (compare to how he outright covets a rivalry with bakugou and accepted it from todoroki w/ his head held high). it wasn’t based on healthy feelings and they’re so much better as supportive bfs.

iida and todoroki have a lot of stuff in common as legacy heroes who were trained from childhood to be heroes - with the major difference that todoroki faced horrifying abuse that prevented him from having a close relationship with his siblings and made him want to reject his legacy, while the iidas are good folk and iida’s brother means the world to him and he’s so far one of the only heroes we know to reuse a superhero identity based on legacy. and even the painful bullshit (like the ‘take out your muffler and a new, stronger one will grow in’ thing) was something that iida went through on his own accord and with warning. and todoroki’s words of encouragement during the stain arc were based on his own life lesson! they both come off as very serious and abrasive elites at first glance, but they’re actually dorky and socially awkward! but i think they get each other - i imagine they have a very calming friendship, no need for pretenses and judgement, and they deserve that! they probably think the other is hilarious too even though absolutely no one else gets the joke! they had a lot of cute moments recently since they were paired in the same 1A vs 1B match. like iida can just…tell the minute differences in todoroki’s expression and demeanour apart and knows when there’s something wrong. and they’re just so humble and sweet and can’t handle the other being self-deprecating. they’re good boys, brent.

already talked about iida/uraraka. they’re cute, i love them.

AOYAMA THOUGH. knight boys! they were so good during the exam! it really got me that aoyama didn’t even consider the idea that iida might not abandon him, might want to help him and win together instead of just use him to get ahead himself - and iida didn’t even really get the emotional realization aoyama went through there but he was still like ‘YEAH WE DID GOOD! I’M GLAD YOU FEEL BETTER! THUMBS UP! :D’ they’re both very dramatic and - i don’t know how to describe it….they pose a lot, talk with their limbs. they’re silly, is what i mean. and maybe aoyama ALSO deserves a loving, rich boyfriend. MAYBE IIDA SHOULD BE EVERYONE’S LOVING RICH BOYFRIEND. but in this case, aoyama’s boyfriend who will carry him bridal-style everywhere, much to aoyama’s glee lol. except when he’s dragging him along via his cape. whatever works.

also, side note, i find it kinda interesting that fandom pairs him up with girls like mei and camie - when i just….feel like he’d be so out of his element and sooo overwhelmed? i’m wincing just thinking about it lol poor iida.

                        —————————————————————–

i’m glad you specified marvel bc if you’d just said ‘comic’, i would have assumed you meant THE flash and i would be forced to sit here and think of every dc speedster ship…..well, it wouldn’t be as bad as spidey ships (honestly i’m very basic with speedsters - it’s just like ‘speedster/their spouse’ with the adults (even wally - linda or bust, tbh) and ‘speedster/their best friends’ with the teens), but we’d be here longer. 

BUT FLASH THOMPSON? i already mentioned my two big ones, with venom and peter but i’m def willing to talk more about them.

 flash/venom, a man and his gooey alien husband. i love that it’s a relationship based on self-growth and healing from past hurt and stopping destructive habits and cycles (both that cause self-harm and harm onto others). one of my favourite panels is still where flash pleads with peter to not let his anger seep into venom because venom’s gotten past all that. he’s a better person (being. alien. thing.) now and doesn’t want to turn to feeding on rage ever again. and that’s true for flash (a victim of child abuse who bottled up all that sadness and rage and took his aggression out on other kids) as well. it’s just so….nice. and venom credits all this to flash. and a thing i find about venom is that its unhealthy dynamics are all about control - you’re just its host, it possesses you against your will, you become an out-of-control villain. but with flash, venom sees a partner and home - they need and belong with each other, they communicate and cooperate, they became a superhero. also i love how they’re seriously affectionate and intimate - that’s just kind of a given with venom, i think, because you have to invite & accept it as part of yourself. but flash is so soft with venom - while he’s not as….hm, vocal about it as eddie ‘ooh my love my darling~’ brock is (he’s also a bit less obsessive haha sorry eddie), he’s so protective and likes giving venom headscratches and kissy faces to the point others react to it like they would witnessing PDA. i just want flash to be all cute and smooch his husband when they’re not like. one singular entity. CAN YOU BELIEVE THE HEALTHIEST DYNAMIC FOR FLASH TO BE IN IS WITH A SYMBIOTIC ALIEN GOO CREATURE? I CAN. AND I’M THANKFUL FOR IT.

 i also ot3 them with eddie for the sake of my peace of mind where everyone’s happy. where venom’s not torn between two loves, and eddie doesn’t feel the need to think things like ‘it’s tough being someone’s second best’ and ‘i’d like to think he’d do the same for me but part of me knows that would be a lie. it’ll always be flash.’ and having those thoughts because he literally FEELS that pull towards flash? like he inherited those feelings, he KNOWS what it’s like to love flash thompson. LIKE, YO????? GIVE ME THAT SYMBIOT3.

then there’s flash/peter, the funniest super/civvie id love triangle in the world. flash having the biggest hero crush on spider-man in high school - so many superheroes to choose from but spidey is the best, because he’s an underdog, because he gets pushed down and refuses to give up, because he’s SO GODDAMN COOL - while simultaneously thinking peter is frankly, the worst? but in that terrible way where he fixates on peter even when he’s not part of the conversation. waiting for him to leave school so he can be mean to him, feeling frustrated whenever he tries to be nice to the guy and peter either ignores, rejects or insults him in return. peter just being like ‘Sigh’ whenever flash insults him by gushing about spidey, but that’s also why he can’t dislike flash no matter how bad their relationship is. how can he hate spidey’s biggest fan? and also he probably gets a good amount of pleasure out of flash’s gf liz allen having a crush on him. peter also does this to johnny and his gf, dorrie evans - they’re frienemies in high school and kind of obsessed with each other,,,,’heRE’S MY LIST OF 500 REASONS WHY I HATE THE HUMAN TORCH’ OK PETE RELAX. so yeah, peter, despite having genuine feelings for betty brant, hits on liz and dorrie whenever they cross paths and lets them use him to make their hot blond boyfriends jealous. (peter, maybe you ARE the worst. stop it.) and then when they get to college and end up in the same friend group, flash slowly realizes that peter is like. hot now? and like, kind of a cool dude who went through a lot! like, he thought peter was a jerk in HS but he’s actually really nice when he wants to be and is always in your corner! ‘wow, i really like and respect pete! i’m proud to be his friend!’ flash thinks while staring at peter’s biceps. meanwhile, peter has no idea what’s going on because he keeps expecting flash to turn back into a dick (and steal one of his girlfriends lmao) but instead, he just keeps proving he’s a great guy! and keeps confiding in him! and uh, complimenting him a lot? and still fanboys over spidey and that’s really endearing! and oh, he’s really gonna miss him whenever he’s on tour and the idea of flash dying is unthinkable and he really likes being his roommate and he’s who he wants to be his best man and he doesn’t get why flash doesn’t seem to realize how great he is, and welp, he just punched captain america in the face for not telling him flash was agent venom. anyway, bottom line: i like dynamics that are very….long-term and constantly changing? so i tend to fall for the enemies/rivals to friends to lovers thing. or friends to enemies to lovers. but this is a former situation for sure.

also, i’m convinced every corner of the college crew pentagon happened. flash and harry MUST have at least made out once and neither was sure how to deal with the aftermath of that for a couple of months. he’s kissed and casually dated gwen AND mj - but i find it interesting that it seems like neither girl really ever considered him a contender. gwen cares about him but sees him as a shoulder to vent to about her issues with peter, and mj has a lot of fun with him but also considers him the male version of her (outgoing and bright but unwilling to commit and act serious). and he interestingly backs down quickly when peter decides to make a move on the girls. like, compared to his love triangle with liz and peter where i feel he was pretty resistant to letting her go - especially to someone like puny parker, he responds to peter’s accusations re: gwen and mj with ‘hey, relax. it’s not like that. i wouldn’t do that to you.’ i take it as him growing up and not feeling the need to overcompensate to impress his dad and also maybe the fact that he’s a bit more aware of how closeted he is. but it’s weirdly different with harry (*cough* cause it’s the first dude aside from peter he had any romantic interaction with *cough*) so he just……..dances around those feelings (on top of both of their feelings for peter) until harry starts dating liz (BECAUSE EVERYONE DATES EVERYONE IN PETER’S CIRCLE OF PALS, I GUESS) and he’s just like ‘???????????? well okay then’.

i like his dynamic with felicia as much it also pains me - that felicia went into it thinking she could use flash to hurt peter (’i’ll break your heart like he broke mine!’) but then ended up legitimately falling for him and started hoping for a normal life with him. also that they liked hanging out in terrible workout clothes. nerds. (alas, it didn’t last bc….FLASH, BUD….BUDDY….I CAN’T BELIEVE MARVEL HAD FLASH SAY THAT AND THEN PROBABLY SAT BACK AND THOUGHT ‘YUP PETE’S BEST BUD FLASH IS TOTALLY STR8′) and i need to read more of him and betty to get a handle of that but. what i’ve gotten from the panels i’ve seen that it’s very dependant on the writer and has the same problem flash’s relationships with liz, gwen, mj and felicia had where there’s a lot of love there but the actual romantic element is….lacking? falls short? fizzles out? where he seeks out a connection to peter(/spidey) through his romantic relationship with a woman peter used to be involved with and pushes said woman away when she starts getting in too deep?

anyway, that just turned into an essay about how flash thompson has been gay since his conception and only like, 20% (maybe less) of writers in charge of writing him have actually realized it.

[icarus-showmethemoon]

3, 6, 16, 19, 23, 34, 37, 46, 50, 51, 53, 57, 59 (for ALL of them), 63, 66, 69, 70, 71, 76, 80, 81-89, 90, 94, 95, 96, sorry

oof lmao

3. what is your favorite part about your body?

my l e g s asdfghjk ive got gorgeous legs and thighs that could break necks

6.are you more femme or butch?

definitely butch tbh

16.have you ever been a part of a protest or a march?

not as of yet

19. already answered xx in front

23. who’s your closest tumblr friend?

uhhh

you, cel, em, or aaron, tho im getting pretty close to elena too id say lol (she might not agree yeet)

34. already answered lol but ill give another ig uhh a song that makes me happy is the gerard way and ray toro version of  Happy Together

37. something you fantasize about

non-sexually, i mostly just imagine conversations that wont happen. idk. not a lot goes on in my head besides sex

46. do you prefer to date people the same age as you, younger, or older?

my age or within two years either direction tbh

50. how can someone win your heart?

make me feel safe and valuable and im yours tbh

51. already answered and no

53. would you have sex with the last person you text messaged?

yeah

57.what would you say if the person you love/like kissed another girl/boy?

 id probably tease them about it lol im not really the jealous type

59. does the person you have feelings for right now know you do?

my bf knows and three of them miiiight know, the other def doesnt

63. three things that turn you on.

keeping it relatively pg, neck kisses, hair pulling, and the V of hips asdfghj

66. who was your celebrity/fictional gay awakening?

halle berry both as storm and catwoman because like....... fu c k

69. do you tend to like more masculine, feminine, or androgynous girls?

im obviously very dumb bc i answered the wrong question last time lol

i tend to like masculine girls and feminine guys tbfh

70. are you good at flirting?

hell yes i am

especially irl

71. already answered. my ex gf

76. do you fall in love easily?

i develop crushes really easy but none so strong that id call them love. its really hard for me to fall in love

80. what is your “type?”

i dont really have a type

i like submissives and bottoms lol

81. already answered lol her fall asleep

82.tall girls or short girls?

short girls are c u t e

83. hugs or kisses?

kisses

84.twirl her around or get twirled?

twirl her!!!!!!!! sweep her off her feet and spin her around!!!!

85. tummy kisses or thigh kisses?

hgggghhhh thig,,,,,,hhhh,,,,,,,fuck,,,,,,,,

86. neckkk

87.play with her hair or stroke her tummy?

play with hair!!! pet!!! stroke!!! soft!!!

88.making out or soft kisses?

soft kisses but all over 

89. hugs around the neck or hugs around the waist?

waist

90.how confident are you in your sexuality?

Too lol im far too confident in my sexuality and sex appeal

94. most embarrassing thing you’ve done in front of a cute girl?

TRIPPED AND THEN STARTED STUTTERING ASDFGHJ KILL ME

95.do you have a favorite lesbian ship? is it canon?

god i dont know i just love lesbians

there are two girls at my church that i ship really hard tho

96.what is the most aggravating thing someone has said to you about your sexuality

that its not real and im just being a special snowflake like,,,,,, g o d shut UP

[morphogenetic]

b) it’s not….an unreasonable thing….to correct you on….if you keep calling the author a cishet man when we don’t know the authors gender…….let alone if they’re straight….like. hey. just use they them for now. it’s likely that the author is cis but assuming their gender still feels uhhhhh bad

c) with things that don’t have a heavy lgbt focus in general im gonna say when they act homo/transphobic then yeah that’s fair call them out, but unless it’s PARTICULARLY bad tropes (which this I should add is Not and is not even….really much of a trope? from my knowledge of it anyway) if something is centric on these themes, which a////nf is, im going to give it the benefit of the doubt. im especially irritated with this bc it’s OBVIOUS with how the contrast was set up that t////oum////a doesnt seriously want it while it’s way less obvious w fu/////////tab////a at the moment and im willing to see how it plays out rather than immediately jumping to conclusions here.

d) w ma/s//umi in particular: it’s so FUCKING blatant it’s her trying to have beards so no one reads her as a lesbian. does it suck she has to do that? Yes. is it unrealistic for the culture? unfortunately not

e) “only the gay characters are suffering and I don’t like it” have we been reading the same fucking thing. are you kidding me. of the main four the two who aren’t visibly gay (as of yet) still have fucking awful anxiety between the two of them?? No one is doing well here??? I’m so tired.

[miraculous-prompts]

Tags by @syndianites

#imagine kagami and chloe got together after she introduced #bc chloe was trying to keep her away from adrien and kagami went 'sure im into blondes but im a lesbian so' and Chloe short circuits as she #and kagami thinks shes hot but a bitch #and maybe kagami does something badass to save chloe and she starts to simp for kagami #and they end up together bc chloe tries really hard to be nice and woo kagami and it works eventually #and Queen Wasp happens like this: instead of revealing herself at the fashion show Rabbit!Kagami sees her dumbass partner do it in the future #which makes Chloe upset bs how come some stupid other hero can come in and stop her from being the hero she was destined to be? #and she doesnt know its Kagami #so instead of getting akumatized into Queen Wasp post-train sabatoge #she gets akumatized into Queen Wasp in front of Rabbit!Kagami bc she puts the miraculous on in an attempt to transform #but Hawkie already sent an akuma for her so she doesnt end up actually transforming #so Queen Wasp happens but with less family drama and more 'fuck you i wanna be a superhero >:(' and when Ladybug and Chat arrive on the scene #and they dont know who the Rabbit holder is yet (im gonna say that this is a situation like Future!Alix where its a couple years in the future #but with Current!Alix's being broken beyond miraculous use it wasn't figured out until post strike back when either Tikki or Plagg mentions #and since Mari would theoretically have gotten the notes on how to fix miraculous from Fu (or at least did here) she told Alix the situation #assuming they couldnt be seen bc the miraculous was too broken to help them hold a physical form #and Alix gave Ladybug the miraculous bc of it being one and bc of how dire the situation was #and Ladybug gave it to Kagami bc A) she trusts her and B) she believes Kagami would make good judgement calls on what she would need to int #this all is convoluted I know #also this makes Miracle Queen and Chat Blanc up in the air #bc if Chloe was Queen Wasp FIRST she probs wouldnt pick Queen Bee for her hero name #or maybe never even gotten the Bee miraculous back bc Mari understandably wouldn’t trust her #and would never give her a miraculous #and as for Chat Blanc the second Kagami noticed shit went south she'd have looked back to see what events led to Chat Blanc and just go back #or like tripped Adrien on his way to his room idk #which ofc means Kagami would know that Mari and Adrien are Ladybug and Chat respectively #and she would have to suffer with the rest of us in watching the idiots play the theyre great but im in love with ladybug/adrien' and scream #anyway Rabbit!Kagami would literally just look at the timelime and go 'the amount of stupid shit y’all get up to is horrible let me fucking #and like i KNOW the reason the Rabbit doesnt get used is bc 'messing with the timeline can have consequences' but fuck u if youre smart and #like cmon Second Chance ALSO has that problem yet the Snake got put out there 24/7

Write a Humorous Post-Reveal, Pre Hawk Moth defeat, Post-Relationship fic featuring Rabbit!Kagami x Queen Wasp

[sickeninggrelle]

hello!

this shouldve been the first post i made but oh well lol!! (also long post ahead) im a new kuro blog and i just wanted to share some of my standings/opinions on certain kuro topics and certain things/characters/ships that i like and also some things i don’t like ! (also u can ask if i dont state smth u wanna know) i wanted 2 do this just so ppl know in case they rly dont or do agree w/ me on smth

these ones are shorter points then the ones later in the post

 so 2 of the most important things to state for me just to get it out of the wat, seba//ciel and other pedo/incest ships are freaking gross and dont follow me if u support them!! ciel and alois are csa survivors and its nasty that yall would ship em with adults!

i use she/her pronouns for grell bc she is a trans women!

personally i hc grell as straight but ive seen a lot of other ppl call her bi or lesbian which i also think is cute!

some of my most favs are grell, undertaker, (those 2 are my most favorite), seb, claude (ill talk a lil bit more abt them after this point), snake, william, ronald, othello, basically all the shinigami lol, bardoy, finn, lau, ash/angela, joker, doll, vincent, agni, soma, and probs a few others i cant think if rn. and i havent read a lot of the manga as of rn (but i know whats happening) so sry if i didnt list a lot of the characters that have been shown in the manga and not the anime !

im rly invested in this franchise and i love all the characters and they story is so interesting and cool, i love the theories, fanart and fanfics ppl share!!

grell is such a strong and important character and i love her!! i could write a whole essay abt her but i might save that for later :,,))

i like to think that in modern age a lot of grim reapers from the show would still be serving their sentence

and since its been shown the grim reapers are much more advanced than humans, i think that at some point othello studied trans surgeries and was able 2 give grell the sex change shes always wanted :,,) 

i personally agree with the theory that ut is o and r ciels grandfather and was someway in a relationship w/ claudia whether they were married or lovers. i like 2 think they were married even though it would make some more things confusing but i just think theyre so dang cute!! i think most ppl agree w/ this theory lol

ut just wanted his family and funky grandkids 2 be happy and everything turned to big poopoo garbage and i feel so sad for him :(( i think he got messed up even more after the manor burned down and wanted to use his doll expeiriments to try and bring back rciel (even tho thats not how u mourn but hes just that desperate) he might not be as close to the phantomhives in his backstory as i think he is but i just like to think he is lol bc i just rly like cute happy families

o!!m!!g!! i L O V E grelliam!! its such a cute ship,, grell and will fit together so well and they balance each other out so well too?? after being together for like 100 years theyre basically an old married couple and i luv them,, i could literally go on and on but this post is already super long lol,, but if anyone wants 2 talk abt them more w/ me id be more than happy to!!

b4 i get into these next few points i just wanna state that i dont rly like 2 get into kuro drama/discourse these are just simply my opinions. u can feel free 2 not read or not follow if u disagree. these are more wordy and in depth topics i wanted 2 talk abt bc i have a dumb need to over explain things lol

ive seen only a few ppl do this, but ive seen ppl that hate on seb for being horrible and abusive and like i dont rly get why? like obviously hes not the best bc hes a literal demon and just wants his soul in the end and in canon they arent friends but hes never literally abused ciel :/ bad morals and bad ppl is like one of the main themes of the show so its not supposed to be all sunshine and rainbows lol. if u rly look at it, all the characters in kuro have an unlikeable/bad quality abt them. theres barely any characters that havent dont anything wrong. not saying that ciel and all the characters are monsters tho! yana stated herself that ciel is supposed to have bad qualities. idk if any of that made sense lol its like 3 am rn

personally i like to hc that seb and ciel r like funky pals that care for eachother even just a lil bit (not in a shipping way i mean a friend/guardian way). maybe in an au lol

i like the aesthetic and characters in season 2, but imo its the worst season in the anime bc the story line and motives of the characters kinda flopped lol. even tho i know its bad, i still like it mainly cause of the characters that were introduced

i like claude, i like his aesthetic and he actually differs from seb in a lot of ways. his plan 2 achieve his motive to eat ciels soul was super dumb tho, hes a cool character but also a dumbass lol which is why ill laugh at jokes making fun of him.

but unlike seb i actually do think claude emotionally manipulated alois and killed him even tho he didnt deserve it. claude didnt “care” for alois like how seb “cares” for ciel (if that makes sense) seb actually had done a lot to protect ciel and obey his orders and the contract, but claude literally just said fu and killed him just so he could get another kids soul lmao

and once again, pedo ships are gross and horrible!!!

oof sry that was long and probably uneeded lol  but those were just sum things i wanted 2 share! also i didnt proofread all of this so sry if theres mistakes, i might add to this in the future as well

[yunayukis]

Gimme the whole dang hero club for that character ask meme

 N I C E !!!!! 

((putting this under a cut bc it will be long))

yuna (yuki):

How I feel about this character: MY STRONG DAUGHTER WHO I AM PROUD OF

All the people I ship romantically with this character: yuna/togo is the otp!! but also ftr poly ships are a+++

My non-romantic OTP for this character: everyone in the entire world

My unpopular opinion about this character: goddammit why are ppl trying to say yuna is a womanizer, i dont even care if they’re joking i just want to them to stop

One thing I wish would happen / had happened with this character in canon: I WISH SHE WOULD FOLLOW HER OWN ADVICE AND TALK TO SOMEONE. SOMETHING IS VERY CLEARLY OFF ABOUT HER AND I WOULD LOVE IT IF SHE WOULD OPEN UP TO HER FRIENDS, WHO CARE ABOUT HER AND COULD HELP

togo:

How I feel about this character: she was the first character in the show i gravitated to!! i love her!!

All the people I ship romantically with this character: im a hardcore yunatogo but there are so many good poly ships for her (also i like togo/sonoko)

My non-romantic OTP for this character: everyone in the hero club (and chikage now that yuyuyui is a thing)

My unpopular opinion about this character: COULD PPL CHILL WITH THE HOMURA COMPARISONS. HONESTLY IF YOU’RE GONNA COMPARE HER TO A PM/MM CHARACTER IT SHOULD BE MAMI

One thing I wish would happen / had happened with this character in canon: i want togo to tell yuna she is in lesbians with her

fu:

How I feel about this character: i want to be just like fu when i grow up

All the people I ship romantically with this character: i love fu/karin but honestly i just want fu to have a gf, or several gfs,

My non-romantic OTP for this character: food. all food. 

My unpopular opinion about this character: i love her singing voice??? i really do

One thing I wish would happen / had happened with this character in canon: i want fu to inexplicably have a giant moustache (the one that male frillish have) for the entirety of season 2. just for no reason, and no one questions it. it’s just there. 

itsuki:

How I feel about this character: a cutie pie!!!!!!

All the people I ship romantically with this character: karin/itsuki is my life yo

My non-romantic OTP for this character: now that yuyuyui exists, i think it would be cool if itsuki + tama were pals??

My unpopular opinion about this character: similarly to togo, it really bugs me when ppl who only have a peripheral knowledge of the show compare her to sayaka when the two are nothing alike?? if i could make a Clever Meme out of it i would

One thing I wish would happen / had happened with this character in canon: i don’t mean to open up the salt mine but the entire thing with itsuki’s (lack of) voice affecting her performance in school just irritated me. surely more could have been done to accommodate her? “it may hurt itsuki if we change the curriculum too blatantly” maybe i’m being insensitive but that just sounds so…untrue

karin:

How I feel about this character: a big gay nerd who takes everything seriously and is bad with words, very relatable

All the people I ship romantically with this character: i love fu/karin but karin/itsuki is my absolute fave. also there are numerous poly ships for karin that are Quality

My non-romantic OTP for this character: everyone bc karin deserves Maximum Friendship, but especially yuna and sonocchi. also wakaba (bc they’re gemini buds) and chikage (so they could talk about their gay feels for their respective yunas)

My unpopular opinion about this character: NOT GAY ENOUGH

One thing I wish would happen / had happened with this character in canon: MORE GAY

sonoko:

How I feel about this character: my other precious daughter, who i love dearly,

All the people I ship romantically with this character: i love sonoko/karin, sonoko/togo, and any poly ship with her

My non-romantic OTP for this character: everyone bc she is precious. shout out to “forever friends” though ;;

My unpopular opinion about this character: wow, i can’t believe sonoko nogi is the biological descendant of both wakaba nogi and hinata uesato!!! isn’t that wild folks!!!! it’s so amazing that we live in a time where that’s possible!!!! wow!!!!!!!

One thing I wish would happen / had happened with this character in canon: i want her to be included in season 2′s opening theme song!!!