#shepard at least looks very different from me so i can compliment her there
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🥰👀🎶 for mark! (Unless he’s not participating, then mel! :D)
Hoffman's participating in this! he's actually one of the characters I've been wanting to do stuff for the most since he's one of my current fixations with f/os. I don't want to do 🥰 or 👀 in general tho, so I'll do the music one for both him and Mel, and Shepard's probably my only S/I I can think of things for with 👀, so I'll give that from him
Blue text is Hoffman, yellow is Mel
👀 - What’s your favorite feature of your s/o’s?
I like Shepard's tattoos. She's got several of them on her arms. There's one that she was saying is something called a norigae, apparently it's a Korean accessory and she got a tattoo of it as some kind of way to connect with her culture there. It's a good contrast to all the chains and shit she's got on her arms, though those are hot too.
🎶 - What’s your favorite song?
Dunno, depends on my mood. Headstrong by Trapt is one now.
I enjoy classical music, mainly. But I do admit that I have a soft spot for the song Conquest of Spaces by Woodkid. The ambience of it is wonderful, and it's one of my favorite lyrical pieces to listen to while doing my paintings
#asks#thank you!#🧩#🧩 missing piece#🗝️ shepard#👑 masterpiece#f/ovember#yeah sorry about not doing the first emoji but i am really not in a place where i'm capable of saying anything positive about myself#even through the barrier of a self insert#shepard at least looks very different from me so i can compliment her there#anyway hey kinda fun that these are my two canon painter f/os#i tried to be universe/time period accurate with my choices for both of them#woodkid did a song for arcane so i allowed them for mel#and with hoffman my goal was find something from the early 2000s
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choose violence asks 4, 12, and 18? :3c
what was the last straw that made you finally block that annoying person? -
This is like the least dramatic thing, but I just block people. If shit sucks, hit da bricks, and sometimes I just don't vibe with someone and so I block. I haven't had anything dramatic happen in ages.
The most interesting time I blocked someone in fandom was a hundred million years ago (like … 2012-2014, thereabouts), I complimented someone's gif edits with quotes and scenes from a character that at the time I was generally ambivalent to. I told them that their work actually had the profound effect of making me care about the character, and they and a bunch of their friends launched a harassment campaign against me because what I said was very mean I guess? I tried explaining what I meant better, but they wouldn't relent. I put up with it for like 2 weeks before I finally said "enough" and just blocked everyone involved.
And then I also left the fan space for several years.
the unpopular character that you actually like and why more people should like them -
My joke answer is that no one cares about the trash compactor on the Normandy SR-2, and that you should love her because of her beautiful glass viewing window and wonderful buttons.
My more serious answers are going to be one, Ashley. Maybe it's because I'm an older sister who grew up religious. But I find her story very compelling. And I think if you really think about how her family and herself have been continually blacklisted in the Alliance because of her grandfather's legacy, and how I wonder if maybe after she got made a Spectre when Shepard is trying to stop Udina and there's that tense moment between the two of them, is she wondering if this is just another way someone is trying to get in the way of her success? I have a lot of feelings about Ash and you all should ahve them with me. (But also, how unpopular is she, because all of my new friends like her.)
And I think we should all love Jacob more for what he could have been. If you have the storywriter's constitution, you can see the threads of an excellent story and character in his dialogue, that just never … mattered. We should all take some time to explore the motivations that Bioware didn't and I have ideas tumbling around in my head for that so maybe one day I can get to it.
it's absolutely criminal that the fandom has been sleeping on… -
Shavik. There needs to be more Shavik.Shit, not even necessarily a romantic pairing so much as just the two of them as mirrors. I am a mess about that horrible bug man and everyone else should be too. The differences between the two of them, how something about Shepard must be familiar because of how they were changed by the beacon, the similarities?! He is a tragic force of violence and vengeance and I go absolutely feral thinking about him experiencing what hope looks like through.
#well#tumblr decided to renumber my things and i can't fix it#oh well.#perfectly functioning website
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Echoes of Old Embers
Chapter 11
Pairing: F!Shepard/Kaidan Alenko
Rating: T
Chapter length: 3.3K
Story Synopsis:
After surviving the war, one of Shepard’s biggest regrets was rejecting Kaidan at Apollo’s. Fate has a way of bringing Jane and Kaidan back into each other’s lives. A misunderstanding with his family makes Kaidan and Shepard relive old history and question where they stand.
Link to Chapter 1 on AO3
Chapter Synopsis:
The day of Libby’s wedding has finally arrived. The misunderstandings about her supposed relationship with Kaidan is really getting to her. She questions if they’re starting to get to Kaidan too.
Read to Chapter 11 on AO3
Tumblr Links:
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Chapter 8 | Chapter 9 | Chapter 10 | Chapter 11 | Chapter 12 | Chapter 13 | Chapter 14
Read the chapter here below the cut:
The morning of the wedding was finally here. Luckily, Shepard had a much more restful sleep than the previous night. She made matters so much worse in pretty much every way that she could, that she had almost expected to have another sleepless night being tormented by the memories of it. She figured the exhaustion from not getting any sleep the night before probably helped on that front at least, and she was grateful for it now. It would be a long day going through all of the celebration, and she didn’t particularly want to feel like she needed a nap in the middle of it all.
She didn’t have much of a chance to see Kaidan since their breakfast the previous day. Both of them were busy with their individual tasks to help prepare everything. Kaidan had mowed the lawn and cleaned up the most visible part of the orchard. When he had finished with that, Ada got him to hang lights along the treeline and in the barn where the reception would be. Meanwhile, Ada had kept Shepard busy preparing more food for the events today. Part of which, she was glad to have Matt’s help with so she could apologise for pulling one over on him. It was a pleasant day, but busy. They barely had enough time to eat dinner before crashing to bed. At least it made their night routine a little less awkward, both exhausted enough to fall asleep almost immediately.
They already had a quick breakfast with the entire family this morning. Libby shared the news that Derek landed safely at his friend’s house the previous night. He was opting to uphold the tradition of not seeing each other on the day of the wedding. Everyone had rushed through their breakfasts to help with last-minute tasks. Everything had come together nicely and it was finally that time in the day that everyone was meant to be getting dressed up and ready.
Shepard was generally the type to go without makeup or stick to the basics in her everyday life, but as per Maisie and Raiya’s advice, today she was going all out. She borrowed a nice dress from Raiya. Luckily they were the same size, because she foolishly realised that she hadn’t brought anything to wear. Not that it would have mattered if she had remembered, since everything she owned was Alliance or N7 provision. Nothing tasteful for a wedding other than a dress that advertised her N7 status, which wouldn’t have been helpful with her trying to blend in. So, she was grateful that one of Kaidan’s sisters was the same size as her and that Raiya was willing to let her borrow something. Ada had let her borrow a necklace and some earrings that went well with the dress. She also put on the most tasteful makeup that she knew how to do. As she was putting on the final touches, she realised that she was pretty pleased with the outcome. She really didn’t look like herself. At least not to her. It was a rather uncharacteristic look on her to be so dressed up, but she figured it served its purpose well. She didn’t think anyone would recognize her like this. Not easily anyway, which was precisely what she wanted.
This whole time, she was getting ready in Kaidan’s bathroom. She was thankful for it, not having to worry about intruding on his sisters using all of the other ones to prepare, but it meant that Kaidan was also getting ready just beyond the door. She could picture him putting on a nice suit and tying up a tie. She had never seen him in formal attire other than his blues and she already knew how nicely he filled those out. It made her wish she could be the one tying his tie. She wished they were both giving their opinions on clothes as they picked them out together as they got ready in the same room.
She huffed out a sigh of frustration. This trip was getting to her. She gave herself one last look in the mirror, pleased with how she looked, before walking to the door. She hesitated to open it, scared to potentially be walking in on Kaidan in the middle of getting dressed. She knocked lightly to make sure it was okay. It felt strange doing so. You don’t typically knock from the inside of a bathroom. Still, she’d rather do that than cause even more awkward situations between the two of them.
“It’s okay, you can come out, Jane,” she heard him say from the other side.
She walked out cautiously nonetheless, and saw him sitting on the edge of the bed, already waiting for her for some time by the look of it. He stood up to greet her in a very gentleman-like manner and eyed her from head to toe, tastefully. It felt like he was doing it more out of curiosity and wonder at how different she looked, rather than revelling in her new appearance. She couldn’t help herself from doing the same, admiring how nice he looked in a suit. His blues made him look so distinguished, but his suit had the added nicety of this being casual. Like they were just enjoying their lives like ordinary people. Wishful thinking.
She lost focus with her eyes on his lapels, imagining that if things were different, she would have gone over there and grabbed him by them and gently pulled him into a soft kiss. She would have straightened out his tie, just for a chance to be closer to him for even a moment, because he’s done a perfect job of it all by himself. They would have smiled at each other, looking forward to a day full of celebration. She supposed there was no reason she couldn’t still do that last one. The thought of it finally let her notice that she was staring, lost in thought at what could have been, so she did just that and smiled at him.
“You clean up nicely,” she said.
He let out a chuckle. “You’re not so bad, yourself,” he said with a sincere smile.
“Thanks,” she muttered, with a forced smile. She was never good at accepting compliments. “So, did you get a chance to talk to Libby yesterday?”
“Yeah,” he nodded. “You were right. She wasn’t mad, but I think she appreciated me apologising all the same. It was a good heart-to-heart, and I think it helped her feel better. It was good for us.”
“Sounds like it,” Shepard said with a genuine smile.
“She uh… She even asked me to walk her down the aisle. Well, me and mom. I wasn’t really expecting that. I love her, but we weren’t the closest, growing up. I wasn’t even sure she wanted anyone to do it. She said she had been questioning it for a long time, but she hadn’t even gotten the chance to ask dad. She didn’t want to be thinking about missed opportunities and lost chances the whole time she’s actually walking down the aisle. It meant a lot to me that she asked.”
Shepard offered a solemn smile, knowing that as lovely as that was, it was at the expense of Kaidan taking his father’s place. She was glad that he’d get to be doing that for her and that they had each other while trying to navigate this new life without him. She figured this must be very bittersweet for him, remembering their conversation the previous. This was just more of that void that Kaidan was now filling for the rest of his family, taking the place of someone else. Of course Kaidan would love having an offer like that and would do anything to make his sister feel loved on her wedding day, but she imagined this must have hurt him a bit too.
“That’s really sweet, Kaidan. How do you feel about it?”
“Uh, better than I thought I would, actually.” He said it with a kind of hesitance, knowing that those words meant he was finally addressing his grief which was a big step, but also with a genuine and soft smile. “I don’t know that I could have said that if you hadn’t been here,” he admitted quietly.
“Then I’m glad I came,” she said, matching his smile.
Kaidan nodded at that appreciatively. “But anyway, I think things will be getting under way soon. We should probably go down. I think Derek’s here now, so I can introduce you. He’s probably been waiting to meet you. We can mingle a bit before the ceremony starts and then I can show you where you can sit since I’ll have to come back here and wait with Libby.”
“Sounds like a plan,” Shepard said.
Kaidan nodded, prompting them to leave the room and make their way out to the orchard where guests had already started gathering. In lieu of a band, they had a drone at the back of the seating area playing soft music that reminded her of Glyph. A beautiful arch was set up right in front of the trees in the orchard, and the mountains were visible beyond them, creating a spectacular view for the guests. It was a lovely setup. Once again, Shepard marvelled at how perfect it all was. A fantastic view with sentimental meaning. She couldn’t think of a better place for them to be declaring their love for each other.
As they made their way through the crowd, a few people stopped Kaidan here and there. All of them said some variation of “Finally brought someone home, eh?” Or “There’s going to be a lot of disappointed people out on the dancefloor this evening.” It did nothing to quell her feelings of regret about the confusion. If she didn’t know any better, Kaidan even seemed a little phased by it. She knew he wasn’t about to be challenging anyone on their misconceptions today, though. He didn’t want to add drama or make today about him, so he just smiled and nodded before moving on to other people, but she couldn’t help but notice a solemness about him now that wasn’t there before.
Finally, they got up closer to the seating area and a man in a tuxedo excitedly came up to them.
“Hey, Derek,” Kaidan said, shaking the man’s hand. “It’s good to see you again.”
“Oh, hey, same to you,” he said enthusiastically, pulling Kaidan in for a hug.
As Kaidan and Derek relinquished their hold, Shepard gave Derek a smile, happy to finally meet the man of the hour.
“Hi, Derek. It’s a pleasure to finally meet you,” Shepard said, offering her hand to shake with a genuine smile.
Derek had already given her a quick examination as he was walking over, but he seemed to be a bit starstruck as she spoke to him. He was staring at her wide-eyed, and mouth slightly agape.
“Pleasure to finally meet me? Are you kidding? Pleasure to meet you, Commander,” he said, giving a salute, prompting Shepard to take her hand back, and look around the crowd. Luckily no one really seemed to notice or think much of it.
“Hey, you might want to keep your voice down there, Derek. We’re kind of trying to keep her identity under wraps so there isn’t pandemonium during your wedding,” Kaidan said.
“Right, right,” he muttered out, and ended the salute without a return from Shepard. “Libby warned me and everything. I don’t know what came over me. I mean, Commander Shepard,” he said her name and title in a whisper this time, “here. At my wedding. I can just hardly believe it, you know? You were on the recruitment posters when I finally ended up joining the Alliance. We heard about you all the time throughout the war. About everything you were doing for us.”
Shepard smiled at that, already well aware of the effects she had on people, not really blaming Derek for his reaction. “You know Kaidan was there, too. It’s not like I worked alone.”
“Oh yeah, of course. I guess I just think of Kaidan as family already, so it’s not quite as shocking. Sorry if I’m coming off too strong or anything, it’s just that you’re a bit larger than life. It’s hard to imagine that you’re really here.”
“It’s okay, I get it,” she said, compassionately enough, understanding that he was thrown for a loop and probably already nervous for the day’s events. “But hey, seriously, feel free to call me Jane from now on unless I end up seeing you in some kind of official capacity at work. While we’re here, though, don’t think of me as a superior officer or anything.”
“Right, yeah,” he said nodding, almost apologetically. “Well, it’s nice to get to know the real you,” he said, extending his hand for a slightly more personal greeting after finally calming down.
“You too,” she said with a smile, accepting his hand to shake it. “And congratulations, Derek.”
“Thanks. That really means a lot to me,” he said with a smile. “And hey! Maybe I’ll be getting to call you family soon too, eh?” he said, elbowing Kaidan with a devilish grin. “Wouldn’t that be something?”
It seems as though Libby probably bought into the misunderstanding now too, if Derek’s reaction was anything to go by. Perfect. They both just smiled at him without saying anything on the matter.
“But anyway, the ceremony should start soon, and there are other people I want to greet before that. I’m so glad you could both make it,” he said, genuinely beaming as he left to go talk to other people.
Kaidan smirked and let out a ‘hrmph,’ which made Shepard look at him. “He’s a great guy, but a little overexcitable.”
Shepard nodded kindly, not judging him for it. “Nothing wrong with a little enthusiasm,” she said with a faint curve to her lips. “Not a quality that a lot of soldiers have anymore. I’m glad that’s not something that was taken away from him throughout the war. I hope he never loses it.”
Kaidan nodded, understanding the sentiment well. “Yeah, me too. He’s a good guy. He really loves Libby. I think he’s good for her too. She’s too serious.”
“Too serious?” Shepard said coyly, with an entertained smile, noticing a general similarity between most of the Alenkos. Maisie was perhaps the only exception she could see so far.
Kaidan looked at her and let out a chuckle. “Yeah, yeah. I know I can be serious too, but we’re not talking about me here,” he said with a smile. “I think he lightens her up a bit, and I think that’s exactly what she needs. Not that I’m criticising her now or anything, it’s just that I think Derek provides something for her that she’s been missing all her life. The way they look when they’re together,” Kaidan said, shaking his head fondly. “I’ve never seen her so happy. Like all of her burdens have been lifted off of her shoulders or something.”
Shepard looked somewhat dejectedly towards the ground, knowing precisely the feeling that he was referring to, because there was a time that Kaidan had provided exactly that for her. Not even just on the SR-1 when they were actually together, but also during the Reaper War, too. Even though they weren’t together then, he still provided that for her. He was good at making her feel less alone, having someone else to confide in who understood the things she was dealing with. It was one of the things she really missed about just being around him.
“Yeah,” she huffed out. “It’s not easy to find something like that,” she said quietly.
“No. It’s not,” he said. Shepard couldn’t help but hear a hint of sadness behind his words. She didn’t have it in her to look at him for any kind of confirmation.
Before they knew it, Derek came bouncing back through the crowd and tapped Kaidan on the shoulder. “All right, it’s almost showtime!” he said, with one of the widest grins Shepard had ever seen.
“You ready for this?” Kaidan asked.
“I can’t wait,” he said genuinely. His joy was palpable, bringing Kaidan in for another hug.
“Welcome to the family, Derek.”
“Well, she hasn’t said yes yet,” Derek said, releasing them both from the hug, still with a massive grin on his face.
“She will,” Kaidan said with a smile.
“I know. Thanks, man,” he said before he walked down the aisle with his parents who gave him their own hug before taking his place by the altar.
The officiant announced everyone to take their seats as the ceremony was about to begin.
“I guess that’s my cue to go back to the house for Libby. You can take any seat in the front row,” he said, pointing to Libby’s side of the seating arrangements.
“Okay,” she said with a nod. “See you in a minute, then.”
He nodded at her and turned to walk back to the house. Shepard stood there awkwardly, not entirely sure what she was feeling. She didn’t like the sight of him walking away. She knew she was being dramatic. All he was doing was going to get Libby, but the more time went on, she realised the closer she was getting to actually saying goodbye to him. Maybe it wasn’t the worst thing. It’s practically what she kept telling herself she wanted after all. But it hurt. The reality of him potentially not being in her life anymore was starting to sink in, and she didn’t like the feeling. Not wanting to be awkward about standing in the aisle, she finally turned to take a seat, making sure to leave space for Kaidan and his mother.
After everyone settled, the drone began playing the wedding march. The bridesmaids and groomsmen started coming out. First, she noticed a couple of Libby’s friends that she hadn’t had the chance to meet, followed by Maisie and Raiya. Shepard offered each of them a smile, happy to be able to watch the celebration, even with her own sad and confused feelings muddying how she felt on the inside.
Immediately after that, Libby started walking down the aisle, Ada on one side of her and Kaidan on the other, looking incredibly proud and happy. Kaidan and Ada both gave her a hug before they came to sit down next to Shepard.
Jane and Kaidan shared a glance and a smile with each other before they turned towards the ceremony.
It went by in a blur. Libby and Derek said their vows and made their commitment to each other, and Shepard was sad once again. Marriage had never necessarily been important to her, but the one person who had ever gotten her wondering whether she might be up in a place like that someday was Kaidan. The man sitting right beside her, yet somehow never felt more beyond her grasp, knowing she would be saying goodbye to him soon enough.
As they finished off with a kiss and were declared husband and wife, walking back down the aisle, it all felt very bittersweet to Shepard. She smiled and clapped, but it was all a farce.
Everything surrounding Kaidan was making it difficult for her to be in the moment and be happy for Libby. She couldn’t imagine Kaidan not being a part of her life in some capacity, but it was becoming too painful to contemplate going on like this anymore. Everything here just served as a reminder to what she couldn’t have.
There would be alcohol at the party. Maybe that would make her feel better. And if not, ‘it would all be over soon.’
#f!Shenko#f!Shepard/Kaidan Alenko#f!Shepard#kaidan alenko#Mass Effect#fanfiction#mass effect fanfiction#mini slow burn#friends to lovers#angst#my writing#my fic on tumblr
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Mass Effect Relationship Week-Day 1: first impressions
Oh the irony. My final past before going silent was me saying I’m not going to be posting Mass Effect anymore, and here I am back again with a string of Mass Effect posts planned, but there is a reason for this: Mass Effect Relationship Week!!! I am kinda slightly late to this party owing to the fact that I got sick last week Wednesday and only feel fully recovered enough to contribute to society today. So I guess I’m still going to take part in MER2020, just four days late.
Here is Day 1′s prompt: first impressions. I took it from an already-written fic that I wrote like six years ago but that will probably never see the light of day. Even though I post a lot of Shenko on my blog, I am a Shrios girl through and through.
This takes place during and after the Dantius Tower mission, where Thane first gets recruited.
.....
There were no guards outside the penthouse, and I figured they had all retreated inside. We took up position on either side of the door. I counted down on my fingers, and pushed the door opened up.
Inside stood five asari dressed in the purple Eclipse armour, and a sixth who was dressed in a very fancy and expensive-looking business suit, with a necklace with some of the largest jewels I’d ever seen at her neck.
“Who are you?” she asked us rudely.
“I take it you’re Nasana Dantius,” I said.
“What business do you have, storming up here and killing my guards?” she snapped.
“I’m looking for someone,” I said. “I don’t think he’s here though.”
“What do you want?” she asked.
“You really are a piece of work,” I said. “Paying people off, blackmail, murder. No wonder someone wants to do you in.”
“Credits,” she said. “That’s what you want isn’t it?”
I heard a slight rustle in the vent above my head. “Honestly, Nasana,” I said. “I don’t think all the credits in the galaxy is going to save your life now.”
“Screw you,” she snapped. “Who gave you the right to play goddess? You come here and-what is it?” this was directed at one of her guard.
“I thought I heard something,” the guard said.
“Crap,” Nasana said. “Check the-,”
She never got to finish that sentence, because at that moment, the assassin dropped out of the air vent, on top of one of her guard. I had been in the military for ten years, and before that I had lived on a military ship, but I had never seen anything like I saw that night. He moved like he was insubstantial, like his body was made of water or mercury. In a heartbeat, he had knocked all five guards out. When he had dropped from the vent, his hands had been empty, but, as he pulled Nasana towards him, there was suddenly a pistol in his hand. He put the barrel under her sternum and pulled the trigger. The bullet would have pierced her diaphragm, heart and left lung. Her death was instantaneous.
He cradled her head gently as he lay her down on the floor and folded her hands over her chest so that she looked as though she was sleeping. Then he knelt at her feet, placed his hands together and bowed his head.
“Wow,” Grunt whispered, looking awestruck.
“That was…impressive,” Garrus said. Even Jacob looking grudgingly impressed. Thane did not look up.
I cleared my throat. “Um, Mr Krios,” I said. “I kind of want to talk to you.”
“Forgive me,” he said. “Prayers for the wicked mustn’t be forgotten.”
“I really doubt she’s worth the breath,” I said, thinking back on the salarian workers.
“Not for her,” he said, getting up. He looked me up and down. “When I heard the commotion downstairs, I wasn’t expecting to see Cerberus agents, much less aliens working for them,” he said. “Nonetheless, you provided me with a useful distraction.”
“A distraction?” I asked, getting annoyed.
“Yes,” he said. “I prefer to work quietly. If I have to kill people unnecessarily, it means I have made a mistake. I rarely make mistakes. As you can see here, the only person that is dead is the mark. The guards will probably wake up with headaches in a few hours.”
“Right,” I said. “Well, at least you take pride in your work.”
“One must take pride in one’s work,” he said seriously. “However, I assume you didn’t come all this way just to compliment me. What can I do for you?”
“I, uh, wanted to talk to you,” I said, realising how ridiculous it sounded. “Um, you weren’t at your apartment, and we couldn’t find you anywhere, so we figured we could catch you here.”
“Indeed?” Thane asked. “Well, here I am.”
“Right,” I said, getting more and more flustered by his cool demeanour. “Well, Mr Krios-”
“Thane,” he corrected.
“Right, Thane,” I said. “My name is Jane Shepard, and I’m on an important mission for Cerberus. Human colonies are being abducted by the Collectors. We found out they’re being taken through the Omega-4 relay. We want to follow after and find out what’s going on.”
“The Omega-4 relay?” Thane asked, looking slightly surprised. “No ship has returned from passing through there.”
“Yeah,” I said. “It’s a, well, suicide mission.”
“A suicide mission,” he mused, gazing down at Nasana’s body. “Yes, a suicide mission suits me nicely.” He looked at me. “I’m dying,” he said calmly.
“You’re what?” I asked, surprised. He didn’t look like he was dying. Whilst slim, he was clearly also strong, and his eyes and skin were a clear, green shade. He looked, in fact, incredibly healthy. “How are you dying?”
“I have a disease call Kepral’s Syndrome,” he said. I was growing increasingly disconcerted by his calm demeanour. “Don’t worry, it’s not communicable, even to other drell, but it does mean that low survival odds don’t bother me. The abduction of your people does however. I’ll join you, Ms Shepard. No charge.” He held out his hand, and, after a moment’s hesitation, I shook it.
“Welcome aboard, Thane,” I said.
.....
After breakfast the next morning, I went to talk to Thane in his room. “You look different when you’re not wearing armour,” he said, giving me a cursory glance.
“Thinner, yeah I know,” I said. “Shorter too, I believe. Look, can we talk?”
“What would you like to talk about, Ms Shepard?” he asked.
“It’s Jane, I sound like a schoolteacher if you put a Ms before my name,” I said. “You told me last night that you were dying.”
“I did,” he said.
“What exactly is wrong?” I asked, sitting down in the armchair next to the television. “I don’t know anything about Kepral’s Syndrome.”
“It’s a common enough disease among drell, although currently there is no cure,” he explained. “Our homeworld Rakhana was very arid. There was little rainfall in the residential areas, particularly closer to the end of our time there. Tell me, Jane, how much do you know of drell history?”
“Your homeworld was destroyed in a nuclear holocaust, but a few of you managed to get away,” I said.
“Yes,” Thane answered. “At the time, we hadn’t developed FTL drive cores yet, and we had nowhere to evacuate our people to. The hanar came in their ships and evacuated one hundred thousand drell, so that our people would not become extinct. Since then we have lived with the hanar on their homeworld, Kahje. The issue is however that Kahje is a very humid world, with daily rainfall. Our lungs are not able to deal with the excess water vapour, and our vascular tissue is destroyed in increments. It affects one in three drell. It can take years for the problem to become debilitating however.” “So how much time do you have?” I asked, and hated myself for sounding so cold.
“The last doctor I saw gave me about a year,” he said. “Safe to say that by that stage we will either be victorious or dead. Don’t worry, Jane. This won’t affect my performance.”
“I wasn’t actually worried about that, but I’m glad,” I said.
“Then what were you worried about?” he asked, seeming confused.
“Well, you’re part of my crew now, so I’m concerned about your well-being,” I said.
“I see,” he said. “I have always operated on my own, so I have no idea what it’s like to work with a team.”
“You’ll get used to it soon enough,” I said. “Trust me, I’m going to be all up in your business now that you’re part of my crew. You’ll probably want out way before the mission even begins.”
He gave half-a-smile. “Well, I suppose that’s at least something to look forward to.”
.....
I’m not sure if this strictly falls within first impressions, but eh. I still like this piece and these two fools.
#merweek2020#mass effect#commander shepard#mass effect 2#femshep#thane krios#shrios#textpost#bioware#fan fiction
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WIP Wednesday
so i ended up being tagged three times today, by @that-wasnt-so-bad for scrap pile + WIP wednesday, as well as @ljandersen for scrap pile as well. unfortunately i end up being one of the most frugal writers you’ll meet, mostly everything i write ends up somewhere in a story, and i’m either powering through chapters worth of writing in hours or have nothing i haven’t published. but, thankfully i did actually have a piece i’ve been procrastinating on for a while (nearly scrapped it, so i think it counts), so here’s what i have.
pre-ME2, post ME1 shore leave. shenko...sort of. word count: 1808.
-
"So...Commander. Is this a temporary station or do you live here full time?"
Kodelyn raises an eyebrow at the question, still stretching out a few muscles in her back. Who knew getting Reaper bits rained down on you would have lasting effects? Two weeks later, she wasn't really supposed to be up and running yet, but Chakwas and the other doctors on the Citadel couldn't keep her down for long. No rigorous activity, they said, exasperated with her after only a few days, you'll pull your stitches and you'll be right back here, commander.
She was lucky they didn't send a nurse to live at her apartment for the next few months. Or however long it would be until they'd lay off and she could get back where she belonged -- on the bridge of the Normandy.
But for now, she was on medical leave. And medical leave meant taking it easy. Which she rarely did, without throwing a literal fit. Which also meant living on the Citadel for the time being because she was still on call, technically. Leave it to Anderson to keep her in the loop without her saying a word. She couldn't ask for better friend.
So here she is, walking through the hospital lobby with Lieutenant Alenko and her duffel over her shoulder, knocking into her hip withe every few steps. Why it hadn't been anyone else to retrieve her, she isn't sure. Possibly because he was the last human on her squad after the investigation into Saren. Possibly he came here on his own volition, as he had for a while after she'd been admitted. But that didn't mean she didn't enjoy this particular company. Still, she's uneasy with her eyes trained on him. Not entirely sure what the night just before they landed on Ilos even really meant, what to think about it. Fraternization was one of the many things she could be tried for, should the Alliance decide to press charges for the fact she stole the Normandy . It'd still meant a lot to her, even if she wasn't sure how to acknowledge it.
He'd asked for it not to change anything. She respects that, of course. But at the same time, maybe she wants things to change. After so long pushing people away, maybe she wanted someone to be by her side as more than a friend. He'd be a welcome one.
Then again she was the single worst person to be keeping secrets with. And the part of her that is the model soldier, the one who could be relied on for her integrity, eats away at her for those thoughts alone.
Would it be so bad to be happy?
So for now, she doesn't think about it, "I have -- had an apartment here. So do my siblings. I think I told you my parents still live on Earth?" A nod from him as the doors part for them out to the open area in front of the hospital's ground floor, "Between all my different postings and everything with the 'Reapers', it's easier to have a home here, be in the hub of everything and not have to commute back and forth every couple of months."
"Right, of course," He answers, turning his attention out to the Presidium and where parts still smolder with debris among the once green nature. His tone softens, "Makes plenty of sense. Uh, where did you live, if you don't mind me asking?"
"Further down in the lower wards of Zakera, actually. They tried to shove me up here with all the uptight brass when I earned the Star of Terra, but I wasn't really interested. Siblings live down there, and with C-Sec stretched thin I couldn't really leave them alone. But now?" She waves her hand out over towards the lower courtyard, "Now they managed to force me up here because of leave, and because somehow they knew that my old place got destroyed. Ease of access for the doctors in case something goes wrong. Better for Alliance to keep eyes on me. Apparently becoming the first human spectre and saving the Citadel earns you a few perks, lots of suspicion, but perks nonetheless."
He chuckles in a way that makes her feel oddly at ease. More than she had in months, really, "Think I'd call this way more than just a perk, Commander."
She bites her lip to keep from grinning, before it creeps into her expression anyways. It was so easy to end up in a good mood with him around, should've been illegal, "Maybe. I still think a whole 'luxury apartment' is a little much. Lali says I can see the whole Presidium from the living room window."
"You haven't been up yet?" He asks, surprised while he presses the button to call the elevator, "It is your place isn't it, ma'am?"
"It is. But considering I was in the hospital for 'so long', I just let her move everything in. Seemed a whole lot easier than coming into a cold apartment with boxes everywhere," She shrugs, and winces immediately after as she shifts her elbow back. She can see his hand flex out of the corner of her eye, probably unconsciously because he'd been their field medic during their hunt for Saren. She offers him a smile instead, if not to comfort his worry than to ease her own pain, "Got plans for the rest of the day, Lieutenant?"
"No ma'am. Any reports Councilor Anderson needed from me are done. Less medical leave than it is a glorified shore leave now," He responds, stepping into the elevator after her, "Not that it isn't appreciated."
"Wait," She says, his hand hovering over the control panel as he turns to her. Kodelyn hesitates for a moment, wondering if she was about to make a horrible mistake or overstep the blurry lines they've drawn in the sand, "Would you -- would you want to come up to the apartment? Far as I'm concerned you spent more time in my hospital room than you did actually enjoying the time off. I could...I don't know make lunch?"
"Commander -- Shepard..." She can see the gears turning in his head, working through problem and solutions faster than she can try to figure out what he's thinking about. She'd seen it the few times she'd flirted with him outright on the SR-1.
"I just offered lunch, not my hand in marriage, Alenko," His cheeks flush at the notion while she leans over to hit the button for the part of the Presidium her new-home-away-from-home-that-got-destroyed-when-a-Reaper-attacked-but-apparently-they-don't-exist was on. Trying not to make it obvious that even she was reconsidering her offer, she steamrolls ahead, " 'Course if you're busy or you don't want to come up, I'll understand."
There's a long pause that she wants to fill with anything but silence, yet holds her tongue to keep from rambling before she says something she wouldn't want him hearing. The one time she wants her omni-tool to ping like it always does in the worst of times, it's surprisingly quiet. Thanks a lot, Liara, she thinks, You don't need anything from me now?
"That'd be nice, Shepard," He finally answers, and a weight is lifted off her chest, smiling again. Yet another thought runs through her head as she does pull up her omni-tool and scrolls through the messages from her sister. Had she gone shopping, or was she promising him noodles from down in the Wards?
Was Lali over right now?
She'd never been that out of the loop before, especially with a place she was trusting her security to for the time being. It's definitely unsettling, and shakes her a bit. However, she closes out the orange and white UI, deciding she'd work around any obstacle there was to this idea. The Council had been one of them to Saren, but she'd managed to bring him down. Finding something to eat with the Lieutenant had to be easier than that, "Got a preference?"
"Ordering in, ma'am?" He asks a question to answer her own.
"No, cooking if my sister did her job," He looks at her sideways, furrowing his brow as if disbelieving her statement, "What? You think that's outside my expertise, Alenko?" She asks, gently nudging his shoulder. She really would've done it harder if her own wasn't already sliding out of it's socket, or at least it feels like it. So many loose screws in her body right now, she wasn't even entirely functional.
"Of course not. You're a talented woman, Shepard. I didn't think it extended to the kitchen, is all," He answers, his tone changing to match her's. His expression changes to one of bashfulness, setting something aflame inside her with the compliment, "Not that you shouldn't be capable of anything you put your mind to, ma'am."
"Stop that, you'll make me blush." She says, trying not to reflexively turn from him, her cheeks burning. He returns it with a grin, and she steps out into the cool air of the Presidium.
Apartment ('luxury', she'd never get over that part. Thankfully as soon as she returned to service on the Normandy she could let it collect dust and not think about how much this cost -- let her parents have it) number 630. She gets turned around for a bit in the new, very shiny complex, trying to keep her head down from anyone who might recognize her and attempting to find the home herself. Lieutenant Alenko is a little more starstruck than she is, to where she finds him two hallways down from her new place admiring the view. They stay for a moment, watching skycars fly by. This is the time that Kodelyn finally sees the entirety of the damage that Sovereign had done, and it throws her for a loop. Within the past two weeks, Citadel forces had been able to do quite a bit of cleaning up, but it was still obvious the station had been shaken.
She'd prevented the worst of it. But people had still lost their lives.
And here she was, still here.
There's a beat of silence before she feels his hand grasp her's by her side. She flinches, "You...did all you could, Shepard. There are a lot of people who have their lives because of you."
"Probably. Doesn't keep me from feeling bad though," His hand drops back to his side, to which she frowns but turns away from the window. If that was going to be a problem, she could at least drop the curtain in front of her own foretold windows in her apartment, "Are you still coming in for lunch, or should I leave you out here?"
He follows wordlessly after her while she waves her omni-tool over the key reader on the door. Flashing green, it slides open.
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*whispering* solavellan sex on the Normandy
ANON. I don’t even know if you’re still out there, I’m pretty sure you sent this like a year ago, but I want you to know that I have been working on this prompt ever since you sent it!!!
Fun fact #1: I have never played any of the original Mass Effect games.
Fun fact #2: I had so much reading about them and watching videos and concocting headcanons that I accidentally put more energy into that than into smut?
(I’m sorryyyy I hope it was worth the wait if you are still out there)
@dadrunkwriting
My Ko-Fi || My Commissions (Slots currently open as of 10/4/19)
Pairing: Solavellan
Rating: Mature/Explicit (it’s right on that line - sexual content but not a lot and not the most explicit I have ever done)
********************
Solas was fairly certain that the new soldier Commander Shepard had brought on board the Normandy SR-2 was doomed to be just like all the others - more brawn than brain, all muscle and no substance. He tried not to let it matter to him too much. He was here to take advantage of Cerberus’s technology and resources to further his own research into biotics. Everything else was window dressing.
In the case of the new soldier, the window dressing simply happened to be rather striking.
She had skin like mahogany, and red, tightly curled hair worn in a flat top hair cut, and eyes like steel. Her name was Ellana Lavellan, and she was the first person to pull him out of the tight cocoon of his lab - really, out of the tight cocoon he’d woven around himself - in years.
“You know, I was under the impression that our doctor was a salarian,” she said when she first wandered in one day.
“I am neither a doctor nor a salarian, as you can see,” he said, gesturing at the insignia that designated him as a scientist. “You are thinking of Mordin Solus. His quarters are next door. My name is Solas, if there are to be introductions.”
She laughed, and it was a surprisingly musical laugh. He wasn’t sure why he expected all soldiers to be gunmetal and grim looks. She was off duty, and in a tank top that bared her toned arms. He took in her pointed ears. He’d known from her name, of course, that they shared at least a race in common. It had been many centuries since their people were considered a separate but lesser species on the planet called Thedas, but there was still a twinge of happy recognition at the sight of her. Every other member of this crew whose ancestors hailed from Thedas was human. There might be some commonality between them, at least, if they were both elves.
Then again, as she sauntered around the lab, her head cocked in curiosity, he saw the tattoo marking the upper part of her back. Three long, arched branches that likely continued all the way down to her hips. She was likely of Dalish descent then. Or, worse, one of the people who got such tattoos and had no idea what they meant.
Solas ducked his head, returning to the readout on his omnitool.
“Well, you have to admit it is confusing. Solus, Solas. What are you doing?”
She was leaning on his workstation. She smelled like gun oil. Usually people backed away by this point, put off by his arch manner. Why hadn’t she?
“Testing this new implant for Commander Shepard,” he said.
“Interesting. You’ll have to explain how it works to me, sometime. When are you off duty?”
That was how she did it in the end, how she drew him out - she was relentless. Like a hunter on a trail with everything to lose. Except she, like him, had nothing to lose. Her parents were long dead - victims of the same slaver raid on Mindoir that had taken Shepard’s own parents, apparently that was how they knew each other - and she had struggled to find a place for herself since then. She’d been in the Alliance military (another connection with their esteemed commander, who Solas had to admit was growing on him too) but left that life behind, hoping for a new start, only to be drawn back into danger once more. The Illusive Man had given Solas no reason to believe that the Normandy SR-2 would be an easy mission, but he was still surprised by the level of violence they encountered - by the bruises and blood he saw on Ellana whenever she passed his lab on her way to Mordin’s, needing healing.
“I thought you were a sniper,” he chided her after one particularly bad episode. He was holding her left wrist, examining a burn that radiated up the inside of her left arm.
“I am,” she said. “And I thought you were a scientist, and not a doctor.”
He had not asked to take her hand, to examine her. He dropped it. But she just reached out and touched his hand - a touch that burned, that brought back memories, that made him remember just how long it had been since he had been touched. He shivered and he knew Ellana saw it. Solas had been living under masks for years now. He knew she saw through them all.
“I’ll be okay,” she said. “I promise.”
*
He only had the privilege of watching Ellana fight once. Shepard was a formidable biotic herself, and rarely brought other biotics on her missions. But when they went in pursuit of someone called Archangel, she said she wanted the backup.
“I’d also like a measure of stealth,” Shepard went on. “And Jack is, well -”
“Not subtle?” Solas said, dryly.
“Very diplomatic. We’ll bring Lavellan, too.”
Solas tried to ignore the little thrill that ran through him at the thought. He wasn’t successful.
She was a wonder with her rifle. Swift, silent, precise, powerful. She made shots he would have thought impossible, covered him and Shepard with an instinctive ease and tactical awareness. He watched her when he could. He may have even been staring.
“See something you like, Solas?” She asked.
Precise as one of her bullets, blunt as a mallet, and her smile was so sly, and Shepard was distracted by the turian that turned out to be Archangel. Garrus Vakarian, no doubt, if Solas’s research was to be believed.
“Watching you was - impressive. You move differently than any other soldier I have seen. Almost as if it is a dance.”
Ellana slung her rifle over her back and leaned against a wall, her grey eyes alight.
“Are you implying that I am graceful?”
“I am declaring it.” The words slipped out before he could consider them, and that was the danger, wasn’t it, of stepping outside his cocoon, his lab, his routine?
“I was equally impressed by you,” Ellana said. “Your biotics - it’s like it’s totally natural for you.”
He shrugged, pretended he was not complimented, that her words did not light him up from the inside out. “Elves generally take to it better than other Thedosians. Have you read any of the theories that our people were once like asari, with similarly long lives and control over our nervous systems that produced effects so startling they were once called magic?”
Ellana looked away, rubbing the back of her neck. “I was too busy being a dumb grunt to read stuff like that. But I’ve heard of it a little. Maybe you could explain more sometime?”
“Of course.”
*
It was soft and easy after that, except for when it wasn’t, when they talked about her Dalish heritage, her fierce belief that there was something important about sticking to traditions, even if there was little basis in fact for them.
“Of course my tattoos aren’t what made me an adult,” she retorted one day. “But getting them made me feel connected to something bigger than myself. Is that really so bad?”
“But the implications that they were once -”
“Oh, fuck the implications, Solas. I’m tired of the implications. I live here, and now, and I was just trying to share something about myself with someone who I thought cared about me without it turning into a big fucking deal.”
Her voice rang against the metal walls of his lab. She appeared almost immediately ashamed of her anger. He’d noticed that about her too. That was his job. To notice things, gather intel, play the Illusive Man’s game long enough to figure out if it was true, if biotics were inherent to his race, if they could perhaps be made inherent once again, raising the status of all Thedosians in the Council’s eyes…
But so much of what he had been noticing lately was her.
“I am sorry,” he said. He reached out and touched her hand. He’d been getting used to that. Little touches.
Ellana Lavellan kissed him then, full on the lips, without even the slightest warning, and he was sitting on a stool and though she was a slight woman this made her a little taller than him, and he tilted his head back, let himself fall into the kiss, wrapped his arms around her and felt her warmth and life and just how much he wanted this. Wanted a life that was not just secrets and watching and never partaking.
Ellana pulled back, looked down at him.
“I hope that was okay,” she said. “You’re not going to report me to the commander for sexual harassment, are you?”
Solas kissed her again, hungrier this time, fingers digging into her muscles, the solid reality of her. The realest thing he’d felt in years.
“So you are tired of the implications, then?” he asked when they parted.
“Like I said,” Ellana grinned, sliding into his lap, straddling him. “Fuck the implications.”
*
Solas could not help himself, of course. He had to tell her that there were considerations. Well, fuck the considerations too, she’d said jokingly, but she respected his boundaries nonetheless. Because there were considerations. He knew more than even Shepard did. He knew that the supposedly disabled Collector ship they were headed to was a trap. He tried to tell Ellana not to go on that mission. To convince Shepard to bring Garrus instead.
“Don’t go soft on me. Besides - I have to beat Vakarian’s high score,” she said, and kissed him.
He knew that to the Illusive Man, all the people on this ship were merely pawns at play in a larger game. He had guessed at what that larger game might be. He had willingly chosen to be a bigger pawn in that game, to do the things the Illusive Man asked of him as long as he could continue his research. And he knew Ellana now - knew that she would not take any of this lightly, that she had a soldier’s sense of loyalty and honor, old-fashioned as the tattoos on her back.
And he knew that he wanted her in all the ways one person could want another. He knew with increasing clarity as time went on that he wanted her more than he wanted anything else.
But to turn his back now -
The formless shadow of what lay beyond the Omega-4 Relay loomed larger and larger, and in its shadow things grew clearer and clearer. Clear as Ellana’s grey eyes, clear as her perception of the world. They might not come back from this mission. And the Illusive Man would not care, not even if he lost one of his foremost biotics researchers, one of his best spies. And Solas’s work would not care if he was not there to finish it. He looked out at the vastness of space outside the Normandy and that thought grew clearer and clearer.
No one would care except for her.
So he went to her the night before they would make their last stand. Her room was small and cramped and her bed was even more small but she was alive in it, alive in her body, already stripped down to her simple training bra and standard issued underwear when he arrived and yet beautiful as any ancient nebula he’d ever seen.
“Are you sure?” she asked him, finding the buttons on his lab coat, undressing him, her eyes bright in the dark.
“I have never been more sure of anything than I am of you,” he said.
So he stripped off all the things that made her a warrior - the training bra, the briefs, the dog tags - and he stripped off all the things that made him a scientist, a spy - the lab coat and the gloves and every single mask - and he loved her. She was warm and firm beneath him and he slid between her thighs - lingered there a long time, just rocking back and forth, just kissing her, just feeling her, the silky drag of skin on skin - and there, in the darkness of space, he loved her, and she loved him. She rolled him over and took her turn on top, not pushing him inside her yet, not even asking him to touch her, to ease her own wet ache. She just felt, explored, touched.
And then when she did take him in her hand raise herself up, and sink back down on him, taking him within her - when she did lace both of her hands with his and pin them over his head as she rode him, as she kissed him - then she was so impossibly real, so impossibly alive, that Solas forgot of the possibility of death. There was only her, them, the light of distant stars, of his own biotics flaring.
“I love you,” she said, and from another woman’s lips it would have felt false to hear those words said when they were still joined, still making love. But this was Ellana, and Solas had watched her, and he knew she was nothing if not sincere.
“I love you,” he said, surrendering, bucking his hips up into her. “I love you, I love you -”
There were people walking down the hall outside - Taylor, Lawson, Tali, Thane, all on their way to some distraction or another, all of them waiting out the end like they were. They tried to fall silent, to move to a different position, each time they passed, and they wound up on the cold metal floor, cocooned in blankets, Solas on top of her this time, looking down at her, mesmerized, angling himself to make it good for her, so he would rub against her in all the right places, so he could watch her when she came, and she squirmed a hand between them to make it happen because she was nothing if not self-sufficient, but he did get to watch her, to feel her from the inside out as she came. Then he was gone too, wave after sweet wave, and it was all too much and too good.
“Hey,” she said in the aftermath, touching his cheek, drawing him back. “It’s okay, you know. It’s gonna be okay.”
He kissed her hand, pretended she was right, that the Omega-4 Relay was not on their horizon now. It was easier than it ever had been. The pretending. She made it easy, lying there in his arms in the nest they’d made on the floor. It was going to be okay. They would make it through the relay and what came after. They’d walk away from Cerberus, the Illusive Man, Shepard, together. They’d see what the world was like without all of those things, without masks. Together.
Solas slept, and waited for tomorrow.
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I Wrote a Simpsons Script...
Over the last couple of months, when I’ve had time, I’ve tried to write something that was not only better than what’s currently being produced but could also find a place lower down the seasons. I don’t think I’ve been successful but I thought I’d share my endeavors for an important reason: It made me realize how hard coming up with an idea, writing and editing a script for a cartoon was. For some background, I write scripts for films part time and try to sell them, so far (obviously, because I wouldn't shut up about it if I had) I’ve not been able too (partly because it’s tough to sell scripts in England and partly because I don’t have the money/time/resources to make them independently) but I do have some experience in shaping a narrative, the structure of scripts and other techniques, so I’ve not walked into this blind. Whether it’s good or not is your opinion, seriously, feel free to criticize it, if you think it’s bad, tell me, I’m a grown man, I can take criticism. If you like it, that’s allowed too, but the main question is this: What season do you think it’d fit into?
Be warned, it’s 30 pages on Word so it’s a long read, it’s your choice, you don’t have to. For reference: Italics are description, bold is who’s talking, normal is dialogue, (Beside name is ‘Off Screen’, under name is the way the line is delivered).
(Disclaimer: I obviously don’t own the rights to the Simpsons, this is a non-profit idea and simply a writing exercise to keep me amused, so I believe it falls within fair use, please don’t sue! If you want me to take it down, I will.)
OPENING CREDITS
COUCH GAG: The family sit on the couch, Maggie is a baby’s bottle, Lisa a plastic cup, Bart a glass, Marge a wine glass and Homer a beer mug. They are then filled with drink, Maggie with milk, Lisa with orange juice, Bart with Buzz cola, Marge with Wine and Homer with Duff.
EXT. CHARITY FUN FAIR – DAY
We move down from a clear blue sky past a sign, ‘CHARITY FUN FAIR: WHERE ONLY THE CHAIRTY IS OBLIGATORY’, down into the park which has been taken over by various things.
There’s a puppet show, some games and a stage. It all looks very cost effective, as if they wanted to bare minimum to maximize profits.
Walking around are the Simpson’s, looking a bit bored, except Marge who’s seems disappointed. Lisa holds a brochure about the fair.
MARGE
Fifteen dollars for cotton candy, what charity would charge such high prices?
Lisa consults the brochure.
LISA
‘Quimby retirement homes’.
(she reads more)
He wants a place in Tobago.
BART
I thought he already embezzled funds for that?
LISA
No that was for his golf club membership in Bermuda.
HOMER
(wistful)
I wish I could retire.
BART
What’s stopping you?
HOMER
Burns had us sign contracts in perpetuity in exchange for a second ice machine.
STAGE, CHARITY FUN FAIR – LATER
Quimby is on stage, along with a few others, and has a big smile on his face. Something sits under a sheet on a table beside him. He approaches the microphone to address the crowd, which includes the Simpsons.
QUIMBY
Thank you ladies and gentleman for your tremendous charity. I’m one step closer to getting a holiday home in Trinidad.
There’s scattered applause, murmurs. Quimby doesn’t care, carries on as an assistant walks over with a bucket.
QUIMBY
To show my appreciation I will now draw a winner from this bucket of parking tickets, that’s worth more than the prize in question, this-
Quimby unveils the prize, a toaster oven, has to be told by his assistant what it is.
QUIMBY
Toaster oven, I didn’t want as a gift.
No applause this time, just coughs and confused looks. Quimby draws a ticket.
QUIMBY
Marge Simpson.
The family react with little enthusiasm. Scattershot applause as they move up onto the stage.
QUIMBY
(to Lisa)
Congratulations, Marge.
He shakes Lisa’s hand, she can’t be bothered to tell him, it’s over quickly enough.
QUIMBY
(to his Assistant)
Bundle the cash, my flight leaves in an hour.
Quimby and his assistant leave, the stage is vacated by all but the Simpsons and a reporter, TOM, 20′s, The crowd disperses.
TOM
This is headline stuff, can I get a quote?
LISA
This is your headline? I thought you reported on real news, like your stories on the upcoming winter.
TOM
That was a Game of Thrones review.
LISA
Oh.
TOM
We haven’t printed a real news story since the town got high speed broadband. No one reads the paper anymore.
MARGE
Well, it would be nice to be named in the paper in a context other than: “we apologize for erroneously reporting the death of Homer Simpson”.
TOM
(to Homer)
Oh hey, I thought you looked familiar.
HOMER
Can you print a different picture of me this time? That old one makes me look fat, I’m portly.
TOM
Sure, we’ll send our new guy round later.
LISA
I thought Fred was your photographer?
TOM
He was until 7/11 poached him. They offered him something we couldn’t.
BART
Job satisfaction?
TOM
A wage.
(pause)
Oh and that.
INT. DINING ROOM, SIMPSON HOUSE – NIGHT
The family are sat around the table eating.
HOMER
This is great pasta honey.
MARGE
It’s Shepard’s pie.
HOMER
Do you want the compliment or not?
Moe enters, camera in hand.
MOE
Hey everyone.
HOMER
Hey Moe-
(sees camera)
Are you the Shoppers new photographer?
Moe looks around, stutters.
MOE
Uh... yeah... I sure am.
LISA
How did you get in?
Moe panics slightly.
MOE
Gather round, picture time.
There’s a knock on the door.
MARGE
I should get that.
Marge walks past Moe, who stands awkwardly at the top of the room, to the front door.
DOOR
Marge opens the door to CLIVE BREWER, 38, average looking, gentle.
CLIVE
I’m Clive Brewer, from the Shopper.
MARGE
If your-
Marge turns right to find Moe has gone, then left to see an open window at the back of the living room.
MARGE
Never mind. Please, come in.
DINING ROOM
Marge shuts the front door and walks Clive into the room, then sits back down.
CLIVE
Hi, it’s nice to meet you all. I thought it’d be good to have the toaster oven in the picture.
HOMER
The what?
CLIVE
The prize you won.
Nothing, the family don’t remember it.
CLIVE
Earlier today.
Nope.
CLIVE
It’s the reason I’m here.
HOMER
You should probably just take the picture.
CLIVE
Alright, big smiles.
The family bunch up, Clive takes the picture.
THE SPRINGFIELD SHOPPER
HEADLINE: LOCAL FAMILY FILLS PICTURE SPACE
SUB STORY: FRED PROMOTED TO ASSISTANT MANAGER
INT. GROCERY STORE – THE NEXT DAY (MORNING)
The family are out shopping, Marge reads the newspaper, very proud that they’re on the front.
MARGE
What a great picture, we’ll have to ask Clive for a copy, he’s so talented and nice.
HOMER
Pfft, he’s no nicer than me, Carl, Lenny or Moe.
MARGE
Last week you told me Moe throw a mug at you.
HOMER
(laughs)
Oh, honey, that was only because I hit Lenny in the head with a pool cue to stop him biting Carl after he’d bruised Lenny’s arm in Moe’s annual pain Olympics.
Marge stares at him, doesn’t like any of that.
EXT. SPRINGFIELD SHOPPER – LATER ON
The shopper is housed in a wide, one storey building, Marge’s station wagon is parked outside.
INT. FOYER, SPRINGFIELD SHOPPER – SAME TIME
Marge carries Maggie with her as she stands at the reception desk, a woman, FELICITY, walks over to her.
FELICITY
Hi, can I help?
MARGE
I was looking for Clive Brewer, the photographer?
FELICITY
He should be at his desk. We can look after your baby while you talk to him. We’re running a day care to add a little extra cash until our readership picks up.
MARGE
You are? I didn’t know that?
FELICITY
You didn’t? We advertise it all the time-
(pause)
Oh.
OFFICE – MOMENTS LATER
Marge enters what should be a loud bustling office, full of journalists and writers, but instead finds around twenty very unenthusiastic employees, mainly students, not doing much at all.
Clive stands out like a sore thumb, not least because he’s stationed by a window with the sun is beaming through it.
Marge walks over, Clive sees her, smiles.
CLIVE
Marge, hi, I assume you’re here because we referred to Homer as a “buffoon” in the article.
MARGE
Well, he is really more of an oaf but I was actually hoping I could get a copy of the picture you took. It’d be nice to have one were Homer isn’t giving the kids rabbit ears.
She takes out her phone, opens up the picture folder and shows Clive several photo’s as she’s described. The shadow on the wall behind the kids makes them look like characters from ‘Life in Hell’.
MARGE
I just don’t get why people find it funny.
Clive laughs. Stops when he really hears what Marge said.
CLIVE
Sure, I’ll print you off a copy.
Tom, walking past at the time, overhears the conversation.
TOM
The printer here doesn’t work.
CLIVE
It doesn’t?
TOM
No, wasn’t this explained when you were given the tour?
CLIVE
I was supposed to have had a tour?
Tom looks around.
TOM
(covering)
No.
He walks off. Clive sighs.
CLIVE
I guess I can’t print you off a copy.
Marge can see his disappointment, smiles trying to perk him up.
MARGE
Don’t worry, we have a printer a home, you can bring the picture there.
CLIVE
(trying)
Sounds like a plan.
EXT. PARK – THE SAME TIME
Bart, Lisa and an annoyed looking Homer walk around the park, it’s barely been cleaned since yesterday, or the days before that.
HOMER
How many days do I have to do this for?
LISA
Dr. Hibbert said you need to walk for at least an hour a day for the next three months.
HOMER
Three months! What’s the point?
LISA
(concerned)
Dad, he said in your condition you could die at any moment.
HOMER
(grumbling)
That can’t come soon enough.
Lisa gives him an off look, concerned but confused as to whether Homer actually understands.
BART
Why am I here?
LISA
You were supposed to be walking Santa’s Little Helper.
BART
Oh, yeah.
(pause)
I’m sure he’s getting plenty of fresh air.
CUT TO: The basement of the Simpson house, pitch black, SLH barking incessantly.
BACK TO: Homer and the kids walking, Lisa now concerned by the amount of rubbish about.
LISA
Did they even bother cleaning up from yesterday?
They pass a crumpled sign: 2017 CHARITY DRIVE. QUIMBY WANTS A PORSCHE.
LISA
Or last year?
HOMER
Lisa, fly tipping is a part of nature, ever since the caveman.
LISA
It’s destroying the natural environment of the animals.
BART
Looks like there adapting to it.
We pan across the rubbish, which the animals are using, including a family of raccoons operating the toaster oven.
LISA
Well, it’s not right, animals deserve to live with the same rights as us, nature deserves to flourish and not be cluttered by plastics that should be being recycled. I’m going to start a group to clean this place up.
Homer gets down to Lisa’s level, puts his hand on her shoulder to calm her.
HOMER
Lisa, is this the type of thing were you ask me to join and I keep saying no and you just keep asking and interrupting while I’m trying to drink beer and watch TV, until I eventually cave?
LISA
(shyly)
Yes.
HOMER
Then consider me in.
INT. KITCHEN, SIMPSON HOUSE – A LITTLE LATER
Marge carries Maggie into the kitchen, leading Clive through with her.
She puts Maggie in the high chair.
MARGE
Take a seat, I think the printer’s in the basement.
Clive takes a seat at the table, takes his bag off as he sits, from that he takes out his laptop and opens it on the table.
Marge walks to the basement door, opens it, SLH rushes out.
MARGE
Hmmm.
She disappears downstairs. Clive begins clicking through his laptop, trying to find the image.
He goes through various folders, opens one that he hadn’t meant too, it’s full of beautiful shots, landscapes of parks, woods and forests.
Clive opens one, a melancholic look upon his face. Maggie begins laughing.
Turning, Clive sees that it’s the picture Maggie is amused by.
CLIVE
You like it huh?
(pause)
Yeah, it’s alright.
Marge can be heard coming back up.
CLIVE
Let’s just keep it between us.
He backs out of the folder, Maggie stops laughing.
Marge re-enters, carrying a really old looking printer.
MARGE
Here we go. We only use it when Lisa wants to print out protest leaflets. Luckily she’s boycotting paper right now.
CLIVE
I’m sure it’ll work fine.
Marge puts it on the top, plugs it in, it comes on immediately. She hands Maggie the bottle she’s reaching for.
CLIVE
It’s connected. Here-
From his bag Clive takes a ream of paper, hands it to Marge.
MARGE
Do you always carry so much paper?
CLIVE
Oh, I took it from the office.
(pause)
I mean, there not actually paying me.
Marge shrugs, puts the paper in. Clive clicks on the picture, selects print, the process begins immediately.
He backs out of the folder, leaving him on the page with all the folders on.
Quickly the picture prints, Marge is very pleased with it.
MARGE
What a great shot. You really do have a talent.
Clive is non committal, modest.
CLIVE
Maybe.
MARGE
I’ve got the perfect frame for it too, hold there.
Marge leaves Clive sat with Maggie again, she sees the situation, ‘accidentally’ drops her bottle on the laptop, the printer starts up again.
Clive turns, looks panicked once he sees that it’s printing the pictures from earlier.
CLIVE
What are the odds?
One after another they print, Clive tries to grab them as quickly as he can, to hide them but can’t. Maggie laughs.
MARGE (O.S)
It fits perfectly.
Marge enters to see Clive stuffing a couple of the printed pictures into the toaster, she looks suspiciously at him, wondering what he’s up to.
At that moment the printer jams. The final fully printed picture flies out, lands at Marge’s feet.
Putting down the family portrait, she picks up the printed picture, a glorious shot of the early evening.
MARGE
Clive, did you take this.
Clive looks embarrassed, by both his actions and Marge seeing his work.
CLIVE
(nervous)
Yeah.
MARGE
It’s so expressive-
She moves around, fishes another from the oven.
MARGE
They all are. Why would you hide them?
CLIVE
I guess because they remind me of what I had, lost.
MARGE
Please, sit down, tell me.
Clive takes one of the pictures from the toaster, gives it to Maggie, then sits down.
INT. GYM, SCHOOL – 30 YEARS EARLIER
An eight year old Clive sits on a stall.
CLIVE (O.S)
My passion for photography came from my dad.
A photographer stands behind an old camera, readies the shot, beside him is Clive’s dad, DANIEL BREWER, 36, taking multiple pictures.
CLIVE (O.S)
He was always taking pictures of me, the whole family.
MONTAGE - OVER THE FOLLOWING YEARS
Daniel takes pictures of Clive in the bathroom, sleeping, at school, playing sports, as he has his first kiss, first date and even through the window of his first ‘adult sleep over’.
CLIVE (O.S)
I just started doing the same.
Clive takes pictures of Daniel in the bathroom, sleeping, at work, watching sports on TV, watching Clive play sports whilst Clive plays and while Daniel is taking pictures of Clive.
MARGE (O.S)
Are you two still close?
CLIVE (O.S)
We haven’t been close for a while.
EXT. TRAIN TRACKS – DAY, 20 YEARS AGO
Daniel stands in the middle of the tracks, camera ready.
CLIVE (O.S)
He was trying to take a picture of the front of a train.
A train can be heard approaching, Daniel takes his stance.
The train approaches from behind Daniel.
EXT. FUNERAL, CEMETERY – A COUPLE WEEKS LATER
Daniel’s headstone is a camera, his picture is a picture of him taking a picture of the picture taker, presumably Clive.
The family weeps in sadness, as does a now eighteen year old Clive. Still, he continues to take pictures.
CLIVE (O.S)
After that I vowed to take my time in my work and for a while that went well.
INT. HIGH END MAGAZINE COMPANY – TEN YEARS LATER
A happy Clive, now twenty eight, shows off the negatives of his work to his boss, MR. HARTFORD, 44.
He gets the thumbs up, which he takes a picture of.
CLIVE (O.S)
But it didn’t last, with smart phones, people wanted shots quicker and I just didn’t work fast enough.
EXT. TOWN SQUARE – TIME LAPSE, OVER 12 HOURS
Clive arrives in the empty town square to take a picture of a new sculpture, he takes his stance and waits.
Over the course of the next twelve hours, hundreds of photographers, selfie taking tourists and interested locals take pictures.
There’s also a protest about the statue, people with banners and plaques turn up, then the police arrive to stop them, there’s a conversation and then the police join in with the protesters.
Lastly a work crew turns up and removes the statue, Clive is alone again, finally takes the picture.
INT. KITCHEN, SIMPSON HOUSE – THIRTY MINUTES LATER
Marge has sat and listened, she and Clive have also drunk coffee in the interim. Maggie is asleep, holding the picture Clive gave her.
CLIVE
Eventually the work began to dry up, now I’m wherever here is, taking pictures for nothing.
MARGE
Clive, I’m so sorry.
He sits upset, but he’s been like this for a while so it’s almost normal to him.
CLIVE
It’s not the work or money I miss, it’s the feeling. That passion I used to have when I was an eight year old, like there was nothing more important.
(sigh)
I wish I could capture that again.
HALLWAY – AT THAT MOMENT
The door bursts open, an impassioned Lisa enters as SLH bolts out the house.
LISA
(loud, excitable)
Mom, get the printer, were making flyers!
EXT. PARK – TWO DAYS LATER (MORNING)
Lisa has organized an impressive line-up, along with the family, her and Bart’s school classes, Skinner, Willie and Grampa, Jasper and the old Jewish man. Each has a rubbish picker, bag and hi-vis jacket.
Skinner looks annoyed and anxious, walks over to Lisa, who’s reading through her to-do list.
SKINNER
Exactly how many more favors does the school owe you? I feel this is bordering on absurd, especially since you already hijacked the band to play for sick children at the hospital.
LISA
Your right, maybe I have been abusing my power.
Skinner relaxes, but Lisa isn’t done.
LISA
Although I’m quite sure the building shouldn’t be held together with driftwood and crazy glue.
All Skinner’s good thoughts have gone, he groans.
SKINNER
Young lady, I’d like to see you run a school on two hundred and seventy five dollars a month without resorting to crazy glue and criminality.
LATER ON THAT DAY
Everyone is picking rubbish up, rather un-enthusiastically, but slowly the park is looking a little better.
Sat under a tree, watching, is Clive he eats a toasted sandwich. Marge walks over to him.
MARGE
Clive-
(sees the sandwich)
Where’d you get that?
CLIVE
A raccoon gave it too me.
MARGE
Oh.
(pause)
Is any of this inspiring you?
CLIVE
It’s great to watch your daughter care so much about nature and boss around her principal but it feels like something’s missing, I can’t put my finger on it.
Lisa, seeing Marge and Clive talking, has come over.
LISA
Mr. Brewer, maybe joining in will inspire you, being involved with the experience.
Clive stands up, sandwich in hand.
CLIVE
Your right, it’d certainly be more helpful than me just sitting around. Hand me a stick.
In comes a stick, held by Homer, his bag and jacket in the other hand.
HOMER
Have mine.
Clive takes it, Homer runs off, drops the rest of his stuff.
LISA
Dad!
He walks back to Lisa.
HOMER
Lisa, honey, I wouldn’t leave unless it was very important.
LISA
But-
Homer snatches Clive’s sandwich-
HOMER
Yoink!
Then runs off.
CUT TO: Close up, Homer, moments later. He laughs to himself.
HOMER
Got away clean.
He looks around, finds he’s back in the park, gear on. He stares at his legs, accusingly.
HOMER
(to his legs)
I said go to Moe!
Homer looks back up, finds Moe stood there, in full gear.
HOMER
Moe!
(confused)
What are you doing here?
Moe laughs, looks away, remembering.
MOE
Well, you remember the other day, when I was in your house?
He looks back to Homer, who’s gone, his stuff on the floor.
Moe sighs, looks away, finds Homer stood the other side of him, chastising his legs, he looks up.
HOMER
Moe!
(confused)
What are you doing here?
TIME LAPSE – OVER THE NEXT FEW HOURS
Lisa, Clive and the rest pick up what rubbish they can, but it’s a losing battle.
First the other kids leave at three o’clock with the school day over, then the old folks at four being called back for bedtime, then Skinner and Willie leave.
Now with only Clive and the family they face other residents openly fly tipping as they clean up. For everything cleaned three more things are dropped.
It hits early evening, everyone bar Lisa is exhausted.
7:10PM
Maggie is asleep on Marge’s shoulder, even she is yawning.
MARGE
Lisa, I think we should stop for today, we need food and rest. We’ll come back tomorrow.
Lisa puts another can in the bag, knows that Marge is right but has a hard time accepting it.
LISA
(sadly)
But we aren’t even close to half way done and Clive-
She looks across the park, to the tree Clive was sat under earlier, where he is now, grabbing his stuff.
MARGE
It’ll be better tomorrow.
Lisa well’s up.
LISA
But if we don’t do the work today, there won’t be a tomorrow.
In goes another can, her bag splits, the rubbish falls out and she bursts into tears.
The family stand, as sad as Lisa but unable to help her.
From the tree Clive can hear Lisa, he turns and sees her, his eyes ache over her pain, he can feel his own, the rejection, the loss of his father, in the pit of his stomach.
Grabbing his camera, Clive steels up, he aims and takes a picture.
INT. OFFICE, SPRINGFIELD SHOPPER – LATER THAT NIGHT
ON THE COMPUTER SCREEN: The picture of Lisa crying, rubbish at her feet, family beside her. The headline reads: TOWN MUST CLEAN UP ACT.
Alone, Clive writes the story himself.
PRINTING ROOM – LATER
The paper runs through the machines, Clive snaps the process.
At the end of the process, the papers are bundled, Clive snaps it.
INT. BACK OF VAN – EARLY MORNING
Paperboys throw bundles of the paper onto the street for waiting sellers, Clive is in the van handing the papers to them and, of course, taking pictures as he does.
EXT. STREET – MORNING
A young paperboy rides his bike quickly, throwing papers to the doors.
Behind him Clive runs, struggling to keep up and take pictures at the same time.
INT. BEDROOM, CLIVE’S APARTMENT – A LITTLE LATER
Clive sleeps, exhausted, his finger on the resting on the button of his camera which faces him.
INT. LISA’S ROOM, SIMPSON HOUSE – 7:30AM
Marge is waking Lisa up, but Lisa is reluctant.
LISA
(sleepy)
Do I have to get up?
MARGE
No, honey but at least read the paper first.
This intrigues Lisa, she gets up fully and is handed the paper by Marge.
Her eyes light up seeing the headline and picture she reads the story below. The sub headline is: FRED FIRED. PAGES 3-12.
LISA
Do you think it made a difference?
MARGE
I wouldn’t have woke you up if it hadn’t.
EXT. PARK – 9AM
The whole town, inspired by the picture or perhaps feeling really guilty for making an eight year old cry, are out picking up rubbish.
Lisa watches over them, helping herself.
Clive enters the park, having just got back up, Lisa spots him immediately.
LISA
Oh Clive, thank you!
She gives Clive a hug, he half smiles, a little embarrassed.
CLIVE
Wow, I didn’t think it would have so much of an impact.
LISA
Then why did you do it?
CLIVE
Because I didn’t want you to give up, I wanted you to keep that passion, that fight that I lost.
LISA
Do you think you’ll rediscover yours?
CLIVE
Maybe in time, but right now I want to take pictures to show what can be achieved with a passionate spirit.
PICTURE MONTAGE – OVER THE REST OF THE DAY
We start with a picture of Lisa stood in front of a large group of helpers. Lisa working within that group.
Moe, Homer and the other barflies picking up cans and bottle’s of beer.
Skinner picking up bricks. Skinner putting the bricks in his car.
Homer picking up the toaster oven. The raccoons fighting Homer for the toaster oven. Marge, Bart and Maggie helping Homer take the toaster oven. The raccoons crying.
Jimbo, Kearney and Dolph putting together a bin. Then putting Milhouse in the bin.
Shots of people cleaning, the park changing and eventually being clean.
Finally the whole town together in a photograph, in the background is a plane.
5PM
The town talks as it begins to disperse, rolling past the park is a black car, Quimby’s. The window rolls down.
INT. BACK, QUIMBY’S CAR – CONTINUOUS
Quimby, very well tanned, takes off his sunglasses to look at the scene in the park.
QUIMBY
Someone find out what’s happening.
One of his bodyguards exits the car.
Through the window we watch the bodyguard, who is dressed top half in a suit and bottom half in shorts and sandals from the holiday, walk over to Carl and talk to him. He walks back to the car, leans in at the window.
BODYGUARD
Apparently the town came together to clean the park and Lenny’s having an ice cream party, can we go?
QUIMBY
No you moron, but this park thing, that we can exploit.
(thinks)
How much money do we have left from the holiday?
BODYGUARD
Around three hundred dollars sir.
QUIMBY
Perfect.
EXT. SPRINGFIELD MUSEUM OF ART – THE NEXT NIGHT
Lit up and looking good the museum has a stream of patrons entering it.
ENTRANCE – SAME TIME
A doorman stands selling tickets, beside him there’s a sign:
TONIGHT – CLIVE BREWER EXHIBITION (ADULTS: $30, KIDS $20)
TOMORROW – PICTURES FROM YESTERDAYS EXHIBIT.
INT. MAIN, SPRINGFIELD MUSEUM OF ART – SAME TIME
Everyone in town is about, looking at the various pictures on the wall, a photographer, FRED, takes pictures of them.
Lisa stands looking at one of the pictures holding a program from the evening, Clive walks over to her.
CLIVE
What do you think?
LISA
They’re so good, I’m really impressed.
CLIVE
I’m glad you like them. Honestly I’ve never had a crowd this big for my work before, where’s the money going to?
Lisa consults the program.
LISA
It’s going to pay off Mayor Quimby’s tax bill.
CLIVE
Well, I would complain and say something like “if only you could clean up the corruption in the mayors office like you did the park”, but he did pay me two hundred dollars for tonight.
MAN (O.S)
How would you like to make twice that a year?
Clive turns. His old boss Mr. Hartford is stood there.
CLIVE
Mr. Hartford? What are you doing here?
MR. HARTFORD (MAN)
We were in town to do a story on small town mayoral corruption, until Mayor Quimby paid me fifty dollars not too. Then we saw the sign, figured we’d see your work.
CLIVE
And?
MR. HARTFORD
It’s impressive, so how about coming back on staff?
CLIVE
Last time we spoke you said as long your daughter had a smart phone you wouldn’t need me?
MR. HARTFORD
(laughing)
Yes, what a four years it’s been.
(serious)
Unfortunately Stephanie has gone from a cute twelve year old to a sullen sixteen year old.
Across the room STEPHANIE, 16, is sat on the floor, headphones on, in her own world.
MR. HARTFORD
The only pictures she takes now are of herself looking unhappy. I need a true photographer, I need you Clive.
CLIVE
Okay, but not for four hundred pound a year.
MR. HARTFORD
How about four hundred pounds a day?
CLIVE
Deal.
He almost snaps Mr. Hartford’s hand off shake on it, which Hartford doesn’t quite understand.
MR. HARTFORD
(thinking)
Did I say a day or a month?
LISA
A day.
MR. HARTFORD
Darn it.
(sighs)
Nevermind, I probably fire you in a couple weeks anyway, I fire everyone eventually.
Mr. Hartford walks off.
MR. HARTFORD (O.S)
Stephanie, you’re fired!
LISA
I guess this means you’re leaving?
CLIVE
If it’s any consolation I probably would have left anyway, the paper hired Fred back.
Fred walks over at the same time.
LISA
Are the rumours true, Fred?
FRED
(staunch)
No comment.
He takes a picture of Lisa and Clive, then leaves.
CLIVE
Thank you, Lisa. You’ve given me a taste of the passion I had for photography and a chance to have another go at making it into a career.
LISA
Well, thank you for helping me clean the park.
CLIVE
I have something to give you.
From his pocket Clive takes a picture, an image of train tracks, hands it to Lisa.
CLIVE
This is the last picture my dad ever took. I want you to have it.
LISA
Clive, I can’t take this.
CLIVE
Why not? It’s just a copy.
LISA
Oh.
QUIMBY (O.S)
Yes, alright now.
Lisa, Clive, and the rest of the patrons turn to see Quimby at a hastily set up mic stand.
QUIMBY
I’d like to welcome everyone, from art lovers to lovers of free food-
Cut to Homer holding two bowls of food that was supposed to be for everyone.
QUIMBY (CONT’D)
To this celebration of our town and it’s ‘do it anyway’ spirit. And now, welcome the man who took the pictures you see here tonight, without permission, Clive Brewer.
Clive looks surprised, walks over to the mic, applauded.
CLIVE
Wow, what a reception, but your applause should be for Lisa, she’s the one who inspired all of this.
He waves Lisa over, drops the mic stand to her size and moves away from it. She gets even greater applause.
LISA
I believe strongly that this town can be truly great if we all work together and to better ourselves each and every day.
She looks across to where Clive was, he’s gone, she looks back at the crowd, all of whom are fully engaged by her words.
Taking a deep breathe she continues on.
EXT. SPRINGFIELD MUSEUM OF ART – SAME TIME
Clive watches Lisa through the window, smiles, takes a picture of her, then moves on.
CREDITS
We see Clive’s journey back to his job, then his work on the job.
We end on three pictures. The first of the front of a train. The second the back end of that same train and the third a picture taken of Clive by a nurse as he lays in a full body cast in a hospital. Big smile on his face.
END
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Cringe Tag
@halfbloodlycan tagged me for this, thank you!
Rules
i. post a quote or short excerpt from your early days of writing (i’m talking old fanfics, slash fics, original fics, etc., that are barely edited and have a ton of technical errors and misspelled words). this is the cringe part. don’t edit anything! let it be horrendous. don’t panic.
ii. post a quote or short excerpt from your most recent works/WIPs. something that you’re proud of. something that you’ve written that makes you smile when you read it.
iii. tag a writer you admire, anyone who you think is amazing, new friends, followers, writeblrs, anyone you’d like to know more about. if you think someone is a great writer and you want to see how they’ve developed their skills, tag them! everyone started somewhere.
I’m tagging @thatwriternamedvolk, @tsfennec, @hklunethewriter, @bymeganwithmeraki and @jfictitional
Ok, ahem, I have a confession to make... I’m actually a baby writer, I haven’t been at this very long.
My oldest fiction writing (apart from the horse stories I typed up on a mechanical typewriter 30 years ago, those are... I don’t know where) is also my first thing, first fanfiction I have written and it’s from November 2012. That’s not that long ago. I mean, aren’t you supposed to write a million words for at least ten years to call yourself a writer? I don’t know, I never cared for rules.
But the thing is, I don’t cringe about that old fanfic. I know it’s rough and the prose is clumsy and the grammar has german influences, but still. I’m proud of what I did, that I dared to write that first smutty chapter and publish it just like that. I didn’t know anybody, I didn’t know if anybody would read it and I didn’t worry if it was good enough. I had read thousands of fanfics before and I approached my own with the conviction “I can do that too.” (I wish I could have bottled up that confidence for later days...). And it’s not even finished yet! I’m still writing it, 294260 words later.
So here it is, a non-smutty section of my first writing (Mass Effect fanfiction, shakarian):
"Yes, good. Keep going." Dr. Chakwas stepped over to him and scanned Shepard with her omni-tool. "I know this is awkward, Vakarian. I wasn't joking when I suggested that you sing to her. Turian singing uses subharmonics as a second harmonic voice and it looks like those have an effect on her."
Garrus wondered how this human doctor knew so much about turians.
She turned to him and smiled. "I'm the leading medical expert on turians in the Alliance. I'm fairly certain that Spectre Kryik owes his survival to my knowledge and abilities."
Garrus acknowledged her explanation with a nod, he was quite impressed. While asari doctors were known for their interspecies studies, he had never heard of a human doctor being an expert in a non-human species.
Of course, singing on cue was just as hard as speaking on cue and it took him a little while until his brain came up with the melody of a recent hit song from an asari-turian pop band. He was botching it at first, but he slowly got the sub-harmonies settled and added the rather stupid lyrics with his main vocals. Garrus had never been in a singing class but he'd been complimented on his singing voice before. He actually managed to do quite well on this song.
Dr. Chakwas smiled at him, encouraging him onward while she continued scanning over Shepard's body. For long, agonizing minutes nothing changed. Garrus started the song over, more confidence in his voice this time and laying more power in his subharmonics.
The hand, that he held in his, twitched. He noticed it before he even heard the sharp intake of breath from Dr. Chakwas. She frantically typed something on her omni-tool, while she nodded to Garrus to continue.
Another twitch, a flicker from Jane's eyelids. Her hand suddenly grabbed his with all her strength. It was almost painful. Garrus steeled himself for another attack of nightmarish screaming spasms like they had experienced the few times before when Dr. Chakwas had tried to wake her.
Garrus kept singing the stupid song, the words meaningless, his subvocal hum carrying the tune. It was different his time. She did not spasm, she did not heave in air to scream it out again as loud as she could. Her eyelids fluttered and her breath was calm. She still held his hand, her grip strong but not painful anymore. Garrus let himself hope that finally, this time, she would really wake up.
When her eyes opened and locked onto his, he was relieved to see them as normal as they had always been. The few times before, when she had opened her eyes, a greenish light had shimmered in them and she had not seen anybody. This time, her eyes had the familiar greyish-blue tint that he knew.
She looked at him and the song got stuck in his throat. She tried to speak but her throat seemed to be sore, no wonder after all the screaming she had done before. She began coughing and Dr. Chakwas helped her to sit up. Her hand never left his.
Finally, her throat was clear and her voice was only slightly raspy when she spoke to him: "Hey, my Angel. You're here!"
Garrus's subharmonics trilled out whole songs of his happiness. "Yes, I'm here Sunshine, Spirits, I'm so glad you came back." He leaned forward and pressed his forehead against hers.
"I heard your voice, I heard you sing," she whispered, "was that an old song that your mother sang to you when you were young?"
"Spirits, I wish I had thought of that," Garrus chuckled, his forehead still on hers. He had no intention of changing his position soon. "It's just a current pop song from an asari-turian band. They sing about how they can't share food and how unfair that is."
Shepard burst out laughing and behind him he heard Dr. Chakwas quietly snicker to herself. "Well, it was the most beautiful song I have ever heard," Shepard said, still laughing. "You should sing more often."
"I'll do anything, Jane, anything for you," Garrus blurted out before he could stop himself. He wanted to pull away but she did not let him. Her hand had creeped up to the back of his head and she was holding his head with her hand under his fringe. Her soft lips met his mouth plates and he felt himself fall into the world of only her and her kiss.
A soft cough from the doctor made them break apart. "If I could get access to my patient now, I need to run some more tests on her. I'm glad that you are back with us, Shepard, but I have to make sure that it stays that way."
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Thanks for applying Lex! We look forward to seeing Cole around the island. Make sure to send your blog in within the next 24 hours or reach out to us if you need an extension. Nico Tortorella is now taken!
* This character is just a revamp of Malik Robbins. Michael B. Jordan is now reopened.
(Nico Tortorella,Male, He/Him) ⌇ have you seen Cole Elijah Daniels around icaria? they are the 32 year old child of Persephone. He reminds me of a cold glass of iced tea on a hot summer day, a well worn baseball cap flipped backwards, the smell of carnival food, and line dancing after shots of whiskey. They’ve been on the island for 3 months.
Expand OOC INFO: We want to get to know a little about you! Pleasse keep in mind for the AGE we need an actual age not just 21+ this is for the safety of all members.
NAME / PRONOUNS | AGE | TIMEZONE
Lex/She/Her/30/EST
ROLEPLAYING EXPERIENCE
I’m convinced I put a different age or time in each one of these things because I do not remember. Awhile guys, okay? Awhile. Lol
TRIGGERS
Anything that heavily mentions cancer or the process of treatment just tag please! Depending on the day, I may not be in the mindset to read it.
IC INFO:
Please know that all of this is to help you get to know your own character better – and to allow for easier plotting with other members!
WHO ARE YOU BRINGING TO THE ISLE?
FACECLAIM: Nico Tortorella NAME: Cole Elijah Daniels AGE: 32 BIRTHDAY: 11/19/1988 OCCUPATION: Director of the children’s wing and children program at Icaria’s Recreational Center. HOMETOWN: Darien, GA PETS: A German Shepard named Shadow. POWERS:
The power of fertility. He can make people or plants fertile or infertile.
BIOGRAPHY:
If someone were to ask Cole about his childhood, a smile would appear on his face as he thought back to it. It was unusual for sure, but happy nonetheless. Technically, he was adopted, but he didn’t like to think of it that way since he was taken in by family. The truth of it all had been rather crazy to wrap his head around when he was thirteen. Seriously, who hears that their dad was a drunk who knocked up a Greek Goddess? If it wasn’t for Persephone appearing before him, he wouldn’t have believed it. Hell, even after it he thought he’d gotten a few screws loose from playing football. Eventually though, he took it as he did most things. With an easy smile and a shrug. It didn’t change much after all. He still loved his ma and his pops. Life was easy going growing up. They lived on a large peach and apple farm in Georgia. Cole and his two brothers loved working the grounds with their dad. They would all spend all day out in the sun until their ma hollered for them to go into the house for dinner. Like rambunctious country boys, they’d run through the large porch into the living room covered in dirt and sweat. All Greta Daniels could do was shake her head. Raising three young men was enough to drive her to drink most days, but at the very least her life was never boring. High school was a great time in Cole’s life. He was the star quarterback, didn’t suck at school, and had loads of friends. His easy going demeanor, willingness to have fun, and smile made it easy for him to get along with most. Still, the boy didn’t know what he wanted out of life when graduation came. So, instead of leaving the farm to go to some fancy college, Cole stayed nearby. He enlisted in community college and volunteered at different spots. He pursued anything he thought he’d find interesting to see if something stuck. His weekends were spent working at his family’s business. They had a farmer’s market of sorts open to the public and would allow people to pick from their fields when the fruits were in season. Cole was doing just that with his brothers when he met her. Harper Barrow. From the moment she’d walked into their farm he couldn’t take his eyes off her. His brothers teased him mercilessly until he finally got the courage to approach her. A compliment, easy smile, and tour later he’d secured a date. The first of many it turned out. They did everything together from festivals, to carnivals, to simple picnics in open fields. For the first time, Cole thought he understood what love could be about. Every second he could spare to make the drive to Savannah, he’d pack up his pick up truck and head north. Everything was going great, until he met her parents. From the moment they saw him he knew he wouldn’t be enough. If their disapproving gazes weren’t enough, the comments they made were. They thought they’d go over the simple farmer boy’s head, but Cole regularly said he was pretty, but not dumb. He understood even though he wished he could be ignorant. Cole should have known then that things would eventually end, but he was hopeful. Harper was his first love, so he kept trying in spite of his girlfriend’s parents wishes. In his mind, they didn’t matter. It would be them against the world if it had to be. All he cared about was making her happy and becoming a good man. His efforts to find his passion were stronger than ever, and one day he did. Taking a summer job at the local Frank Callen Boys and Girls club showed him that he wanted to work with kids. Becoming a teacher didn’t inspire anything in him, but creating a place where kids could go after school to stay out of trouble and get help with school did. With his life seeming to come together, Cole decided he was ready for the next step. He bought a ring. It wasn’t a lot, but he knew the meaning behind it meant more than a size of a stone ever could. He’d planned it perfectly. A nice dinner before a trip to their favorite lake where he got down on one knee. She’d said yes, and he felt like he was higher than even the moon. Yet, barely twenty four hours later, and he was crashing back down to Earth. The joy that lit Harper’s eyes were replaced with tears as she ended their engagement and relationship. Cole didn’t understand. He tried to get her to stay, to just figure it out with him, but nothing worked. In the end she left him standing on his family’s porch with the ring he’d given her in his palm. It took time, but eventually Cole moved past getting his heart broken. Wanting a change of scenery, he transferred to a college in Houston and majored in business. After graduating, Cole and a friend moved back to his hometown in Georgia to start a summer camp. They had a blast working with counselors and kids of all ages. His parents were proud of him, and things seemed to be settling down pretty well. The idea of settling down and finding a nice girl even crossed his mind before he heard of Icaria. The idea that he had brothers or sisters he hadn’t even met bothered him, so he booked a flight. Fortunately a new recreational center was being built that needed a director for their children’s department, and he was accepted. He promised his ma that her youngest boy would settle down afterwards. He just had to learn more about the other world he was supposed to be a part of.
ANYTHING ELSE:
Use this space to note if the character is a wanted connection for someone. (We need to know so we can close the connection on our pages) Or just leave us a cute note!
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Taking Back Control - Part 6
@intplier
Amy stared at the eccentric journalist before her as he idly twirled his hair, which was still dyed vibrant pink. He was wearing his classic pale-yellow button up and brown pants, pulled up by pastel pink braces. It was accompanied by his bright pink bowtie and curled moustache, which he fiddled with as his gazed at her in thought. Her attention was pulled away by the screech of a chair on floor. An alter, who Amy presumed to be Bim Trimmer by his suit and glasses, had stood. He was ogling at her, his mouth opening and closing like a fish. His hair was grown out slightly longer, pulled back behind his ears, gracing his neck with dark little waves. It wasn’t ridiculously long like in the past, and Amy remembered it to be like when they’d started dating. She shook her head slightly. When she’d started dating Mark. It took Bim a few moments to realise that no-one else had stood, and his face flushed. There was an awkward moment of silence. He straightened his suit and adjusted his red tie, before sitting, staring at his empty plate intently. Wilford gave a low chuckle.
“You certainly know how to plan a surprise, Darkimoo! When you said a guest was arriving, no one expected the wonderful Miss Nelson!” He gestured to her wildly with – despite the fact the meal hadn’t started yet – knife firmly in hand, causing Amy to flinch. “And look at how you dressed her!” Amy felt her face burn, and she moved hands to cover up slightly. Wilford didn’t seem to think anything was weird about his statement.
“I do my best.” Dark replied flatly, before turning to Amy with a sly grin on his face, gesturing once again to the seat on his left, “Come, take a seat. Let me formally introduce you to everyone.” She slowly made her way over, skin squirming at all the eyes of her. She kept her gaze on the knife held tightly in Wilford’s grasp. She sat in between Dark and Ed Edgar, and she didn’t feel particularly comfortable being near either of them, instead settling to sit rigidly straight in the centre of her seat. Dark began his introductions. “Of course, we have the dazzling Wilford.” The words held slight sarcasm, but Wilford didn’t appear to pick up on it.
“Yours truly!” He drawled, giving a dramatic little bow in his seat. Amy let a slight smile grace her lips. Dark sighed slightly, but continued his introductions.
“Silver Shepard.” The superhero remained silent, still staring at her through the black eyes of his mask. He wore a suit jacket and pants over his costume in some attempt to look formal. He shook his head slightly, pulling himself out of his daze.
“Pleased to meet you, ma’am.”
“Dr. Iplier,” the doctor smiled warmly at her, giving a slight wave. He had ditched his doctors coat surprisingly, wearing a professional deep blue button-up and black pants. “The Host,” Dark continued, one eye on Amy to gauge her reactions.
“The Host inclines his head in greeting.” He was wearing his usual coat, but his bandages had been cleaned up, and he wore a white dress shirt with swirling patterns underneath.
“Ed Edgar.” The man beside her grinned broadly, shoving his hand towards her. She took it awkwardly and he shook it in his constricting grasp. It was quite sweaty, and when she pulled away she rubbed her hand across her dress. He hadn’t made a single effort to dress up. “and Bim Trimmer.” The gameshow host looked up at her. He appeared to have recovered from his previous ordeal, or had at least hidden his humiliation, because he shot her a broad smile.
“It’s a pleasure to meet you Amy! Not that I didn’t already know who you are of course!” His confident tone faltered as he gave a slight laugh, adjusting his glasses before glancing at his writhing hands. Dark leaned over to her, taking her hand under the table. She cringed, eyeing him over nervously. Her hand grew cold, and the chill had already started to seep up her arm. Dr. Iplier observed this interaction with a saddened expression, his hands clenching into fists.
“I’m so happy you can finally meet us. Of course, there are many more of us, and The King of the Squirrels is too busy with his kingdom to join us. Now, dinner will be served shortly.” He paused, withdrawing his hand, causing Amy to relax considerably. He fixed his suit, turning to face Wilford. “Before our meal arrives, however, I’d like to ask about that article.” Wilford, who was attempting to balance his knife on his finger, glanced up at Dark, suspiciously. Amy could practically see the cogs turning, deciding whether said article was some important information he shouldn’t give to Dark.
“You wanna know about the article?”
“Yes.”
“The article I mentioned in passing a few minutes ago?”
“Precisely.”
“The one I said I should rewrite?”
“Indeed.”
A pause.
“Are you sure you wanna know?”
“Yes.” Growled Dark, shell cracking slightly. Wilford beamed.
“Okey Dokey! So, Mark called…” Amy jolted, staring at Wilford with wide eyes. Wilford seemed to notice his new audience, because he smiled at her, pointing his knife. “He was looking for you, Miss Nelson! Asked if I could find you.”
“Did you tell him?” She tried to feign a calm attitude. The other alters watched the interaction with bated breath, nervous eyes flicking to Dark, who simply watched on in silence. This excluded the Host, who’d started his quiet narrations. “Where I am, I mean.” Wilford’s brow furrowed.
“No… I searched Amy, I did, but you weren’t on earth!” He flicked the knife in the air, causing her to flinch back, but he somehow caught it. “I wrote a beautiful article on alien abductions, but turns out it was all him.” He pointed the knife at Dark with a raised eyebrow, and the monochrome being offered a tight smile. Amy hid her interest in the article. What did they mean by not on earth?
“I’m sure that was very disappointing, Will. I’m surprised you didn’t think to check the alter dimensions.” Wilford rolled his eyes.
“Well, why would Amy be here?” He questioned, before glancing at her, “I mean, she is…god knows why… she is here…” Wilford began mumbling indistinctly to himself, and Silver took the opportunity to speak up
“So, Mark is here too?” He asked hopefully, causing Amy’s heart to plummet. She looked over at Dark quickly, wagering his reaction, which didn’t go unnoticed by the more observant alters.
“No, he isn’t.”
“Oh, I was hoping to see him.” He lisped, having trouble speaking through his costume, “Haven’t spoken to him since Cyndago disbanded…” Amy felt a pang in her heart.
“I’m sure he’d love to talk to you.” Silver shot up, looking joyful at her words. Dark cleared his throat, twitching his neck slightly.
“I’m sure he would like to love to talk to all of us when he’s ready.” Amy wanted to cut in ‘not you’, but decided considering her current scenario it wasn’t a smart decision. “However, I believe we should start with dinner. Let us make a good impression on Miss Nelson here.” He clapped his hands, and the three remaining Googles entered, a variety of dishes in hands. None of them made eye contact with her, or any of the other alters for that matter. Swiftly a full banquet filled the dining table, and even the alters looked shocked. Ed Edgar rubbed his hands together gleefully. He turned to Amy, tipping his shades down to look at her.
“Now this is a feast!” He hollered, “Usually we all have to fend for ourselves! Have the Googles always been able to do this?” He reached a bare hand out to grab a turkey leg, but Bim slapped him on the shoulder. Ed turned, looking agitated. “What is it show-boy?” Bim looked between Ed and Dark frantically. Ed followed their gaze slowly, seeing Dark observing him expectantly, and he dropped his hand. Only now did he notice the silence in the room. “Oh, right.” Dark smiled stiffly, turning to Amy.
“Our guest should have first serve.” Amy swallowed, nodding, pale faced. She turned to the food. There was a huge variety of many dishes from all different cultures. She noticed a platter filled with an assortment of sushi near her, a pair of serving chopsticks set next to it. She took them, serving herself a roll in the uncomfortable silence. They seemed to expect she’d have first bite, so she did. It was some of the best sushi she’d ever had. She smiled, inclining her head, and Dark gestured to the table. With a loud amount of chatter and clatter, the alters feasted.
Amy didn’t have an appetite. She forced food down in hope it would avert attention from her, although she was relatively convinced she was going to puke it back up later. The alters examined her with varying degrees of subtly, from small glances and smiles to full on stares. Upon closer inspection, they were all quite different – hair being a big giveaway. Obviously, Wilford had the pink, Bim the longer style, Ed the mullet and Dr. Iplier shared the same hair as Mark currently. But there were subtle differences, such as Dark having a slightly longer fringe, and the Host’s hair styled to the centre instead of being parted to the side. The Host was also narrating at an alarming rate, and it looked like he wasn’t going to be eating anytime soon. Dr. Iplier had tried to serve him but with little success. Anytime the Host was seeming to calm, the situation brought him back into his quiet mumbling frenzy. Blood stained his bandages. He wasn’t a social alter, and Dark’s presence beside him wasn’t helping. Amy averted her gaze, troubled by the continuing exchange of the desperate doctor and his patient. Bim, who was pushing his food around his plate, was sneaking glances at her continuously. Eventually he attempted conversation, and she was grateful for the distraction.
“So, what do you do Amy?” he flushed, “I mean, I already know but I’m curious about your opinions on it? You look gorgeous by the way!” He gave out a slight, awkward laugh.
“Thanks.” She tried to act happy at the compliment, “You mean graphic design, Bim?” She asked, peering around Ed – who was inhaling his food – to look at them. They gave a quick nod. “I love it! I’m glad to be able to do it! What about you? Do you do anything besides gameshows?” He gave a toothy smile.
“Of course! I mean, not anymore. But my first job was as a news reporter! It didn’t last long… I wasn’t fired! I quit! It was really weird first day…” He babbled on, his eyes carefully watching for her reaction. “It’s how I discovered I was Bi!” Amy furrowed her brow, looking him over.
“That, sounds like an interesting story.” She said, curious. Dr. Iplier coughed slightly.
“I wouldn’t recommend that story for the dinner table, Bim.” He looked over at Amy, “Trust me.” She nodded slowly, glancing back at Bim with intrigue. The doctor turned back to the Host, who appeared to be trying to tell them something, though no one seemed sure what by how fast he was speaking and how he continued to stop mid-sentence and restart. They looked like they were desperately trying to stop their narration – their voice growing quiet and raspy - but with little success. She hastily turned back to Bim, hoping for a distraction. The gameshow host didn’t have time to continue his conversation when Ed piped up, his mouth full of food.
“That reminds me, on the topic of work…” he swallowed, smearing sauce off his face and onto his hand. A few crumbs stuck in his moustache. “I was wondering about that advertisement I put on the Youtube a while back. Adoptalots? Know the one?” He didn’t give Amy a chance to add her input. “I haven’t got any calls? I think the number might’ve been wrong?”
“Yeah, I don’t know.” She stuttered, trying to remember the video. She gulped at the disturbing thought. “Do you actually have a baby factory?”
“Of course not!” He chortled, “Not yet anyways, that’s the dream plan! I got the blueprints up for it! Still tryin’ to sell my son!” She leaned away from him, before jerking up when she felt Dark’s presence behind her, listening to her attentively. She gave a nervous laugh.
“I’m not interested, by the way! Sorry.” She shoved some more food in her mouth in an attempt to avoid more conversation. Ed mumbled something, but let it go, which Amy was grateful for. She swallowed, noting the two heads of the table staring at her intently, and she offered a forced smile. She didn’t particularly like the attention from either of them, but the other alters seemed preoccupied for a variety of reasons. The journalist looked her over, uninterested in his plate full of outrageously sweet foods.
“I’d love to do an interview.” Wilford began, and she recoiled back into her seat. She didn’t have a chance to reply when Dark clapped his hands, causing her to jump.
“I think that’s enough. Miss Nelson has a big day planned for tomorrow.” Silver Shepard spoke up.
“But we haven’t even had dessert!” A withering look from Dark caused their protest to die off. The monochromatic alter stood, straightening his suit, before dragging Amy up after him. He pulled her towards him, and her body turned to ice, her heart hammering. She was too close, his side pressed against her.
“I’m sure Miss Nelson is very tired. She needs her beauty sleep.” The echo of his voice cascaded through her ears, the ringing giving her a migraine. Before she could react, he dipped her, leaning over and kissing her dead on the mouth. She didn’t resist, she couldn’t. The touch of his lips seeped through her like slivers of ice in her veins, and a few stray tears fell. Her eyes closed in a silent plea, trying to ignore the presence holding her. The moment felt like it lasted forever. He pulled away up and lifted her back to her feet, entertained. His hand graced her cheek, his thumb wiping away the tears. The other alters all stared at the two, with a variety of disbelieving looks. Even the Host had fallen silent, though he was shaking slightly. She stood, quivering, her mouth wide open, words dying in her throat. “Goodnight Amy, Red can take you back to your room.” He acted as if after her dignity hadn’t just been shattered. Like he hadn’t found the perfect way to break her
The robot grabbed her hand, dragging her away, leaving the mortified alters behind. She wanted to scream and cry. She wanted to break down. But she marched on like a machine, matching Red’s manner. The logical side of her brain explained the event away. It was an act, Dark’s attempt to prove his control over her. An attempt to show dominance, put the alters in their place. Power play. Pure manipulation. The rest of her didn’t care about that. She should have resisted, pulled away, attacked him, done anything. She shouldn’t have played victim.
Those were Mark’s lips. How did he use them in a way that made her never want to kiss Mark again?
A few more tears fell. She ignored them. She let herself get heaved into her room, her old sweater and jeans thrown in beside her. The cold numbness slowly faded, the ringing gone. She felt hollow. She sat on the bed running shaky hands through her hair. She screamed. No one came. She cried and hollered. No one cared. She wasn’t even yelling about anything specific. She wanted to scream until it was over. Maybe she could make one of the alters feel bad about trapping her here. Maybe she was giving Dark what he wanted. She didn’t care. Her only emotion was the dread and fear about the ‘big day’ planned for her tomorrow.
She changed out of the dress as quickly as possible, throwing it on the closet floor and closing the door on it. She didn’t want to see it. She removed the makeup, trying to act as if this was all some nightmare. She rushed to the toilet to empty her stomach, coughing and spluttering the remains of her pitiful meal.
Screw beauty sleep.
Amy didn’t sleep that night.
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#taking back control#part 6#amy nelson#markiplier alter egos#markiplier tv#darkiplier#wilford warfstache#the host#googleplier#dr iplier#silver shepherd#ed edgar#bim trimmer
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You seem to be a forerunner here on the whole Jaal issue so I hope you don't mind if I dump a whole bunch of asks on you (sorry in advance :c) While I'm very happy for him to be bi, it doesn't seem as simple to solve as 'swap dialogue pronouns and sara with scott'. It just feels like his romance so obviously caters to straight women and I want guys who romance Jaal to have a more fulfilling experience. (...)
Long answer - most under the cut!
Well thank you for asking! I’ve been with the #MakeJaalBi tag since it began so I’ve been trying to keep everyone up to date on it as much as I can. I actually was using the tag before we started to use it to get the devs and company’s attention, but it was this person’s idea for all of us to join together using the tag.
I hope I can answer your questions to the best of my ability and if anything still needs to be clarified please let me know. I’ve been really busy and tired lately so if I don’t make sense at some point, please let me know and I’ll try to word that part better or clarify what I meant. c: Also hope you don’t mind, I’m answering parts of your question as I read it. I’m reading your question as I type, hope that’s okay. Also, if any of the links in this don’t work, please let me know as that means I need to edit the links. ^^
Firstly, there is actual dialogue from Scott’s VA that was recorded for the romance, and we can assume he recorded enough for the whole romance ‘cause he seemed to assume that Jaal would be a bi romance. However, I don’t know if Jaal’s VA recorded anything that is specifically for a Scott Ryder romance because I haven’t seen any lines found or released. Now if some lines have been found, anyone who knows about them, please add the links to them to this post as I’d love to have that info.
I admittedly have not watched all of Jaal’s romance, I’ve just seen gifsets from it because it’s a bit painful for me to watch his romance right now because of everything that’s happened. However I wouldn’t be surprised if his romance is catered toward straight women - I believe we can argue that Peebee’s romance, or at least the sex scene, could be catered toward men because of how the Sara side of the romance is like a copycat of Scott’s side.
I don’t think swapping Sara for Scott in the mlm side of Jaal’s bi romance would solve the problem because the problem, itself, is the overall constant bi-erasure on Bioware’s part - I’ve known that Cullen was supposed to be a bi romance and I’ve heard the same about Solas and Sebastian though someone else would have to confirm those two as I’m not 100% sure, but that’s the Dragon Age team. What I’ve been told about the Mass Effect team is that Kaidan is believed to have almost been a bi romance in the first game (in the game’s code, itself, there are romance dialogue lines by male Shepard’s VA), and I’ve been informed that both Tali and Thane were going to be bi romances at one point. The problem is that whenever bi romances are cut, the romances are always made into straight romances rather than gay romances, giving off the feeling that Bioware caters toward its straight fans, whether or not this is true, this is how it comes off.
Now, I myself am bi (biromantic is part of my identity), however it’s necessary to remember that not all bi people are the same. ^^ You also have to remember that the romance lines we’re hearing for Jaal right now, we can easily say they’re meant for Sara. We have no clue if there’s a difference in the dialogue lines for Scott because so far, if these lines exist, they are unavailable for us. I would have to watch and compare other bi romances such as Peebee and Vetra’s, comparing what they say to Scott vs. Sara to see if there’s much of a difference. Sometimes in bi romances there are, and other times they’re not.
Most of the time when wanting a bi romance, I’ve seen that people don’t want the “gay” (using quotation marks because just because people of the same sex are dating doesn’t automatically make the relationship gay because the people in the relationship may not identify as gay, if that makes sense? Sorry if I didn’t explain that the best) half of the romance to be much, if any, different from the “straight” half. It’s often a complaint, looking at the Dragon Age team, that in Dragon Age 2, when romancing Anders, Anders tells a male Hawke about his romantic history with Karl, a man, but he doesn’t mention it to a female Hawke at all. I’ve seen that many fans of Anders’ romance wish he would tell a female Hawke that as well.
Most of the time, when I’ve seen differences between male protags and female protags romancing a bi character, it’s been in small, little bits such as compliments or ways the character refers to the protagonist. Let’s look at the Dragon Age team again for this (I’ve played more Dragon Age romances than I have Mass Effect so I apologize if majority of my examples are for Dragon Age). With Zevran’s romance, when Morrigan asks him in a party banter his reasoning for staying with them, Zevran says “ We all have our reasons for doing what we do.” however the following line depends on the sex of his protagonist (I’m using “sex” instead of “gender” because a lot of fans headcanon their protagonists with nonbinary gender identities, as I do). When romancing a female Warden, Zevran says “Mine happen to come with a set of lovely eyes.” while when romancing a male Warden, he says “Mine happen to come with a set of strong hands.” Often times, from what I’ve seen, any dialogue changes are something simple like that.
I think, when romancing Jaal, it’d be up to LGBTQ+ men (I’m using “LGBTQ+” instead of generalizing to “queer” because I know there are people in the community who do not like that word and I don’t want to offend anyone
A lot of them in fact aren’t happy with how Gil’s romance feels so much centered around gay men not being able to have babies (which ignores the existence of trans gay men) and they don’t like how often Gil talks about Jill and how she comes off as pressuring him to have a child. Now Gil’s romance didn’t come off that way to me when I first watched it, but again, I’m not a LGBTQ+ man, I don’t get to decide what’s good representation for them or not.
At this point though, let me point out that not all LGBTQ+ men have to agree on whether or not something is good representation for them. If you’re a LGBTQ+ man and you’re happy with Gil and/or Reyes and their romances, your feelings and opinions are still 100% valid just like those who are not happy.
Most of the frustration at Reyes’ romance, from what I’ve gathered, comes down to the fact that he is considered a fling (and Gil is not a squadmate and thus has less romance cutscenes than squadmate romances and less material and both Gil and Reyes’ cutscenes fade to black and you never get a sex scene like Cora or Peebee, though Liam and Vetra don’t have a sex scene from what I’ve heard either). However since the differences in how Reyes dances with Sara vs. Scott have been pointed out, many are upset about that as well. Reyes’ romance very much feels catered toward straight women.
I would honestly love for Jaal’s writer to come out and say if she/he/they (idk who wrote Jaal) wrote him as bi or not, but due to contracts, I doubt that will happen. There is coding in the game that very much suggests Jaal was meant to be bi and considering Bioware’s history with bi-erasure, it’s easy to believe that.
Now when it comes to Jaal flirting with other women on the crew, bisexuals can have preferences. Looking at Dragon Age, Zevran states his preference for women, but he still loves and adores a male Warden as much as he does a female Warden. A male Warden flirting with him doesn’t stop him playfully flirting with women in the party (see comments he has toward Wynne, which are jokingly of course. He seems to enjoy getting on Wynne’s nerves. I love Zevran so much lol). Jaal can very well have a preference for women (he has dated women in the past, I’ve heard) and still be 100% bi. Having a preference and/or having a history with only one sex doesn’t make someone any less bi (don’t worry, I don’t think you were implying it made someone less bi
It’s very possible that Jaal could act differently to a male Ryder. Every bi person is different. Some act differently when with someone of the same sex or opposite sex, some don’t. If anyone knows if Peebee or Vetra act different depending on Ryder’s sex, please let me know because I haven’t watched their romances yet. I definitely do think LGBTQ+ men would enjoy the romantic and sappy parts of the romance because it’d be different from mlm relationships being sexualized and fetishized. From what I’ve been seeing in the #MakeJaalBi, majority of people in the tag want Scott to be able to have that romantic, sappy romance.
Typically with bi romances, scenes are the same regardless of the protagonist’s sex, though there are small dialogue differences sometimes, like I talked about above. However the changes to cutscenes usually just include taking into consideration the differences between male and female bodies in the game - such as height differences and body shapes. For the most part, I’ve seen that the cutscenes themselves stay the same. Let’s look at Josephine’s romance in Dragon Age Inquisition. *SPOILERS FOR JOSEPHINE’S ROMANCE:* in the scene where you’re about to duel for Josephine, when she jumps into the Inquisitor’s arm, the Inquisitor lifts her up regardless of sex. I’ve seen this cutscene for both male and female Inquisitors and see no real differences.
However I’d like to point out, I’m not an expert on making games, this is all just my assumptions and what I’ve observed. I don’t know anything about making actual games and cutscenes.
People are allowed to ship who they want (I’m not saying you’re saying they’re not allowed to, don’t worry
When it comes to the code, if Jaal wasn’t originally bi, I don’t see why that code should be there - if the code is real. Let me point out that no one from Bioware or the Mass Effect team have authenticated the code. If the code is real, I don’t understand why it would be in the game if they never planned on Jaal being bi at all. That would just confuse me and if that’s the case and the code is real, I’d like to ask the devs why that code is in the game when they never planned on making Jaal bi. However if the code is real, chances are at one point they did plan on making Jaal bi.
I WOULD HAVE LOVED A GAY MALE TURIAN. Like holy shit yes please.
However the main issue with this whole Jaal thing is that we went from Mass Effect 3 who had Kaidan, a squadmate, as a romance available to male Shepards to no male squadmates available for a male Ryder. And from what I’ve heard - and I could be wrong - Jaal plays a big part in the game’s plot? Or one of the big plots? Overall though it feels like to the fans that Andromeda has taken a step back when it comes to mlm representation because they went from having a squadmate (Kaidan) and a crewmate (Steve) in Mass Effect 3 to a crewmate (Gil) and a fling (Reyes). I believe I pointed out earlier that non-squadmate romances get way less content than squadmate romances, but let me get some examples, okay? c:
Gil’s whole romance (uploaded by DanaDuchy) is 19:13 in length, Reyes’ whole romance (also uploaded by DanaDuchy) is 17:58, and let’s compare them to Cora’s. Cora’s whole romance (uploaded by Gamer’s Little Playground) is 27:17 (Peebeee’s romance is even longer). Now the time difference may not seem like much, but majority of squadmate romances are as long as Cora’s, if not longer. If they’re less than Cora’s, it’s usually not by much. (Again, if I’m wrong, please correct me. This is what I’ve been hearing for a long time now, though, that non-squadmate romances always have less content than squadmate romance).
I agree that this is a big mess. I think if Jaal was originally going to be bi and then cut and made straight, Bioware should have seen this whole thing coming because this isn’t their first time erasing the mlm half of a bi male romance. The queerbaiting they did also adds to the fans being upset - In my opinion this post here really helps explain it. That post also really helps to show that it looks like Scott’s VA really did think we’d have a male squadmate romanceable by a male Ryder. That post also goes into talking about the code.
I do think that a patch to make Jaal’s romance bi would be a bandage, but at this point I think that bandage is very much needed. Bioware and the Mass Effect team are going to lose fans without that bandage - whether or not anyone thinks it’s right for them to lose fans over this, we can’t deny that it will happen and is happening (especially if you read some of the #MakeJaalBi tweets). This bandage though if what we want. You have to cover up the wound, you have to apply some pressure to get it to stop bleeding. Bioware and the Mass Effect team need to bandage our wounds, in a metaphorical sense, before they can work on healing these wounds.
Healing these actual wounds, I would suggest should happen in the next game. They need to make a bi!Jaal patch for Andromeda as a bandage and then continue to work toward better LGBTQ+, specifically mlm, representation in their games. If they bring back the Andromeda crew in the next game, add way more to Gil’s romance. Don’t have Gil’s romance fade to black after just a little bit of kissing on a bed because that really pissed people off, especially after they saw how explicit Cora and Peebee’s romances can get (also Jaal’s romance gets explicit, and mlm fans feel that if Jaal was originally going to be bi, the one explicit mlm romance was cut and that’s understandably upsetting). I would also say that add more to Reyes’ romance. They can keep Reyes on his planet, but make his romance more official than a fling and also make sure that intimate moments with Scott aren’t stiff when compared to Sara’s.
Also in future games, add more mlm romance options in general, and don’t make them all human. LGBTQ+ men in the fandom want to romance hot male aliens like everyone else gets to romance the hot aliens. A gay male Turian or Quarian I think the fans would love that.
Making Jaal bi would certainly come off as damage control, and that’s what it would be, but it would also be a sign that the devs and Bioware listen to their LGBTQ+ and mlm fans and actually give two shits about these fans feeling hurt and betrayed once again.
Let’s also look at the Angara real quick. Gay marriage is a thing for the Angara. Yet all Angaran romance options (I believe there is a female Angaran romance that’s considered a fling) are heterosexual. This doesn’t add up to the fans, including myself.
But anyways, making Jaal bi would be, in a sense, damage control that Bioware and their devs desperately need in my opinion. If they make Jaal bi, the devs will get shit, I know for sure, from homophobic/biphobic fans about “giving in” and they’ll say we bullied or harassed them into getting what we want (when in fact we’ve been making sure the tag is used positively and that no one is bullying the devs ‘cause we are taking the possibility that they can’t say anything due to contracts seriously. If anyone is using the tag negatively, we don’t support them and how they’re using the tag).
Don’t worry, I didn’t take this as a “vehement stance against bi!Jaal.” ^^ You were very kind and I’d rather people be like you and just ask/talk this out than attack the tag (someone on Twitter literally said whoever started #MakeJaalBi should kill themselves :| I’d link to the tweet, but I’ve blocked and reported that person so I can’t get to that tweet).
I really hoped this helped, and if you have any more questions or anything else, I’m always free to talk (well free-ish. Currently in the process of moving, so I’ll get back to anyone as soon as I can. I do have some comments on another #MakeJaalBi post that I need to eventually reply to. >
#makejaalbi#jaal ama darav#mass effect#mass effect andromeda#make jaal bi#signal boost#ask anna#magicanon#i really hope this helped !! <3
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Michael After Midnight - Friday the 13th Part VII: The New Blood
This is the point where most franchises stop giving a shit. I mean, we’re seven movies in; surely the makers just don’t give a fuck anymore, right? Well, for the most part, you’d be wrong, because as far as Friday the 13th films go this one is probably the last film where everyone decided to keep everything relatively grounded and on the rails. After this movie is when things started sliding down the slippery slope into hilarious batshit insanity, though there were some signs of craziness here… eh, let me just sum up the plot, you’ll get it.
Ater accidentally killing her father in a telekinetic fit of rage as a child, Tina Shepard became incredibly traumatized and haunted by the incident, as anyone who accidentally kills a parent is wont to do. In the present, Tina, her mother, and her current doctor head back to Crystal Lake – the site of the death – to try and work out the issues Tina has… or so the mother thinks. Tina’s doctor REALLY wants to get Tina using her telekinesis, and he’ll do anything he can to get it started. Meanwhile, next door a surprise birthday is being planned by a group of teens for a friend, and Tina starts to hang with them, even becoming smitten with one of the guys, giving her some normalcy for a change. Of course, this is a Friday the 13th film, so things have to go to shit somehow; after an accidental emotional burst, Tina awakens Jason from his watery grave, and he comes back to wreak havoc on the teenagers plaguing his home. Can Tina put a stop to the undead psychopath, or is everyone doomed to suffer the same fate as countless teens before?
This film’s most important addition to the series is Kane Hodder, who first appeared as Jason in this film. The guy is one of the fan favorites, a true icon, and he would play Jason for the final four films in the main series. He’s excellent as Jason, and is here complimented by Jason’s awesomely gruesome new looks, complete with a rotting spine, emphasizing just how evil and undead he is. Jason also gets to pull off some crazy kills here, using a wide variety of tools to murder, including a tree trimmer (which is the closest he ever got to using a chainsaw). Sadly, a lot of the death scenes seem a bit tamer than the other films, but there’s still plenty of entertainment to be had in them. A particularly memorable kill has Jason murdering a teen in her sleeping bag by swinging her about and smashing her into a tree; it’s easily one of Jason’s best kills.
The characters are a mixed bag; while Tina and the boy she falls for are enjoyable characters, with Tina in particular being one of the more entertaining leads in the series, the rest of the cast range from forgettably decent to anger-inducingly assholeish. Tina’s doctor, a world-class douchebag f there ever was one, and the nasty alpha bitch Melissa are the two standout examples; with the doctor, this is at least expected of a secondary antagonistic human, but Melissa takes it to a whole new level with just how scummy it is. You’ll be praying as hard as you can for Jason to finally give her what’s coming to her, and you may very well cheer when he does.
As for the plot, it’s pretty good, mainly because it is basically the same as the one from the fourth movie. It’s just less gorier, the teens are mostly less interesting or likable, and the protagonist who saves the day has telekinesis. It’s hard to complain about a formula that worked so well, and a formula that wouldn’t be used again; this is the last Friday the 13th film with a traditional plot. Everything after this would change the setting of Jason’s murders or even Jason’s nature. There’s at least enough different to make it entertaining and enjoyable on its own, so it’s not like this is a straight rehash, and it’s definitely worth it to see an ending that can only be described as “Jason vs. Carrie.”
This is most definitely one of the better entries in the series. With Kane Hodder as Jason, some awesome effects, an enjoyable protagonist, a solid story, and an exciting climax, this is one fun if somewhat formulaic and safe Friday the 13th film that at the very least is on par with the second and first films in terms of quality. It’s not as amazing as four or six, but it’s definitely a good film on its own.
After this, the franchise would proceed to get stranger with each new installment. Would these crazy films manage to be good, or will these Friday the 13ths be unlucky?
#Michael After Midnight#review#movie review#Friday the 13th#Jason#Jason Voorhees#Friday the 13th Part VII: The New Blood#horror#slasher
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