#she's so silly I love her so much

[bashzzey]

I really love the note from devs that Nesting Guide secretly loves making blanket forts 💖

hehe silly Nellie <3

[hopskip-andajump]

Drew a design for a ynfg protag and a couple of effects that I've had in my head for a while :3 really wanna make this into a real thing but I have zero idea how to code

[artharakka]

“Äiti itki. Isä lähti huoneesta. Vivian istui nurkassa ja kuunteli vaiti. Kissamme Minni hyppäsi vuoteelle ja käpertyi jalkojeni päälle ja kehräsi, sillä kehräämällä parannetaan sairaita.” — Emmi Itäranta. Kuunpäivän kirjeet

“Mom cried. Dad left the room. Vivian sat in the corner and listened quietly. Our cat Minni jumped on the bed and curled up on my legs and purred, for through purring the sick are healed.” — Emmi Itäranta. The Moonday Letters. Quote tranlated by me (unofficial)

[alpacacare-archive]

day twoe ah haha

[hodinodi]

live laugh elly ❤️

[katebeckets]

#mulder moments ⤷ 4.12 — “Leonard Betts”

[watchfrog]

hiiiiiiii

[thedirtcasino]

BIVE TIME <3333

[pixarprincessxi]

This may be an unpopular opinion, but does anyone else think Anxiety is actually very pretty? Because I do! I love her big eyes, her sweet smile, and her wild hair — she is so beautiful to me!! 😭🧡

[newdruid]

I understand the controversies around the change in Robin and her animation style, however,

Have we considered - her face softly rounds out as the show progresses. Have we considered this may be because the strawhats made her comfortable enough to eat more? Maybe the personalities and the friendships and the food Sanji makes are all so good for her that she allows herself to have a better relationship with food?

I don't know, I'm imagining her sitting across from Franky, who is CHOWING on a burger, kay? And Robin has been munching gently on the fries, her burger has one bite out of it. It was such a good bite. Until tonight she honestly couldn't tell you the last time she had a burger. Crocodile didn't like burgers.

So she reaches down and picks up the burger, and then she takes a big ol' chomp outta that burger. Franky looks at Robin over his sun glasses as she picks up a napkin to dab the ketchup on the side of her mouth.

"that was a decent bite lil lady."

[inamindfarfaraway]

I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.

[dotted-clouds]

more twitter side account doodles

[beautyofattolia]

I think the order of reasons Katniss gives for why Peeta shouldn't be mad at her for playing up their romance is so funny. Like she starts with the fact that they didn't know each other and she was trying to survive and that she doesn't understand what exists between her and Gale. But then she goes into "well I'm never going to get married and he'll just hate me for that!" and "I can't afford love that leads to children or family!"

Girl. Why are you thinking about marriage or children with a man you claim you have no feelings for? Did Peeta ever say he wanted to get married? Did he ever say he wanted children?

NO! Katniss is literally doing this all on her own! She's coming up with a happily-ever-after-domestic-bliss-married-with-kids fantasy in her head with absolutely no input from Peeta and then is like "I could never give him what he wants!"

What he wants? Or what you want, Katnsis?

She's down so bad for him and we're not even in Catching Fire yet.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[arundolyn]

"Oh, this? Don't be ridiculous! It's not a marriage certificate! Look closely, okay? Throw away all your hangups, and simply do what you feel. Aren't you just dying to sign it? Won't it feel good? 3... 2... 1... sign!"

[fakesorbet]

The Bad Kids + Summer drinks