#she's so beautiful she deserves it

[wandaxpietro]

i like that it's a relatively popular (as in i have seen several people draw it; not many in the grand scheme of things but more than a handful!) headcanon for wanda to be chubby bcuz it feels so right to me. i need her btw

[nataliescatorccio]

"[Did you spit in her soup?] What? No! The fact that you even think I would is insulting." Shauna Shipman in Yellowjackets, Season 3

[rainbow-sunshine-unicorn]

I actually love Anthony Bridgerton’s “I will humble myself before you” speech because it’s not only the perfect culmination of Anthony’s character arc throughout season 2 but also of Kate’s.

Throughout the season, we see Kate as someone who believes that she has to earn the love in her relationships. She believes that if scrapes and begs and borrows to keep her family afloat, then she can earn her place with Mary and Edwina. If she pleads with the Sheffields even at the cost of her own pride to make sure Mary and Edwina are taken care of, then she can continue to earn her family’s love. Kate is so used to sacrificing everything she has and then going even beyond that, to earn her place in her personal relationships.

And then here comes Anthony with his “You do not have to accept it or embrace it or even allow it”.

His love is freely given, without even the expectation of acknowledgment, right from the moment he confesses it to Kate. So right from the very beginning, Kate knows, and not just in an abstract sense but from his actual words, that she does not need to earn his love, it’s hers because of who she is, not because of what she can do for him.

This man that she did not concede an inch to, where she’s used to hacking away at herself in an attempt to earn love, simply loves her. He loves her even if she has nothing to give, not even an acknowledgment of his confession.

Then when he proposes all he asks of her is her presence in his life. That’s all he expects from her.

“I will humble myself before you” was the lesson Anthony’s proud ass needed to learn, but it was also the lesson Kate needed. That she’s worthy of receiving and not just to give and keep giving and give some more.

And I absolutely love that this is the beginning of her marriage. A relationship that starts with her knowing in the most absolute sense that she does not have to earn her place in it.

[blistering-typhoons]

thinking about irene adler's queerness, in specific her bisexuality- and how granada not only takes the plunge in addressing her as queer, but how it never villifies her in doing so. typically a queer character, especially a bisexual woman, expressing overt and shameless attraction to the same sex is a codifer of that person's innate aggressiveness- indeed, irene's visible appreciation for the dancers on stage is overlaid with the king's monolouge about her ruthless cunning, and we see her in her suit and top hat, a clear marker also of her masculinity. it's a classical indication in most media that we are about to see a predatory queer woman, bent on nothing but fulfilling her own whims.

even holmes falls prey to this idea, and he structures his plans accordingly, and then cannot fathom when the irene he gets is simply what she's been all along- a brave, kind, brilliant woman at the end of her rope with the danger she's been put in.

i cannot count a lot of media who can show the vulnerability of a bisexual woman in such a human and effective way. i definitely cannot count a lot of holmes media.

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[knox-enden]

Dumb idea that Soundwave gets taken down hard and ends up getting a slight processer reset, causing him to misidentify the humans as weird little minicons and claiming them as his own.

[casscainmainly]

Since it's StephCass week, I wanted to share one of my fav StephCass moments, from Batgirls #16. Cass' promise to never abandon Steph hits so hard when thinking about their relationship in Batgirl (2000). They have so many good moments it's easy to forget one of the longest running threads in their relationship: Steph leaving Cass, and Cass letting her go.

From Batgirl (2000) #28, #38, #53, #54. It all leads to their final confrontation in #55:

Before she can give chase, Cass gets called away by Batman. Though rooftop tag is a cute tradition between them, in reality Cass never chases after Steph, not once; this final time, letting Steph go results in her death. Of course it's not Cass' fault, as much as it's not Steph's, but she probably does blame herself in some capacity.

Which is why that moment in Batgirls #16 is so moving. For two people who have been torn apart time and time again, sometimes by external forces, sometimes of their own volition - for someone like Cass, who spent most of her life without someone to come home to - finding someone who stays, who fights to stay, is incredibly special. They won't leave each other alone. They never will.

[cordiallyfuturedwight]

seventeen months of kim seokjin messages for @jinstronaut

inspired by jin's monthly messages and em's daily gif series ♡

[periodcostumefantasylover]

Vanessa Ives white dress in Penny Dreadful

[brighteuphony]

I am currently outside Saeko's house, humbly offering my hand in marriage, please and thank you. But now I'm incredibly intrigued how Sakura found out about this mysterious lady, doubly so when you consider why Saeko accepted her as a student; did Enji have a hand in both, by chance?

Saeko is a complex woman with complex wants and needs. But she also really likes to be flattered.

[elation-station]

the town bisexuals are at your door it is time for you to pick a bride

[yashley]

[poppyfamily]

FEBRUARY 14, 1988 - EASTON, MASSACHUSETTS

Happy Birthday, Amanda! ♡

[kyoukamiiz]

manon 💕

[attackofthecats]

Current status: overwhelmed with love and appreciation for Padme Amidala.

[clumsycapitolunicorn]

"You can't get rid of me that easily."

CARLA CONNOR & LISA SWAIN | CORONATION STREET