#she's nice and has nothing against me whatsoever

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Let’s talk Jack and Joke’s perceived parental roles -

It’s laid out in plain words in episode ten so that there is absolutely no doubt whatsoever, Jack and Joke have taken Toi Ting in and have no plans on returning her to her deadbeat abusive bio-dad. I believe that it going to stay that way, so we’re going to keep to that assumption of her being adopted or fostered by them legally once everything is sorted.

Note: not looking for arguments about the legitimacy of blood relations verses found/chosen family. An adopted child is that person’s child, you do not need to have carried them in your body for them to be yours.

I adore that YinWar have been pushing back against the stereotypes around gay men and queer media in general about what roles a person takes in the relationship, they’ve mostly been focusing on the sexual aspect because that is the part that people tend to get the most hung up on.

Yet I find it wildly interesting how easily Jack and Joke fall into what would be considered the ‘heteronormative parental roles’ when it comes to Toi Ting. It’s not a bad thing! No, it’s actually quite nice to see. They’re not forcing any ‘husband/wife’ ideals into their relationship, they just naturally fall into the roles that are appropriate for them as a couple and a family unit.

Jack is very much in the ‘father’ role, remember, father does not instantly mean masculine or emotionally stunted. He is the protector, he is a trained martial artist and debt collector, he is physically intimidating. He is firm and chastising but also patient and forgiving, he is the one Toi Ting feels physically safe with the most, she runs to him for help, she learns her bravery and defiance from him. He absolutely will pat her back, smooth down her hair and allow himself be to dragged away by the hand to get ice cream. He is playing the role of not just a father figure, but a daddy. (stop giggling at that word, the internet has ruined us all 😝)

Meanwhile, Joke has one hundred percent filled the ‘mother’ role for Toi Ting. Again, not because he’s femme or whatever - side note, there’s nothing wrong with being femme! Joke is a natural carer, he wears his emotions on his sleeve because he never had anyone care about him before. He is gentle and a listener, both things that serve him well as a thief. When Toi Ting comes running to Jack for physical protection, it is Joke that offers emotional protection. He is the one that takes her into his arms and calms her down, he hugs her, reassures her and speaks with clam and loving words to bring her big scary emotions back down to a more manageable level. Joke can redirect her attention and is the one that sits and paints with her, Jack just ‘supervises’, aka is a big dope that’ll ruin the painting lol. But together Jack and Joke are able to offer Toi Ting what she needs, both a mother figure and a father figure, regardless of their genders.

Which leads me into the absolute heartbreak of a scene at the end of episode ten, where Jack and Joke find themselves in the one place no parent ever wants to find themselves. Stuck on the other side of those damnable white doors, unable to get to your child.

Joke has an emotional response, very much a mother’s response. Again, mothers tend to be the ‘emotional nurturers’ so them being more giving with their emotions is to be expected. And I would just like to point out how exceptional War plays that role, he is a mother waiting in terror to find out if his baby is dying or dead.

The blank horrified stare, the shaking hands and quivering movements, the fact that his legs fail him and he ends up curled up on the floor. Covering his mouth to keep the sobs in, yet unable to stop the silent flow of tears, barely even noticing when Hoy tries to comfort him. Joke doesn’t snap out of his shock until Jack shows up.

Jack on the other hand has a very ‘fatherly’ response, the pacing, the pinched expression, the heavy breathing and muttering before just exploding with anger, swearing loudly and looking for someone to blame. He can’t break down just yet, he’s too angry, too scared, he’s not the emotional support. He’s the protector, the provider and he hates himself for failing. Yin played that so well, how he kept moving to touch his head, putting his hands on his hips, fidgeting as he paced, forcing the camera to keep up with his near frantic movements.

Where Joke froze, Jack found movement.

Where Joke was quiet, Jack exclaimed loudly.

Where Joke allowed tears to flow, Jack held his pain tightly in.

Joke and Jack are Toi Ting’s mother and father, and that final hospital scene just proved it.

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out loud, my catchphrase is probably something akin to "or ignore me. that's cool too" but internally it's a very bitter "okay...I know when I'm no longer appreciated"