#she's a challenge and he's a challenger.

[fideidefenswhore]

Hi! I understand if you don't feel like sharing it ,but i really would like to read your meta about that Henry/Anne scene in BSR ''Isn't that enough?''. I hope you have a nice day.

"is it enough for you?" , but yes, i actually elaborated on this a little more elsewhere in other tags because i used that shot of that scene again for another edit.

so, expanding where i left off:

the images chosen are more the vibe for the quotes but the one from BSR is very specific

it's a great scene and it's so well-acted bcus she feels BAD for him here.

she pities him. she feels bad for him because he's losing her bcs she's not going to settle for these terms

because she knows she's amazing

and she's so self-posessed in the scene

and he cannot handle this and so it manifests in the reaction(you're making a big mistake; except that is his own big projection)

she's willful and knows her worth and won't diminish herself for anyone

...and i chose the reaction from the scene bcus it's not necessarily at odds with these descriptions (of her 'prudence')

bcs it takes a lot of dignity and self-worth and inward grace to stand one's ground enough (to withstand the 'tide of their prince')

...to give that rejection that by all social and cultural norms and graces she was simply not supposed to give. or was at least supposed to couch in more self-effacing terms.

but yeah anyway i know people thought BSR was 'trashy' but i actually thought the acting and chemistry between them was really great and maybe even lifted the writing from its weaker points.

because just the way he reels back at the line 'is it enough for you?' in all its pity-wrought glory...firstly, because it seems like it's a question no one has ever thought to ask him before, and secondly, so it gives way into that transformation from the shock into anger (how a 'lesser' person is daring to pity him, how he doesn't want her pity, he wants her love) which is just...chef's kiss. she absolutely obliterates his dignity here, not only in her rejection but in this eloquent explanation as to why this is her answer, and in the finality of her conviction. it is delicious. they could have this scene anywhere, in this darkened staircase for its the tudors copycat setting in this lithuanian palace, or on a fucking greenscreen, and it would still be just as powerful if these were its actors.

(im realizing that if anyone who is reading this hasn't watched they're going to think i'm an insane person based on this description... so hopefully the actual beats of the scene below will reveal what i mean, lol:

there's also a compelling subversion of (modern) expectation here, because...the only different thing in this equation is the status of the man asking to love her, asking why love is 'not enough'. for most 16c women of anne's status, no, 'love' wasn't enough. security was preferred. and, actually, it's very anachronistic how much this opinion is villianized (see, tobg:

...when it's like...yeah, a man's love was considered worthless. if it wasn't, they wouldn't have considered betrothal contracts to be a necessary evil!). it's very easy for him to say that she would 'want for nothing' (households, jewels, etc, one assumes), and she isn't allowing his ease: she's contradicting him, and pointing out that there is little security in the position of royal mistress.

herein lies the constant counterfactual moralistic tutting: anne 'should've just become a mistress,' always paired with 'this would, in the end, have made her 'safer.'' and it would have, as we know (not anne), but it would also, as she points out here, likely lead into her being a nonentity (a voice on the pillow, a woman hiding underneath the sheets and behind the bed curtains, an ornament for dancing), and she didn't want to be one: she wanted to be partner and collaborator of her future husband, not the diversion and darling of someone else's.

tl;dr the scene is powerful because she feels bad for him (she feels bad for herself, too, but she only allows him to see the former:

[demigods-posts]

headcanon that percy is historically hard to beat at monopoly. and it's intially the most mind-boggling thing ever watching him turn the tide of a game. because he's definitely losing at the beginning. but percy is not only an amazing strategist. he has a deep understanding of money and knows how and when to bet on the board. he knows when to test his luck. and he's amazing at getting into people's head.

[sleevebuscemii]

funny to think about tashi’s scene with patrick behind the hotel or art’s scene with him in the sauna because they are both so mad at him even tho it doesn’t make any sense like they’re the ones that shut him out over an injury that couldve happened under any circumstances art stole his girlfriend and tashi married his best friend and they’re angry with him and it’s literally because they want to fuck him so bad that it makes them furious

[musubiki]

i firmly believe she got picked as a judge just to counteract his vibes

[redundantz]

cuddle time

love scene challenge

[jesuistrestriste]

cw (18+): sub!art, afab + femme!character, age gap, crying/dacryphilia, art being a sad and lonely hot guy in his forties, tashi and art never really got together, creampie

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dilf!art getting with a pretty young thing from down the block. . .

he always admired her effortless confidence and the way her body moved when she walked down the street to the corner store every weekend.

always watched her return from his brownstone apartment window; a pack of cinnamon gum and a case of peach seltzer in her hands.

she’s beautiful and bouncy and everything he didn’t get to have in his youth when he was too sucked into tennis to let himself live a little. he lost tashi to patrick. that was that. and he never tried dating again until about ten or so years ago.

they were all flings that crashed and burned their way through his thirties. meaningless moments where all he was left with was a wet dick and a heaviness in his chest. he hated it. he was done with it.

until her.

she was different.

she sparked a conversation with him one day when they ran into each other outside his doorstep. she was cracking jokes that only made her seem more intriguing because art didn’t understand the social context behind them— he was no longer hip and cool, he’d accepted it. but that, combined with the pop of her hip she did when she was making him laugh (not to mention the way she smacked her gum + batted her lashes when she smiled; all pearly whites) made him feel like even more of a creep.

but now she’s bouncing on his cock and gazing down at him while he gasps and squirms like a livewire underneath her.

they’ve only really known each other for a week and a half.

“say thank you, Artie,” she purrs, her hand tracing the spattered flush on his chest, “say it.”

he bucks his hips up as much as he can to meet her movements, and bites his lip hard enough to taste metal when his tip bumps her cervix.

“thank you, oh my god, thank you— thank you, thank you—! ha-aah-!”

he babbles; a broken record of whines and shaky moans. his throat hurts from all of the sounds being pulled from him when the most he’s talked all month has come from just a couple of boring, remote interviews about his athletic career.

and her, of course.

god, it’s all her..

he swallows and keens, and then his eyes are watering.

and then he’s sobbing. he’s choking on his tears and yet he’s still feeling the tight coil of warmth tense further and further and further-

“don’t cry,” she whispers, leaning down to kiss the wetness from his cheeks, her hips swiveling to ride him harder just as the first slimy blurt of his orgasm spills inside, “you’re a good boy, okay? you’re perfect… a total catch…”

she smells like candy. she’s wiping his tears now.

“oh fuck, thank you-uu—hnghh!”

art lifts his hips, his face crumpling with pleasure and sadness, before he yelps and his climax wipes him out. his whole body trembles as he feels his cock pulse and coat her pussy with gooey clots of his spend. he’s practically wheezing.

he grips onto her hips fiercely; like if he doesn’t squeeze hard enough she’ll just go *poof*, and then he’ll be alone again.

“.. ungh, ‘m sorry, im cumming inside you, im cumming, im so sorry,” he whimpers, the aftershocks leaving him feeling bare and weak. stripped of all of his armor. if he even had any left to begin with.

she kisses his shoulder gently, and then she’s dipping her glossy lips down to whisper right next to his ear. her dainty necklace chills his skin when it dangles from her body and meets his collarbone. she’s so close to him.

“don’t worry, Mr. Donaldson…

you’ll be a great daddy.”

[doctorsiren]

I love you Jhes, I don’t care if me in 2018 reading your page and thinking you were an axolotl creature was a misunderstanding on my part. I’m keeping that headcanon / design since we know so little <3

[lolottes]

blogger calls out to random people in gotham: who is your favorite Gotham vigilante? ~

Danny: signal?

Sam: Dr Poison Ivy.

Tucker: hum, Oracle

[anyataylorjoys]

CHALLENGERS (2024) dir. Luca Guadagnino

[duusheen]

Where do you go If I don't love you anymore? 🎶

[merilles]

Ladies of the Ring 💍✨

[an-established-butt-dent]

The Veil is thin tonight-

-Can you feel it on your skin?

Tingling?

Ink and fineliner on paper

Available as Print

[hinamie]

second years designs :D only have a few more characters left to do this has gone so quick ,,

jjk atla!au with @philosophiums

[poorly-drawn-mdzs]

This was home.

[First] Prev <–-> Next

[fandomlurker333]

Soooo in an interview they all confirm that Art deliberately started instigating so that Patrick and Tashi (who WERE in love) would argue and potentially break up.

Now the only question is…hmm I wonder why? What was Art’s motivation? The hets will say it’s because Art wanted to be with Tashi. But he barely knew Tashi even after she and Patrick started seeing each other.

We see him ask Patrick if they slept together and fairly beg him to tell him so he won’t be “left out”. But when he and Tashi have lunch that first time it’s been a YEAR. Like he didn’t see or speak to her for a year. Didn’t obsessively watch her game. Wasn’t drawn to her. She even asks him “why did you want to have lunch with me?” Like she can’t figure out what he could possibly want from her.

That’s not a woman who has been continuously hit on by her boyfriend’s best friend. She can’t figure out what his motivation is.

And it was because he knew Patrick was coming. And he wanted to start some shit. He wasn’t over there trying to get Tashi’s attention while Patrick was on tour. He says “I can’t believe you’re still together”, and it’s because Patrick has never taken any girl seriously before.

And Art can’t stand it.

[australet789]

Calypso, baby, im so sorry people can't understand the nuance of your character being a an antagonist and 100% raping someone just because they want to justify liking you, and instead, ignore that men SA exists and try to claim they are cheaters

(and for the record, is canon that Odysseus told Penelope what happened to both Circe and Calypso and she understood and literally said "dont blame yourself for something you were forced to you" so suck it up)