#she probably thinks it's out to get HER specifically

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[hellotailor]

Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[dootznbootz]

As someone who is also really uncomfortable with the Zeus/Odysseus art trend, I completely understand where your coming from!

People’s treatment of Odysseus’s assaults in general makes me really upset. Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom.

I remember being so frustrated when the snippets of “There are Other Ways” came out because so many people were making Hamilton jokes and talking about how he always talks about his wife yet cheated. When in the song it was so clear he was being coerced which is yknow, not a form of consent. I couldn’t even listen to it because it made me so uncomfortable, and even now with the full version out the fandoms reaction to it overall have soured me to it. Which sucks, because I do think it’s a great song.

Also I don’t even think Epic completely erases Calypso’s assault? At least, I think it’s left ambiguous enough during the time jump that people can come to their own conclusions. Specifically when Calypso says “Soon into bed we’ll climb and spend our time” just really gives me the impression that something else happened.

I suppose in the snippets we’ve seen of “I’m Not Sorry For Loving You” it seems like Odysseus and Calypso are on slightly friendlier terms, but I don’t think that negates the fact she could’ve assaulted him. And I’ve always took that song as pretty manipulative on Calypso’s side, with Odysseus more so trying to placate her. But that’s going into theory territory.

And even if he isn’t SA’d in Epic it’s pretty clear he doesn’t want to be there!! Same with Homer’s Odyssey. It’s so infuriating to see the cheating narrative be so widely spread when that is just not what happened.

Anyway’s sorry for the long rant, but I wanted to say that it’s nice to see you take Odysseus’s SA seriously. It’s not something the fandom does enough.

It's okay for the long rant. Sorry I took a bit to get to it but I wanted some "soft chatters" for a bit before I tackled this one :)

"Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom."

I completely understand you with this stuff. ;~; I used to go through Odyssey tags often as I LOVE possibly finding new people to follow and fun things but too many times I would see shit that pissed me off. ;~; I've honestly kind of just stuck to my mutuals that I trust tbh. And honestly, there's soooo much shit of people just straight up not understanding the context/culture/meaning/etc. of the Epics and just taking it at face value and not understanding the meanings. :/ I'm no expert, but I also have analyzed and researched quite a bit on my own to try and get the full picture. I think in order to truly enjoy the Odyssey, you need to just... really soak shit in, you know?

When Calypso, that lovely goddess,  tried                           to keep me with her in her hollow cave, longing for me to become her husband,                                  or when, in the same way, the cunning witch Aeaean Circe held me in her home filled with a keen desire I’d marry her, they never won the heart here in my chest.

(Book 9, Johnston)

Odysseus tells this to the Phaecians. They are strangers that he will likely never see again and who are isolationists. Therefore his story that he told probably won't be "spread" to others so he can probably say whatever. So he doesn't have to worry about "Penelope hearing a different story than the one he told to her" if people wanna argue about how "Oh well, he didn't tell Penelope about the 'affairs'"(He tells her everything as well btw.)

He could literally say "Oh yeah, I had the time of my life!" but he doesn't because that's not true. Odysseus has no listed concubines, I just literally don't see him as the type of guy who's really into that.

And while yes, he would be devastated if she didn't "stay loyal", he does sound like he'd be understanding. He asks his mother in the Underworld if Penelope had gotten remarried to "the finest of Achaeans". And we all know of Odysseus' words of "when Telemachus has a beard, feel free to remarry". Even when first "rejected" by Penelope in that she didn't hug him when he sat across from her, he was incredibly hurt but asked for a separate bed. He literally could have had it where Penelope takes a different bed and he takes their luxurious/fancy one because he has the rest of the household on his side.

But he DOESN'T!

Because he adores her for fuck's sake!

Funny enough? I have the weird reaction of like, weirdly searching out "Good" animatics as it was a weird reassurance of "yes, people see that it's wrong." as while holy fuck. so many stupid, awful jokes about "Say No to This" in the comments (I have learned to just stay the fuck away from youtube comments on Odysseus shit. :') ) but like, seeing and HEARING how yes, this was fucked, was weirdly really nice for me. yeah, it took a lot of digging but there's a few "There Are Other Ways" that I love. Literally, both are unfinished wips and they're still my favorites. If you can, please give these two a watch and some love for the creator.

This was back before we heard the full song and it's still very good. How he's on guard until she "magics" him and the colors change. After that he kind of moves like a "puppet" but he's still resisting as best he can.

This one is literally still sketches but it's my absolute favorite. Oh my word. The body language, PENELOPE FLASHBACKS!!! Showing cute bits of Penelope's character and how awful this is for him. (Penelope is so cute. She puffs up her cheeks to make him laugh!) How he really is scared that he'll have to go through with this in order to save his friends until all his past trauma floods back and he just can't. It's lovely.

And yeah Idk how to feel about "I'm Not Sorry For Loving You" :/ I don't know how it'll be yet, maybe there's something in another song that shows Odysseus' real feelings or whatever.

And with just the whole cheating thing, yeah, it's really upsetting to call what is blatant assault "cheating". As wild as it sounds, Odysseus' story has been more relatable for me than any other stories like this, even modern ones. I've spoken a bit about it before but yeh, victim blaming at its finest. I find him and his story and his love for Penelope slkdfj very relatable. It's honestly really nice to write about in a sense..

(I'm pasting this from an old post of mine but yeh)

I have never had a story that felt like how it actually FEELS. The "aftermath" and "regaining life". It's hopeful and feels really good. It's been years since "everything" but it just felt nice to see "Everybody has the chance to get better." Even Nestor, Helen, and Menelaus, while still dealing with their traumas, are doing a lot better now. And after literal hell, Odysseus got to be with his family and loved ones again. He can start living again. It's why I'm just...idk passionate about this? I'm not a murderer or a war veteran but I see myself in him. Hopefully, y'all see me as nicer though!😂(plus, let's be honest, the Odyssey is romantic af and OdyPen is right up my alley as well >:D )

I really hate the whole "he's a guy so therefore ____" whether it's used as a "Boys will be boys. they can't help themselves" usually aimed at female victims or a "Men always want sex. they cannot be victims.". It's fucked up and used against ALL of us. :( Doesn't matter if it was history. People, no matter the era, should never be put through "Are you Victim™ enough?". He is one.

Idk the Odyssey means a lot to me. I hope it's okay I take some liberties with my fanfics as it's nice healing through him :D I AM kind of using my own experiences and ideas and it feels nice. I don't think Homer necessarily meant for this but eh, anything that helps is good :D He's a war criminal that I relate to.

[slavonicrhapsody]

when do you think rykard became praetor of volcano manor? was it during radagon’s marriage to marika, or while he and rennala were still together? the abductor virgins in the fort of reprimand are making me Think.

the Fort of Reprimand abductor virgins are also making me Think… I think Rykard must have been responsible for them, which has some major timeline implications?

I did float the idea that the abductor virgins were actually creations of Messmer’s army that Rykard simply adopted later, but if this were the case, then I think we’d expect to see more of them scattered through the shadow lands. But we only see the two at the Fort of Reprimand, which is a place of torture and punishment — which is what Rykard is in charge of. Also, they have the Ghiza’s Wheel attachment, which was created by Inquisitor Ghiza, who specifically worked for Rykard. So it seems like the abductors were torture devices primarily used at Volcano Manor, and these two were given to the Fort of Reprimand because they had need of torture devices (which I explained in detail here).

So how does this affect our timeline? I think the crusade had to have begun while Radagon and Rennala were still together because 1. Rellana leaving to help Messmer implies that Caria and the Erdtree were already allies at this time, and 2. Rennala cut her hair and gave it to her sister to remember her by, which implies she wasn’t post-Radagon egg-crazy. For Rykard to have provided abductor virgins to the crusade, he would need to have already been established as praetor… so either he already was praetor by the time the crusade started, OR he became praetor while the crusade was going on, and the Fort of Reprimand was established well into the crusade (but this depends on if it was possible to get into the shadow lands at this time).

Before the DLC, I thought it would make the most sense if Rykard nepo-babied himself to praetorship because his father was Elden Lord, but now I’m leaning towards him seeking out the position while his parents were still together in Liurnia? I think it’s still totally in character for him to do this for a few reasons related to his upbringing: Rykard seemingly does not stand to inherit any power from his mother; Ranni is referred to as his younger sister in the Japanese dialogue, and yet she is her mother’s heir and not Rykard or Radahn… I think only women inherit power in the Carian royal family, because we only ever see princesses and queens mentioned? Rykard I think was always ambitious and sought to distinguish himself, so in order to achieve this, his best bet would be striking out on his own in Altus rather than staying at home in Liurnia… and though Rykard’s mother is the queen of Liurnia and his father is a mere champion of the Erdtree, I think Radagon’s reputation would still be enough to gain him influence in Altus (Radagon was important enough that his marriage to Rennala brought the two nations together after all!).

So even though it seems like Rykard probably became praetor before Radagon was Elden Lord he’s still basically a nepo baby

[friendly-emerald-emily]

molly is such a fascinating character to me. and surprisingly, not because of her content in the show. but her lack of content. molly really felt like to me she was supposed to be the break-out star of the HiT era. let me explain why.

in short, it's all down to marketing and merchandise. i'm a massive HiT era apologist, mostly because it's the era of ttte i grew up with, but as i was looking through my catalogue of merch, i noticed something...molly was popping up. a lot. weirdly so.

i have a good amount of those briarpatch ttte board games, and typically they were for 4 players, and as such 4 engines were provided to play as: thomas, percy, james, and...molly? at first it seems weird, but when you think about it, it makes sense. molly rounds out a quartet themed around red, green, blue, and yellow, and also adds in a female character. i think that last bit is important, but i'll get to it later.

so i went digging, and the 4 player briarpatch games pre-molly usually had mavis in her place, likely also to add female representation, just swapping yellow for black. there are a few exceptions, i recall seeing toby and harvey instead, but again, it was mostly mavis.

looking at more merchandise outside of board games in this era, molly got quite a bit of focus. she was part of a set of 4 bath squirters along with thomas, percy, and james, and what i find most shocking, she was one of VERY few engines to receive a trackmaster remote control engine. molly also was featured on a 2008 great discovery trading card, even though she only had one line in the entire movie.

after this, i went digging deeper into the world of the thomas microsites and online games, where molly also had a strong presence. the quartet of thomas, percy, james, and molly continued in the simon-says type memory game (i think it's called 'peep peep!'?) and molly also appeared in the emotions game, but this game featured 5 engines, and the fifth...was emily. remember my point theorizing that molly was focused on because she was a girl? here's where it's important.

this five engine ensemble of thomas, percy, james, molly, and emily is repeated again in the plug n' play game 'right on time', a game that i own and remember fondly. emily was chosen again to fill the fifth slot, and i think it's because HiT wanted to have a gender-equal ensemble a la bwba. and i think molly was chosen specifically not only because her yellow paint is unique and for her gender, but because she is probably the girl character at the time that had the most opposing personality to emily. as we all know during this time, emily was interesting and had flaws unlike SOME OTHER ERAS- portrayed as having a very strong and opinionated personality, which would easily contrast towards molly's more shy and sensitive personality. both have also been described as having sisterly attitudes towards other engines. i think HiT wanted to prove in this 5 engine ensemble that they had varied writing for their female characters.

for all of this, i think that molly WAS supposed to be a much more important character than she turned out to be, mostly because she was marketed so heavily and disproportionately than her screen time would lead you to believe. molly also appeared more often than the other HiT newbies (bar rosie), but that isn't really saying much with how little other characters like neville or billy appeared. i don't know why molly was dropped so suddenly when the set up for her seemed to be there? only thing i can think of is that emily had just been moved to tidmouth sheds right before series 9, and that they didn't want to repeat that process?? idk i'm just spitballing because i've been thinking about molly a lot recently. on a small related note, her basis is also very specific and her design is SUCH a standout compared to other new characters at this time, so clearly effort was put into her. i wonder how different the series would have been if molly was elevated to prominent secondary character status like salty or mavis, or even main character status!

tl;dr i think molly was originally going to be important but then she wasn't :(

[jhoneybees]

I love your writing and the effort you put into it, and I was wondering if you'd be willing to share one shot of (Any year) Elvis with a Mexican reader. Specifically, one of him and his mama being invited to a party (birthday, reunion, or any type of party with family). This would be the first time Elvis gets to meet the readers. 

Also, I just genuinely think Gladys would enjoy the little chisme that goes on in the kitchen as the grandma's and tías cook.  Just a bunch of wholesome fluff!

Oh thank you! Yes I'm willing to share! This one was quite a challenge to do because I know nothing about Mexicans so please forgive me if I used the wrong Spanish words and this is more of a blurb so...please forgive me on that too😭

Fiesta

Characters: 50s!Elvis X Mexican!reader

Warnings/triggers: Probably nothing!

Author's note: Pétalo means petal, Tía means aunty, Tío means uncle, Sobrina means niece, Sobrino means nephew, Hermana means sister, Hijo means son, Feliz Cumpleaños means Happy birthday 🤧

_____________________________________________

Elvis has always been so polite and caring towards your family and when you first introduced him to your parents in ‘56 he instantly became the favourite. Out of all your brothers and sisters’ partners, Elvis won the spot of definite future son in law.

Your parents absolutely adore him, it’s not because he’s the upcoming celebrity but because of how well he treats you. Elvis would pick you up from your house for dates with a massive bouquet of flowers in his hand every single time and as much as you love the gifts, you tried to tell him to not spend so much on you but he kept insisting. He just loves watching you and your parents' reaction to the expensive things he would give you. Flowers, jewellery, clothes, anything.

Elvis would never forget to give your mamá something either, no, no, no, he’d give her the most beautiful things which you thought your papá would feel somewhat jealous of but no, he absolutely loves it!

Today is one of those days, Elvis has a lovely gift and he and his mama are dressed up to attend your mamá’s birthday party.

Your parents haven’t met Elvis’ parents yet and you weren’t going to lie, you’re a little nervous. Your family is very loving and welcoming when it comes to new members and Elvis’ parents are wonderful but you just can’t help it.

What if it’s not like that at all when he arrives?

“That must be your boyfriend!” Your aunty gasps in delight at the sound of the front door bell, you bite your bottom lip preparing yourself for some sort of disaster as you put down a plate of Chilaquiles.

“Quickly, you have to come and introduce us!” stumbling a little when your aunty drags you out of the kitchen into the living room. “Todas! Y/n’s boyfriend’s here!” She shouts, calling all the tías, tíos, sobrinas and sobrinos from all corners of the house. Holding onto your arm tightly with an excited smile on her face as your papá opens the front door.

“Hello.” Elvis grins, leaning to one side to peek inside of the house as your cousins scrabble around you to see who’s arrived.

“Ah! Pétalo, he’s handsome!” Your other aunty cheers.

Then in a blink, all of your family usher Elvis and his mama inside, the tios happily shaking hands and the tias greeting and complimenting Gladys. Your heart smiles at the delighted cheers and laughs.

“Hermana, look how tall he is! He must be really strong.”

“Could easily lift two of us up onto his shoulders!” The tias giggle.

“He reminds me of my late husband!”

“How could you think that? Your late husband wasn’t this handsome.”

“What do you mean? He was american!”

“Hermana, how long have you been living in America? 20 years? Not all Americans look like that!” The others argue.

You groan in embarrassment, hiding your face in your hands at how your aunties are all over Elvis and Gladys.

“Todas! Todas! You’re going to scare them if you keep latching onto them like that!” Your mamá clicks her tongue with an amused smile on her face. Walking calmly through the sea of people to gasp and squeal seeing Gladys. “Hello, you must be Gladys!” Excitedly grabbing her hands and admiring her hair and skin. “Oh mi, you’re beautiful!”

Gladys smiles shyly, thanking your mother politely before her eyes turn to look at Elvis. “Oh, my hijo!”

You smile gently, watching Elvis chuckle and laugh as he bends down to hug. “Hello mamá.” He replies, carefully putting a nicely wrapped up jewellery box in her hands, grinning at how her eyes soften. “Feliz cumpleaños to the birthday girl.”

You’re quite surprised how well Elvis pronounced happy birthday in spanish, you would often teach him a few words whenever he wants to impress your parents.

“Aww my son…Come! Come! I made Camote, your favourite!”

Elvis nods with a laugh and with a delicate push, he says to take his mama to the kitchen and show her.

“Hi baby.” He turns to you, his eyes sparkling with joy at the sight of you. Slowly sliding his arms around your waist to be closer to you and seeing out of the corner of his eye, he sees your cousins watch with open mouths and he smirks, suddenly attacks your neck with playful kisses and growls.

“Ai! Elvis! Stop that!” You gasp in a hushed tone, hearing the little kids snicker. You start to laugh too, pushing him away you shake your head in disbelief. Kissing him a little when he hums for one you scrunch your nose at the youngest ones watching. “All of you, go away. This is adult stuff.”

“Why?”

“Because I said so!”

“OooOoo Pétalo’s going to give her boyfriend kisses!” One jokes with a cute giggle.

“Go!” You order again and this time they all begin to pile out.

“How’s my baby, hm?” Elvis asks with a cheeky deep voice, his hands sliding up your waist to the sides of your breasts. Chuckling as you rest your arms around his neck.

“Good, how was your trip here?”

“It was good-”

“Lunch is ready, lovebirds! Come and eat before it’s all gone!” Your Tía calls making both of you laugh.

“Yes, Tía!” Elvis answers back with a big smile.

You really do wish Elvis would become your family's son in law, he's perfect to you.

“C’mon, Pétalo. Let's go.”

[cemetegee]

Determinism in TLT

The three people who actively follow my blog will know it, but for the others I'll say it: I don't judge TLT characters personally. (Except if I want to make a point or if I want to provoke a little.) That's not because I think their actions are not bad (they often are). But thing is, I think the characters are hardly made to be judged.

We can, for example, take Ianthe, my blorbo, my wife and my love. It was, all jokes aside, surely a horrible crime to kill her cav. Besides of that, it would maybe really have been better, if she hadn't saved Jod. (I mean, we didn't know it back then, but it seems obvious regarding NtN, even if it's understandable that she doesn't wanted her loved ones to die.) She has a lot of complicated character traits as well.

But if we look at where she is from, it's obvious that she had to be like that to survive. She is manipulative? So is her sister and probably her whole House. She is unnecessary eager to reach her goals (on cost of others)? Surprise, that's what her sister is like and her whole House too!

It's extremly obvious, that all characters are basically caricatures of how their Houses are. Palamedes, the scholar, the Warden... Dulcie, the beauty that blossoms and dies... Oh, even Silas. You would think it was extremly stupid of him to fight Ianthe, but actually, based of all what we know about him, I really think he had no other choice (technically, but not practically) as fighting her for his beliefs. It's so obvious, that even the characters themselves talk about it at a point:

That means: Ianthe is maybe a questionable person, but she wouldn't have been, if she had grown up on the Sixth. Palamedes is a (comperatively) sweet person, but he isn't like that because he naturally is like that, but because he's grown up on the Sixth.

[Let's make a sad little literary class trip:

Palamedes even says himself in TUG, that from (House specific) point of view, Ianthe is not wrong. It's a very interesting moment, because a character of the series admits, that (in TLT) moral is not static, but a question of the point of view. (What's made by the circumstances (in TLT).)

]

And that's what Determinism means. It's the idea, that people don't (only) do things, because of decisions, but because of their circumstances. The idea of Determinism is really important for leftist ideas because it enables ideas like: if you put a bunch of people with no money and boredom in a quarter, crimes will happen. (The idea shifts the attention from decisions to the circumstances.)

Even if the characters of the TLT universe are able to make decisions (maybe), I think it's pretty obvious how much the books are influenced by the idea of Determinism. And therefore, even if some of the characters awake the wish in me to... Oh! What did I want to say? Anyway, I think it's important to regard the context of the characters. It's possible to judge them, but it's also interesting to do it not and look at their reasons. (What doesn't apologize them, but makes them understandable)

This post is involuntary sponsored by this horrorshow interesting post of @swordrogue. I just couldn't get it out of my mind. Please go read it, it's very interesting

[tulip-room]

pixy stix - r. suna

prologue || Pumpkin Patch

words: 1.2k

masterlist || all hq works || next

"Did you cast a spell on me to make me yours? I want you to be mine."

Steam, pour, serve. Over and over. She had only been working at this job for a few months at this point (one of her friends showed it to her). It definitely wasn’t the worst one she’s worked. Apparently, you can get sick of Halloween, or more specifically Halloween Music. You can also get sick of making pumpkin themed drinks. The smell followed her home when she left the pumpkin patch. She could smell it in her apartment and on her clothes even after washing them over and over. Maybe it wasn’t Halloween she was sick of. It was pumpkin. 

One highlight of her day– though she would never admit it– was the scare actors coming in on their breaks to get a drink. “Have a good time scaring children?” She comments as she grabs a cup to fill with orange juice. Every day without fail he would order an “orange juice on the rocks” , something about hating apple and pumpkin flavored drinks. After months of having phantom smells she was beginning to agree with him. 

“Of course, have fun being surrounded by pumpkin?” He leans over the counter as his eyes scan her figure as she wades around the kitchen. He can’t help the smile that breaks out across his face at the sound of her laugh, how her head turns to look at him over her shoulder.

“Never. It was fine the first few weeks,” she sets the glass down in front of him, “One orange glass on the rocks for a Mr. Suna Rintaro.” She smiles and winks at him. She can faintly hear a gagging behind her and her eyes meet with Sakusa and Sav’s as they shake their heads. She rolls her eyes and flips them off before turning back to Suna. “So, how’s it going?”

“Same old, same old. I’m stuck on hayride duty today.” Hayride duty, where he stands in the same spot in the pitiful trees that they call woods and jumps out to scare people. It’s his least favorite assignment to get as most people are too preoccupied looking at their phones to notice the actors in the woods. His favorite is actually the pumpkin patch, he doesn’t have to do a lot to get a scare out of the adults and the kids make him laugh when they grab a hold of his legs and tell him they think he looks cool. For some reason it makes him gleam with pride. 

“Wanna switch?” She teases and pokes his shoulder. 

“And make pumpkin drinks all day? Yeah, no thanks pretty girl.” He pokes her back and takes a drink, his lipstick smudging on the glass as he hadn’t bothered to take his scare makeup off. 

“Whatever. Go sit down somewhere and stop distracting me,” she waves him off towards a table in the corner. He grabs her hand and presses a sloppy kiss to it, a grin breaks out across his face as he watches her crinkle up into disgust. “Eww!” She gags and wipes the back of her hand off on his sweater. “Gross. You disgust me.”

“You want to kiss me so bad.” 

“I think it’s the other way around.” Her eyes met with the group of people that just walked through the door. “Seems I have guests to serve, now go sit down.”

“Yes ma’am.” He does a pretend salute and sits down at the table. He watches as she handles the orders with practiced ease, he’s not aware of Sav sitting down across from him until a hand is waved in his face. 

“I think you have something written in bright red letters across your forehead.”

“Hmm?” He barely pays her any mind as his eyes continue to watch the girl at the counter with an easy smile on his face.

“Yeah, it’s the word loser. When are you going to tell her you like her?” That gets his attention as he finally turns his head to look at her. 

“When are you going to tell Sakusa you like him?” He smirks as he thinks he’s won their little battle.

“I already did.”

“What? When? Happy for you!” He reaches a hand over the table and pats her head.

“Last week, now stop deflecting. When are you going to tell Y/N that you like her?”

“I don’t know, I’ll probably take it to my grave.” He shrugs and leans back in the seat, arms going behind his head as he tilts it back and closes his eyes. 

“You two frustrate me.” Sav groans and almost puts her head in her hands before remembering the makeup that’s on her face can’t get smeared more than it already is. “Well, enjoy living in your delusions I guess.” She gets up and sighs as she looks back over to the expo counter. “Your lipstick is wiped off by the way.” She gestures to her mouth. 

“I know,” he smirks and opens one eye to look at her. “It’s all part of my plan.”

“What plan?”

“Y/N carries lipstick with her so I just steal her lipstick.” It’s almost funny how proud of himself he sounds about this plan. He sits up and finishes off his drink, to really sell the deal though he grabs a napkin and wipes his lips. 

“I didn’t think your pining could get worse. I was wrong.”

“Wish me luck,” he winks at her and goes up to the counter. He patiently waits in line for Y/N to be free to talk. “Hi pretty girl, I am in need of chapstick it seems.”

“Hi silly boy, it seems you are.” Oh– that’s a new one. He likes that. “What do you want me to do about it?” She leans against the counter and rests her chin in the palm of her hand.

“Well, I heard from a little birdie that you happen to carry lipstick on you.”

“And if I do?”

“Can I borrow it?”

“I don’t know…let me think about it,” she says as she pushes off the counter and opens a drawer to pull out her purse. Her hands dig through the velvety material inside, combing through the random things: chapstick, a hair tie, a receipt for a movie, ah– finally. Her lipstick. “Here you go.” She hands it over to him but he shakes his head.

“Put it on for me? I’m terrible at staying in the lines.” A lie. He doesn’t like other people doing his makeup, it makes his skin crawl. But her? Oh he would do anything for her. She could run him over and he would say thank you. 

“Fine, come here silly boy.” He leans down and she unscrews the cap and starts applying the lipstick to his mouth. “This is transfer proof, I’m surprised they haven’t bought any for you guys.” She hums more to herself than him. “Okay, all done. Now, get back to work.”

“Thank you, pretty girl, see you tomorrow.” His heart should not be beating as fast as it is right now. He knew he liked her, but he didn’t think he liked her that much. Okay, he needs to calm down. He has never been more thankful for hayride duty than he is right now.

a/n: this is just silly goofy autumn fun where they're idiots who pine very loudly for each other and make it everyone else's problem <3 a break from the angst of my other series if you will lol

taglist: @akaakeis @eggyrocks @hiraethwa @wyrcan [please send an ask to be added or removed from the taglist <3]

if you enjoyed, please consider leaving a like, comment, rb, or sending me an ask <3 I love interacting with you guys <3

[blueishspace]

Looped Sun 15

Loop #451

Mumbo wasn't sure about trying out Double Life, especially in a null loop like this one...but Grian had asked and he wasn't able to say no. So there he was, ready to see how this would go down.

TangoTek was blown up by a creeper.

Solidaritygaming died.

Mumbo didn't expect Tango to die the same way so he had to assume they were unawake this time around. It had been a while since they looped together now that he tought about it. Oh well.

Skizz: Hey man!

Mumbo: O-oh! You are here too?

Skizz: Sure thing!

Mumbo: O-oh...have you found your soulmate yet mate?

Skizz: No, have you?

Mumbo: ... Not really. Do you think...?

Skizz: No hurt in checking! Come on dude, punch me!

Mumbo: Oh pants! Uh... here you go?

Turns out they were soulmates, guess it made sense since the other pairs seemed to be the same.

Mumbo: I see skeletons!

Skizz: I'm on them!

Mumbo: Try not to die please?

Skizz: What's up!? What's up!?

Mumbo: O-oh I'll help!! Wait for me!

Well, they didn't win...not that he expected them to. It was lots of fun though.

Loop #453

Pearl had loved her first Avatar the last airbender loop, Katara had been a great teacher and she still used waterbending often... She didn't like this specific Avatar loop though, mostly because she was stuck as a fish.She got it of course, moon spirit, PearleascentMoon, sge wasn't stupid... but still being a fish in small small pond while swimming in literal circles is mind numbing.

Then of course came the general who tried to kill her, which was rude by the way, and she had to deal with him...fortunately chaos magic still worked as a fish.

Loop #457

Grian: And that's Uno.

Jimmy: No! No! You can't let him win.

Tango: I got nothing...

Mumbo: M-me neither. Scott?

Scott: ...Pearl? ... I'm sorry, +4.

Pearl: Don't worry mate, I got you. +4.

Grian: What!? Noo! Pearl why!?!

Jimmy: And It's my turn!

Grian: Ok, what if we traded?

Pearl: Go on.

Grian: I'll give you one of the red properties so you can get the monopoly if you give me that one.

Pearl: So you can get a monopoly too?

Grian: It's a win-win.

Pearl: ... Sure. Here you go.

Grian: I hate this. I hate life.

Mumbo: O-oh!

Scott: Look at the bright side.

Grian: What bright side?

Scott: Jimmy is sucking so bad.

Grian: You what, you are right. The game of life is my favorite now.

Jimmy: Wha- hey.

Tango: I mea ... He's not lyificating.

Jimmy: Rancher, you too? Betrayal!

Mumbo: Oh ...ok... Before blank all we had was blank.

Pearl: Ooh a double.

Scott: I have an idea but I also hate it.

Jimmy: I ...don't like this game...

Tango: Well, here goes nothing.

Mumbo: Ok let's see... Before s-sexy pillow fights all we had was gladiator fights? I don't get it...

Pearl: Yeah that was just boring.

Grian: Listen, I had 0. Absolutely 0 good cards.

Jimmy: I like this one a lot better.

Grian: Timmy ... Timmy this is not a game, It's Mumbo's tarot card.

Jimmy: I stand with what I said. So what did I get?

Mumbo: Oh! That's the... that's the fool.

Jimmy: Nice! ... What does it mean?

Mumbo: Youth... and luck...it depends.

Loop #459 (part 1)

Jimmy: Uh, were are we?

Tango: It looks like a dungeon entrance?

Jimmy: Well, I got that.

Scott: Oh fuck I know what loop this is. This is bad.

Tango: You do?

Scott: This is fear and hunger.

Jimmy: ... Oh...I heard about it. The very non pg one?

Tango: Are the two of you going to share.

Scott: This... We can do this, It's not a null loop or anything. It should be doable.

Scott: It's...really dark. Darker then the game.

Tango: I can have my flame hair on, it might help.

Jimmy: Or I could do the sun incantation? Make my hair glow.

Scott: No, no. You need to sing for it to work, we can't risk your throat getting tired too early on.

Jimmy: ...Alright.

Tango: Aren't you like a god of order Scott? Can't you do anything to help?

Scott: Not really, my divinity here is really diminished for some reason. Probably the influence of the old gods.

Jimmy: Wait I hear a voice!

Tango: Uh!? Where!?

Jimmy: It's...

Jimmy enveloped himself with a thin layer of Listener magic.

Jimmy: That way!

Tango: What-

Scott: Since when are you a Listener?

Jimmy: Pretty early on in my loops, it happens sometimes. Oh, I hear it again. It sounds young!

Tango: A door?

Jimmy: We obviously need to get to other side!

Scott: Let me try something.

And in a flash of blue Scott is gone... A few seconds later the door opens with Scott behind it.

Scott: The tesseract still works.

Jimmy: Is that a little girl?

Tango: Why is she in a cage? Scott?

Scott: ... It's complicated...just help me get her out.

Tango: The cage doesn't look too hard to breakificate. Just pull a bit and uh... It's harder then it looks. I'm going to melt it-

Scott: And risk molten metal getting on the girl?

Tango: Point... I'll just use an axe.

Jimmy: Hello there! Who are you?

Girl: ...

Jimmy: Right uh... I'll introduce myself first if you want.

Girl: ...

Jimmy: Right, I'm Jimmy, that's Tango and that is Scott.

Girl: ...

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[demodraws0606]

See there's just a main issue with either Ace or Eden being the culprit.

How Arei got knocked out.

Because she had to have been knocked out mainly because it just wouldn't make sense otherwise.

There aren't enough scuffs on the ground to prove that Arei struggled and there aren't any other wounds/marks on her body. It also would be extremely difficult for the culprit to set up the murder method while Arei was concious.

"Then why the tape on her wrists" probably to stabilise her body while she was being hung and also to potentially avoid her wriggling herself out of it if she did woke up.

"Couldn't the culprit just have suffocated her ?" If that's the case then why set up such an ellaborate method to hide the method of murder. The culprit could have just killed her in an easy way but they didn't, in fact just suffocating her would've avoided a lot of decisive evidence that was left behind.

They clearly wanted to make it look like Arei had killed herself, for whatever reason.

However that goes against the idea of Eden being the culprit because she was the first to reject that notion.

I also want to add, for Eden specifically, that trying to kill Arei would've been way too difficult if she was concious even more so since she's the weakest in the cast. This means if Arei wasn't knocked out then she had to have been consenting to Eden's murder (which I doubt).

I also doubt she'd be able to suffocate Arei with a ball of clothing either, she'd have a lot more chances with the rope than with that but I suppose thats not conclusive evidence.

Anyways the idea of Arei having to be knocked out kinda throws the entire case on its head because that means it had to have been turpentine that knocked out Arei. Turpentine that was probably used on the ball of clothes as it's known to be incredibly sticky however how would Eden or Ace even get a hold of that ?

This is why I don't think we can easily think only Ace or Eden could've done it because it leaves too many holes in logic.

[ddlcpoly]

For Monika’s birthday and DDLC’s anniversary, here’s a bunch of headcannons that depict her as a poor little meow meow! Yay!

She needs glasses, but won’t wear them cuz she feels that they look bad on her. She also says that it isn’t THAT bad.

If she gets criticized, she seems fine outside, but she’ll definitely cry over that when she’s alone.

She’s very sensitive to the Sun and has put buttloads of sunscreen to not get badly burned.

She’s so in love with her partners that she at times cries at the fact that they love her and she loves them.

She used to have a nanny that she saw as a mother figure when she was a kid and who she absolutely loved, but when she was around 11 years, her parents stopped contracted the nanny cuz she was “so responsible that she didn’t need a nanny anymore”. She didn’t retaliate or say anything against it cuz she thought that she needed to grow out of needing a nanny.

She doesn’t play videogames, but if she did, she would probably get really hooked on one specific game and neglect some of her necessities to play it.

She tries to be cool and mysterious, and while it does work on some people who don’t really know her, those who are close to her know that what she’s truly hiding is the fact that she’s a massive nerd.

When she’s bored she imagines her lovers naked and laughs like a pervert.

She unironically likes Adam Sandler films. She knows they’re not masterpieces and objectively and critically thinking, they’re not amazing, but she loves them anyways.

She steals her partner’s clothes, not to wear them, but to smell them and cuddle with them.

When a character she likes dies, she takes at least a week to emotionally recover from that, in which she doesn’t continue the piece of media until she’s better.

She feels weird about the club only having 5 members. She does like that it’s a place where she can hang out with her favoritest people of all time, but it still makes her feel like she failed running the club.

[bright-eyes-strawberry-lies]

Do you think that one of the reasons Luke and Thalia were so close on the run was that Thalia seeks out power/control, and Luke was willing to give her almost complete control over him? And a reason for why Thalia had her "I don't recognize you anymore" line aswell as suddenly turning so hostile being that she no longer had that control over Luke's actions?

Yes, I do think part of Luke's appeal for Thalia was that he did whatever she wanted, whenever she wanted it.

Maybe equally important was that Luke didn't stop Thalia from doing what she wanted. In Demigod Diaries, Thalia makes them follow a goat around for three days before Luke even asks why they're following it. When Thalia wants to go into Hal's house, Luke thinks it's a bad idea but he goes with her.

Luke's devotion to Thalia is such that she almost killed him - like actually, for real, with powers she can't control - and he stayed by her side. He didn't even blame her for it. Luke also took her to May's house when she needed help, a place it's pretty clear that Luke never meant to return to (and according to Hermes isn't welcome at).

Part of it may be her "fatal flaw" or whatever but I think it may be even simpler than that.

Thalia being power hungry for the sake of having power and that being her "fatal flaw" doesn't even really make sense because she really only uses what little power she has to take control of (or to save) her own life.

I hate talking about Beryl because she's so pathetic and a sorry excuse for a human, let alone a parent. But Beryl is a large part of the reason Thalia is how she is. She tried to baby-trap Zeus with Thalia and when that didn't work, she turned to drinking (or drinking more heavily, I guess). But like, she's another mortal parent who didn't want her kids (thinking about Frederick but like at least Beryl knew kids were a possibility the poor man). She didn't want Thalia and she didn't want Jason, they were just the side effects of getting to have Zeus/Jupiter for a moment.

Growing up with an alcoholic mother and an absentee father and a lost/dead infant brother (I dont remember what they did to Jason when they took him away but I seem to recall Thalia was either kept in the dark or lied to about it), Thalia had no control and no one who put her first in her life.

Luke was the first person to put Thalia before themselves.

Also it's pretty explicitly said that Luke is a gift (or a prize or a weapon, whichever you like) to Thalia from Zeus. Zeus led Thalia to Luke using the goat. Zeus led Thalia to her magic shield using the goat. Thalia actually says Zeus led her to Luke specifically.

As for her "this isn't you" line...aside from my opinion that it (Thalia siding with the Olympians at all) was spawned entirely because Chiron brainwashed Thalia...I think if Luke had been there (either because the rebellion never started or because he actually got to put the fleece on her tree himself and was there when she was birthed from the tree) then Thalia would have sang a different tune.

She was asleep and her dog was not there waiting for her when she woke up. That's out of character for Luke and Thalia would probably take it as a sign that he's no longer loyal to her personally (especially after Hal saying that Luke would betray someone and planting that idea in Thalia's head).

Now the puppy daddy got her is a full-grown dog with grownup dog teeth, and everyone is telling her that he's rabid, that he needs to be put down. And Thalia agrees.

[heartbeatbookclub]

inspired by the crying headcanons ask, how do you think the girls are like when angry? we do kind of see some of them get infuriated sometimes in the side stories but im curious if you have any extra thoughts on it

I'm just going to kinda rapid fire this because I don't like it sitting here, but I've been too busy and in a weird headspace to really take the time for it. If this ends up malformed or weird, I apologize. I've done a bit of thought on it though

Sayori generally keeps herself on an even keel. It's hard to really piss her off with anything which would typically anger someone, because she has a general kill them with kindness mindset (and if you do something like insult her, or try to start shit, she's more likely to assume that she's doing something wrong, so she'll beat herself up instead). That said, she does have her pet peeves (like when someone leaves the water on while brushing their teeth! you aren't using that right now, you're just wasting water!), and she does have certain buttons you probably shouldn't press.

Namely, Sayori really values other people, especially those close to her, and places a lot of trust in them. To be honest with her, to be good people, and to take care of themselves. If you fail the latter two, she will be disappointed with you, and maybe even a little angry dependent on the circumstance and how she learns about it. That disappointment hurts a lot worse, though. Of course, when it comes to taking care of yourself, she understands how that could be difficult, and will help you as much as she can, but she really wants you to value yourself as much as she does.

The former of the three, she'll get angry. Sayori isn't the type to go shouting mad (well, unless she's getting mad at mario kart or something), or the type to really share strong words. She's got that tranquil fury down pat. If you do something you know she won't be happy with, that's one thing. If you lie about it to her face, and take advantage of her trust, she'll take some time apart from you. She'll push you away until she can calm down and really think about how she wants to respond. She's not one to hold grudges; revenge isn't her forte, but when she faces that kind of betrayal, it's really hard for her to look at someone the same way.

Monika can be very passive aggressive. Yknow, that kind of backhanded, half-sarcastic passive aggressive. As a side effect of being a people-pleaser, Monika is averse to conflict generally, and would prefer to seek a more reasonable compromise in any given situation as opposed to some blow-out confrontation, and absent that, when she gets aggravated, she tries to be civil, but ends up being cattier than she intends.

If it does end up escalating to a more serious argument, if tensions are running high, Monika feels very uncomfortable. She's not one to escalate into a shouting match, she's not the type to start peppering her speech with colorful language adding with rage, she tries to keep herself under control as much as she can.

Still, she might slip up. And losing that control makes her feel even worse about it, makes her more emotional in general, and when she gets to that point, I think she'd probably say something she might regret. Definitely has moments where she cries from how angry she is about something, and realizes she needs to take a walk to get away from the situation.

Yuri tends to be strongly opinionated, but about some strange and specific things. She tries to keep from voicing these opinions when they aren't asked for or needed, just to keep everything smooth socially, but if asked, she will be blunt about her thoughts even while trying to be polite, because if they want her honest opinion, then being honest, she does feel that bluntly about it. The fact that she doesn't let on until asked makes it feel harsher than it actually is.

Yuri generally tries to keep herself under control in a similar vein to Monika, except that rather than trying to use some sort of conflict resolution, she prefers to just leave it as is. Just stop talking about it, maybe leave, whatever. Of course, she feels so strongly about her view and that it's correct that sometimes her mouth moves before her brain, and she feels the need to get the last word in, which often escalates the situation.

Yuri gets pretty easily overwhelmed emotionally, and her strong feelings about a given topic can quickly bubble over and force her to act in certain off-putting ways before she even realizes what she's doing or saying. She has a tendency to start yelling, to start saying a lot more hurtful things and use more caustic language generally. Without a mediator, she's wont to get into a loop of just continual anger and have it just ruin her day. Of course, after that, if she really thinks about it, she regrets it completely and feels terrible. (Unless they actually deserve it. Even then, she might think she could've gone about it better...)

That habit of bottling it up also has a tendency to create some outbursts if things become too overwhelming, though that's more likely to result in a combination of this sort of behavior and what I described when talking about them crying. That's da dawg in her ('tism)

Natsuki tends to be reflexively angry, or reflexively mean at the very least. I've talked about this at length before, but she pushes people away in general and tries to harden herself wholly so that nobody can ever hurt her. I've dwelt for a while on what I think that actually means about her life (namely her home life) but you can read my thoughts on that elsewhere.

She's got a tendency to just complain about a lot of different stuff which annoys her or makes her uncomfortable. She makes no secret of her opinions or thoughts on any variety of things, which might get her into trouble in some circumstances, but generally she's just very opinionated without much dedicated thought to it.

If you really get her going though, she has a lot of smart-mouthed comebacks and sharp barbs to lob back and forth. Also she starts swearing a lot more. She does her best to come out on top by keeping her anger in check, but she definitely indulges in it a fair bit. Sometimes too much. Sometimes she gets overwhelmed, and when she gets really, really mad, she also definitely starts crying, and she moreso than anyone finds that really embarrassing, because it's a sign of weakness in that kind of scenario.

[swampgallows]

.

complaining here because i dont want to burden my friends but still want to collect validation in the form of little pixel hearts

my moms mental state has gotten so much worse and as a result her hoarding is becoming even worse and even more impossible to tolerate. i have tried to have more sympathy about it and to help her with it, sitting with her while she sorts "a box a day" or even just "one thing a day". ive gently recommended she get a new therapist but all she did was change her horse on the SSRI carousel and start smoking weed. i've linked her articles and books and videos, and when she doesnt look at any of them i try to relay to her in conversation what i learned from them when she bemoans "why am i like this?". none of it matters. she just complains that it's "too overwhelming" and she "can't help it" even though she refuses any help at all.

i know it is a mental disorder. i know it is overwhelming. i know it causes her physical pain to get rid of things and at the same time cripples her with guilt to keep it all. but as of right now all we're trying to get her to do is just rearrange the things so that they aren't turning our house into a fucking obstacle course, and she pushes back on that too. like she doesn't want to even organize the piles AS THEY ARE and condense them because she'd rather be "actually throwing things away and putting things away like a human being!"—the thing that she very specifically CANNOT do.

and if we consolidate it on our own? hooooly christ. she goes on a fucking rampage, slamming doors, screaming/sobbing, throwing shit (her shit. it's all her shit). because it's HER stuff and WE touched it and she feels guilty about all her stuff. she STILL talks about when my sister tidied the spice cabinet, convinced that "she threw everything away!" and that was years ago. (my sister is a different kind of insane and probably DID throw a bunch of shit away, but either way all it did was give my mom ammunition for the rest of her life to never do anything.)

this is long enough already so all i can say is that im disappointed in myself for losing more of my tolerance and sympathy. like at this point the only reason i care is because i have to fucking live here since i havent been able to stay employed or move out yet and my mental health is also incredibly bad. but also my mom's becoming much more intolerant and hateful as a human being, which makes me less inclined to keep trying. like she deliberately brings up incendiary topics (usually politics), whips herself up into a cyclone of hatred (every '-ism' you can think of) while preemptively apologizing for things that she thinks that we think about the politics that she "doesn't like talking about" despite blatantly shifting the conversation to bring them up, then devolves into histrionic crying or yelling at us for something she has imagined. this is almost every day. i know she's my mom so im trying but christ alive

[reachexceedinggrasp]

I have a feeling you might relate to this or you might have even related this on your blog already, but I was just thinking of that Ghoul quotation water water everywhere and not a drop to drink

I think probably my favourite, maybe ever, quiet point of characterisation in a sort of villainous or Beast love interest is his or her having a poet's soul... whether that is conscious or unconscious romantic meditation. It's like Kylo musing to Rey when he says 'You have that look in your eyes. From the forest. When you called me a monster' I love that sort of wistful observation, especially because it evokes such potent imagery ('when we fought together in the forest and then you marked yourself on my face'). Or more literally something like Ghoul citing a line of literature, even when none around except for Lucy would know what he's referencing, it's for his own arrestment and amusement, this is how he sees/interacts with the world

I guess in that way, it reveals something new about their perspective on the world, even when they're somebody seemingly cut off from it - monstrous, othered, repellent, ugly - when they're able to articulate a certain beauty which other characters may not remark upon. It's sort of covetous in that sense, but I think it also sort of helps explain what might interest them about a Beauty, after all, there's something they long for and value (spiritual, aesthetic, existential beauty).

I thought you might be able to relate 🥰

Oh, totally. And with Cooper and Ben, specifically, which is a parallel I hadn't actually noticed until you've just pointed it out, we're being shown their sensitivity as characters. Not in the sense of being considerate, but that they're aware and alert to beauty and meaning in the world despite currently occupying a narrative role which might make us think they're simply destructive or nihilistic figures. And despite the cynicism they're both ostensibly espousing.

Cooper quotes or alludes to literature practically constantly relative to how little he speaks, always knowing people almost certainly won't understand him, and that's especially fascinating because he didn't make those kinds of references in the flashbacks. We could take this in a whole direction about how he created the Ghoul as a character to shield himself from the things he had to do to survive and is living within a meta-narrative deconstructing the reactionary anti-hero who overtook the white hat sheriff he used to play in his movies. The anti-hero he never wanted to be. He makes allusions because his life has become a story he's telling himself to stay sane. He's his own wry Dickensian narrator making asides to an imagined audience about dramatic irony and social commentary.

And an important part of his presentation to others before the war was painting himself as not sophisticated. Just a cowboy and then just a guy who plays a cowboy in the movies. He wants nothing to do with politics either in an interpersonal or broader sense, and disclaims any pretensions to being savvy despite being in a theoretically powerful position as a rich, well-connected major film star. I think he was genuinely naive, but I also think he often played dumb to avoid social conflict. He was complacent and his image helped him remain complacent. Obviously he was very willing to be confrontational when he saw wrong or injustice right in front of him (he goes after Bud Askins directly to his face about marines getting killed by shitty equipment, he challenges Moldaver when she calls him out), but pre-bombs he mostly uses his empathic perceptiveness and charisma to keep everyone around him happy.

In the wasteland we often see him doing the opposite and deliberately riling people up in order to gather information and assess or eliminate them as threats, but he's also only gotten better at disarming people when he wants to. As a handsome charming film star he pretended not to know anything, as a scary intimidating monster he pretends he knows everything.

What I'm wondering about as far as all this goes is whether Cooper always had a secret nerdy side and read all the classics as a teenager or perhaps while waiting between shots when he was working as a stuntman, or whether he wanted to fit in when he started to make it in Hollywood so tried to become cultured before realising that wasn't what anyone wanted from him. Or if he just spent 200 years alone and read anything he could find as a way to cling to his humanity. We know he was at least a bit intellectually curious before the war, because of his reading and retaining some article about studies on torture.

But YES, him quoting poetry and being so interested and insightful about Lucy, specifically is a huge part of how he's framed as a romantic figure. And he's already by far the most romantic figure in the show. If it were solely about his tragedy, you'd think they would emphasise the contrast between his pre-fallen and post-fallen state by stripping him of his heroic trappings, but they don't. He's actually more romantic post-'curse'.

It also gets me because he's an extremely smart, socially adept person who doesn't let others see him for who he really is both consciously and unconsciously on multiple levels and that layers of identity shit is my crack. He was a profoundly honest man who thought he was simple, but actually he was a glorious maze of contradiction and complexity waiting to happen who has now come into his own as a master manipulator.