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whatkeepsmeafloat · 1 year ago

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All right, now that all the promotional material is out there (as far as we know), here are my season 2 timeline predictions/expectations. Putting it behind a cut because this is a long one - I just need to get my thoughts out.

Before we jump into my proposed timeline, a note on the character arcs: Stede is free of his past, but now has to wrestle with the present and his romantic expectations vs. the reality of the situation. I think he enters the season full of hope that the worst is behind him and now he’s going to reunite with his love and his crew and they’ll all sail off into the sunset together. Not so much. He is going to have to put in the work - a lot of it. As for Ed, he will go through a ton of emotional turmoil this season around the theme of acceptance and self-actualisation. I think he initially blames everything on Stede, but has some realisations of his own and finds a way to let go of Blackbeard and his own troubled past at last. This is necessary for him to arrive at any kind of forgiveness when it comes to Stede.

It’s only after Ed lets go of some of his baggage and Stede has proven himself that they truly reunite - on equal footing. They may meet up again early on, but no smooches until after some serious character development.

So what do I think the order of events is going to be?

Bearded Stede running down the beach in leather trousers at sunset is absolutely a dream sequence, and my money is on Stede. He's going to have this fantasy about being a dashing rogue swashbuckling his way back into Ed's heart - maybe in slow-motion set to a great song - only for it to cut to him and his crew sleeping on a floor somewhere like a group of miserable wet dogs. Classic gag - it’ll be great. If Blackbeard interrupting the wedding isn't the opening scene, it'll still be in the first episode of the season. Izzy hates how it's all going and tries to talk to Ed about it, but Ed throws a knife at his head and locks himself into the auxiliary closet with the cake figurines. The crew eats the wedding cake and talks about how things are Not Going Well. Stede stares at the wanted poster, Ed stares at the figurine (music plays, of course). Ed has given up - Stede has only become more determined. Somewhere around here is when Stede meets the Prince Ricky character. More on him later. Also, and I’m not sure if this will happen this early on, but after almost getting eaten by Buttons and Roach, the Swede leaves the crew and joins Spanish Jackie’s harem of husbands. She finds herself drawn to his awkward vibe and he likes getting bossed around by a strong woman - we already know that Jackie is the dominant partner in her relationships.

Stede and crew befriend what they think are a group of Chinese merchants, but end up being a band of pirates who have a bone to pick with Blackbeard and want to find him just as badly as Stede does.They’re using Stede to find Blackbeard’s ship, but somehow it all works out. Don’t ask me how. Meanwhile, Jim is bonding with the cool new lady pirate, but still looking for a way to escape and get back to Olu. Fang and Frenchie are concerned as Ed’s behaviour escalates and Izzy loses his leg - whether it's the severed toe or that rogue gunshot, I don't know. When Stede finally catches up with their ship, they use the crossbow to make a zip line between them - finally, the gang is reunited. Perhaps all of this takes place after the storm that we see Ed standing in. He is reckless and gets himself knocked out. Stede insists on bringing him onto their ship as well, even though everyone thinks Blackbeard is going to kill him. Ed wakes up, headbutts Stede, and things are Tense. Stede is his smiling cherub self and assumes they’ll just go back to the way things were. He says all the wrong things, and Ed is having none of it. He tells Stede that he never wants to see him again once they’re back on land. Stede sighs that he should have just told Ed how he felt instead of whatever came out of his mouth - we all cry. The Chinese pirates forget about whatever they wanted from Ed because he is clearly a broken man and there’s nothing to gain here. Maybe Stede’s crew grew on them, like when we see Buttons doing tai chi with them on deck.

Back on land, Ed tries to leave Stede behind, but Stede keeps following him around and popping up all over the place - like at Spanish Jackie’s place and Anne Bonny and Mary Read’s… antique shop? That look on Ed’s face in the trailer reads as “oh god, he’s back again” to me, not like a first meeting. Anne Bonny and Mary Read either gleefully enjoy the drama of it all or have something more nefarious in mind in revenge of Calico Jack. Izzy absolutely loses his leg because of Ed and is patched up by Stede's crew. Roach uses the ship’s unicorn to create a peg leg. It’s humiliating for Izzy, but he has no choice but to accept. He is vulnerable in a way he has never been before, and instead of casting him out the crew is supportive and tries to help him back onto his feet (well, foot and hoof). This makes him reevaluate not only himself but the group and piracy as a whole - think Long John Silver's arc on Black Sails. He will also have to relearn how to fight and handle himself with the peg leg, so I fully expect a Rocky-style training montage including that shirtless candle slicing scene. This newfound sense of community and purpose combined with the knowledge that Ed really was better with Stede drives Izzy to train Stede in the ways of being a pirate. They both grow to respect each other, the fans cry - give me the montage. There might be a storyline where Olu and Jim have to rediscover their relationship after their separation and Jim growing close to the new crew member. I don’t see them breaking up in any way though - just figuring out where they stand now and how they want to move forward. At the end of the episode someone appears on the ship in English navy clothes, and it turns out to be our boy Lucius. Roll credits.

We learn that Lucius was picked up by the English at the end of season one and has integrated himself into the navy, growing a beard and keeping his head down. He has heard some things and has been looking for a way to rejoin the crew and share this knowledge - maybe their new Prince Ricky fan was an undercover English officer this whole time or something. Black Pete is overjoyed and so are we. Meanwhile, Ed tries to find ways to move on and figure out who he is without a crew and without Stede. He finds himself in an isolated location - maybe after washing ashore after a storm, but this is the part that I can’t figure out - where he talks to a rabbit and starts seeing the ghost of Hornigold. Whether he is using drugs, seriously dehydrated, or just lonely and emotionally unstable, I don’t know. Maybe it’s all of the above. Regardless, he has to face his past and deal with his Blackbeard identity. This is his lowest point, and he ends up throwing himself off the cliff with the rock tied around his middle. Maybe he believes it is a way to pay for what he’s done, maybe he can’t imagine a future for himself without Blackbeard looming over him. Either way, he survives somehow and finds a way to work through the trauma and start over - an ocean baptism, if you will. At the end of all of this is when Ed is finally ready to forgive and move forward with Stede. Perhaps he’s just in time to jump into the fray as Stede is battling the English navy.

I don’t know who this Prince Ricky character is, but it seems like he initially meets Stede’s crew while down and out (or pretending to be), gets his nose cut off along the way (presumably by Jackie), and then leads the English in their battle against the pirates. I do know that there is a historical figure who was an English sailor turned pirate who had the nickname “Prince of Pirates” and used to sail with Hornigold and Blackbeard. However, his name was Samuel Bellamy a.k.a. Black Sam. They may play fast and loose with history though and move some things around. It was actually Hornigold who became a pirate hunter for the English in the end, but maybe they’re going to give that storyline to this guy. I’m really curious to see how it’s going to play out. Fighting back is where Lucius really comes in - he has insider information that the crew can use to form a plan.

The torture ship? Drag show? Earring? I have no clue.

Thank you for letting me vent. Place your bets now on how wrong I’ll end up being!

#Our Flag Means Death #I have officially lost my mind and that's fine #ofmd meta

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theycallme-thejackal · 2 years ago

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One MidgeLenny x TSwift Fic Per Day

149. Karma

"I love this part,” Midge tells Trevor Noah as they sit at the desk. “My granddaughter taught me how to use YouTube, and she set it up so that I get a little notice on my phone whenever you post a new Between the Scenes.”

Trevor grins at that. “Well then by all means, hang out with me. Talk to the audience!” There’s uproarious applause from the crowd.

“You know how I do love an audience, Trevor,” she replies with a sly grin. At eighty-four, she may have slowed down a bit physically, but her wit has remained sharp.

“Well, I will get the ball rolling and then open up to a couple of audience members for questions,” the host says, turning to her. “I was fortunate enough to meet you and your late husband, Lenny Bruce - ” The audience interrupts him to applaud for Lenny, and Midge gives them a grateful smile. It’s been two years since he passed away, and she still misses him every day. “I met the two of you at an event for your memoir, The Marvelous Mrs. Maisel.”

“A fun night,” Midge remembers with a smile. “I’m still kvelling over the fact that millions of people wanted to read a bunch of stories from the life of an old Jewish woman.”

Trevor laughs a little at that. “And the thing I noticed was that...you did your duty of shaking hands and talking to the people who helped get your book out there, but you spent most of your time talking with my generation, the sort of newer set of comics.”

“Well you’re all just so funny!” Midge replies. “You keep me sharp. And...it’s very cool to see the sort of differences in everyone’s voices. Back in my day there were more black-and-white categories. You were a political comic or an impressionist or you had a character you portrayed, and as time has gone on, those lines have become blurred - almost nonexistent.

“And it’s interesting because - as someone who was coming up in the time of George Carlin and Carol Burnett and Mort Sahl and, of course, Lenny Bruce - I can very much see where the influences come from, and it’s very rewarding when I get to watch a female comic get on stage and talk about her dumpster fire of a life because when I started, women weren’t really allowed to do that.”

She gets a laugh out of the audience and Trevor for that one, and he adds, “I feel very grateful that, as a comedian, I am allowed to sort of talk about whatever I want. I don’t have to limit myself to one schtick.”

“Right,” Midge agrees. “You talk about politics, but you also do impressions and tell stories about taco trucks and your family. I can see influences from Richard Pryor and obviously Jon Stewart. And then there’s...a little hint of Lenny in you,” she tells him with a soft smile.

“And Lenny was a huge influence on Jon,” Trevor explains. “That whole genre of political comedy really influenced both of us.”

“He loved that. He’s always loved mentoring the younger set. That’s how we became friends, after all. He took an interest in my career. And critics over the years have accused him of doing it just to get me into bed, but he was mentoring other comics before I came along, and he continued doing it for the rest of his life. He loved going to little shithole - can I say that here? - shithole comedy clubs and watching these kids who are just starting out and giving them a little advice or a boost.”

Trevor keeps his eyes on her, but starts to turn to the audience. “Well, I could sit here and just talk to you for days, but I want to let the audience ask some questions, so...” Midge laughs a little as Trevor looks out and points to a young man on the right. “Do you have a question for Mrs. Maisel?”

The man, somewhere in his mid-twenties, asks, “What’s been your most rewarding experience in comedy?”

Midge looks back at her. “Well, I’d have to put meeting my husband at the top of the list,” she replies. “But to go back to what we were just discussing, I was on Chelsea Handler’s show a few years ago, and during one of the breaks, she told me about how, as a young, Jewish, female comic, she listened to my records, and how I was such an influence on her comedy. Because she does things in her act that are very similar to what I was doing back in the sixties,” she explains before shrugging. “And she can say fuck and period and pregnant without getting hauled off stage and thrown in a jail cell, so...I think the most rewarding thing is seeing doors open for funny young women that weren’t open in my day.”

Trevor looks to the other side of the audience. “We have time for one more question.” There’s a young woman on the opposite side, whose hand is raised and shaking excitedly, and he points to her. “What would you like to ask Mrs. Maisel?”

She stands up, and Midge sees she’s clutching a copy of her memoir and bouncing a little. “Hi, Mrs. Maisel. I’m such a huge fan,” she gushes.

“Oh, thank you, sweetie,” Midge replies with a smile. “You have excellent taste in books as well, I see.”

The woman giggles and blushes a little bit. “Um, what do you think is the key to your longevity in your career?"

“Just one second,” Midge says, holding up a finger. She gestures to one of the production assistants. “Could you bring her book over here?” She whispers. The assistant nods and heads over.

“If you didn’t know, I’m Jewish,” she explains, getting a laugh from the audience as she grins. “And in Judaism, there’s this concept of midah k'neged midah, which is very similar to what you may know as karma.”

The production assistant sets the book down in front of her. “Thank you,” she says as she sets her readers on her nose and starts to flip through her memoir, looking for a particular passage. “Basically, what goes around comes around. The good things you do bring good things back into your life, and the shit comes back to burn you.”

She finds the passage she was looking for and reads, “I remember standing there on the stage of Carnegie Hall, wearing a dress I had specifically chosen in hopes that it would land on the floor of a very blue room that night, and realizing how badly I had fucked up.

“I hadn’t just turned down a job. I had hurt someone who believed in me, who had stuck his neck out for me, and I couldn’t even be grateful for what he had done because I was so committed to the idea of saying whatever I wanted without consequence.

“As he stood there, his eyes red and teary, I realized that this wasn’t the first time I had hurt someone because of my inability to see past my own desires and experiences. Just six months prior, I had hurt my dear friend by getting on stage at the Apollo and telling jokes that not only hinted at something he had told me in confidence, but also put him in potential danger. I had hidden things from my family that could and would affect their lives. I had ended an engagement to a man in a letter without considering his feelings.

“It was a turning point in my life because I realized too late that there is a world outside of my bubble. That my actions have consequences, and while my spontaneity was my strength, it could also be my downfall.”

She steals a pen from Trevor and flips to the front of the book. “What is your name?” She asks the blonde woman who posed the question.

The young woman looks absolutely stunned. “Uh, it’s Veronica,” she answers.

“Veronica,” Midge repeats. “Veronica, my success has come from learning empathy. From becoming significantly more aware of the people around me. And from taking the time to lift up the people around me instead of tearing them down.

“I was fortunate enough to find someone who did that for me because - well, he loved me - but more importantly, he believed in me, believed in my talent. So I’ve taken what he gave me - as a comic,” she adds when there are some chuckles from the audience. “My god, Trevor, your audience has a filthy mind.”

“I think you brought out the best in them,” Trevor jokes.

It’s Midge’s turn to laugh then, and she scribbles a note in the front cover. “And I’ve made concerted efforts to pay it forward. When you’re kind to others, that kindness will be returned to you. Maybe not immediately, but eventually. And the key is to continue being kind regardless of what the world throws at you.”

The PA takes the book back to Veronica, who holds it tightly to her chest, grinning from ear to ear. “Alright, Trevor,” Midge says, turning back to the host. “You can have your show back now.”

The room laughs, and Trevor gestures to her. “Mrs. Maisel, everyone!”

#midgelenny #midge x lenny #midgexlenny #tmmm fanfic #marvelous mrs. maisel fanfic #otp: more important than god #jackal fics #mltswift

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royalberryriku · 1 year ago

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Uh, New Story™ Rambling Post?

Just a random post of original story ideas I want to blurt out somewhere and get some feedback for if anyone wants to chat with me about OCs, ideas and yell about stories lmao

Will have picrews (with links), any art or notes, etc and will be updated as I go.

So we have these two main characters so far:

Their names?? I have no idea. But I do know the the first one goes by they/them and is the narrator and the latter is their love interest, a lady who partners up with them.

I'm thinking maybe the buddy-cop trope in a mystery, sort like the Sherlock Watson dynamic with these two.

As far as setting and atmosphere goes, I'm thinking maybe dark academia?? Definitely relating to magic, astronomy, gods, etc. I love playing around with the idea of eldritch powers beyond comprehension; that desire for knowledge and the unknown, I love settings that are filled with human curiosity and the result of both that innocent longing and that darker hubris that leads to grave mistakes.

I want the protagonist to be a sort of shy, stand offish person, but also hints that they're hiding something deep down. Maybe their perspective is that of an unreliable narrator and the story is told via their bias and lies?

As for the second main character, I could see her being a bit more open and honest. Maybe as she also helps the protagonist as a sort of moral weight that pulls them back from their lies. Or maybe even better of an idea could be the pros and cons of both, and how both characters wish they could be more like the other? An honest and kind woman who doesn't want to be so kind and open; who wants to be able to lie, meanwhile there is a character who feels compelled to lie and wishes they could just be open and reveal all that is burdening them.

Theme-wise, I'm thinking maybe a story that centres the idea of how progress can only be achieved through warmth and kindness, not judgement and coldness. Though that may change. I think, as usual with what I write, I'll end up sneaking in some themes about self love, mental health and healing from trauma. I especially love stories about becoming independent after feeling controlled, so I suspect I'll end up adding that as at least a minor theme throughout this story, if not all of the stories I write. It's a go to for me and something I love to explore and express through writing.

As far as the main conflict and potential twists, I already have in mind that the protagonist would have a connection to the mystery to some degree, particularly the idea that the protagonist's inner troubles are caused by the same thing/ person that caused the overall conflict. Meanwhile, I could see the second main character being their support and reassurance that they are more than their circumstances. I would also like to flip this down the line where the protagonist ends up doing the same for the second main character, their partner, when she goes through similar turmoil once her own inner conflicts are brought to the surface.

[To be continued later]

Credits:

Picrew (1)

#writing #tumblr writing community #creative writing #writeblr #writing help #note taking #ideas #save #writing inspiration #uhh idk what else to save this as to find it again and such #or to signal other writers who may be interested in bouncing ideas off one another #or just giving advice #but meh #whatever ig #og writing #original stuff #my writing stuff #og stuff

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gothamcityneedsme · 1 year ago

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Ok and now the more important task of finding Tav where I'm not sure he is.

What is birds? That's the one I can't place at all. And what is Shadows and Smoke? It feels familiar but I don't think my memory is accurate

@abysskeeper hilariously (and obviously) tav is in all of the pieces except the ones specifically named for other characters, lmao. its like .either the character's name is in the title OR its about tavon. oops.

under a readmore because it got long.

birds

birds i may have told you about, but also not. i open birds a LOT for how short it is, just a little dialogue snippets. i really want to make it bigger but whenever i open it, i feel like im Not Clever Enough, so then it gets closed. i looove it though.

birds, aka, why Tavon made them a little honeymoon suite on Rishi:

"So, out of all the places you could've set this up--all the little corners of the galaxy that are great for hiding--what made you choose Rishi?"

"The sights, the smells, the locals. The danger. The fact that its so easy to put on another face here--that I have already done so and have a little powerbase."

"…the nature as well, admittedly." "The nature? It isn't even cold." "No--I know that wouldn't be suitable for you. But, temperature isn't what I meant. I meant the birds." "The birds?" she asked, raising a surprised eyebrow. "Yes. I quite like birds. Not that I have an interest in studying them or suchlike--I simply find them pleasing, and Rishi has a good amount of them."

aka. my 'tavon likes birds and finds them pleasing' propaganda. tavon is a character uninterested in having pets (outside of his childhood dog) and even in universes where it works to have animal companions, it isn't really an angle he goes for. despite that, and how much tavon is also not a fan of most nature (being a snow and tundra kinda guy), i've always wanted him to like an aspect of the outdoors that was bigger than climate or just, being outside in general.

anyways. he likes birds. they aren't creatures for the cold, so they're something that don't really exist in his favorite climates. but he still likes them. likes how they sound, likes to see them. could go birdwatching but probably wouldn't be into it enough to be a fully hobbyist, just like, a casual.

i never get to make him a bird fan. so that's what 'birds' is for. trick learns something new about Tavon. the end.

Shadows and Smoke

this story is about tavon's worst fear becoming reality! he volunteers for a long-cover mission that ends up being longer than it was supposed to be. His loyalty to his side remains intact even though he was behind enemy lines, but somewhere along the way he loses himself. He starts thinking of himself as his cover name, and he feels as though his identity has left him. He isn't sure what to do or how to regain the man he was, and he regrets deeply what has happened. Guilt gnaws at him throughout the story, and he keeps having flashbacks to his original training, where he was molded to be a man bereft of identity.

Shadows and Smoke, aka, the story where Tavon becomes Marc. i'll share a few scenes from this one b/c tbh its so fucking Good i love it so much:

scene 1, aka, Trick, as his wife, notices he is strange upon his return:

The first night they were able to share their bed again, she expected him to flirt with her, to charm her off her feet and out of her clothes. That was similar to how it had usually gone when he had returned from a longer mission.

But, this time he was strangely quiet, almost unsure. He responded well whenever she spoke, but left to his own he seemed to be...in doubt.

It perplexed her, and she wondered just what it had done to him, to have been on such an intense mission for so long.

She sat up when he laid down beside her, leaning over to gently kiss him. He accepted the gesture, but made no move to make it more, and so she didn't either. She pulled back, her hair trailing over the pillow, a curtain between them and the world.

She was going to say something, to ask him what was wrong, but he spoke before she could.

"I'm tired," he said quietly, and the words did match some of what she saw in his eyes. "I feel as though I've been away forever, and that this is but a dream."

"It's no dream," she soothed, brushing her thumb across his cheek, "You're home, and I'm here. I waited, just as you asked." A smirk tugged at the corner of her lips, "I even kept myself out of trouble. I figured you were in more than enough for the two of us."

"I was," he replied softly. He was looking at her in that way where it made her feel like she was the only other person in his world--the only person who got to know him like this, hear him speak like this. It softened her while also making her sadder--she knew it must have been impossibly difficult for him, to have been under so long. She listened as he continued, "Every day felt like another test to see just how far I could stretch. I waited for an inevitable snap the longer I remained."

"And did that time come?" she whispered, "The snap?"

His voice was strained, his eyes lost. "I don't know."

scene 2, aka, Marc and Tavon are different, Marc exists as a truth Tavon has never been. They are, in some ways, antithetical:

Who was Marc Hinan? Certainly he was more honest than Tavon ever was, especially once he had returned to where he belonged--with the mission complete, secrets could fall away.

From what Marc remembered, Tavon was never really one to drop the secrets. There was always something hidden away, something that was only for him to know. He didn't share all of his burdens, even with those he trusted.

Marc, though, had no such qualms. He had, of course, while hiding. But, he was out now. Finally free to be...

To be Marc, he supposed--the Marc that was hiding even within the identity of himself. The underlayer of Marc, of which he had *thought* had been Tavon, but now he was realizing, that somewhere along the way Tavon had been scraped out, covered up, set aside.

It had been to dangerous for Tavon to be the truth. And so...he wasn't.

scene 3, aka, a flashback. tavon has been conditioned and molded to be a certain way, to be a perfect tool. Only now has the harm that has done to him really become clear--ripping him asunder.

The voices of those who trained him stay with him, their names long forgotten, but their words and teachings, echoing in the hollow shell of his mind. (these scenes are second person, they are dreams)

Feel nothing. No pleasure, no pain. Whether you're warm and safe or on the threshold of death, what you feel is the absolute same. You are a shell, to only be filled with a mission. Unless duty calls for it, you will have nothing inside.

No happiness. No relief.

You remembered the feeling of the cold barrel of a gun pressed against your forehead. You stared straight ahead, unflinching even as the acrid scent of gunpowder entered your nostrils.

No fear.

there's so many good scenes in this story. I am so utterly fond of it.

#shitpost #abysskeeper #tavon #going into the tavon tag because theres so much Him here #i LOVE shadows and smoke so FUCKING much #i reread ti all the time. my writing in it slaps #i put 3 scenes in here but really i love so so many more of the scenes too

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theweirdspacejellyfish · 3 months ago

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Book recs

Glass house by Rachel Caine

Summary: Morganville,texas in a small college town filled with quirky characters. But when the sun goes down, the bad come out. Because in Morganville, there is an evil that lurks in the darkest shadows one that will spill out into the bright light of day. Claire Danvers has had enough of her nightmarish dorm situation. The popular girls never let her forget just where she ranks on the schools social scene: somewhere less than zero. And Claire really doesn’t have the right connections to the undead who run the town. when claire heads off campus, the imposing old house where she finds a room may not be much better. her new roommates dont show many signs of life. but theyll have claires back when the towns deepest secrets come crawling out, hungry for fresh blood

Iron man by Marie Javins

summary: tony stark selects a dangerous upgrade for iron man to tackle a deadly new enemy. after revealing his secret identity as iron man, tony stark aims to engineer a better world. he is shifting the focus of stark industries from destructive weapons to life improving technologies. with his revelation and his plan, tony expects fame and adulation but he is only going to get more trouble... after suffering a tragic, public failure, tony knows he must improve iron man if he ever hopes to defeat a devastating new threat. one solution is a potentially lethal techno-organic virus known as extremis. it will grant tony more power than he has ever known and test his spirit to the breaking point

pitch black by frank lauria

summary: a rogue comet spears an earth bound commercial spacecraft, forcing it to plummet to the surface of an unknown planet. with the captain dead, a brave pilot performs a perilous crash landing. other than there suns - which create perpetual light - and a slight oxygen deficiency, a search party discovers that the planet isnt much different from earth... until they stumble across a ghostly settlement littered with the human remains of geologists who mysteriously perished exactly sixty years ago. and the most horrific discovery of all: below the surface of the soil, where darkness reigns, live hungry predators with a deadly appetite. once every sixty years a solar eclipse darkens the skies and allows the blood hungry creatures to escape from their underground tomb. with only hours before total blackout, everyone must unite in a race to raise the geologists abandoned ship before becoming a long awaited meal

Snitch by Allison van Diepan

summary: lines are clearly marked at south bay high school. its mixed territory for the crips and the blood, which means the drama never stops. julia DiVino wants none of it. no colors, no c-walks -- its just not her thing. but when eric valiente jumps into her life, everthing changes. lines are redrawn. and then theyre crossed

Tera trials by Lucien Burr

summary: in a england where monsters have spilled into the world out of myth, only london is magically protected from the monstrous threat. the university runs the city, allowing family of graduate hunters, healers, scholars, and artificers to live behind the wards. cassius jones is nineteen and ready for the university. but when a bad year for the teras threat is projected, the university opens its admissions to anyone in england, behind the wards or otherwise, and suddenly the jones place in london is no longer secure. cassius must contend with every other student vying for a place, and the darkest secrets of his society, whilst also balancing a tenuous interest in another boy

Ancient omens by Zena

summary: vicious beasts commanded by resurrectionists roam the land, terrorizing the citizens. magus has joined the ranks of hunters fighting against these creatures. during his travels, he meets bryn farasen, heir of a powerful clan of merchants and warriors. together, they embark on a journey north to uncover a secret regarding magus's past, and the fate that awaits him

Bro and the beast by L.C. Davis

summary: when musclebound frat bro brad gets run off the road by a reckless driver, he thinks its game over. when he wakes up inside his twin brothers favorite corny shifter romance novel, he realizes the real game is just beginning. desperate to get back to a world where hes top dog, bread finds himself in the crosshairs of raul, the menacing ! hot hero of the wolfs mate, whos intent on teaching brad a whole new meaning to the word alpha. not only does raul insist that brad is an omega - his omega - but brad is going to have to come to terms with the fact that he isnt just a part of this fictional world. hes a stand in for the main character, and the only way out is to make sure he gets to his happily ever after

Without caution by J.L. Langley

summary: sometimes love catches you by the tail. native american veterinarian - and werewolf - chayton wilson dreams of a fair haired mate. however, hes shocked to find his mate is a man. hes not quite sure what to do with a male mate, but hes more than willing to find out. keaton reynolds wakes up in wolf form and finds himself with a mate. hes instantly attracted, but not thrilled to find out the man is supposedly straight. a past relationship where his partner denied being gay left a bad taste in his mouth. keaton wants to make a break for it and pretend he never set eyes on chay - but chay is not ready to let him go. together they work to battle prejudice and solidify their shaky relationship. when a power struggle in keatons pack threatens keatons life, the two men must quickly learn whether they can depend on each other

#book recommendations

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comeawayrp · 2 years ago

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#she may become an open character somewhere down the line but wanted to get her up for the current plot!#tinkerbell #comeawayfollow

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aminiatureworld · 4 years ago

Text

Disappearance

Characters: Diluc, Razor, Xiao, gn!reader

Word Count: 4,133

Warnings: Slightly claustrophobic

Premise: The line between small upsets and huge quarrels can be a blurred one, and it’s often difficult to cope with in the aftermath.

In which there is an argument and the reader disappears.

Author’s Note: Thank you for your request anon. I really cannot stay away from angst, and this was right up my alley. Poor characters, how I love to torture you.

I wasn’t sure if I was going to write Razor, he isn’t in my list of characters I’m comfortable with. For one thing I find his broken speech quite difficult to deal with. I can’t tell if I find it irritating or not, or if it’s an example of good characterization or the “savage” stereotype a la Tarzan – sorry Tarzan I don’t like you. But I tried to make the effort and I hope it came out well! Though I still don’t feel quite comfortable with writing him. I hope I handled the dialogue well enough. He makes me think of San from Princess Mononoke.

Diluc

Diluc accelerated his pace as the Winery came into sight, his normally serene face breaking into a small smile.

It was the best time of day, the time when he came home, the time when he could finally see you. The two of you had been a couple for about five months, and though it wasn’t the longest of time, it was certainly the happiest Diluc had been, happier even than when he was a child with a family to call his own. You were his family now after all, something that you reminded him when he was in his darkest moods. You were his family now, and nothing could tear that apart.

“Welcome home.” Your voice was warm with happiness, and you threw your arms around Diluc the moment he came through the door. Diluc reciprocated the embrace and for a moment the two of you simply stood in the landing, the picture of perfect happiness.

“I’ve missed you, beloved.” Diluc whispered.

“I missed you too.” You replied, smiling softly. Your smile slipped however, and was instead replaced with an expression of worry. “You were gone so late tonight, I was unsure if something had happened to you. Really, I was about to go after you.”

“Well I’m glad you didn’t.” Diluc replied, tone firm though not unkind. “We’ve talked about this before my love, if something were to happen to me, which it won’t,” he quickly added, seeing your gaze cloud over, “but if it did I wouldn’t want you to put yourself in danger. I fight for you as much as anyone else in Monstadt, and for you to be injured or worse on my part, I’d never be able to forgive myself.”

“I know we discussed it and came to that conclusion.” Your words were slow, deliberate in tone. “But though I agreed to it then, I found tonight that I regretted it more than anything I might ever do. I cannot bear the idea of you somewhere near, hurt and crying out for help or worse…” you swallowed, unwilling to conjure the image to mind, “…I couldn’t bear thinking that you might be in a bad way and with no chance of rescue simply because I made a foolish promise. And while I was thinking about this all I came to the realization that I could never truly keep that promise. If you’re ever in need I will be there for you, no matter what. No matter what you said, what you think, it is the simple truth.”

“Please don’t do that.” Diluc replied, voice quickly becoming filled with emotion. “If there’s something out there that could hurt me like that, then how –” he paused, realizing his mistake, but you’d already caught it.

“How could I possibly defeat it?” You replied, a grimace replacing your smile. “You cannot treat me like glass Diluc. I’m an adventurer, a warrior in my own right. And I won’t be kept from saving the one I love the most, not when the only thing keeping me from it is his pride and a few words.”

The two of you said nothing more of it that night, but the argument hung in the air the next morning, continuing the awkwardness up until you left for your adventuring duties. Diluc did nothing to breach the gap. He was in the right after all. And besides, it was such a stupid little argument, barely one at that. In a day or two it’d be nothing, and then all would be well again.

This conclusion was sorely tested when you didn’t return to the Winery in the evening. As Diluc prepared himself for another night of patrol he began to worry slightly. Surely you weren’t avoiding him. About something so small? No, most likely you were simply late. You’d be there when he got home. If he was sure of anything he was sure of that.

Unfortunately Diluc was proven quite wrong. The doorway was empty at his arrival, you were nowhere to be found. A sinking feeling began to settle into his stomach, and Diluc found himself quite unable to sleep that night, instead tossing and turning this way and that, wondering if you were truly so angry over something that he’d seen as so small. It was the only logical explanation for your disappearance after all, though Diluc wasn’t sure what to do about it. Chasing after you seemed somewhat uncouth, and besides didn’t that always make things worse? No, he’d give you space, all the space you needed. If a week passed then he’d seek you out, but before then he’d let you be. No point in jeopardizing the relationship anymore than apparently he already had.

His promise to stay away for a week was nearly torn to shreds by the end of the next day. Were you truly so angry with him? How could he have hurt you so much? Diluc didn’t know what to do. During the day he tried to behave as always, keeping tabs on everything he could and busying himself as much as possible. At night, however, the feeling became more and more unbearable, and Diluc found sleep more fleeting than ever.

He kept replaying the argument, over and over again did he try to remember exactly what had happened. Was your tone of voice angrier than he thought? Was your expression darker? Had he been too curt, too dismissive, too demanding? What could’ve possibly caused you to simply disappear? It was unlike you; usually what arguments took place resulted in you trailing him more than anything else. Why was this so different? Turning onto his side once more Diluc closed his eyes. Tomorrow all would be well. Tomorrow you’d come back for sure.

You didn’t come back tomorrow, nor the day after that. Those days were some of the most anxious Diluc had felt since the immediate passing of his father. Work became unbearable, for words that one stood clearly on the page now swam before him, a sea of incomprehensible figures and symbols. Eating and sleeping too were utterly alien to him, and what those two days were mostly comprised of turned out to be him walking about in a stupor, too dazed and too worried to think about anything around him, anything other than you.

On the fourth day a knock came to his door, and with it came Katheryne of the Adventurer’s Guild. Her face was ashen, and she was fiddling with her hands. As Diluc gestured for her to sit down the anxiety that had been sitting in his stomach tangled itself into knots. What in the name of the Seven had happened?

“Master Diluc, we have some information, information involving your partner.”

“Yes?” Diluc’s voice was sharp and low, for he couldn’t bring himself to hide it. Collapsing into the opposite chair he tried to prepare himself for the worst, knowing that if you had left or, Seven forbid, been killed he’d never be able to move on.

“Well you see your partner, they went on an expedition, a commission rather. They were looking for bits of Noctilious Jade and Cor Lapis. Although these minerals are normally found in Liyue only there are a few reservoirs in Monstadt along the border of the two lands, specifically they can be found in certain caves behind the waterfalls that flood into the river. A merchant bought the rights to the land of one of those caves and, being a merchant, he couldn’t get it out himself, so we sent one of our own to mine it out for him, see if it was any good.”

“This is all quite fascinating,” Diluc replied, tone made sharp with worry, “but I can hardly see what this has to do with anything.”

“Your partner was the one selected. They went down to mine it but the entrance was the opening to a sharp drop and they fell down. We only managed to recover them this morning.”

The shock that ran through Diluc was something that he never wished to experience again. It seemed to pierce right through him, into the center of his heart. You’d been trapped. You’d been in need of help, stuck for days in the worst of possible situations, and he’d done nothing but loaf around the Winery. How could he forgive himself for something like that?

“May I see them.” He choked out, his throat constricted and burning.

“They are coming here right now. Thankfully injuries were minimal. Caves connected to water are the most dangerous kind, you can die and it can be impossible to retrieve your corpse. They were incredibly lucky.” And with that gruesome thought in mind Katheryne walked over to the door, opening it to reveal you.

Diluc had never moved so fast in his life. Instantly you were wrapped in his embrace. You returned the gesture just as fiercely, clinging on as if he was the only thing anchoring you, keeping you from collapsing from relief, from fatigue, from the terror that had yet to dissipate.

“Oh my love, oh I’m so sorry, so deeply sorry. Forgive me, forgive me for not being there. Forgive me.” Diluc whispered, practically incoherent. You were both shaking, and when you two collapsed in the chair closest to the fire there were no words for a good many moments. The terror you’d both felt was hardly over, and you both needed to be sure that this wasn’t a dream, that it was all over, and that you were going to be fine now.

“Diluc.” You finally whispered.

“Yes my love.” Diluc replied, a tremor still in his voice. You leaned into him, head perched on his shoulder, breath tickling his neck.

“I never want to quarrel again.”

Diluc reached over to cup your face. Raising your head slightly he leaned over, brushing his lips against yours, indulging in something he thought for a moment he might never be able to do again.

“Neither do I.” He replied, voice just as soft. “And remind me never to try to restrict you again, for if I’d not been such a fool I would’ve run to your side the very evening you were trapped.”

You smiled softly, expression conveying relief and tenderness and most of all love. Leaning in for another kiss you whispered something right before your mouth collided with his.

“I will follow you wherever you go.”

Razor

Sitting at the edge of one of Wolvedom’s many cliffs, eyes trailed towards the far away walls of Monstadt, Razor wondered if he might’ve been too harsh.

It wasn’t that Razor wanted to quarrel with you, I mean you were the first and only person that he’d managed to build a sincere connection with. It was only that he’d grown up with a complete distrust of humans, and as much as he tried to bury that aspect of himself it still came to the forefront at times.

“I don’t understand what you’re so angry about Razor?” You’d exclaimed, face twisting into an expression of annoyance.

“Why do you like them?” Razor had replied, gesturing towards the people who had arrived with you, trampling their way through the forest as if everything belonged to them simply because they were human. He could practical smell the arrogance wafting off them, and it made his hair stand on edge. It was frustrating that he didn’t have the words to convey that to you.

“My guild members?” You’d said, glancing over your shoulder. “Razor I work with them. We’re going on a trip.”

“I want them to leave.” He’d practically growled, moving to take your hand in his. “I want them to leave, I want you to stay.”

“Well you can’t do that Razor.” You’d said, tone growing more and more exasperated. “And I don’t understand why you’re so hostile to them.”

“They’re human.” To Razor this was enough, but evidently the answer was hardly satisfactory to you.

“I’m human.” You’d pointed out, raising an eyebrow. Razor shook his head.

“You’re different.”

“No, I’m not. You just like me. And like it or not I’m a human, and a human who has a job to do. I can’t stay here, and I can’t stop talking to all other humans.

“Why not?” He’d shot back. “It would be better. Humans are bad creatures.”

“You keep forgetting who I am!” You’d exclaimed, shaking your head. “Whatever, I’m not arguing this with you. I’ll see you in a day. I hope that you can think about my feelings by the time this is over.”

Well the day had come and gone and there was no sight of you. Razor was too angry though to feel much remorse, no matter how much he missed you. You were probably busy anyways, talking to other humans, fraternizing with the enemy. For what else could humans possibly be? They cut down trees, killed the inhabitants of the forests. Even the wolves weren’t safe, for what farmer hadn’t taken a shot at one of them at some point in his life? No, Razor was not the one in the wrong. You were just too used to them. You couldn’t see it.

Still your absence sat wrong with him, and he found himself scouring the edges of Wolvendom the next day, trying to figure out what had happened. It wasn’t as if you didn’t know what he thought after all. And surely you wouldn’t abandon him so quickly, surely.

Razor was hardly so sure when the sun went down the next night. It seemed you were well and truly gone, though where he couldn’t tell. Maybe you really had decided to abandon him, decided he was too much of a burden, decided you preferred humans anyways. The thought ate at him, and he found himself walking around with a bitter taste in his mouth, unsure what to do.

Razor wasn’t sure what finally caused him to cross out of Wolvendom to look for you. Perhaps it was anger, perhaps it was guilt, perhaps it was that he at least wanted to say goodbye. No matter the cause however he still found himself walking on an unfamiliar path, as the woods shifted to plains. He felt vulnerable, uncomfortable without his familiar family. But it was too late to turn back now, and so he pressed ahead.

All sense of discomfort faded away upon running into you. You looked the worse for wear, covered in dirt, your clothes ragged. For a moment Razor wondered what could’ve possibly caused this. Perhaps there was a creature out there he was not aware of. Running up to you he wrapped his arms around you.

“You’re hurt.” It was more of a question than a statement, and you seemed to understand that. Returning the hug you sighed slightly.

“I was stuck in one of the shallow caves off of the Stormbearer Mountains. The passage we went through started crumbling, and I was the last one in line. It took some time to dig me out.” You laughed slightly, but there was a tremor in your voice, and you seemed ill at ease. “It was so dark in there Razor, so utterly dark. I couldn’t imagine being a creature down there, it all seemed to weigh down on me, and I thought it’d collapse and bury me at any second.”

Razor had tightened his embrace, the image seared into his mind. There was a visceral fear in his reaction, the fear of what you’d just described, but it was more complicated than that. To be down there himself was terrifying, but for you to be in that situation, and for so long, it stole the air from his lungs and weighed him down with such a sense of dread he could barely stand it.

“Humans sent you down there?” The tone of his voice was seething, but your reply was much calmer than it had been before.

“Yes. They did. But they also saved me Razor, you must remember that.”

It was something he hadn’t considered, and as he pulled away to look you in the face he pondered the implications. What he’d said was true, yes, but what you’d said was also true. They could’ve quite easily left you if they wanted, could’ve left you for dead and said there was nothing to do about it. Certainly some humans would’ve done just that, but they didn’t. Instead they helped you, for days they had dug, and thanks to that you were safe.

“I was wrong.” He said, tone straight, for it was a fact. He was wrong, at least about your people he was wrong.

“There are many evil people out there.” You said, expression pensive. “There are those who kill and rob and lie and think only about themselves. There are those who cannot see the world around them. But you can’t judge all of humanity by that. There are also those who care for every aspect of the world they can, who burden themselves with all the misfortune they see, so much it might break them. Humans are complicated Razor. So yes you were wrong, but I cannot say you were completely so.”

Razor said nothing, absorbing what you’d said. It was hard not think in black and white, something necessary sometimes for survival. But ever since you’d entered his life he wanted to try to understand you, even a little bit. And, especially after today, he’d do anything to make that effort a reality.

For though he understood little of humans and their ways he knew of one thing for sure. And that was the love he carried for you.

Xiao

Looking back it was such a stupid argument. Of course all arguments seemed idiotic looking back after what happened. But if all arguments were stupid, then surely Xiao couldn’t’ve picked a stupider one to have.

“I wish you’d see me off at the bridge.” You remarked, strapping the last of your equipment into place. You were off to do another commission, something about recording a rare species of lizard and taking photographs of some rare luminous mosses, and once again the topic of goodbyes had come up.

“I’m saying goodbye now aren’t I?” Xiao tone was as brusque as ever, but this time you didn’t brush it off with your usual smile.

“I mean it Xiao.” You said instead, turning to look him straight in the face. “I know you don’t fraternize with people, I know that you consider it a result of the burdens you carry. I know that and I don’t ask you to go and set up shop in Liyue or some such thing. I do ask you though to simply be there when I leave the city. It would mean a lot to me to have you there when I step out into the wilderness, especially when I’m going to be gone for two days. Can’t you do this for me, at least this?” You searched his eyes, expression pleading, but Xiao simply scoffed and turned his head.

“Saying goodbye here should be enough. Besides, there aren’t any people here. Would you really want me to say goodbye surrounded by prying eyes?”

“No one is going to pry.” You pointed out, voice flat with annoyance. “And to answer your question, yes, yes I would like you to be there to say goodbye. I love you dearly Xiao, more than I have ever loved anyone, more than I ever will. But I cannot love you unequally. I don’t ask for much, but I am asking for this. Please say goodbye to me at the bridge.”

But Xiao merely scowled, shaking his head violently. Huffing you turned around, everything set and ready to go.

“Sometimes I don’t know why I put myself through this.” You muttered; stomping your feet ever so slightly, and slamming the door to the room behind you.

Xiao’s sense of time was usually quite poor. To adepti days were more like minutes, and even months seemed as abundant as grains of sand. One of the things that had most surprised him about starting a relationship with you was how his sense of time was affected by it. The days with you were mere moments, and the days where you were gone dragged on and on, minutes replaced by endless boredom.

This time was no different, instead the feeling was exacerbated. Although the first two days were a blur, made meaningless by Xiao’s irritation over your final conversation, the moment the third day dawned and you were nowhere to be found time ground to a halt, and Xiao no longer became sure of what day it was, sure that a month must’ve passed instead of a few hours. You must’ve been more irritated than he’d thought.

Still the adeptus was full of pride, pride and principles. If you were staying away over something so petty so be it. He’d not be the one going after you, not when he was utterly within his rights. Why should he changed so over the request of a human? No matter how much he loved you a part of him chafed at the idea, and thus he did nothing, instead sulking the days away under the concerned eyes of Verr Goldet.

If he was filled with pride though, there was also anxiety. Day three came and went, then day four, then day five. When day six arrived Xiao’s will seemed to give up, and he spent his hours in a restless sleep, something highly unusual for the adeptus labelled the “Vigilant Yaksha”. It was if you had taken all his strength away, and what remained was nothing but anxiety and his quickly shattering anger. Surely nothing was worth this feeling of being eaten away by poison. Surely.

Night had fallen, and the moon had taken her silent vigil over the land. Xiao knew that he should get up, knew he should go after you. But it was as if he was chained to the mattress. His head was filled with static and he felt as if he were burning up. A headache had come on the moment he’d opened his eyes, and now he found he could do nothing but lay with his thoughts, each becoming darker by the moment.

He recognized the weight of your footsteps as soon as they came into earshot. Bolting up, all fatigue leaving him, he slammed open the door, taking the stairs two at a time until he finally came face to face with you.

If he was expecting something, it certainly wasn’t this. Though there was a smile on your face it was marred by the bandage on your forehead, and by the long gash on your arm.

“What happened?” The words came out in a rasp. “Who did this to you?” The weight had come back, and Xiao swayed slightly, feeling altogether faint, the range of emotions he was experiencing becoming overwhelming.

You pressed your hand to his chest, the other moving to cup his cheek. “No one did this to me.” You said, voice slightly hoarse. “One of the caves I was in collapsed, and I fell and hit my head while running away from the entrance. Thankfully it was nothing serious, and it only took them three days to get me out.”

Three days. The situation seemed torturous. Xiao was a creature of air, the mere idea of being beneath the earth was claustrophobic to him. It was to humans too, that he knew, knew from what he’d heard from Rex Lapis. The idea of you trapped underground, injured and unable to escape, it shook him to his very core.

Taking your hand in his he kissed your palm, silently thanking Rex Lapis and all the other archons for letting you come home. The situation, what you’d gone through, it was all crashing down on him. You were the most precious thing in the world, the one he loved most, the only person he would truly love, in all his years on this earth it would forever be that way. How could he take you for granted? Take your needs for granted?

“I’ll never fight with you again.” He whispered.

“I don’t know about that.” You said, smiling slightly despite it all. “Fights are hardly unheard of after all.”

“I won’t. Not about something so stupid. Not when…” he trained off for a moment, eyes clouding over. “… Anyways I won’t do it.”

“Does that mean you’ll say farewell at the bridge?” You asked, tone hopeful.

“I will.” Xiao promised. “I’ll do anything for you. For you are that which I love the most.” And leaning over to kiss you Xiao made a silent vow that he’d never let you go through anything like that. Never again.

#I never know the right time to post these #diluc #razor #xiao #diluc x reader #razor x reader #xiao x reader #genshin impact #genshin impact fanfiction #requested #scenarios #my writing

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celeste-clearwater-06 · 4 years ago

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Hello! I was wondering if you could please write something about how the Fellowship (+ Thorin?) Would help a s/o who's Disabled and Chronically ill. Like she has a lot of symptoms like chronic pain, chronic fatigue, difficulty sleeping, difficulty breathing at times, difficulty walking at times, higher sensitivity to the cold, difficulty talking at times, and anxiety, depression and executive dysfunction?

I've been really struggling with my chronic illnesses lately, namely my Autism, Anxiety, Sleep Apnea, a really bad Overbite, Raynaud's Syndrome, Asthma, etc, so I'd really appreciate an Imagine like this. I have a really weird disorder where one of my legs is longer than the other, and it's been causing me a lot of pain and difficulty walking lately, and people have been bullying me for it a lot too, so I could really use a Comfort Imagine right now. Thanks so much hun!!

It's no problem! I'm glad I can provide some comfort!! For each character, I'll use a specific struggling area, to make it a bit easier!! I hope I got these accurate enough, and of there are any mistakes, feel free to point them out!! You are strong, beautiful and so, so amazing!! Keep being you!! ❤❤

Help (The Fellowship// Thorin x Fem!Reader)

Aragorn (Autism)

Aragorn has known you for a long time, so helping with your autism is not new for him

He's particularly experienced in reading your emotions and meeting your needs, whether it's helping you out of stressful situations or calming you down, he's there 🥺

If there are large and boisterous gatherings in Rivendell, its almost guaranteed that you can become over-stimulated quickly, and Aragorn immediately senses this (spidey senses õoõ)

He's fast to find your hand and give it a gentle squeeze of reassurance

If that doesn't seem to help, he'll instantly stop what he's doing and take you out of the room

If you're someone who prefers lots of space and little physical contact, he is 100% respectful of this and asks if you'll let him touch or hug you (very much gentleman 😌)

If ever you're confronted by someone of importance, Aragorn is right by your side to ease some of the tension

Sometimes there are things you find difficult to say or get out of your system

The king seems to know exactly what it is and will help you out by saying it or asking you simple questions that you can easily answer

And he always reminds you, no matter WHAT

YOU ARE NOT STUPID 😤😡

You may struggle with some parts of your life, but every day, he's constantly telling you that you're very intelligent and kind

His patience is unending and he'll never let you think down on yourself

Overall, Aragorn is always someone and reminding you that it's all going to be okay ❤❤

Legolas (Anxiety)

Most nights, Legolas keeps watch (since elves don't require much sleep) and notices that you jolt awake out of the random

Now, most of the Fellowship notices that you're usually awake and ready to go before anyone else

But Legolas is really the one to address you first

You were a bit nervous to explain, since you didn't want to worry him or the great of the fellowship, amount the other disadvantages you have

He gently encouraged you, and finally, you explained to him your sleep apnea

Yeah, he was very concerned

I mean, his blue eyes widened with terror when you told him that you could basically die in your sleep if you weren't attentive enough 🙃

Legolas, from now on, sleeps directly next to you, or keeps extra careful watch over you at night

Because he could NEVER see his precious mortal friend become injured... Or worse 🥺🥺❤

The other members had noticed a change in his behaviors towards you as well...

Gimli teased him whenever he caught Legolas giving you some extra lembas bread or offered to carry you 👉👈

You really tried to assure Legolas that it wasn't a big deal when you were awake, since you're aware of your breathing situation

But still 😤

Legolas will always bring you comfort and take great care of you, and that will NEVER CHANGE

Because he loves you very much ❤🦋

Frodo (Anxiety)

Frodo is familiar with the feeling of great anxiety, seeing he had a stress-free life while living in the Shire and suddenly was forced to carry a piece of jewelry all the way to giant ass volcano

It's easy for you two to comfort each other and seek refuge in thoughts and feelings ❤

He's not super comfortable with the thought of you having a panic attack though...

Only because he's never had one

It starts to give him a panic attack whenever you have one around him the first time 😳-

Any time you begin to breathe heavy or hyperventilate, halfling boy is hot at your heels, rubbing your back and reminding you to breathe gently

(So many hugs, if you're up for it)

After you calm down, he's constantly checking on you, asking if you need anything etc.

Really, he just wants to know if he can help 🥺

And even with the weight and stress of carrying the ring, Frodo manages to cheer you up somehow

Samwise (Asthma)

Sam has never had to deal with asthma once in his life

He's very nervous when the subject is brought, afraid it might trigger something inside of you 🥺👉👈

But you just chuckle, assure him that it's alright, and you have ways of keeping it under control

And now, he wants to know everything about it, just to have the awareness in case something happens

Sam just wants to protect you forever, and this was a great way for him to start

He constantly reminds Aragorn that you'll need breathing breaks and will convince Gandalf to let you ride on his horse

He'll scold Pip and Merry if they are trying to drag you around and be silly, because as he says

"You'll rouse him/her/them up! We can't have Y/N gettin injured!" 🤨😠

Sam is MOM

As always, he's very kind and always makes sure your needs are met ❤🥺

Pippin and Merry (Raynaud's Syndrome)

Very confused halfings 🤔

Also extremely concerned!

You were eating one of the lesser pleasurable nights

It was cold and rainy, and a fire couldn't be started, not to mention the quiet arguments of Aragorn and Gandalf in the nearby woods

And Pip's eyes widened when he saw the tips of your petite fingers begin to pale upon hearing Aragorn mention Orcs

"What's wrong with your hands?!" He squeaked, pointing towards your now white-colored fingertips

You hadn't even noticed, nor felt, considering they were numb anyways

Merry looked over his cousin's shoulder and his eyes also widened, not with fright, but wonder

They were both fascinated with your condition, convinced that you were casting some spell Gandalf showed you

Although you reassured them it was just an extremely frustrating inconvenience that you had, among other things

So from then on, the disastrobus duo did their best to keep you out of the cold (and stressful situations!!)

As a distraction, the pair will tell you great stories of the shire, doing little dances and skits that always cheer you up 🥴

Sometimes, they can be a little rambunctious though...

Merry will pick up on this fact quickly, and nudge Pippin to get him to calm down

Even though it may not feel the best

They find your syndrome absolutely fascinating!! 🤔🤔

All in all, these two are always up for keeping your beautiful smile on your face and your spirits high!! ❤🌺

Boromir (Depression)

Throughout the journey, Boromir has always found an easy way to make you smile

After all, he himself has a fascinating way of brightening anyone's spirits

Yours included ❤

Boromir may not have great stories from The Shire, like Pip and Merry, but he sure has a lot of positive things to say

He'll often suggest sparring with the two troublemaking halflings, just so you can see him goof up and get knocked over 🥺

If the nights become cold and weary, he'll give you a warm hug or a nudge on the shoulder

And a few words of helpful encouragement along the lines of;

"Don't fret Y/N. You have more strength than you'll ever know."

"Let our spirits never dampen! We've come this far!" 😊

He's also an incredible listener

Boromir wants to hear what you have to say if you ever need to rant or get something off of your chest

And don't think for a second that he would ever judge you 😤

Son of Gondor sees past all of your insecurities and knows you for your beautiful, amazing self ❤❤

Gimli (Walking disadvantages)

As you travel across great plains and mountains, your limp doesn't go unnoticed by Gimli

It may take him a while to open up about it, since he's afraid he might offend you in some way

And once he asks you, you inform him that it's a difficulty that unfortunately cannot be changed any time soon

And where you come from, lots of people tease and bully you about it

He did NOT handle it well 😳

"wHAT BLUBBERING DULL-MINDED PIGNUTS-" 🤬

Although this Dwarf is short and a bit slow at times

He's fascinatingly strong 😳

And so, he makes it his duty to be your designated carrier 🥺

At first, your a tad skeptical...

I mean, he's only around 4 feet tall...

BUT HAVE YOU SEEN HIM THROW THAT HUGE AX AROUND?!

Gimli will happily carry you great distances when you need a break, and even longer

(Sometimes it's just to show off around the others-)

"Gimli, are you sure you don't want a break?"

"Aye lass! The strength of Dwarves is unending!" 😌

*struggling to breathe*

11/10, fantastic dwarf, will never let you down!!

Thorin (Executive Dysfunction)

Another Dwarf??

Absolutely

Thorin himself has trouble keeping composure with his time management (and sense of direction 🙄)

This means that he'll have an undying amount of patience for you and you only

There's just something about you that he fond of, and it fills in that little sassy, brooding place in his heart

Can also relate to you whenever you grow frustrated at the setback of your journey or lack of sleep

Is 100% willing to help you find your lost belongings (and once again, ONLY YOU)

Thorin will literally make the whole traveling party stop so that you can put something in your bag and make sure that you put it somewhere you'll remember

Always happy to give you extra gentle reminders of keeping your pack closed

The company is utterly SHOCKED with how he treats you

I mean, this man has always been extremely stubborn and hard headed

But when you show up, it's another person he can easily relate and share frustrations with

Also a master at organization?!? 🤔

The one thing he could do successfully was organizing the damn journey and traveling company, so ofc he's gonna be good at that 😂

Yeah, Thorin definitely has a soft spot for you

King under the mountain will never run out of patience and kindness for you 😌💙

Sorry these took so long!! I hope you like them!! ❤❤

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simplyahoe · 3 years ago

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Kinktober Day 6 : Nipple Play

Dedicated to a lovely @cakepop-tatertot

Also here are the prompts again

—————————————————————————————————————————————————————————————————————————————————————————————-

TW : time travel, slight dub con, threesome, Light Bondage, overstim

Character : Akaza/Hakuji, Koyuki

Male Reader

You laid on the tatami, a bit stunned from falling into a portal while sparring with Akaza and dropping into a house.

Across the room is a couple.

A very familiar looking male, around 18, with black hair and pink eyelashes. His eyes are a beautiful light blue. He is in a martial arts gi, criminal tattoos around his arms.

The girl on the other hand, doesn’t look familiar at all. Black hair held up with a snowflake pin. A very familiar snowflake. Pink to light blue kimono with a snow pattern. Pink eyes with white flower irises.

“Who are you?” Akaza’s voice came from the guy

“I’m a demon slayer…..” you stared at the two “you?

“I’m Hakuji and this is my Fiancé, Koyuki.” Hakuji’s brows furrowed

You thought about it

“Could any of you tell me what time period it is?”

“Of course, Edo.” Hakuji answered

“Time travel.”

You huffed. It isn’t a demon blood art. You two were sparring in the safety of Akaza’s small safe haven.

“Anyone here made a wish of sorts?”

Silence.

Slowly Koyuki raised her hand

“Eh?!” Hakuji looked a bit shocked

“I kind of made a wish on a star.” She hid her face behind her sleeves “I wanted to know what will make you feel good for our wedding night.”

His face became red. In fact, his blush went down his neck and to his ears. Just like a specific demon you know. It then clicked in your mind, Akaza looked really similar to Hakuji. They looked like twins. It means that Akaza and Hakuji are one in the same. What could have happened to make him turn into a demon?

“I think I have a vague Idea, but don’t kill me if I’m right.” You pointed at Hakuji “I am currently involved with a demon named Akaza.”

“So?” I guess being a brat has always been in his blood

“And he looks an awful lot like you. So something bad might happen to cause you to become a demon.”

“Wha-“

“I’m not done.” You gave a pointed look “to put it simply, Akaza and I fuck. We live in Taisho, so Koyuki-San must have passed somewhere along the line.”

That gave them a shock

“And if I’m correct, I’m supposed to be here to teach her the ways of fucking you.”

You ended the statement there to give them time to process what was just said. It took a few minutes but Koyuki was pretty quick about it.

“Please teach me!” She grabbed your hand “If I don’t have time left, I want to make the most of it!”

“Wait.” Hakuji’s voice wavered

“This means the three of us fuck then.” You grinned

“Do I get a choice?”

“Nope, if you want to send me home, we fucking tonight.”

“Wait…”

You two didn’t listen, pushing him to the bedroom. Koyuki pulled out a futon while you held Hakuji in place. When she nodded, you threw him onto the bedding, sliding behind him and holding his thighs slightly open with your legs.

“WAIT!”

He yelped when you slide his gi off his shoulders, catching his elbow before it can hit your face. Wrestling his arms behind his back, you held both his wrists with one hand, using the belt to tie his hands back. He struggled, but it held.

“Lady Koyuki come here”

You wave her over, pulling her hands to his chest

“His neck and ears are his weak points, but these are what get him going.”

You pinch a nipple, gaining a squeak from the shy, squirming Hakuji. He bites his lip in an attempt to keep quiet.

You lick the shell of his ear before nibbling on it, gaining some quiet sounds from the Soryu fighter.

“Try it.”

She watches as her fiancé wriggles in your grasp before nodding in determination and pressing his other nipple. His gasp is music.

“Good boy.” You murmured into his ear

Koyuki noticed and took a mental note. She mimicked your movements as he started to fight his bonds. Licking his ears and kissing down his neck, remembering your words.

It’s odd seeing black hair with blue eyes, but it's nothing too much of a shock. His mannerisms are still pretty similar, just less shy about his body.

His nipples are now hard, the one that you played with is slightly pinker. Mainly from your rougher treatment.

“How about you try sucking and gently biting them?”

“Wah?”

Slightly pleasure dazed, Hakuji didn’t really catch your words. He only watched his future wife get closer to his chest, till she latched on. He threw his head back, resting against your shoulder, as a moan fell past his lips.

“Ple- please st- stop.”

“Hmm?”

“Feels we-weird. Please.”

“Oh is that so?”

You worked off his pants and fundoshi. Hakuji barely managed to move his head to look at what you are doing. His dick in hand, you motioned for Koyuki to sit back and watch, grinding the tip of your thumb into his slit.

“Ghiiiiii!”

He grit his teeth as he came. Eyes rolled back as tears fell from his eyes. Head thrown against your shoulder his entire body tensed. He unknowingly pushed his whole body against you. As he fell from his high, he drooped into your hold.

“It tastes a bit weird, but do you want to try?”

White painted knuckles pressed against her tongue as she licked some of his release off. Her face scrunched at the taste. Shrugging, you licked your hand clean.

“Ple…. Please…. Enough….” Hakuji huffed

“If that was enough, why am I still here?” You kissed his tempel “don’t worry, I think after the next thing I’ll be gone.”

“Please….” His eyes closed, “Take care…. of me……”

“I will.”

You laid him down, untying him and spreading his legs. Motioning Koyuki closer, you showed her the lube piece.

“That dissolves in saliva, do you want me to dissolve it?”

She nodded

“I will be teaching you how to fuck his ass. So I will put the lube in your hand ok?”

She nodded once again. You stuck it in your mouth, waiting until it fully liquefied. Pulling her hand to your mouth, you allowed the lube to drip from your mouth. Once it was all out, you guided her hand.

“Slow at first.”

You muttered to her, as her middle finger slipped into his ass. Once her first finger fully entered you motioned to her how to move her hand.

“Now I think he is loose enough for a second finger.”

Her ring finger started to slip in. She worked through the motions taught, quickly gaining some soft, weak cries.

“Now, find the prostate. It will make him feel the best.”

You put Hakuji’s head onto your lap, allowing her to fully explore on her own. His hands weakly grasped onto your uniform. Tears falling faster as more noises slip from his lips.

Quiet praises fell from Koyuki’s lips as she explored. Until his thighs came together accompanied with a loud yelp.

“You found it! Now that place will make any man feel good, but I learned that he likes it rough.”

You played with his short hair, brushing tears away every so often. Hands traveled down to play with his chest.

“Got it!” She quickly started moving again, drawing cries and moans from his lips.

This is getting you hot, pants feeling uncomfortable and tight. You moved your pants down enough to pull out your dick.

“May I?”

You looked at Koyuki

“Go ahead. You become someone important to him.”

Hakuji didn’t give a second thought, he allowed you to enter his mouth. You muffled his sounds with your dick, the vibrations becoming pleasant. He is sloppy, saliva dripped from the corners of his lips as he tries to suck you off.

“MMNNNNHHH”

He squealed through his second orgasm, noise only muffled by your cock. The vibrations shocked through you, causing you to cum down his throat.

Hakuji slowly came down. Hips rutting against nothing. Koyuki wiped her hand off with a pre-prepared towel, a satisfied smile on her face.

You pulled out. He gasped for air, trying to slow his breathing. Saliva and white dribbled down his face

“Gonna….. Die….” With his last thought said, he slipped into unconsciousness

“You did good, Lady Koyuki.” You fix your clothes as you started to fade, “ But there is nothing else I can teach.”

“Thank you” she chirped, way too happy having finger fucked her fiancé into oblivion

“See you on the other side.”

Black

“Oi… OIIIII!” Akaza flooded your senses

“Huh?”

“You disappeared for an hour and returned asleep.”

You laid on your back, head in his lap. He leaned over you, hands in your hair, gently massaging your scalp. His little vest covers you like a very tiny blanket.

“Let’s just say, you were cute as a human.” You smiled up at him

“I hope you remember that I don’t remember anything about being a human >.<“ he has such a cute pout

“Yeah.”

#akaza x reader #akaza #kny akaza #akaza smut #akaza kimetsu no yaiba #hakuji #koyuki kny #kinktober 2021

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juniorgman187 · 3 years ago

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Spoiled Rotten (Reid Fic)

Summary: After Spencer went radio silent on Reader while he was in prison, their pride and stubbornness threatens to tear them apart forever. Reader’s forced to mourn the death of who they were and experience the inner turmoil of navigating who they are.

A/N: Y’all are gonna kill me for the ending, but it’s one hell of a way to go. Pairing: Fem!Reader x Spencer Reid Category: Angst Content Warning: Imprisonment, humiliation, abandonment, anger, frustration, angst, yelling, fighting Word Count: 5.3k Playlist: Traitor by Olivia Rodrigo

Time jumps are indicated by “. . .” or “_ _ _”

✧･ﾟ: *✧･ﾟ:*

A rather unfortunate predicament we’ve found ourselves in tonight. I can’t say I’ve ever been quite this uncomfortable in my life, yet I’m careful not to speak too soon. Because I know the second Spencer opens his mouth to break the silence we’re currently sitting in, I’ll stand corrected.

“You’re breathing really hard,” He tells me out of nowhere.

See, I stand corrected.

Now that I’ve become hyper aware of my own inhale and exhale, my respiration is just that much more restricted. I’m practically holding my breath at this moment - both from the anticipation of catching this unsub in the act and giving Spencer one less thing to scrutinize about me.

“I didn’t say you had to stop breathing,” He tacks on as if it would put me any more at ease. Not that if he had explicitly said such a thing, I would’ve.

Unlike other people, I wasn’t exactly jumping at the chance to throw myself at his feet so he’d like me. But to use that as grounds for his disdain would be foolish. Our rancor went deeper than the basic lack of synergy between us.

And in the spirit of getting to the bottom of that abyssal pit, I finally asked the question with words that always seemed to hang above but never would form.

“Why was I the only one denied visitation while you were in prison?”

It may surprise you to know that it wasn’t always like this between us; we were actually close once, although it is hard to imagine that version of us ever really existing. However, if I think about it hard enough, I can remember with perfect clarity who we used to be.

. . .

“Jeez, you really don’t like these things do you?” I nudged him playfully before feeling instantly guilty once I witnessed the result of my shove that must’ve been a little too much for all 120 (at most) pounds of him. I’d neglected to remember the strength I held over the lanky Doctor as well as neglected to notice where the trajectory of my push would land him - in the direct line of a circus clown walking the opposite direction as us. This, of course, brought him face to face with the character. Unfortunately, I managed to catch a glimpse of the lens of Spencer’s glasses grazing the white face paint of the caricature.

After a shudder of mortification and a very brave shriek, Spencer ran to my other side to be as far away from the clown as possible and apparently, as close to me as possible. From a distance, you’d think we were conjoined simply by the way he was glued to me - shoulder to shoulder, elbow to elbow, hip to hip, thigh to thigh.

While removing his glasses to clean them off with the hem of his blazer, he answered, “Carnivals? I mean, what’s not to like? What with the loud noises, the heart-attack-inducing food that’s more grease than actual food, or the sheer amount of bacteria harboring on each and every handle, hoop, ball, or button of these ridiculous game booths.”

“Wow, you really don’t like carnivals.” I should’ve figured.

“Nope. Never have and probably never will.”

As someone who looked forward to the fair every summer of her childhood, any aversion to carnivals broke my heart. I had a fondness for them borne in adolescence that I couldn’t quite justify now in my adulthood.

“But they’re fun!” was the best argument I could muster. The whine in my voice being provoked by the possibility that the higher the shrill of my pitch, the easier he’d be to sway. Turns out, Dr. Reid was not nearly as susceptible to my auditory persuasion as I might’ve thought he was. Just a stone cold, inconvincible slab of steel.

“I’m sorry. I know you brought me here because you love these things, but I just can’t get past the ...” He surveyed the fair, ostensibly against his will, in search of the perfect word to describe our surroundings. “Filth.”

I would’ve argued in the defense of the carnival, mentioning how it’s endearing that the only bathrooms for miles were porta potties, and that the screaming, crying, sticky children galore just added to the attraction, and that there was a hidden charm to the way the roller coasters creaked beyond their means with every ride.

But to an extent, I agreed. It was rather filthy, and I wasn’t much of a germaphobe myself so to someone like him, this would be hell on earth.

“Well, you get what you put into it. If you’re willing to overlook some minor imperfections, I really think you’d enjoy this place.”

Spencer by now had his hands in his pockets and his walking pace had slowed to a complete halt. There was a moment of skepticism, followed by a partially open smile to make way for the laughter that escaped from the disbelief that he felt for letting me break his resolve so easily.

“Alright then. What do you want to do first, Brat?”

The nickname I’d earned could be seen as meanspirited, but truly, it was affectionately diminutive. Like all good nicknames are. And like the proclaimed Brat I was, I’d taken him to all my favorite parts of the fair.

First came the bumper cars to ease him into the experience - as ironic as that sounds. He was reluctant to submerge his gangly body into a mini vehicle, much less one that’d been inhabited by God knows how many people before us, but he pushed his reservations aside when he realized he’d get to slam into my car (safely, of course).

Secondly, we went on the Carousel, but this was only in preparation for the real ride that I wanted to take him on next - the Swinging Chairs. He’d gotten a little nauseous, from both the repetitive circling and the galvanized chains he had to hold that were definitely held by several others.

He had no interest in going on the Gravitron - super lame, I know - so we opted for the Ferris Wheel instead. I didn’t mind making this compromise so much after recognizing all that he’d done for my benefit that night. And for his generosity and selflessness, I thought it only fitting to end the night going somewhere so tame he couldn’t possibly have any opposition to it.

The photo booth.

The booth in particular we’d gone to was smaller than an airplane bathroom, if you can imagine that. The bench seat was barely wide enough to fit Spencer, let alone seat the both of us. While he didn’t explicitly make the offer to let me sit on his lap, it was kind of a give in that I’d have some part of my body intertwined around him like stubborn ivy.

. . .

I still laugh thinking about the tangled mess of limbs we were below what the camera couldn’t capture. It was arguably the furthest extent of contortionist work I wanted to do in my lifetime, and henceforth exceedingly uncomfortable, and yet, I’d never felt more at home than when I was in his arms.

That night he would tear off the top three photos to keep for himself while I kept the bottom three photos.

To this day, I have never seen the pictures that he kept, and I’m left to wonder if he had them at all.

Because I still have mine. And they were virtually the only thing keeping me sane throughout his trial and subsequent imprisonment.

Six Months Ago ...

My eyes were locked on the loose thread of my cardigan that I was rolling between my fingers anxiously.

“Would you stop that?” Penelope swatted my hand away from my sweater. “You’re making me nervous just looking at you.” She grumbled.

“Sorry,” I apologized bleakly.

A few seconds later she groaned again, making me think I was still doing something bothersome, but it turned out to be just the opposite. “Ugh, I know that sounded mean, and I hate when I sound mean, but I can feel my forehead creasing from the stress, and watching you fidget is going to give me an ulcer.”

“I wish I could help it. I’m just really worried about him.”

“Well I am, too, but that’s not gonna do us any good right now. All we can do is hope for the best.”

Sometimes Penelope’s overly optimistic view on life was futile and unwelcome, and truthfully, this was one of those times.

“Penny?”

As she turned her head, I caught a glimpse of my reflection in the lenses of her dark green glasses. I could see my own mournful expression as I asked, “What if he’s found guilty?”

She started to say something but stopped herself. “Right now, all we need to focus on is his bail. We can worry about a verdict later.” She put her hand on top of mine and shook it briefly to remind me that we were in this together.

Moments later recess was over and the team came trudging back into the courtroom.

The sound of the judge clearing her throat and our footsteps on the floor made this feel all too normal.

How could Spencer’s life be hanging in the balance in such a place as non-intimate as this?

It frustrated me how casual things felt today and how everyone was acting normally. Prentiss had yet to bat an eye, Rossi’s stoic expression never changed, and Penelope was telling me not to worry. Everyone was acting so aloof.

My eyes darted to Spencer, who was looking back at us woefully. I couldn’t bear to see him like that any longer, so I kept my head down and stared at my feet after I took my seat.

Even when I closed my eyes, I was haunted by the vision of him in a suit, just like one he’d wear to work. But instead, he was wearing it for this - this vastly different situation.

I don’t know if I’ll ever be able to look at him the same in one anymore. I’ll probably just remember this particular look on his face, in this god awful courtroom, during this horribly nauseating circumstance.

If one thing was for certain, it was that this would all come back to me if I ever laid eyes on him in a suit, and that thought fucking terrified me.

Because that one thought spiraled into the next: Everything was bound to change after this. Every little thing would change in every little way.

Spencer’s lawyer, the judge, and the prosecutor were going back and forth for a while, but I tuned it all out because I knew if I had tuned in, I wouldn’t have been able to hold back my arguments. Eventually, though, I heard something I could no longer ignore.

“If past behavior is the best indicator of future conduct, and I do believe it is, then your client presents a flight risk.”

I stood up immediately, getting a head rush from the speed. I knew what was to follow, so I needed to be on my feet the second I heard it. Maybe so I could run and escape before I had to.

“Bail is denied. The defendant will remain in federal custody pending trial.”

“Spencer!” I shouted, losing all the composure I’d been trying to maintain. I reached for him as if he was at any capacity to reach back and hold me. God, I needed him to hold me. Hold me like how he did at the carnival.

Hold me.

Luke held me back as I fought to be near him.

“Let me go!” I screamed, trying to break free of his tight grip. Spencer could only stand and stare, mirroring my own wistful glance. He mouthed something to me that I couldn’t quite make out, but if I knew him at all, he probably said something about not wanting me to worry about him.

“(Y/n), (y/n) it’s gonna be alright.” JJ reasoned, pulling me into a hug.

“How long before this case goes to trial?” I heard Prentiss whisper to Spencer’s lawyer.

“It’s a complicated case. I’d say three months maybe?”

Immediately, I worked myself out of JJ’s arms and pushed my way through the team, running up to the barrier between us.

“Spence!” I cried out in anguish.

To the sound of my voice, he glanced over his shoulder sadly. He wasn’t even shocked I’d been able to get so close to him - he seemed to expect it, and for that, he was sad. Because he knew if I was going to be as stubborn as to fight to get to him at this hearing, then I was going to be stubborn enough to reach him in prison, too. And should he find himself behind bars, he knew that I’d get to him one way or another.

That is if he’d let me.

“Be strong,” He weakly smiled. ‘For me’ his sad eyes begged in addition. He held my gaze for as long as he possibly could before disappearing into another room.

As I watched him walk away, I could feel my heart shattering and crumbling into the pit of my stomach. Perhaps that was a premonition, a true gut feeling, telling me something I at the time couldn’t have known and wouldn’t have accepted.

That was the last time I would see Spencer.

People always say when something unbelievable happens, it doesn’t feel real, but this? Nothing felt more real and more intense than this.

There was no other way for me to see this situation but as the first defeat in an endless line of them.

If Spencer was denied bail, what else could happen to him? Could he be found guilty too? Because prior to this, the denial of his bail seemed impossible. He posed no flight risk, but according to the judge, he did. So if what I once thought to be impossible happened, then it could and would happen again.

I knew Spencer was going to be found guilty.

What I didn’t know, though, was how I was going to live with myself from then on.

I didn’t go that day.

I knew myself too well. So did the others, which is why they didn’t object to my decision not to come to Spencer’s trial. They knew I was better off staying home. Especially, if there was the chance that I might react hysterically again.

I didn’t stay home, though. That part the team never found out about.

I went to visit Diana instead. A much wiser choice, in my opinion.

“You know, we’ve been talking so much about Spencer today, but we haven’t talked about you yet,” said Diana.

“Yeah, I guess that’s true.” I feigned a polite smile.

“You thought I wouldn’t notice?” She tilted her chin downward and gave me that sly grin of hers.

“No, no, of course not. I know better than to underestimate the Diana Reid.” I quipped, making her smile widen. “I just figured you’d wanna spend your time talking about someone much more interesting.”

“Oh please, Spencer and I talk about you all the time.”

I perked up from the checker piece I was fiddling with. “You do?”

“Mhm,” She nodded over and over again. “I always knew there was something between you two because you could always talk about each other to me, but for some reason, you could never actually talk to each other.”

For the first time in months, I genuinely laughed and I couldn’t help it. “He makes me nervous! I always feel like he might correct something I say, or tell me that there’s food in my teeth.”

“You know, now that you mention it, I do remember him saying something about seeing a really big piece of lettuce in your teeth one time.”

“Diana!” I squealed, pushing the checkerboard at her, pretending to take offense.

“I really don’t know what you’re so nervous about! I think it would be good if you just talked to him.”

“It’s, um, it’s not that simple. Not right now, at least.”

My energy quickly nose-dived and I tried to do my best to hide it from Diana, but it permeated through the rest of the visit. I couldn’t fully enjoy myself after it.

The team and I all agreed not to let Diana know, especially not with the uncertainty of the case. There was no point riling her up if there was nothing to be worried about. And I could only imagine how I reacted - Diana would be reacting 10 times more hysterically.

But as much as I hated to say it, I almost would’ve rather been in her position.

I would give anything to un-know Spencer’s circumstance.

Present Time ...

In this car, there was nowhere for him to run or hide, not like before.

Anytime I so much as entered his gravity by being in the same room, he’d flee the space in the next breath. Granted, he couldn’t really avoid me entirely. We did have to be on the same flight for an extended period of time, but he made that work by letting me choose my spot first, then choosing a spot directly on the opposite side of the jet.

What a gentleman, huh?

“Kudos to you, by the way. For managing to avoid me for this long. I imagine it’s been as not-easy as it has been incredibly-cowardly.” My words stung as they flowed from my lips as badly as I imagine they seared his already cracked skin. I couldn’t believe that now that I finally had the opportunity to talk to him, I was using it to be petty and passively aggressive. But then again, I could.

Because after what he put me through, he deserved to feel the full severity of my indignation.

My only wish was that he knew exactly how I had felt when I found out.

. . .

Icarus.

He died tragically while using artificial wings, invented by his father, to escape from the Labyrinth. When Icarus flew too close to the sun, it melted the wax that held the wings together, and he fell into the sea.

‘Don’t fly too close to the sun.’ That’s the moral of the story. That’s what Reid was trying to tell me. But I didn’t listen.

I flew too close.

I had approached the window with more zeal than this predicament warranted.

“I’m (y/n) (y/l/n). I’m here to see Spencer Reid, R-E-I-D,” I eagerly spelt his last name with ease as though it were my own last name.

She’d flipped back and forth between pages, running her index finger up and down the sheet for far too long that it made me worry. Turns out, I had every right to be worried.

“I don’t see you on the list, ma’am.”

I was so mindnumbingly dumb that I couldn’t even see how dumb I was being. “Oh no no no, I’m with the FBI. I called earlier and left a message, remember?”

“Yeah, I remember you,” She smiled politely, giving me the tiniest fragment of hope. “But you’re not on his list.” Only for it to be shattered in an instant.

I had yet to process or accept this information. “So what does that mean?”

“It means he doesn't wanna see you right now. And frankly, neither do I. Next!”

“Wait, could you just please check with him? My name is (y/n) -”

“Ma’am, you are holding up a whole line of people that wanna see their loved ones too, so I suggest you see yourself out before I call security to help see you out.”

I knew by her tone of the word ‘help’ that meant a prison guard would most likely forcibly remove me from the premises, and the last thing I needed was to feel even more humiliated.

I got plenty of that when I had to come back to the BAU.

“You’re not on the list?” Luke seemed genuinely shocked. More so than I was. Above all, I just felt really stupid.

“I’m sure it was just a mistake.” Stephen reasoned. He was so good at being level-headed. Which normally, I would’ve loved. But right now, it only fueled the fire burning in my chest.

“That’s what I thought at first, too. But later on, she asked him herself, and he said - and I quote, ‘I don’t want to see her. Not now. Not ever.’”

. . .

Those were the words that seared my skin, and he hadn’t even spoken them directly to me to do it.

The words that did just enough to heal me back to health were, of course, Penelope’s.

“Since you haven’t seen him yet, the rest of us will just wait until you have. It’s only fair that you have your first turn before the rest of us go back for a second time.”

Back then, it was easy to hold out hope, but the more and more time passed, the more he kept denying my visits. Therefore, the more my hope began to fade.

It had been weeks since anyone else had seen him before I finally surrendered. Although I had newly-brewing sourness towards Reid, it didn’t feel fair to deny him everyone else’s presence until mine was permitted.

Luke was the one who volunteered to visit first. And to my dismay, Spencer didn’t fight against it.

The proof was finally there. Now I could say with absolute certainty: Spencer just didn’t want to see me.

It was both ironic and utterly frustrating to think about how I’d never gone more than two weeks without seeing him. Even when the BAU got time off after big cases, we’d always spend that time together. The longest we’d spent apart was 12 days. And right when he came back to D.C, we were attached at the hip for the next week, trying to compensate for all that time we were apart.

Now, look at us. I haven’t said one word to him in half a year.

If tragedy and comedy could coexist, this would be it.

“How is he?” I asked Luke as soon as he got back.

“He’s holding on,” Luke affirmed with confidence. What he said next lacked any of that. “He told me to tell you not to worry about him.”

Something in me knew it was a lie. “Did he actually say that?”

His lack of an answer was one itself.

“Did he say anything at all about me?”

“I tried telling him how much you wanted to see him, but he just brushed it off. I’m sorry, (y/n).”

This became my routine for the months to follow. Every time someone would come back from the prison, I’d ask them if they talked about me, but the answer was always no. After a while, it had gotten to the point where I purposefully started leaving myself out of the loop. At least in that case, it was by my own volition that I was being excluded, not by a predicament being forced on me.

Not by Spencer.

“We’re not doing this right now,” Spencer declaration brought me back to the present, where I found him removing himself from both the conversation and the vehicle. When I heard the latch click to open, my hand reflexively flew to my auto-lock to prevent him from leaving. Naturally, he still managed to escape using his door’s button.

If I couldn’t stop him, then I could follow him.

“Then when will we do this? Huh, Spencer? When? Because anytime I try to talk to you, you run away.” The mere fact that I was speed-walking after him was proof. While he casually strolled down the sidewalk paying me no mind, I tried to be clever and walk down the street so we’d be somewhat side to side. I was tired of staring at his back every time he walked away. I needed to see his face.

For his every stride, I had to take at least three steps. He was gliding through the world so effortlessly as I was trekking my uphill battle. It was quite fitting, though. Further exemplification that, between us, I was fighting harder to preserve the people we used to be, the relationship we used to have. Meanwhile, he couldn’t care less. A stone cold, inconvincible slab of steel. Just like he always was.

As I began to speak, I had to also be conscious of the parked cars along the curb, being careful to weave in and out.

“For months, you have blatantly ignored me. The entire time you were in prison, you denied my visits. And it’s not like it was a one time thing. I tried to visit you over 100 times while you were in jail! 100 times I got rejected. 100 times I got turned away. 100 times my heart shattered.”

By now, I was speaking so loudly that I could see household lights within neighboring homes turning on. I hadn’t even realized how far we’d walked down the street and away from our car, but it was the last thing on my mind.

“Then after you were released, it’s like I never even existed. I had to find out that you were out of there a week later than everyone else because they all assumed you came to me yourself to tell me the good news,” I laughed wryly at my own stupidity. “Do you know how hard it was for me?”

“Do you know how hard it was for me?”

It took me a second to register that he was actually engaging with me in this conversation now. But when I looked at his expression, I could see that something within him had snapped. A little piece of me was glad, though. Now I knew for sure that there was some effect I had on him.

“Hard for you?”

“I know you came to visit me 100 times! Want to know how I know? Because I was there, too! I was there every time a guard came to ask if I wanted to see you. I was there every time I turned you away. And while you got to walk out of those doors every time I did, I was stuck in there, rotting in that cell, thinking about how badly I wanted to see you. How badly I wanted to touch ...” His voice faltered. “To touch you. But I had to protect you!”

“You do realize in protecting me, you were hurting me in the process.”

“Because you just don’t know when to leave well enough alone!” His hands tugged at the root of his unruly hair like evidence of the frustration that my stubbornness caused. “You’re such a pain in the ass because you can never cooperate! It’s gotta be your way or no one else’s! ‘Spencer, it has to be this way because I said so. Spencer, you have to let me see you because I said so. Spencer, you have to talk to me because I said so. Spencer, you have to ride this stupid roller coaster because I said so,’” His imitation of my nagging voice would’ve made me laugh before. Now, it was bringing me onto the verge of tears. “Since clearly no one’s told you this before - not everything is about you! You just want it to be because you’re a whiny, little brat! You’re so spoiled rotten that you can’t even see how far down it goes. If you did, you’d know that you’re rotten to the core and that nothing will ever satisfy you. Especially me.”

His words had done more than sear me. They pierced me. They ripped me. They destroyed me. When he called me Brat, I thought it was endearing. Now, looking back, I realize - no, that’s just how little he thought of me.

As I came to the conclusion, I stopped dead in my tracks on the pavement.

I was done chasing Spencer.

His face had fallen from its anger, indicating he was apologetic, but I was beyond accepting his sorry excuses anymore. I couldn’t stand to look at him so I looked behind me to find our car at least a football field away. I guess in many ways, I’d gone the whole nine yards.

“This is what you wanted right?” I turned back to him momentarily. My voice scared me how calm it was because, inside, I was boiling with rage. “Well, here you go, Spence. Have all the fucking space you want.”

It was usually me watching his back while he walked away, and now, he was watching mine.

“(Y/n), wait!”

And for the briefest second, it actually felt good to be the first one to leave.

I was free.

_ _ _

To my dismay and relief, when I walked into work the next morning, he wasn’t there. I would’ve looked for him with more than a cursory glance except I was stuck on looking at something strange in the bullpen that I couldn’t quite put my finger on. But as I walked further in, a blaring siren went off in my head.

Spencer’s desk is completely empty.

I instantly sorted through my purse for my phone to reach Prentiss when I noticed something more.

I had been desperate to cling onto any notion that he still loved me, and there it was, just sitting on his desk. Proof that the man I loved was still in there somewhere.

The top three pictures from the carnival photo booth.

I laughed, as I always did, thinking about how much we had to exert ourselves to be positioned in a semi-adequate way. In the next wave, I felt profoundly empty. He had kept the pictures all these years, and now that I finally get to see them, he’s left me.

As I brought my hand to my face to clear the tears pooling at my lower lashes, I saw that my finger had an ink smear on the pad of it. There was nowhere else I could’ve obtained it except for if there was writing on the back of the photos.

What I read when I turned it over was as follows.

I want to be this guy for you again, (y/n). I just don’t know how.

I just don’t know if I can.

No matter how much I’ve changed, one thing’s still the same.

I love you.

I should’ve focused on the message, but all that I could focus on was that if I managed to smear the ink, that meant it was fresh, written just now.

He was still here.

I pocketed the photos and abandoned my purse, only carrying with me the phone that I forgot to use to dial Prentiss. After a moment’s indecision, I figured that taking the stairs would be faster than the elevator, and I bounded down the steps without hesitation.

“Spencer!” I yelled into the parking structure when I reached the ground floor. The sound of me bursting through the door caught the attention of Anderson, who was getting out of his car.

“I just saw him leave.” Anderson threw his thumb over his shoulder in the direction of the exit. I knew, even in my state of mind, there was no feasible reality where I could reach him on foot. I had to call him.

I pleaded to myself for him to pick up with every ring of my phone.

“(Y/n),” He said like a statement instead of a question. Again, he’d anticipated I’d do this. He probably picked it up not even having to look at the caller ID but knowing it was me and no one else.

“I don’t need you to be the guy you were before, Spencer. I just need you to bend a little bit. I know we’re both stubborn people, but if we can just find a halfway point-”

“(Y/n), (y/n),” He was settling me and the sentences that were coming out of my mouth at 100 mph.

“I’ll bend if you bend.” I promised.

The static of the call filled my ears until his voice finally did.

“For everyone else, I bend ... for you, I break.”

✧･ﾟ: *✧･ﾟ:*

I don’t often reply to comments/ reblogs, so if you’d like me to respond, tell me your thoughts on this piece or any others here!

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#juniorgman187 #spencer reid fic #spencer reid fanfic #spencer reid imagine #spencer reid fanfiction #spencer reid angst #angst #criminal minds #criminal minds imagine #criminal minds fanfic #criminal minds angst #spoiled rotten

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hamliet · 4 years ago

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Unless a Grain of Wheat Falls and It Dies...

Or, why I am pretty optimistic about the fates of Jean, Connie, Gabi, and all titanized people this chapter, which is also an excuse for me to talk about SnK’s allusions to Russian literature.

There are strikingly parallel ideas The Brothers Karamazov and Attack on Titan, as well as parallel plot points and imagery to the point where if it isn’t deliberate, it’s uncanny. (NB: before people yell at me about comparing a Japanese and Russian work, Isayama has used Russian names since the start of SnK--Shiganshina is a Russian name.) In particular, there are narrative allusions to a portion of the novel known as “The Grand Inquisitor,” which is a short story within a novel. The central thesis of “The Grand Inquisitor” is as follows:

nothing has ever been more insupportable for a man and a human society than freedom.

This parable is told within the story by Ivan Karamazov, a character whose intellectuality is his gift and his curse. He tells his brother Alyosha that the motivation for creating this parable is precisely the evils done to children (oh look, a major SnK theme) and specifically cites an example which was unfortunately taken from real life in Russia and which Isayama has an uncanny parallel:

I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when every one suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That's a question I can't answer... If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? ... if it is really true that they must share responsibility for all their fathers' crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn't grow up, he was torn to pieces by the dogs, at eight years old...

... How are you going to atone for them? Is it possible? ... What do I care for a hell for oppressors? What good can hell do, since those children have already been tortured? ... I want to forgive. I want to embrace. I don't want more suffering. And if the sufferings of children go to swell the sum of sufferings which was necessary to pay for truth, then I protest that the truth is not worth such a price. ... too high a price is asked for harmony; it's beyond our means to pay so much to enter on it... It's not God that I don't accept, Alyosha, only I most respectfully return Him the ticket.”

The actual parable of “The Grand Inquisitor” is Ivan’s answer to Alyosha’s question about Ivan’s lines above. Ivan tells a story about how freedom is actually what dooms humanity: it is the curse. (Alyosha does not believe this.) Jesus comes back to earth and is promptly arrested, because his existence and return threaten the wellbeing of society. To be happy, one cannot be free, but one or two strong people in society should be free and bear the burden for everyone else (you can see the parallels to King Fritz/the Reisses).

Nothing is more seductive for man than his freedom of conscience, but nothing is a greater cause of suffering... all his life he loved humanity, and suddenly his eyes were opened, and he saw that it is no great moral blessedness to attain perfection and freedom, if at the same time one gains the conviction that millions of God's creatures have been created as a mockery, that they will never be capable of using their freedom...

This is SnK’s thesis: to be free, there will be suffering. It is part of human nature, and yet to not have it is to be lost. But SnK, despite its explorations of human darkness and monstrosity, has a higher view of humanity than does Ivan. SnK’s view is more alongside Alyosha’s, who says what is honestly the truth about not just the Reisses, but Eren now:

"Who are these keepers of the mystery who have taken some curse upon themselves for the happiness of mankind? .... It's simple lust of power, of filthy earthly gain, of domination—something like a universal serfdom with them as masters—that's all they stand for.”

Mikasa is akin to the Christ figure in the story, akin to Alyosha: Christ is constantly asked to speak, asked to act, and he does not until the very last moment, when he kisses the Grand Inquisitor on the lips. After the story is over, Alyosha then does likewise to Ivan.

Not to mention when Alyosha worries about Ivan’s mental state, he then answers with this:

“Listen, Alyosha,” Ivan began in a resolute voice, “if I am really able to care for the sticky little leaves I shall only love them, remembering you. It's enough for me that you are somewhere here, and I shan't lose my desire for life yet.”

A simple leaf can save a life. A leaf can save the world. A leaf, grown from a tree that started as a seed falling to the ground, dead, only to grow life from that death. Alyosha himself notes SnK’s central thesis of chapter 137 in the (very long) novel’s final pages:

...some good, sacred memory, preserved from childhood, is perhaps the best education. If a man carries many such memories with him into life, he is safe to the end of his days, and if one has only one good memory left in one's heart, even that may sometime be the means of saving us.

There’s a lot more to this, but this is the epigraph to The Brothers Karamazov, the central thesis of the entire novel:

"Verily, verily, I say unto you, except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit." -John 12:24

Suffering can grow great fruit in an individual life, and by giving something up, by even death, something beautiful can come. Through cruelty, you can find life.

This is not just a long-running theme in SnK, but a pattern in its plot. Often those who surrender then receive exactly what they had surrendered (but admittedly, not always, like Erwin).

Mikasa accepted Eren’s loss, and got him back.

Mikasa let Armin go, and got him back.

Falco gave up hope of survival, and got another chance:

Hange was going to die alone, feeling guilty for having failed her comrades, but saw everyone again, and they told her well done:

Historia gave up being free, but now we know she will be.

Levi gave up on his revenge, and then got it. Annie thought she would never see her dad again, but she did. For Mikasa, accepting that she has to kill the boy she loves coincides not just with her acceptance of her love, but with the acceptance and knowledge that he loves her:

It always comes with sacrifice, increasingly hard sacrifice, but usually the seeds that are dropped grow and bloom.

This chapter, everyone surrendered their hearts. They let their dreams fall to the ground, and I honestly think the story will allow it to plant life. Yes, the world as a whole is saved and that is enough to make thematic sense, but it works even better if the very people who were titanized this chapter also bloom again. They chose to trust Mikasa, Levi, Falco, and Pieck to finish the task.

The characters giving up their lives only to get them back make sense, and give Mikasa’s sacrifice of Eren. For Mikasa, Eren was her world, and she gave it up when she had lost everyone else. She had nothing left, and she still did it. I would hope she’d be narratively rewarded beyond just the world being saved, because Mikasa has always been motivated by her personal relationships.

Moving on from Mikasa: Connie’s mom has been kept alive and the concept of turning mindless titans back to humans was already brought up specifically in relation to her:

Connie giving up on his mother a dozenish chapters ago only to get her back now--not through sacrificing a child, but through saving the entire world--would fit the themes and patterns of SnK.

Thirdly, Gabi should not die. She’s Eren with positive development, and cannot meet the same end. Even people who are skeptical of every titan being saved seem to agree that she’ll be fine. It’s possible she’s the only one saved, but imo, not likely.

See, the only shifter characters who are going to have the option of self-sacrifice are Falco and maaaaaybe Armin. The others look like they’re about to die right here and now, never mind choosing someone to save: the mindless titans are ripping at their napes. Armin also looks to be in bad shape.

Yet Armin cannot narratively commit suicide; two chapters ago he was still screaming at himself for being useless and thinking he would be better off dead. He’s already tried the heroic sacrifice, too, so why would it work this time around? It does not work for his arc. Falco dying for Gabi was the plan without any freedom from the titan curse; it’s more powerful if ending the curse changes things, rather than forcing him to make the same choice that Reiner has always been trying to make: a heroic suicide. It could happen; it’s just not as narratively strong.

As for whether the worldbuilding rules, we know that mindless titans are not truly dead nor entirely mindless; they just don’t have freedom. Ymir’s case of getting herself back after decades shows that they aren’t quite dead or absorbed. They still have consciousness that can be awoken; Ymir described it as being in a long “nightmare.” Dina still went looking for Grisha. Connie’s mom remembered and recognized Connie, telling him “welcome home.” There is plenty of evidence that there are parts of these people that are still in there even if they are forced to become monsters (oh hey, it’s an Eren parallel; he was conscious of it and had choices while mindless titans do not, but the parallel remains).

#snk 138 #snk meta #aot 138 #aot meta #mikasa ackerman #eremika #eren jaeger #armin arlert #the brothers karamazov #gabi braun #connie springer #jean kirchstein #ymir #falco grice #galco #reiner braun #annie leonhart #levi ackerman #historia reiss

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blindbeta · 4 years ago

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Blind/Visually Impaired Person’s Review Of ‘The Blind Bandit’

It is here! At almost 6 thousand words (I have a problem lol). This is a review of season 2, episode 6 in Avatar: the Last Airbender. The episode is called The Blind Bandit.

Note that this is only a review of the portrayal of blindness rather than the episode or show itself. This show also has audio descriptions on Netflix so any blind followers of mine can watch the show if the want to. I would also like to make it clear that this is my opinion. It is my no means lacking in bias and I won’t pretend that it is. I love this character for some of the reasons I will explain here, and that will show even as I consider criticisms of her or things that simply could have been better.

This character, Toph, was my first exposure to a blind character in television.

CHARACTER INTRO:

“Your champion, The Blind Bandit!”

We first hear Toph introduced as The Blind Bandit. She is described as having pale eyes which is usually how eye conditions are conveyed visually. Some online sources describe them as light grey or sea form green, but glazed over. This could be due to cataracts or some other deterioration. Part of me wants to mention that not all blind people have eyes like this. Most don’t; I don’t. However, blind people can have many eye problems outside of just The Blindness, so it isn’t inaccurate either, especially for a time period where eye surgeries are not available, and Waterbenders are not as easy to reach for healings as they may have been before the war. I also suspect her family would not care about cataracts if Toph was not in pain— their main issue would be her blindness. I’m getting ahead of myself.

The point is, I don’t mind the way her eyes are portrayed here. I do think non-blind people are too obsessed with portraying eyes like this, however, and I feel like it is not necessary in non-visual media unless you have established why their eyes are cloudy/lighter/Like That other than Because Blind. I’m happy they didn’t fall into the trap of portraying her eyes as constantly closed.

I also read somewhere that the creators tried not to move her eyes much. I don’t know how true this goal was, but I feel it is not entirely necessary. Blind people can also have uncontrollable eye movements or rapid eye movements. This might be too hard to animate and too confusing for viewers. Therefore, I feel the creators chose a more practical portrayal of eye movements that is the easiest to animate and least confusing for people who may not know blind eyes can and do move, whether due a condition or other factors.

“She can’t really be blind, can she?”

I like that everyone says “blind” without stumbling over it or treating it as a bad word. Katara is surprised and Aang is accepting, feeling hopeful that this girl could at last be his teacher. I even like that she chose to capitalize on it for her persona. Already we can tell Toph has no issue with being blind, nor does she feel the need to hide it in such a setting as this. She is already the champion— it must be working for her. It is this openness and acceptance of blindness that I like, especially from the main character. Rather than make her hide her blindness or angst over something she has lived with all her life, the writers just introduced it as fact. She’s blind and she’s a champion. That is how we meet Toph.

“Sounds to me like you’re scared, Boulder!”

Trash talk. She’s trash talking him. If the champion thing was not an indication that this wasn’t your stereotypical innocent, blind flower, her first line should be! Already Toph is brash and fearless. A far cry from the angelic stereotype we often get in the media.

“Your winner, and still the champion, The Blind Bandit!”

Toph kicks Boulder Butt. Pretty easily. I loved every second of it.

Now let’s talk about the Super Crip trope here.

IS TOPH A SUPERCRIP?

The Supercrip trope is a bit hard to pin down. I found a few definitions floating around. This link has two: Trope: SuperCrip | #CriticalAxis: a community driven project from The Disabled List

The Supercrip is seen as having “overcome” their disability in order to do normal things or even extraordinary things— with a focus on their disability rather than their accomplishments.

The first part is avoided. The narrative doesn’t focus on how extra special it is that Toph is doing things like: walking, talking, eating soup, sitting with her family, yelling at Aang and his friends, etc. Toph is not seen as extra special for doing normal things that her disability does not make more difficult. Not only would this be patronizing and ignorant, this would reflect that attitudes many real life strangers have: disabled people are so strange and mystical to some people that they feel the need to ask blind people on the street how they walk or talk.

Personally, I find this portrayal of disabled people to be the most harmful. It caters to able-bodied onlookers alone and offers nothing for disabled people. To clarify: the problem is not portraying disabled people/characters doing normal things! The problem is expecting your audience to feel inspired because a disabled person did a thing that is completely ordinary for them.

This does not apply to Toph.

Another definition is that a disabled person is portrayed as “overcoming” their disability in order to do something cool/big, usually something able-bodied people don’t do everyday. This disabled person is only noteworthy because they did something extraordinary such as win several gold medals. This presents two problems: 1) it is hard for disabled people to meet these expectations, especially when this is shown as the only positive way to live with a disability. And 2) able-bodied people see this and believe all disabled people must be winning gold medals or doing super extraordinary things because their disability somehow gives them privilege, pity-points, or superhuman powers that make up for their disability. An example of these powers would be the myth that blind people have superhuman hearing rather than simply using their hearing more than sighted people and thus being more attuned to sound. An example of pity-points would be the time my family was watching Dancing With the Stars featuring a blind contestant. After the dance, someone remarked that the contestant would probably get sympathy points and go on to the next round. Her talent was not a factor the same way it was for the able-bodied contestants; pity-points could not be separated from her success. It was impossible that she would be supported and judged the same way as the others, with her blindness being only an extra factor that might make copying a dance to learn it more challenging for her. Keep in mind, these ideas are so ingrained in people that my own family believed it in even when they know me and several of my blind friends.

Let’s consider Tooh:

Pity-Points? - Not even a factor. This was not brought up by Aang, nor Katara, nor Sokka. It was certainly not thought of by the owner of the battle ring nor Toph’s opponents. In fact, she was only doubted when she lost. Her talent was never viewed as the result of someone else’s pity or reduced to inspiration for an able-bodied wrestling audience. The announcer says her name and nothing else. Her parents don’t bring up the idea that Toph only wins because she was pitied either. They witnessed her bending and only believed they needed to protect her more, not that she was not talented.

Privilege? - It is no question that Tooh’s family is rich. It is hard to say how much that affects her here. She has a tutor who undermines her growth and is pretty much useless. She has protection she doesn’t want and riches she doesn’t seem to use. She does have more free time to battle as a result of her riches, not having to work at a young age (although her parents probably would not have let her even if they needed the money). Toph’s family status could have been seen as playing a role in her winning— if her parents allowed the world to know about her. - It is no secret that Toph is rich, however, when privilege is brought up by able-bodied people, they don’t usually mean riches (although the stereotypical rich disabled person is something I could discuss at a later time). They usually mean some combination of government benefits that may or may not exist and pity points. Disability makes things HARDER, not easier. A person can have multiple privileges they did not earn, or lack of privileges they did not ask for. Toph does not gain special privileges due to her disability, nor does she ask for or expect them. My opinion is that no one asks for this, anyway.

Super-human? - This one is a little trickier. It is the one people are obviously hung up on when they consider Toph. It is difficult to consider this without considering Toph’s entire arc. However, I have chosen to focus on her bending and “sight” and how it is used in this episode. I may talk about this more if I do other reviews. - First, bending. Toph is not the only bender in the series. She is also not the only good bender, as Katara is also someone who grows into her bending and becomes particularly powerful. Aang is already a master of airbending in addition to being the Avatar. He is special and particularly powerful, mastering water quickly. Azula is also said to be a prodigy and has mastered lightning at 14. The point is, Toph is a powerful bender. She is not the only powerful bender in the world. The Avatar needs someone to teach him and that person would, reasonably, have mastered their bending in order to teach the Avatar. - Now for Toph’s bending in relation to her blindness. It is true that Toph is powerful AND blind— is she powerful in spite of being blind? Is she powerful because her blindness gives her superpowers? This is tricky. To me, the narrative doesn’t go out of its way to say “she overcame her blindness and was able to win”. It also doesn’t show blindness as a superpower, such as causing superior hearing. - How is it portrayed then? First, Toph never has to “overcome” her blindness, which is important. The obstacle is the limitations placed on her. The obstacle is society, not her disability. Toph does not need to accept her blindness before doing anything, because she has been blind since birth. She does not have to overcome her blindness before fighting or becoming a champion because when we are introduced to her, she already was. She is not expected to overcome her disability in order to teach Aang; he tries to recruit her without seeing her disability as an issue. She does not need overcome her disability because it is not what stops her, as is the case for most people. There are some things being blind makes difficult, different, or impossible to do, but this isn’t one of them. Blind people can learn to fight. They can win. And when people reduce such accomplishments as “overcoming disability”, it can feel like a misdirection, like a dismissal of hard work and talent.

This does not happen with Toph.

Second, does Toph’s blindness give her superpowers? Maybe. I feel like it might be necessary to cover Toph in other episodes. However, this review is focusing mostly on The Blind Bandit and so I will focus on Toph’s unique “sight”. Toph’s bending is unique from others because she can feel the vibrations in the ground, allowing her to sense objects and people. This ability allows her to fight and beat others. In my opinion, this is more of an adaptation perfected through sheer amount of practice. Katara and Zuko don’t always bend. Toph is using her bending constantly. Of course she would be good at it. Her bending is a tool for her use. Fighting? That’s just a bonus, a hobby.

Toph also has weaknesses and is in fact beaten by Aang, who wasn’t even trying. Losing to someone who had no intention of winning is a pretty big deal.

Personally, I don’t think Toph is a supercrip in this episode. She is a Blind Seer, a trope popular in literature. The Blind Seer can’t see physically, but they can see in other ways you can’t. I don’t have an issue with this trope and think it can be used in cool ways, especially if the blind character isn’t the only one with a superpower.

I do, however, want people to question why a blind character always needs to have a power that relates to or makes up for their lack of sight in some way. Unless you are making a deliberate allusion to something or a blind is not the only one with sight-related powers, I ask writers to question why they jump to sight-related powers in the first place. Or powers related to hearing, something to “make up for” their lack of sight.

Can this be done well? Absolutely. Toph, while she can fall into both The Blind Seer and the Supercrip tropes for some people, she is beloved and interesting for many fans, blind or sighted.

I ask people to trace their logic about why they choose to give their blind character powers related to sight. What kind of power is it? Does it make up for (aka erase) their blindness and make them less relatable to blind readers/watchers? Are they the only blind character and/or the only person with such a power? Can they have another power? What works and does not work for good characters like Toph? Why?

Getting rid of these particular tropes are not the answer. I simply invite people to consider other options, try new things, think critically about why and what woks or doesn’t work in other characters.

I absolutely invite blind writers to use whatever tropes they want, as they can probably write it in a more nuanced way.

My personal opinion about the Supercrip trope is that it is somehow focused on success or talent as the enemy without recognizing what it means. Wanting to succeed is not wrong. Being competitive is refreshing!

It isn’t really about doing super things or not— it is about disabled people being made to feel like they will not be successful, accepted, or taken seriously if they do not win everything or succeed at impossible feats. Able-bodied people are permitted to exist without needing to prove anything. Disabled people are not afforded that respect.

Either disabled people fight against the ingrained expectation that they simply cannot do anything, that will FAIL, because of their disability, or they fight against the realization that, for many people, even impossible feats will never be enough. Their accomplishments will never be seen as just that— accomplishments.

Blind characters should be talented or hard-working, prodigies or people who claw their way to the top. Their disability may be an obstacle and it may, in fact, barely even be necessary to mention aside from adaptive tools. The Supercrip is so alluring because people are under the impression blind people— and disabled people as a whole— cannot do anything. To the point that some condescendingly assume certain things are impossible because they did not think of adaptive techniques or technology. This is why research is important.

Remember why this trope/stereotype exists: for the inspiration of able-bodied people who are uninterested in making changes in society’s attitudes and the amount of accessibility it provides. Problematic tropes like this usually have a specific issue behind them and you cannot tackle or discuss r subvert the trope until you understand the harmful reason it exists.

Not everyone agrees with me. Here are some reading materials:

On the pervasive Supercrip trope in martial arts:

http://feministing.com/2010/02/19/media-portrayal-of-disability-and-martial-arts-a-personal-statement/

On the pressure this trope puts on blind people:

Challenging the ‘Supercrip’ Stereotype of People With Disabilities | The Mighty

[In the comments, I would prefer people not speculate about Toph being a Supercrip or not if they aren’t blind themselves. It would be more helpful to focus on other aspects of this review or share posts by other blind people instead.]

Keep in mind, this is only a review of one episode. And I personally will take a powerful disabled character over a powerless, sad one anytime.

This concludes our commercial break. Back to the show.

BEING BLIND IN EARTH KINGDOM SOCIETY

Earth Kingdom Boy 1: “Well, a flying boar is the symbol of the Beifong family. They’re the richest people in town. Probably whole world.” Earth Kingdom Boy 2: “Yeah, but they don’t have a daughter.”

Now this is interesting. It implies that Toph is: a) hiding herself well so as to keep up her double life and/or b) being hidden by her family. I suspect it is a little of both. A) is pretty obvious, especially with the wall surrounding their estate, while b) could be due to overprotectiveness or shame on the part of her parents. Shame may seem harsh. However, this is not exactly a modern time period and respect for disabled people can vary depending on culture, time, place, and individual attitudes.

When portraying poor social attitudes toward disabled characters, writers must work hard to show the attitudes as wrong and work to reduce them. I do feel that, like with gender discrimination, people tend to preemptively assume accepting disability is modern and Western concept- and that any ableism is fair game because it is realistic. That is far from the truth, especially if they get it wrong.

Too much and it could be mistaken for an excuse to be ableist. Too little and it may seem like erasure of societal barriers faced by blind people.

Let’s see how the ATLA writers handle this.

TOPH’S “SIGHT” AND MISSED OPPORTUNITIES

Anyway, the Gaang finds Toph again. Toph: “What are doing here, Twinkle Toes?” Aang: “How did you know it was me?”

Two things stick out here. I love that The Gaang interacts with her normally and this episode is not about the able-bodied characters learning how to treat a disabled person like a person, nor is it about them confronting their biases. Instead, they have a favor to ask, one that Toph cannot grant. The episode shifts focus onto Toph and her emotions and needs.

I also liked that Aang asks how she knew it was him. This is a common question and it seems to be asked in curiosity rather than implied judgment or suspicion on Aang’s part, as is often the case nowadays. Later in the episode, Toph explains how she knew, but she could also have recognized his footsteps (light as they are) with or without her bending. Blind people are also usually more reliant on hearing or smell and so may pick up on scents or sounds others do not. That is not to say their hearing or smell are superior (see the Supercrip discussion), but that they are used more often. This is how I conceptualize Toph’s bending— it is something she uses all day, every day. Like her hearing and smell and touch, she is more reliant on these senses and so uses them in ways others don’t.

I do wish we had a few more examples of this in the episode/show rather than Toph using her bending for every situation. As I said, I do not mind that she can “see” with bending as it is not true sight, but showing how she uses other senses would have been nice details.

TOPH’S PARENTS HAVE ENTERED THE RING

Toph: “I thought I heard something! I got scared.” Guard: “You know your father doesn’t want you wandering the grounds without supervision, Toph.”

With this, we can understand her father is overprotective, so much so that Toph is able to believably pull off this act of helplessness in front of the guards. Her father does not believe even walking around her own home is safe for her.

With that in mind, it is NOT a plot hole that she can walk around her home in front of her parents. Even overprotected blind kids don’t use canes or need a guide within their own homes as they often memorize the layout. Canes are not usually used inside ones own home or very familiar areas. Outside areas might be an exception as they are likely to change due to nature or redesign, but generally familiar, casual areas do not warrant canes or guides. It is completely believable that Toph can walk around in her own home without causing suspicion.

Toph’s father, indicating soup placed in front of her: “Blow on it. It’s too hot for her.”

Not only is her father overprotective, he is infantilizing. He thinks she can’t blow on her own soup and must be confined to basic stances of bending, something Toph is clearly unhappy with. Toph’s parents are the kind of people who wouldn’t let her watch TV lol!

Toph’s father: “And sadly, because of her blindness, I don’t think she will ever become a true master.”

There it is. There are many people in the world who have this mindset, believing disabled people succeeding is unrealistic, or only achieved by pity-driven intervention from others for inspirational purposes or a lie told by overly soft parenting. Toph’s father may seem radical, but his views are very common even for those close to a blind person. Even for those who might like the inspirational stories about blind people doing things.

HOW TOPH SEES THE WORLD

Toph: “It’s kind of like seeing with my feet.”

This is where I disagree with some interpretations of Toph. She can sense where things are and what they are. She has a wider range than someone with a cane would. However, I don’t know if this is quite erasing her blindness. Could they have done better? Yes. However, to claim the show made her sighted with magic is not quite fitting to me. Toph is not seeing with a magical potion, nor did Katara heal her blindness. She is using a power a lot of people in the ATLA universe have in bending, one she has used her entire life and perfected through sheer number of practice hours. I think it helps that she did not get this power, narratively, because she was blind. Rather she is a blind person who adapted a skill to her use.

A cane or an animal guide might have helped make the narrative more relatable for blind people, however. They could have also played up being unable to see people’s facial expressions. In other episodes, they show areas where she is unable to bend, such as on ice, sand, or floating objects like the warship or Appa.

In these instances, they could have shown sighted guide.

However, I think what they did worked. Would I suggest anyone else try it? Maybe not. It depends on their motivation for doing it. Toph’s powers basically act as a cane or Sunnu band would. They aren’t a magic spell letting her see all the time.

They could have done a little better— I still think it worked. It does not seem to have unfortunate implications of sight being better than blindness or blindness needing special cures.

For writing purposes, it is important to understand why this worked, how it was portrayed, factor in that bending is not unique to Toph, understand the nature of her ‘sight’, and understand what they could have done better. Just because it works here doesn’t mean it will work everywhere. It is important for writers to understand that and question their motivation for giving their character a different kind of vision.

THE DISABILITY EPISODE - AVOIDED

Toph’s father: “My daughter is blind. She is blind and tiny and helpless and fragile. She cannot help you.” Toph: “Yes. I can.”

Some may feel uncomfortable that Toph’s first episode is about her parents doubting her, dealing with ableism and being forced into stereotypes by her own family. It is important to remember that this is a show for children and any blind children watching it will have dealt with similar issues from adults in their lives. The show doesn’t seem to say this is the only narrative a blind character can have, but rather that it is a relatable occurrence for blind children who are watching it.

Toph also has many episodes left — this is only the beginning. This is hardly her only arc, and even her personality and abilities challenge so many stereotypes.

In most shows, the blind character gets one episode. Toph, however, is a main character.

Toph is also a well-rounded and interesting character with agency. She hardly seems like an inspirational puppet for adults.if this show had been written for adults or if Toph had been focusing on wanting to become a champion “despite her blindness”, I might have felt upset. It goes to show how important nuance is when writing disabled characters and how powerful it can be to make an effort to challenge stereotypes.

This is not how we first see Toph— helpless, unproductive. Instead, we FIRST see her out in the world kicking butt with her bending skill and I think that it is important.

NOT SO HELPLESS AFTER ALL

Toph’s father uses these words to describe her: Tiny, helpless, fragile. Unable to help others. Unexpected to become a true master or even advance beyond breathing techniques.

Toph challenges all of these at some point. She helps Aang defeat the bad guys. She faces many people in battle and wins, remaining an undefeated champion until Aang accidentally beats her. She advances far beyond basic bending techniques. Toph is good at very active things, with bending as a martial art and as a sport here. It is refreshing to see blind characters being so active and a stark contrast to the passive image her father has of his blind daughter. She does things for herself, including developing her bending style without the help of a master who limits her- and she hides her double life well. Toph’s ability and personality also challenge notions of fragility: she is boisterous and fearless, stubborn and even a bit rude. She mostly says what she wants to and fiercely hides what she doesn’t want to, even when pressured. She yielded only to her parents, which is tied up in love, respect, fear that they will no longer love her, possible aversion to change in some aspects of her life, and cultural expectations. For disabled children, it is often hard to go against your parents because the world teaches you that the world will never accept you or allow you to live in it. Your family is all you have.

Toph IS tiny, although that is due to genetics, environmental factors, and her age. However, her stature is used to prove the other qualities assigned to her when in reality her height has nothing to do with anything her family believes about her.

When the fighting starts, Toph creates a cloud of dust which effectively blinds her opponents. I thought it was a nice, ironic touch. The point is not just that her opponents now cannot see; Toph is already used to fighting under these conditions. She didn’t level the playing field. She is already better than them, already used to working without sight, and so the advantage is hers.

ABLEISM IN ACTION

Later, Toph confronts her parents:

Toph’s father: “You will be cared for and guarded 24/7.” Toph’s mother: “We are doing this for your own good, Toph.”

Unfortunately, this kind of infantilization is not uncommon. They saw her as she truly was and were still unable to let go of their ideas of their blind daughter. At this point, Toph is more trapped than ever despite opening up. The first time, it was surprising to see them not change their minds, given the happy endings we are used to in children’s shows. However, what happens is more relatable to blind kids with overprotective or controlling parents.

Of course, Toph makes the choice to leave them, showing more agency than most blind characters get, with or without controlling parents.

OVERALL

Overall: I loved this episode. It was a nice introduction to a character that both challenged expectations and dealt with obstacles relatable to blind fans. Toph’s struggles with her parents and the weight of stereotypes could have been cheap inspiration porn, but the way it was handled and the target audience of children rather than adults changes things immensely. This episode goes out of its way to challenge many stereotypes viewers may hold about blind people in ways that are fun and exciting. Toph’s personality is refreshing even over a decade later. While her bending as ‘sight’ may be disliked by some, it feels more like something with missed opportunities (the use of a cane or sighted guide), although I thought this episode did it well. Toph is not given special powers so that she can see—she adapts an ability for her own use.

Toph is a martial artist, encouraging children to try something similar if they are interested. She challenges her own parents, which may be very relatable to blind fans.

Unlike most children’s shows of the time (and even now), Toph does not feel like a vessel for able-bodied viewers to learn about blindness.

ACCESSIBILITY:

However, it is important to remember that at the time ATLA aired, there was no Netflix with audio descriptions. Descriptions were infrequent at the time and are still spotty on cable TV. The ATLA DVD did not have audio descriptions either, which is the case with all DVDs I have come across. Netflix also took an embarrassingly long time to add audio descriptions to a show with a blind character.

Consider that Toph was nearly inaccessible to blind children at the time — until 2020, well after other sighted children could enjoy it fully. Blind children could not watch a show about them with the same ease that a sighted child could. Think about that.

Is the show to blame for this? I don’t know. Usually the broadcasting service handles descriptions. I have yet to come across a DVD with descriptions. However, I wonder why it took this long. Did the staff consider a blind audience at all? Could they have pushed for descriptions to be added to the DVD?

And what about fans? Did fans consider that the character who challenged stereotypes for them might not be as accessible to blind people themselves? While they scrabbled about whether the characters were ableist, did they bother to consider Netflix’s lack of audio descriptions? Do they remember to add image descriptions to GIFs, pictures, or video clips in the years ATLA was popular online? Did any of this occur to anyone BUT the blind community?

Doesn’t seem like it.

TOPH AND THINGS I WOULD LIKE TO SEE MORE OF/LESS OF IN BLIND CHARACTERS

I made a post about things I would like to see more/less of in blind characters. You can read it here:

https://blindbeta.tumblr.com/post/637419979125489664/things-i-want-to-see-more-ofless-of-in-blind

Here’s how Toph compares to that!

More of: -Blind main character ✔️ -Blind character of color ✔️ -Active (sports/martial arts) and competitive ✔️ -Acknowledgment of difficulties faced in society ✔️

How They Avoided Things I Wanted Less Of: -Being portrayed as sad or broken because of blindness - Avoided - Toph owns her blindness by giving herself the same The Blind Bandit. The only time she is sad is when facing ableism from her parents.

-Being innocent, helpless, and unrealistically kind or selfless - Toph proves she is not helpless, even directly challenging it in the narrative. - Toph is also not unrealistically kind or selfless, not only insulting other characters- but refusing to help Aang when he needs it because it would change things between her and her parents. She also challenges her parents in the end, putting her desires before their feelings toward their perceptions of her. When she follows Aang, she doesn’t do so only to help him. She has her own want to travel and gain independence. - As for innocence, Toph IS 12, although she is far from naive. She is able to fool her own parents into thinking she is who they want her to be.

-Being portrayed as ungrateful or rude in general - Toph’s rudeness comes from a non-ableist place—herself. She is not rude due to anger about being blind nor rude due to entitlement. She doesn’t accept she doesn’t need and is not demonized for this, even when going against her own parents. Toph’s rudeness is in her personality, making it subversive in avoiding the idea blind people must accept all help and be grateful for it. The narrative does NOT expect Toph to go along with the ‘help’ of her parents or even Aang. She refuses this help until she is ready and willing to receive it.

-Going blind due to accidents or trauma - Toph was born blind

I WOULD HAVE WANTED TO SEE: -more adaptive technology/skills in addition to her bending -how she utilizes her other senses -another blind, minor character somewhere in the show (doesn’t apply to this episode, but still)

Toph is, in the end, a token blind character. It works better because she is a MAIN character, which is still not a common occurrence in modern media at all. Toph works because she does not have any stereotypical traits about her personality, which means the sighted audience does not have to rely on another character to broaden their perspective. However, it is still important to include more than one blind character in your stories. For ATLA, 1 or 2 minor blind characters may have helped, or maybe an additional secondary or even main character with low vision.

Toph has a well-rounded personality, which also means the “token” is not completely applicable to her. Toph is a great character. It would have been nice if she were not the only blind character. In fact, I cannot think of any show that has more than one blind character, as if it is a character quirk that cannot be done more than once.

RANDOM IMAGINES TIME

Now I’m imagining a Zuko whose eyesight was affected by the burn or a Zuko whose father decided he didn’t need that side of face anyway if he could not see out of it. Or an Azula who is blind and still better than Zuko -sticks out tongue-! Or perhaps Sokka or Ty Lee contrasting Toph’s personality and bringing to the table a struggle with a lack of depth perception while hunting or performing in the circus, respectively.

The point is, you don’t have to overload your story with blind characters unless you are setting it at a school or event for the blind. Instead, consider who is blind in your story and who else possibly could be. Consider why you only have one blind character and why.

That about wraps up all my thoughts on Toph. In short, I love her. There are things they could have done better or additions they could have made to improve the episode and Toph’s character as a whole, but she is still one of the most beloved and recognizable blind characters ever. I think that says something about the impression she left on people.

If only she would have been accessible to more blind children from the start.

I hope this review was helpful! If you need help writing blind characters I provide sensitivity reading in exchange for donations. My inbox is also open for questions.

#avatar the last airbender #toph #toph beifong #writing blind characters #blind #blindbeta

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snipsnsnailsnwerewolftales · 3 years ago

Text

Blue Moon - Part 1

A/N: See masterlist for prompts used. (And the list of amazing people who have helped me with this.)

I do not own Teen Wolf or it’s characters. Sadly.

Warnings: See Masterlist

Word count: 2,746

Xxx

“So what’s it like living with a Hale?” Stiles asked, turning away from your locker after you shut it. Both of you fell into step with Scott as you made your way to your next class.

You must have grimaced or made some face with a slight slant of your eyebrows only a Stilinski could read, because Stiles let out a snort. “That bad?”

You shrugged, sighing. “I mean, it’s not like I expected it to be a walk in the park, it is Derek Hale after all.” Scott chuckled with a gentle shake of his head, making you smile before you continued. “But I didn’t expect it to be this…. easy….. either.”

“Easy?” Scott questioned, making the same face you must have initially as Stiles let out another snort of laughter.

“Yeah, I mean, the first few days were awkward. If we weren’t training we weren’t doing anything. The man is silent, had no TV, or any of that-”

“Wait, ‘had’?” Stiles held out his hand, effectively cutting off your sentence and your steps, your shoes screeching on the floor at the sudden stop.

“Yes, had. He now has a TV, streaming services- yes, Stiles, services as in plural, if you keep your eyebrows that high they may stick that way, and it’s not the best look for you…”

“So at least there is something to fill the silence at least.” Scott resumed walking, you followed a few steps behind, Stiles lagging, jaw still dropped in shock.

“Well, yeah,” you agreed with Scott, and this time you felt your eyebrows making the face.

“But….?” Scott’s prodding was gentle, but his face held a smirk.

“But somewhere along the way we went from off handed comments during a news broadcast, or some show we were watching, to actually pausing it to have some discussion, or referencing some situation later and asking if the other had had something similar happen, or just opening up about random experiences and stuff. It’s…”

“Weird?” This time Stiles prodded, earning a glare and gentle whack on the arm from Scott.

“Well, maybe it’s because you’re…. new.” Scott opted for a more discrete word for ‘werewolf’ in the crowded hallways. “He may feel like opening up more because of the pack mentality and all.”

“No, it’s not because she’s…. new.” Stiles raised one eyebrow on the word as he addressed Scott, earning a sigh and eye roll from the young Beta. “The man is a brooding wall of leather and growls.” You chuckled at the description, making Stiles grin. “I think we finally found our miracle cure for our Sourwolf!”

“Woah, woah, woah, hold up.” You held up your hands as if to physically stop their words. “What?”

“Oh, come on, Y/N. We know you two like each other. It’s so obvious.” Stiles immediately closed his mouth, his lips a tight line, eyes wide and eyebrows in his hairline in his signature “I was not supposed to say that” face.

“What?” you deadpanned to your friend.

The bell rang, and Scott, wide eyed and smiling too broadly, gave Stiles a shove on the shoulder in the opposite direction of your next class as Stiles muttered, “Oh, look. The bell.” They both began to walk quickly the opposite way.

“Guys!” you yelled. “This is not over! But I am not responsible for you guys missing another class, what does that make, like fifteen already this semester?”

Your two friends stilled and turned on their heels, ushering past you quickly, avoiding your glare, Stiles looking at Scott and muttering, “See, Scott? I told you our class with Miss Blake was this way.”

“Ugh,” you mumbled under your breath. The sour expression stayed on your face even after you sat at your desk in the back of the class.

Chuckling, Stiles chanced a glance your way from beside you, hoping to change the subject from his ultimate fail in the hallway. “You still don’t like her?”

“I still don’t like her.” You overlapped his last few words, matching his gentle nod with one of your own as you stared straight ahead at the teacher’s still vacant desk.

“What is it about her you don’t like?”

“I just have a really bad feeling whenever I see her. Something just isn’t right.”

Scott chuckled, opening his book to the proper page. “You’re just mad that she gives you a little bit of a harder time.”

“You mean she gives me ‘more attention’?” you asked, your words rising to a ridiculous octave as they repeated Jennifer’s words she had used when she assigned you some extra credit to help raise your grade so you could stay on the lacrosse team. Your friends chuckled at your words. “I’m sorry, not everyone can be amazing at everything, being a wer-” you stopped yourself, clearing your throat before continuing- “new-” you looked at Scott pointedly, earning you a glare and Stiles’ laughter on your other side- “doesn’t allow for a whole lot of extra studying time.”

“Oh, come on, Y/N. I know you feel that way now, but it will pass,” Scott said with a smile as Miss Blake walked in, setting things on her desk, and he chuckled as you glared at her. “This is all ephemeral.”

You looked at Stiles, your face blank, voice a deadpan. “You ever buy him a word of the day subscription thing again, and I will rip your throat out.” You flickered your yellow eyes at him discreetly. “With my teeth.”

“With your teeth,” Stiles mumbled, overlapping your words, both of you nodding in agreement again. “I asked what it’s like living with a Hale, and now I got my answer.” He looked at you, shaking his head mockingly. “You’re becoming one of them. It’s contagious. We’ll call it ‘Sourwolf Syndrome’.”

Xxx

Due to your parents’ professions taking them all over the place constantly, like Allison, you were actually a year older than your friends, having to repeat a year a few grades back. But you wouldn’t change it for anything, because that’s how you met your best friends.

It helped that your parents were away on business most of the time, so no one questioned your staying at Derek’s loft for so long. You stopped by every few days to get the mail and check on the plants around the house, packing some new clothes if needed, Derek sitting outside in his car the first few times, but lately he had taken to coming in and helping you do the few things you had to do.

You told yourself it was just because of the increased threat that he wanted to be closer to his newest Beta. He didn’t have too many of those these days, you thought bitterly, smirking to yourself. You stared blankly as you rinsed out your coffee cup in the sink, and a wave of sadness washed over you as you thought of Erica, her absence still fresh and raw. The two of you had never really been close; just acquaintances at school, then pack members briefly, before she was gone.

Boyd had really withdrawn himself after that, and you didn’t blame him. You knew he probably felt how you did times ten. When Cora had been here briefly she mentioned losing a pack member was like losing a limb, and she hadn’t been wrong.

Then Derek had kicked both Cora and Isaac out of the loft, claiming it wasn’t safe with the Alpha Pack around. Isaac was staying with Scott, but you didn’t know where Cora had disappeared to. Peter was a wild card, so you didn’t even try to factor him in, and Scott outright refused to be a member of Derek’s pack. He was an Alpha with Beta eyes, and an enigma for another time.

The point was, Derek was running low in the Beta department lately.

The only reason Derek had you staying at the loft and followed you around the house when you had to go was because you were the newest, or so he said. Deep down you knew he just didn’t want to be responsible if something happened to you. He wanted to control the situation as much as possible which, you guessed, you were kind of glad, being new to this whole werewolf thing, and admittedly not wanting to stay home alone again, human or werewolf.

At least at the loft, even in the times before Derek brought home the TV and stuff, the silence had been comfortable. You’d never admit it to anyone, but just being in the presence of another living, breathing being, even one as brooding and somewhat annoying as Derek Hale, was nice.

And you sure as hell weren’t going to think about how he had helped you with your homework sometimes, especially with that English extra credit. He had a side he didn’t share often, and you were glad you got to see it. It was like a rare spotting of a mythological creature.

You smiled to yourself, watching the water in the cup filling clear now, the mug long clean, and you let your feelings wash away down the drain with the water as you turned it off.

Setting the mug in the sink, you took a deep breath, letting the feelings whirling around you fully roll off your back, rolling your shoulders back as they did.

Stepping into the doorway to the living room you saw him delicately watering some houseplant your mom babied. The first few times he had just poured water at its base, and you had to stop him, showing him how it had to be done, otherwise he’d over water it. And since then, though he had said initially that it was stupid under his breath, he took meticulous care to check if it even needed watering, and then watered it properly, like you showed him, even bringing books home to the loft about how to care for the various types of plants your mom had around the house. You found it endearing.

Smiling softly, you gently shook your head. One second you were bitter towards him, the next finding little things that made him amazing. “I’m going to go grab some clothes, my stuff got torn to hell last week when we dealt with what’s his face,” you said offhandedly, starting up the stairs. So many baddies came through this town, you got them all confused.

Derek chuckled. “Okay. You know you can always borrow some of my clothes if you need to.”

You stopped midstep on the staircase, each foot on a different step, and your grip on the bannister tightened, your knuckles turning white.

This.

This is why you had such conflicting emotions about this man. Wolf. Wolfman.

“Are you sure?” You kept your voice even, smiling softly.

He shrugged. “Yeah, I mean, makes more sense then driving all the way over here.” His voice tried to be neutral, but it was evident he was trying to cover up something he had let slip before really thinking about it.

“Thanks. I’ll remember that next time.” You nodded once to each other before you took two steps calmly and then practically ran up the rest of them to your room.

Holding a hand to your chest, taking deep breaths to try and stabilize your heartbeat, you slumped against the door after you closed it, sighing.

You tried not to over analyze what he said, but failed.

You knew he probably was making some underhanded comment about your abilities, “coming all the way over here”, really he wanted to say, “you suck at being a werewolf, you’re always getting hurt and your clothes destroyed in the process”.

“You too, wolfman. You too,” you mumbled under your breath as you angrily rifled through one of your drawers, grabbing a few things.

You chuckled a dark laugh. “But I’m an Alpha, Y/N. I’ll heal faster.” You mocked his deep tone, your search in your drawer turning into an aimless activity, the contents totally mixed up now.

He had never been around whenever you had gotten in a hit or takedown on the baddies you guys had encountered so far in your short time in this world. For some reasons you ended up on opposite sides of the battle fields, and he never said it directly, but you knew he probably thought you sucked. How else does one end up with torn shirts from claw marks and blood being covered by your jacket?

Everyone else had called you a badass, but Derek had yet to compliment or even comment on your fighting ability. But maybe, since he trained you, that spoke more to his ability and not yours, you thought with a smirk. Satisfied with the thought, you grabbed a few clothes out of the drawer before snapping it shut.

After a few steps toward the door, you slowed to a stop, absently staring at the clothes in your hand as your thoughts cleared a little from your earlier anger.

If it was a reflection on how he thought he was, that was kind of sad. Did he really think so lowly of himself and his abilities?

You had only been in this world a short time now, but even you had to admit he was a good Alpha. A good wolfm- werewolf. A good man. He was a great person to have at your back in a fight and in mundane things like math, which was also a fight, but that was a thought for another day. He was a good friend to have, period.

Shaking your head and chuckling gently at yourself, you wondered why your thoughts were everywhere. Glancing at your calendar on the wall, you saw the full moon was coming up soon and rolled your eyes. Of course.

This would pass. This was ephemeral. You groaned softly as you made your way back down the stairs. Stiles was going to pay.

Derek met your eyes when you made it to the last step, hopping the last few inches to the first floor. He set down the watering can softly.

“Do I really sound like that?” His lips twitched upward slightly.

Screwing up your face in confusion it took you a second to realize he had heard your mutterings as you disorganized the contents of your drawer upstairs. Realization crossed your face before your palm slapped to your forehead, the groan passing your lips before you could stop it.

Derek laughed, and you looked at him apologetically, to which he motioned with his hand as if waving it away and smiled at the floor where his gaze was focused. “Don’t worry about it. I just always thought my voice was deeper than that.”

He chuckled even more as you swatted his arm, laughing gently yourself. He grabbed your wrist playfully before you could withdraw your hand, and you found yourself pulled closer to him, almost toe to toe and having to crane your neck to look up and meet his eyes that looked down at you with some emotion you couldn’t decipher.

That comfortable silence hung around you two like a blanket… Until his phone rang.

As he fished it out of his pocket, you softly cleared your throat and took a small step back, feeling Derek’s gaze on you the whole time.

“Hello?” His voice was gruff and annoyed, and he was still staring at you. It almost seemed like he was upset at whoever was on the other end for interrupting his moment with you.

But that thought quickly evaporated.

“Jennifer!” He said it with a broad smile on his face, his voice a total about face from his greeting, and his eyes moving from you to the wall behind you.

It couldn’t be who you thought. There was no way. That would be too much of a coincidence.

“No, I’m not busy,” he said, turning to the door.

Grabbing his arm to stop him, he turned to look at you, eyebrows raised in question and, if you weren’t mistaken, slight annoyance.

“What?” he mouthed.

“Who is that?” you whispered.

“A friend,” he hissed.

“Who is it?” you hissed back at him.

“Your English teacher, Jennifer Blake.” He shrugged out of your grip and out your front door, motioning you to the car.

You seethed as you turned off the lights, grabbing your bag of clothes, and locking the door after you.

Reason number five hundred and sixty two to hate Miss Jennifer Blake.

Xxx

Tags: @mayahart02, @palaiasaurus64, @shydinosaurcandy, @lucyqueenofthestars, @c-breanne1999, @l4life, @ethereallysimple, @teenwolffan-with-nolife, @bellabadacadabra What’s This?

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spockandawe · 3 years ago

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Well, this is interesting! So, in that post yesterday, there was one line that really baffled me, a thing about people brushing off a character as an asshole “because he shows literally zero growth.” I kind of set that aside because it was such a weird non-sequitur, and guessed that it was just someone’s sentences not quite keeping up with their train of thought, which has happened to me many times. Apparently I was wrong! I already spent long enough on that one post, I’m tired of talking about that, but this is new and interesting.

Okay. I kind of wanted to see if I could talk about this purely in terms of abstracts and not characters, but I don’t think it’ll work. It would be frustrating to write and confusing to read. It’s about Jiang Cheng. Right up front: This isn’t about whether or not he’s an abuser. Frankly, I don’t think it’s relevant. This also isn’t about telling people they should like him. I don't care whether anyone else likes him or not. But I do like him, and I am always fascinated by dissecting the reasons that people disagree with me. And the process of Telling Stories is my oldest hyperfixation I remember, which will become relevant in a minute.

I thought I had a good grasp on this one, you know? Jiang Cheng makes it pretty obvious why people would dislike Jiang Cheng. But then the posts I keep stumbling over were making weird points, culminating in that “literally zero growth” line.

So! What happened is that someone wrote up a post about how Jiang Cheng’s character arc isn’t an arc, it’s stagnation. It’s a pretty interesting read, and I broadly agree with the larger point! The points where I would quibble are like... the idea that it’s absolute stagnation, as opposed to very subtle shifts that still make a material difference. But still, cool! The post was also offered up as a reason why OP was uninterested in writing any more Jiang Cheng meta, which I totally get. I’m not tired of him yet, but I definitely understand why someone who isn’t a fan of his would get tired about writing about a character with a very static arc. Okay!

Now, internet forensics are hard. I desperately wish I had more information about this evolution, because I find this stuff fascinating, but I have no good way to find things said in untagged posts, reblogs, or private/external venues. But as far as I can tell, that “literally zero growth” wasn’t just a slip of the tongue, it’s become fashionable for people to say that Jiang Cheng is an abusive asshole (that it’s fucked up to like) because he doesn’t have a character arc.

Asshole? Yes. Abusive? This post still isn’t about that. This is about it being fucked up to like this character because he did bad things and had a static character arc.

At first, that point of view was still deeply confusing to me. But I think I figured out the idea at the core of it, and now I’m only baffled. I’m not super interested in confirming this directly, because the people making the most noise about this have not inspired confidence in their ability to hold a civil conversation and I’m a socially anxious binch, but I think the idea is: ‘This character did Bad Things, and then did not improve himself.’

Which is alarmingly adjacent to that old favorite standard of ‘This piece of fiction is glorifying Bad Thing.’ I haven’t seen anyone accusing mxtx of something something jiang cheng, only the people who read/watched/heard the story and became invested in the Jiang Cheng character, but things kind of add up, you know?

Like I said, I don’t want to arbitrate anyone’s right to like/dislike Jiang Cheng. That’s such a fucking waste of time. But this is fascinating to me, because it’s like..... so obviously new and sudden, with such a clear originating point. I can’t speak to the Chinese fans, obviously, but exiledrebels started translating in... what, 2017? And only now, in 2021, do people start putting forth Jiang Cheng’s flat character arc as a “reason” that he’s bad? I’m not going to argue if he pings you in the abuse place, I’m not a dick. I’m not going to argue if you just dislike his vibes. I’m just over here on my blog and in the tag enjoying myself, feel free to detour around me. But oh my god, it’s so silly to try to tell other people that they shouldn’t like him because he has a static character arc.

I want to talk about stories. I don’t know how much I’ll be able to say, because it’s impossible to make broad, sweeping statements, because there are stories about change, there are stories about lack of change, there are all kinds of media that can be used to tell stories, and standards for how stories are told and what they emphasize vary across cultures and over time. But I think that what I can say is that telling a story requires... compromise. It requires streamlining. Trying to capture all the detail of life would slow down most stories to an unbearable degree. Consider organically telling someone ‘I made a peanut butter and jelly sandwich’ versus the computer science exercise of having students describe, step by step, how to make one (spread peanut butter? but you never said you opened the lid)

Hell, I’ve got an example in mdzs itself. The largely-faceless masses of the common people. If someone asks you to think about it critically like, yes, obviously these are people, living their own lives, with their own desires, sometimes suffering and dying in the wake of the novel plot. But does the story give weight to those deaths? Or does it just gloss by? Yes, it references their suffering occasionally, but it is not the focus, and it would slow the story unbearably to give equal weight to each dead person mentioned.

Does Wei Wuxian’s massacre get given the same slow, careful consideration as Su She’s, or Jin Guangyao’s? No, because taking the time to weigh our protagonist with ‘well, this one was a mother, and her youngest son had just started walking, but now he’s going to grow up without remembering her face. that one only became an adult a few months ago, he still hasn’t been on many night-hunts yet, but he finds it so rewarding to protect the common people. oh, and this one had just gotten engaged, but don’t worry, his fiancee won’t mourn him, because she died here as well.’ And continuing on that way to some large number under 3000? No! Unless your goal is to make the reader feel bad for cheering for a morally grey hero, that would be a bad authorial decision! The book doesn’t ignore the issue, it comes up, Wei Wuxian gets called out about all the deaths he’s responsible for, but that’s not the same as them being given equal emotional weight to one (1) secondary character, and I don’t love this new thing where people are pretending that’s equivalent.

When Wei Wuxian brutally kills every person at the Wen supervisory office, are you like ‘holy shit... so many grieving families D:’ or are you somewhere between vindicated satisfaction and an ‘ooh, yikes’ wince? Odds are good you’re somewhere in the satisfaction/wince camp, because that’s what the story sets you up to feel, because the story has to emphasize its priorities (priorities vary, but ‘plot’ and ‘protagonist’ are common ones, especially for a casual novel read like this)

Now, characters. If you want to write a story with a sweeping, epic scale, or if you want to tightly constrain the number of people your story is about, I guess it’s possible to give everyone involved a meaningful character arc. Now.... is it always necessary? Is it always possible? Does it always make sense? No, of course not. If you want to do that, you have to devote real estate to it, and depending on the story you want to tell, it could very possibly be a distraction from your main point, like the idea of mxtx tenderly eulogizing every single character who dies even incidentally. Lan Qiren doesn’t get a loving examination of his feelings re: his nephews and wei wuxian and political turnover in the cultivation world because it’s not relevant, and also, because his position is pretty static until right near the end of the story. Lan Xichen is arguably one of the most static characters within the book, he seems like the same nice young between Gusu and the present, right up until... just before the end of the story.

You may see where I’m heading with this.

Like, just imagine trying to demand that every important character needs to go through a major life change before the end of your book or else it didn’t count. This just in, Granny Weatherwax and Nanny Ogg go through multiple novels without experiencing radical shifts in who they are, stop liking them immediately. I do get that the idea is that Jiang Cheng was a ~bad person~ who didn’t change, but asdgfsd I thought we were over the handwringing over people being allowed to like ““bad”” fictional characters. The man isn’t even a canonical serial killer, he’s not my most problematic fave even within this novel.

And here is where it’s a little more relevant that I would quibble with that original post about Jiang Cheng’s arc. He’s consistently a mean girl, but he goes from stressed, sharp-edged teenager, to grief-stricken, almost-destroyed teen, to grim, cold young adult (and then detours into grim, cold, and grief-stricken until grief dulls with time). He does become an attentive uncle tho. He..... doesn’t experience a radical change in his sense of self, which... it’s...... not all that strange for an adult. And bam, then he DOES experience a radical change, but the needs of the plot dictate that it’s right near the end. And he’s not the focus of the story, baby, wangxian is. He has the last few lines of the story, which nicely communicate his changes to me, but also asdfafas we’re out of story. He was never the main character, it’s not surprising we don’t linger! The extras aren’t beholden to the needs of plot, but they’re also about whatever mxtx wanted to write, and I guess she didn’t feel like writing about Jiang Cheng ¯\_(ツ)_/¯

But also. Taking a step backward. Stable characters can fill a perfectly logical place in a story. Like, look at Leia Organa. I’m not saying she has no arc, but I am saying that she’s a solid point of reference as Luke is becoming a jedi and Han is adjusting his perspective. I wouldn’t call her stagnant, the vibes are wrong, but she also isn’t miserable in her sadness swamp, the way Jiang Cheng is.

Or, hell, look at tgcf. The stagnant, frozen nature of the big bad is a central feature of the story. The bwx of now is the bwx of 800 years ago is the bwx of 1500+ years ago. This is not the place for a meta on how that was bad for those around him and for him himself, but I have Thoughts about how being defeated at the end is both a thing that hurts him and relieves him. Mei Nianqing is a sympathetic character who’s also pretty darn static. Does Ling Wen have a character arc, or do we just learn more about who she already is and what her priorities always were? I’m going to cut myself off here, but a character’s delta between the beginning of a story and the end of a story is a reasonable way to judge how interesting writing character meta is, and is a very silly metric to judge their worth, and even if I guessed at what the basic logic is, for this character, I am still baffled that it’s being put forth as a real talking point.

(also, has it jumped ship to any other characters yet? have people started applying it in other fandoms as well? please let me know if this is the case, I am wildly curious)

(no, but really, if anyone is arguing that bwx is gross specifically because he had centuries to self-reflect and didn’t fix himself, i am desperate to know)

And finally. The thing I thought was most self-evident. Did I post about this sometime recently? If a non-central character experiences a life-altering paradigm shift right near the end of the story (without it being lingered over, because non-central character), oh my god. As a fic writer? IT’S FREE REAL ESTATE. This is the most fertile possible ground. If I want to write post-canon canon-compliant material, adsgasfasd that’s where I’m going to be looking. Okay, yeah, the main couple is happy, that’s good. Who isn’t happy, and what can I do about that? Happy families are all alike, while every unhappy family is unhappy in its own way, etc.

It’s not everyone’s favorite playground, but come on, these are not uncommon feelings. And frankly, it’s starting to feel a little disingenuous when people act like fan authors pick out the most blameless angel from the cast and lavish good things upon them. I’m not the only one who goes looking for a good dumpster fire and says I Live Here Now. If I write post-canon tgcf fic, it’s very likely to focus on beef and/or leaf. I have written more than one au focusing on tianlang-jun.

And, hilariously. If the problem with Jiang Cheng. Is that he is a toxic man fictional character who failed to grow on his own, and is either unsafe or unhealthy to be around. If the problem is that he did not experience a character arc. If these people would be totally fine with other people liking him, if he improved himself as a person. And then, if authors want to put in the (free! time-consuming!) work of writing that character development themselves. You would think that they would be lauded for putting the character through healthier sorts of personal growth than he experienced in canon. Instead, I am still here writing this because first, I was bothered by these authors being named as “freaks” who are obsessed with their ‘uwu precious tsundere baby’ with a “love language of violence,” and then I was graciously informed that people hate Jiang Cheng because he experiences no character growth.

#jiang cheng #mdzs #the untamed #disk horse #long post/#abuse/#only tangentially #but better safe than sorry i hope

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miraculouscontent · 4 years ago

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A genuine question, but do you have any theories as to why when Marinette is crushing on Adrien she's awkward, stuttering, and almost always anxious (I mean as soon as she started crushing on Adrien that's what happened), while with Luka she's pretty much her regular self?

Because she isn’t actually in love with Adrien; she has a celebrity crush on him.

Love isn’t about stammering or getting weak in the knees at the sight of the person. Love is about being able to be oneself around someone and feeling comfortable around them. That’s why Marinette is “normal” around Luka but “weird” around Adrien.

Many of Adrien's other fangirls act similarly around him to Marinette, with the only difference being that they pursue Adrien directly whereas Marinette is too nervous to approach out of fear.

And to touch on that specifically; with Adrien, Marinette is afraid of being rejected because she’s not good enough. She’ll go on and on about how much of a “disaster” she is, which tends to be associated with her crush on Adrien or her screwing up around him. Her “crush” on Adrien is damaging to her self-esteem.

Marinette in “Gamer”: Um, no no no, I... No, you're so good. I mean, I'm the one who's not good. I mean... I'm lucky, that's all.

Her crush should be making her feel good about herself; it should make her feel loved and respected, which is how Luka makes her feel.

Luka in “Frozer”: Personally, I think a girl like you deserves to feel more like this. (plays a happy tune) And whoever made you feel this way is nothing but a--(plays a bad tune)

Marinette: (giggles) Thanks, Luka.

He made her feel so confident in herself that she almost immediately felt okay asking him to come with her to the ice rink. Heck, in that same episode, Marinette says this about her crush on Adrien:

Marinette: Whenever I talk to him as a friend, I hardly stammer at all. That's a sign right there. Right?

Notice how the show never tries to add a “but...” to that or explain it away; the girls’ argument doesn’t even try to refute it outside of Alya claiming Sunk Cost Fallacy as if that’s a legitimate reason to not give up (it’s not).

For more proof, look at how Marinette talks to/about Adrien:

Marinette in “Copycat” at Adrien’s answering machine: Hey, hot stuff--

Marinette in “Animan”: Oh, [Adrien]'s such a—

Alya: Smartie, hottie, suavísimo, yummy-tastic spellbinder?

Marinette: All of the above.

Mylène in “Reflekdoll”: Are you okay, Marinette?

Marinette: Yeah, he's too hot— I mean! I'm overheating in here, aren't you?

Look how so many of those are about appearance. It’s about Adrien being attractive. The moment Marinette falls for Adrien in “Origins” is in the atmospheric moment of the umbrella scene where he’s saying nothing and just staring into her eyes while the lighting makes him look all “pretty” (because I’m sorry, her falling for him based on what he says/does makes next to no sense). The reason she has so many pictures of him isn’t even about obsession: it’s about thinking he’s the hottest thing since the sun.

“Captain Hardrock” didn’t do that with Luka. Yes, Marinette initially stammered at Luka because oh no, he’s cute! but then had calmed down after Luka opened up to her and showed her a piece of himself.

Marinette in “Captain Hardrock”: What? Luka? No way! You're being ridiculous! Pff! Sure he's cool and nice and everything... but there's only one statue that drives this compass crazy!

Cool and nice. See that? It’s not, “he’s cute,” or anything shallow like that. Cool and nice are direct compliments that reflect Luka’s personality.

And what about the webisodes; the things that should be able to contain as much detail as possible so there’s no room for error or slip-ups?

Marinette in “Marinette and Adrien”: [Adrien]'s so amazing that I completely freak out every time I talk to him! I mean, seriously…he's super smart, he plays the piano, he's a great fencer, he speaks Chinese, and he's so cute too!

“Smart” is the closest thing to anything personality-based (but is also something forced onto him by Gabriel because he has to get good grades); anything else is just something he does or - again - how attractive he is.

Marinette: Adrien is a model for his father, Gabriel Agreste, the best fashion designer in Paris, and probably the world. But he never brags about it, because he's perfect!

One would think we’d be getting somewhere with “he’s humble,” but then Marinette slaps on “perfect;” you know, that line that “Lies” seemed to reject from Kagami as if it’s like how dare you think that the boy we constantly portray as perfect isn’t actually perfect?

Marinette then goes on to say that Adrien’s “major flaw” is that he gets along with Chloe, but where did that lead in the show? Adrien scolding her and making her feel bad about herself for being happy that her bully is gone, because Marinette can’t feel like she’s more right than him because he’s “perfect.” He just makes her feel inadequate.

And the “perfect” line isn’t restricted to webisodes:

Marinette in “Reflekdoll”: Huh? Uh, sure! You're perfect— I mean, it's perfect!

Aspik in “Desperada”: I hope I don't disappoint you, Ladybug.

Ladybug: I know you won't. You're perfect--uh, perfectly capable of defeating Desperada!

And she’s fawned before over how amazing Adrien’s life is, even without the webisodes. Literally the episode that last aired (”Lies”) had Marinette sighing over Adrien and talking nothing more about him than how amazing his life is; nothing about his personality.

It’s not about Adrien; it’s about her being starstruck by his attractiveness and how much of a celebrity he is with all these things he was forced to be taught (meaning they’re not a part of his character that he wanted; he was forced to do them in one way or anything) and how incredible being him/his girlfriend must be. Even when she calls him “nice,” one has to recognize that Adrien has to put up a polite image. Look at the difference between Adrien and Chat Noir, the latter of whom has a mask of anonymity to work with? Adrien the nice guy suddenly becomes Chat Noir the “Nice Guy.”

Now, for comparison, let’s go back to the webisodes and see what Marinette has to say about Luka:

Marinette in “Luka as seen by Marinette”: You know, Luka is my friend Juleka's brother and one of the most talented people I know.

We start off with the “talent” thing again, but Luka’s talent for music is something he chose; it’s a part of him that he’s passionate about. That’s a huge difference.

Let’s continue.

Marinette: He also proved himself a great hero when Ladybug gave him the Snake Miraculous.

Marinette: But the thing I find most impressive about him is the way he can always tell how people are feeling.

Marinette: I may not be as intuitive as he is--

Heroic. Empathetic. Intuitive.

Those are character traits. They are integral pieces to Luka’s personality, and they bring Marinette comfort. She’s normal around Luka because their romance is normal: two people who love each other and just make each other happy.

In an age where media makes romance all about characters turning to mush or losing themselves around the person they love, Lukanette ends up feeling real specifically because it doesn’t do that.

Lukanette is as it should be: Marinette and Luka are friends first, crushes second. Their first priority is the relationship aspect that’s devoid of romance, which is why Marinette honestly considers her feelings for Luka in “Frozer” instead of blindly jumping in whereas Luka respects Marinette’s agency and simply assures her that he’ll be there for her no matter what.

#((This is heckin' long but screw 'read more's. This is important.))#category: salt #relationship: love square #relationship: Luka Couffaine & Marinette Dupain Cheng #other: ask and answer #((You know things are serious when I pull out the transcripts.))#other: ml spoilers

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