#she is goals

[inspiredrawaw]

So was thinking about Good Omens

Delt with it by making a demon oc

Gave her the ace colors

And then changed her design more to be more demon in general then a good omens demon

So uh yea probably gonna name them ace

[the--plant]

your honor she's my favoritest little blorbo

[ashleyasha]

I just want to look like laura bailey is that too much to ask

[benevolentcannibal]

i want a fraction of the fear big mom can summon in ppl just from seeing her.

[kensatou]

i'll let phie-san say it:

[hinamie]

10 years later

[moramaisis]

Nicola Coughlan is 37 ??!! Excuse me? Milady? My lady liege?? I thought she is like 26!

[tinfoilstork]

Yes.

Xena: Warrior Princess (1995 - 2001) ⤷ Fave Episodes: S2 EP15 "A Day in the Life"

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[chloesimaginationthings]

Abby let’s Cassidy meet her FNAF movie friend!

[radiance1]

"Hey girl!" Phantom says nonchalantly on the shoulder of the fucking Ghost King. Ice cream in one hand, a pair of sunglasses on his face, and a smoothie in the other. "You're getting adopted!"

Raven stared at the scene incredulously. When Phantom had texted her saying that he had a surprise for her, this was not what she expected.

She then slowly, ever so slowly, looked at the expression on the Ghost King's face. The lack of annoyance or anger at the fact that Phantom was sitting on his shoulder. Then the clear space on his other one. Then to her phone. Then to the rest of her team who look just as shocked (because a man and his kid who they don't know busted into their home) then back to Phantom.

Who merely shook the smoothie in her direction.

...

You know what?

She flew up, grabbed the smoothie, then sat herself down on the Ghost King's other shoulder. Much to Phantom's delighted cackle as the Ghost King disappeared from the Tower in a shower of green flame.

"Don't forget these!" Phantom said, reaching around with his ghost physiology to shake a pair of sunglasses next to her face. Raven took them, then put them and leaned back, taking a sip from her smoothie.

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[vaguely-concerned]

I still can't believe that bioware has morrigan tell you a whole story about how as a kid she came upon a girl she thought was so beautiful that it rocked her entire world and awakened new and bewildering longings in her (longings which by their very existence angered and perturbed her mother)... and then they have the temerity to ask me to believe she's straight

[lafaiette]

When Solas says

"I was trying to determine some way to show you what you mean to me."

and

"For now, the best gift I can offer is the truth."

it makes me cry SO MUCH because that "for now" really implies he was planning ahead, that he was hoping Lavellan would accept his full identity, and they would stay together.

That "for now" means he already had more gifts in mind, more ways to show her what she meant to him. In that moment, in that glade, under those circumstances, he could only give her the truth she deserved - so words, knowledge, love and respect in the form of a spoken revelation -, but what about later? What was his next gift to her going to be? Something tangible, like a love memento, something precious to wear and show everyone? More knowledge and wisdom to share with her? Memories and scenes from his old life?

Weekes said Solas was ready to tell her the truth, forget about his duty, and lose himself in Lavellan, but chickened out at the last second. So I'm really curious to know what kind of future he envisioned in those blissful last moments before he lost his courage - what other presents and displays of love he was ready to give to her.

[frodo-a-gogo]

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

[ludinusdaleth]

WE HAVE OFFICIAL LUDINUS & LILIANA ART I REPEAT WE HAVE OFFICIAL LUDINUS & LILIANA ART

(from dani carr's most recent recap, please tell me if you know the artist, i have a few ideas who it is but no solid confirmation)